#because of the 2019 series I presume

[bblookyyy]

a lil guy

#my art #snufkin #moominvalley #it’s curious how I’ve never posted snufkin art considering my earliest snufkin (moominvalley in general but mostly him) art is from 2019 #because of the 2019 series I presume #but I recently started reading the books and oh boy #he’s SUCH A CREATURE #A LIL FELLA… #paws and all… #I used to draw him based exclusively on the 90s series bc that’s my favourite iteration of him aside from the lovable 2019 one #like I used to consider each iteration of him as different characters #but since reading the books I’ve come to think of all versions of him as one single creature #who can be cool mature amazing badass but also socially awkward childish and innocent at times #he’s just a little guy

[cobragardens]

The 3 Falls of Anthony J Crowley

So far, Crowley has told three different stories to three different audiences about why he Fell, and there's some important information that can be inferred from them. Let's get nerdy.

(Nb. C. 25% of this is from a previous post I made about Crowley's memory problems.)

Here's Crowley's 1st story (gifs courtesy of Fuck Yeah Good Omens), in 1867:

In Book Omens this line is narration about Crowley, and means that Crowley didn't embrace evil and side with Hell so much as he just wasn't into the whole Heaven shindig.

In Show Omens, this phrase becomes a little more fraught, because Crowley says it about himself, and he says it to Aziraphale.

Aziraphale has just disagreed with Crowley's assertion that the two of them have a lot in common. Az thinks Crowley means their origins as angels, and demurs, "I don't know. We may have both started off as angels, but you are fallen."

But what Crowley means, as we find out in pretty much every other scene the two of them share in S1 and S2, is that that he and Aziraphale have a lot in common now, in their current positions. He wants Aziraphale to see him as a friend--and to be his friend--so he elides the difference his Fallenness makes to Aziraphale, all "Ehhh, it wasn't really a fall kind of Fall, it wasn't that bad."

Also, given the conversation they have in the Final Fifteen, I feel like his phrasing is kind of important here, because falling is not voluntary, but sauntering is. In saying this Crowley is claiming that to some degree he chose to reject Heaven.

It's entirely possible that Crowley may have been lying to Aziraphale in 1867--he is, as he says, a demon, and he's lied to him before to make something bad seem less bad--but maybe not. Remember what the Metatron says about Crowley:

And this is another interesting point: The Metatron knew Crowley as an angel. The Metatron. The being who, after shepherding Aziraphale out of the bookshop, turned back and looked at Crowley with hate.

(And tense music playing, in case you weren't sure.)

So maybe that's it. Maybe Crowley just chose to be on his own side.

But in 2019, and addressing God, Crowley's story of his Fall is slightly different:

I think we can take this as Crowley's sincere belief. It's unlikely that he would lie when speaking to God, because that is Aziraphale's job because he doesn't have any reason to do so: God hasn't been listening to Crowley for 6,000 years at this point, and if She were listening, lying would not work. So Crowley probably believes he's telling the truth here with this story: Crowley believes one reason he Fell is that he asked questions.

But is he right?

Another line from the Metatron:

The Metatron seems to speak of Crowley's habit of asking questions as though he finds it obnoxious rather than damning, so maybe the questions weren't the problem. Then again we know that the Metatron is a lying piece of shit and an authoritarian who doesn't want his regime questioned, willing to erase memories and destroy lives to cover up the 'institutional problem' that Heaven doesn't know what the Plan is and is run by a handful of warmongers who want everyone dead or indentured.

Either way, this is the third time in the series someone has talked about the problem of Crowley asking questions, so my guess is his questions were probably a salient feature of his Fall.

Onward!

Before we look at the 3rd story, remember that we have strong evidence now that Crowley has had his memories erased by Heaven.

But we also know Furfur, another demon, still has his memories. Inference: Heaven don't erase the memories of every angel who Falls. This suggests that Heaven erased Crowley's memories because he had knowledge in those memories Heaven didn't want him to have anymore.

This may not be specific knowledge. We know Crowley has a high security clearance in Heaven and therefore must have been a high-ranking angel, and we know he created a nebula with Saraqael, so presumably there was a lot of stuff in his head Heaven wanted stripped out.

But I think there was something specific, and here's why. Firstly, there's no reason to assume that importance in Heaven is a guarantee of importance in Hell. Furfur could have been a high-ranking angel too before ending up an admin in Hell. (Hell does not seem to be any more of a meritocracy than Heaven does.)

Secondly, it's clear that Crowley doesn't know his memories have been erased. If he knew, then when Furfur says "We were in the same Legion? Just before the Fall? Doing dubious battle on the Plains of Heaven? Remember?" he'd say something like "Don't be stupid, of course I don't remember, Heaven erased my memories."

Instead he says,

Now, maybe Crowley is just being a dick here. Certainly we're supposed to take it that way until he goes up to Heaven with Muriel and doesn't remember Saraqael either.

But what if he's being truthful? If Crowley is being honest (and a dick), that would mean the Fash didn't erase all of Crowley's memories of his time in Heaven. We know this because Furfur says he and Crowley fought together "on the Plains of Heaven," and "just before the Fall" [emphasis added].

This suggests that Maybe Heaven didn't erase time from Crowley's memory. Maybe they erased people.

Okay, now here's Crowley's 3rd story about how he Fell:

It's a cute line, but what if it's not just a throwaway joke referencing what people say about kids who go down the wrong path and become criminals?

Crowley mutters this 3rd story to himself, so we can be confident Crowley believes this to be true. But Crowley doesn't know who the wrong people are. He doesn't know whose company got him thrown out of Heaven, because his memories of all those people have been taken from him.

And taken together, these three stories and Crowley's stolen memories suggest a bigger, more disturbing inference: Crowley doesn't know why he Fell. (Or sauntered vaguely downwards.)

Like Crowley, Job was once a favorite of God. But he has fallen out of that favor and been delivered to demons for reasons God refuses to tell him.

We the audience are meant to draw a parallel between Job and Crowley. We know this not just because of the speech Crowley cathartically gives Job's goats, in which everything he says to the goats can be just as easily applied to Job or himself, but from two other indications. Here's one:

Job is wearing Crowley's color.

The other is the minisode title, "A Companion to Owls." This phrase comes from the Book of Job, specifically Job 30:29. Job, lamenting what has happened to him, says,

 I am a brother to dragons, and a companion to owls.

In Biblical symbolism, dragon=serpent=snake=demon. And in some Mesopotamian beliefs--one of them Judaism--owls were associated with demons as well:

and

and

So the Job of the Bible is saying in this verse the same thing the Job of Good Omens says: God has forsaken me and delivered me to demons. Or even: God has forsaken me and I am now being treated like demons are treated.

And he's also saying something else. In the Bible, owls symbolize loneliness, desolation, and solitude. They're consistently depicted as living in barren, abandoned, isolated places. Seriously. Go search owl(s) in a Biblical concordance and read all 30 entries: it comes up a lot. If you're a companion to owls, you're alone (except for the owls) in the wilderness. You're forsaken.

WHOMST do we know whose signal color is yellow, who's a brother of demons, and who admits at the end of the episode that being alone and forsaken in the wilderness is lonely?

So. Job, a character whose claim to fame is that God punished him and he didn't know why, is a mirror character to Crowley. This on its own isn't enough to say definitely that Crowley doesn't know why he Fell, but combined with the three different stories he tells about his Fall, I think there's enough textual evidence to conclude that Crowley isn't entirely sure why he fell; he only has educated guesses. Either he knew and the memory was erased, or he was never told at all.

My question about Crowley's Fall is this: Who pushed him?

Was Crowley's Fall an act of God Herself, or was it an act of Heaven? What did the fucking Metatron have to do with it? What was Crowley's crime? When Aziraphale takes charge of Heaven and the Second Coming, will he read Crowley's file?

#good omens #good omens 2 #good omens s2 #good omens meta #crowley #aziraphale #the metatron #good omens analysis #crowley's fall #3 falls of crowley

[theafterglow83]

Stray thoughts from an unhinged mind caused by a song called Robin

Since my teens, I have always been a Karlie Kloss fan. No amount of vitriol from the Swifty’s has ever strayed or strained my conviction that Karlie is on many levels, and aside from being absolutely gorgeous, a better human being than Taylor Swift.

By that I mean she seems to project a warmth and a level of kindness and humanity out into the world that is so pure and honest, when compared to Taylors, sometimes vengeful and darker persona ~as well as her being Queen Mother to one of the worlds most vindictive and exhausting cults who would gladly fillet anyone at “Mother’s “ request. Taylor (the brand) has made a career and a fortune from feeding her tales of romantic misfortune and presumed ex lovers to her hungry mob with merchandise to match.

Karlie on the other hand has a nurturing and supportive side to her and don’t let her beautiful and seductive exterior fool you for below that sultry surface she gives off a warm and fuzzy golden vibe- like a puppy. She’s sophisticated, highly intelligent, NYC chic and street smart , often silly and maturing like fine wine while somehow becoming more beautiful as she ages. She also appears to be one Hell of a good mother to those babies.

All that being said about their personalities is exactly why I believe Karlie’s sunshine is the perfect match for Taylor and her moody, broken, impulsive ,often over indulgent, midnight rain personality. Not only are they equal in status - they have a Yin Yang balance to them - Only that sunshine can dry up the rain in Taylor .

I’ll continue.

While listening to songs off of the TTPD I was stopped dead in my tracks when I came to the song, Robin. I listened three times and found a tear rolling down my right cheek. I was choked up and the tiny hairs on my arms stood up . To say I was moved would be an understatement. There was something so raw, so pure and so loving in those lyrics. I had to sit with my thoughts for a while but I feel the need to share them now among those who i consider “my people”.

The Kaylors.

Sidebar confession: Yes, I’m a Kaylor.

I firmly believe Taylor Swift, and Karlie Kloss had a long running romantic relationship. They were more than friends. They were lovers too. The level of denial it takes to doubt that is astonishing. It wasn’t just Kissgate that sealed the deal. It’s the way those two looked at each other and communicated in a secret language all their own. They were deeply in love.

I believe it all started prior to the public meet up at the VS Fashion Show and even long before the “your kitchen or mine cookie “tweet.

I believe Taylor and Karlie first met when Taylor was showing up at fashion shows that Karlie was walking in as far back as 2009. Where they had a relationship then? Probably not because they were both involved with others but the sparks were flying. Thats when the foundation was laid. The attraction was there. The seeds planted. Destiny and the Universe did the rest.

Think Love Story lyrics

“We were both young when I first saw you” which I believe Taylor wrote about Karlie and which also happens to be Karlies favorite song. I believe they had an ongoing relationship that continued on until late 2017-early 2018 and then I believe something happened and they broke up, as many long-term relationships often do. My guts tell me it was cheating and it was on Taylor’s part and the regret from that will haunt Taylor for her entire life because it caused the trajectory of their path to change.

Karlie married in 2018 yet many speculate they were still together and the unofficial story is the real trouble actually came in mid 2019.

Taylor was furious over the masters, fingers were pointing everywhere, cheating rumors flew. This entire story certainly has all the drama of a Netflix series that could easily do 8 seasons

There’s so much more to this Masters incident than the public is aware of. Also the fact that Josh’s families company ~ the Carlisle Group provided the funding to Scooter is an often overlooked storyline.

Was Taylor angry at Karlie for that but how could Karlie control that if she was even in that loop of that drama. Or~ was there more -because in any good mystery - there’s always several layers more .

What did Scooter have to leverage getting that kind of money from them to buy the masters? Being Karlie’s manager at the time perhaps he has something on her or Taylor or both of them and used it as that leverage . It’s a whole other rabbit hole that I don’t have time to visit right now but regardless Taylor is still angry about to this very day which tells me it goes way deeper and my gut feeling is that Taylor’s dad was the one involved with knowing things and not Karlie Kloss who got fed to the sharks over the situation.

So I’m going on record here saying I never believed Karlie had anything to do with Masters Heist. I believe that story was used as an explanation to explain their separation. I know there’s a whole other level of messy lore involving this and a love blackout and Trumps election and Karlie’s association with the Kushner’s but I’m going to skip over that season and move on -except to say that it was absolutely shameful the level of hate Karlie was forced to endure because of that and still her sun shinned while she was being made the villain online and much of it still continues to this day. At any point during that scandal Karlie could have spoken out but she didn’t. She quietly took one for the team.

I’m not going to pretend that I know what happened during that murky period or what is happening now - because honestly -I do not…but there have been a strange set clues and way too many “koincidences to simply chalk up to being coincidences.

It’s just a gut feeling but I also don’t believe their connection went fully went away or ever will for that matter. They are and will forever be tied together even in the times they are apart but I kinda think they reunited ( again) in early to mid 2020.

I’ve read all the theories. I’ve heard all the rumors ,I’ve been to the rabbit hole, I’ve climbed out, I’ve fallen back in, and most days now you’ll find me sitting on the edge dangling my feet still and kinda wondering. I live my life ~ they live theirs.

So am I a LSK?

No, not really, but some days …ok, maybe. You see for as much as I try to say no…there’s just this tiny string I can’t help but see so I keep my feet planted on the ground but my mind open.

