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bostonrealtors · 3 months
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51 Breakwater Drive. Admiral's Hill. Live well.
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earaercircular · 6 months
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The Clothes Are Old. New Yorkers’ Love for Them Is Ageless.
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The Manhattan Vintage Show featured Victorian-era diamonds, flapper dresses from the 1920s, motorcycle jackets from the 1990s and so much more.
By Dodai StewartPhotographs by Lanna Apisukh Oct. 26, 2023 Sofia Wallis held up a delicate lace garment, in awe of its history. “This is an original 1930s puff-sleeve wedding gown, and I have a photo of the original bride on her wedding day,” she said. “It’s from Texas. And I have the original box and where it was bought and everything.”
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At 18, Ms. Wallis was the youngest vendor at the Manhattan Vintage Show[1], a three-day event held recently at the Metropolitan Pavilion in Chelsea, where vintage fashion enthusiasts gathered to socialize, shop and swoon over old clothes.
The aisles were lined with Victorian-era diamonds, flapper dresses from the 1920s, sculptural hats from the 1940s, minidresses from the 1960s, motorcycle jackets from the 1990s and so much more.
While many events in New York City are self-segregated by age — a party that attracts 20-somethings, a restaurant with a mature clientele — the Manhattan Vintage Show is a magnet for New Yorkers from various generations who indulge in fashion nostalgia. Three times a year, it draws young people attracted to sustainable shopping and unique pieces created before they were born and elders who lived through eras with fewer mass-produced styles.
Amy Abrams, who with her husband, Ronen Glimer, bought the 20-year-old show last year, has boosted their social media presence and invited new dealers, attracting new shoppers of all ages.
And at some sales booths, the vendors, too, were multigenerational.
Lucille Damone, who was born in the ’80s and loves “the psychedelic ’60s,” owns Galipette Vintage[2], which specializes in elegant statement pieces, and was working the booth with her mother, Donna Damone.
“She is not only style inspiration, but my shopping partner since day one,” Lucille said.
The elder Ms. Damone, who was born in Puerto Rico in the early ’50s and loves the aesthetic of the ’60s and ’70s, said that style was in their blood: “We’re from sort of a long line of fashion enthusiasts. My grandmother loved fashion. My mother loved fashion and I love fashion.”
Her daughter noted that enthusiasm alone is not enough — vintage clothes require care.
“There’s a lot of work that goes into getting them ready to be here on the floor today,” she said. “You’re mending, you’re cleaning; if you can, you’re dry cleaning. And I always try to bless each piece, too, to bring them forward to their new owner with good, clean energy.”
There was a different kind of intergenerational relationship at Lady V’s stall, Second Time Around.
Vivian Rodgers-Hill, Lady V herself, works with interns from the Fashion Institute of Technology, and they cycled in and out of her booth all weekend, selling brightly colored pieces from multiple eras.[3]
“Vintage is about legacy building, vintage is about sharing memories,” she said. “A young person will learn a lot of history about fashion here.”
Lady V, who was born in the late ’50s, is retired from her position as an assistant principal at a school in Queens. As an educator, she said, she values the multigenerational aspect of the vintage show. “I have an innate ability to teach,” she said, “so the young people just come easy to me.”
Around the corner, at Olive’s Very Vintage[4], was a mother-son team: Jen McCulloch, who was born in the ’60s and loves “a really great 1940s jacket,” and her son, Evan Miller, who was born in the year 2000, but admires the fabric quality and tailoring of suits from the ’50s.
Ms. McCulloch, who has been selling vintage clothing for 20 years, said that she had recently noticed a resurgence in interest.
“Vintage is so popular right now,” she said. “It’s very trendy and young people are really embracing it.”
Mr. Miller admitted that he didn’t always appreciate their unique finds: “Growing up, I’d be playing video games while my mom was thrift-shopping and stuff, and I’d just be so bored,” he said. “Over time, I definitely started to realize the beauty — and the history.”
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Keesean Moore
The history is especially key for Keesean Moore, the proprietor of Moore Vintage Archive.[5]
Mr. Moore, who was born in the late ’80s, is “specifically obsessed” with Black designers of the ’80s and ’90s.
Mr. Moore searches for pieces by Stephen Burrows,[6] Patrick Kelly, Scott Barrie and Willi Smith. His mission, he says, includes educating shoppers about the contributions of Black designers.
“So much of this process is about preserving those stories and just letting people know, even if they’re not buying, we exist,” he said. “Not only do we exist, we existed in luxury spaces, we existed internationally,” he said.
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Among those interested in more recent history was Tomide Moradeyo, who was born in the early ’90s, and is the curator of the Igala NYC[7], a curated collection of leather jackets, mostly from the ’80s and ’90s.
Mr. Moradeyo, who was wearing an Avirex jacket from 1986 (“You can just tell it’s high quality; the fading on it — it’s really faded nicely”), arrived in New York from Nigeria about five years ago and works as an engineer. He is interested in the positive global impact vintage clothing can have. “I like how it also helps the environment,” he said, calling it “technically recycling.”
Browsing the show were Jean and Valerie, style bloggers in their 70s who are known just by their first names, or as the Idiosyncratic Fashionistas, to their 54,000 Instagram followers.
The pair are always impeccably dressed, often in whimsical hats and bold eyeglasses. Both have been going to vintage shows for decades, and have seen a lot of change — including what counts as “vintage.”
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Many of the younger shoppers said they were drawn to the high quality, unique pieces and “circular economy” aspects of vintage shopping.         
“There has been a shift,” said Jean, who was born in 1949 and loves garments from the ’40s. “Vintage was 1920s, ’30s, ’40s.” She pointed to her ensemble. “This is Norma Kamali from the ’80s. This is Moschino from the ’80s. It’s not vintage to me. Vintage is Bakelite,” she said, referring to the jewelry she collects, made from the brittle resin invented in 1909.
Jean gravitates toward items that are beautifully made. “I have no skills whatsoever. I can’t make anything,” she said. “So I support the people who do — and the people that can actually save these things, retain them and pass them on.”
Still, both welcome a new generation of vintage enthusiasts, and younger people often approach them with compliments. “It’s very fulfilling when people come up to us and say, I’m not afraid of getting old anymore,” said Valerie.
“I’ll tell you what I love more than anything else,” said Merle Weismer, 70, a friend of Jean and Valerie’s who tagged along to the show. “Gender fluidity. It’s so creative.”
And there, interviewing shoppers and vendors and creating content for social media, was David Ross Lawn, a bearded, gender fluid social media sensation who was born in the early ’90s and collects Gunne Sax dresses from the ’70s and ’80s. The beribboned and lace-adorned calico confections are a little bit Victorian, a little bit prairie, a little bit renaissance faire.
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“I feel more myself when I wear these dresses,” he said.
Mr. Lawn, who has over 180,000 followers on Instagram and 500,000 on TikTok, often uses the tag “vintage style not vintage values” on his posts. “We don’t want to perpetuate ideas from the Edwardian era or any of the fatphobia and racism and gender inequalities and all of that,” from other decades, he said. “We want to be able to leave the house creatively and freely.”
His look captures the attention of even the most jaded New Yorkers. “On the subway, people will be like, ‘Are you going to a fancy dress costume party?’” he said. “And I’m like, ‘Yeah — it’s a Friday. What’s the special occasion? Being alive is a special occasion.’”
Source
Dodai Stewart, The Clothes Are Old. New Yorkers’ Love for Them Is Ageless., in: New York Times, 26-10-2023, https://www.nytimes.com/2023/10/26/nyregion/new-york-vintage-clothing-show.html?smid=nytcore-ios-share&referringSource=articleShare
[1] The Manhattan Vintage Show is New York’s iconic vintage experience—an inspiring celebration for everyone who sees vintage as the future of fashion. Discover and shop NYC’s largest collection of clothing, jewelry, accessories, and textiles. Three times a year, the Manhattan Vintage Show convenes 90+ dealers featuring collections from every era, style, and price point in a fun, festive environment. We welcome vintage enthusiasts and newcomers alike to discover their unique style and celebrate the joy of vintage for all. We provide phenomenal services and amenities to create an elevated vintage experience and promote vintage as an essential part of the circular fashion future. Manhattan Vintage Show is a member of the Shop Extraordinary Enterprises family. Founded by Amy Abrams and Ronen Glimer and headquartered in New York City, Shop Extraordinary creates retail experiences that bolster the courage of entrepreneurs, the spirit of creativity, and the power of human connection. Our portfolio includes Artists & Fleas, a retail showcase for makers and creators, and Regeneration, a marketplace of vintage, thrift, and upcycled fashion for the next-generation vintage shopper. https://www.manhattanvintage.com/about-manhattan-vintage-show
[2] https://www.instagram.com/galipettevintage/
[3] https://www.instagram.com/ladyv.sta/
[4] https://www.instagram.com/olives_very_vintage/
[5] https://moorevintage.com/
[6] https://www.nytimes.com/2013/02/21/fashion/a-stephen-burrows-retrospective.html
[7] https://www.instagram.com/theigalanyc/
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insanityclause · 3 years
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Marvel Star Tom Hiddleston is a well known Hollywood name, but few people know about his connection to Liverpool.
Loki actor Tom was born in Westminster, London, but he actually has historic Liverpool links, discovered by Find My Past researchers.
His connection to Liverpool began with this his 3x maternal great-grandparents, wealthy German cotton merchants who settled in Toxteth in the 1860s.
Tom’s 3x great grandfather, Friedrich Julius Jacob Hubert Servaes was born in Dusseldorf in June 1831. His wife, Johanne Helene Wilckens was born in Hamburg in 1838.
In the early 1850s, Freidrich, who preferred to go by Julius, travelled to Liverpool to work in the “merchants & bankers” firm, J. H. Schroder & Co.
Julius, the company’s chief clerk ran the Liverpool branch alongside Charles Pickering, a local man from the family of Pickering Brothers , who were well-known Liverpool corn merchants.
The pair proved to be incredibly successful and by the end of the decade, Schroder & Co was the fourth largest recipient of consignments of cotton in the city. As a result, Julius was made an associate partner in 1856.
Life in Liverpool
Census records reveal that by 1871, Julius and his wife, now going by Ellen, lived in a large house at Haymans Green in West Derby along with their four Liverpool born children, Ellen’s brother and five domestic servants. The full household included:
· Julius, then 39
· Ellen, 32 years old
· 10 year old son Francis
· 7 year old Julius Max (Tom’s X2 great grandfather)
· 5 year old Susan
· 2 year old Alfred,
· Ellen’s 23 year old brother Herman Wickens, a gem merchant
· The children’s German governess and nurse, 31 year old Margaret Spethman
· Scottish cook, 23 year old Catherine Johnston
· 28 year old Welsh servant, Mary Wade
· And two house maids from Cheshire, 24 year old Catherine Davies
· And 24 year old Annie Eaves
The grand houses in Haymans green were all home to accomplished wealthy individuals, with the Servaes’ neighbours including a surgeon, Sir Richard Glazebrook, from the well-known Liverpool Glazebrook family and Solicitor George Layton and his Australian Wife.
By 1881, the family were living at Holly Lea House on Aigburth Drive, Toxteth Park.
Three more children had been born to Julius and Ellen, eight-year-old Helen, five-year-old Tonie and three-year-old Julius Junior.
Eldest son Francis was studying medicine at the University of Liverpool and four live-in servants were also in the household.
This included the children’s nurse, Alice Clutterbuck from London, the family’s cook Caroline Williams, waitress Mary White, housemaid Lucy Akers and German sewing maid Pauline Mogler.
This appeared to be another affluent address with their neighbours including architects, merchants, solicitors and landowners.
As a well-respected figure in the community, Julius can be found frequently in local newspapers.
This includes marriage announcements for his children, reports on his involvement with the Liverpool Society of Friends of Foreigners in Distress, where he was appointed vice-chancellor in 1899, and even a brief mention of his death in 1902.
Julius and Ellen lived at Holly Lea until their deaths. Julius passed away in 1902 and Ellen in 1903, both dying at home. They can still be found at the address in 1901.
All of the children except for 25-year-old Tonie had left home and 70-year old-Julius was still working in international trade, with his occupation listed as “commission agent”.
The next generation
Tom’s X2 great grandfather, Julius Maximus Servaes (known as Max) was the second child of Julius and Ellen. He was born in Walton on the Hill in September 1863 and was baptised at St Saviour’s Church on September 17th.
Records reveal that like his father before him, he went on to become a successful merchant at the Liverpool Corn Exchange.
In April 1890 he married Constance Violet Coltart, the daughter of a rope manufacturer from Ruthin, Wales, in the parish of St Michael in the Hamlet, Toxteth.
The pair set up an elegant home at number 3 Parkfield Road, Toxteth Park complete with a live-in cook, nurse and housemaid.
The couple had at least five children;
· Nora, born in 1892
· Reginald Maxwell born in 1894 (Tom’s great grandfather)
· Phyllis, born in 1895
· Herbert, born in 1901
· Audrey Helena, born in 1904
Census records reveal that in 1901, the children were living with their aunt Susan Florence (Max’s younger sister) and her husband William Marshall (a wealthy chemical manufacturer) at Danehurst, Ullet Road, Toxteth Park.
By 1911 Max and Constance were still living at 3 Parkfield Road with 10-year-old Herbert and seven-year-old Audrey as well as the family cook, nursemaid and housekeeper.
By 1939, Max and Constance had moved to 22 Beechwood Road, Cressington before retiring to Contance’s hometown of Ruthin. Max died there in 1947 and Constance in 1952.
Reginald Maxwell Servaes (Tom’s great-grandfather) - born Toxteth park, July 25th 1893
Service records reveal Reginald joined the Royal Navy in 1906 and the 1911 census record shows him serving as a mid-shipman aboard HMS Indefatigable.
He became a sub-lieutenant in 1914 and steadily climbed through the ranks, serving in both world wars.
His naval records even provide insights into his character, describing him as: "A most efficient officer and lieutenant, an excellent leader with tact and good influence, pleasant personality.
‘Influential leader, good intelligence, much tact, powerful personality, physically fit, gentleman in the best sense of the word, very strongly seen as likely to do well in the highest ranks”.
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After the war he moved to Chelsea and married Hilda A E Jonhston in 1919 in Croyden.
He became commanding officer of the repair ship HMS Resource in 1937 and Director of Local Defence at the Admiralty in 1938.
He served in World War II as commanding officer of the cruiser HMS London from 1940 and saw action with the arctic convoys before becoming Assistant Chief of the Naval Staff in 1943.
After the War he became Rear Admiral commanding 2nd Cruiser Squadron in the British Pacific Fleet in 1945 and Flag Officer commanding the Reserve Fleet in 1947 before retiring in 1948.
He retired to Sussex and died in Cirencester in 1978, leaving behind an estate valued at £47,823, which is roughly £280,000 in today's money
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moonbeambucky · 4 years
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Hey Neighbor (Part 1)
Pairing: Bucky Barnes x Reader Word Count: 1907 Warnings: none
Summary: You had a plan and then life came along with one of its own. With your future almost derailed you worked hard to get yourself back on track and finally everything seemed to be going right… that is, until your new neighbor moved in.
A/N: What started as an idea back in 2017 is finally here and I’m so excited!! I hope you love it as much as I do! A huge thank you to my wonderful beta Sam @buckyofthemyscira​ and to Allie @all1e23​​ who’s helped me keep my sanity while trying to write. Feedback is always appreciated!
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HEY NEIGHBOR MASTERLIST
For an August evening it’s surprisingly comfortable, devoid of that awful humidity that leaves you choking on the thickness in the air. Yet it’s still warm enough to quickly melt the ice in your glass; condensation pooling on the outside, leaving a ring of water on the small stack of papers your drink is settled on.
Golden toned clouds cover the sky as the sun begins to fade, each day decreasing its presence by a few minutes before giving way to the darkness that would envelope the evening. It wasn’t a dramatic change, nor was it something most people would pay attention to, though it was something you had been accustomed to taking note of.
You looked forward to seeing the sun, feeling its heat on your skin as you stepped out of the office after a long day of work. As other people on the street rushed towards the subway you stood off to the side, letting your spirit recharge with its warm glow.
These days you seldom had time for yourself, moments when you could enjoy the nothingness, where you could stop and breathe, and take in the world around you. The murmured voices of the passersby, the hissing sound of the bus as it opens its doors, the soft strum of a guitar, the endless car horns and the sound of traffic that keeps this city alive like a beating heart.
The heat of your laptop warmed your thighs as you thumbed through a textbook. You ignored your rumbling stomach that begged you for a real dinner but you were determined to finish up this last part of your paper before you gave in to its whining demands.
You were working towards your Master’s Degree in Social Work but it had taken a lot longer than you expected, and juggling a full time job while taking part time classes made it more difficult but you were determined to achieve your dream.
You thought it would be simple when you first moved to New York; go to college, get your degree and find a job. Well, life has a funny way of doing what it wants despite the plans you imagined. Halfway through getting your undergraduate degree your living arrangements changed. Initially you were sharing an apartment with a few other students but your landlord hadn’t told you he was months into foreclosure and suddenly you found yourself scrambling to find a place to live.
The first instinct you had was to ask your current roommates if you all wanted to find something else together but one of them planned on moving in with a friend temporarily since she was about to graduate and the other wanted to live alone. You scoured the internet for another room rental but nothing looked safe or legitimate, and searching through Facebook groups for student rentals was fruitless. Nothing was available considering it was the middle of the semester, so you quickly began an apartment search.
Your definition of expensive drastically changed since moving to New York. Even simple things like food and coffee had an up charge; a small, no– large price to pay for city living, and rent was no different. You thought what you were paying to live in a small room was a lot, but as you searched for apartments your heart dropped. Even the smallest studio cost thousands a month.
There was one that caught your eye, the price was decent but still more than what you were currently paying. You attempted to work out a plan, thinking you could use some money from what little savings you had to make up the difference for the first month or two and hope your part time job would increase your hours. Things would be tight but there was a chance you could make it happen.
Your hope was crushed the next day when you went to see the apartment, a five story walk up that reeked of musty water. The cracked plaster walls were very off putting as were the suspicious black spots along the baseboards. The bathroom was much smaller than the photos, with hardly any room to even turn around in. Still you debated making this work as long as the suspected mold was taken care of until you opened the kitchen cupboards and screamed. A dark mass of large cockroaches scattered away from the light cementing your decision that you could not live here.
