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#but have had to remake my account a few times over the years

miks-fantrolls · 2 years

Note

JFC 100%?!?!?! ive been here since 2012 and never took a break and i got 80%. you must have been a superwholock theres no way

i just followed a lot of people who were into it lmao. i was more of a "WHO.....eh, lock..."

i think i tried watching supernatural in high school, i got to season 2 i think but got bored of it cus every episode was the same. i actually dont remember anything from it tbh

#ooc #9th 10th and 11th doctor are where its at #although tbh the writing for thr 11th kinda sucked i just thought matt smith was cute #i watched sherlock cus it was all over my dash but i cant say i remember anything from it #ive been here since like....2011??#but have had to remake my account a few times over the years

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ufoend · 1 year

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∆ please help us

we can not afford any of our basic needs

i usually try to keep this as light as possible, but i have put this off for long enough that i have to post this. me and my partner desperately need help. we are just two gay people trying to make it alone here with absolutely no support system. *remaking because the first post died

who we are: im j (or jet), im 24 year old trans guy whose had this account since 2014. i married my partner in 2018, we even met on tumblr when we were younger, we've been together for years. my partner is disabled (diagnosed with autism and seizure disorder and others)

what we need: basic needs, help with vet care, dental emergency assistance and general support. our cat had an emergency surgery two years ago that means he needs to be on a prescription diet (hills urinary food) for his entire life. the vet suddenly said we need to bring him in again to get his prescription renewed and we cant order any more food for him until then, which he will not survive without, and he is not allowed to eat any alternative food without risking his life. we have less than half of a 8 lb bag of it which will not last him through the next month. with the vet, food, and ubers to get to the vet and to the only place they sell the food = 200

to try to summarize our situation, we were kicked out by family and made officially homeless for the first time last year. this is right after we moved across states (wa to az) to support my partners family upon their request, only to be subjected to abuse and kicked out directly due to homophobia in an unfamiliar state after a few months. this left both of us and all of our animals entirely homeless. we luckily have an apartment now but our situation isnt stable. we lost all of our belongings at this time, everything we had built, and have not been able to replace them as we have very fixed income. my partner is especially affected by this situation, as it was traumatizing, and they have just had to power through trauma after trauma because of poverty, more than i can say.

i also have severe and painful dental problems that are not covered by medicaid in az and i have no way to afford. this includes wisdom teeth, root canals, and many cavities that will turn into that crazy expensive treatment if i don't fix it. some may remember my post about this (+this) showing the work i need. i cant keep ignoring it, because they are worried about two of the cavities becoming root canals, and i want to prevent another infection, but thats at least 250 each i also lost a cap and need to replace it to save the tooth, but that's at least 600.

we are still not going to be able to afford rent in future months because our EBT was delayed last month and i had to spend money we don't have, and without student loan forgiveness, my partner will not have loans anymore so we are in serious jeopardy even affording rent, let alone bills. our pets (2 cats 1 small dog) also desperately need vaccinations, which is dangerous to keep going this overdue without with their health problems. our dog has also been limping for the past week and he needs to be seen when that is ever possible, at least 65 plus ubers.

any donations would go first to the vet appointment and cat food, then the other needs in order of priority. will keep updating this, i know its a lot and i really don't expect anything as i know it's well over 1000 for it all, i am begging for help with any of this.

we are both students, we are trying to work towards stability, while being stuck here. i do everything i can to bring in money to support us on my own. we make 200 less than rent is monthly. i am in school to become a caseworker so i am aware of a lot of resources in my area, and have applied for everything, but we can not do this alone which is why i have to ask for help. i am so sorry for having to do this but i appreciate any support that i do have because of this website. you guys literally save my life. helping out other poor people and getting helped out on here has been the most compassion ive ever been a part of. dollars, even pennies, worth of donations has kept my cat safe, has affected me in real ways. it actually matters to us, no matter the amount.

thank you anyone who reblogs, donates anything at all, or reaches out

p*ypal email (best): [email protected]

v*nmo: @tobler707

c*shapp: $tobler707

#signal boost #please boost #please reblog #reposting because this died out #im so sorry

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codelyokooutofcontext · 7 months

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Today marks the one year anniversary of this blog's first post!

One year ago today, I acted on a whim and made a new blog to post moments from this show that, without context, look absolutely insane. I thought it was funny, my friends thought it was funny, but I didn't really have any big plans. I thought "I'll keep this around for a little bit and then probably drop it". Like I usually do with most projects of this nature.

If you'd told me I'd still be here a year later, I wouldn't have believed you. I especially wouldn't have believed you if you told me how many followers this account would amass in that time period. Honestly even being here now and seeing all of it, it's still a little hard to believe.

Thank you all for supporting this ridiculous little blog. It means a lot.

And after all this time, perhaps it's time for a proper introduction.

Hi, I'm YoshiStack! I've been utterly obsessed with this show since I was 4 years old and I've been involved in the fandom in some capacity since I was 13. Given that I'm about to turn 24 here in a little over a month, you could say I've been here for awhile!

Aside from this blog and the other few video edits I've done, my main contribution to fannish materials is fanfiction! I mostly write gen work about the friendship between the characters, as that's always been one of my favorite parts about the show and characters. You can find my CL work (and other oddities too if you're feeling adventurous) on Ao3 also under the name YoshiStack.

I'm also on YouTube! Right now I'm wrapping up a playthrough of the original Super Mario RPG before the remake releases and in the middle of a playthrough of a childhood game of mine, Thrillville: Off The Rails. I'm still a novice when it comes to recording stuff, but I'm having a lot of fun doing it and it'd mean the world to me if you checked it out.

(And as an aside: if you have audio or video editing you need done, hit me up either on here or the email I have listed on youtube! We'll see if we can work something out!)

Zero obligation to check out either of those ventures, but it'd mean a lot to me if you did!

Now here's some answers to some basic questions for CL and this blog that you may or may not have wondered about:

Favorite Character: Definitely Aelita! I love her arc! Her development from this character the others feel very protective over to ultimate sass master is so fun to watch

Favorite Episode: Oh that's so hard. But If I had to pick just a few...[REDACTED UNTIL POLLS CONCLUDE]

Spoilsport. Favorite season then?: Oh this one is easy! Season 2 for sure! It does a great job introducing all the new elements you need to know about in the beginning of it (Franz Hopper, William, Sector 5, etc) and has well done pay off at the end. And the stuff in the middle is just downright fun! A well executed season all around

Favorite Sector: Prooooobably forest? Something about all the trees is fun to me. Honestly I like most of the sector though. Minus desert. Too much desert in S1

Favorite Monster: I used to be all about the Bloks, but after running this blog for a year now I've gained an appreciation for the comedy that the Tarantulas often pull off. From well timed devirtualizations to killing one of its buddies with their own lasers, they're unintentionally really funny!

Favorite XANA Attack: I unironically love the food monster. Also the rat army. It's absolutely horrifying but pulled off so well

Favorite relationship: Ulrich and Aelita all the way man. Platonically I mean, their friendship is so underrated in the show itself but the few times they get to interact they're just gold (I am Jerlita trash too if you want to know more in that kind of relationship sense)

How do you pick out of context moments?: Honestly most of the time I just pick a random few episodes and skim through until I find something. Sometimes I'll have a particular moment in mind, but sometimes the funniest clips come from me just mindlessly looking through some episodes

Will you ever do Evolution out of context?: I considered using a clip from it for April Fools Day but I got lazy and never got around to it lol. Aside from that idea though, I don't know Evolution well enough to pulls clips from it, and I'm just not super interested in doing so at the moment. If anyone else reading this though has a burning desire though then you absolutely have my blessing (not that you need it obviously)

What do you think about the idea of the show possibly getting a continuation?: So I’ve always been pretty set in my thought that the show doesn’t really need a continuation. While more backstory on Project Carthage would be cool, it never really mattered to the Lyoko Warriors in the end, and the idea of bringing XANA back after they fought so hard to bring it down always felt cheap to me. They had their fight, they won, let them move on in peace.

That being said, the idea of the brains largely responsible for the original show having a genuine interest in continuing does have me at least a little intrigued. It’s way too soon to say whether or not anything will come from that interest of course—TV is a complicated thing and interest from creators alone isn’t enough to make it happen. But if nothing else, it’s nice to know that even all these years later, there’s still interest in the show and these characters from them.

How long will this blog be around?: Honestly I have no idea! I never thought I'd make it this far! I have no plans on stopping any time soon at least—there's tons of episodes I haven't even touched for out of context moments, so I'm not running out of material any time soon!

For now I’m just going to letting things run their course naturally and enjoy the ride.

That’s all I can think of to put here, but my askbox is always open for more questions!

Thank you all once again for your support for this year. I hope you'll join me going into our next one and beyond.

Here's to another year out of context!

#yoshi speaks #not a clip #not out of context #code lyoko

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sapphire-weapon · 10 months

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You said that part of the fun of old fandom was making backstories for the characters. did you have one for Leon? what was it?

oh boy. this feels so... self-indulgent and cringey now in modern-day fandom, after having dedicated so much time to arguing what is or isn't canon and having to explain multiple times, at great lengths, that the mafia backstory is not canon and why it's not. my brain is just like "shut up and just be glad that people are starting to listen to you at all."

I've mentioned a few of them here and there sporadically over the past few months, so some of these are going to sound very familiar to people who have been following me for a while, but

this is basically the backstory I've come up with for Leon and have been using for mmmm around 20 years, give or take (though I tweaked some slight things to account for Remake Leon, which I'll also note):

● grew up in a suburb around the Hartford, CT area

● only child

● very religious/uptight Catholic mom, dad was basically Mike Cosgrove from Freakazoid

● like seriously, the personalities of his parents couldn't be more different, to the point where it almost doesn't make sense to anyone on the outside looking in how they ended up together at all. but his mom really loves how stable and grounded her husband is and appreciates his really awful sense of humor, and dad fell in love with his wife's cooking and the way she actually laughs at his jokes and the fact that she really believes in something greater than herself -- because he doesn't, and he wishes he did. they also share a taste in music, surprisingly.

● "Scott" is a family name, but Leon's dad was already "the third" and he was like "you really wanna put this kid through being 'the fourth'? that's stupid. just make it his middle name." Leon has never told a single person in his adult life this, but his parents and his very early childhood friends (up until about middle school) actually called him "Scottie" -- because "Scott" was his dad. (yes this headcanon was born directly from how funny I find the whole "Mr. Scott Kennedy" shit in OG RE4 and I'm not sorry) mom's name is Carol.

● mom was a middle school geography teacher (and CCD teacher). dad was a cop (he was bASICALLY COSGROVE)

● was always closer with his dad than his mom, despite the fact that his mom very clearly and very desperately wanted him to be a mama's boy. it wouldn't be quite correct to say that his mom was emotionally abusive, but she definitely didn't Get Him and very rarely actually listened to what he had to say -- she had a pre-constructed image in her head of the kind of person she wanted him to be, and anything that didn't fit that image was either questioned or ignored outright. (NOTE FOR REMAKE-VERSE LEON: this was even worse for Remake Leon, who has a lot more self-awareness than his OG counterpart and started to suspect that he may not be fully straight pretty early in life, even if his conservative upbringing didn't give him the language to express what, exactly, he was feeling. he had a crush on a boy once, vaguely mentioned it in a very roundabout way to his mom, and then spent the next like 10 years convinced he was going to hell. see here for a more in-depth explanation of how I view Leon's sexuality.) dad gave far less of a shit about who his kid was, so long as he wasn't doing dumb shit to get himself in trouble or arrested or something. as a result, Leon's really stupid sense of humor came from his dad, because they did spend a decent amount of time together. the two of them + Leon's uncle (dad's brother), who was maybe a little bit off his rocker, always went hunting once a year.

