#anyways i actually kind of like this set | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr was created by web developers David Karp and Marco Arment.

#anyways i actually kind of like this set

katabay · 4 months

Text

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories #are GENIUS and also somewhat terrifying. love them! xoxox #anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun #to talk about. which. for the record. has not stopped me from talking about it at length to people #the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying #it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks #and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower #because the game is very much ALMOST about changing times and authoritarian violence and capitalism #(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here #in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top #of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting #SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT #unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable #thief the dark project #i still have no idea how to tag the game series as a whole RIP #sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know #garrett thief #basso thief

285 notes · View notes

quietwingsinthesky · 2 months

Text

now that my friend pointed it out i cant stop thinking about the design of the tardis in the tv movie because 1) it was gorgeous but 2) that was a home. that was his home. he had a chair to lounge in and a record player. seeing the tardis in the tv show, that one huge console room, bigger on the inside and yeah, it’s impressive but it’s functional. (i’m assuming this is a budget thing, because it would probably be extremely impractical to have the kind of set they put together for the tv movie for every episode of an actual show lmao.)

there’s just something so. i think it’s the first time i’ve really looked at the doctor in the tardis and thought, right, he lives in there. rather than it just being his car. it is very funny to think of the doctor as a guy living out of his shitty van, but no, the tardis can be a home. it can be warm and comfy and full of knick-knacks.

#doctor who tv movie tardis set i LOVE you. its so pretty #can we talk about the set design in that movie actually its so fucking good #like i know its haha movie bad but fun. but holy shit that set was actually gorgeous. who made that. i need to kiss them.#im kind of miffed now that the show got a bigger budget and used it to make the console room even bigger but even more sterile looking #i think this is another reason i like twelve too. twelve’s just got shit in there. chairs and blackboards and his guitar. it still feels #like he’s living in his van rather than a proper house but it *does* feel like he’s living in it #anyway. let fifteen put some knick-knacks in his console room.#doctor who

95 notes · View notes

tonyglowheart · 3 months

Text

"Does Shen Qiao even like Yan Wushi?"

I feel like it may be relatively easy for people to pick out "what does Yan Wushi like about Shen Qiao / what does YWS get out of yanshen." but I think a criticism/line of thought I see around is people struggling with "well what does Shen Qiao get out of all of this?" and like, "does SQ even like YWS, what with how YWS annoys him and gets him angry all the time."

But I think that actually is the crux of their relationship, lol. Because if you think about it, to everyone else, Shen Qiao is this lofty ideal, this untouchable immortal/仙, maybe even this obstacle or goal to conquer or shoot down.

Who else treats him casually and teases him and pokes at him to get emotional reactions out of him because they like that about him?

If he wants to seek people who treat him with respect and reverence, he just has to step out into the city square - hell, he just has to travel out and random people he meets are likely to treat him with that sort of dazzled awe or reverence too (we literally see this happen several times in the course of the novel).

So yeah, I think joking not joking, YWS makes him angry and feel Emotions and he likes that, YWS is enrichment for him, YWS pushes his buttons and his boundaries but reframing that it's pushing him out of his comfort zone and like hardening him off to the elements and realities of the world like a gardener with plants out of the greenhouse. But also, YWS treats him like a person, like a man, and not like Shen-daozun, Shen-daozhang, Shen-zhangjiao. To Yan Wushi, Shen Qiao is Shen Qiao. (and he loves to tease the shit out of him hehe (￣▽￣) )

CONVERSELY! This also gives Shen Qiao a space to *be* Shen Qiao. With Yan Wushi, he does not have to be Shen-daozun, Shen-daozhang, Shen-zhangjiao. He does not have to always be magnanimous and generous and a bastion of righteousness. These are in his nature, yet, but it's not ALL of his nature - he is, after all, still a man, a human, with human emotions -- including the full breadth of human emotions. Yes Yan Wushi annoys him and he shows it, but it's specifically BECAUSE of that that they are closer than him and anyone else in the world. He can "be himself" around Yan Wushi, he can get worked up and be petty and be snippy, and it's fine and won't cause catastrophes or undesired splashdown sociopolitical effects.

But also, he (lets himself?) get worked up by Yan Wushi - they HAVE that level of intimate understanding with each other where they can be like this and not have feelings hurt in any irreparable way. This isn't something that SQ does (lets himself do?) with just anyone, which we see throughout the novel reflected in his internal narration and comportment. So really, the fact that he DOES get annoyed with YWS shows that they are on a different, more "real" level with each other than SQ is with anyone else.

And like, they didn't get there in a day, sure, but imo we definitely see through the novel how they get there, so imo, the yanshen relationship is incredibly justified.