That night you texted your friend from home, Wanda, telling her about the horrible apartment and crying on the phone as she called to comfort you.
Wanda had been your best friend since you met in middle school. You always hoped she would join you in New York but you understood her reasons for wanting to be close to home.
“Wan, I don’t know what I’m gonna do,” you cried.
The clock was ticking and you still hadn’t found a place to live. Every day you searched through all the listings on Zillow, Apartments.com and Craigslist, and every day your anxiety increased. It seemed like there was no way to be a full time student if you wanted to live in New York.
You called your parents to let them know what was going on and asked for advice. Through many tears you had come to a painful decision, you needed to get a full time job. They offered to help with rent while you finished up this semester which you appreciated, knowing they really couldn’t afford the extra expense either. Your idea was to go to school part time, taking whatever courses you could at night or on the weekends. You were still reaching for your goal, you would just be taking a slower path.
A new listing popped up for an apartment in Chelsea that was about three times your current rent. Walking into the building your stomach was bubbling with excitement. Everything was bright and clean and the moment you stepped into the apartment you were overcome with joy; this place felt like home.
A smile spread across your face as you looked around the studio. Walking in there was a small kitchen to the right, with a slim refrigerator, small stove and just enough prep space beside the sink. Checking the cabinets you were relieved to know it was free of any insect roommates.
The bathroom was behind it, looking newly renovated while still emulating a classic vintage style of black and white tiles. The main room felt large with the window on the back wall letting in a good amount of sunlight. The cream colored walls also brightened the space against the longest wall of exposed, worn brick. The floors were a beautiful dark walnut that made everything feel warm.
You always thought love at first sight was a myth but you were proven wrong, you fell in love with this apartment immediately. You signed a lease and gave a deposit and suddenly everything seemed like it would fall into place. There was still the daunting task of finding a full time job but you felt encouraged.
Two weeks later you moved into your new apartment, and while you should have been studying for a test you were more interested in unpacking and decorating, making everything perfect. With a few nails into the drywall you hung a curtain rod above your bed, stringing fairy lights behind delicate sheer drapery that defined a cozy sleep space.
Laying back against your pillow you imagined what your apartment would look like eventually when you had the money to fill it with furniture, but for now it was perfect.
You had been on a few interviews and nearly had a job or two before they realized you wouldn’t be able to start for another six weeks. It was disappointing but you didn’t give up and that’s when you found yourself interviewing for Stark Industries.
A confident smile held strong on your face when you told the interviewer Ms. Parker you would be able to start when your semester was over. This led you both into a discussion about college as she told you about her teenage nephew who was interested in the STEM field and had begun looking into college options. Ms. Parker liked you a lot, and the job was yours as soon as you were ready for it.
You became the administrative assistant to Maria Hill, Director of Research and Development who worked closely with the senior staff. You had seen the infamous Tony Stark only once, popping his head out of the conference room as Ms. Hill and CEO Pepper Potts continued to chat.
From your desk you admired the women you aspired to be as confident as some day. Social work was a tough field, one where you needed to balance composure and empathy with assertiveness.
While working at Stark Industries you managed to take two classes per semester, fitting them in on nights and weekends. You wished you would have been able to do more but even this was burning you out quickly. You had little time to socialize but knew this would be worth it in the end.
A few years passed and had life not derailed your plan you would have had your Master’s by now, instead you had one last class to finish before you needed to complete 1200 hours of an internship. You pushed that off until the end, knowing it would take you some time to find a place that would accept you. Even though you would be working for free most places wanted you there at times that conflicted with your paying job.
As the sun began its slow descent the noise of the city increased and you had to shut your window to block out the sounds. All but one.
The soft guitar had increased in volume playing a familiar tune you heard every night. It wasn’t a song you’d ever heard before but your neighbor had played it often enough it was in your head. Instead of writing about a social worker’s role as an advocate for protecting human rights your mind drifted along with the melody.
It was a nice song but not one you wanted to hear every night and yet, every night your neighbor played like they were performing a concert instead of being considerate to the fact that they have neighbors, some of whom are trying to write a damn paper!
You haven’t seen this neighbor yet but you heard him moving into the apartment about a month ago. The paper thin walls allowed you to hear everything, from the instruments he played to the various women. Oh yes, he played them too, using a different one each night. Unfortunately you were able to tell the difference between each one by the sounds of the shrieks and moans that were burned into your mind until you decided to wear headphones to sleep.
Any attempts to continue your paper are futile and so you pack up your laptop and books and head down to the cafe a few blocks away that stays open late. It’s unfortunate that on top of the expensive rent and the cost of school you had to leave the comfort of your apartment to spend more money while occupying space in the cafe just to do your homework; all because of that selfish “Music Man” that you couldn’t wait to give a piece of your mind to.
PART 2
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tomthesoftie · 4 years
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can u do a imagine where it describes tom and y/ns romantic valentines day from morning to night and then towards almost midnight tom proposes her to be his wife and she is overjoyed btw y/ns sister is dating harry.
cheesy spoilers pt.2
a/n: this was so long... it took me like 3 hours to finish it, so hopefully it’s up to standards... enjoy my lovelies xx
warnings: minimal sexual innuendos, swearing, nervous tom
masterlist                     prompt list
pt.1 | p1.2
You awoke to the aroma of delectable foods coming through the cracks of the door. Your eyes fluttered open only to shut after meeting the beam of light peeking through the curtains. You groaned, shuffling under the covers, not wanting to get up.
You heard the door creaking as your brunette boy stuck his head into the open space between the door frame and the door. His eyes focused on you, he saw your figure under the large white blanket. Quietly, he tip-toed over to you and hopped onto your body, eliciting a moan of pain from you.
“Tom,” you moaned.
“Fuck, darling, do that again,” he sighed.
“Stop,” you blushed, “Get off of me. You’re heavy.”
“How rude,” he scoffed, standing back up.
You giggled and took his hand before he hoisted you out of the bed. He dragged you to the dining table, plates neatly displayed at two seats across of each other.
“For you, m’lady,” he pulled out a chair for you.
“Thank you,” you said softly, “Did you do all of this? Just for me?”
“Well, I had some help from Sam, but I did most of the work. Besides, why wouldn’t I do this for you?” He smiled proudly.
“I love you so much,” you gushed, “But we’ve been together for years now. There’s no need to be extra.”
“Anything for my love. Now, less talking and more eating,” he declared as he dug into his plate of food.
The two of you sat in comfortable silence while eating your brunch, only sounds of chewing or the knife cutting your meal occasionally filling the air. You would look across at Tom from time to time. He looked quite nervous about something as you could hear his leg bouncing under the table.
“Anything wrong, Tommy?” You asked, concerned.
He seemed shocked but answered, “No, nothing wrong at all.”
“Are you sure?”
“Of course, don’t worry about me. Just enjoy yourself,” he smiled before getting lost in his train of thought once more.
You couldn’t seem to put your finger on what he was so worried about. You tried to think back to the night before, but your memory was foggy. You couldn’t remember much from last night.
“Falling in love with you was the second best thing that happened to me,” he whispered.
“Second? Excuse you?” You tipped your head up to look at the brunette.
“But meeting you was the first,” he finished.
“Ew, you’re so cheesy,” your hand reached up to squish his cheek.
“You love me, though,” he turned his head in attempt to bite your hand.
“Ay! I do love you, but you’re such a div most of the time.”
“Who’s the one who does the dishes, washes the dirty laundry, and cleans the house?”
“Me,” you replied, eyebrows furrowed.
You felt like you were missing something crucial from the conversation. You focused on the conversation, hoping it would help you put the pieces together, but to your dismay, you could only remember getting tired and falling asleep in Tom’s arms. You shrugged it off and finished your meal.
Tom stood from his seat, plates and utensils in his arms, walking towards you.
“Finished?”
“Yes, thank you,” you grabbed your own dishes before he stopped you.
“Don’t worry about it. I’ll do it. You go and get ready. I’m taking you out for a stroll somewhere you’ll love and then to dinner,” he took your plates and piled it into his arms.
You watched his back as he left to do the dishes. As much as you loved the boy, he annoyed you by always pushing you away when you offered to help. Rolling your eyes, you did as he instructed.
You walked out of your room, hair neatly curled and wearing a floral square neck sundress. Your white Chelsea boots clicked as you made your way to the kitchen.
“I’m ready, Tommy,” you announced, stepping into the room.
“Perfect, I just finished,” he said, wiping his hands on the washcloth.
He turned around to face you and was rendered speechless. His eyes were wide and tinted with admiration. He blinked, scanning his eyes over your form.
“Take a picture, it’ll last longer,” you teased.
“Let’s get going,” he chuckled, finally moving from his state of awe. “You look gorgeous, by the way,” he whispered in your ear as he wrapped an arm around your waist.
You giggled, blushing as you gently slapped his chest. As you reached the door to your home, you grabbed your round, straw shoulder bag and placed your phone and wallet into it. Tom grabbed the keys to his Audi, starting it up after leaving the house. You sat beside him in the passenger seat, staring at the neighboring homes as you drove by. Soon those homes became cars then trees. 
“Where are we?” You asked.
“The Hill Garden and Pergola. You’ll love it.”
He parked the car and the two of you got out of the vehicle. He grasped your hand, leading you to the vast green land. When you entered, you did love it. There were beautiful shades of greens and occasional pops of colors from the flowers. You walked through the structures and into a large space. Pillars surrounded an empty center and supported to gridded roof. Past this area was a round structure with a teal dome ceiling.
“C’mon, Tommy,” you took your boyfriend’s hand, rushing him towards it.
A bright smile lit up your face while Tom looked nervous and frustrated. His eyebrows were furrowed, and his left hand remained in his pocket, grasping an object. In the confined, isolated space, he found this as a perfect opportunity.
“Y/N,” you turned to face him, “We’ve known each other for more than a decade, and we’ve been together for 6 years now.” He got down on one knee, revealing a red leather box with the word Cartier in gold on it. He opened the box, “I can’t imagine my life without you. You’ve been the love of my life ever since we were only teenagers. I want to have children and grow old with you. If you’ll do me the honor, that is.”
Tears filled your eyes, hands cupping your mouth. Your words came out as strange slurs and sobs. You resorted to nodding and stuck your hand out for him to slip on the ring. He stood for his stance and pulled you into a tight hug, spinning you in the air before connecting his lips with yours.
“Thank you so much, love. You’ve no idea how blessed I am to get a girl like you,” he spoke, your foreheads resting against each other.
“No, thank you, Tommy,” you sputtered.
Lost in the moment, you hadn’t noticed the small crowd that filled the area. They had started clapping and whistling, catching your attention. You laughed and smiled, waving at them. As the two of you exited the structure, many people congratulated you. A group of girls hid on the side, crying and whining in jealousy. They glared at you as you walked by, but you weren’t fazed by it, too consumed in the proposal.
Tom drove back to town, valeting the car as you arrived at the building. He led you into the it and up an elevator to 31st floor. The metallic doors opened, displaying the restaurant Aqua Shard. Remembering the familiarity of the restaurant, you realized it was rather expensive, in your opinion.
“No, I couldn’t,” you tugged on your fiancé’s arm.
“Yes, you can. Besides, I already have a reservation,” he objected.
“Fine but you can’t make me waste your money,” you snapped.
“You’re not wasting any of my money. You’re worth it, all of it,” he leaned down, gently kissing you.
The waitress behind the pedestal brought you to your seats. You had a perfect view of River Thames and Tower Bridge. You were also able to watch the the burst of pink and orange fill the sky as the sun set. 
You ordered the most affordable dishes they had. You’d gotten pearl barley risotto, which surprisingly was able to fill your stomach. Tom offered to get dessert but you denied. Obviously, he thought you were acting obnoxiously and bought it anyway.
“Ugh, I’m so full but it looks so good,” you groaned.
“It’s for you, darling. Dig in,” he pushed the dish towards you.
“You’re trying to stuff me,” you argued but tasted the chocolate and toffee tart. “Fuck, it’s good,” you moaned as you took another bite of it.
“I told you,” he smirked, receiving a roll of your eyes.
Tom drove back home with an overstuffed you. You felt sick from all the food that was contained in your stomach. You complained to him multiple times on your ride back. He only laughed at you and ignored your complaints.
You stepped out of the car, stretching with a sigh. You were able to digest most of the food on the long drive. Tom unlocked the door, and you rushed in to the warmth. On the counter, there were a dozen of roses with a small note attached to it: Happy Valentine’s Day! Love, Tom
Then, the events from the night before came rushing back into your mind.
“That’s true, but who works their arse off to impress you and make you feel loved? Who bought you a dozen of roses and a promise ring to show their dedication?” He teased, poking at your sides. 
“Oh my god! How did I forget?” You groaned.
Tom looked at you, confused, “What?”
“You told me about your gifts last night, but this morning, I forgot about it completely,” you face-palmed.
“Really? I thought you remembered, that’s why I was so stressed,” he explained.
“Well, I didn’t so it was a nice surprise,” you walked over to him and wrapped your arms around him.
“I’m glad you liked it,” he pulled you into a passionate kiss.
He pushed you against the wall, hips rubbing against each other. Your legs were wrapped around his waist, and your hands were combing through his curls. His hands reached down to grab your ass. He squeezed it, gaining a moan from you.
He pulled away and breathlessly said, “Let’s take this to the bedroom.”
You didn’t need to reply, he was already making his way to your shared room. He slammed the door locked behind him.
Surely the next morning, you would be sore, but that’s to care for later. For now, you’d enjoy it. The night was restless. There was no silence in the house all night
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featherymalignancy · 5 years
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CHAPTER THREE—In Vino Veritas: A Nessian Story
“In wine lies the truth”
Summary: Nesta Archeron is convinced she has everything she wants: a law degree from an ivy, a prestigious job, a gorgeous boyfriend, and excellent taste in wine. However, when she wanders into her local wine vendor and meets a handsome stranger unafraid to play her quick-witted games, she begins to wonder if the life she’s built is really the one she wants.
Cash Kahukore worked his entire adolescent life to become a sommelier, ignoring the slurs his mixed heritage have always earned him as he fought his way to the top. However, after five years abroad buying for Michelin star restaurants and dealing with rich white assholes, he’s grown bored with his life. When a gorgeous lawyer comes in to his uncle’s shop one afternoon, he immediately recognizes a worthy opponent in her. Undaunted by her sharp tongue and possessive boyfriend, he’s determined to be her friend, and—as time goes on and their circumstances change—possibly something more.
This a prequel to Navy Suits and Chelsea Boots that takes place three years before. If you love Elriel (and don’t mind finding out how this story ends) check it now.
Check out the masterlist for In Vino Veritas here!
Chapter Three: Bollinger
This time, Nesta didn’t bother lying to herself; she’d made the trip to Merchant because she wanted to see Cash.
It was perfectly innocent, though. She’d had a good day was all, and the truth was she didn’t have an over-abundance of friends in San Francisco. It would just be nice to see a familiar face. Besides, Tomás was out of town, which made this...easier than it might have ordinarily been. 
The old bell chimed as she strode in, and Cash—who’d be pouring over what looked like an inventory report behind the bar—grinned when he saw her, eyes glittering. His hair was tied up in its usual style at its crown, but today he also wore a pair of dark-rimmed glasses that made him look more distinguished, if no less roguish. She found it vaguely irritating  that he seemed to get more handsome every time she saw him. 
“Let me guess,” he said in greeting. “Another dinner party.”
“No,” she said primly, setting her bag down and perching on a stool. “Today we’re celebrating.”
He grinned, teeth bright against his bronze skin.
“Are we?”
“We are,” she said. “I just won a huge case.”
“Congratulations. Unless—” he narrowed his eyes. “You weren’t defending a murderer, were you? Tell me he didn’t do it.”
“It was a civil case. Police brutality.”
Cash’s eyes softened. 
“Not just a supermodel, then. A superhero, too.”
Nesta let the comment glance off of her, unsure the sort of damage it could do her if she let it sink in. Instead she pursed her lips.
“The officer broke my client’s back during a rough ride. A man who’d done so little wrong that he was never even charged for the supposed crime he was arrested for. He was only in police custody so long because he ended up in surgery.” She shook her head. “Fifteen hours on the table, and he’ll still never walk again. I pushed for criminal charges but couldn’t get the government to prosecute, so I took the case to civil court instead.” 
She flashed a dour smile.
“I made sure there wasn’t a cent left on the table.”
Cash let out a low whistle.
“You sort of scare me, you know?”
Nesta shrugged, feeling oddly pleased by this observation. 
“Normally I only take on criminal defense cases pro-bono, but this wasn’t one I was going to let slide.”
“You fascinate me,” Cash admitted, and Nesta huffed, not wanting to let that sink in, either. 
Unfortunately, it was harder to ignore, and Nesta felt her cheeks warming.
“Maybe you just need to get out more.”
Cash laughed, eyes glittering from behind his frames.
“I’ve been out plenty, trust me.”
“Gross,” she sniped, and he laughed again.
“I didn’t mean it like that. You’re just determined to make me a philanderer, aren’t you?”
She glanced at her watch to give herself something to do.
“You’ve yet to prove you aren’t one.”
“I can’t prove a lack of something. As for proving the opposite—“ he shrugged. “Maybe I’ll surprise you.”
“I don’t care for surprises,” she said, needing to change the subject.
It felt too much like they were flirting again, and it was a line she knew she couldn’t cross. Tomás would be beside himself if he ever found out.
“Alright,” Cash said, seeming to read her body language. “Enough witty banter. What kind of champagne do you like?”
“Bollinger,” she said. “If you have it.”
Cash grinned, the gold in his ears winking at her as he propped his chin on a fist. 
“Are you sure you’re not a international super spy? That’s James Bond’s favorite, too.”
She couldn’t stifle a short laugh.
“How do you even know that?”
“When are you going to accept that when it comes to wine, there’s nothing I don’t know?”
“Never,” she said in challenge. “Because someday you’re going to make a mistake, and I vow to be there to roast you for it when you do.”
Cash raised his eyebrows, leaning in slightly.
“Then I’ll be sure to make said mistake in the shower.”
“Cash,” she warned, even as she fended off another laugh.