● was never super religious like his mom is, but still definitely believed. didn't pray regularly -- but prayed enough. he can pinpoint the exact moment that he lost his faith, though: when, while in Raccoon City, he first considered suicide -- and he realized that he was looking not to God for salvation, but to his gun. even as an adult, he won't outwardly classify himself as an atheist, but his general feelings towards God and faith are: "if God is up there, He's not listening anymore."

● wasn't ever super popular in school, but was never an outcast loser nerd, either. he was just kind of... there. he had his own little circle of skater kid/grungecore and metalhead friends, and they just kind of did their own thing.

● didn't actually start to get hot until senior year of high school and kind of thought that people were taking the piss when they started looking at him differently after he'd been so completely ignored as a dating/sexual prospect for so long. plus he had a girlfriend by then, and they'd been together for a while, so he didn't really think too hard about how other people were looking at him, anyway.

● he and his long-term high school girlfriend broke up before they both went off to college, mutually, just because they were going to different schools. (NOTE FOR REMAKE-VERSE LEON: OG Leon lost his virginity to that girlfriend at age 16; Remake Leon didn't. the Remake version of his girlfriend was too prudish to go all the way, but third base was a familiar friend.) this was to the great relief of the girlfriend's dad, who fucking hated Leon's guts and frequently told him that he would never marry his daughter (and once chased him out of the house with a shotgun, but that's a different story).

● played lacrosse in high school. didn't love it, mostly did it to put on college applications. actually wanted to play football, but his mom was adamant about not allowing him to (AND SHE WAS SUPER RIGHT HOLY SHIT DON'T LET YOUR KIDS PLAY AMERICAN FOOTBALL).

● dabbled in some arts stuff here and there in high school and college, but never in a serious way and never for any great length of time. he was more of a math nerd than anything else. but he spent like, half of a school year involved with the lit mag and, despite being a not terrible poet and short story author due to having an inherently romantic nature, dropped it pretty fast out of disinterest. tried being involved with the school paper, dropped that within a year due to disinterest. thought about picking up the guitar because some of his friends were musicians, but never committed to it. the only thing that ever stuck was an interest in film; he spent a decent amount of time in the A/V club and really enjoyed the editing process. probably would've majored in it in college if not for his far greater interest in criminal justice, so he just kept doing it on the side for fun. took some electives for it in college, at the very least, and worked on some student films. mostly horror films, which is ironic to him in hindsight.

● did not go into criminal justice because of his dad; it's just a coincidence that he ended up being interested in the same field that his dad worked. Leon has always had a problem with bullies and was that guy in high school who inserted himself into situations that didn't involve him, just to stand up for someone else. got in only a handful of fist fights as a result of this, and the extent of the scolding from his dad was "knock it off. quit screwin around. you screw around too much." in the most non-committal, "don't actually stop though" tone possible, followed by taking him to get burgers. his mom lost her mind any time he got sent home from school for fighting, though -- and the one time he actually ended up suspended was Literal Hell for that full week. but, either way -- for him, growing up with a very positive opinion of law enforcement to begin with, criminal justice seemed like a natural fit.

● beyond the few times he got in trouble for fighting (in fights he never started and always won), the worst trouble he ever got into was that time his mom found out that he and his friends snuck beer into a Green Day concert in 1994. that was also the first time she learned that her 17-year-old son was already drinking. he got grounded until graduation.

● overall was just a pretty good kid, though. constantly on honor roll. graduated college with a 3.7 GPA.

● mostly behaved in college, too, but he definitely went out and partied when he didn't have anything school-related to worry about. OG Leon partied way more frequently and way harder than Remake Leon did, though. OG Leon dragged his dick all over campus. Remake Leon had maybe a handful of drunken hookups (that still never actually got him laid) and spent most parties being that guy who was taking care of his much drunker friends. catch Remake Leon standing over one of his friends who has their face planted in the sand at a beach party like "hey man. you good? we can't leave yet. I gotta finish this beer." Remake Leon also made an excellent wingman.

● after getting hired at the RPD but before actually able to move out there (in late August, roughly), he did go out to Raccoon City to try to land an apartment so that he'd be ready once he actually did move. he filmed most of that week-long trip in a sort of self-documentary style and edited it all together with the intention of giving it to his parents before he left, in case they started to miss him -- so that they could see where he was and who he'd likely be hanging around with and all that stuff, because he is a Good Boy. he ultimately never finished the very last part of it because of the phone call he got to stay away from the city a week prior to his move, and he soon forgot he'd ever made something like that at all. his mom found it a few months later while cleaning up his room, which she did frequently as a grief response "so that it'll be ready for him when he comes home."

● to date, Leon's family and friends from back home think he died in Raccoon City. the CIA kept a tight leash on where he went and who he spoke to for the first four years of his captivity -- he basically didn't get freedom to live his own life until after Operation Javier. by the time he had the ability to call or visit home, he felt like it was too late -- that it'd be crueler to show up out of the blue after being "dead" for so long -- especially considering that he couldn't stay in their lives. he'd basically just be showing up to say "hey not dead" and then have to disappear again. so he just sort of... let it go. though, of all of the terrible things he's done in the time since then, this is the one thing that weighs heaviest on his conscience -- the one thing that he feels guiltiest about most often. but he continues to stay away, because he has nothing kind to say about the life he's lived or the man he's become. even if he were to go home now, he's convinced that his parents would not recognize their son.

● he doesn't know this, but there is an upright grave marker for him in a cemetery in his hometown dated 1977-1998. buried there is an empty casket with only a framed photo of him. his parents still lay flowers there twice a year: once on his birthday and once on the anniversary of Raccoon City's destruction.

#resident evil #resident evil 4 #resident evil 2 #leon kennedy #typing up some of this was kind of embarrassing and idk why #but thank u for the ask anon #my new D drive won't be coming in until wednesday so #i have nothing but time to answer long asks like this after work #pls keep sending them

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emerxshiu · 3 months

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Elfilis for valentines :3

did on y'all but im back, hopefully i'll post for a few more days before i dissapear again

anyways have a drawing of my wife

with text

i actually wanted to draw kirfluff but my need to draw elfilis took over and my hands and back hurt like hell so i didnt draw the rest of stuff i wanted. maybe i could draw it later or tomorrow but im posting this now before i fall asleep or something and dont post.

It was also an excuse to draw the redesign of my fecto gijinka i had made a few weeks ago so, yeah it was fun.

Tho i might make some adjustments to my gijinka if i see fit. also in this drawing he has some differences from the actual gijinka, mainly, the little hearts arent like that in my gijinka and the bangs here have been tied up because i wasnt feeling like drawing them since theyre really long. also the lashes, but here i kinda tried doing their eyes differently and then colored them so i might make my lis gijinka have his eyes like this or change them, im not sure.

tho the more i look at the drawing, the more dissatisfied i become, i mean i did it yesterday around night and stuff so i didnt really think that much about it, (it took around seven hours and i finished it at like 1 am, i definitly wasnt the most concious at that time) but i feel like something is missing i dunno

maybe its the coloring, i had to remake the shading a lot of times since i didnt know how to do it, my style is really inconsistent a lot of times, going from cell shading to soft shading to mixing them both and so on so forth with a lot more of that.

i do have a sketch with some half finished lineart i did of one of the ideas i had (i was originally going to do more pieces with more characters but i didnt go trough it cuz i knew i wouldnt be able to do it in time) but im too embarassed of it to post it

and even tho i complained, i still kinda like this drawing

(small edit i did)

next post is either one about a gijinka i have almost finished of an obscure kirby character i decided to adopt into an oc or a splatoon post following the fresh season 2024 and side order trailers, (fun fact side order releases just a few days before my birth day! im eating good with nintendo just like last year (last year was wave 1 of the dlc and return to dreamland deluxe))

Now im going to take a break after posting this on my other accounts and then later fight fecto elfilis (i do this almost every month sooo) and then grind my catlogue to get it to 100 before the next season starts

Jambuhbye!

(fuck i just remembered i wanted to talk about a silly headcanon i made for lis while drawing this but i forgot and i dont want to write more ahhhh)

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minerwarfare-suzuya · 7 months

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I'm not done.

Miles ownership drama timeline, part 6

Part 1, Part 2, Part 3, Part 4, Part 5

After that whole altercation with Miles went down. Things went quiet since he blocked me on two of his accounts on here. The Moboxcritique and Kevonica would go on the topics of Blurry and Faces of Nothing for the time being while I was recovering my account after it got reported for pretending to be someone else and I was in the works of making my FNAF Affinity remake on my new blog.

Until I received a message from Cagney about the current situation with Mobox87 making statements that she has an irl stalker because of the Moboxcritique blog's publicity gaining the attention from her stalker which she requested that the blog should be taken down. More on that topic some other time. . .

So, word has it that Mobox87 is supporting a groomer.

Now you're probably thinking to yourself.

Yeah we know that, the Moboxcritique blog spoke up about how she downplayed Mandopony's grooming behavior.

Well this time it's different. When I was told about this info from Cagney I took the time to get some details out of them.

Apparently, Miles has openly spoken to Kevonica about having a crush on a 16 year old which may I remind you that he is 21 years old. Then he goes off to say that where he lives has the age of consent as 16.

Here are the screenshots I was given from Kev when I asked her about it a week after Cagney told me.

Like I understand that the age of consent is different in many countries and I'm aware that the US has some states where being 16 years old is consensual for sexual activity but there is a boundary between this person he's interested in and him.

Like my brother in Christ you are literally an adult trying to get with a teenager that's in school.

So!

Going back to the situation where Miles called me a "pedo" for drawing an ahegao face on Vinsnake before he changed his age as a comeback against me.

I was thinking to myself with my friends.

Like why did he call me a pedo for? He never announced the character was 16 til I made that drawing of Vinsnake.

Yet he wants to support Mobox87 who's made actual child porn in her art. So call her a pedo!

But your ass is a fucken hypocrite since you admit wanting to engage with a 16 year old.

One more thing to mention is that he goes to say he's an "ace" and I'm thinking to myself.

Like what does that even matter? You're still trying get with a 16 year old! They have a different maturity level compared to you!

Then you go off still calling me a pedo over the drawing of Vinsnake still while excusing yourself for wanting to be with a 16 year old because you say you're a "little space".

Mother fucker you is a pedophile! Quit acting like you dating someone in highschool isn't pedophilia.

You literally made it clear that you're self aware that people in other states would consider it pedophilia but you contradict yourself to thinking that it's okay because you consider yourself as a child.

Make it make sense!

Again, Mobox87 knows about this and she defends him which is no surprise since Miles is Mobox87's top buyer that gives her enough money for her hustle.

I'm so done with Miles Bullshit! He's a man child and an entitled asshole!

I apologize for doing this but someone's gotta stand up to this jerk and not tolerate his toxic behavior.

Kevonica and Cagney didn't want me to share this publicly because they both don't wanna deal with Miles.

I don't expect forgiveness with over sharing this information but just know that-

I had to do it to em.

Aftermath

#mobox87 #minerwarfaresuzuya #kawaii jeffery kun #mod cagney #human anthony dust #kevonica

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dotthings · 1 year

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While I really, no really, do not care about the CW Network's goings on any further, the misguided takes still going on at the most popular CW Network stan account on twitter are just too much. I can't.

