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#but man this thought haunts me
astralzeraphias · 9 months
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megatron’s holoform
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topnotchquark · 2 months
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Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.
Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.
And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.
But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.
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ibrithir-was-here · 4 months
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Sooo I wrote a…weird little thing, a certain comic by @mayhemchicken-artblog got my creative juices percolating and under the press of staying up far too late for several days this came to fruition, enjoy!
The Eye of the Beholder
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Link to the Comic
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ba1laur · 1 year
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hes so fine i wish catholic people were real
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poorly-drawn-mdzs · 1 year
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This is the start of something new
[First] Prev <–-> Next
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zeb-z · 5 months
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Foolish going in with two totems as a part-totem who never, never uses totems. His screams for Leo as the ceiling caves in, trying desperately to throw her a totem through the barrier. Digging, trying to glitch, trying to problem solve in a situation so chaotic and so impossible, there’s just nothing he can do. Not leaving until his totem pops - until he can’t see Leo anymore. Repeating to himself that she was right there, just right there, he couldn’t even get her a totem, he couldn’t do anything.
Foolish staying behind to make sure Tina and Mouse get out, to make sure he sticks with Cellbit, telling himself he can feel it later, as long as they survive, he can feel it later - and running out of time. If he hadn’t stayed behind digging for Leo, he would have made it. If he hadn’t given all but one of his enderpearls to the others, he would have made it. If he wasn’t looking over his shoulder for Cellbit, he would have made it.
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ultravviolents · 1 month
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aroanthy · 4 months
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the symbolism of revolutionary girl utena is key to understanding what it’s even trying to say narratively and thematically. if you remove the symbolism, if you remove the ways in which the narrative obfuscates itself and abstracts what it’s saying, then what it is saying changes dramatically. if rgu was like ‘yeah lol and did you guys know that incest is bad’ or ‘maybe gay people are good’ or ‘hey did you know that csa victims are Real and Alive and Have Interiority’— like those are all paraphrases of things that it says, but the way that it chooses to say them is so powerful and conveys so much nuance and complexity that those simplistic statements don’t. it provides an incredibly meaningful commentary on the way that systemic violence and abuse are covered up, codified, made part of our culture that supposedly resents those things. it’s examination of incest, the incest taboo and how that impacts incest victims— it’s all so incredibly considered and layered because the show chooses to convey what it’s saying through symbolism, through its metatheatrical framing, through allegory. it retains the reality of these issues; it shows them to us only when we’ve already bought into the system’s lies to make a point about how that operates, how that works to make us all complicit in that violence. nanami. nanami.
dont even get me started on how the movie uses its symbolism to demonstrate how the abuse anthy and touga experienced is simultaneously built into the world and culture they exist in, and always obfuscated and abstracted for the sake of their abusers (also specifically the way that it engenders shame and prevents people from seeking help. rgu is so damn good at understanding how and why people don’t ‘do what they should’ in abusive situations: the systems in place don’t fucking work bc they are an extension of the system built upon that abuse). anthy is the model in all the paintings, the symbol of so many undesirable things, the canvas on which they are painted. her likeness is used as an approximation for all of these awful things, many of which are a part of her in a way, but such that her interiority, her feelings, are never regarded, never seen, never understood. she’s the model. akio is never explicitly named as her painter.
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xenospects · 1 year
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cursed image
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transkingcobra · 18 days
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Halsin’s arms are as thick as my head, how can I be expected to go to work and focus???
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swagst0rm · 2 months
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men who act like big shots and are actually losers
like geez slut ur not that cool get over yourself and let me fuck you already
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bruised-pixels · 2 years
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Hey I have a question for the community
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Who is nightlife render dj man and why is literally nothing he wearing in the actual game?
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drunkonimagination · 1 year
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sometimes i ask myself what it would be like to love so selflessly and intensely to the point that you can't help finding peace and solace at the simple thought of the happiness of the one you love even when that happiness doesn't include you and represents the most intimate reason of your own unhappiness and then i remember this panel from blue flag:
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yellowloid · 8 months
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thinking about that "there's nowhere for me to hide" quote that's been going around and the fact that it's actually the opposite. i know he's mostly talking about writing and yes when it comes to am he's the one doing (most of) the lyrical work on records as opposed to tlsp where him and miles are 50-50 and they have a whole different creative process than he does with am. but when it comes to being on stage, performing with am is actually the time he hides most. perhaps exactly because he's up there alone as a frontman, hence the need to "protect" himself by putting on a persona, a mask that can be conveniently taken off once he's hopped off stage (a theme that has been widely explored in the last albums, but really it's been there his whole discography - including obviously tlsp with the bourne identity and also his solo work with songs such as hiding tonight). but when he's up there on stage with miles, and miles is "up there singing with [him]", he says it gives him somewhere to hide because that 50-50 ratio that comes with writing translates to their stage presence as well. however one could argue that it's that same equal ratio that makes it so that he doesn't, in fact, hide at all when it comes to tlsp performances, and especially eycte era ones. because the knowledge that not all attention is on him, but rather distributed equally on the both of them, added to the reassurance that having miles there gives him, results in what is maybe his most genuinely maskless behaviour, of which we've seen countless examples during the 2016 tour. and although one could also say that that one, too, could partly be a persona in and of itself, the point still stands - he might be hiding in different ways depending on whether he's up there as the am or tlsp frontman, but being two halves of a whole with miles certainly didn't give him more of a hiding place. on the contrary.
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lustrethings · 5 months
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I wonder what crossed Highbottom's mind in the end, when he saw what Coriolanus actually looked like when he embodied all the cruelty and hate of his father; like did he even realize there was a difference? That the line between the ambition, hunger (literal and not) and the purely cruel thing Coriolanus becomes, had been crossed? Did he taste some sort of bitter satisfaction, because in the end, he was right (and was it worth it, really)?
Because it mirrors what Coriolanus Snow and Katniss Everdeen had decades later, specially that last dialogue, and so I have to wonder if Coriolanus also remembered that. Being in the other side of that conversation - finally getting to kill the old man who hated him for merely existing in a way that reminds him of his failures.
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samglyph · 2 years
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Growing way too fond of Peter “Parker” Yang, a man who is dead for the entirety of the show and has no speaking lines or flashback scenes to actually give him a personality. But who cares. He’s a nosy bitch who cares too much about strangers and if I think about him for too long I want to cry.
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