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spookygibberish · 21 days

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Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

#haven't posted them much (all wips) but been thinking about the sphinxish people in my setting. same world as thrones #different part of the continent like 2 whole seas away #this is inspired by a shitty comic a friend is reading and also thinking some of the writing in the long way to a small angry planet re #hostile aliens really really sucked.#i want to talk abt this more so im posting it if you have thoughts i would like to hear themmmmm #i'm very cynical about this kind of stuff lmao #dogstock #im also reading tollkien rn so im thinking about ORCS #i dont actually like the lotr trilogy all that much but not even bc i think the writing is bad i just think its kinda boring. sorry.#thats not a very interesting reason to not like something i dont even think its not good im just not super entertained. rip #like not saying there is no issue with it at all writing wise there is very much to say abt how it is utterly and uncritically #white good black bad fair elves and dark orcs and shit like that #but i've liked things more that have bigger issues. hi pern. maybe i just like shlock! idk!#rambling. im keyed up hi #the gibberish in spookygibberish

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kaiserouo · 3 months

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nemesis

#everyone loves big titan wizard #just use allure instead of physics at this point #super effective #ok gonna ramble in the tags now #im kinda experimenting #but also dont really know what im doing exactly #if you see me anywhere near prolific that means i have a report in like 3 days #which i haven't prepared or even touched #also i kinda misunderstood evil warlock wizard's helmet in that last piece oops #probably not gonna fix that post btw #have to say evil ver. is like 10 times harder to understand and draw than good ver.#i simplified so much i kinda feel bad about it #destiny 2 #destiny guardians #destiny titan #destiny hunter #destiny warlock #destiny 2 art #my art

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rosamayarts · 8 months

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there is something very special about Stede's devotion to ed. He made a mistake and left him waiting last season, but he won't make that mistake again. Stede has seen Blackbeard, the ruthless killer, and still loves him. Finds him impressive, even. He has seen Ed at what Ed himself would consider to be his lowest; crying in the bathtub, traumatised, and admitting to not being a good person. Even admitting to having plotted to kill Stede. And Stede chose that moment to tell him that they are friends, that he cares about him. Stede has seen Ed at his worst, on both sides of the pendulum. He has seen Ed at his most terrifying and his most vulnerable, and continues to love him sgvshvfsejfbw their story is peak romance istg

#our flag means death #ofmd #our flag means death 2 #ofmd 2 #edward teach #stede bonnet #blackbonnet #gentlebeard #ed x stede #also just to clarify when i say 'at his worst' i mean what ed would consider to be his worst #there is nothing wrong with crying and being vulnerable #but ed thinks there is #so for stede to continue to love him after seeing him like that must have meant so much to ed

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redrocketpanda · 9 months

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From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

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narwhalandchill · 4 months

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oh my fucking god i feel. SO stupid rn at How i didnt make the (super sane very normal just absolutely. Yes. Surely) connection earlier but uhh

so anyway im now like 89% certain that whatever the "traces" of the narwhal that remain on ajax and facilitate their (ever-growing) innate connection are like. an actually fundamental aspect of it (them?) more or less.

why? because if you consider its pov just for a moment. the narwhal was literally about to depart teyvat for good. it had nearly finished consuming the primordial sea and preparing to breach surface to finish the job by eating the french for the leftovers their human bodies were made from. its an interstellar voyager it does not linger on planets it devours. it goes glug glug and it leaves.

and like if it wasnt for traveler intervening its confirmed through narzissenkreuz and renes world formula that teyvat wouldve just been destroyed. no one could have stopped the narwhal not neuvillette not focalors not anyone.

so what was the one other thing it did right before going for that french brunch? calling for ajax. getting them reunited in the primordial sea. like all the possible implications aside bc theres many different ways to speculate on the exact reasons why and the nature of that link. the point remains.

it wasnt leaving teyvat without finding him.

like the narwhal is about to fucking Dip from this cringe planet and whatever part of it that ajax carries within himself his narwhal Absolutely wanted to be reunited with. what the fuck am i supposed to read from that. hoyo???????!??! answers?!?!?!

and its not only the calling from the narwhal side itself either bc this is ALL coinciding with the growth of a 'restless power' within ajax and his vision malfunctioning (the things celestia is literally confirmed to harvest energy thru to repair its damaged authority) and his connection with the narwhal reaching an actual conscious level (arguably subconscious n emotional too bc i find it Curious his mood is poor right as the narwhal is repeatedly described as positively malding to the point its boss fight mechanic is literally a rage meter). ajax' power is growing. his destiny is starting to shift and something is drawing him to fontaine... right as the narwhal is getting close to finished with the primordial sea. funny how it overlaps eh. how it aligns 🤨🤨 why are they orbiting each other like this (they should kiss)

(& not to even Mention how ajax just Happened to get that absolutely exponential and borderline unbelievable feat of power spike in extending his foul legacy endurance as massively as he did. while. within the primordial sea. with his narwhal. who had at that point all but incorporated the power of that sea into itself. i s2g if childe was getting passive home turf co-op bonus exp with a 4x multiplier automatically the whole 40+ days 💀💀)

