my attempt at making a fursona
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I’ve remembered that colors exist
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Post episode 4
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gothic lolita machete came to me in a dream
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I want you whipped into shape!
[First] Prev <–-> Next
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Hey everyone, if you haven't played Murder by Numbers yet, now is the time to do so, as it's currently free on the Epic Games Store until July 27th
Described as a "weird little camp love-letter to 90s detective shows, Picross, and Phoenix Wright", this game has you solve Picross puzzles to find clues that you use to solve murders, with an adorable robot by your side
IMPORTANT EDIT: Massive photosensitivity warning for this game. It frequently uses an effect where the entire screen flashes white for just a second. There's no way to turn it off, or avoid it, and it happens very, very frequently (maybe once every five to ten seconds of dialogue), so please be extra cautious if you have migraines, epilepsy, anything that could be triggered by it, and I'd recommend that absolutely nobody plays in a dark room even if they aren't sensitive to flashing.
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the new ask anything interview with andy is making me lose my fucking GRIP good lord.
he'd want billy joel to cover what a catch donnie (it's one of andy's favorite songs of theirs)
for andy, he doesn't feel like he doesn't get held back very much by fob's sonics, especially because he can go ham with fills and such live. "we all collaborate on songs, so it really is everything...it is each of us."
he thinks today's outfits are their best era lmao
his must-have item is his switch, his nintendo 2ds, or his ipad mini...or his crossfit shoes
wrt the 8ball songs: "i think the initial plan wasn't that every night would be a new song but it quickly became that way because we did like three in a row and it was just so much fun, people seemed to really dig it, and we really loved it 'cause we got to learn songs we've never played before, songs we've always wanted to play, songs we've only played once or twice, and you guys just seemed to love it"
the 8ball portion of the set is andy's favorite part every night because the crowd reacts so strongly and he has fun playing something new, so he thinks it's super rewarding for both the band and the audience!
27 was one of his favorites to play live! xo and pavlove too
he loves touring! "i love it, it's what i wanna do for the rest of my life, it's what i've always loved. i love being in all these different places in the world with my best friends"
he says it is hard to be away from home/family/pets and to break the sense of routine that way. "the band is family, so that makes it all worth it to me."
they learn the 8ball songs the day of, so they're the hardest to play. stuff from tttyg is hard because they were so early in his career but he says those songs are "kind of ingrained in me in a way" so he says gin joints might be the hardest. the hardest part was mostly just how many different songs/parts there were!
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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I just started reading the svsss volumes (and re-read them again because A LOT IS GOING ON) but like. This shit is so hysterically funny I don't even know where to begin.
Was no one????? Going to tell me that one of the cornerstone jokes in the damn series is that lbh's adoration for his one and only 'tism person who literally cannot express his emotions to save his life is basically genetic?????????
Was no one???? No one AT ALL going to tell me that Mobei-Jun straight up yeets Airplane at the problem in one of the scenes?????? And that in the most hilarious twist of fate Airplane then unyeets Mobei-Jun not twenty minutes later?????
It's one thing to see people joke about sqq and lbh being unable to communicate but it's on a league of its own when you have to read HUNDREDS OF PAGES of sqq's inner monologue be like 'that's my darling boy. my baby. my sugar plum pumpy umpkin you're my sweetie pie' but on the outside he says "get lost binghe" and somehow deems that an effective expression of his affection that lbh will surely understand. 'Why is lbh whining and crying and tugging at my sleeve like a plaintive wife, why is he so angry?' Sqq asks, the entire circus, as lbh is about to fling himself off a cliff for attention--
In short, MXTX is the queer comedian of our generation and nobody appreciates her enough
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...I seriously cannot stress how much I hate tags like "Give us BAMF Aziraphale" because it seems to imply that he's not badass.
He IS. Tell me how well most people could endure 6000 years of consistent, persistent demoralization, harassment and shitty treatment without snapping?
Do you know how HARD it is to be kind when you've been put through a system that actively discourages kindness and softness, a system that tries to beat it out of you - not physically, but still. The fact that Aziraphale got through all of that and is not just still kind, but still has the capacity to be kind to the very people who hurt him, is fucking remarkable.
Aziraphale is badass. Period. Full Stop.
It's well past time that we stopped equating physical and fighting prowess as a measure of badassery. Just about anyone can exercise and get strong enough to fight someone. Just about anyone could possibly get weapons training. Neither of these things is half as brave as putting yourself in front of a crowd of people and holding off 70 demons with just conviction and a candleholder because it's the RIGHT THING TO DO.
EDIT: I had to add this while I was thinking of it.
I feel like people are buying into Heaven's version of badassery. Angels were made to FIGHT. To fight the last big battle against demons and Hell.
Aziraphale is a deviation because he DOES NOT WANT THAT. He doesn't want to fight a war that will hurt billions and destroy the world. His defining moment in Season 1 is when he stands in the face of the quartermaster and refuses to fight the way they want him to. Instead of a weapon, he chooses to find another way.
If anything, I would think it's leading to the idea that Aziraphale feels he must fight, that he has no choice, and then, when it comes right down to it, finding another way. A kinder way. A BETTER way.
By the standards of Heaven, Aziraphale picking up his sword and fighting would be Normal. Him refusing and finding another way is what makes him Unique. THAT'S what makes him badass.
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Give it up for everybody’s favourite street rat!!!
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Fanart of Aaron from Fox’s Tounge and Kirin’s Bone, an incredible book by @muffinlance
I worked hard on this an am incredibly proud of how it turned out. If you wanna hear about the process, feel free to check out me rambling in the tags.
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Reposting a connverse I made in 2021. Well, specifically posting this again after editing a few stuff.
I had been so bothered with how I kept editing Steven until I made his silhouette floppy-looking. So I fixed it a bit.
And that this was suppose to be flipped in the first place (which was why Connie's nose piercing was on the right side on the original.)
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No, listen this is so important to me.
When we kidnap Kieran he is of course tied to the tree. When he is finally freed he sleeps somewhere close to the horses.
When the gang moves to Clemen's Point, he is more relaxed in camp but still sleeps outside the camp, sitting against a tree, again close to the horses.
When the gang moves to Shady Bell, and Tilly is not rescued yet so Mary Beth is sitting in this spot, Kieran does not sleep at all, and instead he just stands next to Javier's tent staring into the night.
Once Tilly is rescued and all the girls, save Ms Grimshaw sleep inside, Kieran, finally, feels comfortable enough to sleep inside the circle of waggons, among the gang.
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people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.
this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.
fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.
i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.
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