(I also say this bc I think literally every "I've connected the two dots" moments I've had in my reread, I would metaphorically flip the page only to be met with that connection I'd made spelled out on the page by MXS lmao. Like... yeah okay MXS *shakes your hand* you know your stuff. oh and also because I do think there may be some level of skepticism about yanshen esp from SQ's side floating around lol, but like... MXS did the legwork! yes chapter 45 happened, yes YWS never "apologizes" with words, but that doesn't mean that they don't share a deep mutual understanding of themselves and each other by the end, nor that they haven't moved past the events of literally 83 chapters ago, 96 if you count the extras -- a whole literal two-thirds of the novel ago. Like, I know we piss on the poor here and many educational systems around the world are in shambles these days, but work on developing reading comprehension skills, pls :') )

(lmao rip this post got long AGAIN. well, hopefully at least some people are reading all of this lol.)

#qian qiu #thousand autumns #qian qiu meta #yan wushi #shen qiao #mood is another great idea by ME dot meme #anyway here is my latest hot take! inspired by a meta post I glanced at from ages ago that I did not actually read properly #bc I think even then I Disagreed with the thoughts on it and thought it was kind of lukewarm lol #when like... I think SQ is also insane for YWS - it's just harder to see if you're approaching it from a conventional kind of interp #and also bc YWS is so much more vocal/ostentatious with his brand of craziness lol #but like. I very much ascribe to the 'actually SQ is like padme amidala' school of thought (that I coined lol)#and it's like. when you let go of 'but who would DO that/think that' and just accept. he does. and what does it say about him #it all starts to make sense #also yes I did this in a sort of long-winded reblog lol but now I'm making it its own post #hopefully this one is a bit more uhh concise than the last one now that my thoughts have percolated and set (as with a mousse) some more

29 notes · View notes

sad-endings-suck · 2 months

Text

Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

#long post #mizu #blue eye samurai #👏 genre and👏 medium matter👏#so does author intention >>>#if a story is telling a narrative that you personally don’t like but it is succeeding at what it set out to do that does not make it bad!!!#so sick of white boys on the internet calling any physically capable or martially skilled female character a Mary Sue #and it almost always boils down just to gender #a female character could be ridiculously overpowered but so long as there is a male protagonist that is even more overpowered they don’t ga #but as soon as there is a female protagonist with any kind of proficiency a male character in the story doesn’t have all hell breaks loose #if i hear one more man so much as utter the words ‘Mary Sue’ in my vicinity ever again i will be resorting to Mizu style conflict resolutio #men never learnt what the term ‘Mary Sue’ actually means and if you don’t know what something means then either research it or stfu #it’s such loser behaviour that shows such a pathetic measly capacity for any kind of critical thinking or reasoning much less media analysi #anyway rant over #this was sitting in my drafts #blue eye samurai analysis #mizu blue eye samurai #taigen blue eye samurai #taigen #overpowered #plot armor #media analysis #mizu bes #bes taigen #netflix bes #feminist critique #bes #blue eye samurai meta #reading comprehension #rant

23 notes · View notes

littlespoonevan · 6 months

Text

one thing i still genuinely do not understand is why all of these teen shows set in high school aren't just set in college instead. when i think of all the shows i watched in my teens/early 20s they all have the exact same problems and all of those problems could be solved if they were just. set in college instead?????????? actors don't look 16?? that's cool bc they're in college so they can reasonably be anywhere from 18-24. parents seemingly non-existent or disappear for episodes at a time??? nbd all the characters moved out for college so they don't see their parents that often. characters going to endless parties, having unlimited access to alcohol, and sleeping with a different person every ep??? sure makes a lot more sense if they're in college!!!! characters randomly having free time in the middle of the day??? everyone's college schedule is different!

like!!! there are so many shows that completely lose the run of themselves by s3 bc their characters start off 16 and now they're supposed to be graduating and all the plans they had and colleges they wanted to go to now need to Go Away bc they need a reason for them all to still stay in the same setting which means basically messing up 2-3 seasons worth of character development. and i just cannot understand how none of these tv execs thought, hey maybe if we make them freshman in college this would make more sense bc we'd at least have a plan for 4 seasons and even if we reach graduation we could still feasibly transition them into their career paths without disrupting the existing dynamic??????????? teenagers would still watch that, the demographic wouldn't change???????? college is still a tumultuous time where people are growing and learning and making mistakes and having new experiences?????????? where are all the shows set in college where are they?????????????????????????

#can u tell i'm on s3 of gossip girl lmao my biggest gripe is how all we heard for 2 seasons was what colleges they wanted to go to #and none of them ended up there #which like okay that can happen but for NONE of them to actually do what they'd planned to do????? when they were all extremely driven #and high achieving???? (well okay dan and blair were lol)#the same happened with glee #or else you end up with shows doing like an endless senior year which is also stupid #or a tIME SKIP don't get me started on time skips #the only show i can legit think of from the 2010s that was actually set in college was how to get away with murder #anyway it's wild to me that in tv most shows are either set in high school or mid to late 20s and beyond #why does everyone skip the college portion what's wrong with it #there's a reason college aus are one of my favourite kinds of fic they have #so much potential #text

43 notes · View notes

Last Seen Blogs

browniebatx3

BrownieBatX3

trainer---red

Schrodingers demigirl or smth

hairyboysarehot

BuzzLover

your-love-isalong-blog

Your Love Is A Song

honeymoonsoo