something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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Aria Mason for @bloomingkyras' Gem's for Gemma BC!!
I am so excited for this challenge I love that the winner gets a hand made engagement ring that's so adorable!! 🤩
Anyway, on to the information about Aria:
Age: YA
Pronouns: She/Her
Sexuality: Pansexual
Career: Freelance Digital Artist
Aspiration: Painter Extraordinaire
Traits: Socially Awkward, Creative, Geek
Info: Aria is a digital artist with a passion for drawing and is still in all of her childhood fandoms. Socially awkward and shy, Aria hasn't ever been "good at dating." So, when the opportunity came to sign up for a bachelorette challenge, she thought that that could be the solution to her dating troubles! In her free time she enjoys playing video games, and creating original characters.
Some More Facts About Aria:
She likes comfortable/cozy clothing.
She loves styling her hair. It's very calming for her.
Her favorite series/franchise is Voidcritters.
She loves singing along to her favorite TV Show Openings, but only when she's alone/around someone she trusts.
Download [Google Drive]
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I am only taking some criticism
I made this based both on who I personally like but also just in general who I think is a good character (not necessarily the same)
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Hi, and happy blorbo blursday! (as usual I am @writeblr-of-my-own). I am back and ready to get in the game! For today's question, imagine your characters were in a cartoon TV show (such as Total Drama, Adventure Time, Kim Possible etc). What would their signature outfit be? The one they will never change for the duration of the season, possibly of the whole show? What would be one bit they keep doing or their signature sentence?
Happy blorbo blursday!!
This would be very interesting to answer for B&W because all the characters have their circus outfits, so I'm not gonna do that bc it's boring.
In the dystopia WIP, I've always had a very clear image of what Cristover, Nester and Alexis's outfits look like. Especially Alexis. Their outfit appeared 100% complete in my brain and I never changed it bc it was perfect.
I once did character sheets for all the characters and, while none of them is fully coloured, most of them had a little sketch just to kinda study colours and shapes. And this was Alexis:
Some of the colours are kinda off and the yellow is supposed to be gold but this is the general idea. They're a ridiculously wealthy swordmaster living a life of hedonism and I think this really captures that vibe, especially when you add their facial expressions. They also always have amazing black and gold graphic-ish eyeliner.
Their outfit changes slightly throughout the story to include more red, to represent how they fall deeper and deeper in love with Veera and how this love gradually distances them from their old life (red is Veera's colour, her outfit also gains more gold elements).
If they had to keep the sane outfit throughout the whole "show", I have decided they would only change their outfit once. When they find out that Veera was secretly sent to assassinate them and is probably not even in love with them (she is), we see them venture out of their property for the first time. In this scene they're wearing nothing but red, no gold to be seen - they're not even wearing eyeliner.
Ok, to put this in simple terms, Alexis very vaguely represents "the rich" (together with Nester, the only other character who's main colour is a metallic tone), and Veera represents "the people", since she's the kinda-leader of the common people's revolt. In this scene, Alexis finally leaves their house (the bubble in which the wealthy live, out of touch with the world) and finds their way to a poorer part of Silver City (where Veera is from, they specifically find their way to the building the revolutionaries are using as headquarters) to finally see the real world and learn about Veera's cause. This kickstarts a redemption arc btw.
The colour-switching in a character duo also happens with Cris and Nester, but it means a very different thing and I've already written too much.
Anyway, here are some of the sketches for the other characters:
They are, in this order: Vi, Veo, Veta, and Veera. Veera's design has changed a bit since this was made, but the general shapes and colours are still correct.
As for bits that keep showing up, I guess it would be that everyone struggles to pronounce Vi's full name because of how long it is (it's Anastavius Greterssen). It's not even that hard, but he always pronounces it with his native accent (which is kinda nordic-sounding) and always writes it out in his native language's alphabet, which the other characters can't read. The only time anyone ever saw his name in the "normal" alphabet was his and Veta's marriage certificate, which they lost when they got exiled.
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🔥 on malazan, if you don't mind!
[I'm ~1/3 done reading HoC for context]
oh hmm what's an actual unpopular malazan opinion? pretty sure "I would defend Felisin with my goddamn life" is at least a contested opinion on the subreddit, but most folks agree on that here uhhh. here's a few scattershot opinions, hope at least one of them are unpopular:
I do rather like the opening to House of Chains? I saw several people say they didn't like it/that Karsa wasn't interesting enough to carry it, and I don't know if that's the general opinion or an outlier that I stumbled upon but yk. disagree it was fun watching him fuck around and find out + the Silanda reveal (and the other worldbuilding stuff) was really goddamn cool. I wouldn't say it's in my list of favourite malazan parts but it's nowhere near the bottom
Siege of Capustan was a really compelling sequence, but between it and Toc's PoV, somewhere along the line the Pannions(' brutality) broke my suspension of disbelief a little? I've never really liked gorey evil empires though lol tbf
the malazan marine POVs are generally pretty solidly mid-tier for me? they're still good, just outclassed by the other POVs (so say Felisin in DG and Itkovian/the Envy entourage in MoI)
I get that this is more a "we didn't really have the opportunity to see it" thing than anything else bc clearly it does happen (Felisin on the transport ship to the otataral mines) but I wish it wasn't mostly non-Malazans perpetrating (onscreen) sexual violence not sure on the implications on that one. ...although I have seen something to the implication that these books are in part in-universe propaganda? nvm going to reserve judgment on this one
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Honestly, as much as well talk about it, I kinda don't seen City as an option just becauss they've built their team over the last 2 years, including ofc Grealish who also plays as a 10 and is a starter, and it doesn't feel like they'd want to make any big transfers now. But still I guess we will see in the transfer window for sure, both for City's squad and Messi's decision.
appreciate the reality check, anons 🥲 it's all on leo and whether he believes in whatever "sports project" nonsense pissg is feeding him atp. i seriously doubt he's going to stay in the tinpot club for much longer (dear god let this not be a jinx), but considering barça's financial situation rn, not to mention tebas,,, i really don't think it's a feasible option. and i don't want it to be, either :// not at this moment, anyway. so yes, we can only wait and see what happens in the next transfer window. i'm not too worried about his options tbh— it's fucking messi, not just any random player: all it takes is the news "he is wants to leave" to break out just like the burofax in 2020 and he'll have clubs lining up at his doorstep
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