“You’re the one making threats!” He said, holding up his hands. “I can’t help it if you occasionally fall victim to your own hubris.”
“I—“ she began, still trying to avoid imagining what Cash looked like in the shower. His thick hair slicked back, skin glistening as water ran down the arched grooves of his Adonis belt towards his thick—
She cleared her throat.
“Fine. You win this round.”
“Part of me is afraid that you’re only giving ground as some sort of tactic, but I’ll take my wins where I can get them.”
“Then I have you just where I want you,” she said, glad to have made her way back to more familiar terrority.
He laughed, going to get the champagne.
“You can have me wherever you want, Archeron,” he called, but before she could censure him for it, he’d disappeared into the back.
He came back carrying the Bollinger and two antique glasses that reminded her of Downton Abbey. 
“Nice touch,” she said, gesturing to them.
Cash flashed a self-satisfied smirk. 
“Thought you’d like these. Be gentle with them, these are Dev’s babies.”
He popped the bottle with a expert kiss of sound before pouring a measure for each of them and pushing one of the glasses to her. 
He held his up to her.
“To the justice we can get.”
She raised hers in answer. 
“Even if it isn’t the justice that’s deserved.”
Their glasses sang as they touched, and Nesta paused before taking a sip so she could watch him take his. As always, his reaction didn’t disappoint. 
His brows drew together as he gave a hum of appreciation, biting his lip as he let the flavor linger. She hurriedly took a sip herself, not wanting to get caught admiring him. She could feel him studying her in return as she did.
She let her eyes flutter shut as the satiny bubbles caressed her tongue. 
“What do you taste?”
Her eyes snapped open to find he was still watching her, head cocked slightly to the side.
“You’re the expert,” she said archly. “You tell me.”
He laughed.
“I already know the profile. I want to hear what you think.”
“Is this your way of putting me in my place after all my dress-downs?”
His grin faded, something she couldn’t quite name softening his hazel eyes. 
“Never. I just—“ some of the tension melted from his shoulder as he gave a laugh that didn’t feel entirely genuine. “You obviously have a great palette. I just want to know what it is you like about this vintage in particular. Think of it as—market research, if you want.”
She considered this, and him, because taking another sip. 
“I’d know it was champagnois even if I’d never had it before. It’s nuttier than a Prosecco or a Cava. Not as finely-edged. And the fruit in it is lightly spiced. Apple, definitely. And...pear, maybe? It reminds me of Christmas.”
She glanced up to find him looking at her. 
“Well?” she said, feeling oddly embarrassed. “How did I do?”
“Spot on,” he said. “Though no surprises there. You would have made a great sommelier. A big part of the job is painting a picture that makes people fall in love with the wine. That description was painfully charming.”
“Don’t be obsequious,” she warned, even as she felt herself preening a little from the compliment.
“No idea what that means,” he said with a grin. “But I will do my best. How did things turn out with your sister and the Riesling?”
Nesta flashed a feline smirk, one she knew sent most men running for the hills. 
“Better than I could have hoped,” she said “Graysen’s mother wouldn’t stop raving about it. Her new favorite, she said. Even better than the bottle Graysen got here for her birthday last year.”
Her smirk widened as he shook his head, laughing. 
“You’re gonna put this poor kid in therapy.”
Nesta sniffed, taking another sip.
“He’s made Ellie cry more than once; he can burn in Hell for all I care. Besides, he couldn’t be less worthy of her if he were were a clown car mechanic. I’m going to throw a gala they day they break up for good.”
“If you could invent a perfect man for Elain, what would he be like?”
“Quiet,” Nesta said immediately, and when Cash laughed, she added, “I’m serious! Graysen is constantly talking, and she can never get a word in when they’re together. She has so many interesting things to say; she deserves a guy who wants nothing more than to listen to her all day.”
“A wallflower, roger that. What else?”
Nesta considered. 
“Someone who does sweet things for her. Elain’s love language is acts of service. Men always want to buy her expensive things or spouts odes to her beauty. What she really wants is someone who will pack her a sack lunch or get her car washed. Also dark-haired. Grown men shouldn’t be blonde.”
Cash grinned, eyes slight. 
“He sounds like a dreamboat. Maybe I should let you find me someone, too.”
Nesta was surprised at how much the comment ached. Not that she begrudged Cash meeting a woman; he certainly deserved it. She just—didn’t want to have to imagine it. 
“I don’t know you well enough to make an accurate assessment,” she sniffed, trying not to seem too desperate as she poured herself more champagne. 
Cash opened his arms in invitation. 
“What would you like to know?”
Nesta narrowed her eyes as she considered. 
“How do you feel about Beyoncé?”
Cash laughed.
“Is this a trick?”
“Answer the question, please.”
“The Lemonade album deserves a permanent exhibit at the Smithsonian as a pillar of human achievement.”
She nodded in approval.
“Good. At least I know I can trust you now.”
“That’s your litmus rest?” He laughed. “What were you going to say if I say no?”
“Leave and never come back, obviously,” she said. 
“Fair enough,” Cash allowed. “What else?”
“Best Hogwarts house?”
“Alright, this one is too easy. Gryffindor.”
Nesta feigned a gag. 
“That is the most offensive thing you’ve ever said to me.”
“Daring and chivalrous! Those aren’t favorable traits to you?”
Nesta sniffed imperiously. 
“Self-important and braggadocious, you mean. Besides, there’s nothing more dangerous that a person who’s convinced they’re right.”
He shook his head, chuckling. 
“I feel so foolish. Everything about you screams Slytherin; I should have seen that question for the trap is was.”
“You know why I’ve been so successful in the courtroom?”
“Because you’re brilliant?”
She dismissed the compliment with a flick, even as it warmed her from the inside out.
“Because most of the time I’m going up against self-righteous prosecutors who’d rather waste their time beating their chest and  waxing dramatically to the jury about my client’s character, instead of arguing the facts. It makes mounting a defense and tearing them to ribbons almost comically easy.”
“Like I said,” Cash offered, studying her with unchecked appreciation. “Fascinating.”
“I’ll change your mind before this is all over,” she said. “Mark my words.”
He leaned in slightly, enough that she could smell his clean scent again. 
“Looking forward to it.”
They studied each other for a moment, and this time it was Cash who looked away, chuckling quietly to himself. 
“What else?”
“Tell me secret. Something no one else knows about you.”
He considered this before turning over his forearms to show her his tattoos.
“I cried like a baby when I got these.”
She put her chin in her hand, if only to resist the urge to trace the slightly-ridged ribbons of ink. The designs were exquisitely tendered; whoever the artist was, they’d known what they were doing.
“Why?” she asked finally. 
He laughed. 
“Because they fucking hurt!”
She pursed her lips to indicate she wasn’t buying it, and he laughed again, glancing down at his forearms. 
“Growing up, I just always felt like—I don’t know—a mongrel. When you’re a kid all you want to do is fit in, and being mixed, I never really felt like I did. I was—weirdly resentful I couldn’t just be like everyone else. I had my gran in my ear always spouting all this Māori stuff, but I just wanted to be Hawaiian. It wasn’t until she took me back to Waitomo when I was in high school that I got to see my culture for what it was—mine. I wanted to wear that pride on my skin.”
“So when you got the tattoos...”
He nodded.
“When I got the tattoos, I felt like I was reclaiming something I’d lost. Not just a sense of belonging, but a connection to my dad, who I never got to meet. It was—really emotional.”
“Did you take anyone with you?”
“My friend Ro. He was the only other Māori kid in my neighborhood growing up, so our families were always close.”
Cash laughed, adjusting his glasses. 
“You should see him. His tats cover almost the whole left side of his damn body. If he hadn’t wanted to be a cop, I’m pretty sure he’d have gotten them on his face. We had to convince him to stop mid-neck.”
Cash glanced down at his own again, and Nesta couldn’t resist. Gingerly she reached out to follow the band on diamonds that studded along his wrist. She watched his skin pebble under her touch, and she pulled her hand back, knowing she was being unfair. 
“That sounds—intimidating,” she said instead, trying to shift the conversation back.
Cash shrugged.
“He’s a sweet dude underneath all the gruffness, but yeah, he’s pretty terrifying with all that ink. I suppose it doesn’t help that he’s also 6’6 and looks like a jacked Anderson Cooper.”
She had to laugh. 
“What does that even mean?”
“He started going grey when we were still in high school, and now he’s completely silver. It’s annoyingly dashing.“
Nesta snorted. 
“The silver fox trope is such a double standard. If I was completely gray, no one would be gushing over it.”
Cash considered. 
“I feel like you would be very striking as a silver vixen. Besides, I thought women dying their hair gray was a thing now?”
“How do you even know that?”
Cash laughed. 
“My friend Rhys is a...great lover of females.He loves to opine on all the various trends.”
“Is that your polite way of saying he’s a playboy?”
Cash shrugged.
“His dad’s a billionaire. Az and I think he didn’t hear the word ‘no’ enough as a kid, and it’s made him restless and hedonistic. When he meets the right girl, though, it’s going to be game-set-match. I know it.”
“Thats...charming, I suppose.”
“You’d like him,” Cash said before pausing to laugh. “...I think. His cousin I think you’d definitely like. In fact, I’m having a friend from Paris in next week to host a tasting, and Mor will be there. You should come and meet her.”
Nesta’s heart leapt at the opportunity. She loved getting dressed and going out, and she was in rather desperate need of female friends. Still, there was Tomás to consider.
“I know that look,” Cash said. “So let me beat you to the punch: you can bring your boyfriend, and whoever else you want.” 
“Elain would love it,” Nesta said, not wanting to admit that Tomás wouldn’t, especially when he saw Cash.
Still, she was reasonably confident she could convince him. 
“Maybe I’ll tell her to bring Graysen, and your friend can embarrass him in front of everyone.”
Cash shook his head, giving a resigned chuckle. 
“You are terrible.”
Nesta admired her long nails self-importantly. 
“Please, you love it.”
She immediately regretted saying it. She wasn’t oblivious to the way Cash sometimes looked at her, and she didn’t want to blur any lines by being over-flirtatious. It wasn’t fair to him, and it definitely wasn’t fair to Tomás. And if he ever found out she’d been saying things like that to another guy behind his back, he’d never let her step foot in the Merchant again.
“I admit I’m morbidly curious about this guy,” Cash admitted. “Though I don’t want your sister to hate me for humiliating her boyfriend.”
“She’ll love you,” Nesta blurted, and realizing her misstep, forced herself to add, “maybe I’ll set you two up once she gives Graysen the boot.”
The idea made her stomach roil, especially when Cash smirked.
“First you accuse me of philandering, and now you want to set me up with your precious baby sitter? Pick a lane, Archeron.”
Nesta shrugged mechanically.
“At least I’d know she was being treated the way she deserves.”
Cash laughed, crossing his arms over his chest as he leaned back on the bar.
“I don’t want to date your sister, Nes.”
Nesta ignored the way something in her black heart fluttered at the declaration, pursing her lips in feigned annoyance instead.
“Why not? Gorgeous and brilliant aren’t your type?”
Cash laughed.
“I’m going to go out on a limb and say that gorgeous and brilliant are every guy’s type.”
“So what’s the problem?”
Nesta had no idea why she was pushing the issue. She had less than zero desire to see Cash pursue Elain.
Cash only laughed again, an edge of exasperation souring the otherwise rich sound.
“Maybe I’m too afraid of you. I can only imagine what kind of cruel and unusual torture you’d cook up for me if things didn’t work out.”
“I’d flay and barbecue you at a low heat,” Nesta affirmed, and Cash grinned, his expression easing slightly.
“Exactly. Besides,” he paused, eyes glittering from behind his frames as he studied her again. “I wouldn’t want to risking messing up our friendship.”
She sniffed to disguise the way that touched her.
“Bold of you to assume we’re friends. We hardly know each other.”
“I know you better than you think, my thorny Slytherin queen. And we are friends, so don’t be like that.”
“Fine,” she said. “I admit I find your company enjoyable in an...annoying sort of way.”
“Please,” Cash said, grinning. “You love it.”
“Don’t push it,” she warned, and he only grinned wider.
“Wouldn’t dream of it. So about next weekend: are you in? I’m trying to firm up the guest list for my friend Hélion.”
Nesta felt her cheeks warming as she admitted, “I...have to discuss it with Tomás. He’s been out of town.”
Cash looked like he wanted to say something, but instead he said, “Well if you do decide to come, I have only one request—“
“That I don’t bring my friend Claire,” Nesta finished for him, and he laughed. 
“She was in again last week and left me her number on a receipt. I don’t know what to do with that.”
“Call her?” Nesta made herself suggest.
Cash frowned.
 “I told you: not my type. Everything I said, she agreed with. I don’t want a woman who only ever tells me what she thinks I want to hear.”
Nesta couldn’t help herself.
“What do you want, then?”
Cash sank his teeth into his plush lower lip as if he were trying to suppress a smile before finally glancing at her.
“Someone who’s quick on the draw, and who isn’t afraid to dish it back. I don’t want a admirer; I want an equal. Besides,” he paused, biting his lip again. “I prefer brunettes.”
Nesta felt her heart beating in her throat as he studied her—her dark hair—before meeting her gaze again. 
“If you know anyone like that, then...”
“I don’t,” Nesta said automatically before adding, “sorry.”
Cash continued watching her for a second before shrugging. 
“Being single isn’t all bad.”
“I wouldn’t really know,” Nesta admitted in a soft voice. “It’s been a while.”
Cash nodded, adjusting his frames as he looked down into his glass.
“How long have you two been together?”
“Six years.”
“That’s—a long time.”
“It is,” she agreed, wishing they could change the subject.
“No ring yet?”
Her eyes snapped up, he shook his head. 
“Sorry. None of my business.”
She thought about biting out that no, it most certainly wasn’t, before realizing she didn’t want to sour things with an unduly harsh retort. Instead she shrugged. 
“If he had his way, we’d be married already. I’m the one who’s insisted on waiting.”
“Why?”
She didn’t know why she answered. She knew she really shouldn’t, but somehow she couldn’t help herself. Cash was so easy to talk to, and the fact he didn’t know Tomás personally somehow made it feel like less of a violation of their privacy. 
“We’ve been through a lot together, but I don’t know—I’m not ready. I guess I’m just waiting for a sign to show me that I am.”
“Didn’t have you down as a person who believed in signs,” Cash admitted. 
Nesta fidgeted in her seat, looking down at her bare left hand. 
“I’m not usually. But this is...too important not to be completely sure.”
Cash nodded but didn’t push for clarification, even though she could tell he wanted to.
“I’m happy, though,” Nesta added, needing to hear herself say it out loud. “He makes me very happy.”
Cash gave her a smile that was warm, even if it didn’t quite touch his eyes.
“You deserve that,” he said. 
“How would you know?”
At this Cash’s smile widened to show pearly teeth. 
“Because I’m an excellent judge of character. Besides, doesn’t everyone deserve that? Someone who makes them happy?”
“You do,” she blurted, and her cheeks caught fire as she realized she’d said it out loud. 
She’d clearly drank more champagne than she’d thought; she was being embarrassingly loosed-lipped. Cash only smiled again, politely ignoring her insidious blush. 
“You think?”
“Per your logic, everyone does,” she pointed out, drumming her nails on the oak bar top. When he dimmed a bit, she softened. 
“But yes, I think you deserve it more than most.”
Cash gave a sheepish laugh as he looked down at the scuffed chukka boots her wore, and Nesta found herself adding, “She’s a lucky girl, Cash. The woman you end up with.”
It was truer than he even knew, and harder to bear than she’d expected. She had a sudden image of Cash in the arms of some unknown brunette beauty, and she felt her hands curling to fists. 
She was on dangerous ground, and she knew it. She couldn’t figure out for the life of her why she hadn’t retreated to safer territory yet. 
“I should get home,” she said, draining her glass. “Thank you for celebrating with me.”
He grinned. 
“Thank you for an excuse to drink champagne on a Tuesday. And before you embarrass us both by trying to pay for this bottle, let me make a proposition instead.”
Nesta huffed and made to protest, but he cut her off. 
“You know it’s nothing like that, so don’t get shirty with me. Just—come next Saturday. Tastings go much easier when there are people there who know what they’re looking for in a good wine, and I promised Leo I would give him something to work with. He’s French, so he gets fussy like that. And if you come, I can just put the bottle on his company’s tab. He works for one of the biggest distributors in France, so they won’t mind.”
“How long have you been cooking this scheme up?” She asked, and he grinned.
“Since about the word ‘celebrating’. Do we have a deal?”
He even extended a hand, and she bit her lip as she considered. 
“I still have to talk it over with Tomás. But yes, I will—tentatively be there.”
She slipped her hand into his, and he squeezed gently as his smile returned. 
“But you have to let me pay for the bottle if I don’t end up making it.”
Cash rolled his eyes. 
“I’ll add it to your tab, I promise.”
“Fair enough,” she said, rising to her feet. “I’ll will let you know on Tuesday when Tomás gets back into town.”
Cash laughed, though the sound was a bit hollow. 
“How? You don’t have my number.”
Nesta bit her lip, resisting the urge to shift on her feet. She and Tomás had given each other permission into their respective phones, and though it wasn’t a privilege he often exercised, she knew that if he did and saw Cash’s number, he’d freak. It would certainly be the end to their coming to the tasting.  
“I’ll—call the shop.”
All the playfulness melted from Cash’s expression as his mouth tightened. 
“Are you serious, Nes?”
“What does it matter?” She shot back, needing to go on the defensive. “You’re always here anyways.”
“That’s not what concerns me.”
“I don’t know what you’re even talking about.”
He crossed his bruising arms across his chest, his tone brittle in a way that belied he usual ease. 
“Oh really? Then look me in the eye and tell me that—as your friend—I have nothing to be concerned about.”
“Goodbye, Cassian,” she said. “I’ll be in touch.”
She turned to the door and heard him swear under his breath.
“Nesta.“
She tightened her grip on the leather strap of her handbag, fighting the urge to turn back to him as she left the shop.
————————————————-
“What’s going on with you?” Hélion asked from where he lounged on the sofa, watching as Cash straightened the collar of a fresh button-down in the mirror. 
They were currently in in the apartment above the shop, which Devlon had bought when such things were still possible to afford in North Beach. He’d agreed to let Cash stay there while he was in Hawaii, provided Cash didn’t change anything. 