By open I mean open to the possibility that Taylor and Karlie are in one of those kind of “relationships” where as hard as they try ~they just can’t seem to quit each other and they go through periods of on and off times. “pauses” is what I like to call the brakes or bumps along the way. You know that couple that’s over but they’re never really over ?

Where are they now? I have no idea.

Taylor has another year of touring and promoting and probably Travis. My money says Taylor Swift will be the halftime show at next years Super Bowl.

Karlie, along with her modeling contacts ( Carolina Herrera, Estée Lauder, Donna Karen etc ) is venturing into the business world. Along with running Kode with Klossy, she’s CEO of her newly formed media company. She bought I-D magazine and also Life magazine, which Josh also invested in , this year. She’s got a lot on her plate

Yes, Karlie is married but is she really married in the traditional sense of what we all consider marriage to be? On the surface, yes… but once again- the layers and the lore here is incredible.

What a character she’d be on that Netflix show I imagine in my head . Just give her an Emmy already.

Does she love Josh? I’m absolutely sure she does- but the real question is…is she IN love with Josh? You know- romantic love -which, I as an observer ~don’t believe she is or ever has been. You can just kinda tell and no matter how many pictures she posts the connection just isn’t there and whenever I see her with her beautiful babies (even if he’s in the photo) she gives off that “ single mother vibe “

That level of chemistry, no matter how the pictures are posed~ or the hand in hand walks are staged -the passion ~ the look in their eyes - it just isn’t there and honestly it never was.

They have always given off that bff energy and frankly ~ Karlie’s friendship with her “big brother “ Derek actually feels more real, relaxed and genuine.Then there are the gay rumors ( past and present) surrounding their entire little multiverse ~but we won’t go into them right now either. We’d be here all night.

And yes, Taylor has had her share of public relationships but have they been real? Have they had their moments? probably. Did some become more than PR for a brief period of time. Possibly She’s been linked to everyone she even walks by or talks to but somehow it all pales and fades in time. I’m sure there have been flings along the way but flings don’t fly and usually run their course in that 9 1/2 week period that flings seem to take.

If I’m being honest, as I observe from the treetops all of Taylor’s relationships and Karlies relationship with Josh, they never reach the level of the real connection and happiness that I saw between Taylor and Karlie. That’s something you just can’t fake or reproduce with another .

Whatever is going on with Travis is so cringey and sadly embarrassing.I tend to think it’s PR but if it’s real then he truly is her obnoxious karma and karma isn’t usually a good thing. But hey the moneys good. Maybe they’ll even get lavender married so she can stay in her closet and continue to throw red meat to the $wifties.

The future is yet unwritten.

All that being said, I’ll get back to my original point of this ramble and that’s a song called Robin.

So yes, I’ve heard the rumors, I’ve read the theories, I’ve seen photographs of visual evidence. Karlie Kloss was in Los Angeles during the pandemic, the same place where Taylor was in fort part of 2020. When she returned to NYC if you count the months - she was pregnant even if she didn’t look it. I also believe Karlie was there in the shadows during the Long Pond Studio recordings in Upstate NY. Jack kind of gave it away when he referenced “Joe the dog” as being who he thought Taylor was talking about when she said “ Joe and I wrote a song”

I’ve also heard the rumor that there was a ceremony between them that they tried to pass off as a ceremony between Taylor and Joe which Tree later denied that there was ever a ceremony of “any type”.

Ok buckle up because here it comes

I’ve seen the “turkey baster”( IVF ) post that Karlie made. Like who uses a turkey baster in May? What an odd thing to do unless you were signaling an IVF pregnancy situation. Regardless ~ she was extremely happy that day.

I’ve seen the cinnamon buns post ( think the expression “buns in the oven ) that Taylor made a few days later back in May 2020. She was “proud” of her cinnamon buns.

Happy & proud …hum

Is that a crazy set of coincidences? Hand on whatever holy book you set before me ~ I’d have to say “yes”

And it’s Absolutely crazy considering the fact that Levi was born a little over nine months later.

Add in the fact of how emotional Taylor got accepting her Grammy for Folklore when Arron thanked his “ wife and kids “during the acceptance speech.

For a few moments there you could feel the raw emotion in her as she nearly burst into tears andJack tried to console her. Blonde was gutted. It cut deep.

Sidebar:

Yes Aaron has a son named Robin but he’s 9 years old and other than the name cleverly used for gentle cover of the truth in case damage control is ever needed~ there is no connection to that child or a secret, no showmanship to cover it up or anything that would make Taylor react as she did. Other than his name there is no connection to the words in the song

But the fact that Levi’s birth was announced during the Grammys absolutely does connect.

So I’ll just put a pin in that and move on.

Listening to that ballad yesterday rocked my entire world . It was so soft, gentle and living. So heart wrenching that I just let my emotions flow through me as my mind wandered back gathering and processing all the previous rumors and lore I had heard along the way. It left me rattled as it tumbled through memories. Could it all have been true?

So now I’m just gonna say it out loud running the risk of being attacked and also sounding like a supermarket tabloid…here goes “could Levi be Karlie’s and Taylor’s child?”

I know it sounds crazy…secret love child but …

I’m not trying to out anyone and I want to respect the fact that a child is involved here. Honestly I had second and third thoughts about posting this but if I’m being real ~ it’s also a collective of things that have been shared openly about Taylor and Karlie here for years. Somehow the song was like a puzzle piece that snapped into place.

…those loving words ,the emotion in Taylor‘s voice as she sings about her strong heartfelt attachment to a young toddler, as she encourages him in being wild and free in his wonder years, playing with abandon and roaring at the dinosaurs~

There was real love in those words

.

.

Looking out his window over his kingdom (NYC) and speaking gibberish

She also advocates for him keeping his innocence for as long as possible and then speaks of a secret that a inner circle of people have chosen to keep from him” in sweetness” to protect him and the “showmanship” to cover up that secret that he has no idea of.

And as she watches his unabashed play in his toddler purity she prophesies there will come a time in the future when the world he faces will have harsh words for him and she reminds him that he will bounce back like he now does on his trampoline.

“ and you have no idea

Buried down deep and out of your reach

the secret we all vowed

to keep it from you in sweetness

strings tied to levers

slowed down clocks tethers

all the showman ship

to keep it from you in sweetness

way to go, tiger

I’m not crying , you are and Levi looks just like his mommy 🤍

.

Let’s keep this in the family ✌️🤍🏳️‍🌈

God I love this show .

Stay tuned for next season

#karlie kloss #taylor swift #kaylor

[the-cult-of-riley]

Sleeping With Ghosts [[Series Masterlist]]

Simon 'Ghost' Riley x Female OC

There's nothing worse than finding out you've been lied to. Five years after having her heart ripped out, a knock at Charlotte's door turns her whole world upside down and she doesn't know how to feel about it.

or

Simon fucked up big time and has his own world turned upside down. Price thinks it might be karma.

TW: Smut, angst, fluff, mental health issues, past abuse, torture, mentions of past rape, pregnancy, PTSD, mentions of attempted suicide, the usual warnings for COD looool

A/N:

I finally caved and made a Tumblr lmao I'll be honest, this fandom intimidates the fuck out of me. Cross posting here from Ao3.

This story follows a Two Act structure. It will begin with the prologue which is set in current times (really kicking this story off with a bang lmaoooo). Then Act One will be set in the past and then Act Two is back in the present.

I’m going to be playing with different POVs to get a real sense of what's going on and there will be a lot of Ghost POV because I love being in his brain :’) I also won’t be tagging each chapter individually so please read the tags here and they will be updated as needed.

Now, to clarify some shit;

I’ve played around with the timeline and shit to make things work better and had to fill in some gaps. We know that Ghost joined the military after the 911 attacks and I had him be 18 when that happened (meaning he was born in 1983). If I made him any older, he’d be even older than I wanted him to be at present times. As it was now, he turned out at 40 in 2023 (when I started this fic). I didn't really want him to be that old (not that 40s old, but you know lmao) so for the sake of this story, ‘present time’ is 2019 and he’s 36. 

And the last note; I’m in fact from Manchester myself. Ghost doesn’t have a Manchester accent in the least. No idea why, I always presumed it was something about him joining the military, maybe he picked up an accent similar to a London one or something, but boy is that accent not Mancunian. Not that its a bad thing because I fucking hate Mancunian accents and I say that as someone who has one lololol I won't be mentioning the fact his accent isn't quite right in the story ‘cause that's just awkward :’)

Some chapters will be accompanied with a song that fits (sometimes loosely) the theme of the chapter.

Prologue

Act One: Chapter One

Act One: Chapter Two

Act One: Chapter Three

Act One: Chapter Four

Act One: Chapter Five

Act One: Chapter Six

Act One: Chapter Seven

Act One: Chapter Eight

Act One: Chapter Nine

Act One: Chapter Ten

Act One: Chapter Eleven

Act One: Chapter Twelve

Act One: Chapter Thirteen

Act One: Chapter Fourteen

Act One: Chapter Fifteen

Act One: Chapter Sixteen

Act One: Chapter Seventeen

Act One: Chapter Eighteen

Act One: Chapter Nineteen

Act One: Chapter Twenty

Act One: Chapter Twenty One

Act One: Chapter Twenty Two

Act One: Chapter Twenty Three

Act One: Chapter Twenty Four

Act One: Chapter Twenty Five

Act One: Chapter Twenty Six

Act One: Chapter Twenty Seven

Interlude

Act Two: Chapter One

Act Two: Chapter Two

Act Two: Chapter Three

#simon ghost riley #simon riley x reader #simon riley x oc #ghost x oc #simon ghost riley x reader #simon ghost riley x oc

[uwabbittuwabbit]

Eterna's Iceberg of Race Replays

I keep seeing people asking about how to watch MotoGP race replays in a financially responsible way, so here's my guide on where to find them!

TIER 1: MotoGP YouTube Channel Playlist MotoGP is probably one of the better racing series in that there are race replays readily accessible on their YouTube channel. They also do have some replays on their Facebook if you have the time to do an archaeological excavation, which I forgot to put on the iceberg (for example the 2014 Qatar GP). Since it's on their official accounts, it's at the top.

TIER 2: Motomundo Many a motoheads' trusted source for replays! Motomundo also has various documentaries, as well as practice, qualifying and testing replays. Motomundo also has a VKVideo account that which you can use if you are so inclined. Unfortunately, it has been reported of late that many of the videos have stopped working, with most of the older races not accessible at all. On the second tier since it is widely recommended and an open secret.

TIER 3: BiliBili (1) (2) This one is kind of unusual! Some endeavoring fans have done a great work of philanthropy by uploading entire seasons of MotoGP replays onto BiliBili, which is basically the Chinese equivalent of YouTube...but more. It can be overwhelming (they have a function where users can write comments which then are displayed on the screen while the video plays, for example) and maybe when I have more time, I could write a guide. Another circumstance of these replays being Chinese reuploads is that the commentary is also in Chinese, and there are some really very ugly watermarks from the broadcast itself that cannot be readily edited out. However, the archive is VERY extensive, although it only comprises of races. On the third tier since BiliBili is very popular in China, but more obscure in the West, and I only found this because I am Chinese and already had knowledge of the platform. The first link leads to a collection in which all the races from 1979-2019 have been uploaded. The second is from the same user, however it is just footage of 2020 testing. Unfortunately it seems that their uploads have paused there, at least for now.

TIER 4: This suspicious ass looking website If you've ventured this far down into the iceberg, I'm assuming that suspicious looking websites that have the potential to give you a virus don't phase you. But nevertheless, as a disclaimer, this website is a little hard to navigate. However, not only does it provide MotoGP coverage (in English), it also covers the feeder series as well and includes them in their race weekend compilations. There are options to view the race in varying resolutions, as well as links to various other uploads on Meta (not THAT Meta) and the like. Unfortunately around 2018 are where the uploads become a bit spotty, with many of the videos being unplayable and the links also leading nowhere. A very warranted tier four rating.

TIER 5: ArchivoGP (1) (2) (3) The reason I placed this one so low is not necessarily because it's better than the rest of the sources (in fact, at time of writing this post a good portion of their videos have been taken offline) but because the story in finding it was actually pretty funny. For context, I was on the hunt for a clip of Marc Marquez giving reigning world champion Pecco Bagnaia the thumbs up at the end of Mugello Q2 (thank you tumblr user suzuki-ecstar for replying to me about this...) and none of the sources I was using (so, any of the above already listed) had that clip. I was gnashing and gnawing my teeth in pain. So where else does one go to find something that is presumably lost? Internet Archive! I really thought this was the end of the road and I would have to clip that moment from a shitty vertical YouTube Short or something. Pain. But then I happen upon a full MotoGP replay. It wasn't of the session I wanted, but when I looked into the user a little further, I saw that they had uploaded various other full race replays. In their bio it was stated that they had a Telegram channel under the same name (ArchivoGP), so I did a Google search and found that they indeed did. Happily, their uploads (which are DAZN broadcasts consisting of pre-GP, practice, qualifying, sprint, feature race, post-GP and also cover the feeder classes) DID have that moment and that is the story of how I finished a fancam with the help of Internet Archive, which once again has saved my life. The three different links above lead to their old site, their new(?) one, and their video archive in question which is hosted on TokyVideo. Unfortunately their archive only dates back to 2020, and as I have stated previously some of them have been taken down.

