hate it when people say alina didn’t choose anything in the series as if she wasn’t out here making choices based directly on her own wants and as if she wasn’t out here wanting so many things and as if she wasn’t out here pushing towards a destination she was determined to reach.
she’s forced into many situations but she finds her way out of them, she acts with her own intentions, and she isn’t some wallflower poor helpless victim you can claim is blameless in her own actions. throughout the books, she suffers from writing choices that constantly have her reacting to things instead of taking the initiative. but that doesn’t mean she never does, and that doesn’t mean that when she does, her actions aren’t her own. stop erasing her character to make her more of a helpless victim.
this is the girl who used the cut on the skiff and abandoned people to die. this is the girl who brought a chapel down on the darkling’s head. this is the girl who looked the apparat in the face and turned the tables of power on him in an instant. why is everyone in this fandom obsessed with making the female characters one dimensional victims whose only character trait is that they’ve been hurt?! it’s obscene.
one of the only things she didn’t choose was having her powers stripped from her in the end. but the people who are ready to strip her of all agency throughout the narrative are suddenly ready to claim this was her intentional sacrifice all along when it textually wasn’t just because it serves their ‘pure victim’ image of her in their minds. please.
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reading tftsa is always an emotional experience especially when you get the short stories focused around the Blackthorns because the absence of Mark just bleeds out. like when you read about Julian being Helen's suggenes and Simon being the witness to Julian's parabatai ceremony you are just burdened with the knowledge that that's not who they would have picked if the circumstances were different. in a different life it was Mark.
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what i wish people would also explore more when it comes to Percy is the other side of his feelings about his mom about family and his childhood but this fandom is too afraid to paint Sally even in the slightest bad light (even if it's not bad just acknowledging her flaws because she's a human being and not perfect) that no one will touch on that subject. like yes Sally is the best mom but she also isn't and that's the thing! She isn't perfect! but she tried her best but her best still got Percy hurt and it isn't her fault at all but that's the tragedy of it. i want Percy's feelings about this explored. how he grew up with a loving mom but an abusive step father. how his step father would humiliate him and call him stupid but then his mom soothed him and told him he's not the things Gabe calls him. how Gabe would hurt him and Sally would be there to make him happy and loved but at the same time she stayed with him. i want Percy's feelings explored about how he knows his mother loves him but her absence still hurt him. she would work so much to have money to raise him she did that for him but at the same time it meant Percy was left alone or with Gabe. Sally gave up so much for him, she sent him away to protect him but at the same time he was sent away from his mom. she's the only parent he has because his father is absent and Gabe is not actually a parental figure at all but she's also often absent in his life too and that must have left him with such mixed feelings because it's not all black and white! Sally's love protected him but also hurt him. Percy loves his mom so so so much but there's also this deep-seated bitterness and hurt and anger he never let himself feel and then the guilt for having those feelings because his mom loves him he knows that and she gave up so much for him and she married a monster that abused her to protect him, he knows that but it doesn't make it hurt any less. the mess his emotions are because he knows his mom suffered for him and did it from her love for him but he still desperately wishes she never married that monster that he wouldn't have to have the childhood he had with him that he wouldn't have to live with the trauma he was left with. this all is exactly what makes their relationship so fascinating and also heartbreaking.
or the idea of Percy having weird mixed feelings after Estelle is born because that's his little sister and he loves her with his whole heart and would do anything for her and wants only the best for her but there's also this little jealous monster deep down that wonders why she gets to have a loving mom and a loving dad and a happy normal life but he never got that. why does she deserve it but not him? why couldn't he have that too? doesn't he deserve that too? he was just a child too so why why why??? and then the guilt of feeling that way too it makes me want to scream. emotions are fucking messy and they can be really ugly and they can make you hate yourself and there's no way Percy's feelings aren't a mess when it comes to this and i want to see it explored so badly!
and with Sally too! her feelings about Percy because she did so much and tried her best but sometimes unfortunately your best isn't good enough and it still got her beloved son hurt and she hates it and feels so guilty but she just has to live with that but she can't help to wish it was different. that their lives would be different. better. normal. she can't help but to wish she didn't have to do the things she's done, didn't have to suffer so much just to protect her child. can't help to wish she didn't have to worry so much, didn't have to be so scared about Percy, didn't have to be terrified that one day he won't come back home to her, that she won't be able to hold her son anymore because he will be gone, she just wishes he didn't have to suffer so much, she just wishes and wishes and wishes
and i just wish people weren't so afraid to explore this because it's so heartwrenching and yes if you want something do it yourself but unfortunately i cannot write nor am i able to handle this topic in a way it deserves so i am left only with rambling about it on here thank you
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y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!
like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.
and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye
you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .
when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?
if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self
and that's that on that
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sometimes i am reminded of strange comments i receive on my art and i am still baffled.
[ID: Tags reading "your alice looks like shes adicted to heroin and I love that" end ID]
like. no, people who are addicted to drugs shouldn't feel shame over their appearances, ofc. but also Why Would You Say This To Me.