So far, he’d  had the place painted, replaced the dated backsplash in the kitchen, and bought a new couch. A contractor was coming the following week to talk about taking down a wall in the living room and gutting the master bath.
“What do you mean?” Cash said, shrugging into the burgundy blazer slung over a nearby armchair.
Hélion eyed him critically for another moment.
“That’s the third time you’ve changed your shirt.”
Hélion continued his brazen assessment before snapping his fingers in realization.
“There’s someone coming you want to impress. Who is it? Investor for your mythical vineyard?”
Cash cleared his throat.
“No, I’m—still working on that.”
Hélion smirked.
“Ah, okay. Who is she, then?”
Cash fought not to tense. This wasn’t a conversation he really wanted to have right now. Despite the voicemail he’d gotten from Nesta on Thursday at the shop informing him she’d be coming with two guests, he was terrified to get his hopes up knowing it was still entirely possible she wouldn’t show. 
“Who is who?” 
Hélion rolled his eyes.
“The woman you’re clearly trying to impress. And if you don’t tell me, know that I can get it out of Mor when she arrives.”
Cash felt his palms beginning to sweat. 
“It’s—not like that.”
Hélion smirked.
“No? Certainly seems like ‘that’ to me.”
“She’s got a serious boyfriend.” 
“A boyfriend isn’t a husband, Cashish,” Hélion said in a coo. “Besides, who could resist all this devilish charm?”
“Don’t make it weird,” Cash warned.
“Me?” Hélion said in mock offront. “Never! Come on, tell me more about her. She must be something if she’s caught your picky eye.”
“I’m not—“ Cash shook his head. “We’re just friends.”
“Non,” Hélion said. “You like her. You’re smitten, I can tell. What’s her name?”
“I’m not telling you.”
“What? Why not? I only want to know who I need to charm tonight. I will help make her yours.”
“For fuck’s sake, Leo,” Cash said, unsure whether to be exasperated or warmed by his friend’s meddling. “She’s bringing her boyfriend.”
Hélion bubbled his lips and gave a dismissive flick of his wrist.
“I hate him already. He’s a swine! A wretch! Totally unworthy of her!”
“I actually think he might be,” Cash admitted, and at his tone Hélion straightened, setting down his glass.
“What do you mean?”
Cash blew out a breath, trying to keep his anger in check as he remembered the look on Nesta’s face when he’d suggested she take his number. Normally he might have taken it as a sign that she was more interested in him than she let on, but it hadn’t been guilt he’d seen in her eyes; it’d been fear.
“Allô!” Hélion said, snapping his fingers to get Cash’s attention again. “What does that mean?”
“He’s totally controlling; demanding to know where she is all the time, I think going through her phone—I don’t know, it just doesn’t feel right to me.”
“Have you met him?”
“No,” Cash admitted. “But Dev has, and he said the same. He said that he’s very territorial over Nesta, and that I should keep my distance.”
“Nesta,” Hélion said with a satisfied smirk. “That’s very pretty.”
Cash flipped him a foul hand gesture before turning back to the mirror. He sighed before continuing.
“I don’t know what it is about her, but I can’t get her out of my head. And it would be bad enough knowing she’s got a boyfriend, but this prick—“ Cash shook his head. “I hate thinking of her in a bad relationship.”
“Maybe she just needs someone to show her there’s a better way,” Hélion said, and Cash huffed.
“Don’t tease me. This sucks enough as-is.”
“Non,” Hélion said. “No teasing. She clearly likes you, Cash, or else she wouldn’t be coming tonight.”
“She’s coming with him.”
“Then she must like you very much, to risk upsetting him just to see you.”
“I don’t want to put her in a bad spot.”
“But...?” Hélion prompted.
“But what?”
“But you do want her.”
Cash groaned, slumping down on the arm of the sofa.
“How could I not? She’s brilliant, and thoughtful, and witty. And God—so fucking gorgeous. She might honestly be the most beautiful woman I’ve ever seen.”
Hélion gave an amused snort.
“The man’s in love.”
“I’m not in love,” Cash protested before pausing. “And it doesn’t matter, anyway. She’s got her sod of a boyfriend, and I just got her to admit we’re friends; I can’t mess things up.”
“Okay,” Hélion said, holding up his hands in submission. “I won’t say anything to her.”
Cash let out a breath he didn’t know he’d been holding.
“Thank you.”
“But say the word, and I will seduce the boyfriend and clear the path for you.”
“Jesus Christ,” Cash muttered, and Hélion smirked.
“So far as I know, you’re the only man who’s been able to successfully to resist me, straight or otherwise.”
“Az,” Cash pointed out, turning to the mirror to pull his hair back. 
Hélion rolled his eyes.
“He’s just being obstinate to spite me.”
“I’ll let him know you’re onto him.”
Hélion smirked and settled back into his seat. 
“Can you imagine what he must look like naked?”
“As his friend, I try not to. Shall we?”
Hélion rose, straightening his immaculate heather gray slacks as he did. Cash shook his head.
“I don’t know how you’re wearing that sweater. It’s bloody August.”
Hélion straightened the collar of the turtleneck self-importantly. 
“I’m French,” Hélion sniffed. “The laws of nature don’t apply to me.”
“That’s not at all how that works,” Cash pointed out. “But suit yourself.”
They descended the stairs to find the servers Cash had hired readying the place at Mor’s direction. The dining table had been set with the appropriate glasses, and flutes were arranged neatly on trays, waiting for champagne. 
“Looks good,” Cash told her in greeting, coming over to kiss her cheek. “Almost good enough to justify flying you all the way out here from London.”
“Please,” Mor said, batting his cheek. “I flew myself out here, you ungrateful plant pot.” She spotted Hélion and shoved Cash back. “Leo, there you are! Come give me a kiss.”
Cash only barely managed to get out of the way as Hélion slid a hand around Mor’s waist and pulled her to him. She draped her arms over his shoulders and pecked him on the lips. Cash only barely managed to fend off a groan of disgust, and Mor only flashed him a quick hand gesture before her eyes settled back into Hélion, who still had a possessive hand pressed to her low back.
“How are you, mon cœur?” She purred, and Hélion gave her an appreciative up-down.
“Better, now you’re here. Oh, and Cash has a woman coming tonight.”
Cash snarled.
“What part of ‘be cool’ did you not understand?”
“You are?” Mor demanded, turning to punch him in the arm. “Who?”
“She’s got a boyfriend,” Cash said, feeling sour for having to repeat it out loud. 
“So? Never seen a defender you couldn’t score on. What’s her name?”
“None of your—“
“Nesta.”
Cash screwed his eyes up, rubbing his temple. 
“Leo, for fuck’s sake.”
“Why didn’t you say anything?” Mor asked. “This is so exciting! I haven’t seen you interested in someone in—“ she paused to think. “I honestly can’t remember the last time.”
“She’s got a serious boyfriend,” Cash said, annoyed at having to repeat himself. “And she’s my friend, so please don’t scare her off with your meddling.”
Mor toss her blonde waves off her shoulder. 
“I don’t meddle.”
Cash pursed his lips. 
“Tell that to Az’s love life.”
“That’s different. Without my help, poor lamb’s going to die alone.”
“I can think of someone I know who could make him feel properly loved up,” Hélion said with a smirk, and Cash rolled his eyes. 
“Leave him alone, both of you. Leo, if you want someone to flirt with, go back to London and bother Rhys. He’ll be more than happy to oblige you.”
“Tempting,” Hélion admitted. “But he’ll flirt with anyone. Besides, there’s just something about that pouty mouth of Azriel’s that drives me crazy.”
“Let’s just get the champagne opened,”  Cash said, not wanting to discuss his friends’ love lives anymore. 
He gestured to the servers, and Hélion glanced at the label of the nearest bottle and frowned.
“Bollinger? I thought we’d agreed on Moët.”
Cash shrugged. 
“I changed my mind.”
Hélion narrowed his eyes. 
“Fine,” Hélion sniffed. “But no more changes. I made these selections for a reason.”
Cash grinned. 
“You’re afraid I’ll pull something something you don’t know, you mean.”
Hélion gave him a dirty look, and Cash laughed. 
“I haven’t changed anything else,” he promised. 
At this the door chimed, and Cash’s heart rate picked up. Forcing himself not the react in a way his friends might notice, he nodded towards the door. 
“Go, minions. Be charming, make people feel welcome.” He grabbed Hélion by the elbow as he made to strut off. 
“Not too friendly. This is an elegant tasting, not a live sex show.”
Helion grinned, teeth bright against his dark skin. 
“Afraid I’ll meet your Nesta and win her away from you?”
“No, because you lay even one line on her and she’s probably punch your lights out. Get out of here.”
Hélion laughed, clapping Cash in the shoulder even as his eye snagged on fetching red head who was already smiling at him. 
Cash found as people trickled in that he was too wound up to mingle, so he busied himself in the back instead, helping pull bottles and making sure the hor d’euorvers looked the way he wanted. 
When his phone buzzed, he pulled it out to find a text from Hélion.
Come to the front. 
Swearing under his breath, Cash did as a instructed to find Hélion waiting for him at the bar. 
“What is it?”
Hélion shrugged. 
“Nothing. But you need to be out here. It’s strange for your to lurk in the back like the hunchback in his tower. Have a glass of champagne and relax.”
“I am relaxed.”
“That’s exactly what a tense person would say,” Hélion said. “Go talk to people.”
“I will as soon as—“
He broke off as he watched Hélion eyes skate over his shoulder and light up. 
“What?” he demanded.
Helion smiled, eyes flicking back to Cash. 
“I think your Nesta just walked in.”
Cash’s throat went dry. His first instinct was to whip around, and he forced himself to relax his posture. 
“Merde, you weren’t joking,” Hélion said, gaze going over Cash’s shoulder. “She’s—fetching. Who’s the woman with her?”
“Her younger sister, I think.”
Hélion’s grin grew sleepy and slightly wicked, and Cash shook his head.
“Nesta will flay you alive.”
Hélion only shrugged before looking back and cocking his head slightly. 
“C'est intéressant...” he mused, tapping his fingers against his lips in mock bemusement. 
Cash grit his teeth. 
“What’s interesting?” 
Hélion’s smile was a feral thing, one that reminded Cash of a fox.
“I don’t see a gentleman with her,” Hélion finished. 
Unable to resist any longer, Cash turned, his pulse drumming a lulling beat in his belly as he drank Nesta in. 
She was dressed more provocatively then he’d ever seen her, and it made his mouth dry as he took her in. The slinky navy cocktail dress she wore hung off her body as if it had been made  for her, highlighting her gorgeous small breasts and lean legs. 
She’s yet to see him, but his heart sped up as the woman next to her, who was undoubtedly Elain, turned her head in his direction. Elain gave him a delightfully unsubtle up-down before she leaned over to whisper in her sister’s ear.
Something warm began to pool in Cash stomach as Nesta’s gaze snapped to him and she flushed. 
He smiled in greeting, feeling pleased when she took Elain’s hand and started towards him.
“Go away,” Cash hissed to Hélion. 
“But—“
“I’ll introduce you later. Buzz off.”
Hélion huffed before retreating, and Cash fought not to fidget or look too eager as Nesta approached. She dark hair fell in a satiny curtain down her back, and he imagined bunching it is hands as he kissed her neck, peeling off that dress so he could...
“Cash, hi.”
He flashed what he hoped as an easy smile. He wanted to kiss her cheek the way he might have with someone like Mor, but given everything, he doubted she’d appreciate it. 
“Nesta,” he said, taking in the hint of her cool, sharp perfume as she came closer. “Glad you could make it.” 
She smiled, tucking a loose curl behind her ear. He admired the elegant line of her wrist as she did, marveling that wrists could even be attractive. Hers were, though. They were gorgeous. 
“Thank you for inviting us.”
At this she put a hand on her sister’s back. 
“This is my sister, Elain. Ellie, this is my friend Cassian.”
Hearing her said the word “friend” had giddy delight crashing through him, and he forced himself to look at Elain instead. 
She gave him a bright, easy smile, and he immediately liked her. 
“Lovely to finally meet you, Cassian,” she said as they shook hands
“Cash, please. Honestly, I feel like I know you already. Nesta’s always bragging about you.”
Elain gave a sheepish laugh, doe brown eyes sparkling. Like her sister, Elain was beautiful, though hers was a much softer, more angelic thing: the fresh-faced Disney heroine to Nesta sultry villainess. She was of a curvier build as well, her figure voluptuous where Nesta’s was willowy. 
If Az was here, he’d be drooling all over the floor. He was a sucker for big tits and brown eyes, even if he was too much of a gentleman to ever admit as much out loud. 
“Well that’s embarrassing,” Elain said. “It’s not like I’m going to cure cancer or something.”
“No it’s not,” Nesta said. “You deserve it. You’re brilliant, El.”
Elain blushed before turning back to Cash. 
“I’ve heard a lot of nice things about you, too.” Elain continued. “It’s good to put a name to the face.”
Cash grinned at Nesta, whose mouth has pinched into a pert frown. 
“You been bragging about me too, Archeron?”
Nesta sniffed in a way Cash now knew signified she’d been caught off balance. 
“Hardly. It’s Claire who can’t shut up about you.”
Elain gave a delicate laugh. 
“It’s true,” she admitted. “I think she’s got a crush on you. She still hasn’t stopped talking about that red Nesta served at her dinner party. No one could; did Nes tell you?”
Cash laughed when Nesta rolled her eyes. 
“Your sister isn’t in the habit of giving me compliments, unfortunately. But thank you, it’s nice to know you liked it.”
“I loved it,”Elain corrected. “You should come to the next party and listen to everyone fawn yourself.”
Cash glanced to Nesta to gauge her reaction, afraid to find her expression disapproving. She wore a sardonic smile instead. 
“Before you say yes, please keep in mind that Claire will be there, and there won’t be a bar or a stock room to shield you from her attentions.”
Cash grinned. 
“You’re not going to protect my virtue?”
Nesta pursed her lips to hide a smirk. 
“As if there’s any left to protect.”
“I will,” Elain assured him, grinning as she touched his arm. “We’ve known Claire for ages, but she can get a little—predatory.”
“Yes, a scrawny thing like you, who knows what she might do if she caught you alone,” Nesta added dryly. 
Cash laughed, and unable to resist showing off a little, he crossed his arms across his chest and said, “Archeron, I’m pretty sure I could bench your weight about five times over.”
“Doubtful,” Nesta shot back, eyes glittering with the challenge. “I weigh over 300 pounds.”
“What a coincidence; I bench 1,500.”
“Well congratulations on setting a world record, then. The last I heard, it was 1,075.”
Elain watched them, a grin on her face before she cut in, “Will you excuse me? I have to use the restroom.”
“I’ll come with you,” Nesta said immediately, and Elain gave her a hard look. 
“Don’t need any help, thanks.” She brushed a friendly hand down Cash’s arm. “Nice to meet you again.”
With that she slipped away, leaving them alone. 
“She’s cute,” Cash said when she’d gone. 
Nesta smiled, eyes softening in a way they only ever did for her sisters. 
“Isn’t she?” 
They watched in silence as Elain sauntered off before Nesta turned to give him a thorough once-over.
“You look—nice.”
Cash laughed, basking under her careful attention as her eyes swept from his blazer to his caramel dress shoes.
“Do I not usually?”
She flushed before pursing her lips.
“The joggers certainly gave me pause.”
He grinned, wanting to see if he could make her blush again. 
“I try to avoid them in mixed company. It’s unfair to the women present. Too distracting.”
She rolled her eyes. 
“I managed them just fine.”
“Or so you claim. But you easily could have been checking me out when my back was turned.”
She rolled her eyes. 
“Get over yourself. Your ass is not as cute as you clearly think it is.”
He flashed her a smirk, seeing the opportunity her comment presented and finding himself unable to resist. 
“And how would you know?”
She flushed, and he felt his belly tighten, even as he grinned.
“Gotcha.”
She rolled her eyes again but didn’t offer a retort, and the realization she had been checking him left him feeling giddy. That was, until he remembered who’d she was supposed to have with her that evening. 
“So,” he said. “No Tomás?”
He tried to keep the hopefulness from his tone, unsure if he’d succeeded as Nesta straightened.
“He’s running late. But he’ll be here, don’t worry.”
Cash felt his heart sink.
“I can’t say that I was,” he admitted quietly. 
“Was what?” She said, tone flatter than before.  
“Worried he’d be here.”
He hated the way her face pinched at that, the light in hey eyes dimming. 
“Don’t start, Cash.”
“I didn’t say anything.”
Her expression darkened. 
“You didn’t have to. Please, promise me you’ll play nice. I think you two might really hit it off.”
Cash knew he would never like this prick and that the feeling was certain to be mutual, but afraid of pushing her away, he only smiled. 
“I’m sure we will. You look lovely, by the way.”
Nesta looked down under the guise of smoothing her skirt, but he suspected it was really to hide another blush. God, she was killing him tonight. He wanted to kiss her so bad it hurt. 
“Thank you,” she said finally. “It’s new. I don’t usually like this color, but—“
“It suits you,” he said, and though he wanted to push the issue, he knew he’d gone as far as he’d dared.
Reaching behind her, he grabbed a forgotten tray of champagne, passing her a flute and taking one for himself.
They were silent a moment as they both took a sip, and Nesta nodded in approval.
“Bollinger,” she said. “Should I be flattered?”
He shrugged, sure she was seeing through him.
“I’d forgotten just how good it was until you reminded me. I figured I’d help remind everyone else, too.”
“Good,” she said with a small smile. “I would hate to think you were just trying to impress me again; you know I’m immune to your charm.”
“But you do admit I’m charming,” he said with a grin. “I’ll take it.”
She considered this, eyes sparkling.
“I admit nothing,” she sniffed, taking another sip.
He laughed.
“Of course you don’t. It’s fine, my ego can take it.”
She snorted.
“That I don’t doubt.”
They lapsed into comfortable silence as Nesta turned to survey the room. Cash watched her in profile, admiring the narrow bridge of her nose and the dusting of freckles she’d clearly tried to conceal under her makeup. She was so lovely it made his chest ache.
Knowing he had to stop staring before she caught him, Cash turned to watch the crowd milling around instead.
“So no Graysen either, huh? I’m oddly disappointed.”