MISCELLANEOUS: (1) (2) These are some assorted Internet Archive sources which I found while trying to backtrack how I found the previous source. I haven't had the time to actually sort through and vet the videos except for one, the original ArchivoGP user uploads (which is the first link, though I'm not entirely sure because they have since changed the name of the channel).

I hope with this masterpost I have saved you guys a lot of time that you (and me, to be honest) do not have. If you want to know where to watch races LIVE, user kingofthering has a very handy dandy masterpost here which you can go check out.

Psst: in general, if you want to very legally watch something, this is a good resource that I recommend. Cheers! ;)

#motogp #okayyyyyyyy #we sleep bye #eternarchives

[rivalsforlife]

The Yearly AA Series Future Speculation Post

I've given up on calling it aa7 speculation because that has never worked out for me. anyways [apollo justice voice] hiya!

It's been a while since I made one of these little posts where I try to predict things and end up horribly embarrassing myself. BUT this year has actually been very exciting for Ace Attorney. We have Ghost Trick! We have 456 ports! Could there be more? Who knows. Tokyo Game Show is coming up and that's always a bad time of year for my self-esteem.

In this post I will do the following:

-Go over the November 2020 leaks again, to compare that to where we're at now

-Talk a bit about the 456 port and what I think that means for the series and its future

-Talk a bit about how well TGAA is doing, I think

-Brief Tokyo Game Show speculations (there's not much to speculate about)

I'll reference my previous posts and sources where necessary. It'll get long and rambly again so I'll put the rest under a keep reading.

FIRST:

Revisiting the Calendar (Again)

For those who aren't aware, back in November 2020, Capcom got hacked (this was overall bad) and from that hack came a leak of a roadmap for the future of the AA series.

For this post, please keep in mind that this calendar is using the Japanese fiscal year, which starts in in April. Therefore Q1 is roughly April-June, Q2 July-September, Q3 October-December, Q4 January-March of the next year.

This calendar was likely made in 2019, before the COVID-19 pandemic, which inevitably ended up throwing everything off quite a bit.

Some of these things came true. This leak was where we first heard about the official TGAA ports, and while they were delayed by about a quarter, they still came out pretty close to on time with all things pandemic to consider. What's especially interesting is that now with confirmation of the 456 ports, we now have no idea what is up with AA7.

We know that AA7 was in development at one point. We know that, if things were on track prior to the pandemic, they might have started the main production. However, the plan seemed to be to release it for the 20th anniversary and use those sales and the sales from TGAA to judge whether 456 would be ported; now that we have 456 confirmed before AA7, we can assume that AA7's delay is so severe we have no way of predicting if or when it will come out.

The thing is, though, AA has been doing really well the last few years, despite the lack of a new game. The 2019 ports of the Phoenix Wright: Ace Attorney trilogy have sold around 2.3 million copies, when previously no other Ace Attorney game broke a million. The trilogy hit a million copies around December 2020, for reference. Ace Attorney itself as a whole broke ten million copies sold recently. In this post I covered how TGAA seemingly has sold way more than Capcom expected, and sold pretty quickly, and is confirmed to be somewhere between 500k-1 million copies sold.

I don't see any reason to believe that AA is in dire financial straits. We've gotten more official merchandise in the last year or so than we got for a while, AA is featured heavily on Capcom's Captown website, the Tokyo Game Show merchandise store has been selling out of AA merch faster than any of their other IPs... I don't see why they wouldn't want to milk that. And 456 is probably a part of it.

What Do The 456 Ports Mean

Back in March 2022, in an event I almost completely forgot about, Capcom updated their trademark for Apollo Justice. I covered my thoughts on that here, and speculated it might indicate a 456 port. ... Which it apparently did. I'll quote exactly what I said in that post, since I still feel this way:

Presumably, previously, the decision to port or not to port 456 would be dependent both on how well TGAA does and how well AA7 would do. With no AA7, they might be making this decision solely based on TGAA. And they… might actually decide it’s worth the port?

This tells us a couple of things.

1.Capcom is aware that there is a decent market and profit to be made porting the Ace Attorney games to all consoles.

2.This heavily implies that TGAA sold fantastically.

I also said in my post about TGAA's success that the 456 ports would be the best indicator of whether Capcom would find it more profitable to continue along with mainline or stick to writing more things about TGAA. Because TGAA is actually doing... pretty great? It's always seemed to have a pretty good fan reception, but it came at the end of the 3DS life cycle and seemed to do poorly enough that Capcom didn't try to localize it for several years. But now it's big enough that Ryunosuke made it onto the 20th anniversary logo, and Ryunosuke and Kazuma are featured in some of the Ace Attorney merchandise for TGS's merch store.

456 doing well would probably reinvigorate Capcom's desire to continue making stories set in mainline. It also might inspire them to finally give an official translation to my favorite game, Ace Attorney Investigations 2, who is Capcom's poor unloved child these days. I'm not expecting Investigations Ports for a few more years, since they seem to be spacing out the ports by about two years, but... it's more likely now than I felt it was about three years ago.

The Great Ace Attorney Sweep

Also, the last few years have had a heavy focus on Great Ace Attorney, even now a couple of years after the ports came out. Takarazuka made their first AA musical in a decade based on TGAA, and, if you ask me, it sounds pretty heavily like they were teasing for a sequel someday. There also has been a reading theater based on TGAA, with an original episode written by Takumi.

Of particular relevance is this source of dubious credibility I linked to in one of my other posts talking about TGAA's expected success. I've assumed it came from the data in the November 2020 Capcom Leak but I can't be certain, so take this next part with a grain of salt.

Here are the original sales projections from 2019(?): FY21: 195K (originally supposed to launch in Q1) FY22: 55K FY23: 8K FY24: 41K (with 32K being in Q3)

This sudden increase in FY24 has always been interesting. Again, as a reminder, Japan's FY24 Q3 would be equivalent to October-December 2024.

It would make sense to say that the 456 ports coming out would likely lead to an increase in sales for all AA games, and it could be that Capcom initially intended for a 456 port to come out about half a year later than the current projection of early 2024. At the same time... I can't deny the possibility that this could be hinting at a new game in the TGAA setting. And something coming out in late 2024 could be a reasonable candidate for an announcement at some major gaming show that Ace Attorney fans already have an interest in tuning into. These are all completely neutral things I am saying that I have no expectations or hope for whatsoever.

What IS Happening At Tokyo Game Show?

TGS is always the part of the year where I say "This is the most likely place for a new AA game announcement leading up to or during it" and it never happens. This year, though, will be different! We have a CONFIRMED feature of the 456 ports. This is the first time we'll have AA content at TGS since 2018, when I first got into the series, so I think it's a pretty big deal. (2018 was when the trilogy ports were first announced; TGAA ports had an announcement-release window of April-July, so they didn't get a chance to feature at TGS.)

Since all we have for a release date is early 2024, I wouldn't be surprised if there will be an official confirmation of the release date, probably a showcase of port features, maybe in-person gameplay? That could be all, and it would be more than we've had since 2018.

I want to say "because there's going to be 456 advertising there, it would be ridiculous for them to announce some new AA content to detract from that". But I said the same things about the capcom showcase where Ghost Trick was featured and the 456 collection was announced, so. Capcom's decisions on when to announce things can be counterintuitive, it seems, so maybe the least likely time is actually the most likely...?

Anyways, we have no idea what the state of New Ace Attorney Content is like in Capcom. From the calendar from the Nov 2020 leaks, the staff that had been working on the DGS ports would join the main staff for AA7, suggesting to me that there would be part of the staff working on ports and part of the staff working on new things. We have no idea what happened to these people who were supposed to be working on AA7. We *can* assume that at least part of the staff transferred over to 456 ports now, but we don't know when that would have been, or if they'd really need all hands on deck for a remaster.

It's been a few years now since Yamazaki left Capcom. We know absolutely nothing about what Takumi has been doing, outside of whatever contributions he may or may not have made to the Ghost Trick remaster, and only recently contributing to various stage content. (We know he advised at least somewhat on the Takarazuka play, and wrote that original episode for the reading theater, so I'd assume he's not in the middle of a big project right when those were taking place.)

This is all to say, there's reason to believe Something's Been Happening Behind The Scenes. And Therefore -- [clown wig descends onto my head again] Maybe TGS 2023 Will Be The Year Of New Ace Attorney Content. Since 456 will be taking the spotlight, I wouldn't expect anymore than a teaser, if it's happening at all.

And now that I've said it, it won't happen.

OVERALL

-TGS confirmed 456 port feature, which should be interesting to see what kind of quality of life features they'll add. Slight possibility there could be something else AA related teased there, solely because Capcom.

-I think TGAA is doing better than Capcom expected and I wouldn't be shocked if they tried to make a new game of it, or at least more extracanonical content like stage plays taking place in that timeline

-AA7 has seemingly vanished but I am sure it will come back when I least expect it.

-AAI ports someday. please. please. please.

#ace attorney #aa7 speculation #[banging pots and pans together] YEAR 3 OF FAILED PREDICTIONS LET'S GIVE IT UP FOR YEAR 3 #there's not much to say here I just wanted to get something out as we're heading into september #do I even want aa7 anymore? no. am I speculating anyways? yes.

[cryptocism]

I don't remember if it was stated in frequency but do the clones have different colored lightning when they use their powers?

u know i considered having some differences in the lightning colors for flavor but it ended up being a chore trying to figure out even what bart's lightning color is. in the impulse series his lightning is consistently yellow, (and so is thad's) but there's some recent issues of the flash that have his lightning as a sort of orange or even sometimes red.

the depictions of inertia thru the comics have been pretty stark in contrast which COULD have been a point in my favor since the premise of frequency hinges on the More Than One Inertia theory, IF depictions of bart werent also inconsistent. i can't use the argument that after impulse 1995, all of inertia's appearances seem to have green lightning now - therefore different person - because bart also sometimes just has red lightning and he's presumably the same dude throughout.

i ended up just not bothering to mention the different lightning colors because different colorists can be inconsistent and it doesnt necessarily mean much narratively. (hell, in the early issues of young justice 2019 bart is depicted with blue eyes, which IS actually a thing ive had to deliberately ignore for the sake of the key aspects of Three's appearance)

however! i'd say in this story: Bart, Three, and Jude all have yellow lightning. Five tilts more orange but still in that range. Four would've had green lightning as per his comic appearances. Six: also green, but the scans i have of his comic appearance make the color a little more teal than his predecessor.

Thad would match with Bart and Three if he had access to the speed force, but since his access to speed in the story is mainly via velocity 9, id say maybe it tilts into a different color. just to show that this isn't actually Thad's speed powers working, but an external force instead. or maybe he wouldn't have lightning at all using velocity 9 idk.

#asks #anonymous #inconsistency across comic appearances is part of the comic deal really #all different colorists and artists working under tight deadlines #theres all kinds of little inconsistencies that can happen #its not a big deal but it can sometimes be frustrating when trying to pin down canon

[winterwakesthewolf]

Wolves They Both Must Be

Jon Snow x Sansa Stark

Summary: “Did you bend the knee to save the North, or because you love her?”

Jon snaps his head up at Sansa’s question. Her eyes are brimming and hot and he can suddenly see this is not the argument he thought they were having. This is something else. Something deeper and much more intimate.

OR

The missing scene we deserved in 8x01

Author's Note: Part Two! I wrote this second part a few years ago and I really think I've grown as a writer since then. Since this part has never been published, I had the opportunity to edit it, but I read through it and honestly I'm too tired to do that so if there are any glaring issues, please let me know.

I first published the first part of this as a one shot on AO3 in 2019 and then a few years later I wrote a sequel that just sat in my google docs collecting digital dust. This is that second part. I may turn it into a series if there's enough interest so please let me know by liking, commenting, and reblogging if you want more.

Disclaimer: 18+, smut, (I'm serious, if you're not over 18 then scram), cousin incest, presumed half-sibling incest. Please let me know if I missed anything.

Word Count: 2K

part one - part two

Sansa wakes in his arms, bare skin against skin. It is still night. Or perhaps early morning. The fire has nearly extinguished, leaving them mostly in the dark but for a faint flickering of illumination that casts the room in a soft, warm glow. She glances up at him, sound asleep and looking more peaceful than she has ever seen him look. His arm strewn lazily across her back. And his heart, that he had said was only hers, steadily beating beneath her ear. 

She lifts her head to peek at the scar there and she runs her fingers along the ridges of the severed flesh - a long, vertical line, curved at the top and still red in the center. Similarly to the scars that marr his abdomen, they look to not be fully healed. Sansa wonders if they may never be. Her heart aches at the thought that his own had once stopped beating.

Gazing at his resting face in awe and bewilderment at the magic it took to bring him back to life, and to her, she sheds a tear for all that could have been lost, and all that will.

His raven curls, unbound and tangled, lay atop her pillow. Her belly coils with heat at the memory of her hands pulling at the leather strap that tied them back, at the image she conjures of him raised above her, glowing from the light of the roaring fire, and the look in his eyes as he buried himself inside of her, their flesh fusing in forbidden, long-awaited bliss. Her cheeks bloom with both shame and pleasure at the thought of their union. At her insistence that he spill inside of her and stay there long after both of their pleasures were drawn out, knowing in the morning she would brew a cup of moon tea that she had hidden away from the time before. 