I find it so hard to relate to stanning a corporation and a platform this hard. I'm with the fans who are fans of the shows, and hurt because of losing the shows, that part I relate to, but I don't relate to this stanning of CW as an entity. I'm a fandom old and have been through 3 CEO's at the CW. I watched shows on UPN and The WB. I remember when The CW was formed. There is no era of The CW that hasn't made me feel like this was a dumpster fire of a platform, to greater or lesser degrees. When The CW was formed it wiped out a bunch of Black-led series on UPN. The CW was the evil network that people now think CW Nexstar is.

There was a brief period where I rethought my perceptions of it--at the height of the Arrowverse, back when Arrow was on the rise and spun off into The Flash and it was a very exciting time to me as a DC fan to have that. But it was short-lived and I quit the Arrowverse only a few seasons later.

There are good creatives who have done good work at The CW and I appreciate them, I also appreciate the more recent gen of shows that did seem to be course correcting on some systemic things that drove me nuts about many of the shows on The CW previously.

The evangelizing of Mark Pedowitz. Let's start there.

Mark Pedowitz, who showed he had no interest in SPN whatsoever beyond "maybe the franchise is only J2" and "we'll keep making more so long as the boys want to keep going" and that's all he ever had to say about it. He cared only for the draw of #1 and #2 on the call sheet, he never showed any sign he actually cared about the story, and he was immensely disrespectful about the show.

Pedowitz who said maybe SPN doesn't have any characters worthy of a spinoff.

Pedowitz playing to the very J2-only stanning toxics who are currently attacking Jensen Ackles and The Winchesters.

Pedowitz, who dissed Wayward Sisters. And no matter if that decision was actually over his head and out of his hands (it actually had to do with the CBS half of CW), there's no reason for that kind of tactless PR statement. "Not where we want it be creatively."

I find it hard to forgive all that, to this day. So excuse me if I'm not on board the Saint Pedowitz train.

Now, let's talk about this idealization that says that "they destroyed the network," they being Nexstar.

Oh I'm sorry. Excuse me, come again, WHO destroyed the network?

Who was it that operated it in the red?

Who was it that left such a mess where it was bleeding money and got to the point where The CW's owners, WB and CBS, realized that their loss leading, practically a tax shelter, actually never profitable, and making its money from streaming not linear, pseudo network, was no longer worth it and DECIDED TO SELL IT OFF.

To Nexstar. Who clearly love a challenge. Because they bought that mess and are trying to make it profitable, for reals, as a linear broadcast tv network that doesn't need to rely on a massive Netflix streaming deal just to pay the electricity bills. While overspending, over-renewing everything, and not giving a darn how deep in the hole it was making the platform.

And all of that. That era. Has fallen on the creatives and the shows and harmed the shows.

This is the consequences of that era.

This is The CW paying the piper. Oh, Nexstar ruined it? Are you SERIOUS RIGHT NOW??

And try for once, sorting ratings BY DEMO WHICH MATTERS MORE THAN TOTAL VIEWERS. Yeesh.

Paying attention to readily available, public articles of industry commentary is a good idea.

Less time uwu-ing over a corporation that screwed its own shows over for years and left an inherited mess behind for the new owners who then, from a business perspective, had no choice but to burn it all down and basically remake it from scratch. Causing a lot of hurt in the process.

CW Nexstar does not care about The CW's legacy or the shows people loved there from the past. They Need To Make a Profit.

The shows wouldn't have had to be treated like this if The CW, originally, had been managed in a way to make it sustainable.

And that is on everyone not just the previous CEO. That's on WB/CBS who really didn't care so long as they got their streaming revenue. The CW was their neglected child. Something they threw together to make a profit off streaming, and off exploiting the viral fanbases that platform generated.

THE CW WAS NEVER PROFITABLE AS A LINEAR BROADCAST TV NETWORK

THE ONLY REASON IT SUSTAINED AS LONG AS IT DID WAS THE NETFLIX DEAL

WHEN THE NETFLIX DEAL COLLAPSED IT WAS OVER.

The corporation does not love you. The corporation never loved you. The CW was not destroyed by Nexstar. I'm not interested in uwu CW Nexstar, either. CW Nexstar has made it clear that they are ditching genre entirely. Oh, they might keep ONE dc series, as a treat. They don't care about that legacied genre audience from old CW.

CW Nexstar is not evil for having sports. Read the industry news for once I beg of you instead of just spouting off about how evil it is for a platform to have sports. Max is getting into sports. Amazon Prime does sports. Apple TV+ experimented with live coverage of baseball games. Get this through your skulls please.

It pains my brain to see twitter accounts perpetuating the misinformation and stans lining up to unquestioningly absorb it. I don't care about CW, I do follow media news closely, I do know some things about media myself, and what I care about is misconceptions and misperceptions.

I really think it matters, especially now, for fans to use critical thinking and read more media commentary and learn about what's going on in the industry. It's going to be hard on the stories we love for a while. I support the creatives. I don't care about your uwu big corporation that you stuck on a pedestal and insist on repeating misinformation about.

#tv ratings #media

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fereldanwench · 9 months

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cold medicine made me manic and now I've spent the past two days reorganizing my tags and deleting close 2k posts and counting????

i had a few moments earlier this year, particularly when i was dealing with ridiculous fandom shit, in which i was very close to just remaking--i've had this account since 2016 and it's gone through many, many iterations over the past few years, and a fresh start sounded appealing. prior to this account, i basically remade every other year since 2011 or so.

but the fact that I've had it for so long was a big part of the reason i didn't want to delete and remake as well. there are a lot of good memories on here i don't wanna lose or have to transfer to a new account.

BUT i'm also neurotic and having over 24k posts just felt like too much, lmao. crossing over the 20k threshold had me like 😬😬😬

purging a bunch of shitposts, stuff that just doesn't resonate with me anymore, old signal boost campaigns, etc. has been quite cathartic. slightly tedious and my elbow hurts, lmao, but seeing as how i didn't have much brain power for anything else this weekend, it's been a decent use of my time

#t: wench.txt #and it's been nice going down memory lane #looking at old stuff

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thessalian · 5 months

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Thess vs Quasi-Necessities

So even after the holidays, I still had a significant amount of overtime 'windfall', for lack of a better term - it was only as large as it was because that back pay from August and September hit my account at the same time. Anyway, before I dumped it into savings, I decided to have a think about whether there was anything really big that I needed, that it was better to get now with the after-Christmas sales and everything instead of waiting. I thought about cookware and the like, but none of that seemed urgent enough. I mean, my kitchen is still tiny, and that won't change for awhile, so I'm not as fired up to get more Kitchen Stuff as I could be.

Then I hit upon a Facebook memory and realised that Gilmore, my beloved PC, is five years old. I've been using the requirements for running the Silent Hill 2 remake as a guideline for what I need to be running, and while my CPU just about still stands up (i5), my graphics card is running way, way behind (NVIDIA GTX 1060). Probably not doing me any favours with Baldur's Gate 3 either. Now, obviously I can't afford anything top of the line - that's running up to £1k and that just eats everything. But I could afford a GeForce RTX 3060, which is a significant upgrade and will be arriving on Saturday.

So ... cue the mild to moderate anxiety as I install a new graphics card for the first time in years. It's been awhile. I'll probably have to upgrade the whole machine soon (well, soonish), but this'll do for now. Looking at the Baldur's Gate 3 specs, my current card is somewhere between the minimum specs and the recommended specs, and is closer to the minimum, so that may explain the few issues I've had with it lately. So the mild to moderate anxiety will be worth it.

Thing is, I tend not to notice that kind of thing overmuch just because I mostly play indie games or games that are over a decade old (or both) and I think BG3 is the only game I have that's really graphics-intensive from the standard of the 2020s. So I guess it's not a necessity, exactly, but seriously, that graphics card wasn't exactly top of the line five years ago. It was probably time. But obviously I still have a bit of sticker shock over the whole thing, to go along with the mild to moderate "putting new things in my computer" anxiety. I mean, I know I can afford it without any problem whatsoever, and I know I can install a fucking graphics card without melting anything, but I still have the anxiety. My brain is awful.

#Thess plays video games

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meatriarchived · 8 months

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not to be a complete sap at six thirty in the fuckin morning but like.

Its been a trip and a half this past what month and a half maybe since i came back to this account? After leaving it over nearly two years ago and expecting not to, especially after everything that happened last year

(can skip over stricken part ♡) ------(finishing degree, brothers dog passing from cancer, moms cancer diagnosis, helping dad be her caretaker and watching her wither over the two months of treatment, family being insufferable and unreliable and still demanding shit from her during that time, the stress of preparing for my graduation and losing her right after, my youngest cat passing)

and the last thing on my mind being trying to write. In spite of mom telling me to get back into it, it was just one of those things where i couldnt really find the push to do so. Grief for my sister twenty years ago gave me the drive to write because she used to write poetry, and grief for mom and my cat-baby had seemingly killed it this time last year.

I really wasnt expecting to come back to tumby to write when i came back here, and i expected that itd be a week before i disappeared into the ether again, but ive genuinely had so much fun this last month and a half writing and chatting over disc - which was also VERY MUCH unexpected because i really never was comfortable with using it or joining servers but im seriously so happy i finally did - with those who have gone on silly lil tangents with me over these silly lil guys on my roster. Who've made all these different lil dynamics with me, for all the boards and the affiliates and all of that.

Ive really had such a good time the last few weeks, its given me a much needed push in terms of getting out of bed yknow? Not letting grief have me in such a chokehold.

And its very much appreciated, truly, to just come on here and be silly and feel welcomed. It's something very much new in spite of being all over the rpc for years. You guys are seriously such a breath of fresh air and im very happy and very lucky i feel being able to write and talk about a game and characters i quite literally have never even played dhudsb

All that to say, ive just been feeling alot more lighter since coming back and alot of its to do with how sweet and lovely and welcoming yall have been.

Before i let myself get any Worse on the sappiness, just leaving a Thank You for yalls patience with me esp this past week tryna get my damn brain back from being lost in luggage sbdjvud vacay brainrot is still lingering but hopefully goes away soon.

Its just been very nice since returning. Yall have been more than lovely vibing with and letting me ramble about muses with near nothing to them that ive yoinked from gun to my others from near non-existant r.pcs like my remakes and trials peeps. And with my little bird.

Im a ridiculously reserved and quiet person and my anxietys got a chokehold still that makes me hesitant in reaching out / talking as often as i wish but i do feel like ive started poking out of that since joining the server. (I also often sort of. Blank out. Time passes me by very strangely and it sometimes comes with me not realizing hrs or at times literal days have passed without me registering it has. So, especially thankyou on being patient with me c;)

Thank you for the last month and a half ♡ its fuckin wild to me that its both been a month already and that its only been a month. Feels like its been simultaneously much longer and much shorter somehow.

#dont mind me woke up a sap like two hrs ago and im eepy #talking about cuteness last night i think turned my brain mushy overnight. its the lingering maria feels sbudbd #also to not cause concern hopefully - i am okay!! i just woke up Sappy ♡ dbudb #and just in case tho i tried to be kinda vague on them and nkt elaborate too much:#pet death cw #parent death cw #cancer cw #vent cw #[ 𝟎𝟎 ] ── * 𝐎𝐎𝐂. { renee. }

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sophieinwonderland · 10 months

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While we're not your biggest fans by any means and do feel bad for what happened with kipandkandi it really feels like they dug their own grave there.

If they had trauma from slander perhaps they shouldn't have went on a hate campaign against your blog for ages to the point of spamming their positivity blog with it for a week. It feels hypocritical at best and outright two faced at worst.