Nesta huffed. 
“Elain was going to bring him, but they got in a tiff earlier and now they aren’t speaking.”
“Why don’t you seem happier about that?”
“Because this happens all the time. I can’t emotionally invest in the hope they’re actually break up; the disappointment is too bitter. Please just tell me there’s someone here to distract her. What about your friend Azriel? Vanity Fair seems to think he’s single.”
Cash laughed.
“Az is still in LA; he generally avoids mingling with strangers, even for my sake. And my friend Leo was practically foaming at the mouth when she walked in, but I don’t think he’s the kind of guy you want dating your baby sister. He’s something of a...philanderer.”
“I’m not concerned,” Nesta said. “One thing I will say for Elain: she’s not easily wooed. I think she honestly gets hit on so much it doesn’t phase her anymore. Besides, she’s annoyingly loyal to Graysen. Tell your friend to do his worst; he’s not going to win her over.”
“Why do I get the sense that pleases you?”
She flashed him her Disney Villainess smirk again, and he felt his skin prickle in arousal.
“Because it makes me feel like I raised her right; weird blind spot for Graysen aside, Elain knows who she is, and doesn’t let others try and tell her different—especially men.”
“What about Feyre?”
Nesta expression grew more devilish. 
“Fey’s more like me. She didn’t need to be taught how to shred men to ribbons. It’s instinct for her, and she’s damn good at it.” Nesta pursed her lips. “I just wish she’d use it a bit more often.”
“She’ll get tired of kissing frogs eventually,” Cash offered. “You remember what it was like at 19.”
“I didn’t date until I was 19.”
Cash smiled.
“What was your first boyfriend like? I’m imagining either a geeky engineering major or an uptight Shakespeare nerd.”
“Neither,” she said, taking another sip of champagne. “He was a gorgeous Portuguese exchange student.” 
He chuckled, even if some of his amusement had soured.
“You really have a type, don’t you?”
When she gave him a pointed look, he felt his heart sink. 
“Tomás was your first boyfriend?”
It explained a lot. The blind loyalty, the way she seemed to capitulate to him when she didn’t for others. 
“Some people are just lucky, I guess.”
“In what way?”
She shrugged.
“To get it right on the first try.”
It hurt—physically hurt—to hear her say it, and he had to bite his tongue to keep from blurting something petulant.  Instead he forced himself to shrug.
“I guess I wouldn’t know. My first girlfriend’s name was Becky, and she was the actual worst.”
“The fact she chose to go by Becky didn’t tip you off?”
“Looking back, it was the first of many warning signs.”
Nesta laughed, and Cash felt some of his bitterness fading. They were friends, he reminded himself. She’d claimed him as her friend, and as far as he was concerned, that made him the luckiest guy in the world. Her relationship with Tomás wasn’t any of his business. If she was happy, he’d be happy for her. 
Over Nesta’s shoulder, Cash spotted Hélion trying to get his attention by tapping his watch.
“I should probably start getting people settled,” he said. “Do you want us to wait for Tomás?”
Nesta bit her lip. He knew she hated when people did her favors, and he suspected she was embarrassed that it was her boyfriend holding things up. 
“It’s fine,” she said quickly. “I’m sure he’ll be here soo—“
The doorbell chimed, and Cash didn’t need to look up to know who it was. He fought down a searing stab of annoyance as Nesta raised her hand in greeting, choosing to glance at his own watch instead. 
“Querida,” a smooth voice called. “There you are.”
Cash thought about trying to use the opportunity to make his escape, but he knew Nesta would see that for the cowardice it was and be annoyed he wasn’t playing nice like he’d promised. 
Instead he turned, watching the well-dressed man making his way towards them. He was of rather average height and build, Cash noticed with satisfaction, though his face was classically handsome. Between the way his dark hair was pomaded away from his face and the fact he wore no socks in his Armani loafers—despite being dressed in slacks and a blazer—Cash thought he probably worked at a hedge fund. 
Of course he did, the little prick. 
The minute he was close enough, Tomás caught Nesta by the elbow and hugged her into him for a wanton kiss. 
Cash bristled at seeing Nesta stiffen, clearly embarrassed. She should be, he thought sourly. It was like the beginning of a bad porno. 
After a second Nesta pulled away, flushing a little as she dabbed at her lips. Tomás kept a proprietary hand on her low back. 
“Where’s your phone?” Tomás said in Portuguese, ignoring Cash entirely. “I called you twice.”
“It’s on silent,” Nesta said. “I’m sorry.”
Tomás pursed his lips in unveiled irritation before finally seeming to take note they weren’t alone. Cash felt a grim satisfaction when Tomás had to tilt his chin up to meet Cash’s eye. 
“Tomás, this is Cassian. He owns the shop.”
Not friends anymore, Cash noted with disappointment. Acquaintances, if best. The fact she wasn’t willing to admit to any degree of familiarity in front of Tomás was monstrously telling, and it made him hate the asshole even more.
Tomás tossed a casual glance in Cash’s direction, and though his smile was placid, his gaze was cold. 
“Nice to meet you,” he said, shifting Nesta in his arms so he could extend a hand. 
Cash could tell she was uncomfortable that he hadn’t released her, and he fought the urge to break Tomás’s fingers as they shook hands.
“I suppose I have you to thank for all the exquisite wine I’ve been drinking lately,” Tomás  said, smiling down at Nesta before letting his eyes drift back to Cash. 
Cash shrugged. If Nesta wanted or needed to downplay their interaction for the sake of her relationship then he’d oblige her. 
“I guess. Though Nesta’s got great taste on her own. She doesn’t need my help.”
“She doesn’t need anyone’s help. Right, querida?”
Nesta’s laugh was tinny and hollow as she finally extricated herself from Tomas’s grip until the pretense of looking around. 
“I’m going to go find Elain,” she said, leaning over to peck Tomás again. “I’ll be right back.”
“Okay,” Tomás said, and Cash wanted to punch him for the tone he used, as if he were granting her permission. “Come right back.”
Nesta nodded her agreement and headed off, and though Cash expected Tomás to follow, he stayed, flashing a much cooler look as he took Nesta’s abandoned glass from the bar. 
He raised it, and when Cash raised his, Tomás said in Portuguese, his tone light as if he were making an actual toast, “I don’t like you.”
Fucking coward. 
Cash only flashed a grim smile, clinking his glass to Tomás’s and replying in English, “I don’t really give a shit.”
Tomás’s oily, self-satisfied smirk curled into a sneer, and Cash found himself bracing his feet a little farther apart on the floor. He guessed they were really doing this, then.
“Stay away from Nesta,” Tomás spit out. “She’s none of your concern.”
“And she’s not your property,” Cash shot back. “So why don’t you try treating her with a little respect?”
“Fuck you.”
Cash let out a bitter laugh. 
“Did I strike a nerve?”
“Stay out of our business, bugre.”
Cash took a step in Tomás’s direction, teeth bared. 
“What did you just call me?”
It was a slur Cash hadn’t heard since he’d left Brazil, but it wasn’t one he could ever forget. It had gotten him into more than one fight growing up, and even now, it still made some part of him burn.  
Tomás had the good sense to take a step back, even as he bared his own teeth. 
“Stay away from Nesta,” he said again. “Or I will make you very sorry.”
Cash snarled.
“First you insult me, and now you’re threatening me? Tread lightly, caralho. You don’t want to fuck with me.”
“What’s going on?”
Both men looked up to see Nesta approaching, brows drawn. 
“We’re leaving,” Tomás said, reaching for her hand. “Let’s go.”
“Leave? You just got here.” 
Nesta spared Cash the briefest glance as Tomás tried to pull her along behind him.
“I have a headache,” Tomás said curtly. “Get your things.” 
“I have Elain with me—“
“Give her your keys; she can bring your car home.”
People had begun looking now, and Nesta tugged her hand from Tomás’s, flushing.
“You’re embarrassing me,” she said quietly.
“I have a headache,” he said more forcefully. “Are you expecting me sit here and suffer?”
“No, but—“
“Good, then let’s go.”
Unable to stand by any longer, Cash intervened. 
“Nesta—“
“Stay out of this,” Tomás snarled. He turned to Nesta. “Let’s go. Now, please.”
Nesta looked rather helplessly towards Elain, who was trying to make her way over to them. 
“I need to—“ she gestured to her sister, and Tomás mouth tightened. 
“Do what you need to and let’s go. I’ll be waiting in the car. Two minutes, querida.”
With a final sour look he stormed off, slamming the door as he left. 
“Prick,” Cash muttered, and Nesta whirled on him. 
He expected her to snap at him, but instead she pursed her lips, looking down at her feet for a moment before glancing back up at him. 
“I’m sorry,” she said tightly, and he realized what he’d been interpreting as annoyance was  actually her attempting not to cry. “I have to go.”
“No,” Cash said, touching her chin gently to win her gaze back from the floor. “You don’t.”
She brushed him off immediately. 
“Yes, I do. Have a nice evening, and please make sure my sister gets home safe.”
“Nesta—“
By now Elain has arrived beside them, and Nesta pulled out her keys and stuffed them into her sister’s hand. 
“Don’t drive if you feel like you’ve had to much to drink. I can come get the car tomorrow if need be.”
“I’ll come with you,” Elain offered, but Nesta was already shaking her head. 
“No, you stay. Tomás just isn’t feeling well, so I’m going to take him home.”
“For fuck’s said, Nes. You don’t have to do this!”
Nesta flashed Cash a searing look. 
“Please don’t make this worse. Ellie, I’ll see you back at the house. Have a good time.”
She brushed a hurried kiss to Elain’s cheek, and before Cash could protest again, she was striding for the door. 
“I’m sorry,” he called, and she only raised a hand in salutation before disappearing. 
“It’s not your fault,” Elain said from his side. Her voice was quiet but bitter. “It’s always like this. I’m going to try and smooth things over. He’s—less harsh when I’m there.”
Cash could hear his heart beating in his ears, every instinct roaring at him to go to the parking lot and beat Tomás bloody. Nesta might hate him for it, but at least then he’d know she’d be safe.
“Is she going to be alright with him?” He asked Elain, and she pursed her lips. 
She knew what he was asking, and she nodded. 
“I’ll make sure she is.”
“Will you call me?” He asked, knowing he sounded desperate and not caring. “And let me know everything’s—okay?”
She nodded, handing her his phone so he could enter his number. When he handed it back, she gave her another soft smile, this one edged in a sadness and regret and broke his heart. 
“It really was nice meeting you, Cassian. I hope I—see you again sometime. ” 
She patted his arm before she too was leaving. 
He swore until his breath when they’d both gone, furious and terrified in equal measure. Furious at Tomás for the slur, and for dragging Nesta out like a rag doll, and terrified that despite Elain’s reassurance, something bad might happen to her because of him.  
More selfishly than that, he was terrified that he’d never see her again. She’d been lying to Tomás about coming to the Merchant before he even knew Cash existed. Now he’d be watching her even more closely. The thought made him sick, as did his powerlessness to help her. 
“What the hell was that?”
Cash turned to find Mor behind him, brows drawn. Hélion, he noted gratefully, had corralled the other attendees and was beginning a speech about the history of the Bollinger and it’s flavor profile. 
“Her boyfriend is an abusive prick,” Cash grit out. “And I just lost my cool.”
“Why didn’t you go after her?”
“And make things worse? I’m sure sure she hates me enough already.”
“Are you worried about her? Maybe you should call Ro, have him send over some unis for a wellness check?”
“I thought about it, but her sister said she’d call me. If I don’t hear from her in the next fifteen minutes, I will.”
His and Nesta’s friendship, he feared, was already destroyed. The least he could do now was make sure she’s alright.
“I’m sorry, darling,” Mor breathed, lacing her fingers through his and resting her head on his shoulder. “I can tell you really like her. If it helps, she likes you, too. That’s why her boyfriend hated you so much.”
“It doesn’t. And I don’t think it matters, anyway. I doubt she’ll be back after that.”
His phone buzzed, and he pulled it out. 
Hi, it’s Elain Archeron. I just got to Nesta’s, and Tomás is gone already. Guess his “headache” worse than we thought. 
Cash let out a breath. 
I’m glad. Please tell her—
He paused. Tell her what? That despite the fact he hardly knew her, he couldn’t stop thinking about her? That hearing her laugh was like hearing the voice of God, and seeing her with Tomás had been like a knife to the gut?
He backspaced before trying again.
Thanks for letting me know. xx
Elain’s response came at once.
Thank you for caring about her. She deserves that. ❤️ 
Cash blew out a breath as he read it, something tightening in his chest.
“How can I help?” Mor asked.
Cash straightened his blazer, forcing a broad smile as Hélion introduced him and he waved.
“Scout the talent,” he said, scanning the bevy of beautiful, eligible women who were now smiling in his direction. “I need someone to make me forget, at least for tonight.”
“Forget what? Her, or the fight?”
Cash sighed.
“All of it.”
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michellemccarthy · 5 years
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My London Bucket List
I moved to London in April when the company I worked for in Ireland offered me the opportunity to work for their UK office for 2 years. When I moved, I created a bucket list for my London Life, to make the most of my time here. London is such a vibrant, buzzing city with so much to do and explore and so many exciting experiences to be had. I have been gradually making my way through it, ticking stuff off, as well as adding to it as I get new ideas. This is my current list, with more details to come on my actual experiences...
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1. Eat curry on Brick Lane
2. See a West End musical
3. Go to platform 9 and 3/4 to visit Warner Bros and enroll in Hogwarts
4. Pig out in Borough Market
5. Have a drink in the Shard, looking out over London
6. Watch the tennis live at Wimbledon (queuing up a ghastly hour to get tickets)
7. Visit the V&A to see the Dior exhibition
8. Walk across the Tower Bridge and see it lift up
9. Step back in time at the Tower of London
10. Visit Stonehenge
11. Hike the Isle of Skye and stay in a Wigwam
12. Camp out (and rock out) at Glastonbury
13. Visit Camden Market and buy a trinket to bring home
14. Explore the Imperial War Museum
15. See the Rosetta Stone and Egyptian Mummies in the British Museum
16. Visit the colourful houses of Notting Hill
17. Buy something for my apartment at Portobello Road Market
18. Go to the Graham Norton Show live (no red chair for me please)
19. Visit the Chelsea Flower Show and admire the amazing shop fronts
20. Visit the beautiful Lake District and hike Skafell Pike
21. Watch the Cambridge and Oxford boat race
22. Go to a cricket match (with a picnic and bottle of wine)
23. Dance in the streets at Notting Hill Carnival
24. Visit Hyde Park Wonderland at Christmas
25. See the lights of Kew Gardens at Christmas
26. Go to the Edinburgh Fringe Festival and laugh until my face hurts
27. Picnic in Hyde Park
28. Fly over London in a Helicopter (bit OTT I know - unlikely)
29. Eat in the dark at Dans le Noir
30. Go on a London Ghost Bus Tour and spook myself out
31. See the Book of Mormon live (and laugh when you feel you shouldn’t)
32. Eat Michelin star food in Mayfair
33. See Buckingham Palace and wave to the queen
34. Run along South Bank as the sun rises
35. Watch an outdoor film at an open-air cinema
36. Have afternoon tea in a posh London hotel
37. Walk across the top of the O2 Arena
38. Go salsa dancing
39. Visit the Ritz (even if it’s just walking into reception)
40. Go to a speakeasy bar
41. Roller disco in Vauxhall
42. Take an exotic cookery class
43. See a Shakespeare Play for £5 at the Globe Theatre
44. Row a boat on the Serpentine
45. Ice skate at Somerset House
46. Vintage shopping in Shoreditch
47. Snap that iconic Beatles photo at Abbey Road Studios
48. Attend at yoga class at the Sky Garden
49. Eat at Shoreditch Boxpark
50. Live it up at the Royal Ascot
51. Stand under the Oxford Street Christmas lights
52. Go to the Summer’s Underbelly festival
53. Stand on either side of the Greenwich meantime line
54. Snap the Shoreditch Street Art on a walking tour
55. Sip a cocktail at Sushi Samba
56. Cruise the River Thames
57. Experience the Chinese New Year in Chinatown
58. Go to a London music festival
59. See the battle of San Romano at the National Gallery
60. See both parts of Harry Potter and the Cursed Child in one day
61. Hike Snowdon
62. Ride the World’s fastest zip line Velocity 2
63. See the deer in Richmond Park
64. Ride on the Eurostar to Paris
65. Attend a new creative class each month
66. Look out at London from Primrose Hill
67. See a match live in Twickenham (and Wembley too)
68. Take that classic tourist photo in a red phone booth
69. Eat an ice-cream and play vintage arcade games in Brighton
70. Eat Fish & Chips (yummy)
71. See an Andy Warhol at the Tate Modern, appreciating modern art
72. Enroll in Oxford (for a day)
73. Pretend to be in the movie the Holiday in the Cotswolds
74. Visit the fairytale town of York
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brokehorrorfan · 5 years
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Best New Horror Movies on Netflix: Winter 2018
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There’s an overwhelming amount of horror films and TV shows to sift through on Netflix, so I’ve decided to take out some of the legwork by compiling a list of the season’s best new genre titles available on Netflix’s instant streaming service.
Please feel free to leave a comment with any I may have missed and share your thoughts on the films you watch. You can also peruse past installments of Best New Horror Moves on Netflix for more suggestions.
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1. The Haunting of Hill House
The Haunting of Hill House is, quite simply, some of the best long-form horror storytelling of all time. Based on - but not a strict adaptation of - Shirley Jackson's influential gothic horror novel of the same name, the series is created and directed by Mike Flanagan (Oculus, Ouija: Origin of Evil). Told through two timelines, with clever transitions between the past and present, the story concerns five siblings and how an alleged haunting they experienced as kids affects them as adults. The cast includes Henry Thomas (E.T. the Extra-Terrestrial), Carla Gugino (Watchmen), Michiel Huisman (Treme), Elizabeth Reaser (Ouija: Origin of Evil), Kate Siegel (Hush), Timothy Hutton (Ordinary People), and Lulu Wilson (Annabelle: Creation). It is admirably character-driven, which makes the horror elements hit even harder, and a spooky atmosphere is present throughout all 10 episodes.
