This week, we’re talking about FILM ADAPTATION AND ROMANCE NOVELS with Yulin Kuang, filmmaker and romance novelist.
We discuss her work as both a screenwriter and director (she’s writing and directing the adaptation of Emily Henry’s Beach Read), and her debut romance novel, How to End a Love Story, set inside the writers room on a television show between the author of the books the show is adapting (the heroine) and one of the writers in the room (the hero). We talk about why romance adaptations are so difficult to find, why they don’t often hit quite like we expect, and we pitch a few books we’d like to see Hollywood take a crack at.
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my mum forbade me to say anything to my dad about the top surgery thing, and it's just hit me how funny it would be if i got it done and didn't tell him and just waited for him to notice. i mean, what's he gonna say? "didn't you used to have tits?"
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okay tumblr’s exclusion from the twitter social media ban list is hilarious but genuinely we do not belong on there. if a real human person asks “where can i find you on social media” and your choice is a swift death or revealing your tumblr, most of us would simply expire. half of y’all change urls every week like you’re in witness protection. just imagine for one second attaching your wholeass government name to your latest two am clownposting and tell me that didn’t send a cold chill down your spine. the only place i ever want to see the words “connect with me on tumblr!” is on the ao3 profile of an author i’m actively stalking. anyone in the world can follow me except anyone i personally know. antisocial media.
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Lost my fucking mind at a red light today
turning off reblogs bc im tired of terfs in my notes. anwyays trans people are sooo much cooler and sexier than cis people but especially terfs. bye
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*leaves a tiny little frog in your askbox*
Ribbit
(For anyone who can’t read the last panel there are bigger versions of the images and text under the cut)
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