Uh, so, I saw this kickass piece of fanart by @thwipped and whoops, innit:
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If caught and asked about it, Jamie couldn’t have explained why he did it.
Actually, no. Scratch that.
He could have explained, probably. He just wouldn’t have cared to.
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The way it goes is this:
He’s been with Richmond for a couple of months and haven’t those been the longest fucking months of his life, because yeah, ‘course it’s fun being the best fucking player on the team, ‘course it’s fun hearing the fans chant his name, doo-doo, doo-doo, doo-doo, and getting a bit of rest from his dad ain’t bad either, but Richmond is a shit club with a shit manager and the only fucking bright spot—
Well. That’s turned out to be shit too, hasn’t it.
At least Jamie’s killing it, at matches, at training, every fucking time he steps onto the pitch. No one can fucking touch him, dominating yeah, and today’s been a good day for it too, what with the photographer on the sidelines snapping picture after picture for some promo or other. Jamie didn’t pay too much attention to the details, just made sure they got him from his best angle (every angle’s his best angle), and that’s that, until a couple of days later when he walks past Hopkins’ (or Huggles’?) empty office and sees the photos spread out all across the desk.
And well. ‘Course he steps inside to have a look. Bound to be a bunch of him looking fit as fuck, right, and who doesn’t want to see that, and maybe he can grab one for Keeley, bet she’d love it.
There is a bunch of him looking fit as fuck, no surprise there. Difficult to choose the best one really, they’re all fucking brilliant (‘cause he’s fucking brilliant), and he’s deliberating between an action shot of him about to score one of the prettiest goals this sad fuck of a club ever saw and a shot of him afterwards, chin raised against he blue autumn sky like a hero out of a movie or something. Gorgerous, innit.
And then his eyes fall on a picture of Roy.
A picture of Roy fucking Kent. And. Like. It’s not even anything special, not like Roy’s actually doing anything in it, it's just a stray shot of him caught unawares with his shirt raised to wipe the seat of his forehead and he’s—
He’s. Uh.
Fuck. Jamie stares and he stares and he stares because for all that his old attraction to Roy didn’t survive five fucking minutes of actually being in the same room as the man, that’s just—
The shorts riding low on his hips. The dark hair trailing down and down, and the glistening drops of sweat on his forehead and Jamie can fucking smell him and that’s not sexy, is it, except it really fucking is, and those arms, and something unguarded and vulnerable and the real Roy Kent is a royal cunt but the Roy Kent in the picture—
He’s something else, isn’t he. He’s fucking fit. (Okay, the real Roy Kent is that, too, but it kind of fades in the face of him being an insufferable old twat and all that.)
Jamie grabs the picture. Doesn’t let himself think too much about it. Shoves it in his pocket and walks away, feeling it burn, burn, burn against his side.
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When Jamie was twelve his mum gave him a poster of Roy Kent and Jamie was over the fucking moon. When Jamie was twenty-three he met Roy Kent and Roy Kent glared at him with unmitigated disgust and okay, fuck you too, mate. You’re not even that good anymore, and still you expect everyone to fall at your fucking feet, do your fucking bidding and make like you’re the fucking king, and fuck that, the king is dead, old man; long live the king.
Thing is, looking at the picture now it’s not that hard to forget about the real Roy Kent (nasty bastard) and remember the Roy Kent (fucking legend) that looked down on Jamie from his bedroom wall and whispered encouragements in the back of Jamie’s head and, a little later, featured frequently in fantasies of a different sort.
Picture in one hand, cock in the other, Jamie wanks to Roy for the first time since he came to Richmond (and if it’s not all just the memories of the man he once imagined, if it’s a little bit tinged with dark looks and growls and Roy snarling his name like it’s an insult… Well. That’s nobody’s business, that.)
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He keeps the photos in the bottom drawer in his bedroom and he doesn’t pull it out a lot, ‘cause there’s Keeley and she’s fucking fit and the sex is mindblowing and Jamie doesn’t need to gawk at pictures of sad old has-beens to get his rocks off.
Sometimes there’s a different sort of itch, though, and he scratches it. No big deal.
(He wonders sometimes, what the real Roy would say if he knew. Plays it out in his mind, all the different ways it might go. Cums as he imagines it.)
He thinks maybe Keeley would like the picture too. Not ‘cause she’d like Roy, she’s got way better taste than that, and she’s fun and she likes a bit of fun and if there’s one thing Roy Kent ain’t, it’s fun, innit. But he’s fit and all, and Keeley’s got eyes.
He imagines it, sometimes, the two of them getting off together over the picture. If Roy – the real Roy – wasn’t such a miserable old prick, he’d suggest it to her maybe. But Roy is such a miserable old prick, and the whole thing is way too complicated to explain, so he doesn’t.
