I think Ryne would have a kinda skewed sense of what's normal. Like, she may technically know what's "normal" for most people, but what's normal for her is way different. She's raised by two men who are both Weird, only one of which can even pretend to be normal (and like hell Thancred bothered with that while on the run with Ryne lol)
Ryne thinks that talking circles round pixies is common knowledge from her many stays in Il Mheg. It is not. She also thinks knowing how to and being able to stomach skinning and gutting animals for food is normal. It's certainly more common, but unless you're a hunter it absolutely does not come as easily. Being able to walk and run around quietly is something she technically knows is unusual, but since her company has mainly consisted of a professional spy and a man who barely leaves home she tends to forget that most people can't do that.
I can't come up with anymore atm but. Ryne should get to be just a little weird(er) I think
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the dark urge being one of the primary antagonists who just happened to get delivered a clean slate via involuntary lobotomy and then was only able to stumble into trying to be a good person because they got that chance to start over is insane because like. well what WOULD have happened if the other Chosen of the dead three were in that situation and just woke up with no memories
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Tomarry AU where Harry knows everything but it's not because he is a time traveller, neither because he is a seer —
Pages and words have always been Harry's best friend. Living inside a cupboard did not help with his obsession. Rather, it was due to those pages that he survived. (He was 14 when he got his room instead of a bloody cupboard to sleep in.). The library was the only place Harry was able to hide from Dudley before they were sent to different schools.
When he was fourteen, and hiding from Dudley in the public library (he was mad that his gaming room was given to him.) he ends up reading a book he came to like very much.
It was a book about an orphan boy (like him.) who ends up going to this magic world (oh, how Harry wished) but sadly Tom ended up being hated there as well. Harry was awed by Tom's strength, but also angry (at the world how they let Tom down.) and angry at Tom for destroying himself to destroy what hurt him (or maybe he was angry at himself for not being able to do the same, maybe he was angry that he couldn't save Tom —) Harry was fourteen and it would seem he was angry at a lot of things.
(—that day Harry punched Dudley back after Dudley hit him. He didn't get to eat for a week straight.)
Jealousy is something he never let himself feel, because it wasn't a privilege he was given — not really. But one thing he was jealous of was the fact that Tom got to fly. (Harry wondered some nights — hungry and unable to sleep — what would he do if he got a magic letter? Would he have friends? How nice it would be to get to eat 3 times a day — how nice it would be to just fly away.).
Harry Potter loved Tom Riddle. Harry Potter also loved Lord Voldemort. The boy who died to be born as a monster. The boy who swallowed all the hatred so that he could hate the world in return (oh, how Harry wish he could burn down the world too sometimes — how he wish he could just hate hate hate and not care care care; maybe then he would finally stop trying look for approval in his aunt's eyes). Harry knew when started reading the book Tom was as cruel as he was strong. And he knew as he read the text, there would come a day Tom would burn the world like he was also burned. Even though he didn't agree with Tom's decisions most of the time he knew Tom. So yes, Harry Potter might not agree with Voldemort but he still loved him. And he wished that he could tell him that. Wished he could tell the man who was still a boy that wanted a family so bad that he stayed up for hours at night searching, hungry to find any living family there was, hungry for a belonging that he wasn't even deigned in the magic world. He wished he could tell Voldemort that no matter what he became, Harry would love him.
So imagine his surprise when he wakes up in a moving train — right after going to bed (instead of a cake he got a can of soup) the night he turned sixteen. Imagine how surprised as he sat there, in robes that he doesn't remember he ever owned. Imagine him freaking out that he got kidnapped as the door of his train compartment opened, and in came Tom Riddle.
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thinking thoughts about how nona was so obsessed with crown, and crown specifically- not coronabeth. crown, with her boots and her cargo pants and her guns and her hair tied back, with all her charm and strength, all her rage and determination.
was that really just nona? or, walk with me here- is there a chance that that was actually alecto, too, bleeding through and rising to the surface?
alecto, seeing a kind of kinship in crown- in this big, tall, strong blonde with a sword strapped to her back, hot and lovely and kind and awful and powerful and perfect. this woman who refuses to give up- on her sister, on saving jody, on BOE's resistance. who's unafraid to throw one hell of a tantrum, if it means being listened to, for once. crown, who everyone thinks of as dumb, who everyone underestimates, who no one ever takes as seriously as they should, even though she's clearly capable of plenty of atrocities in her own right. this woman who's been described over and over again as someone who positively radiates life, and energy, and vitality, and strength. this woman who wanted nothing more than the chance to be herself, to be free, to serve as cavalier and guardian and protector, but was instead sentenced at birth to a life of being a princess and wearing dresses and looking pretty and loving less and staying out of the way and keeping her mouth shut and playing second fiddle to a necromancer obsessed with power and glory. familiar, no? this woman who was betrayed, left behind, left alone, and left utterly in the dark by the one person who's supposed to love her the most- only to then be told that being abandoned was in her best interest, really, for her own safety.