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2. Green Room
Writer-director Jeremy Saulnier achieves the impossible by matching - and perhaps even surpassing - the unbridled intensity of his previous film, Blue Ruin, with Green Room. The exercise in white-knuckle suspense finds a scrappy punk band trapped in a skinhead club after unwittingly walking in on a crime. The late Anton Yelchin (Star Trek) delivers one of the best performances of his tragically short career as the de facto leader of the band. In a bit of inspired casting, Patrick Stewart (Star Trek: The Next Generation) is chilling as the conniving, white supremacist venue owner. Alia Shawkat (Arrested Development), Joe Cole (Skins), and Callum Turner (Fantastic Beasts: The Crimes of Grindelwald) round out the band, while Imogen Poots (28 Weeks Later) is also wrapped up in the brutal fight for survival. Akin to Don't Breathe, the tension on screen is enough to induce anxiety, and Saulnier nails the punk rock DIY spirit to boot.
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3. Cam
Cam stars Madeline Brewer (The Handmaid's Tale) as a cam girl - one who performs pornographic acts live on camera for paying viewers - who is desperate to gain popularity. Produced by Blumhouse, this is not your typical "seedy underbelly of the sex industry" movie, although there is some of that; instead, it goes in a refreshing, unpredictable direction. Reminiscent of a neon-soaked episode of Black Mirror, Cam is a suspenseful and compelling mystery-thriller with a sci-fi twist and horror undertones. Brewer is spectacular in her fearless performance, while director Daniel Goldhaber makes a powerful feature debut.
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4. The Night Comes for Us
The Night Comes for Us is an unrelenting action thriller in the vein of The Raid, John Wick, and Dredd. In fact, the Indonesian film reunites The Raid's Joe Taslim and Iko Uwais. Taslim leads as a man who goes rogue from a dangerous crime syndicate. A variety of deadly individuals (Uwais among them) are out to get him, but he has some tough allies as well. It all culminates in an incredible final battle in which the viewer feels every blow. The blend of brutal, graphic violence and impressively choreographed fight scenes is written and directed by by Timo Tjahjanto (whose V/H/S/2 segment is a highlight of the franchise).
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5. Apostle
Forget that Nicolas Cage abomination; Apostle is the Wicker Man reboot we deserve. The Netflix original film is reminiscent of the 1973 occult horror classic not only in plot but also in tone, style, and pacing. Set in 1905 London, a feral Dan Stevens (The Guest) stars as a man whose sister is kidnapped by a religious cult on a secluded island, which he must infiltrate to save her. Michael Sheen (Frost/Nixon) serves as the cult's charismatic leader, while Lucy Boynton (Bohemian Rhapsody) plays his daughter. The slow-burn is quite a change of pace for writer-director Gareth Evans (The Raid franchise) and his regular cinematographer, Matt Flannery, but they handle it beautifully.
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6. May the Devil Take You
May the Devil Take You feels like The Evil Dead's Sam Raimi directing an installment in The Conjuring universe. The Indonesian horror film is not a scrappy splatterfest; it's elegantly directed by Timo Tjahjanto (V/H/S/2). He culls from modern supernatural tropes to craft fine horror set pieces, spooky imagery, a good atmosphere, and strong production value. Chelsea Islan (Headshot) earns to be mentioned in the same breath as Bruce Campbell in her lead role as a daughter who investigates her estranged father's past to uncover the truth behind his coma and her haunting visions. It's a tad overlong at 110 minutes, which is particularly felt during the last act, but there's enough kinetic energy to keep it moving forward.
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7. Hold the Dark
Hold the Dark is not quite as strong as Jeremy Saulnier's previous efforts (Green Room, Blue Ruin), but his mastery of tension remains unparalleled. Jeffrey Wright (Westworld) stars as a wolf expert who's convinced by an Alaskan woman (Riley Keough, Max Mad: Fury Road) to hunt a wolf that took her young son, only to get wrapped up in a murder plot. Meanwhile, the boy's soldier father (Alexander Skarsgård, True Blood) returns home from duty in the Middle East unhinged. The screenplay is written by Macon Blair (I Don't Feel at Home in This World Anymore), based on the book of the same name by William Giraldi. As viewers have come to expect from Saulnier, the violence is as unrelenting as the suspense.
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8. Chilling Adventures of Sabrina
Created by Roberto Aguirre-Sacasa (Riverdale), Chilling Adventures of Sabrina is not your TGIF version of Sabrina the Teenage Witch. Its aesthetically similar to the Archie Comics title on which its based, embracing the rich Gothic horror atmosphere, but the story veers more into teen drama territory. The result is like a mash-up of Riverdale, The Witch, and Harry Potter. It may take a few episodes to become invested, plus to get used to the distracting shallow depth of field style (which is thankfully used less as the season progresses), but it's eventually rather addicting. The midsection becomes something of a monster-of-the-week series, but it never loses sight of the overall story arc. Kiernan Shipka (Mad Men) is charming as the titular witch, and the main cast also includes Ross Lynch (My Friend Dahmer), Lucy Davis (Shaun of the Dead), Miranda Otto (The Lord of the Rings), and Michelle Gomez (Doctor Who).
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9. Into the Forest
Into the Forest is a post-apocalyptic tale of sorts, but it's a grounded take on the subject matter that largely functions as a drama. Ellen Page (Inception) and Evan Rachel Wood (Westworld) star as sisters who live with their father (Callum Keith Rennie, Battlestar Galactica) in a secluded, woodland home. Directed by Patricia Rozema (Mansfield Park), the movie follows the family in their fight for survival in the months after electricity is lost throughout the world. Although it drags in spots, Page, who produced the film after falling in love with Jean Hegland's novel on which it's based, is in top form.
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10. In Darkness
In Darkness stars Natalie Dormer (Game of Thrones) as a blind pianist who hears her upstairs neighbor (Emily Ratajkowski, Gone Girl) get murdered, drawing her into London's seedy underworld, where she meets Ed Skrein (Deadpool) and Joely Richardson (Event Horizon). With shades of Wait Until Dark, the thriller offers some solid suspense and tension, plus superb sound design and cinematography. The setup is gripping, though the plot later becomes too convoluted for its own good. Dormer is fantastic in the lead, and she also produced and co-wrote the script with director Anthony Byrne (Peaky Blinders).
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11. Don't Watch This
Don't Watch This is listed on Netflix as a season, but it's simply five unrelated horror shorts, ranging between 2 and 9 minutes in length. There's body horror, killer kids, urban explorers, and Queer Eye's Antoni Porowski parodying American Psycho. In addition to a few clever setups and strong horror set pieces, they boast quality production value, cinematography, and special features (both practical and digital). Shorts usually struggle to find an audience on YouTube, so it's great to see them showcased on a platform as powerful as Netflix.
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Bonus: De Palma
De Palma is a documentary on filmmaker Brian De Palma (Carrie, Scarface, Mission: Impossible, Blow Out, Phantom of the Paradise, et al.). The septuagenarian himself - with no other talking heads - discusses and reflects on his oeuvre, going movie by movie (plus a handful of unmade projects) in chronological order, accompanied by clips and stills. Co-directed by Noah Baumbach (The Squid and the Whale) and Jake Paltrow (Young Ones), the candid nature of the interviews prevent the film from feeling like a mere DVD special feature. It moves briskly, leaving you wanting more even at 110 minutes.
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bostonrealtors · 3 years
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A Charlestown Home in Chelsea! John J. Blake Phinneas Pratt Home Circa 1860. 20 High Street, Chelsea, MA 02150.
A Charlestown Home in Chelsea! John J. Blake Phinneas Pratt Home Circa 1860. 20 High Street, Chelsea, MA 02150.
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thequlturecritic · 5 years
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QULTURE’S TOP 20 SERIES OF 2018
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20.  BUSY TONIGHT
You guys! Good energy is, like, totally in right now. And it’s never going away. You may know her from Freaks and Geeks, but I know her from Cougar Town as CC’s fun-loving, super-supportive sidekick. When you watch Busy Phillips on her cheeky, positive-vibes only E! talk show, a sense of “we’re all in this together” and “being kind to one another” is definitely a recipe for demolishing disaster. Remember how major Chelsea’s career became because of what so many probably considered a silly little talk show… well. I’m not a fortune teller or anything, but I could totally see Ms. Phillips taking over the universe. I want to be one of her minions. Cheers to another leading lady of late night! 
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19. THE VOICE
I’ve always been anti-reality competition shows when it comes to singing, only because I’m a total snob when it comes to what I subject my ears to. My musical tastes are versed and varied, but I still am pretty picky about who I let in to my drums, mostly because I need it to stimulate an eargasm and coincide with my life’s soundtrack. When American Idol launched, I definitely was enamored with Kelly Clarkson’s powerful vocals, but I still kept the close mind that an artist is discovered naturally, not “created” by producers with the backdrop and illusion that AMERICA gets to vote and pick the winner. Ah, who knows, maybe they do… I would just never take the time out to vote. HOWEVER. When I found out Kelly was going to be a judge on The Voice, which is a whole separate animal than Idol, I was shitting my pants with glee, because she really is such a goddamn force of fucking nature. Her spirit is overwhelmingly angelic and I simply love everything about watching her. Last season’s competition was magical, at least for me, perhaps because it was the first time I really got to experience the message and place the show has in the universe. It really is inspiring and lovely to see how much these artists themselves care for the teams they build and the individuals they want to see grow – regardless of whether or not it leads to fame. Alicia Keys and Kelly Clarkson’s dynamic was really something special that inspired me in so many ways.
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18. COMEDIANS IN CARS GETTING COFFEE
I love nothing more than a loose format, sans makeup, realistic conversation between famous people. Talk shows rock and all, but there’s something to be said for two people we all know and (often) admire, getting together and doing something that, ya know, regular people do! Like… go out to breakfast. I was never a fan of the Seinfeld sitcom, mostly because when it was popular it was kinda over my head and nothing that interested me. I’d probably be more inclined to watch and enjoy it now because of how much Veep has made me adore Julia-Louis Dreyfus and now much Jerry Seinfeld’s Netflix series about him… getting coffee… with comedians… has made me adore his admiration for vintage cars, honesty in humanity and one of the most important things we all seem to forget sometimes – which is to LAUGH! We live in such politically charged times, and while I get how important it is to talk about the very things we were always brainwashed to believe were impolite to talk about, we also need to be able to make jokes and not be so sensitive about everything. Ya heard?
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17. AMERICA’S NEXT TOP MODEL
Oh how I love me some Tyra, but it seems the future is all about Ashley Graham. Yet again – another fucking beautiful superhuman. I am really starting to hate that people even think of someone as “plus size”, but hey, it’s the world we live in. All I see when I look at her is someone with a whole lot of personality, gorgeous features and a personality that you’d be crazy to not gravitate toward. She is living proof that good vibes, energy and kindness (in the fashion industry?! How dare you!) go a long way. Tyra and Co. are doing such a bang-up job sending young women empowering messages about feeling safe in their own skin by infusing all shapes, sizes, colors and archetypes. This cycle was full of hilarious moments and was totally unpredictable. Despite her Trump-loving, Republican ways and complaining about being transformed into a “fire-crotch”, I was rooting for Liberty, Rio and Jeana to compete in the Top 3. That certainly evolved as the season went on, mainly because Jeana’s insecurities were getting the best of her (she had alopecia and they convinced her to be the alien-like, bald beauty – which she looked 10X better as vs. wearing wigs) and Rio had the most off-putting temper tantrum that had me and my bestie Carlee yelling at the the TV, “Who da fuck you think you talkin’ to?!” as if we were speaking for Tyra. Be humble, girls! Beauty ain’t just skin deep. At the end of the day, I loved seeing Kyla take the crown, because her activism, big heart and growth really was something special at the end of the day. Keep up the good work! I want 1000 more cycles.
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16. SWEETBITTER
Starz’s adaptation of the best-selling novel by Stephanie Danler is short, but bittersweet. Ella Purnell is a breakout star, headlining the cast of unknowns who are all as equally as fantastic. I think that’s one of my favorite things about it (Caitlin Fitzgerald, in particular, who definitely has that thing) – how naturally gifted the entire cast is. Purnell stars as Tess, an All-American girl from bumfuck who makes her way to New York City to chase the dream, even if she has no idea what it is yet. Any of you who have worked in the service industry as a waiter or waitress will appreciate the authenticity of how intimidating, grueling and chaotic the industry can be… but how much fun it can be once your shift is over.
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15. MANIAC
What is Netflix’s limited, vivid, disturbing, funny, emotional rollercoaster about? My brain is exploding from trying to analyze. Typically, in each episode, I get so lost in the perfection that is Emma Stone, I’m completely enthralled by how inspiring it is to watch one of our most exceptional young talents only seem to get better and better. It’s also always a pleasant surprise to see someone like Jonah Hill continue to prove himself as truly versatile. Remember when these two were just getting into stoner cinema and taking over the shelves at Blockbuster, during their Superbad days? Justin Theroux, plus. Sally Field, super-plus. Julia Garner (also of Ozark), a star on the rise! It might make you feel a little crazy while watching, but hey, we all go a little mad sometimes.
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14. SHARP OBJECTS
Gillian Flynn’s book to big screen success with Gone Girl made a lot of us anxious to see what would be translated next. Following the trend of mini-series, binge-worthy greatness and big stars coming to the “small” screen, HBO announced Amy Adams would star in Sharp Objects, a dark, sultry murder mystery set in the swampy south that co-stars the amazing Patricia Clarkson – one of my absolute favorite actors. I’ll never forget when I “discovered” her, in Lisa Cholodenko’s High Art, one of my all-time faves. There’s a similar hypnotism with the limited series which also features a deliciously naked Chris Messina, and, of course, the direction of the man I’d say is pretty much cinematic perfection these days – Jean Marc Valee. If you have not yet seen Dallas Buyers Club, and another all-time favorite of mine, Wild, you are missing out. I’m assuming you have watched all of Big Little Lies once or twice, and can’t wait for season two next year. Neither can I. These are the people doing AWESOME awesome things in Hollywood.
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13. AMERICAN HORROR STORY: APOCALYPSE
So, I’m always back and forth with AHS. I always love how visually stunning it is, but some seasons either lack substance or are literally just too fucking freaky for me to engage. I can not even set my eyes on Freak Show, thought Cults was too gory and scattered (although fresh off of the Trump presidency was a possible prediction of the future if we don’t all get our shit together) and definitely didn’t even give that Roanoke one a chance. The first two seasons rocked, and Gaga slayed in Hotel, but being that I love witches (Hocus Pocus, Witches of Eastwick) I have to say Coven is my favorite season. I love every Farmiga in life, Precious’ Gaborey Sidibe always makes me laugh and Emma Roberts is a rock star. How gorgeous?! She’s also such a little asshole in the best way. She’s someone I can picture punching me in the face, and I’d invite her to. Apocalypse is the best infusion of boy/girl magic and the ultimate comradery casting wise – as what could make for a perfect finale for the series ties all of Ryan Murphy’s brilliance together. That’s just my opinion – because I think a great series needs to know when to wrap it up, but these days everything is all about milking everything to the last drop, so… idk.
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12. THE CONNERS
Roseanne returning was definitely the best of the best in reboot land, until her big mouth got her fired from ABC and launched The Conners, which features the entire cast minus a dead mother. I still respect her as an artist and will always love when TV wasn’t so linked to the Twitterverse, but these days I guess everyone really does have to be super careful about the shit they say – especially when we should know better that racism isn’t cool. It’s such an odd thing, because Roseanne was always so controversial, brave with their material, and was one of the first shows to have an out lesbian comedian/actress and character (the great Sandra Bernhard)… so… idk. That Sarah Gilbert though… she’s somethin’ special.
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11. THE GOOD PLACE
Kristen Bell!!!!!!! That’s all. Ok, well, that’s not all… because Ted Danson is equally as amazing. Who wouldn’t love someone married to a dame like Mary Steenburgen?! I’ve been a fan of his since Three Men (and a Little Lady!). The diversity, quick wit, modern spin on the classic sitcom and concept behind this hit NBC series reminds us of why the network is always killing it when it comes to delivering quality, quantity and maintaining its colorful edge. I’m surprised I didn’t get into this show when it premiered, as season 4 approaches and the Globes, and surely the Emmy’s now are getting into recognizing genius when they see it. This show is filled with all the good feels! Maybe Heaven really is a place on Earth.
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10. WILL & GRACE
When the reboot of W&G first returned to NBC, I was a bit underwhelmed by some of the writing. It seemed forced and a bit insecure – but it just took a few episodes for them to really get back in the swing of things and season 2 of the return is really on point. Debra Messing is better than ever (congrats on a Globe nomination!), as are Eric, Megan and Sean Hayes – who I’ve always greatly admired because of, what I like to consider his “big break” – the film, Billy’s Hollywood Screen Kiss. Growing up gay, Will and Grace was a trailblazing, extremely important and relevant show to so many of us because there wasn’t much of that on TV. But I’ll always remember that adorable indie of Sean’s. He should make more movies! I love him in Pieces of April too!
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9. I LOVE YOU AMERICA: with SARAH SILVERMAN
Sarah has always been my absolute favorite comedian. Jesus is Magic is probably one of the most brilliant stand-up comedy feature films I’ve ever seen (are there many of those) combining music, comedy, political satire, sexually inappropriate and explicit linguistics… nothing is off limits. From jokes about AIDS, Martin Luther King Jr. and the Holocaust, to her dead grandmother’s rape to pussy jokes about child lesbians she’s related to. On her new Hulu series, Silverman takes a tour of the great country we live in, United States of A, talking to Trump supporters, men and women of all colors, shapes and sizes and makes an honest, unbiased, non-judgmental effort to deliver an intellectual perspective on all things current and heated in the minds of many. I love her condescending approach, ability to keep her cool, remain true to herself and do something important with her career. It’s a humbled and divine dose of reality that I think we all need, as at the end of the day she’s basically trying to unite us and get people to understand that despite our differences, respect and kindness can truly inspire change.
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8. POSE
First of all – watch Paris is Burning, if you’ve never seen it.