The gods had been cruel to make her love her half-brother. They had been kind enough to make him love her back. 

In her solar he had confessed that he loved her, and only her. And how loathed he was to leave her for Dragonstone. That when he declared, in the presence of their bannermen, that the North was a part of him and that he’d never stop fighting for it, what he had meant in his heart was that she was his North. He admitted that every moment they were apart, she never once left his thoughts. And that everything he had done in the effort to return home truly was to save the North. To save her. His whispered words had sent shivers through her. Both the declaration of his love, and the thought of what kinds of things he had to do to return home to her.

She doesn’t want to think of what all that had entailed. Or what had transpired in the dark between him and the dragon to make her believe he truly bent the knee, and that he loved her. But Sansa wants to trust him and believe the words he told her in the quiet of her bed as he entwined his hand in hers. As he gently stroked his calloused fingers over her bare skin, leaving gooseprickles in their wake.

“I had to make her believe in the ruse, Sansa. I’m not proud of it,” he had rasped, eyes averted from Sansa’s gaze until she reached for him, turning his face so that she could look upon him. He released a shaky breath and croaked, “I’d beg for your forgiveness if you’re willing to give it. But I understand if it’s too much to ask. I wouldn’t blame ye. But I must confess, I thought of you. Every second.”

Jon had fought battles for Sansa, had fought Ramsey knowing the odds were against him. He fought the Others, and survived to come back to her. He had lied, manipulated, and kept the secret hidden away so convincingly, so deep, that even Sansa had not seen it. 

(Her feelings for Jon surely clouded her judgment, causing her to doubt his loyalty).

She doesn’t want to think of what he may have to continue to do to keep up the ruse, or what they both may need to sacrifice. But Sansa knows that whatever it may be, she will do whatever she can to protect him, as he has done for her.

“There’s nothing to forgive,” she whispered. And she had meant it. 

Lying in the dark beside him she knows she will always mean it, no matter how much the thought of it stings. No matter the ache that blooms at the unbidden image of Jon with her. He had not truly been Sansa’s to lose then, but now… what were they to each other now? Now that they had crossed the point of no return.

Their love could never be known to any other. This secret they will always have to hide. If they were discovered it could lead to ruin and damnation. Northerners do not accept a union between siblings, no matter that they don’t share a mother. They were no Lannisters, nor Targaryens, and yet their illicit love seemed to prove otherwise. After all that she had learned, had worked so hard to not become, had she turned into Cersei after all? The thought makes her shiver and recoil. 

Perhaps she need not fret over any of it, for the Others are marching upon them. The threat looming, heavier with each passing moment. They may very well take this secret to a grave that lies just beyond the horizon. Lost to each other forever. And yet the thought of that terrifies her more than any possibility of their secret love being sussed out.

Jon stirs beneath her and flutters his eyes open, blinking to adjust to the dim light, and then he lowers his chin toward Sansa. His eyes soften as they land on her and he gives her a smile, sweet and tender, reaching his hand to gently tuck her tangled hair behind her ear.

“We fell asleep,” he says with a voice gruff and tender as he absentmindedly traces patterns on the small of her back.

“We did.”

“I’d better sneak off to my chambers before anyone realizes where I am.”

Sansa didn’t want this night to end. What had been their first union could very well be their last. 

As he moves to get up, Sansa gently pushes him back down to press her body and her lips as close to his as possible. The kiss, at first soft and slow, builds with passion, and desperation to stop time. Before long Jon has rolled Sansa onto her back and hovers over her just as before, looking down on her in wonderment and adoration. The look behind his eyes like an arrow of fire in her belly, and a need coils itself deep inside, begging to be met.

“Jon,” she pleads wantonly, reaching up to grasp his face in her hands, digging her fingers into his beard, weaving them in his hair. A frantic, desperate plea. He obliges, first by trailing kisses down her neck and to her breasts, spending time filling his mouth with them and driving that coil deeper and hotter inside of her, making her ache with need. And then he abruptly stops, pushes the furs farther off of the bed, until he is sitting at her feet, smiling with hooded eyes. The look she gives him of confused anticipation makes him chuckle.

“Why are you laughing?” Sansa sounds a bit wounded, but smiles all the same. 

“I’m not laughin’ at ye, Sansa. I swear,” he raises his palms as if in surrender. “But I want to try something if you let me.” Jon tenderly places his hands upon her knees, “Do you trust me?”

Sansa nods apprehensively, curiously, and watches as he spreads her legs apart and lowers his head, all while keeping his eyes locked onto hers. Kissing her knees and thighs in turn, he slowly travels higher and higher until his hands are gripping the flesh of her hips and his mouth is on her, licking the wetness between her thighs. It takes everything in Sansa not to cry out. Her heavy sighs alone are nearly loud enough for anyone outside of her door to hear. Jon’s tongue swirls and flicks at the most sensitive part and she has never felt a pleasure so intense. It rivals the pleasure she felt just hours ago when he touched her there as he spent inside of her. This was different and new and thrilling. She climbs higher and higher as his tongue works its magic, pushing her to the brink. And just as she is about to fall off the edge, Jon reaches up to take her breast in hand, his thumb grazing and teasing until she plunges off of the precipice and buries her face in the furs to muffle her cries. 

When the throbbing and the panting subsides, she glances at Jon, a very smug look upon his face, “Did ye like that?” 

Sansa smiles and nods lazily, still catching her breath, and she reaches for him with arms outstretched. He climbs up and kisses her deep and long, the taste of her still on his lips, and she can feel his need for her lined up at the spot his tongue had just deliciously ravaged. And suddenly she can feel the need inside her return in earnest. Those glorious flutters assault her belly as she wraps her legs around his waist and backside, pulling him close, inviting him in again. 

When he buries himself inside her once more, he keeps his eyes focused on hers, whispers a thousand I love yous that she returns in earnest, savoring the feeling of him so close to her as they find a slow and deliberate rhythm. 

Both of them know this might be their last and neither of them are quick to chase the pleasure out, but are intent on committing these precious few moments to memory. Tears stream down Sansa’s temples, sprung from somewhere deep and buried. Jon gently kisses them away.

“I am yours, Sansa. Only yours.” He touches his forehead to hers, “And you are mine.” It is half a question, half a command.

“Always,” she whispers and repeats again and again as she falls from the edge and he spills inside of her once more. 

The dawn arrives, creeping in through the window, as Jon dresses as quietly as he can. And once he has pulled his boots on he crosses back to the bed where Sansa is sitting, holding her knees and the furs close. She is cold without his warmth. He must sense it because he leans over to pull her close, bringing the furs with her, to the edge of the bed. He gently takes her face in his hands as she memorizes the look in his eyes. Kissing her sweetly, with such care and reverence, then envelops her in his arms for a long embrace. 

Sansa buries her face in his neck, breathing in the scent of him, heavy with leather and steel and woodsmoke. She curls herself into his chest. And as she listens to the beating of his heart beneath her ear once again, she doesn’t even attempt to hold back the tears anymore. Releasing the ache of the joy, and the tragedy, of it all. 

“Never forget, Sansa. Whatever happens, know that I love you,” he whispers in her ear, holding her close, running his fingers through her copper waves.

And before dawn can unearth their secret, he moves to kiss her forehead with a desperation and reverence that burns long after he reluctantly pulls away. He stalks toward the door, and then looks back at her with a smile full of hope and fear before slipping into the cover of darkness. 

Alone and cold without him, Sansa weeps upon the furs that warmed them through the winter night. Tears that she has denied for so long finally tumble free and flow without ceasing. They pour out uncontrollably, as though Jon had unlocked a deeply buried chest within her, filled to the brim with love she had for so long confined to the darkest parts of her, and fear of losing what has only briefly been hers. 

She finds that once unlocked she may never again find the key.

~

Taglist: @thaisthedreamer @bluedaffodil21 @ilargizuri

#jonsa #jon x sansa #jonsa fanfic #jonsa fanfiction #jonsa fic #jonsa ff #jon x sansa fic #mine #my edit #my writing #wolves they both must be #wtbmb #jonsaff #jonxsansaff #jonxsansa #jon x sansa fanfic #jon x sansa fanfiction #jon x sansa ff #jonxsansa ff

[thankskenpenders]

I wasn’t going to make a post about this because it’s just so goddamn stupid and isn’t going to go anywhere and this person doesn’t deserve the attention, but here we are

Covers for both the IDW Sonic 2022 Annual issue as well as issue #52 are out now. It’s always a fun time over on Twitter when all the artists get to share the cool covers they’ve been working on. Except, this time, there’s a problem. Multiple posts of Jen Hernandez’s cover for Sonic #52 have been DMCA’d, because said cover features Belle... and someone is claiming that Belle is a ripoff of their character

The character in question, “Boingkid,” was created for a series of comics, as well as a retro throwback platformer that had an unsuccessful Kickstarter in 2017 titled Boingkid and the Chambers of Destiny. According to the creator, he contacted IDW about potentially publishing his comics in early 2019, but got no response. He alleges that Evan, a freelance creator who presumably has no role whatsoever in IDW’s licensing process, saw this pitch and then decided to steal the Boingkid concept, thus creating Belle

The problem, of course, is that beyond the well-established “sentient toy” concept, the clown nose, and the standard three-dot freckles... the characters don’t have much in common. Judge for yourself:

Like, come the fuck on. One is a spring toy with a suction cup stuck to his feet, the other is a robotic marionette with woodworking tools built into her fingers. Any similarities are mostly due to the shared Pinocchio influence, as well as broad stylistic influences from classic cartoons and video games that Boingkid guy can claim no ownership of. The creator of Boingkid is reaching so hard that he’s trying to say both characters are “flexible,” which... I have no idea how that applies to Belle, either physically or in terms of personality. After getting in an argument with Jen, who was upset that her cover got DMCA’d, the artist even went as far as drawing this, which only undermines their point further by showing how dissimilar the characters are. If it wasn’t labeled then no one would look at this and think it was Belle. The pigtails are the only real signifier

As always, as an indie dev and freelance artist myself, I feel for anyone trying to make a living in the scene, and this guy is undeniably a skilled artist. But going after your peers like this is lower than low. It's hard to read this as anything but a cheap publicity stunt. And digging into the Kickstarter for the Boingkid game, this isn’t even a case of a young artist pulling some stupid stunt out of naivety. The creator is a grown-ass man from Italy with over 20 years of industry experience

But it’s always fuckin’ something, huh. This obviously isn’t going to go anywhere because the allegations are so laughable, and I feel sorry that Evan and the crew have to deal with this, but I figured it was worth addressing. Sonic Twitter is gonna do what it always does and pile on the quote tweets, but I would advise people to not give this guy the attention he wants

#tkp post

[learnyouabiology]

Fun fact: Wood Frogs Survive Icy Winters via Frog-sicle status

The wood frog, Rana sylvatica, is scientifically referred to as “iconic” (source: Costanzo 2019). 

The reason they are iconic is because they are famously able to freeze into a literal block of ice in the winter, remain frozen all season long, and then thaw out in the spring without any of the expected dying of cold! Incredible!

(you can recognise a wood frog by they lil mask by its eyes! Naturalists call it a raccoon mask, and honestly, 10/10 excellent raccoon disguise, completely indistinguishable)

I’ve known about this for years, because I spent a not-insignificant part of my childhood OBSESSED with frogs, but even 8-year-old me didn’t know that these frogs live north of the arctic circle. 

That’s right! They live in Alaska! Where winter lasts more than seven months.

Wood frogs are actually the only amphibian in North America to live this far north. (there are a few species in Eurasia but THIS ISN’T ABOUT THEM 😉 source: x). 

(I’m not saying Ohio wood frog are wimpy, but I AM calling them “““““delicate”””””. Image from Costanza 2019)

As winter approaches, wood frogs create little furrows in the forest floor, just big enough for them to wedge themselves into, and cover themselves with fallen leaves and other forest detritus (Costanza 2019). They then settle into their little shelter and begin to go through what I assume is a traumatizing experience.

(she loves a good furrow)

The furrow provides a small amount of insulation from the outside air, but even inside their shelter, it can get pretty cold. 

In fact, wood frogs can survive temperatures as low as -16°C (3°F for the people who use the other system). 

Generally, if you are a water-based organism, being exposed to temperatures so far below the freezing point is... bad. And if the water inside of a water-based organism freezes? That is Extra Bad.

Luckily, wood frogs have a foolproof way to stay safe: they are absolutely FULL of sugar and urine. 

(I would have said “piss and vinegar” but the vinegar part is technically untrue 😔)

Specifically, the frog increases the concentration of urea in their body tissues before winter sets in. Urea, which is what urine is made of in humans, is commonly used by amphibians to protect themselves from losing too much water to the environment (Costanza 2019). However, wood frogs take it to the Extreme. 

Additionally, as the frog begins to freeze, the liver begins to break down the glycogen stores that had been built up in advance, releasing high concentrations of glucose (aka sugar) into the bloodstream of the frog, (Costanza 2019).

By changing the properties of the internal fluid, the urea and glucose protect the frog’s cells from being damaged by ice, protecting various internal structures and even helping to regulate their metabolism (Costanza 2019). 

(there’s also some stuff with nitric oxide and membrane adaptation but it’s A Lot and if you’re interested I recommend Constanza 2019. see bottom of post for references!)