#man the way its lovely reunion but tjen ajax fucking ATTACKS IT ON SIGHT you couldve gotten married!!!!11!1 fucking unbearable i am in agony #anyway contrary to popular belief we still have no fucking clue whether ajax' link to the narwhal was innate #skirk saying the traces remain on him after meeting it isnt saying tht much. the parts he shares w it couldve well been innate but dormant #instead. also just the fact that he woke it up already shady #then like. monoceros caeli being his from the beginning is completely plausible despite ppl acting like its been confirmed his const change #and like them being halves of the same entity on some lvl would make the narwhal being so weak without him n until ajax found it again #make very much. sense. anyway ajax toxicity jokes aside if the narwhal was just trying to eat him point blank without even a hello #i do get why hed react aggressively. but also bros been telling everyone n their mom hes fighting his narwhal the seconf he finds it again😔#so i feel somewhat confident in assuming he started that 40+ days brawl #anyway if ajax Isnt the celestial narwhal on some level or possibly becoming it as their link grows.#riddle me this atheists. why is his 3rd phase boss theme. the song about His individual murderous rage at us #bc he thought he was outplayed by us. His personal wrath #whys the song for that called the wrath of the celestial narwhal. of the star swallowing whale. Hmmmge. his individual rage.#why does tusk of monoceros caeli speak of him embracing the narwhals innate qualities as embracing mere parts of Himself #funny how tjat goes!! (the OST n boss drop is not 100% serious theory but it does drive me insane. bc why would they phrase it like that)#anyway either theyre 2 halves same original entity or theyre soulmates idgaf . they should fold teyvat in half and eat it for brunch #aaand im going to be consumed by this realization for the next month wish me luck #WHY DID IT NEED HIM THERE SO BADLY???? HUH??????#i mean relatable dont we all. but its sooooooooo inch resting. Curious indeed #rambles #genshin #childeposting #childe

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p4nishers · 9 months

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random hc but. crowley being a plague doctor in the 16th/17th century bc he's supposedly "tempting people into death" but he can never, ever bring himself to actually do that so he ends up soothing their pain as best as he can and comforting them in their last moments. one night, after he held a little girl's hand as she passed away, he sits down at the banks of the river thames, with his plague mask discarded on the dirt, and he starts out over the water with tears in his eyes, wondering what the fuck is actually the point? it's not the first time he's asked himself the question nor the first plague he witnessed but, here, now after personally witnessing hundreds of deaths every day, he really wonders what actually is the point of him? why does he exist and why should he keep existing. why does he get to live when so many others don't? how is that fair? how is any of it fair? that's how aziraphale finds him, as he just got back from an assignment somewhere or other and hears crowley is in town, so he discreetly looks for him and finds him there, sitting in the dirt, now with his head in his hands, his shoulders silently shaking and is obviously immediately worried but doesn't know how to comfort him or what's allowed so he just sits beside crowley and watches him try to pull himself together. aziraphale's heart breaks, he put what happened together from the mask and the robes and he obviously knows about the bubonic plague but was convinced it was hell's doing and couldn't have even imagined crowley was out there everyday, helping people under the guise of hurting them. is he surprised? no, of course not but it still hurts to see crowley like this. but he's afraid to cross their unspoken rules so he quietly waits crowley out. he watches the water and doesn't dare look at crowley as he lifts his head and takes a few shaky breaths in. after a few minutes of breathing, crowley croaks out "her name was mary" and nothing else, and aziraphale understands, god he understands. it's one of the things they never speak about after it happens but aziraphale can't forget the night he sat with crowley for hours, till the sun came up, as he cried about a death of one little girl. he holds it close to his chest and never, ever forgets.

#neither does crowley. he should've been cast out the second he put that mask on cause he'd never be able to do what they wanted him to but #aziraphale would never ever say a word about this and crowley didn't even have to ask him. crowley remembers how just for a few moments #aziraphale let himself brush crowley's hair out of his eyes tenderly and yearns for smth he will never have #ugh the longing the yearning. 's too much #this came to me at like 2:33 am as i was tryna fall asleep with my little azicrow fantasies and i had this idea for a painting of this scen #and i sketched it in my notes app then was like fuck it and went to sketch it on paper and now here we are #idk if this is coherent and idk if i care #also this was kinda inspired 'and in the waking world we wait and we want' which is a dreamling fic BUT hob was a plague doctor for a while #there and anyway i think about that fic once a day so i randomly steal ideas from that like bro the historical knowledge that fic has???#INSANE. the history nerd in me goes crazy every time i reread it it's so so so good #anyway i went off track there ill leave whatever this is here #good omens #good omens headcanons #crowley #aziraphale #good omens 2 #azicrow #also i dont claim im a writer in any way shape or form im just slightly insane so ignore how awkward this is

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