Then Keeley dumps him and the dream was only ever that.
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They send him back to City. Jamie doesn’t understand. One moment he’s sharing a bottle of tequila with Dani Rojas and taking up the Richmond chant and Jamie’s not wrong and for the first time he wonders if maybe there could be something for him here, and the next he’s woken up by his agent and that same evening he’s back in Manchester like he never left, only the stale air in the house he bought with his fifth paycheck tells him he did, and the numb sense of loss as he steps through the door tells him he did.
It’s months before he gets everything from London shipped and sorted. Busy getting up to speed with everything at the club and all. It’s good to be back, really, a proper team, a proper coach, all that. Dad starts getting in touch again, sure, but it is what it is.
So yeah, it’s months before he gets all his stuff unpacked and months before his fingers brush over something familiar and he stands there staring down on the picture or Roy and it’s odd because it seems like only yesterday he first saw it and it seems a lifetime ago.
A rush of lust – Pavlovian, right, Keeley? – but a rush of something else too, rusted barb wire tugging at his guts, sharp and sickening.
He looks at it for a long time and then he puts it away and this time he doesn’t take it out again. That’s over and done with.
(Only, he doesn’t throw it away either. Just lets it sit in a neglected drawer, ignored but never let go, like all the other things that must never be.)
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(There’ll be a time, some years later, boxes packed and moved and unpacked and an old photo slipping to the floor and
what the fuck is this?
and
what’s that, babe? oh my god, you look hot! fucking hell! jamie, where did you even get this?
and
when did you get this? i’m still playing here
and
uh, well, you remember that photo shoot they did for the promo just a couple of months after i joined richmond?
and a raised eyebrow and
yeah?
and a shrug and cheeky grin and
yeah, well, picked it up for darts practise, didn’t I
and Roy snorts but he’s smiling too and
figures you’d be shit at darts
and
what are you on about, man, i’m aces at darts… ooh, because there’s no holes in it you mean, yeah, no, you’re right, you’re right, i’m shit at darts, fucking terrible
and they’re both smiling now and Keeley is too and Roy notes how it’s clearly been handled a lot and what were you doing with it really and the glint in his eyes says he knows but Jamie tells him – tells them – anyway, in great, great detail.)
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I feel like when it comes to the Dusthide debate, a lot of people seem to misinterpret the main point of Ancients as both a game element and a product.
A big part of Flight Rising is dress-up. While users can argue on what the sole draw of FR is (dragons themselves, breeding, the Dominance system, etc), it's generally agreed that the dress-up aspect is one with a lot of care and resources put into it, and is therefore very important to site gameplay. Dress-up keeps getting updated with new apparel, and if there is to be a new dragon breed, it needs every piece of apparel re-drawn on it. This takes time. A lot of time. Gaps between dragons (now known as Moderns) stretch for years at a time.
Ancients were initially created as a way to fill in these time gaps between Moderns, and the easiest way to do that was to release dragons without apparel. However, this is a game that puts a lot of emphasis on dragon dress-up. Imagine if Obelisks were released without any coded apparel. You'd just have a naked dragon missing a huge element of the game, and for most players, there's no fun in that.
This is where the second point of Ancients comes in: because the appeal of clothing is gone, there has to be some kind of compromise. So... if Ancients can't wear apparel, then they are no longer restrained by the requirements for apparel (1 head/4 legs/2 wings)...
which means that they can break the modern mold freely! You can have a dragon with no legs, or six. Or with two heads, or no head. And now that you don't have to worry about apparel clipping, the tertiary genes can go wild! There is room for customization that apparel can't fulfill - you could give it extra wings, or a jellyfish head, or giant tree horns, or you could give it nothing at all as tertiary genes are optional, and it wouldn't matter because there's no apparel to be drawn around it!
Ancients are supposed to be a trade-off. There's no selling point to a dragon without clothing on the Dragons With Clothing Game, but there is a selling point to a dragon with, say, 13 legs, no wings and no tail. It doesn't wear apparel, because it physically can't, and it makes use of this function in creative ways. The inability to wear apparel is justified by the Ancient's unique proportions.
And this is where the criticisms for Dusthides and other 'basic' Ancients stems from: if your Ancient dragon is just the 1 head/4 legs/2 wings setup, then is it really an Ancient or a Modern you can't dress up? You could have the wildest, gaudiest, 15-limb tertiary gene on a Dusthide and it wouldn't matter, because tertiaries are optional and aren't a permanent part of the dragon that would inhibit the usage of apparel.
If a dragon doesn't have a justifiable reason to not wear apparel, then there's no reason for it being an Ancient.
No amount of linebreaking tertiaries will be able to hide the fact that some dragons seem to be created only for the first, initial purpose: just to tide people over until a better, 'real' dragon is created.
And that's just disappointing.
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