We hope they recover well, but if they can't handle what they themselves serve they probably shouldn't be interacting with a space as inherently toxic and agressive as syscourse, especially when they did worse.

I really wouldn't be cavalier with phrasing of "dug their own grave" right now.

But, yeah... I feel the same sentiment.

Everything about their posts on this are just filled with hypocrisy and projection.

Warning: what's about to follow is a very angry vent.

They accuse me of having a "vendetta" against their alters. I've literally only talked about them a few times over the past few days due to everything happening. Meanwhile, my name has been continuously mentioned on their syscourse blog since the start of the year.

They accuse me of talking about them behind their back. I was blocked during the entire period they attacked me since around, I think, April to July 17th when they unblocked me to try to get me to read their document. They tried again on July 18th. And I blocked them right after.

They accuse me of block-evading, but their whole defense of why they @'d Eeveecraft is because they claim that they thought tagging them would still send the message to the account that blocked them.

This also means, by extension, that when they @'d me in May with a post calling me bigoted and transphobic, they intended for that post to be sent to my notifications despite having me blocked at the time.

They also said that they plan on remaking their post on their main because Eeveecraft doesn't have them blocked there... which... is still block evading. If somebody blocks you on one account, don't try to contact them on another.

They consider me mentioning them a few times without tagging them block evasion. Which... I genuinely don't think is true. Blocks aren't gag orders. As long as you aren't encouraging harassment or trying to contact a user, I don't think there's a rule against talking about people. But if it was block evasion, then they've clearly done much worse between both their syscourse blog and the positivity blog. (And for that matter, I think most of their friend group has made posts about me by name while having me blocked.)

And as I said in the other post, @'ing somebody you have blocked is bad because it links potential harassers directly to the blog of the other person. Don't @ them.

And immediately after reading my post explaining that @'ing doesn't send notifications to the blocked users and that all it does is make it easier for harassers to get to them, they @ my blog and link to two of my posts "for transparency". Which since they read and comprehended my previous post, I can only possibly interpret the @'ing as them trying to get me harassed.

There's no other explanation, is there?

It's the only possible reason to do that after it's explicitly explained that there's no other advantage to @'ing blocked accounts.

Block Evasion ✅

Talking About People Behind Their Back ✅

False Accusations ✅

Spreading False, Targeted Rumors ✅

Personal Vendetta ✅

After calling me an asshole, a proud racist, a transphobe, a zoophilia supporter, a bigot, telling me to get banned, and so much else on their blogs... I said "reporting someone seems like something they would do since they told me to get banned, but there are a lot of other suspects who are just as likely who could have done it too so IDK 🤷‍♀️" and I said them saying people are being incredibly racist is an "attack."

These are the things they refer to as "slander."

I legitimately believe them when they say I hurt them. Because their continuous, almost-obsessive attacks felt very personal for some reason. But like you, I feel that if getting a tiny fraction of what they dished out back caused them this much distress, they really should have stepped away a long time ago for their own health.

I sincerely hope that they can find healthier coping mechanisms. And, for the love of the gods, stop tagging people who have them blocked!

Also, this should go without saying, but please don't send hate to them. Don't harass them. Don't engage with them. I'm angry at the repeated smears and am expressing that, but the last thing I'd want is for anymore harm to come to them.

#syscourse

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procrastinova · 5 months

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art summary 2022 vs art summary 2023

individual 2023 artworks below (plus some thoughts on them because why not. Said thoughts will include me critiquing some of the pieces, especially the ones from earlier in the year.)

also here's a link to all the artworks from my 2022 one if anyone wants to see them

JANUARY - Art piece i did right before For the Future aired of Luz and the rest of the hexsquad having a much-needed group hug. I didn't really look at any references for this one (apart from for the character's designs) so the poses look really awkward and stiff tbh 😭. That being said, I'm still glad I gave it a shot, and it looks a lot better than the one I did before Thanks to Them's release, since I was more used to drawing the characters.

I'm not going to go too much into some of the... questionable... anatomy choices I made, since they aren't exclusive to this artwork in particular, nor is this the worst example of them (*cough cough* my old King's Tide screenshot redraw).

Overall I think this is an okay art piece. Definitely could have been improved by actually using references for the pose though.

FEBRUARY - This one is actually another redraw of a REALLY old piece I drew in 2021. With my finger. Not a good combination to say the least. This one is miles better especially in terms of anatomy, facial expressions and composition.

That's not to say that it's without it's flaws. I do think that lining up Betty and Amber's poses better would have improved the overall look of the piece. Another thing that I did end up changing a little while after I drew this was removing the shine from the black parts of the mirror to make it look like it was actually cracked, which I didn't do in the original version (that one's on my scratch account if you want to see it). It's a subtle difference, but I think it makes the piece look a lot better.

Again, I think this is an okay piece overall. Looks like the mona lisa compared to the 2021 version, but honestly I think anything would.

MARCH - Yet another Owl House artwork (bet u guys cant guess what my favourite tv show is). This one I created for a zine which I was working on for my multimedia class (this artwork in particular was supposed to be an advertisement for the finale). You can kinda tell I still wasn't that confident in drawing King, since his pose is pretty stiff (I don't think I ever really got used to drawing him tbh).

I do think this piece would have benefited from some more shading and lighting that wasn't the singular multiply layer I placed over the characters then erased some parts of. (There is some other shading but there's no other lighting).

Most of the other issues I have with this pieces are just issues I have with my old art in general so I'll leave it there.

APRIL - This is the last Owl House artwork I promise. I made this one for Zeez Vov Gee 2's watching and dreaming art contest. I actually do still quite like this one, which might partly be to do with the fact that I really like all of the character's timeskip designs, but whatever.

Some of the proportions on the hands are a bit weird, and I REALLY wish I put the shading on the lineart as well, considering how light of a colour it is.

One thing I do really like which I didn't notice while I was drawing it, is the pose Luz and Amity are in forms a sort of heart shape, which is really adorable akdjfhskhdf ;w;

Anyway, overall a pretty good piece, might remake it later. Who knows 👀

MAY - as you may immediately be able to tell, I did not make that much art in May (I might've had a few tests on at the time. Or I was just lazy). This one is actually OC art for once (wow shocking never seen before).

It's kinda just a doodle/a more doodley art piece, but it's pretty alright. I actually really like the pose that Robyn (the OC in the drawing) is in. This is also kinda the first time I drew their design, so yeah. The background isn't great, but I can't really expect that much from a doodle -v-

overall, pretty decent doodle. (for anyone wondering if I'll ever post more about Robyn... maybe? I'm mainly using their story for writing practice, but I think I posted something from it on here)

JUNE - June was literally the polar opposite of May. I'm not kidding, there were like 3 artworks that I was debating putting for June (this one, some deltarune fanart and a TOH screenshot redraw). I eventually went with this one because HOLY CRAP am I proud of that background.

This one was really heavily influenced by cartoon backgrounds (in particular ones from Gravity Falls and Hilda), and while I do think there are a few things that could be improved (like some of the trees), this was the first time in a while that i'd tried drawing a background that wasn't grass and a couple of trees (and i think the first time ever that i'd done something this complex).

I think another reason that this one turned out so good is that it was a birthday card for a friend. And if there is anything that I am constantly trying to do better at every time I redraw it, it's birthday cards (probably bc they're for my friends, love you guys sm /p).

anyways, overall a really good piece, 11/10 background.

JULY - behold... the first artwork I posted on Tumblr! I drew this shortly after seeing Across the Spiderverse in cinemas (which I have to say was one of the greatest experiences of my life).

I wanted to mess around with lineless art a bit on this one, as well as sort of try to give it a watercolour feel like earth-65. And I gotta say, I think it turned out pretty good. Though I did spend a good 15 minutes looking for references because ATSV wasn't out digitally yet ;w;

overall, I like this piece, I tried something new and I made fanart for the greatest movie of all time (in my opinion)

AUGUST - I don't think I drew nearly enough Omori fanart when I was super into the game, so I'm making up for it now. I wanted to redraw one of my favourite photos from the photo album for this one.

I probably could have put a bit more detail into the background for this one, but I really like the warm lighting, and the dappled light effect that I used for the characters. The lineart is also a bit sketchy, but I was (and sort of still am) in the process of figuring out how I actually want my lineart to look.

overall, I really like this one, nice colours, nice lighting, has the omori characters being happy in it :]

SEPTEMBER - like in May, I didn't get as much Art Stuff TM done, so it's just a doodle of some of my OCS (except this time it's Copper, Lapis and Peg, who I have posted about before).

I kinda just wanted to draw something cozy, so I didn't put too much effort into the background and stuff. One thing I will say, is that I wish I drew them looking a bit older, since they are all 16-17 lol.

overall, this one's ok. Could be better, but it's just a doodle.

OCTOBER - ohohohohoho we are SO back. Yet another birthday card. I love the perspective and poses on this one (because, you guessed it, I used references for them). Everything about this artwork was really fun to draw (especially the characters).

Overall, really good artwork, 11/10

NOVEMBER - redraw of an artwork from 2021 part 2: electric boogaloo. I remember being so proud of the original artwork, so I wanted to make this one an artwork I was proud of too (which was a success).

One of the main things I wanted to do for this one was to actually draw a background, instead of getting one off google. The one I drew was simple, but I think it really works, because I wanted the focus to be on the character, not the background. I also added some slight perspective to the drawing to make it look a bit more interesting.

Overall, amazing, especially compared to the original

DECEMBER - and finally... December's artwork! Aka my banner. I wanted to do something kinda simple for this, because I'm probably going to redraw it or make a new one later. I really like the contrast between the colours in the foreground (which is supposed to be inside a train, but it's kinda hard to tell), and the background.

Also something I've started doing for a few artworks is making a duplicate of the artwork, blurring it slightly and lowering the opacity, which makes it look a lot more visually interesting :0

overall, love this one, good artwork to end the year off with :] (i'll prolly still draw more stuff tho)

(fun fact - I was going to put the redraw I did of the 'get in loser we're going shopping' scene with the characters from TMC for December because it's the highest quality meme i've ever made but it looked weird next to the other ones bc it was in black and white 😭)

#art evolution #art improvement #my art #nova.txt #long post #like seriously long post i should not be allowed to ramble about this much stuff sorry guys

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sapphire-weapon · 3 months

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Don’t know if this is weird as hell to admit as it makes me feel like I have no life, but I’m a newer fan to the RE franchise and upon initially playing RE2 and RE4, watching gameplays of the original games, and doing a deep dive into the storyline of the franchise, I had thoughts and opinions.

I never knew how to truly explain those thoughts as I suck ass at explaining how I feel about things. The main thing is I never liked Aeon. I didn’t enjoy how Leon pined after a woman who only interacted with him when it was crucial to her mission/would only talk to him a few times every few years.

Anyway, when I stumbled across your account, the first thing I found was the Separate Ways kills Aeon post and holy fuck. You perfectly summarized everything that I saw and thought when replaying RE4 and Separate Ways over and over again. And when I clicked on your profile to view more of your post and saw that you’re a eagleone shipper, I got ten times happier as I love them! They’re hands down my favorite ship as their dynamic and interactions in the RE4 remake is *chefs kiss*.

Anyway, just wanted to say I appreciate the work you do in this community as you have well-written/thought out analysis essays of several things regarding the franchise. Love ya🕺

I love you too anon 😭

Grateful every day that we've all found each other. ❤️

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gazzhowie · 5 months

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My Top 25 Movies of 2023.