I remember when I worked for the super cool East-coast indie video chain, TLA Video, it was one of the most popular rentals in our Gay and Lesbian section, as it should be. It’s a classic documentary that captures the heart, sole and strut of African American LGBTQ culture during the AIDS epidemic, when being a queen and going to the balls would begin to define what FIERCE meant for a generation. (Play: Azealia Banks, Fierce). It’s one of RuPaul’s favorite movies and certainly inspiration for Ryan Murphy’s vivid and heartfelt FX series starring Evan Peters, James Van Der Beek, Kate Mara and a wonderful assortment of newcomers including the fetch, fierce, versatile and gorgeous MJ Rodriguez, Dominique Jackson and (MY FAVE) Indya Moore.
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7. CAMPING
Ever since 13 Going on 30, I’ve known Jennifer Garner was a unicorn. She has that innate ability to charm, impress and entertain us with charisma and natural comedic talent. When it comes to the American adaptation of the Brit series Camping, developed for HBO (in part with Girls’ master Lena Dunham), the team surely arranged the most perfect blend of talent for both behind and in front of the camera. Garner brings the most complicated and hilarious nuances to her character and proves she is more than capable of leading a most diverse and perfectly perfect blend of talent.
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6. OZARK
Janet McTeer!! OMG! This woman is amazing and really the force that makes the sophomore season of the hit Netflix drug smuggling/money laundering/gangsta livin’ series all the more bombastic. Sure, Jason Bateman continues to be awesome in every way, but the women on the latest season (even the creepy old meth lady who wants a baby at 99) really slay and own the show, keeping us on the edges of our seats and beyond impressed with how hard anyone with a vagina is proving that they are taking over the world these days. As if we needed more reasons to be obsessed with Laura Linney – she takes her character to new heights, getting more screen time and really being thrust into a more evolved dynamic – sort of how Robin Wright does on House of Cards. As though the audience was more drawn to the female than the male lead the series was built around. But Janet McTeer?! Holy fuck, Janet McTeer. She’ll make your skin crawl and keep you up at night… binge-watching.
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5. THE AFFAIR
Showtime’s scandalous, suspenseful and intricate portrait of love, marriage and infidelity has been one of my must-see series since its debut. The entire cast is pure magic, especially the four leads – Dominic West, Ruth Wilson, Maura Tierney and Joshua Jackson. I’m constantly lobbying for Tierney, who continues to blow my mind with everything from those perfect, pouty lips to the way she can make my heart melt with a single tear. Last season, the twists and turns were so unexpected – something so refreshing these days when it comes to storytelling – that none of us could’ve ever seen coming what we now have to go into season five knowing (and grieving with, in my case). This is one of of those shows that stands tall from start to finish, and continues to inspire the way character and perspective is conveyed, as well as how we process it ourselves as an audience. I’ve always been fascinated by the same story being told through different goggles – kind of like in The Rules of Attraction, or Go. I can’t wait to see how this show wraps up, as I am pretty certain we move into the final act, which in itself is always a great quality for a series to know when to wrap it up.
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4. HERE & NOW
Alan Ball, oh how I love thee. In the evidence of his brilliance, my affection toward Ball’s beautiful writing and ability to conduct such a beautiful cinematic symphony began with Six Feet Under, as it did most. If ever there were a perfect start to finish series… Rare is the artistic bird who can take such a celebrated drama and weave the social and political issues into a horror series – which is what he did with the addictive True Blood, a show that I would find myself equally hypnotized and aroused by. Ball’s latest gem is yet again a celebration of why we love HBO, his observant mind and heart, and ability to recognize genius when he sees it, in regard to casting. The always wonderful Holly Hunter and Tim Robbins headline a cast of brave, beautiful talents – including the tiny miracle that is the birth-child of Kyra Sedgwick and Kevin Bacon, Sosie, who is one of my favorite actors/characters in this captivating new drama that celebrates all the feels of our current reality. It’s a mixed blend of understanding the human condition and how people of all walks relate to one another while truggling with matters of the heart and psychological warfare.
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3. RUPAUL’S DRAG RACE
For ten seasons now, Queen of Drag, RuPaul Charles has been taking her dynasty and giving it a royal upgrade every season with eye-popping elements that consistently allow this groundbreaking competition series to be one of queer and pop culture’s most celebrated. From the guest judges (Season X premiered with a Farrah Moan-esque Christina Aguilera dolled up for all the queens to gag over, which they did – myself included) to Michelle Visage’s dazzling eyewear collection to the costumes to the casting and the challenges – which get more and more innovative – Rupaul’s Drag Race has become a small empire that has the promise to spinning into so many different types of series and assure celebrity drag careers are a thing of the future, now more than ever. I loved the queens this season, especially my future husband Kameron Michaels (beautiful inside and out, boy or girl) and the well-deserved winner Aquaria. This was the second season in a row for me (I haven’t seen a lot of the previous seasons) where Ru got it absolutely perfect. I’m also a huge fan of Vice’s The Trixie and Katya Show which you should get into as well!
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2. THE MARVELOUS MRS. MAISEL
All of the hype surrounding the Golden Globe & Emmy winning Amazon Prime series starring the incomparable Rachel Brosnahan as Mrs. Maisel, is the type of perfection that isn’t all-talk. Everything you’ve heard about this hilarious gem of a binge-worthy comedy is true: the costumes, the production design, the brilliant performances, directing and top-notch writing is on trend with celebrating everything we love about women in the world right now, and the time capsule reminds us of how far everyone has come marching to the beat of optimism and fighting for equality. I’m so happy the great Alex Borstein has been honored and been receiving praise for her work, and rightfully so, as she steals scenes from the great Maisel herself in the latest season. It’s truly one of the best watches out there, so get into it!
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1. SCHITT’S CREEK
What started out as a little Canadian sitcom from a then unknown Pop TV, has since become a pop culture phenomenon and one of the small screen’s most celebrated, quoted and adored comedies out there. In Season four, we continue to follow the Rose’s on their journey of personal growth, going from riches to rags in a small bumfuck town where they clearly stick out like a redneck tooth fairy for plenty of good reasons. We already knew Catherine O’Hara and Eugene Levy were totes brilliant, but every season I grow more and more enamored with how crazy talented Dan Levy & Annie Murphy are. Their nuances, the way the arcs of their characters have evolved… it’s like their learning from two comic legends and its working for them every step of the way. This is truly already an iconic, feel good show that is spreading such messages of love and beauty throughout society. Loves it!
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daggerzine · 5 years
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Tony Potts of The Monochrome Set gives us the details! (interview by Steve Michener)
I started writing a weekly post on Facebook about two years ago, wherein I would pick a song from the extensive catalog of The Monochrome Set and write a few words, trying to hep people to their fantastic music. It became a fun, online conversation with friends and fans and the band would sometimes join in, adding to the story or correcting my (frequent) historical errors.  I was presenting myself as a TMS scholar when I was really just a doofus with a love for the music. The FB feature eventually led to my volunteering to drive the band on the West Coast swing of their recent US tour, which was a total blast. 
 Recently, I came up with the idea of interviewing various members of the band and when I initially hit upon this plan, the first person I thought of was Tony Potts, their early ‘5th member.'  Tony added another dimension to the band’s early shows by projecting films onto screens (and sometimes the band), helping to differentiate the band in the crowded post-punk music scene of the late 70s/early 80s England. I never personally saw any early TMS shows so I missed out on his contributions until last year when  I attended the TMS 40th anniversary shows in London and got to experience his visuals along with the music (albeit from a laptop now instead of a Super 8 film). I’ve always been intrigued by his role with the group and he was nice enough to answer some of my email questions about the early days of the band, his art, and, of course, his favorite TMS song. Tony’s Facebook page is one of the most entertaining around; he doesn’t hold back much, whether it’s about his cancer diagnosis, politics, or the state of the Great Western Railroad. TMSF and now Dagger Zine present the Weird, Wild and Wonderful World of Tony Potts!
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That’s Tony far right  
 Q: How did you come to be involved with the Monochrome Set? What drew you to them and them to you?
 Ah, now there are two answers to this question. The first is terse and accurate, although less interesting than the second. Well, I knew John, J.D. Haney. That's the terse answer. However, in the interests of interest, and name-dropping, we have to travel back to about 1974. The story illustrates I think, how our lives are built upon great swaths of happenstance.
While studying on my pre-degree arts foundation I became close friends with Edwin, later Savage Pencil, who later still formed The Art Attacks. After some itinerant drummers, including Ricky Slaughter of The Motors, and Robert Gotobed of Wire, JD became the Art Attacks drummer. Now, Edwin didn't know him, so I can only guess, at this great distance, that I put his name forward. But again, we must spool back in time. How did I know John? After Edwin left for London, and still at my provincial art school, I became good friends with two fellow student artists like myself, Andy Palmer and Joy Haney. They both became founder members of Crass, under the names N A Palmer and Joy De Vivre, and are now exceptionally good fine artists.
It was through my friendship with Joy that I meet her brother, the aforementioned JD, when he came down from university in the summer of '76. We hung out with his college chum, Jean-Marie Carroll, later to join The Members, and discussed narrow neckties and casual trousers. Then Joy, Andy, and I went off to the Greek islands for the summer, before returning to London to take up our degree course at Chelsea School of Art.
Thus it was, with us all now in London, that I believe I introduced JD to The Art Attacks, with whom I worked until their demise, at which point JD took up with TMS. Due to mutual creative interests in art, I was invited to display my films at their gigs. That was late '78, with my first gig with the band being at Acklam Hall, Notting Hill, on 22nd February 1979. Thereafter we fell together and I started to make films specifically for the live shows. It’s worth pointing out that the TMS was not formed in an art school, or by art students. It is lazy journalism that perpetuates the Art School band epithet. Both Bid, the main song writing power behind the longevity of the band, and the other key lyricist, JD Haney, have never been anywhere near an art school.
 Q: What were your films like? Who were your art-school influences at the time? What were you doing with the Art Attacks?
 I was studying fine art painting, and painting was my main interest. Although I loved films, I never expected to move in that direction. As a painter, I was a devotee of the Russian Constructivists like Tatlin, but mostly the geometric forms of El Lissitzky, and the Suprematist Kazimir Malevich - best known for Black Square and White On White. My paintings were an amalgam of geometric forms in the vein of Lissitzky on grounds inspired by Malevich's painterly surfaces. With the rise of the Punk movement in London, I somewhat changed direction, moving into filmmaking that had a quasi-narrative style, intended to be more emotional and poetic. Although driven by what was happening in music during ‘76/'77/'78, ironically, my films couldn't be any less punk if I tried. Well, not to punks anyway. These days I regret that I never resuscitated my painting practice.
At the time of the Acklam Hall gig, I had made one large scale Super8, and two 16mm works. I think it must have been 'Strange Meeting', which in part was about aliens and The Red Army Faction murders, which we showed at that gig, but as a support. I had previously made some other 8mm films, and I might have used them during the band, but I can't recall. However, I now have vague memories of projecting B & W film over the whole stage and band. With The Art Attacks, I didn't have a creative role, I just supported the band in rehearsal and at gigs with Paul Humphries their manager, and the initial manager of TMS. Paul, JD and I all shared the same squat in Brailsford Road, Brixton. So, with TMS I had something more creative to do.
 Q: For those of us who weren't able to see those shows, describe for us what you were doing with the films during the shows. How were the films received by the audience?
 As I said, initially I used the films that I had made in another context, and they were added to the performance to create an overall ambiance, a statement of presentation that was not about a band energetically leaping about on stage, as was the order of the day. Soon I started to make Super8 material specifically for TMS performances. This included the scratched and bleached footage for 'Lester Leaps In', or images filmed on the road, like the Berlin footage used for ‘Viva Death Row’, or staged material of the band getting up to also sorts of antics, like the beach ball larks and bits of animations I would make with no specific aim. In the early days, I made two roller blind screens in long boxes, [we took them on the first two US tours] with one on either side of the stage as space allowed, with film projected onto them so the band members were often in silhouette, although it bled onto them also. The stage was very dark, lit by blue footlights, which I made. I think Mark Perry of Sniffing Glue/Alternative TV said something like it was the most brilliantly depressing thing he had seen. That was always the irony at that time, the music was pert and poppy and uplifting, but the show wasn't. What a laugh, we all thought.
 The shows became increasingly more elaborate with more screens, more projectors and a theatrical lighting rig. At this time we were using Ground Control, Bowie's original PA, run by a lovely guy called Robin Mayhew. Using the theatre lights allowed me to focus and shape controlled beams of light exactly where I wanted them. For example, I could just illuminate Bid's face or other small areas with geometric shapes, while leaving the stage largely unlit. Then the film screens could glow and flicker in the dark. The lads tended not to move a great deal. A tradition assiduously upheld by Mr. Warren.
 As to reception, well some people liked it, and others couldn't see the point. I think it mostly worked as a spectacle, an integrated whole, a total experience, but for those just into the music, it was probably irrelevant. I mean, they are a great band, so nobody missed me when I didn't set up, like at the M80. That stage was toooo big, man.
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Bid and Tony 
 Q; As the 'Fifth Member' whose focus seemed to have been on the live performances, how did you fit in with the band in the recording studio?
 Yes, my key role was the live performance; anything else was a bonus for me. I was at all recordings from the second Rough Trade single to the end of the second album, as an enthusiastic supporter and admirer. Of course, I chipped in with the odd suggestion or noise and was probably ignored where and when necessary. Being musically incompetent, my timing is off by a good margin so I'm not sure my handclaps ever made a final mix. You can hear me on TWWWWofTP. I've got quite a pleasant singing voice, also, just not in public. Bid once marked out the chord changes for Ici Les Enfants on a plastic organ I had, to fill out the live sound, but after the first chord change, I was lost and bewildered.
 Q: You've done promotional videos for the band. Can you talk about a few of those projects? Do you have a favorite video?
 The first promotional film I made was the one for Dindisc, and called Strange Boutique, not after the title of the first album as many think, but coincidentally, after the name of a pair of corduroy trousers! Actually, that may not be true. So, this was conceived as a short film, with two songs and a Rod Serling type piece to camera as a linking devise. Done on the very cheap. Unfortunately, there were syncing issues with some of the dialogue and the master got damaged, scratched, and I'm not sure if I still have the original film, or not. It's on our DVD as a complete piece as far as I remember, but it turns up on YouTube, usually cut down to either of the two songs LSD and Strange Boutique, without all the linking material.
We then waited a long time until I was commissioned by WEA to make the promo for 'Jacob's Ladder' with the release of 'The Lost Weekend' album. The deal was negotiated from a public phone box on Clapham Common tube station. It was somewhat compromised by cock-ups at WEA which meant I was forced to hand it over before it was fully edited to my satisfaction. I seem to have made a style out of technical imperfections; at least that's what I'm saying. At the time Top of the Pops had a video preview section, and a short clip of Jacob's Ladder was shown. That’s primetime TV, folks!
And then, of course, I was delighted when Bid asked me to make the official MaisieWorld video for ‘I Feel Fine’, which I was very pleased with. All these projects were very personal to me, not just the execution of a job, and the first two were part of my life at the time of making.
 Q. The only footage I've seen of you actually playing with the band is the Old Grey Whistle Test TV spot. Was it common for you to join the band onstage?
 Well, I was usually visible on stage, controlling the projectors, which needed constant manipulation, like a DJ scratching, changing speed and switching images, fading and mixing. Also, there might be some little set piece we had devised, which required me to do something. At one point, during the Ground Control days, I remember I had my own mic so I could interact with the stage, which didn't last that long. So, to some extent, I always had a relationship with the stage as both performer and technician. Once, when Lester Square had had enough, I did perform the encore, He's Frank, by incessantly plucking one string of his guitar. Pretty good, actually! Music and Maths very similar to my mind, no sooner do I believe that I have mastered the execution of some small calculation, but I soon discover that I haven't.
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Don’t shake the ladder, Tony gettin’ down to work. 
Q: Tell us about your film education and your career in film and video outside the band.
 I made a living of sorts working commercially in film and video production, and teaching, but as I mentioned before, I actually trained in fine art. My art foundation took a very academic approach and involved copious hours of life drawing and other drawing classes, while being given time to develop one's own particular discipline and style.
I made one Super8 film based on geometric elements in my painting. I had made three other 8mm film before this. It wasn't until I was on my degree course that I started making more moving image work, but this stemmed from a fine art perspective, so I didn't ever have any film school type training. My own work I would categorise as poetic experimentalism, that is under the general umbrella of artist film and video. Just a reminder that you can catch up with lots more detail of everything I've said at my website, http://tonypottsloopform.altervista.org. Although it has all the history of the films and staging, as well as the making of Jacob's Ladder, it's rather old and not up-to-date. That site includes all the art projects I've worked on, the history of TMS film, and my own films. My creative life can be divided into three separate but overlapping strands. The first being, my personal practice as an artist/film maker, the second, my skills and knowledge deployed in the service of collective artworks and community arts projects, and those same skills employed commercially in film and video production and teaching.
 Q: It's obvious from FB that you are a big film fan. Who are some of your favorite directors/favorite movies?
 With a few exceptions, I'm not much interested in modern Hollywood, old Hollywood is better, and pre-Hays better still. My film tastes are somewhat esoteric for most folks. I prefer silent film, particularly that of the classic German period of the twenties, Lang, Murnau, Pabst, Dreyer. Then in the sixties, PP Pasolini, Robert Bresson, Akira Kurosawa, soviet era Tarkosky and Parajhanov, plus a host of even less well know eastern European directors like Miklos Jancso, Jan Nemec, or Frantisek Vlacil. Don't you wish you'd never asked?
 Q. You live in Wales, pretty far away from the London of your youth. How did you end up there and what appeals to you living there?
 Well, we split our time between London and Pembrokeshire at present, while my wife Rachael is still working. In a few years, we'll move out completely, I think. I can't relax in the city anymore. I need some more space to feel comfortable. I've had as much London as I can handle. Rachael is Welsh, although Pembrokeshire is known as little England beyond Wales, and we are fortunate to own her childhood home there.
 Q. You were recently diagnosed with cancer and posted your experience on Facebook. How did you discover that you had cancer and how are you doing now?
 Yes, that was unfortunate. The prostate gets larger as us men grow older and so puts a bit of pressure on the bladder, changing the way you take a pee, like urgency and frequency. So any chap of a certain age should cut along to a doctor if they have persistent symptoms of this type. Our neighbour in Wales insists on calling it prostrate cancer, but I refuse to take that lying down, and firmly pronounce it prostate, but to no avail. But seriously, although it's a slow-growing cancer, the sooner you act, the sooner you can get the appropriate treatment. I had to have surgery, but it's not necessary for everyone. As my cousin, who luck would have it is a cancer specialist said, do you want to be erect or dead? Haha, what a great choice!
