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#answered stuff
banned-for-horny · 3 months
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Also have this
"more angry than sad
especially robin"
HEY. HEY VREL. VREL WHAT
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emc2beans · 2 months
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If your character(s) were forced to go to a costume party, what would they wear and why? Would they resist and wear their normal clothes, stares be damned, or would they go all out and make it themselves?
Gwynedd’s go-to costume has always been ‘pirate’ which is basically what she usually wears with more accessories like a hat, coat, and maybe an eyepatch. It’s low effort but it still manages to work.
Llewellyn, on the other hand, loves costume parties (All Saint’s Wake is his fav holiday) and likes to get as into it as possible. He’s not good at sewing, though, so a lot of his costumes are bought or made by someone close to him, usually A’mina and/or Riveaux.
Isolde also enjoys costume parties and leans more towards the typical sexy costumes like a scantily-clad maid or a sexy carbuncle.
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renesassing · 1 year
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I want revan to be released as an ARG scavenger hunt
correct 10/10 100% yes
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"taken" style action movie where a man searches for his wife. as he fights baddies in gunfights and hand-to-hand combat, it's slowly revealed that:
his wife hasn't been kidnapped
their marriage is not healthy or functional
this guy isn't rescuing his wife, he's hunting her down
his wife is a crime boss, those are her henchpeople he's fighting in a john-wick bloodbath
the tension builds until, drenched in blood, our protagonist steps forward for the final showdown. he pulls a manila envelope from his bullet-torn jacket and throws it at his wife's feet. he's just spent an entire trilogy biting & killing & maiming....all so he can deliver his shit wife her divorce papers
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ifthenslashers · 4 days
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and to continue from my last ask- I wanna say THANK YOU for all you do, showing off productions of If/Then around the world. The hard work is GREATLY appreciated!! Absolutely ❤️ love ❤️ this tumblr!!
All the hearts <3333
I love If/Then and all the theatres that continue to share the story with others!
~Mod Hester
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canisonicscrewyou · 1 year
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catmanbowser · 4 months
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Please draw leather jacket discowing more I beg of you he is so pretty!!!!! Also maybe leather jacket Cass but ahhh your art???? It's soo goodddd!!!
THANK YOU TEEHEE <3<3
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Idk if you’ll see this anon bcs this is an old ask but here you go </3
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dapper-lil-arts · 28 days
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which is the best??
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yooo-lets-go · 5 months
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Dear followers, today I offer you: this bullshit
Tomorrow: who knows
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banned-for-horny · 5 months
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Oh straight up Sydney going to far has been living rent-free in my brain since that scene where he's handcuffed and you try to walk away but he lunges at you and tries to put the cuffs on you instead?? like that scene is Gripping it have me so many ideas and it's like...it's not even his fault because we're the ones that corrupted him we did this to him
Ohhhh and Sydney not even registering your attempts to fight him off as a sign that you want to stop because he just thinks you want it even rougher and he'll gladly deliver because you made him into this. Dude would happily choke your ass OUT and keep going even when you pass out
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emc2beans · 4 months
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Have there ever been times you have found it difficult to write your character(s)? Whether it was a sticky point in their lore, troubles with rp partners, self-doubt, etc? How did you as a writer work around it?
There have been a few times where I kind of felt I was creating a timeline that didn't make sense, specifically with Gwynedd's and Llewellyn's backstories in terms of like how long they lived in Gridania, how much they had experienced before the events of the games, etc. My solutions was to lean a bit more onto a suspension of disbelief, but also to scooch around when Llewellyn would have shown up in my writing.
I also need to learn when to stop coming up with lore/backstories for characters that have no bearing on anything in my writing. It was fine when I was coming up with more details for Gwynedd's parents/siblings, but after developing Llewellyn's friends I think I should take a step back. (I will not stop, I can't help myself lmao)
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renesassing · 1 year
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Hap Birth!
thank u so much!! \( ̄︶ ̄*\)) time for another revolution around the sun baybeee
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eddievedders · 9 months
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GOOD OMENS — Chapter 5: The Ball.
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ifthenslashers · 4 days
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Theatre Alliance production ensemble member here! I didnt realize I forgot to hit “Ask anonymously” on my last ask, my bad 😅 and there’s nothing online YET for If/Then other than the link for tickets- another show is happening before If/Then over at Theatre Alliance, so they get the spotlight currently! But yeah, once more stuff for If/Then comes out, I’ll try and send it y’alls way if you dont have it! Thank you- being in If/Then is already exciting!
-Theatre Alliance Production Anon ^_^
We are all wishing you the best for the production!
~Mod Hester
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urxdadd · 1 year
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hattiestgal · 5 months
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If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
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For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
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But also a fat one too!
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And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
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THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
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THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
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THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
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THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
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Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
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Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
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These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
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Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
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And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
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