Sitting in cinema screens in 2023 has continued to re-enforce that it is a weird time for the industry, with huge three hundred million dollar (!) blockbusters attracting only ten or twenty people per screen on opening weekend and highly acclaimed independent movies being given no home except for a dumped VOD release. This year felt ‘tough’ being a fan of both great films and the big screen experience.

Anyway, scaremongering over... it is time for me to dust off the cobwebs from my Tumblr account and post my Top 25 movies of this year, 2023.

[Years 2008 through to present are available in the archive.]

As always, films listed are based on their UK release date whether that’s in the cinema or on DVD, VOD etc. Which was a tough rule to stick to this year because I thoroughly enjoyed the lean and effective b-movie action horror antics of Last Voyage of the Detmer, which could’ve earned a slot on my list had its UK release not been pulled 2 weeks prior to its date due to its European distributor going bankrupt.

Frequent visitors know that I’ll throw out a few special mentions to all the films that I wish I could’ve included but couldn’t make fit yet believe they deserve a shout-out regardless and then I get stuck into what I think are the 25 best films of the year. Anyway, without further ado, here are the ‘also-rans’ and ‘near-misses’ separated per genre that very nearly made the final list:

Action movies that I have enjoyed this year include The Covenant which holds the distinction of being an actually enjoyable and tolerable Guy Ritchie movie, John Wick: Chapter 4 who’s bludgeoning and unnecessary excess gives way to a final hour that is part ode to Walter Hill’s The Warriors and part ‘modern action classic’ effort, Guardians of the Galaxy 3 which was uneven but still the best Marvel effort in quite some time (though that is a low compliment), the first part of the French two-parter Three Musketeers: D'Artagnan which brings John Wick-ian action to the oft-told tale, the Gerard Butler ‘Prime Exclusive’ double-bill that was Kandahar and Plane, Denzel Washington’s (“final”) entry in his Equalizer series and Thomas Jane’s cheapo Brannigan / Coogan’s Bluff b-movie tribute, One Ranger.

Not many comedies impressed me this year but going off the ones that made me laugh and surprised me some what were the kind of delightful Woody Harrelson sporting underdog remake Champions, the vastly better than we all thought it was going to be / surprise sleeper success of the year No Hard Feelings and the ‘animals saying uncouth things’ silliness that was Strays.

I liked a lot of horrors this year; the legitimately great (no seriously!) Influencer, the gimmick-heavy but incredibly effective No One Will Save You, the immensely fun Kids Vs Aliens, the Covid-19 slasher that you didn’t realise you secretly sort of wanted that was Sick, the semi-disappointing yet still enjoyable recalibration that was Evil Dead Rise, the Godzilla-homaging creature feature The Lake and the frankly insane / insanely nasty Project Wolf Hunting.

Not a huge amount of animation blew me away this year but Leo was a stand-out for not just being shockingly good but for the sheer amount of repeated viewings it has gone through in my house with my boys without it losing too much. I have to also give props to Spiderman: Across The Spiderverse which was gorgeous to look at and immensely entertaining but excessive and unwieldly to its own detriment.

It was a good year for documentaries with both Milli Vanilli and The Pigeon Tunnel impressing me immensely. The former being surprising in its depth and emotion. But within the documentary form it was a banner year for the ‘biography’ approach with genuinely excellent and thorough studies of fascinating people. I loved Mr Dress Up, Still: A Michael J. Fox Movie, Judy Blume Forever, Hatton and Albert Brooks: Defending My Life.

Dramas I’ve liked a lot in 2023 have been Till which moved me immensely, the justifiably acclaimed May December, The Burial which was far more captivating than it had any cause to be, the Netflix survivalist preposterousness that was Nowhere, Ben Affleck’s fabulously entertaining Air which was another entry in the ‘business origins’ subgenre that continues to somehow flourish, Michael B. Jordan’s overdirected but strong Creed 3, the ode to old-fashioned 1990s studio potboiler thrillers that was To Catch a Killer, the Sky Original Dead Shot and the smart phone / techno warning Unlocked.

And in a little section all of its own marked ‘better than they had any right to be’ I’ve got to give a shout-out to Elizabeth Banks’ incompetently directed but decidedly fun Cocaine Bear, the Jackie Chan / John Cena greenscreen-heavy team-up Hidden Strike, the wonky but fun Scream 6, the exhaustive Extraction 2, the low-bar hurdling Blue Beetle and the absolutely insane (and mildly better than the last two excretable efforts) Fast X.

And now… my Top 25 favourite movies of 2023… but for those who know me to be an enormous John Woo aficionado I will make clear from the outset that at the time of compiling this I still have not seen Silent Night. Sorry.

25. The Caine Mutiny Court-Martial

We must mention William Friedkin’s last film before his death - a reminder that the man was a master filmmaker across the board but specifically a master at letting the material and the performance(s) lead. Never has that felt more reinforced than with his interpretation of The Caine Mutiny Court-Martial where, like what he did with his excellent made-for-tv redo of 12 Angry Men, he lets the power of one single setting, a very good cast and exceptional material (in this case a soft update of Herman Wouk's 1953 play of the same name) lead and he gets out of the way and stays there. A more fragile or less confident director at the age Friedkin was, at that point in his career / so close to the end, would've likely been tempted to go big or get flashy to show they've still "got it". There was nothing fragile or unconfident about Friedkin right up to the end. This is an impressively engrossing watch with a great kick at the end that Jason Clarke absolutely sells the shit out of.

24. Talk to Me

I genuinely thought the 'hype' machine was going to have seriously done a number on this, a la BARBIE, but thankfully that turned out not to be the case.

Directors Danny and Michael Philippou have taken a weathered and well-worn concept - that grief and trauma can be open gateways for otherworldly malevolence to exploit - and they've injected it with a fresh voice / energy, whilst respecting 'old standards' like practical effects work.

The concept is decidedly hokey and the lead character isn't particularly likable to say the least (though Sophie Wilde is excellent playing her), but the Philippou Brothers are so thoroughly committed here and the practical effects work is so impressive that it's infectious.

You're almost pulled 'in' despite yourself because the scares are so well-executed and the feeling of dread is so effectively threaded. You know you're being 'played' and you try to fight against it, but it's a mark of its quality that it gets you anyway.

23. Beau Is Afraid

If Taika Waititi parlayed the goodwill and acclaim from a series of beloved low-budget Kiwi comedies into a mainstream career making multimillion dollar Marvel movies and becoming one of the most sought after studio hires of the last decade, then Ari Aster has used the instantly accepted and highly regarded successes of HEREDITARY and MIDSOMMER to... *checks notes* ... work through some complicated shit involving his relationship with his mother (and his father - who may or may not be an actual 'penis monster') and have arthouse kingmakers A24 pay $35 million for it.

This made less than a third of its $35 million budget back (because, come on now, how on earth do you effectively market this thing?) so it's tiring but true that the label "cult classic" has •already• been applied to it.

Look, I'm offering zero defence to accusations against the film that it is overlong, incredibly self-indulgent, ill-disciplined, carrying nowhere near the depth it claims to, tiresome and exhausting. It IS all those things. By the final stretch it is floundering haaard and there's a serious feeling of being trolled starting to set in.

But, first of all, it shouldn't be discounted how excellent and effective Joaquin Phoenix is here and Aster's wildly uneven material is greatly assisted by his casting. Secondly, it has to be acknowledged that there's moments - long stretches, in fact - where there's absolute brilliance at play here.

There's masterfully crafted moments of genuine hilarity (dark hilarity, for sure) alongside flashes of abject discomforting horror. I'd go so far as to say some of the most interesting, inventive, unique and intriguing moments in cinema this year are tucked away inside this behemoth of a clusterfuck.

People pushed hard for the extended cut of MIDSOMMER to be released. I'm pushing for the reduced cut of this.

22. There’s Something in the Barn

I thoroughly enjoyed and had a great time with this. It's not at all embarrassed to lean into its influences, evoking affectionate RARE EXPORTS / GREMLINS vibes without coming across like its heavily plagiarising from them.

It’s got a terrific dry wit to it thanks to writer Aleksander Kirkwood Brown's script and which the cast, especially Martin Starr (essentially doing his SPIDER-MAN shtick here) and a very winsome Amrita Acharia, sell well. And director Magnus Martens doesn't skimp on the dark stuff and sense of foreboding either.

There's no snobbishness to put up against this thing - it's a horror comedy that made me laugh multiple times and jump occasionally. That's a very solid success to me and I highly recommend it if the likes of RARE EXPORTS, KRAMPUS, CHRISTMAS BLOODY CHRISTMAS and SINT are favourites of yours.

21. Pearl

I'm a big fan of Ti West and I really enjoyed X, which was one of my Top 25 of 2022 and which in my review I defended by saying:

"... It's very easy to dismiss what West is doing here as just an exacting homage to THE TEXAS CHAINSAW MASSACRE but it's more than that. Obviously there's overt nods to it but you could also suggest West is doffing his cap affectionately to Paul Thomas Anderson's BOOGIE NIGHTS, Alfred Hitchcock's PSYCHO and, yes, both Lewis Teague's ALLIGATOR and Tobe Hooper's EATEN ALIVE as well..."

This is an interesting companion piece to that movie (with a third entry, MAXXXINE, imminent) made more fascinating due to how it came into existence:

Whilst in their Covid 'bubble' prior to production beginning out in New Zealand for X, director Ti West and star Mia Goth became so enamoured with the backstory they were creating for the character of Pearl that they wrote an entire prequel, pitched it to A24 and built filming into the back end of the original production. A high value 'two-ffer' if ever there was one.

The end result is something less blatantly and broadly enjoyable than the first (second) story but it's definitely the more curious and interesting one; if X really was Ti West's TEXAS CHAINSAW MASSACRE / BOOGIE NIGHTS / PSYCHO / EATEN ALIVE bastardisation, this is his Douglas Sirk melodrama injected with Technicolor and falsely set loose as a 'follow your dreams' fable gone really, really wrong.

It obviously lives and dies by the lead performance and, by crikey, Mia Goth is so good here. That much-memed final credits thing is lauded but it's that late stage monologue that drops your jaw a little. If horror wasn't so easily dismissed her performance would've won awards.

For years we've always considered horror prequels to be the nadir of the genre. After all, who cares if Leatherface only became Leatherface because he was made redundant? Or Jason Vorhees killing nubile teens because he got his pot farm trampled on? Or... or... how no one taking Michael Myers trick or treating turned him into a psychopath? Here though, PEARL indicates that doesn't always have to be the case.

20. Reality

For those worrying as to whether Sydney Sweeney's tsunami of scantily-clad content across advertising and social media platforms has left her precariously overexposed (in more ways than one), along comes this fascinating and considered film to remind you that behind the bikinis, the false nails and the airbrushing is an extremely talented actress capable of incredibly powerful work.

Devoid of make-up, carrying the film nearly 70% of the time in close-up shots she can't fake her way free from and regimentally parroting the actual recorded FBI transcripts down to every sigh, stumble and gulp Sweeney is frankly astonishing in how she carries this thing.

Director Tina Satter keeps things tight in terms of both location, framing and running time (it plays as an almost real-time exercise) and as a result the film becomes a riveting, claustrophobic and maddening display (how did Reality Winner's actual charges and ridiculous sentence stand when all of this occurred without correct due process and legal entitlements being followed from the outset?) from a first-time film director showing exceptional command of her cast and her visual space.