(frog: *is flat and frozen*)

While frozen, the frog doesn’t need to eat, or even to breathe, because their metabolism is comes to a near-standstill. Their heart stops beating, and they can survive having up to 70% of it’s body fluids completely frozen (Costanza 2019).

There’s still a little bit of metabolic activity happening, just to keep the frog alive, but this allows the frog to live for months while frozen (nearly) solid until the spring melt comes! 

The frog will generally stay in its little burrow for a few hours as it thaws, presumably processing the trauma of what just happened (also making a few physiological changes to survive the transition from ice cube to frog, I guess), before heading outside to immediately reproduce with the snowmelt.

(a photo of bliss)

This has been fun fact friday!

Hey y’all! As winter turns to spring, I wanted to do a little series of how animals survive cold, snowy winters when they are unable to migrate. Today was a frozen frog, and next I’ll talk about how turtles survive under the ice all winter long!

Stay tuned!

References under the read more

Smithsonian channel (2015) Frogsicles: Frozen but still alive. https://youtu.be/pLPeehsXAr4

Costanzo, J. P. (2019). Overwintering adaptations and extreme freeze tolerance in a subarctic population of the wood frog, Rana sylvatica. Journal of Comparative Physiology B, 189(1), 1-15. doi: 10.1007/s00360-018-1189-7

Kuzmin, S.L & Tessier, D.F. (2013) Amphibians and reptiles. In: Arctic Biodiversity Assessment 2013  http://www.arcticbiodiversity.is/index.php/the-report/chapters/amphibians-and-reptiles

Layne Jr, J. R., & First, M. C. (1991). Resumption of physiological functions in the wood frog (Rana sylvatica) after freezing. American Journal of Physiology-Regulatory, Integrative and Comparative Physiology, 261(1), R134-R137.

#biology #fun facts #science #sciblr #science side of tumblr #zoology #herpetology #physiology #winter #frogs #frog #fun fact friday #im on a new medication and it's so good u guyz :3

[ingek73]

Suits creator confirms palace changed line of Meghan’s dialogue

Creator of series, which has set viewership records on Netflix this summer, says palace objected to the word poppycock

Adrian Horton

Tue 29 Aug 2023 17.23 BST

The creator of Suits, the legal drama which launched the acting career of the Duchess of Sussex, is opening up about input from the royal family on scripts.

Speaking to the Hollywood Reporter about the show’s resurgence on Netflix, where it has broken multiple viewership records for an acquired series, the creator, Aaron Korsh, said the royal family “weighed in” on scripts involving Meghan, who played the paralegal Rachel Zane for seven seasons, once she started dating Prince Harry in 2016. “Not many things, by the way, but a few things that we wanted to do and couldn’t do, and it was a little irritating,” he said.

Korsh recalled a particular incident in which the royal family objected to Meghan’s character saying the word poppycock on screen to refer to a topic that would be sensitive, a nod to Korsh’s in-laws. “The royal family did not want her saying the word,” said Korsh. “They didn’t want to put the word poppycock in her mouth. I presume because they didn’t want people cutting things together of her saying cock.” The line was changed to “bullshit”.

Korsh added that he was not sure how the royal family obtained unfilmed scripts of Suits, and that Meghan herself was never responsible for delivering the edits. “It might have been the directing producer at the time, or her agent” who relayed the message, said Korsh. “Whoever it was, they didn’t like having to tell me any more than I liked having to hear it.”

Suits, a glossy legal procedural that ran from 2011 until 2019 on the USA network in the US, has become the breakout show of the summer, setting several Nielsen viewing records. It became Netflix’s most-watched acquired series in a single week, and accounted for a whopping 18bn minutes of viewing for the month of July. Meghan left the series after season seven in 2017, a year before she married Prince Harry.

Harry had previously revealed the palace’s intervention on the show in his memoir Spare, published this January, which detailed the effect of their relationship and palace scrutiny on Meghan’s career. “Meg packed up her house, gave up her role in Suits. After seven seasons. A difficult moment for her, because she loved that show, loved the character she was playing, loved her cast and crew – loved Canada,” wrote Harry. “On the other hand life there had become untenable.

“The show writers were frustrated, because they were often advised by the palace comms team to change lines of dialogue, what her character would do, how she would act,” he added.

-

Remember how the BRF wanted her to keep working? Yet they interfered with her work

#meghan markle #prince harry #duchess of sussex #duke of sussex #suits #british royal family #brf

[foreigndistance]

Jubilee, Rank #72 (a post-event reflection)

“Why would you post this on Nocturne’s 7th anniversary of its addition to Starlight Stage?” Because one, I like the song—especially the original duet. And two, screw it, we roll.

It has been a few weeks since the event ended, but I’ve been trying to write this reflection for weeks without trying to lose my mind over actually writing out several thoughts (both good and bad) over a collaboration event in a mobile rhythm/gacha game. Forgive me for the raw honest thoughts I’m about to say in there.

The Prologue

Hoshimachi Suisei is a virtual YouTuber (VTuber) affiliated with Hololive Production, one of the biggest virtual agencies for such talents. She is one of the earliest talents recruited by the agency, alongside other soloist VTubers like Tokino Sora, Roboco, Sakura Miko, and AZKi—together referred to as “Generation 0”. She is also someone striving to become an idol herself. Prior to becoming affiliated with her current agency, she had tried entering IRL idol agencies, to no avail. She tried joining Hololive Production, but got rejected. She got into INoNaKa Music, but would eventually get transferred into Hololive’s main JP branch in December 2019.

To briefly describe her activities: Suisei is a forever 18, multi-talented idol who has done (and sung) a lot of accomplishments over the years. She has interest in 2D idols as well, with her having interest in Ensemble Stars!! and THE IDOLM@STER, the latter of which being an inspiration that led her into her own idol journey. She would do covers alongside other Hololive talents with songs from those two series. “Honeycomb Summer”, “Melty♡Kitchen”, “Alive Factor”, “Hanamuke no Tori”… to name a few. There were also times where she would often be pulling in the respective games’ gacha, often spending a lot of money on them. Her favorite idols from Enstars!! and IM@S include Ritsu Sakuma, Natsume Sakaki, Hayate Hisakawa, and Kaede Takagaki.

Six years after her debut, she would perform with her own tantou.

At Suisei’s 6th Anniversary 3D live, appropriately titled “SheenderellaDay”, a certain someone would perform with one of her fans.

The song? It was “Koi Kaze”.

Suisei shared the same stage with no one other than Kaede Takagaki, who was in her 1st SSR outfit. This was followed up by a small MC corner. Kaede switched into her 4th SSR outfit, and then a new song written by Suisei’s recurring composer, lyricist, and fellow Midnight Grand Orchestra member TAKU INOUE started playing on stage. As the concert was happening, I was merely saying “congrats” in my mind.

And thus, the grand “Jubilee” started.

The Event (and My Mixed Feelings)

It’s easy for me to say that among the people who wanted a Hololive collab with THE IDOLM@STER in-game, Suisei probably won the hardest. She got her own in-game event, original song, a commu, and even an SSR in the series she loves—ignoring the behind-the-scenes shenanigans we will probably never fully know about. There were previous Hololive collab events in other gacha games, with Tokyo 7th Sisters and Granblue Fantasy getting their collabs in the past few years, but when it came to Starlight Stage’s collaborations, this was the game’s most intense collab yet.

I… didn’t initially plan on running this event much. While I was initially excited by the intensity of the collab event upon its official announcement, there were lingering feelings of “what if this were to be my tantou idol’s last event” and a slight hint of disappointment. The “end” of Starlight Stage had become a recurring topic among English-speaking Ps ever since the so-called “content reduction” announcement was released before the end of 2023. The collaboration itself was teased in that same announcement, but I presumed that the things around the collab were already in production as the whole “content reduction” stuff was being decided. The thought of losing IM@S’ most profitable mobile game because of whatever Bandai Namco is up to is kinda scary. It’s a silly sentiment towards a live service mobile game that will shut down eventually, but the thought is also real.

Then, there’s Kaede herself. Her last token event (and unit from the original mobile game) in Deresute, “Pretty Liar”, was held back in 2018. There’s… things I could say about her content released after that, both things I liked, things I felt odd towards, and things I didn’t really like all that much. In a nutshell: I want to see Kaede as “herself” and not just as the “final boss” Cinderella Girl that she is. It’s complicated.

And yet, this event’s timing couldn’t have been even more perfect. Lately I’ve been finding March and April to have moments involving my tantous. The event’s duration overlapped with March 30 (one year since Cinderella FES Mizuki’s release and eventually sparking FES Kaede in that same banner) and April 2 (10th Anniversary Tour Final, aka the live that changed the trajectory of my producing life forever). And the whole thing took place during Holy Week break, no less. The only real issues I would’ve had were potential connection issues that may arise in a then-upcoming 3-day road trip.

Why did this event have to be 11 days long?

The Actual Grind

Day 1 of the event started with me messing around with all my early intense grinding. I managed to get around the top 20 within the first 30 minutes of the event. Trying to maintain a top 100 spot was hard during the first few days, but eventually things stabilized as the days went on.

For a short break during the first day, I pulled on the collab gacha. My Suisei gacha tickets didn’t give me too much and got me an off-rate SSR (Miyo1), so I resorted to using jewels. Here came Kaede’s collab limited SSR, fully animated. My jewel count went from 55k at the start of the event to 36k—which would eventually be thrown into event ranking hell instead of being saved for the Kaede7 reruns (which was its own story).

During day 2, I kept playing (actually sending my auto Grand team through EVERLASTING FORTE hell and back) while I was at a local convention for the whole afternoon. Not pictured: me showing fellow artists there that I was playing the event! I may have fallen out from my goal for a while, dammit, but I kept farming for tokens anyway.

In addition, I drank some coffee especially during the last few days, although sometimes I find myself feeling a bit sleepy…

Throughout days 6-8, I was stuck on the annual provincial road trip during Holy Week. I brought two phones through the whole thing: my main phone whose mobile data has been mostly spent on event grinding, and a side phone where I would often chat on Discord or play videos and music during the trip. During the second night, I did get to stay in the hotel room by myself (we had two hotel rooms) and took that opportunity to try staying awake.

On day 9, I hit the 99,999,999 money cap for the first time. Nothing too significant about it other than me having to spend a lot on stuff from the limited money shop. (That’s why gold bars exist in-game!)

The final two nights had me trying my damn best to stay up for as much as possible past 1 or 2 AM. If you really value your sleep and sanity over a dumb number for a popular idol’s event, I do not recommend this.

The last day of the event was quite a stressful trip. Within the final 24 hours, I wanted to try reaching the maximum amount of tokens you could hold (99,999 tokens) but I feared that there would not be enough time for me to reach the target. I ended up stopping the EVERLASTING FORTE grind as soon as I got to 90k.

I wanted to park at certain numbers related to my tantous (Ray Distance’s Mobamas debut date, the day CG 4th LIVE’s performance of Nocturne happened, etc.) but I wouldn’t have enough time and/nor tokens to actually reach those numbers. Near the end I tried getting 1,591,715 (Mizuki and Kaede’s respective heights) but in the end, I only managed to reach the 1.59 million point mark with the last tokens I grinded and spent.

The hardest part of the event was actually trying to keep that high amount of uptime, and it was more apparent when I would get knocked out as I was trying to stay awake. I have a terrible sleep schedule (or lack thereof) but my sleepy butt wouldn’t keep me awake for too long. The loop of pressing buttons every 2 minutes felt monotonous for 11 days straight, minus the part where I actually played the event song for either jewels or to get a high score.

My complicated feelings towards Kaede’s latest event song being a collab with a popular VTuber was stuck in my mind, and I first thought I would try to settle for Top 500 early on; but previous sentiments and “final event” anxiety, combined with some encouragement from friends and other Producers (who ranked with me) kept telling me to keep going.

I ultimately finished the event at rank #72, which is… certainly a number associated with ChihayaPs. With a total of 1,590,435 points. I saw the numbers on Haruka’s birthday (April 3), send help.

I also made it to SSS rankings for the first time. It’s something I never really cared for, usually, but apparently ranking very high in a token event would let you in the top 1000. I never saw my actual SSS rank at the end of March (since I was too busy grinding), but I probably made it in the top 500 in the 91st SSS ranking that month.

The Tantou Unit Revenge

There’s one last thing I want to talk about, something I’ve been preparing for almost a year by that point. Long story short: I wanted to tier for the units I produce, and for the idols that are closest to me. I wanted to do that with S.E.M (my first tantou unit), but over the last few years my chances kept fading with each SideM game that got killed. By the time Growing Stars leaked announced its shutdown, I ended up starting to ask for a Kaede and Mizuki event (as Ray Distance) for me to tier in for me to have some form of “revenge” and (hopefully) closure on that front.

Of course that dream event didn’t happen (yet), knowing how much Bandai Namco and Cygames likes putting that After20 duo (who also have some of the busiest VAs in the series) together sometimes.

Over 2023, I did get some top 2000s here and there, in both token and groove events. The last event with my actual tantous in it happened over a year ago (Heartboiled Wars with Tomoe). Every event I’ve tiered in has had an idol I like: Aki, Sanae, Airi, Kanade, and Koharu.

And yet, I didn’t tier in this event because I like Suisei… I tiered in this event because I like Kaede. So much that I ended up producing her.