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i keep feeling like. there's something parallel between rose and yaz's endings. maybe parallel isn't the right word -- but i keep wanting to draw comparisons, i think because they're two characters who really defined specific doctors and for whom it's basically confirmed the doctor returned their (romantic) feelings
(they're not the ONLY ones who fit this description, but i'm in no way qualified to talk about clara or even river, so bear with me)
it just feels. i don't know. rose never leaves on purpose. she is separated from the doctor, forcibly, every single time. the doctor sends her home, or she gets stuck in an alternate universe, or the doctor leaves her in the same alternate universe. every single time, she fights to get back to the doctor. the writers had to create a perfect happy ending for her (half-human version of her doctor who'll age along with her, in the alternate universe where her father is alive) because otherwise she wouldn't stop fighting to get back to the doctor, and the show can't have that. the show needs to move on. we need rose to fade into the past.
i haven't seen all of yaz's episodes, but her arc seems very similar from the limited amount i've seen. she keeps fighting to get back to the doctor. she's in love with the doctor, and the doctor basically confirms returning her feelings, albeit in a very stilted, hesitant, doctor-y way (compare "imagine that happening to someone you--" with "and if i was going to, believe me, it would be with you").
but when yasmin's doctor regenerates... yaz is just expected to. step away, go back to living her life, never see the doctor again. kinda like the abandonment that most companions have ever experienced -- getting dropped off once and then goodbye forever! -- except with more of the onus on her. the show has to move on from rose's era, so she gets dumped on a beach. the show has to move on from yasmin's era, so yaz has to accept that the doctor is going off to die alone. she has to make her peace with that information.
i don't know. i think yaz's ending is trying to go hand-in-hand with graham and ryan's purposeful exit -- it seems like the chibnall era tried really hard to have Not Terrible endings for companions. which is very admirable! but honestly? yasmin's ending feels crueler than most, including rose's. yaz was in love with the doctor. the doctor reciprocated those feelings. they should've gotten their equivalent of s2-era 10rose! she should've gotten a chance to stay with the doctor through their regeneration, the way other love interests have been able to (s/o to river and clara!).
i know this is because of the limitations of the show. bad ratings meant chibnall left after only one regeneration, and new incarnations of the show rarely bring in characters from other eras.
but i'm still very sad for yaz :( like yes, she wasn't just dumped on the curb without warning. but she was still expected to say goodbye to someone she loved, knowing that person was dying, and not say a word of protest. if the previous history of the show is any indication, she's never going to see the doctor again. she doesn't get a half-human version of the doctor to live out her days with, and she's not "allowed" to fight to get back to the doctor, either, due to the way the show's structured (but also the way the doctor talked about them saying goodbye). she has to live the rest of her life knowing that the doctor is out there, perfectly capable of visiting, and the only reason they won't visit is because yaz is from a specific time of their life that they've moved on from.
i know she has the companion support group. and i know she'll move on! she's yaz. she's strong and self-actualized. she'll be okay, eventually. but she has to be okay, you know? she has to learn to live without the doctor. rose never had to do that.
it just makes me sad :(
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summer betraying raven isn't messy enough i need it to be followed by an opportunity for raven to take the high road but bringing a shovel instead cos this hole isn't deep enough
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with toriel and asgore it's like. they're both flawed and their flaws parallel one another, but they're not EQUALLY flawed... like..... come on......
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Me: -writes a post talking about fandom misogyny and the sexist hypocrisy of FE fans whilst still noting that Edelgard did some questionable things-
Some rando:
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I'm very weary of narratives and dynamics that paint people of color as like bullies, or intolerant/bigoted, or anything of the sort against white characters cause it's not that we're infallible either within specific communities or as a collective but like...idk like I feel like we're usually in these roles more often than not (its ESP Black women and girls, and Dark skin women and girls even moreso) like, esp when shows tout themselves as progressive cause knowing how Fandoms roll esp in regards to bleeding into actors off screen I just know there are people like going the hell in, because even when they're not bad people at all or just like a fleshed out human beings let them do one thing wrong, or do something fans don't like, people never shut the fuck up about it (look at Meredith and Amelia from Grey's vs Maggie and Bailey, esp in like the second half of the Grey's run) meanwhile white characters can never do anything wrong ever even when they're very much in the wrong which hmmm does that not also sound like real life?
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Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
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[7]
Ooh I do wonder about this
Yuuko talks about how Evil Wolverine wants to bring back someone who he’s already lost - which is ironically exactly what Lava Lamp just promised to do.
From the narrative framing I’m assuming that Sakura IS still saveable somehow - but what if she wasn’t? Would Lava Lamp become the next Evil Wolverine?
And Yuuko looks so sad when she talks about how once you lose someone they’re gone forever. Is she thinking about Sakura, and whether or not she can still be saved?
Is she thinking about Clow, and how much she misses him?
Or is she applying her words to herself?
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Okay good news we made it to our hotel room safely! In honor of that fact, I have a new poll for y'all
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"you have something that gathers people to you" yeah plot device unfortunately
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the weird thing about the sarah hess interview (there are a lot of weird things about that interview but if i talked about all of them this would be the length of a phd dissertation) is that, like, if you want us to give some sympathy to aegon and acknowledge the complexities behind him not wanting to rule but wanting it and his relationship with alicent and his siblings and rhaenyra and all that without the audience getting hung up on him being a rapist, don’t write him being a rapist? you are a writer on the show sarah, you’re the one who decides and this was an easily solvable problem
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