19. Fair Play

Chloe Domont's corporate morality play / torchlight on gender politics by way of a recalibration of the 1990s style erotic thriller is all the more astounding because of how assured and masterfully controlled it is for someone's feature directorial debut.

Driven by two excellent performances from Phoebe Dynevor (who I'd not seen before in anything and was astonished by her) and Alden Ehrenreich (who I think is terrific and deserves treated way better by the industry), and supported by atypically great turns from Eddie Marsan and Rich Sommer, this thing has no right to be as engulfing and nail-biting as it is for what it is.

Domont refuses to make compromises or concessions in the way she presents latent sexism, money, toxic alpha cultures, wounded pride and corporate backstabbing infecting her characters. It's a brutal, relentless ride she takes us on.

One where the brash bloodied cunnilingus opener keeps returning to your conscience like it was heavy foreboding for what feels inevitable - these two can't keep tearing away at each other like this, surely? Not without someone dying at the other's hands.

You keep trying to shake that feeling off, telling yourself that it's not ~that~ kind of film. But as this thing starts to barrel towards its third act it is testament to Domont, and how Dynevor / Ehrenreich are executing her material, that you come to realise all bets are off.

18. Mission: Impossible – Dead Reckoning Part One

There's action movie franchises and then there's •this• action movie franchise; hitting its stride at the fourth entry, delivering back-to-back masterpieces with its fifth and sixth and now this - a seventh entry so frickin good it rides out evident flaws (and Mark Gatiss' horrendous "accent") that would absolutely fatally decimate other films!

Because it feels sacrilegious to even say this but the latest entry manages to straddle both being very good, decidedly high end, etc etc and... *whispers it* ... kinda 'samey' to what we've had since Christopher McQuarrie became 'grand master':

Still no one trusts the inherent righteous genius of Ethan Hunt, forcing him to go against one and all. Blah blah. There's excessive shots of Tom Cruise running. Yes, yes. There's elaborate stunts seamed together by a 'not as clever as it thinks' plot. Of course. And too many characters. Far too many. Confoundingly, it feels somehow a little stale and yet brilliant.

The film's 'grand' action sequence this time round has been so overexposed, so heavily spoilt (a making of dissection for it ran before the film itself at my screening for Christ's sake) that you naturally assume it'd deflate a little by the time you see it 'in context'. That's not so. Mainly because it is actually just the entrée to the main course which is the train finale.

The climax is an utter masterwork of technical execution, mixing real stuntwork with very well done greenscreen and (yes, shocking as it is to say for a Tom Cruise movie) CGI facial replacement alongside terrifically accomplished narrative construction.

If like me you continue to be aggrieved by the presence of Simon Pegg's Benji and how he's ostensibly exactly the same character as Luther with exactly the same skillset, routinely forcibly sidelining a vastly superior Ving Rhames, then that's more evident here than ever before. So much so that they literally 'Poochie' Luther out of the film in the third act. Which is obviously racist bullshit. Also, I know I stand alone in my apathy towards Rebecca Ferguson (I really don't get the adoration for her / her character at all) and my hatred for Vanessa Kirby and all the stupid gurning that comes with her, but both are drowned out by a crackin' turn by Pom Klementieff and a performance from Hayley Atwell that you really need to believe the hype on; she lights up the screen and is a tremendous comedy player amongst all the weighty waffle.

And that's the film's biggest flaw that ROGUE NATION and FALLOUT both managed to masterfully swerve - the minute the action stops the film starts to sink under the weight of really heavy exposition. Mounds and mounds of the stuff, in fact. I know McQuarrie and Cruise have been open about how they conceive a script around action set-pieces but this is the first time where the stitchwork is so headache-inducing having to listen to it that you start to see a wobble in the method for the first time... even more so now McQ and Cruise have started injecting all this whiffery about "the choice" and portentous context about how IMF agents work, are recruited, etc. Like, what are you doing trying to 'John LeCarre' my fucking MISSION: IMPOSSIBLE movies, goddamnit?

Still, it's the most minor of hardships considering you're never more than 10 minutes off from getting out the other side of all that exposition and getting to another sublime action sequence or a close up of Atwell's wonderous smile.

17. Sisu

"Sisu is a Finnish concept described as stoic determination, tenacity of purpose, grit, bravery, resilience, and hardiness, and is held by Finns themselves to express their national character. It is generally considered not to have a literal equivalent in English (tenacity, grit, resilience and hardiness are much the same things, but do not necessarily imply stoicism or bravery)."- Wikipedia

The RAMBO sequels should look to this, kneel before it and weep just for being in its presence.

And we better start doing the same with Jalmari Helander, who in just three movies has done Finnish 'interpretations' of John Carpenter horrors, 80s Amblin movies and now 'lone warrior' action films to magnificent effect.

This is a gloriously ridiculous live action cartoon of violent excess and bonkers propulsion; land, water and air set-pieces of utter insanity stitched together with inventive, nasty gore.

It is outlandish in its speed, its fat-free story construction and its refusal to ever stop or give way to wimpy, silly things like character development.

16. Puss in Boots: The Last Wish

I totally get Hollywood's whoreish mentality for seeing something succeed and then bastardising it to the point that what we once loved is something we become bored by - it's why we suffered through a noughties onslaught of what felt like nothing but zombie movies because 28 DAYS LATER landed well or why everyone's trying to do "shared universes" now because of Marvel.

Or why after the massive success and instant affection for INTO THE SPIDER-VERSE every animated movie of late has been plagiarising the hell out of it.

You saw the trailer for this - a heavily belated sequel to a spin-off from a SHREK sequel - pulling that very shit and it just felt a bit like your old dad after your mum's left him, spraying on the 'hair filler' and squeezing into skinny jeans to "get back out there" and prove he's "still got it"...

... and then it just casually reveals itself to be a film of massively inventive design (both visually and narratively), that's surprisingly deep and very funny - and as a result superior to both its predecessor and the entire franchise from which it was born.

You don't •think• you NEED time spent in the company of Olivia Colman and Ray Winstone as Mama Bear and Papa Bear or Florence Pugh as Goldilocks and John Mulaney as Jack Horner... or best of all ELITE SQUAD's Wagner Moura as Death... but you absolutely do! Don't make the mistake of thinking you're 'above' this sort of thing, cos I can guarantee you you're not.

It's a delight!

15. Indiana Jones and the Dial of Destiny

It feels like I've got to be apologetic in my opinion of this if 'Film Twitter' / the critical majority is to be believed, in which case I'm sorry but I enjoyed this. I just don't think you should ever underestimate the positive impact factor(s) that can be drawn from this particular actor turning up on screen as this particular character, scored to John Williams' music. And I'm saying this as someone who's seen KINGDOM OF THE CRYSTAL SKULL.

I can see why people would have issue with this latest / last outing; it's overlong to the point of bagginess (there's a staleness that starts to set in from the repetition of Jones and Co landing at a location, having the baddies immediately show up, outwit them and make off with the macguffin only for Jones to steal it back) and the character of Helena Shaw is a fairly odious and unlikeable one who exists to cause more shit for Indiana Jones than is tolerable (and I was no fan for the most part of how Phoebe Waller-Bridge played her).

And then there's the 'look' of it too. Did it HAVE to have such a shitty, plastic sheen to it? It cannot be overstated that one of the most tremendous qualities of those first three INDIANA JONES movies was in how Spielberg went out to REAL locations and had Vic Armstrong and Harrison Ford REALLY ride REAL horses and jumped on top of REAL tanks or fall under REAL trucks. Here, it's pixels and screens. Again. With nothing learnt from the issues KINGDOM OF THE CRYSTAL SKULL generated.

James Mangold has done a commendable job of 'apeing' Steven Spielberg and there's a lot - and I mean a lot - of great action here. But the vast majority of it has the shine taken off by continually cutting into terrifically adrenalinised action sequences to insert very obvious greenscreened shots of Ford and Waller-Bridge bickering and shouting like they were really honestly / definitely / maybe there involved with the sequence when it was getting filmed.

It's infuriating because this thing is stacked to the gills with thoroughly enjoyable, legitimately well-designed action sequences - the escape from the castle in the French Alps, the Apollo 11 parade and New York City Subway chase, the Tangier sequence, the Aegean Sea set-piece, the Ear of Dionysius cavern stuff and the airfield chase - but in every single one there's moments of really quite shoddy CGI that draws you right out of the moment to remind you 80% of this was done on computers. There's not ever a moment to make you gasp in awe at how the stunt-man survived like in the original trilogy. But there's a LOT of moments that has you thinking "This thing cost $350 million?"

But all that said, Mangold making a 'fan' version of a Steven Spielberg INDIANA JONES movie is better than Steven Spielberg phoning in one. And I'm not going to lie, this thing had me from the minute the font come up in the opening titles and we got a straight-up legitimate 1940s set INDIANA JONES mini-movie (which seemed to sit as an eery bedfellow to MISSION: IMPOSSIBLE 7, weirdly enough) with the best... though still not flawless... de-ageing techniques I've seen.

14. The Fabelmans

It's more than a little disingenuous for all involved, specifically Steven Spielberg himself, to describe this as "semi-autobiographical" and "loosely based" on his adolescence and first years as a filmmaker when anyone who's read any number of books on the man or watched director Susan Lacy's 2017 biographical documentary can see the beats are all there, wholesale. If THIS is "loosely" then the biopic version would be the greatest invasion of privacy ever committed. This ~isn't~ a "fable", man!

I can also see with it why some have braced against it and the instant critical adoration that was applied to it, because the longer it sticks around the more muddled it becomes about what its point of view is and whether it has anything left to say. By the end it slides to a stop after 2½ hours with an admittedly wonderful (and wonderfully bizarro) comedic bon mot having scattered barely etched vignettes / sketches in its final stretch. And tonally, there's questions as to really what was trying to be said with that late 'Ditch Day' subplot and whether co-writer Tony Kushner was working through his OWN stuff within Spielberg's memory bank.

That being said, I loved it in all honesty. For the first two thirds of its running time, I thought it was •really• something special - and anyone pushing out the notion that this is Spielberg on autopilot ain't watching this properly. That cold pan cutting his [screen] father from the frame in a moment of parental happiness but leaving in his [screen] mother and her lover? That's some brutal, subtle craftsmanship there. And layered on top of choices like that is more precision cinematography from Janusz Kamiński and scoring (for the final time?) by John Williams.

The performances across the board from Gabriel LaBelle (as 'Sammy' / Spielberg), Michelle Williams, Paul Dano, [CENSORED] and Seth Rogen are extremely good. Though as atypically great as Williams is here, I'm not certain this ends up being the 'ode' to Spielberg's mum, Leah Adler, that some think it to be.

I totally understand the perspective of those that see this cynically as a 'pre-designed awards hoover' - you can't help but come away from Judd Hirsch's cameo feeling like the entire thing was written as a Best Supporting Actor Oscar clip reel - but for me it just hit me right in the chest... exactly as it will for anyone who spent some of their best summers with their dearest friends, being creative, making films, watching films, dreaming of a future that involved cinema, fending off unsupportive family and trying to hold close those that did try to help your talent flourish.

13. Babylon

As much as Film Twitter has taken against BABYLON's final moment, it must be said that for a "love letter" to cinema and the movie industry overall, Chazelle can 'sign it off' how he likes (and "SINGIN' IN THE RAIN to AVATAR" is certainly •a• take!) with no obligation to be subtle. However, considering there's NOTHING subtle about this film whatsoever preceding it, why you'd think it's conclusion would be any different is silly.