As weird as I feel about the collaboration as a whole, giving up on this chance would’ve left me with intense regret for several reasons. Future me would be really disappointed if this is to be Kaede’s final Starlight Stage event. (So I hope she gets one more event after this…)

The possibility of me failing a chance of tiering one of my closest tantou’s events again scared me. I lost my chances more than once, and it would probably hurt if I give up that chance. It wasn’t the ideal event I wanted to try in, but the timing was too perfect not to ignore either. There were many thoughts swirling in my head throughout the whole thing, but then again… it’s a tantou event in the end.

I’m awaiting Mizuki’s next event (especially since she hasn’t gotten a new song for nearly 3 years now), but I need to recover first.

Despite everything…

In the end, I do not regret being Kaede’s producer.

The Stats

PLv: 347 → 501. The 2x fan campaign combined with a bit of the EXP Produce perk boosts may have helped a lot.

Jewel count: 55k (pre-gacha) → 36k (post-gacha) → 7k. Thank goodness I didn’t have to spark Kaede in that limited banner.

Idols made past 15 million fans: Uzuki, Takumi, Nanami, and Tomoe. Three of my tantous & an excessive use of Nanami’s FES SSR.

Idols made past 10 million fans: Seira, Yui, and Koharu. Sanae, Miku, Nana, Ranko, and Karen also got a significant boost in fans due to all of this.

SSS songs cleared: Gaze and Gaze. Been wanting to save getting that clear for a special event.

Stamina drinks spent: everything.

Total no of EVERLASTING FORTE plays at the end: 2,947.

SSRs obtained from collab gacha: 5 (two Kaedes, one Rin4, a Makino1 dupe, and a Miyo1.) I’d eventually gain another 2 SSRs after the event (neither of them were Suisei though. I had to resist pulling further because a Kaede7 rerun was coming…)

The Special Thanks

The KaigaiPs that ranked with me in the top 100 (Zhu and Shiina especially—those two are on a different league of their own) for helping me survive this tiresome first Deresute T100 attempt.

My fellow online friends from the various Discord servers and on Twitter, for supporting me. I’ve been keeping that whole thing under wraps from my main account out of embarrassment, but yeah.

The Hololive Fan Wiki, Virtual YouTuber Wiki, and the JP Hololive Unofficial Wiki for Suisei research.

As a final note… when’s Passion Jewelries? Or the next Kaede/Mizuki event?

#producer's rambles #s: deremas #cinderella girls #idolmaster

[mostlysignssomeportents]

Dumping links like Galileo dumped the orange

Today (May 20) at 3:15PM, I’ll be at the GAITHERSBURG Book Festival with my novel Red Team Blues; then on Monday (May 22), I’m keynoting Public Knowledge’s Emerging Tech conference in DC.

On Tuesday (May 23), I’ll be in TORONTO for a book launch that’s part of WEPFest, a benefit for the West End Phoenix, onstage with Dave Bidini (The Rheostatics), Ron Diebert (Citizen Lab) and the whistleblower Dr Nancy Olivieri.

Welcome to my Saturday linkdump, the third in an occasional series that may or may not be restricted to Saturdays, but which will ever be a celebration of olde-timey linkblogging of the sort practiced by our blogfathers, blogmothers, and assorted other blogparents:

https://pluralistic.net/tag/linkdump/

Any fule kno that Saturday is Caturday, and today’s woke felinism comes courtesy of Dr Eleanor Janega, the earthiest of all the Medivelist Bloggers, author of the superb Once and Future Sex, all about dirty dirty medieval people and their filthy filthy habits:

https://pluralistic.net/2023/01/17/ren-faire/#going-medieval

One of Janega’s winningest formulas is “Find a dopey thing about medieval people racing around social media and then set the ignorant straight in a world-beating, extremely well-informed rant.”

See, for example, “I assure you, medieval people bathed”:

https://going-medieval.com/2019/08/02/i-assure-you-medieval-people-bathed/

This week, Janega addresses herself to the burning question, “Did 14th C religious leaders label cats evil, precipitating a mass European cull of poor moggies?”

The answer, you will not be surprised to learn, is: “No.”

https://going-medieval.com/2023/05/16/on-cats/

Rather, medieval people — including those in the 14th century — just adored cats. That goes double for the religious leaders, as is evidenced by all the cats monks drew in the margins of religious manuscripts. Janega also reproduces painstakingly inked manuscripts crisscrossed by pawprints left by a cat that did the medieval version of walking back and forth over your keyboard while you’re trying to enter your password.

There’s also a manuscript with a large blotch that is labeled by a monk who identifies it as a piss-stain left behind by a cat (presumably a cat that wanted to go out and was tired of the monk not taking the walking-back-and-forth-over-the-manuscript hint).

In case there’s any doubt about how monks felt about cats, there’s a freaking adorable manuscript margin-doodle of cat in a little monk’s outfit. There’s doodles of cats with nuns, illustrations of cats hanging out with 14th century monks, and of course, drawings of working cats keeping down the rats in the barns and kitchens of the day.

As if that wasn’t enough, Janega closes with this banger: 14th century didn’t kill all their cats in a witch panic, because “witch panics are not a feature of medieval society”:

Indeed, medieval people didn’t really believe in the concept at all. Even in the fifteenth century when the Malleus Maleficarum, or Hammer of Witches, a witch-hunting guide was written it had to justify its very existence because no one believed that ol’ Heinrich Kramer was right about witches existing.

When people think that the Middle Ages is a place full of superstitious backwards religious fanatics it allows them to think they can just ignore over a thousand years of history because all you are going to see is disease and cat murder. This then allows stupid ideas like this to perpetuate and exacerbates the problem further. Suddenly the only people paying attention to medieval history are weirdo trad people who can bend the truth to suit their own aims, and baby, we cannot have that.

Happy caturday all, and especially to Dr Janega, may her quill never blunt.

Caturday — even a caturday about people being Very Wrong About Cats — is a reminder that the internet is often great, and not a cesspit of awful. Here is one way in which that is true: Mohit Bhoite builds tiny, perfect electronic sculptures that are both gorgeous little artworks and supremely functional exemplars of the hardware hacker’s noble art:

https://www.bhoite.com/sculptures/

Oh. My. God. These are so great. The tiny temperature monitor with the 7-seg digital display:

https://www.bhoite.com/sculptures/tiny-temp-monitor/

This stunning 7-seg counter:

https://www.bhoite.com/sculptures/seven-segment-counter/

This 555 Demux, with its delicate tracery of chassis and pins:

https://www.bhoite.com/sculptures/555-bcd-demux/

Each one a delightful morsel, made seemingly for the artist’s own pleasure and self-expression. I’m slightly disappointed that these aren’t for sale (because I want all of them), but even happier that these pure works of art, unsullied by commerce.

An important note about Bhoite’s sculptures is that they’re built on open source hardware, notably kits from Adafruit, often based on Arduinos and other open designs. This openness leads to “generativity,” the ability of follow-on creators and inventors to make new things based on existing things.

Generativity is the heart of the early explosive growth of the internet. From “view source” teaching millions of us to make the web to the LAMP stack (Linux, Apache, Mysql and python/perl) forming the substrate for billions of projects, the generative internet was — and is — the creative internet.

Despite a decade of energetic commons-enclosing, some of the staunchest bastions of openness and generativity continue to thrive, like Wikipedia, an encyclopedia that isn’t just “free as in beer,” it’s also “free as in speech” — free to mix and remix as you choose.

Here’s a whole passel of delightful Wikipedia-generated search tools, the Search Gizmos, a whole suite of special-purpose search tools that mine Wikipedia for informational goodies:

https://searchgizmos.com/

They’re the creation of Tara Calishain, and there are so many of them that’s it’s hard to choose just one to highlight, but I’m enormously fond of “Gossip Machine”:

A powerful tool that uses Wikipedia page views to surface potential “news days” in a given year for any topic with a Wikipedia page. By analyzing daily page views and flagging dates with significantly higher-than-average views, Gossip Machine provides you with pre-filled Google News and Google Web search links, taking you straight to valuable and insightful information about your chosen topic.

One of the bitter ironies of companies like Open AI is the co-opting of generativity for “Generative AI,” a set of products that could not be more unlike the generative projects of Bhoite or Calishain.

This kind of language game is a hallmark of every scam (not for nothing: Open AI isn’t open, and its product is neither artificial nor is it intelligent). As debates over “Generative AI” (which neither “generative,” nor “artificial,” etc, etc) rage, it’s worth revisiting how earlier debates about automation, creativity and appropriation played out.

This week in Clot Magazine, Estela Oliva interviews electronic music pioneers Jennifer Walshe and Jon “Wobbly” Leidecker (Negativland):

https://clotmag.com/interviews/jennifer-walshe-jon-leidecker-on-collaboration

The whole interview is great, but it really starts to smoke when Leidecker describes “Morover” a Negativland project built on samples of billionaires’ own fevered rants about AI:

With Negativland, we sample those CEO quotes directly — with Jennifer, those quotes also wind up in her notebooks, which she uses live as a source — it turns out CEO & EA musings make for an excellent libretto. Our deliverable is the ecosystem itself! Image diversity is more useful than photorealism! Sometimes the original sample is unbeatable, such as when Sam Altman’s voice falters when he says he feels terrible that AI is the reason his Rationalist friends have decided not to have kids. He thinks in the future, so many jobs will be lost to AI that our economy will be forced to come up with new solutions.

Later, Leidecker digs into the meat of the debate:

Electronic music has been dealing with issues of generative music and cybernetics since the 1940s, with Louis and Bebe Barron working out the creative potential of these new tools, making self-playing instruments capable of observing their own behaviour. I take the core questions faced by creative electronic musicians to involve issues of automation. What can be automated that points one in unheard musical directions?

Can networks involve more people, as opposed to replacing them? What new roles open up for humans once the old decisions are being handled? Electronic music has over 70 years’ worth of deeply moral and very creative responses to the issue of automation, and these patent-chasing corporations aren’t likely to bring up any of that work during their product demos. They need you to believe they invented this. But there’s a long and helpful history, and there’s still time to learn it.

These are the interesting discussions we could be having about these tools, if we could stop letting mediocre billionaire live rent-free in our heads as they hold flashlights under their chins and intone “Aaaaaaaay Eyeeeeeeee” in their spookiest voices. These guys are pumping their upcoming dump, and all the biggest disaster-stories are part of the scam: “AI will become sentient” and “AI will do your job as well as you” are both statements whose primary purpose is to increase the value of the stock in companies making “AI” technology (neither “artificial” nor you get the idea).

I mean, sure, our bosses will fire our asses and replace us with shell-scripts, but they don’t need working AI to do that — no more than they needed working voice response systems to replace human operators. They just enshittify their products and services, and do it under cover of chasing amazing new technology, and reap the stock gains bequeathed by keyword-drunk investors.

But the endless repetition of this vision of Fully Automated Austerity Pronatalist Space Neofeudalism gives people absolute brain-worms. The entire passive-income/rise-and-grind subculture has been convinced that they can use AI (neither etc etc) to make a fortune by…uh…generating plausible paragraphs.

Only problem: there’s no market for plausible paragraphs. The closest anyone comes is the tiny, low-dollar market for short science fiction and fantasy, which is pretty much the last bastion of paid short fiction markets. Now, these are amazing publications, and they do wonderful work, but they pay $0.01 to $0.25/word, and — more importantly — are edited by humans who sift through 1,000+ manuscripts per month looking for brilliant work to publish.

These editors are handily capable of distinguishing between extruded verbal slurry and actual short fiction, but the brain-worm bros are convinced that if they hammer these editors hard enough with enough algorithm-wrought word-salad, eventually, they’ll sell a “story” (netting a princely sum in the tens of dollars!).

This is objectively very stupid, but it’s also very terrible, because the human editors doing this labor of love are drowning in aishit. The most vocal among these LLM-blighted publishers is Neil Clarke, editor of the great Clarkesworld, who is waging a one-man war on spammy LLM submissions. His latest dispatch from the front lines (ominously titled “It continues…”) would be hacky sf, if it wasn’t real:

The one thing that is presently missing from the equation is integration with any of the existing AI detection tools. Despite their grand claims, we’ve found them to be stunningly unreliable, primitive, significantly overpriced, and easily outwitted by even the most basic of approaches.

http://neil-clarke.com/it-continues/

This is not the future we dreamt of. It’s been stolen from us by the brain-worms. Writing in Business Insider, the great Nathan Proctor describes how automation lets companies bring about the “death of ownership”:

https://www.businessinsider.com/companies-software-legal-tricks-subscriptions-customers-money-pay-death-ownership-2023-5

When your device won’t accept the ink you chose, or run the software you prefer, or let you repair it at the depot of your choosing (or even on your own kitchen table), do you really own it?

This is the theme of much of my work, of course, including my novella “Unauthorized Bread,” which performs the science-fictional trick of building a world around a single technical conceit to magnify and clarify the underlying issues:

https://arstechnica.com/gaming/2020/01/unauthorized-bread-a-near-future-tale-of-refugees-and-sinister-iot-appliances/

Proctor leads PIRG’s Right to Repair campaign, and he’s a comrade. He’s got these companies’ numbers and he’s a tireless fighter:

I believe in truth in advertising. If you’re going to sell somebody something, sell it to them. If you are going to lease something to somebody, lease it to them. If you tether their future purchases to a secret “agreement” that you baked into the technology that they don’t know about, that is deceptive. Not to mention, tinkering and fixing are American traditions. The ethos of “if it’s broke, then fix it” has other benefits, too. Repair teaches critical skills, it saves consumers money, it helps cut waste and product obsolescence. Tinkering and fixing also leads to product innovations that can benefit everyone.