thinking about all the times we've seen ianthe insult crown's intelligence and praise her beauty in the same breath. you big dumb bimbo, what can you do? of all the times we've seen ianthe fussing over crown's appearance. thinking of the sister-lyctor makeover-montage ahead of dios apate minor, and how harrow hated every second of it, and how ianthe treated it like nostalgic second nature. thinking about the third house: fucked-up planet gossip-girl with all its betrayal and espionage and flesh magic and debauchery, three for the gleam of a jewel or a smile. thinking about the pressure that must have come with keeping up the double-necromancer ruse, about ianthe having successfully played the part of two necromancers from the age of six. exactly how much practice must that have taken? thinking about the casual, automatic, possessive, offhanded, violating nature of ianthe playing god and giving harrow a full head of fast-growing hair without asking, without even telling her, just to make harrow prettier, just to piss her off, just because she could. how she did it so easily, and without hesitation, almost as though she's maybe done that sort of thing before.
thinking about preservation. about a perfect body frozen in ice for a myriad, about ianthe spending all her downtime on the mithraeum figuring out how long she can keep an apple core in perfect stasis before the rot sets in.
thinking about corpse puppeting: a deceased world leader here, a trusted cavalier and friend you've known from the cradle there. about i picked you to change, and this is how you repay me? about she took babs. and who even cares about babs? babs! she could have taken me!
thinking about alecto, and hollywood hair barbie, and you have made me a hideousness.
thinking about crown, who's by her own admission boobs and hair and talk and a hell of a swordhand.
thinking about something as simple as stud earrings, and about how much grief ianthe gave her for daring to wear them.
nona loved crown.
something tells me that alecto might, too.
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the scene at the end of who's there?: eiffel is cut off mid-sentence (addressing minkowski), minkowski calls his name twice, and hera says, "commander... he's not showing up on any of my scans. he's gone." vs. brave new world: eiffel is cut off mid-sentence (addressing hera), minkowski calls his name twice, and hera says, "he's... commander, he's gone." in idle hands, eiffel regaining his autonomy ("hera, it's me. i'm me again.") is described: "there's a SOFT WOOSH, and eiffel's eyes go from spaced out to sharp focus." in brave new world, eiffel losing his memory is described: "there's a SOFT WOOSH, and his eyes go glassy." in mayday, hera's voice is the last one eiffel hears, the last voice in his head trying to keep him from giving up when he's sure he's about to die. in brave new world, eiffel loses his memory mid-thought while addressing hera, and so she was his last memory, the last thing on his mind. whatever. whatever.
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I feel bad for Starlo. (pt. 9)
Star's the Papyrus (both are idealistic & seen as naive) of this game (Martlet is another possible parallel), even though he's got similarities with Undyne too. No matter how broken Ceroba seemed he asked himself WHY she did what she did and I think that's SUPER important.
Ceroba didn't do this. Her first instinct was to be harsh (after being harsh with him even BEFORE he attacked Clover):
called his personality "damaged" before this scene
... you never asked yourself WHY he did the whole sheriff act.
.... you never asked WHY he didn't want to grow up. If it was a coping mechanism, if he wanted to help his community in a way he couldn't as a farmer? It was never on her mind.
Yes he has baggage but he's dealing with it all while uplifting others, Ceroba has baggage but is well taken care of by Star and at least has him, he has no one but himself and his optimism to pull him out of negative feelings, and still gets insulted.
Yeah Ceroba's been through stuff but apparently it's been some time since Chujin passed and Kanako fell down, she should have at least started to support Star emotionally like he's been supporting her (sure, he did so with distractions, but as he said "aren't distractions what's best for all of that?" He did his best). Problem is she DIDN'T realise he was ever struggling with self worth and only assumed he was goofing off. Either that or she did nothing about it aka was too occupied with her own problems (which are valid but still... she should have tried at least a little) Cer's character flaw is being too stubborn and devoted to Chujin. She trusted him blindly and wholeheartedly. Everything else came in 2nd place. This is clear as day.
It hurts knowing Ceroba could never respect Starlo the way she still does her husband. Not saying she shouldn't admire Chujin, but the way she sees Star as a goofy manchild whose lifelong passion can go "too far," the way she sees all this Wild East stuff as him "just having fun," the way she thinks that only someone whose brain isn't developed would ever consider dating him just... ticks me off, tbh. That's why I think the guy needs someone who will be gentle and patient with him, even if that other person is going through tough times.
She DID call Starlo the best sheriff she's ever known (honestly the only sweet moment between them in pacifist, but it is very brief, especially in neutral where he just gets cut off; also I hope she was being genuine here) and said how everyone adored him (but hated his persona, which I've already covered: basically they either hated 'North Star' as a whole, which I hope isn't true, or just how excited he was to meet Clover, which makes no sense to me; already covered it as well)
Bonus: Dina didn't know who Star really was or what he looked like, not before the end credits rolled (when he shows up as himself & she's also seen there; makes sense that he finally came clean to her):
So he's literally been playing this role 24/7, ever since she became the bartender; ever since this town started to exist. It's impressive how he could keep up an act AND use this fake accent for so long
Bonus #2: Star was SUPER worried about Clover's safety; that's what REALLY upset him (he cares about that child sm). THAT's what drove him off the edge (unless he naturally has a temper, i don't think this is it tho). Either way, he was way more patient w Ceroba than I think most would have been in that situation. Sure he snapped a few times, but there was a good reason to. He still TRIED to reason with her. Why did he attack? Worried for Martlet & Clover. I honestly think Star's the type to only get super angry if someone he loves is in danger (minus the stuff that happened which led him to cracking)
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