I'm a Damien Chazelle fan. I liked WHIPLASH and LA LA LAND enormously and I genuinely consider FIRST MAN one of the finest films of the last decade. No matter its flaws (of which there are several), I drew a great deal of enjoyment from this, his latest effort. Repeat viewings have put it as one of my favourite films of 2023.

It's a very, very messy film. Chazelle seems to believe the debauchery and excess of the era his narrative lands within - Hollywood's transition from silent to sound films in the late 1920s - gives him unrestrained reign with an overindulgent running time and a cavalcade of graphic content. Added to all the blood, vomit, excrement, etc etc the opening Kinoscope Studios Exec's bacchanalian mansion party is the "opening sequence of SAVING PRIVATE RYAN" of debauched, drug-fuelled, orgy sequences in cinema.

There's no real consistent throughline to any of this which makes it all the more difficult to embrace across 190 minutes and because it plays like a plethora of sketches it has massive peaks and troughs Chazelle doesn't always seem to have total control of - the vignette involving Margot Robbie's Nellie LaRoy first experience of recording a 'sound' take starts solid, gets funny, outstays its welcome and then beats you into submission.

There's a lot of excellence here though. Whether that's in Brad Pitt's surprisingly layered, moving and deft turn or through the sojourns onto the desert location shoots of multiple oscillating productions, topped off with the very 'on' appearance of Spike Jonze's 'Not Otto Preminger' Otto Von Strassberger.

I'm thinking that opening on elephant defecation and sordid acts of urolagnia is something that in retrospect director Damien Chazelle may well be regretting now critics have been "pissy" about his latest film and it's now considered the big box office "turd" of the year.

12. The Killer

I've seen a few people talk about this as if it's "beneath" David Fincher, inarguably one of our greatest working filmmakers today. Like a tight hitman-out-for-revenge yarn based on Alexis Nolent and Luc Jacamon's comic book series is not "worthy" of him or something. Clearly these people are forgetting this is the same guy who spent 6 years in development hell on a WORLD WAR Z sequel, gave us the glorious (if flawed) bit of pulp that was THE GAME, the immensely effective b-movie in an a-picture gown in PANIC ROOM and remade an adaptation of a popular airport potboiler with THE GIRL WITH THE DRAGON TATTOO in amongst whatever is regarded as his "prestige" flicks.

It's absolutely a David Fincher movie; that's apparent in the droll humour, the Trent Reznor and Atticus Ross soundtrack and the clever visual flourishes - like the entire Amazon 'bit' in the final stretch.

It's a caper. A yarn, if you will. A bit of pulp, just with high end flourishes - such as Fincher's meticulous choices, Erik Messerschmidt's cinematography and the casting itself (Fassbender, Arliss Howard, Charles Parnell and Tilda Swinton).

There's this brilliant layering here between the clinical, detailed voiceover Michael Fassbender provides (that leads us to believe this is an assassin at the peak of his 'game') and the actions we physically see from him on screen (missed shots, beat downs suffered, etc) that indicate there's a little bit more than what's on the surface.

I had an absolute blast with this - a tight / immensely refreshing sub two hour, jet black comedic (the aliases!!) thriller that sits as Fincher's hat tip to Jean-Pierre Melville's classic, LE SAMOURAÏ.

... Though I do want to deduct a star off my final rating for the bit where Tilda Swinton co-opted my favourite 'go to' pub joke that I've relied on for 20 years. Now whenever I tell it people are going to say I've just ripped it off this, goddamnit!

11. Are You There God? It’s Me, Margaret.

What an absolute gem of a film!

You knew you were in steady hands because Judy Blume's 1970 source novel is just that good, Kelly Fremon Craig's EDGE OF SEVENTEEN is an instant classic and there's a dependable excellence that comes with casting the likes of Rachel McAdams and Kathy Bates.

But there was always the risk that this COULD'VE got fucked up. Some idiot at the studio might have tried to modernise it. Or believe that it needed more 'incident'. Or cast someone too precocious in the lead role. But James L. Brooks clearly bodyguarded this thing correctly.

The final result is a sweet, funny and very lovely little film with an absolute sweetheart of a turn from Abby Ryder Fortson as the title character.

I genuinely loved spending time watching this.

10. 20 Days in Mariupol

There's a moment in this - Mstyslav Chernov's truly harrowing frontline documentary of the twenty days he and his colleagues spent besieged in Mariupol after Russia began its invasion of Ukraine - involving an emergency cesarean and an unresponsive newborn that is more upsetting, more thrilling and more uplifting than the combination of every horror and every feelgood drama released in the last five years.

This is the most important and vital film you'll see this year and then never ever want to see again.

More so because as humans in this modern age we rather callously only seem to have the heart / stomach / attention-span for one 'war' at a time, and we appear to have abandoned the Ukrainian conflict to refocus our outrage on what's going on in Gaza instead.

For large parts of it we feel like Mstyslav Chernov's been given exclusive access to the pits of hell and he's taking us on a tour. This is intense and riveting, shockingly so considering the unrepentant footage of dead or dying children.

9. The Night of the 12th

I've worked in the field of investigation for over 20 years and I can tell you this much - this movie fuckin gets 'it', man.

In opening with the title card that it does it offsets any eventual disappointment you may feel when the ending arrives. You don't feel short-changed because you've been brought in from the start to share the frustration with the characters.

There's nothing easy here. Nothing pat. Just real investigatory pathways followed with dead ends jumping out in front when everything in your gut says this lead, that lead or the next was going to be 'the one'.

It painstakingly shows that the work is in the hours. And the work can become an obsession. An obsession that gives nothing back equitable to what it takes from you.

It starts with a suitably harrowing and upsetting sequence and it ends on character uplift in lieu of narrative resolution. It also sits as one of the best movies about the art and reality of investigation in modern cinema.

8. The Creator

If there's anyone out there still 'over crediting' Tony Gilroy for the success of ROGUE ONE - one of the best (and the last great) STAR WARS films - this is the "fuck you" exhibit.

Gareth Edwards' sci-fi action epic doesn't entirely land its thematic intentions and hampers itself somewhat by placing dramatic reliance on the anti-acting vessel that is Gemma Chan, but by crikey is it an enthralling and gorgeous-looking ride. (John David Washington remains a magnetic watch, though I do wonder because he sounds so much like his dad whether we're all just hooked on the idea that they've 'prequelised' Denzel?)

You're gifted something here that feels like 1982 Ridley Scott and 1993 James Cameron have got together to play with action figures and do a sci-fi Vietnam movie... it's glorious stuff!

Full of some of the best effects and well realised set-pieces of the year, it's the old 'protect the child' trope given a beautiful lick of paint thick to feel make it feel just about unique enough and a) stand out in an ocean of comic book movies and sequels, and b) probably make Neil Blomkamp go "Ahhh. That's how you do this? Riii-ght!"

So of course no fucker showed up to watch it!

7. Close

I don't really have friends. I don't have the sort of 'personality' that lends itself to people being able to find me tolerable at the most basic level - at least for more than a couple of hours at a time anyway.

I've come to accept and acknowledge this fact the older I've got in life. I've always tried to make friends / keep friends etc but the type of person I am seemingly lends itself to being easily used and/or quickly put down.

It wasn't always like this though. When I was a child there was a boy who saw something in me that others did not and could not. He was in my class and lived close by my grandparents, where I spent most of my time. We were bonded by our loneliness amidst a sea of heads at school as much as our shared sense of humour. Even at a young age I came to appreciate this friend for simply •liking• me and we quickly became inseparable.

On the last day of school, with a vast and limitless summer ahead of us before separate high schools would provide an inevitable divide, we had an argument. A silly, stupid, ~nothing~ argument - significant enough in postscript that I can still recall it now 31 years on - that degenerated into shoving and me accidentally banging his head off a bathroom wall during lunchbreak.

We left school that day with our friendship impacted and the first week of the summer holiday's heavily damaged by him not being by my side in it. And on the very night that I finally decided I didn't want this to continue any longer... that the very next morning I would pick up the phone and ask him if he wanted to go ride bikes in the dene... he died.

An asthma attack. A fuckin asthma attack.

He died not believing that I was his friend and that devastated me. It still does. 31 years later, I think about Neil at least once a week. I see clips of talent show magicians and KNOW that'd have been him. I've tried all my life to replicate a friendship like it and I've never succeeded. But can we ever generate that closeness in adulthood towards someone like we could as children, when we were free of responsibility and bonded by limitless possibility?

I've frequently wondered what my life would've been like if Neil had still been in it, telling myself over and over that this would've been one of the rare pre-teen childhood friendships that lasted.

I miss him and would give anything to be able to deliver the apology to him that he deserved then and is still owed now.

So... all THAT said... it goes without saying that this deeply human, carefully etched and very naturally drawn drama hit me like a train travelling at 150mph.

This is one of the most effective and important films about grief, trauma-processing, adolescence and friendship that there's been in some time.

It really is a brilliant piece of cinema that should be shown in schools to every kid from twelve upwards.

6. The Eight Mountains

Felix van Groeningen and Charlotte Vandermeersch's adaption of Paolo Cognetti's novel is a (both visually and emotionally) astonishingly beautiful effort with two fascinating and textured performances from Alessandro Borghi as the adult Bruno and Luca Marinelli as the adult Pietro.

It's an intimate epic; a careful, patient and quietly profound treaty on friendship, life, love, ambition, Buddhist concepts, ancient Indian cosmology, growth, nature and the weight of legacy.

Come for the stunning footage of the gorgeous Italian Alps, but stay to be deeply moved by something really rather special, wholehearted and sincere that steps right over whatever BROKEBACK MOUNTAIN esque expectations or assumptions you may well carry into this.

5. Teenage Mutant Ninja Turtles: Mutant Mayhem

I've never understood anyone - especially the aged fanboys frequently responsible for ruining the STAR WARS and MARVEL 'discourse' - who's shown territoriality over the TEENAGE MUTANT NINJA TURTLES as a "franchise".

The reason this ramshackle 1984 indie comic by Kevin Eastman and Peter Laird has blown up into five television series, seven films, multiple video games and a range of toys / merchandise for four decades is mostly down to the way it sorta reinvents itself every five or so years. Which means there's some form of TEENAGE MUTANT NINJA TURTLES 'content' now for all of us in one way or another.

And one of the most impressive - but not THE most impressive - things about this film is how it incorporates something from everything that's gone before without becoming a complete mess. The spirit of the comic book source material is front and centre alongside the legitimate effort of the 1990 movie adaptation. The "that'll do" crappy clart of its sequels is avoided whilst the huge scale of the maligned Bay-ified 2014 - 2016 movies is represented. It definitely captures everything about the first Saturday morning cartoon that enamoured the property to us way back when.

It's a glorious effort. It truly is. I watched it with my son and his friends and the huge grins on their faces was infectious. I struggled to think of another entertainment entity that has moved so effortlessly through the generations like this has.

It's a visually resplendent film. It takes the reconfiguration of the animated form a la the SPIDER-VERSE movies and delivers a surprisingly more focused and tighter effort than the latest SPIDER-VERSE sequel. It is dripping with an energy and confidence that will surprise you, as well as a whole heap of heart and humour that will delight.

Yeah, there's moments here and there where the energetic visual styling becomes a little too cluttered in its action sequences but it is a minor grumble against what is a surprising instant masterpiece of its type:

A sweet and funny teen movie walking in the shoes of an animated giant sized comic book blockbuster wearing the coat of a New York conspiracy film, drenched in classic East Coast hip-hop and a score by by Trent Reznor and Atticus Ross, and performed by one of the most impressively eclectic voice casts of recent.