Preach on, brother!

For ever tech bro who took cyberpunk dystopia as a suggestion, there are a dozen more who took it as a warning. Technologists like Micah Lee are on the front lines with Proctor and others. Lee was my colleague at EFF when Snowden contacted him privately, identifying himself as a would-be whistleblower who was trying to securely deliver a trove of US government leaks to some journalists who were struggling with the technology.

Now Lee is at the Freedom of the Press Foundation and The Intercept, and he’s working on a book: “Hacks, Leaks and Revelations,” is a practical manual for whistleblowers, reporters and investigators. Subtitled “The Art of Analyzing Hacked and Leaked Data,” it’s out in November:

https://nostarch.com/hacks-leaks-and-revelations

Meanwhile, Lee has put swathes of the book online for early perusal:

https://staging.hacksandleaks.com/introduction.html

This book isn’t a mere manifesto — it’s a manual, and it contains exercises for the reader to help them build a secure process for communicating and publishing in a way that protects sources.

Micah’s work is a reminder that the internet is made of people. Take the people away, all you’ve got is algorithms spamming each other (this is the plot of my short story, “When Sysadmins Ruled the Earth”):

https://pluralistic.net/2020/03/14/masque-of-the-red-death/#eschatology-watch

People matter. Everything people make — corporations, cities, workplaces, networks — only matter to the extent that they help people. Here’s a useful rule of thumb: when you’re trying to figure out whether a cause deserves your support, ask yourself, “Does this help people? Does it help more people than the alternative? Does it help people who need help?”

Asking that question made me a union man. That’s why I’ve been walking the WGA picket-lines in my neighborhood on my home-days while touring. It’s also why I cheered the dancers at LA’s Star Garden Topless Dive Bar when they became the first topless dancers in America to win recognition for their union:

https://apnews.com/article/strippers-union-los-angeles-star-garden-4069df93b149076dc2e23a0bff16438b

The Star Garden workers are organized under the Actors’ Equity Association, the same union I wrote a check to when I paid Wil Wheaton to record the audiobook of Red Team Blues (Wil’s a union man, too:)

https://www.tvinsider.com/1093201/jeopardy-wil-wheaton-ken-jennings-writers-strike/

There’s been a lot of “ha ha the strippers unionized ha ha” nonsense in response to this news, but fuck that. Sex work is work. These are workers. They work in a field that is physically demanding, potentially dangerous, and rife with exploitative practices. Damned right they need a union. Go, sisters, go!

People who think they understand ironic laughter because they made a snotty remark about a stripper’s union are absolute amateurs. To see how it’s done, check out The Onion, a publication that is consistently pretty funny, but also reliably screamingly, viciously, incredibly funny, especially about the things that hurt the most.

The canonical example of this, of course, is The Onion’s first issue after the 9/11 attacks, headlined “HOLY FUCKING SHIT” and containing such articles as “Not Knowing What Else To Do, Woman Bakes American-Flag Cake”:

https://www.wired.com/2001/09/onions-bitter-tears-of-irony/

The Onion continues to be America’s leading ha-ha-only-serious forum, serving, somehow, as both escape valve and flame-fanner for the nation’s bitterest ailments. For years, they’ve run their “‘No Way To Prevent This,’ Says Only Nation Where This Regularly Happens” headline after every major mass shooting:

https://www.theonion.com/no-way-to-prevent-this-says-only-nation-where-this-r-1819576527

But as America continues to record multiple, daily, mass shootings, The Onion’s writers needed something else. Yesterday, they ran “Americans Describe What It’s Like Surviving A Mass Shooting,” and oh shit is it a doozy:

https://www.theonion.com/surviving-a-mass-shooting-americans-describe-what-it-s-1850438794

“It makes you really appreciate how free we are as a country when you’re hiding under a desk with bullets flying over your head.”

“Those 15 minutes standing a safe distance away from the school while the suspect finished shooting were the most harrowing of my life.” (picture of a cop)

“There’s nothing like a brush with death to remind you that all your previously held beliefs are correct and should not be questioned.” (Rep. Steve Scalise (R-LA))

“My boss let me use one of my three unpaid sick days to get sewed up.”

“Only two of my three kids came home from school, but Texas has no property taxes, so it’s a wash.”

I mean.

Shit.

The new Gilded American Age is already looking a little tarnished. The unholy alliance between the infinite greed of the capital classes and the sadistic indifference of the terrified, authoritarian, musket-fucking Bible-bashers has us racing for the precipice.

It’s wild to see the parties fiddle while the Shining City on the Hill burns. I think we all expect it of the Republicans, but watching the Democrats fail working people and continue to climb into bed with the ultra-wealthy and their priorities is demoralizing, especially for those of us hoping for more from the party of the New Deal.

There’s been a lot of ink spilled on the Trump transformation of the GOP, but Dems’ transformation from a party representing labor to a party representing McKinsey consultants is less well understood.

A new book, Left Behind: The Democrats’ Failed Attempt to Solve Inequality, by Lily Geismer, tells that story:

https://www.publicaffairsbooks.com/titles/lily-geismer/left-behind/9781541757004/

Left Behind gets a fascinating review by Ruby Ray Daily in Public Books, where it is contrasted with Partisans: The Conservative Revolutionaries Who Remade American Politics in the 1990s by Nicole Hemmer:

https://www.publicbooks.org/what-the-1990s-did-to-america/

Both books grapple with way that the end of the Cold War and the Reagan era transformed both major US parties. In Hemmer’s telling, Reagan wasn’t the “dawn of the free-market conservative,” but rather, the “late summer” of that brand of conservativism. Without “anticommunism” to animate it, the Reagan Right coalition thrashed in a void, eventually gelling into today’s “nativism, racial resentment, and media hysteria.”

Meanwhile, the Dems under Clinton turned their backs on state-backed programs and towards market-based initiatives, making today’s “lopsided, unfair economic gains” inevitable. The Atari Democrats of the Clinton years were — in the words of one bitter union organizer — “crypto-Republicans.”

Clinton isn’t the Democrats’ Eisenhower (“accommodating his party to, and sanding the radical edges off, a new consensus”). He’s the Democrats’ Reagan, “shaping and even leading this new market-oriented consensus.”

For Geismer, Clinton wasn’t simply jettisoning the New Deal — rather, he was embracing its technocratic, expertise-worshiping aspect. It was this tendency that produced Clinton’s ghastly “welfare reform” and other attacks on working people. It’s a stark reminder that ideology without a moral center sows the seeds of its own ruin.

Meanwhile, we live today in the Atari Democrats’ world, where wealthy professionals play a high-speed game of musical chairs for the few remaining opportunities to survive the coming polycrisis with intact shelter, food and comfort. One way this plays out is in the surreal, vicious fights over college admissions.

It’s only been a minute since the Varsity Blues scandal erupted: wealthy parents (including some celebrities) bribed college officials to pretend that nepobabies and failsons were elite athletes, letting them ooze into top college slots reserved for sports prodigies (slots that often represent the only chance for poor teens of color to enter these universities):

https://en.wikipedia.org/wiki/Varsity_Blues_scandal

The scandal touched a nerve, perhaps because it punctured the already-fragile bubble of pretense that top colleges were full of the smartest kids in America — rather than, say, the kids whose parents attended those institutions (“legacies”), or made giant donations, or were coached and polished by tutors and consultants.

Well, there’s never just one ant. Varsity Blues wasn’t the only way for rich, status-obsessed parents to buy their kids’ way into college. The latest rot exposed is a doozy of a scam: parents pay academics to pretend to collaborate with high-schoolers so they can put their names on papers published in peer-reviewed journals:

https://www.propublica.org/article/college-high-school-research-peer-review-publications

The story was broken last week by Dan Golden for Propublica and The Chronicle of Higher Education, in a long-read that details all the variations on this scam. For example, sometimes the kid does actually do some original research, but the “journal” is a fake outlet run by the “service” that connects academics and kids.

Bottom line is it works: college admissions officers are deluged with applications and don’t have time to look up the “peer reviewed” publications claimed by applicants. Faculty don’t have the time or inclination to do it either. The stakes are incredibly high, the costs are very high, and the institutions that do the evaluations are weak afterthoughts.

I wonder if we won’t just eventually give up and admit that a degree from a Big Ten or an Ivy is just a thing you buy, like a Picasso or a blood diamond. We could just turn it into a half million dollar blue tick and have done with it.

Anyway.

Hate to end this linkdump on a down-note, but there you have it. Next time I do one of these, I’ll try to remember to hold back one of the upbeat links for a palate cleanser.

Catch me on tour with Red Team Blues in Toronto, DC, Gaithersburg, Oxford, Hay, Manchester, Nottingham, London, and Berlin!

If you’d like an essay-formatted version of this thread to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/05/20/the-missing-links/#plunderphonics

[Image ID: A pot of chunky chicken and vegetable stew.]

#pluralistic #class anxiety #realignment #linkdumps #llms #science fiction #publishing #clarkesworld #the onion #ha ha only serious #mass shootings #education #unions #post-ownership society #dinos #junk scholarship #scholarship #drm #electronic music #plunderphonics #college admissions #art #sculpture #electronic art #parenting #search #wikipedia #cats #history #medieval history

[thebroccolination]

So, I have a theory about GawinKrist and Gawin's vampire show with Joss that seemed to come out of nowhere.

THE GOLDEN BLOOD THEORY

Gawin's been around since 2018, but he didn't get a main role in a BL until Be My Favorite. Back in (presumably) 2017, he worked as an usher at a movie theater after graduating from high school in the States in 2016. His two biggest roles before BMF were arguably Mork in the Kiss series (2018-2019), and Dan in Not Me (2021).

He was also the best part of Enchanté (2022), but tragically not one of the main cast.

After Gawin stuck with GMMTV through the worst of the pandemic regulations that restricted filming and then thoroughly proved his range in Not Me, I have a feeling that GMMTV was finally planning to give him his first leading role in a BL series: a vampire series opposite Joss planned for 2023.

Then, unexpectedly, Mike left his leading role in Be My Favorite in maybe August or September, and this is presumably when GMMTV looked at their options for Krist's costar and decided Gawin was their best bet.

Here's my thinking: if Golden Blood was planned for 2023, then GMMTV would have announced it at their showcase for 2023 programming in November of 2022. But the Be My Favorite recasting of Mike for Gawin was announced in September of 2022, so GMMTV could have easily pulled Golden Blood from the lineup and pushed it back a year. Since Gawin has never had a partner and Joss has never been in BL before this, no one was expecting a series from them, so no one would have known to expect anything from Gawin at all. Based on conversations I've had with Gawin's fans, he'd been so inactive that they didn't think he'd have a series at all in 2023.

Meanwhile, GMMTV had already announced Be My Favorite at their 2021 showcase of 2022 programming, and the director Waa had requested more time to work on the script in 2022, so the air date was pushed to 2023. As of September of 2022, Be My Favorite was announced, anticipated, already pushed back a year, and most likely paid for, so it was probably considered a high-priority series. Not to mention it had one of the Holy Trinity and the director of The Gifted attached, and it was to be the first BL series produced by Parbdee Studios.

My mantra with GMMTV for the past several months has been this:

They're incompetent, not malicious.

The fact that Gawin Caskey, better known to most for singing rather than acting, had never performed onstage before this summer at MUSICON in Japan and had to go to Krist before the second show because he had no idea what to talk about between songs is bonkers to me. Like, I'm not at all a GMMTV anti. I praise them when they deserve it, but holy shit. You've had a talent like Gawin Caskey for five years and you only just put him onstage this year?

I think SOTUS being the shock hit that saved them from bankruptcy is a good summary of how GMMTV seems to operate, at least from what I've seen: they throw stuff at a wall and sometimes it works really well! They like money a lot, so if money happens immediately, they do more of that even if they have no idea how it happened or why it was appealing.

Speaking of which—

GAWINKRIST & BE MY FAVORITE PROMOTION

Over the course of filming and promotion, Krist and Gawin became very close. They've both called each other their safe zone, Gawin moved his TV into Krist's house to be a second gaming screen for a while because he was over there constantly, and Krist got Gawin three (3) separate, custom birthday cakes in August (one at a small surprise party, one at the BMF final episode screening, and one at Gawin's birthday event). Krist even integrated Gawin into his university friend group, which is so absolutely fucking wild I can't even. Krist is twenty-eight years old and he adores Gawin so much he wanted Gawin to be part of a friend group he's had for ten years.

Gawin adores Krist's favorite child, they went to an art gallery, and once they even tried to bring a guitar to a beach at night to play music to the stars or some shit (the beach was closed they're both ridiculous). So when Krist calls Gawin "my precious buddy" he doesn't do it as some fanservice thing. They are basically family at this point, regardless of what happens in their professional lives, and it was a beautiful dynamic to watch over the summer.

