i watch vegetta a lot and how it makes it that much more exciting and engaging for him to have someone to bounce off of since he streams much earlier usually than everyone else. even in stuff as simple as mining like today he made a "competition" with leo to see who could get more resources its interactive and fun in a different way then if he were alone all the time. also like you were saying, the npc's give the characters motivation and progress their stories without always needing other players but also creates really interesting plot points when they do all interact.
yeah yeah yeah!!!! all of this! i think having actors just adds so much depth to a world in general. because if you had a mob, right, they’d probably interact with the players (depending on their coding), but not really each other. but the eggs? they have rich interpersonal lives. they have best friends and enemies and rivals. they go so much deeper than just the player characters, and that adds so much life to the game!! you don’t just lament one of their deaths because you see how it affects the players, but also because you see how it affects the other eggs. that adds so much depth!! the world feels so alive and real with the additions of actors and i genuinely hope more servers are able and willing to follow suit, because fuck they hit hard
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Orpheus and Eurydice as The "Choice" of Gender Expression
In the original myth, Orpheus descends into the Underworld for a chance to have his beloved Eurydice back but loses her forever once his faith falters and he turns around to look at her, so he asks to be reunited with her through death.
Naturally, Orpheus and Eurydice are two different people, but if we were to interpret them as one person, the implications of someone losing a part of themselves to death, destined to be buried deep down forever...
As a kind of unconventional interpretation, one could look at this story as a metaphor for transgender and cisgender people's forced role into gender expression by the cisheteropatriarchy.
One choice would be to see the story as a multi-gendered individual having to choose between one part of their identity over the other.
On the one hand, many would wish multi-gendered people to just "stick" to their assigned (or chosen) role, for Orpheus to stay without Eurydice, when the two are inseparable items.
Even among the queer community, multi-gendered individuals are often pushed to choose one identity, to be put in a neat little box just like the cisheteropatriarchy would.
But multigender people aren't just Orpheus or just Eurydice, they are Orpheus and Eurydice. One can't be without the other.
Another choice would be to read the story as the forced choice trans binary and non-binary people are forced to make once they come out.
Just like mentioned before, many people wish for trans people to just stick to their assigned roles at birth. Orpheus should stay among the living, and Eurydice should stay among the dead, because that's how it should be.
But Orpheus still goes to find Eurydice, and she waits for him. Perhaps the two were forced apart, like how trans women are forced to leave their feminine identity behind if they want to fit in among the rest of society.
Or perhaps the two switched places, and Orpheus is the one to stay among the dead as Eurydice, who's not properly a woman anymore, as she is dead, is forced to be among people who are not like her.
Just like how trans men are forced to leave their masculine identity at the door, while evidently (especially according to the "normal ones") not being properly women.
This is not how the myth goes, but it's interesting to imagine what would happen in that scenario.
Many people, though, especially in progressive spaces, accept trans people in a conditional way. So long as we bury whatever masculinity or femininity they have, we might be validated by those who don't know us.
Orpheus is the trans man who has to leave any hint of feminity behind, lest he's deemed not a real man.
Eurydice is the trans man who has to leave any hint of masculinity behind and stay buried underground, lest he's deemed too threatening.
Eurydice is the trans woman who has to leave any hint of masculinity behind and stay buried underground, lest she's deemed threatening.
Orpheus is the trans woman who has to leave any hint of femininity behind, lest she's deemed as a snake slithering into women's spaces, like the thing who killed her.
Orpheus and Eurydice are the non-binary people who have to carefully tip-toe through the Underworld, either accepting feminity or masculinity, usually depending on their assigned role at birth, or sometimes whatever's deemed most acceptable for them.
Lastly, one could also see Orpheus and Eurydice as an expression of cisgender people's forced roles as well. Despite not expressing their discomfort with them, many cisgender people struggle with their gender identity.
Orpheus is the cisgender man who can't look back at Eurydice and show a hint of femininity because that would mean losing faith, and everyone around him would take personal offense, like scorned gods.
Especially is Orpheus is an Asian or a Jewish man, or attracted to men, despite that being what they expect from him. It's a carefully laid trap.
Eurydice is the cisgender woman who can't follow Orpheus if he looks at her, taking a masculine role or appearance would mean losing everything, and everyone around her would reject her and send her back to the Underworld.
Especially is Eurydice is a woman of color or attracted to women, despite that being what they expect from her. It's a carefully laid trap.
Orpheus and Eurydice as a single unit forced into whatever box is seen as fit for them, whether it's their assigned role at birth or the "correct" gender expression (as decided by the council of the gods) is an interpretation that I hope explains how transgender and cisgender people are forced into roles, even by communities that pride themselves in being against those roles.
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