(Within a roster of Hannibal Buress, Rose Byrne, John Cena, Ice Cube, Natasia Demetriou, Ayo Edebiri, Giancarlo Esposito, Post Malone, Rogen, Paul Rudd, Maya Rudolph, Micah Abbey, Shamon Brown Jr, Nicolas Cantu and Brady Noon, it is Jackie Chan that absolutely steals this thing by a considerable distance!)

4. Asteroid City

If you aren't a Wes Anderson fan this is not the film that is going to convert you. An immaculately stylised and composed metatextual 'Russian Nesting Doll' celebration of the construction of art and the art of storytelling? No way. No how.

There was elements of it that didn't work for me but what •did• work I was head over heels in love with. The [CENSORED]*constructs felt almost like afterthoughts and didn't particularly resonate. A lot of reviews hit Anderson for being unfocused and overindulgent, and I kinda can see where they're coming from. But only with regards to that particular element.

[* censored by me and hopefully by everyone else because they've done a wonderful job of hiding the story construct from the marketing]

The rest of the film is primo Wes Anderson in his most astonishingly stylised form with his attention to detail never more sharp.

A complaint that must be noted though is in the casting, where the usual 'Anderson Players' appear to have ran a 'pyramid scheme'; bringing in actors who's casting has attracted other actors to the point of it being too cluttered an ensemble in too lean a film to let everyone truly shine. Despite all the plaudits, I think Scarlett Johansson is well out of her depth here. And I just think if you're going to hire the likes of Steve Carell (replacing a Covid-addled Bill Murray at the last minute), Margot Robbie (who should've played Johansson's part, and vice versa) and the sublime Sophia Lillis but barely use them properly it's almost a crime!

When it's funny it is hilarious. When it is delightful it sits as a heavenly confection. And when it wobbles it still isn't as ponderous and disappointing as some of the lesser elements of THE FRENCH DISPATCH.

3. Oppenheimer

I found every plaudit for this to be true and what a reward it was to receive as cinema lies stale in its current state, crusted with the stale decay of innumerable shitty-sheened superhero movies and sequels to things no one was asking for.

Here's a mature, complex, expertly constructed character study of great depth and intelligence; a film primarily made up of scientists and mathematicians thinking and squabbling amongst themselves whilst a non-linear deep betrayal born of immense pettiness plays out almost as an appendices to the traditional biopic... yet, thanks to the music of Ludwig Göransson and editing by Jennifer Lame, it moves like this insanely kinetic action thriller instead.

The ending stretch feels almost ~too~ trite and neat though, it must be said. Although maybe I'm tarnished by a feeling that no movie should depend on the cripplingly irritating overacting of Rami Malek to play last-minute 'saviour'.

Cillian Murphy is frankly outstanding here and whilst most critics have the Best Supporting Actor Oscar locked for Robert Downey Jr (who's brilliant and who's Lewis Strauss receives a 'kiss off' by Nolan here that almost feels like a Marvel Cinematic Universe esque tease for a sequel about Strauss arranging the JFK assassination!) it would be good to see Matt Damon get some recognition here as his General Groves very nearly steals the whole movie with very little.

The casting is so sumptous overall that every scene induces a "Hey! That's..." as the likes of Kenneth Branagh, Josh Hartnett, Casey Affleck, David Krumholtz, Matthew Modine, Benny Safdie, Jason Clarke, Michael Angarano, Jack Quaid, Josh Peck, Olivia Thirlby, Macon Blair, Tom Conti, James D'Arcy, David Dastmalchian, Dane DeHaan, Alden Ehrenreich, Tony Goldwyn, Alex Wolff, James Remar, James Urbaniak and (is it a spoiler to say?) Gary Oldman as Harry S. Truman roll out to 'play' for one or two minutes.

It's the sort of movie so stacked and packed even at 3 hours that it puts Emily Blunt (as Katherine "Kitty" Oppenheimer) in such an undercooked and underdeveloped role you wonder why they cast a 'star' in it... until that clearance hearing scene near the end where she goes and delivers the impact of a... well... an atomic bomb and you think to yourself "Oh. That's why they cast Emily Blunt!"

It's a gorgeous-looking - Hoyte van Hoytema's cinematography is luscious - cinematic achievement by Christopher Nolan, where his visual ambition and clinical cinematic technique have really come together once again to remind you the term "modern great" as a filmmaker is well earned.

2. Dungeons & Dragons: Honor Among Thieves

A "great time" - seeing as the film itself had my beloved GAME NIGHT's Jonathan Goldstein and John Francis Daley at the helm - perhaps. But a resoundingly delightful time that left me instantly eager for more of these movies and DEFINITELY future revisits of this one? I'm shocked at just how brilliant this was.

I can't believe that one of my favourite films of the year is a 'fantasy heist action comedy adventure' based on the infamous tabletop role-playing game.

Especially considering I've never played nor have any frame of reference / interest towards the tabletop game (my sole DUNGEONS & DRAGONS 'knowledge' stems from the 1980s cartoon series - which gets a pretty terrific nod here!) and one-third of the cast is made up of actors (Michelle Rodriguez and Regé-Jean Page) I can't normally stand.

I've been a big Chris Pine fan for a long time now and his performance in this only increases the fandom. And I've flat-out crushed on Sophia Lillis since IT and she's pretty tremendous (if a little underserved) here. The whole cast - yeah, including Rodriguez - are pretty wonderful with Hugh Grant clearly having a grand ol' time, a "big star" mid-movie cameo that'll only land depending on your opinion of this diversive 'talent' and Justice Smith very nearly stealing the movie out from under Pine.

This thing is built within the framework of a marriage between THE PRINCESS BRIDE and the aforementioned GAME NIGHT. It's ostensibly LORDS OF THE RINGS meets OCEAN'S 11; a series of ever escalating challenges and heists that are thrillingly executed within a film that's very, very, VERY funny. The opening prologue is a complete statement of intent ("Where's Jonathan?") that tells you exactly the movie you're going to get.

Killers of the Flower Moon / Godzilla: Minus One

Simply astonishing to indulge in - there's such a deft, surprising delicacy to elements of Martin Scorsese's Killers of the Flower Moon that's all the more astounding considering the abhorrent subject matter.

That comes mainly from the performance Lily Gladstone provides this film with. In a sea of tremendous work - and by God it's both magnificent to see Robert DeNiro be great again and for Leonardo DiCaprio to finally do something in my eyes that lives up to his [overstated] reputation - she is working on some other stratospheric level.

Comments about the length by some don't resonate with me. I certainly didn't feel it, necessarily. It's probably the length it needs to be to do justice to the masterful source material its adapted, deliver a legitimate love story (of which, don't be fooled by its toxicity, this is), a film of weighted historical and cultural context AND a true life / true crime procedural.

It's surprisingly less gratuitous than you'd probably expect too. Especially considering we're in the hands of our greatest living filmmaker, someone who's never shied away from presenting us with absolute violence of an uncompromised nature.

There's also these splashes of jet black comedy occasionally popping up too - like the horribly bleak but darkly funny scene in which one henchman asks a lawyer about whether adopting then killing his Osage wife's kids would make him a benefactor of their riches. When the lawyer rightly points out it sounds like he's confessing to planning child murders he replies not unless the lawyer's answer would be affirmative.

This is a film that consumes you. It pulls you in and drags you down - you're in the presence of pure evil and weak character, and Scorsese expertly holds you there so escape feels as impossible as justice must have to the Osage.

It's very easy to 'throw around' the term "masterpiece" when it comes to Martin Scorsese. Mainly because the fucker keeps effortlessly making 'em. But by crikey this really is one.

Equally majestic as a piece of cinema, but in an entirely different form and genre is Takashi Yamazaki's Godzilla: Minus One.

By concentrating on making an interesting drama with genuinely well-etched characters (that just so happens to have a giant radioactive monster passing through intermittently) equal to a barnstorming blockbuster creature feature (that allows itself to be infected with enthralling drama and character development), this steps up in the year of the Godzilla franchise’s 70th year to take the position as its best entry [by a considerable distance] in its illustrious history.

Buzzing with some of the best set-pieces of the year soundtracked to a thumping and all-consuming score by Naoki Sato, there’s genius in recalibrating a Godzilla movie – of all things – in order to develop an incredibly touching human drama and social commentary about what makes a family, what is the true definition of patriotism and courage, what real service to one’s country presents as and how to find air to breathe / the will to go on in a post-war Japan where unrelenting despair hangs in the atmosphere wherever your head turns and ‘fear’ manifests itself as a skyscraper-sized lizard-of-sorts.

We know we’re being played with the cute kid and the manipulative makeshift family relations, but that doesn’t stop it being wonderful. The marriage of sincere impacts caused by war and loss with sci-fi fantasy (but no less tense) fantasy action shouldn’t work, but they very much do. This thing is firing on multiple levels and it succeeds across the board to stand as the best blockbuster of the year.

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Here's a Letterboxd link for this whole thing if you're that way inclined.

Tell your mum I said hello.

See you next year...

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phantomarts · 1 year

Text

The beginning of Art and Friendship

With the return of @askthecookies in full swing (and seeing as these pieces arnt currently available anywhere since my old account got deleted) I figured this could be a fun time to go over my journey of not only my relation with the mod for cookie blog but the beginning of my journey into art in general, at least on the digital side.(Prepare for a LONG post)

So having gotten invested into the series a good few years into the series, what might have been the first item to act as the metaphorical spark towards this eventual friendship and starting of digital art? MEMEs!

Very simple stuff at first, cutting out the heads of cookie characters and posting them onto memes, some of you who have been around a while might remember the remake of one I made a few years back.

By here my OC had showed up a handful of times in the cookie verse from all the ask interactions, so some talking had started happening. As time went on, ideas for various extra gags came to mind that would require a bit more then just cut out heads, so I began to make very simple stick figures completely ripping off similar in style to cookie chibis seem at times.

Some of which not even being original backgrounds. As they began to get a bit more complex the model for the chibis evolved to be a bit more flexible and gags became more elaborate, even stemming into full blown comics at times, and by this point the mod and I were tossing ideas back and forth both for my gags, and their blog, some idea which even made it in as side gags, or even some story details. On some occasions even making some elaborate comics which worked as filler for when cookie mod needed some extra time for updates or long animations.

Art stuck to these figures for quite some time, I always thought they worked well for gags, but if I ever wanted to do a bit more serious or complex work they might not do the job. So at some point further in the future, I decided to make them a bit more complex, and this was just in time to make some larger scale side stories which ended up turning into a long running mini series to fill time as cookie mod took a break.

This simple gag somehow ended up turning into a long running strange side adventure involving Tangerine breaking out of the forth wall into Anon space for wacky misadventures, including meeting the @the-green-anon , @askbananapie an alternate tangerine from another universe! It was half way through this series where I would evolve the style a final time to polish it up a bit.

This series continued for a time until Tangy Mod had the series of incidents leading to their time away. This series continued for a time before falling off with its original purpose now gone. But with it fading out, the empty slot eventually made way for the series that was teased a few times throughout the fourth wall break series.

And thus began the run of the @askdarkriders . Even with Cookie Mod away, I would frequently update them with the adventures and gags made in this series, which seemed to have helped in eventually resparking their interest in finishing the cookies story again.

And there you have a short look at my fun little journey. Thanks for reading, and a big thanks to Cookie Mod for sparking the art journey and being a close friend, as well as all askers and interactors for helping all these stories and gags move along over the many years.

#PhantomArts #askthecookies #mods #tangymod #art #journey #history #old art #evolution #friendship

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