Part of what made their chemistry so natural in Be My Favorite probably had a lot to do with how much they opened up to each other. Back in May, Krist shared that because he and Gawin aren't especially fond of social media, they discussed how to do the necessary promotion for their series comfortably. Krist actually got Gawin Caskey on TikTok to do TikTok dances, so once again: very good friends.

They also shared videos of them just hanging out at Krist's house eating snacks and playing video games, or playing guitar and riffing, playing with harmonies so beautiful I mourn daily that they don't have an album together.

When the series started airing, Krist invited Gawin to his house to watch the episodes together and go over their acting choices. But GMMTV had also scheduled Krist for a slew of solo concerts throughout Asia, so he had to watch some of them alone on the road overseas. What would have been a fun weekly promotion opportunity was complicated by GMMTV's bizarrely timed scheduling. (Of course, Krist rarely has a day off in general, but you'd think they'd organize his schedule to prioritize his first BL series since 2017.)

Be My Favorite didn't get much promotion overall compared to other GMMTV series, and GawinKrist especially seemed to be treated sort of as an afterthought. They had a few podcast interviews, they went to see Elementals at the cinema (which ended up inspiring Krist's theme for his solo "Elements" concerts in Bangkok), they went to Japan together for MUSICON, Aye had them sing on her channel, and they had a live session for RISER. Those were all the major ones, I think. Not nothing, but there were a ton of missed opportunities for more.

And for a company whose CEO recently touted their actors as influencers and obsesses over Twitter hashtag trends and viewing numbers, the lack of opportunities they gave GK is a little unusual to me.

Unless GMMTV knew they had a vampire series starring Gawin and another actor that they'd postponed. And it'd be announced at their showcase for 2024 programming in October shortly after Be My Favorite ended in August.

It might also explain why, when pretty much every other series had a song performed at the showcase medley, Be My Favorite wasn't included. Even though Krist and Gawin are both known singers who had four songs in Be My Favorite between them.

In the immediate aftermath of the showcase, a lot of GawinKrist fans were unhappy with the news of Gawin's new series, myself included. I'm not a big vampire fan in general, and I'm not impressed with the teaser, the director, or the screenwriter, so I probably won't be watching it. (BounPrem's vampire series is starring BounPrem, so that's why that one's my exception.) I am, however, very happy for Gawin for getting more main character money and remaining in a lead role. He's an absolute sweetheart, and I hope he has more music in 2024 that I can support.

As days passed after the showcase, the more I thought about Golden Blood and where it came from. GMMTV is incompetent, sure, and GawinKrist didn't make the same waves as other pairs, but they definitely have a committed fanbase, and Be My Favorite got overwhelmingly positive reviews, particularly for GawinKrist's chemistry. They trended consistently whenever they did anything, and most intriguingly, Japanese fans really love them thanks to MUSICON and FanFest. Japanese magazines are still releasing interviews and photoshoots with GawinKrist to this day (with plans for more!).

The only thing that makes sense to me is that Golden Blood was meant to happen first, and GMMTV didn't want to waste resources pushing GawinKrist over the summer when they knew Gawin would have to start from scratch with Joss in October.

It's kind of wild to think about, but if Mike hadn't left Be My Favorite, it would have gone ahead as planned, and Golden Blood would have aired this year at some point. And that would mean there's a timeline out there where Gawin and Krist were never cast together, and this beautiful friendship they created never happened. They never got to experience that safe zone they found in each other, and they never would have known what they were missing.

I'm still sad that their professional time together was so short, but this theory makes me feel better about it because rather than being something we were robbed of, they were a gift we never expected.

And just like KristSingto before them, GawinKrist are still close, still friends, and can enjoy their time together without the added pressure of selling and promoting their closeness. They can be friends without scrutiny. They can count their series as a point of pride. This unexpected masterpiece that brought them together.

And maybe someday, when their schedules line up again, they can make the beautiful fucking album that I deserve. [fire emoji]

#i swear this was going to be a couple of paragraphs tops #but i've been writing my bmf essays and i was originally going to include this but it's too much speculation #i want the essays to be as factual as possible so i'm just going to throw this into the tumblr ether #gawin caskey #krist perawat #be my favorite #gawinkrist

[idwsonicmegareview]

A collective sigh of relief for Sonic and friends – 2019 Annual

So maybe you’re a new comic book reader or a parent looking into IDW’s Sonic book for your child. “Annuals” are extra long special release books that come out once a year and may or may not tie into the storyline going on in the main book. The Sonic 2019 Annual fits between issues 12 and 13, after the Metal Sonic story arc but before the Metal Virus saga.

It contains five child-friendly and heartwarming stories in the Sonic world with colorful art and some fan-favorite characters.

Bonds of Friendship

The first story in this collection opens not with Sonic but with our new comic-exclusive characters.

Whisper visits Tangle in Spiral Hill Village and is introduced to Jewel the Beetle, Tangle’s childhood friend. She and Jewel used to go on little adventures together and collected a number of gems and treasures, which Jewel now displays in a museum she is the curator of.

Just as the girls are all getting acquainted, the Babylon Rogues break in and raid the place. Storm accidentally abducts Jewel, thinking that she is actually a giant gemstone. Tangle and Whisper team up to save her and in the process humiliate the Babylon Rogues and get the gems back.

All in all, a very charming and cute adventure that doesn’t overstay its welcome.

Also, as a fan, it’s nice to see the Babylon Rogues return since they’ve always been exclusive to the Sonic Riders series. We did see Sonic and Knuckles ride their extreme gear in the Battle for Angel Island, so we could infer that Riders is included in the continuity but this really seals it.

Being penned by Ian Flynn, this story serves mainly to flesh out more of Tangle’s backstory and to develop her close relationship with Whisper going forward. Having just introduced these characters less than a dozen issues ago in the comic’s run, they’re the ones most in need of new content so it makes sense.

Also Jewel will be an important character going forward, so readers would benefit from seeing her debut in 2019 Annual before digging into the next story arc.

The art by Jennifer Hernandez was much more charming in this story than it was in “Fallout!” and I think her art style was better suited to this kind of jokey adventure.

Jet Set Tornado

Sonic and Tails go for a test flight on the Tornado with a new booster rocket attached. In a unique twist, Sonic is piloting the biplane instead of Tails because Sonic is better suited to maneuvering at high speed. Plus, it’s a nice reminder that the Tornado was actually Sonic’s plane, not Tails’.

Their test flight is interrupted by a badnik but the two manage to take the winged machine down and fly off into the sunset. Sonic asks Tails to take over the yoke because it’s more relaxing for him to ride. Besides, you have to go slow to land.

This story was great for showing Sonic and Tails’ close relationship and how much they believe in each other. Writer Caleb Goellner managed to squeeze a charming story into very few pages and artist Jack Lawrence effectively used a clean art style and uncluttered panels to communicate all the needed visual information without any of it looking simplistic.

Victory Garden

This one is by far my favorite story of the bunch.

Blaze the Cat goes looking for Silver the Hedgehog in the ruins of a town, presumably one bombed during the Eggman War. She finds him trying to plant a garden in a crater, but Silver isn’t having any luck with it.

Blaze uses her fire powers to burn the weeds away and then tells Silver to turn the ashes into the soil to nourish his garden and sure enough, he soon has a flourishing garden of sunflowers, tomatoes, and carrots.

This story is both somber and heartwarming. And it re-establishes the friendship between Silver and Blaze. Longtime fans will know that their relationship is a bit canonically muddled, but they make a good team so I’m glad to see their friendship rebooted here.

I also loved that Blaze would know the role fire can have in renewing plant life, considering her magical attunement to fire. Silver, coming from a post-apocalyptic future, would naturally be attracted to gardens and vibrant plant life but wouldn’t know the first thing about gardening.

Curse of the Pyramid

Our bandits, Rough and Tumble, search for Eggman’s pyramid base and the treasure that waits within.

They don’t expect to run into Rouge the Bat! She’s searching for the same thing, of course, because of her addiction to jewels. Tumble tries to throw her off their trail using his powerful stink but while running away from Rouge stumbles into the Egg Golem (from Sonic Adventure 2!)

While the goons fight the Golem, Rouge goes to find the control unit to disable it but stumbles onto something else! She comes back covered in mummy bandages warning them of the pyramid’s curse!

Rough and Tumble run for it and then it’s revealed that Rouge isn’t actually cursed, she just dressed as a mummy to scare the idiots off. It turns out a group of animals moved into the pyramid after Eggman moved out and they use the “curse” to ward off thieves.

I think it’s hilarious that Eggman is constantly building these unique bases all over the world, and even hides treasure in some of them, but will abandon them at the drop of a hat.

I also like when Sonic characters use their more unique abilities in fun ways because it’s one of the series’ strengths. Even among children’s media, most don’t have a colorful cast both this large and with varied powers. Seeing Rough and Tumble actually use their stink as skunks makes perfect sense and gives them a unique attack when needed.

Sonic Fan Club

The last story of the 2019 annual is a meeting of the Sonic the Hedgehog fan club.

The meeting quickly devolves into a struggle for power as the kids argue about who should be club president. They begin trying to embody different virtues of Sonic to prove they deserve to be president.

They go for a foot race to see who’s the fastest, roll into balls just like Sonic, and fight a badnik to prove they’re brave like Sonic.

The Egg Pawn proves to be too much for them to handle and Tangle steps in to help. Of course, Tangle says they should have a Tangle fan club instead but because she got too distracted, she ends up tangling herself up in her tail and humiliating herself.

As a kid who grew up with Sonic, there’s nothing more charming than the idea of a bunch of kids having a Sonic fan club. I had a stupid grin on my face for the entire story.

The Verdict

The 2019 Annual is a cute little special to pick up but maybe not required reading for IDW Sonic. Kids could pick up this book and understand everything going on without any of the context of the previous 12 issues, but it will enrich their reading going forward.

#idw sonic #sonic the hedgehog

[cousticks]

what makes arthur rimbaud your favourite bsd character?

Alright this is the first of my set of asks I'm answering today. And also possibly my most fascinating. Rimbaud is a character I post a lot about, sure, but I'm really curious as to what makes you think he's my favorite? If anything, from my profile, I'd expect someone to assume its Verlaine.

Now, as to why he's a compelling character I like to write posts about? That I can certainly discuss. And its gonna be long, so I'll put a break in here.

Here's the thing. I don't anymore, but when I was first introduced to Rimbaud (when S3 came out) I absolutely hated him. This was back in 2019, but boy oh boy. That's the thing though, he still made me have a pretty strong emotional reaction, even then, before I'd even read the novel.

I want to detour for a second and talk about one of my favorite classes I've taken, with my favorite literature professor. The class itself doesn't matter here, but for it, we read Gone Girl. And if you've never read Gone Girl or seen the movie, all the context you need to know is that almost every single character in that sucks. They're all terrible people. And the next day I came into class literally stomping and screaming about how much I hated how it ended, and everything leading up to it. And my professor laughed and told the class about how after she'd seen the movie she was so mad about it she kicked a wall coming out of the theatre. She had the same reaction as me. And that's exactly why she taught that book. I still think about it often, because really, it was incredible how much emotion I got from it. I was downright pissed. And that's how I knew it was, in my opinion, well written, to get that much out of me.

Circling back to Rimbaud, I didn't really have as strong of a reaction as I did with that book, but he made me uncomfortable. I didn't like him. (I had similar progressions with Dazai, where I used to absolutely hate him, and with Verlaine as well after my first Stormbringer read.) A lot of the characters I originally despised are some of my favorites now. They get some emotion out of me, they give me a reaction, they catch my attention. Sometimes hate makes you think about something far more than more positive feelings do. (Even if that hate later converts into something kinder.)

Rimbaud... isn't my favorite, as far as which characters make me happy or so, but he's very very interesting to me and I do love to think about him. When you think about the grander scheme of BSD, we don't know the full backgrounds of a lot of characters, they just kind of show up as they are and we don't know much about their lives before the series. Rimbaud, we actually know a good deal, about how he had to give up his family and be presumed dead to work as a spy. He's also a little different, because we get a really interesting insight to his inner thoughts via his journal in Stormbringer. We don't get such an open, honest look into a character like that very often in this franchise. Between his lost, memory addled appearance in 15 and virtually his entire life fleshed out in Stormbringer, I didn't hate him anymore. He was interesting. There was so much to work with, and his own motivations and loyalties were fascinating. I made a post earlier about how sure, he tried to kill Chuuya (and Dazai in association) but really, both he and Chuuya were looking into Arahabaki for similar reasons, to unlock their past. All of the times we actually see Rimbaud, he's not that much different from a ghost, including at the end of Stormbringer when he's akin to an actual ghost, but we learn so much about him through his journals and Verlaine's memories.

He's lost, he's trying his best to figure out who he is based on what he could piece together, he's trying to find out what happened to the dear friend he thought he killed, he's likely been a spy during the Great War since his early teens, and he and Verlaine's entire story in the background of Stormbringer is such a special shade of tragic.

So, anon, I hope you kind of got your answer here about why I talk about Rimbaud so much. TL:DR, its hard not to when there's so much to talk about.

#bsd 15 #bsd rimbaud #placeholder rimbaud tag #asks? answered. hotel? trivago. #bsd stormbringer #if you want me to elaborate on anything or say more please send more asks I really do love talking