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 Q: Since this is a TMSF, after all, can you pick a favorite song and say a few words about it?
 My choice of song to end this pleasant excursion is 'The Devil Rides Out', from the 'Eligible Bachelors' album. By the time of recording this record JD had left the band and was living in NY, and I was also spending a great deal of time in that city also. I was still contributing to the occasional gig or short tour, but I certainly wasn't around when this album was recorded. Christ, what do you expect for a record made in Luton?
So it is the live performances of this song that I recall, since it was in the repertoire well ahead of it being recorded. Although I could say it of many other songs, the open chords of 'The Devil Rides Out' always gave me a buzz as I waited to play in whatever the film images were [I can't remember]. Even if the audience or critics found the films superfluous or unimportant, I usually enjoyed watching the way that a set of otherwise unrelated images somehow meshed and synchronised with the music and gave the illusion of a premeditated vision. Of course, it was premeditated in as much as I knew what pieces of film would be used for a particular song, but beyond that, there was a lot of slack in the system. With the various parameters of the live installation, having to follow the cue of the band and the hand manipulating the projectors [no computers], there were great possibilities that the extemporisation would result in entirely unique sets of images and sound on each occasion.
Well, I should say something about why I like the song. It's one of a number of Bid's more esoteric lyrical compositions. He had previously pushed the Latin boat out with Adeste Fideles [not everyone's favourite song title to pronounce], and my spell checker isn't too keen on the words, either. In this case, the bridging line is rendered in Latin, but with the exception of the 'Hails', this is written in the ancient language of Sanskrit. Or at least that is my understanding and belief. Whatever the lyrical origins are, this is a classic TMS arrangement, altogether thrilling, incomprehensible and mysterious, yet totally pop, totally accessible and it dumps from a very great height those chart-topping household names who have followed in their wake.
And of course, I can never resist a song that features a sleigh bell, The Devil Rides Out and The Stooges 'I Wanna Be Your Dog' being the two finest examples.
http://tonypottsloopform.altervista.org
www.themonochromeset.co.uk 
www.tapeterecords.de
www.facebook.com/themonochromeset
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courtenaychung · 5 years
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London, England
May 28 - 31, 2018
Is the third time really the charm?
Packing my bags, sorting out trip details and breezing through airport security is becoming a comforting feeling for me. Thinking back to my first overseas trip over six(!) years ago, stress levels were much higher but the buzz of excitement has never changed. There is nothing that makes me happier then heading out on a new adventure; off to explore another little corner of the Earth.
This trip, like my last in Europe, started and ended in good old London. That shouldn’t come as a surprise, as everyone reading this knows that London is far and away my favourite city I’ve ever been to. 
I’m convinced that you could live in London for years and still never see everything the bustling capital has to offer. With only a couple days in the city this time around, Jen and I developed a plan: pick a couple of neighbourhoods and explore them to the fullest. Oh, and go on a walking tour. Duh.
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London Eye
After taking the red eye from YVR to LHR and sleeping as much as possible on the way, we hit the ground running.  Hopping on the Piccadilly line, it was a straight shot from Heathrow to Russel Square station.  Getting off the tube and stepping out onto the London streets felt like coming home after three long years away.  We made a quick stop to check in to our hostel and drop our backpacks, then we were off on a double decker bus to meet our friend Joe and his buddy Taylor at Borough Market (they just happened to be passing through London on their own backpacking trip).  It was a late start to the day, but we made the most of it, spending time with good friends, walking around London and relaxing in Hyde Park, like true Londoners on a sunny bank holiday. We tucked into a little Italian restaurant in Covent Garden for dinner just in time; the weather decided to take a turn for the worst and a torrential downpour started before evolving into a full fledged thunder storm.
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Buckingham Palace
Our first full day in the city, like so many others, began with a walking tour. We all know I’m a sucker for a good waling tour, and this was Jen’s first time in London, so a tour was a no-brainer. This one took us to many of the city’s most popular landmarks, including Buckingham Palace, Trafalgar Square, and Big Ben (though the famous clock tower was completely covered in scaffolding for restorations). 
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Wild at Heart florist in Notting Hill.
Notting Hill has always been a borough of London that has intrigued me, so I was more than happy when Jen suggested we hop on the tube and head out that way to explore. 
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The colourful building and markets of Portobello Road
We started the day with a delicious breakfast at Farm Girl, which we heard about on Instagram.  Knowing that the café gets quite busy, we decided to go early to minimize the wait and maximize our time in the area. This ended up being a great decision on our part, as we were the first customers of the day, and got our choice of tables, watching as the cozy restaurant filled as the city woke up. I had the avocado toast, watermelon juice and a rose latte, and everything was just as tasty as it sounds. I would 100% recommend Farm Girl (which also has locations in Chelsea and Soho) if your in the area, not only for the great food, but also for the insta-worthy interiors and friendly staff.
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After breakfast we wandered down Portabello Road and ventured off into the side streets, browsing the vendor stalls and enjoying what the area had to offer. 
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Just another photoshoot in Notting Hill
On one particular side street we encountered lines of brightly painted houses. These are the kind of homes I picture when I think of Notting Hill (probably due to the movie of the same name). We stopped to take some photos, and while we were there, at least six other groups came over and started snapping pictures as well, including an actual photoshoot equipped with hair, make up, lighting and a professional photographer.
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Daydreaming of the lives inside these homes in Notting Hill.
Another area of London that we wanted to explore was Kensington. Arriving in the UK fresh on the heels of Prince Harry and Meghan Markle’s wedding, there was a buzz in the air throughout the city, so a trip to Kensington Palace was a must.  We spent an entire afternoon in the gardens, enjoying the understated beauty and change of scenery from London’s urban cityscape. 
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Sunken Garden at Kensington Palace.
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My travel buddy on this trip, Jen, in the Sunken Garden after a passers-by instructed her on how to pose.
We made our way through Kensington Gardens and eventually across Hyde Park, stopping to admire the intricate Albert Memorial, Royal Albert Hall and the many sights of Hyde Park.
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A peak at Kensington Palace from the Sunken Garden.
We did a lot during our time in London, but the time spent in Notting Hill and Kensington was the most enjoyable. It might even top my list of my favourite things to see and do in the city! 
London will forever be one of my favourite places and though it was my third time exploring the historic and bustling capital, I can’t wait until my next visit.
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Me
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Qatar World Cup: Stephen Kenny confident of signing a new deal as Republic of Ireland boss
Republic of Ireland Football World Cup manager Stephen Kenny is sweet certain his contract will be extended for the Euro 2024 qualifying campaign. The 50-year-old’s existing terms are due to expire in July but talks have begun over a new deal.
Fans from all over the world are called to book Football World Cup tickets from our online platforms WorldWideTicketsandHospitality.com. Football World Cup fans can book Republic of Ireland Football World Cup Tickets on our website at exclusively discounted prices.
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Republic of Ireland Football World Cup boss Kenny met Football Association of Ireland chief supervisory Jonathan Hill last week in England after traveling to watch the Sky Bet League One match between Portsmouth and Sheffield Wednesday.
“We sat down and had a chat, just an introductory chat, so it’s started and hopefully we can progress from there,” said Kenny.
Kenny has lost just one of his last 10 games as Republic of Ireland Football World Cup team boss following a winless opening 11 fixtures after succeeding Mick McCarthy. His current contract will see him remain in charge of Ireland’s opening four matches of the Nations League next June.
The Irish were on Thursday haggard in Group B1 of that tournament alongside Ukraine, Scotland, and Armenia, with their final two fixtures scheduled for September. Having failed to qualify for next year’s winter FIFA World Cup in Qatar, those appointments will be the country’s only competitive outings in 2022.
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The qualifying draw for Euro 2024 which will be dramatic in Germany is due to take place in October. Kenny is also eager to keep his backroom team together, including assistant Anthony Barry who is also a coach at Chelsea, and goalkeeping coach Dean Kiely, who performs a similar role at Crystal Palace. To know more about Qatar World Cup Tickets click here.
We all love working together and have a great working situation, said Kenny. The whole backroom team, the longer we’ve worked together, the better we’ve got. As a unit working together, we’d like to keep it intact and that would be the idea. I think they would ideally like to stay on.
They (Barry and Kiely) are elaborate in the day-to-day stuff with their clubs so they’re not thinking real long term. They both want to stay on board and they’re very much a vital part of the set-up going forward.
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williambolchaboutme · 3 years
Text
About Me
Name: William Bolch
Age: 21
Previous Study: Event Management/Sports Development (Holmesglen)
My Interests: Majority of my interests revolve around sport wether that be playing, watching or writing on it. I also enjoy watching movies with my chromecast being one of my best purchases in recent times. I also love hanging out with my friends and geting around bowling alley’s and pool bars. I’ve also started to take up running having completed my first 10km a few months ago. 
Sports I Play: I play football for the Masala Dandenong Football Club where I consider myself to be a Utility that can play any position. I also play tennis on Monday and Tuesday nights at the Wheelers Hill Tennis Club. I play futsal on Sunday nights for the LTS Old Boys and I also recently participated in a 10km race and look to do so again on Sunday, November 28.
Sports I follow: I follow many different teams across different leagues including Richmond (AFL), Melbourne Storm (NRL), Melbourne Victory (A-League), Melbourne United (NBL), LA Clippers (NBA), Melbourne Stars (BBL) and Chelsea (EPL). I am also a fan of the UFC where some of my favourite fighters are Conor McGregor, Chan Sung Jung (The Korean Zombie) and Alexander Volkanovski. 
Family and Friends: I live with my sister and my mum, my dad lives a little over an hour away and I see him every fortnight. I love hanging out with my friends and when we do sport is generally featured whether that is playing or watching.
Unique or Interesting Talents: I don’t have any real unique or interesting talents however I consider myself to be a bit of a funny dude who is always great at giving speeches (when he has time to prepare them).
Memorable Moments (Whilst at Holmesglen): During my dual diploma I loved being a part of a team that put together an intervarsity futsal competition. I also enjoyed our week away in Eildon. We had lots of fun activities, helped out a lot of schools and I also got to bunk with one of my best mates.
During my Bachelor’s degree, my best memories have been spending time with my classmates at Chaddy having good food and a shop. My favourite memory however is having two of my favourite classmates who are two of my best friends (one being more a uni acquaintance) come out to celebrate my 21st birthday with the rest of my friends and family.
Memorable Moments: I don’t necessarily have any moments that stand out as memorable in my life but my 21st birthday week was great as I got to spend the week with all of my different friends culminating in fish and chips with one of my best friends whilst watching the footy on a computer screen. 
Secondary school was also an incredibly exciting time for me as I took up many different titles of leadership including public speaking captaincies, debating captaincies, social justice captaincies, SRC leadership and house captaincies. I was also awarded different titles for my leadreships but more importantly I was able to form lifelong friendships.
What makes me tick: I get my tick by being good to people and by being around good people. I love hanging out with my mates wether we’re watching a game or taking in a movie. I also want to be the best version of myself all the time with the knowledge that I should learn like I will live forever and live like I could die tomorrow.
My Inspirations: I have many different inspirations in my life with the main two being Charlie Rocket and Conor McGregor (before he went a bit evil). Charlie Rocket is an incredible person in my eyes and although his messages can sometimes come off as extremely cheesy he has a great story and loves helping people which is elite. I also love Conor McGregor and how he completely changed the fight game. I also admire how he was super persistent in completing his mission and never giving up on his dreams.  
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sportsponsorship · 3 years
Text
About Me
Name: William Bolch
Age: 21
Previous Study: Event Management/Sports Development (Holmesglen)
My Interests: Majority of my interests revolve around sport wether that be playing, watching or writing on it. I also enjoy watching movies with my chromecast being one of my best purchases in recent times. I also love hanging out with my friends and getting around bowling alley’s and pool bars. I’ve also started to take up running having completed my first 10km a few months ago. 
Sports I Play: I play football for the Masala Dandenong Football Club where I consider myself to be a Utility that can play any position. I also play tennis on Monday and Tuesday nights at the Wheelers Hill Tennis Club. I play futsal on Sunday nights for the LTS Old Boys and I also recently participated in a 10km race and look to do so again on Sunday, November 28.
Sports I follow: I follow many different teams across different leagues including Richmond (AFL), Melbourne Storm (NRL), Melbourne Victory (A-League), Melbourne United (NBL), LA Clippers (NBA), Melbourne Stars (BBL) and Chelsea (EPL). I am also a fan of the UFC where some of my favourite fighters are Conor McGregor, Chan Sung Jung (The Korean Zombie) and Alexander Volkanovski. 
Family and Friends: I live with my sister and my mum, my dad lives a little over an hour away and I see him every fortnight. I love hanging out with my friends and when we do sport is generally featured whether that is playing or watching.
Unique or Interesting Talents: I don’t have any real unique or interesting talents however I consider myself to be a bit of a funny dude who is always great at giving speeches (when he has time to prepare them).
Memorable Moments (Whilst at Holmesglen): During my dual diploma I loved being a part of a team that put together an intervarsity futsal competition. I also enjoyed our week away in Eildon. We had lots of fun activities, helped out a lot of schools and I also got to bunk with one of my best mates.
During my Bachelor’s degree, my best memories have been spending time with my classmates at Chaddy having good food and a shop. My favourite memory however is having two of my favourite classmates who are two of my best friends (one being more a uni acquaintance) come out to celebrate my 21st birthday with the rest of my friends and family.
Memorable Moments: I don’t necessarily have any moments that stand out as memorable in my life but my 21st birthday week was great as I got to spend the week with all of my different friends culminating in fish and chips with one of my best friends whilst watching the footy on a computer screen. 
Secondary school was also an incredibly exciting time for me as I took up many different titles of leadership including public speaking captaincies, debating captaincies, social justice captaincies, SRC leadership and house captaincies. I was also awarded different titles for my leaderships but more importantly I was able to form lifelong friendships.
What makes me tick: I get my tick by being good to people and by being around good people. I love hanging out with my mates wether we’re watching a game or taking in a movie. I also want to be the best version of myself all the time with the knowledge that I should learn like I will live forever and live like I could die tomorrow.
My Inspirations: I have many different inspirations in my life with the main two being Charlie Rocket and Conor McGregor (before he went a bit evil). Charlie Rocket is an incredible person in my eyes and although his messages can sometimes come off as extremely cheesy he has a great story and loves helping people which is elite. I also love Conor McGregor and how he completely changed the fight game. I also admire how he was super persistent in completing his mission and never giving up on his dreams.  
0 notes
finishinglinepress · 3 years
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FLP POETRY BOOK OF THE DAY: Dear Traveler by Susan Suntree
TO ORDER GO TO: https://www.finishinglinepress.com/product/dear-traveler-by-susan-suntree/ Please share/please repost [PROMO] RESERVE YOUR COPY TODAY
Susan Suntree‘s book length non-fiction poem, Sacred Sites: The Secret History of Southern California (UNebraskaP), won the Southern California Independent Booksellers Association Award for Nonfiction, the PEN Oakland Josephine Miles Award for Poetic Narrative, and a Mellon Foundation Elemental Arts Award. Suntree’s books and chapbooks include Eye of the Womb (Power Press) also published in Madrid (Vision Libros) as a bilingual edition, El Ojo de la Matriz; Tulips (Exiled-in-America Press), a bilingual chapbook of translations of poetry by Spanish poet Ana Rossetti; Rita Moreno (Chelsea House); Wisdom of the East; Stories of Compassion, Inspiration and Love (Contemporary/McGraw Hill), editor, for which the Dalai Lama wrote the foreword. Suntree adapted the Universal Declaration of Human Rights as a poem set as a frequently performed choral work by award-winning composer Adrienne Albert (A Choral Quilt of Hope: The Universal Declaration of Human Rights). Her work has appeared in journals and anthologies, and she has published essays and book chapters about activist theatre. Poetry Flash and Theatre Journal have published her reviews.
ADVANCE PRAISE FOR Dear Traveler by Susan Suntree
Susan Suntree powerfully adds her work to the travel poem traditions of her Classical Japanese predecessors, Saigyō and Basho. Dear Traveler is a Postmodern travel diary taking us on a journey through “a fevered civilization.” These poems shine with moments of quiet astonishment as they guide us into the interior of the self during these turbulent times. Her poems remind us “Your wild life is listening.”
–Alan Soldofsky, author of In the Buddha Factory and Director of the MFA Program in Creative Writing, San Jose State University
Dear Traveler is a gorgeous poem-cycle as well as a journey we all must make.
—Marsha de la O, author of Every Ravening Thing
There is a silence at the heart of all things. It is part of the miracle of this world in all its wondrous detail and sometimes frightening potential as each of us travels the landscape of what the zen tradition refers to as the great matter of birth-and-death. The poems in Susan Suntree’s Dear Traveler are true and gifted companions of this journey; they emerge from the poet’s years of deep listening as she made her way on this traceless path, and leave their echo in the reader’s heart. But there is something more here for you to discover; in some mysterious way, Suntree’s poetry itself listens. It listens without ears, and speaks without a mouth.
–Peter Levitt, author of One Hundred Butterflies, Within Within, translator (with Kazuaki Tanahashi)The Complete Cold Mountain: Poems of the Legendary Hermit Hanshan
These finely crafted poems map onto the Pacific Coast a quest for balance and self-possession. “This road is a welcome,” writes Suntree, and that’s a fact: whether humorous or bleakly prophetic, they draw us in with considerable clarity and force. These poems remind us that though the journey’s stakes are high and the risks great, every step takes us closer to “awakening love’s beloved body.”
–Tom Laichas, author of Empire of Eden.
Like the music of the tall grass and dry sticks that Susan Suntree writes about, these poems sing. Her writing here is spare, her economy of language admirable; there’s not an extraneous word or piece of punctuation anywhere. Each tiny poem floods dark corners with light. Tight as a coiled spring, these pieces test the limits of compression. Each is a jewel.
–Jana Harris, author of Horses Never Lie About Love (memoir) and You Haven’t Asked About My Wedding or What I Wore (poetry)
#flpauthor #preorder #AwesomeCoverArt #poetry
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