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see-arcane · 6 days

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Our good friend Jonathan Harker is getting ready to leave for his business trip, Mina Murray is picking out a new journal, Lucy Westenra is charming a gaggle of smitten suitors, Abraham van Helsing is wrapping up his lectures, and Castle Dracula is prepping the guest room for a very long stay.

Which must mean that Dracula Season is here again!

‘Dracula Season’ being a catchall term for the voracious reading, memeing, writing, illustrating, analyzing, and general fun-having that’s ensued since Matt Kirkland’s project, Dracula Daily, caught on with us back in 2022. The Substack had already been running before then, but it sparked a conflagration as time went on and readers old and new to Bram Stoker’s Dracula—the actual novel, not Coppola’s fanfiction—devoured it in a way that scratched an itch none of us knew we had. Stoker wrote the book in epistolary fashion, clumping sections together as needed for the pacing without perfect adherence to chronological order. Matt went ahead and put all the events in order and proceeded to set up a lovely chain of emails that delivered entries on those correlating dates.

This style of organization and pacing turned out to not only make the virtual book club that much easier to engage with, but left space in-between to stew on the story and relate with the characters themselves. Every day of waiting in the book feels weightier when you have to pace and sweat and worry in tandem with poor Jonathan trapped in the castle or Lucy wasting away or Mina running out the clock before she loses the fight for her own humanity. And while we sat with the story or the lulls between Dracula Seasons, some of us found ourselves craving more of that ghastly gothic horror goodness to the point that we figured:

“Well. Why don’t I make something?”

And then we did! Tons of creative works have been churned out in the wake of Dracula Daily’s high. I figured that while we’ve still got a bit of time to wait for May 3rd, we should check out all this new stuff in the meantime. (Plus a handful of neat stuff that just clicks with the Dracula itch overall.)

So, in the interest of Dracula Season pregaming, let’s take a look at…

FICTION

Blood of My Blood – A recent addition to the Dracula Bad Ending AU pile, and definitely one of the most harrowing and addictive group-produced narratives I’ve ever come across, Blood of My Blood is the dramatically gothic currently-WIP work of @ibrithir-was-here and @animate-mush’s devious design. Give or take a heap of other fascinated folks (hello!) adding ideas to put more Horror into the Horrors that our cast has to face. The premise:

The Transylvanian climax went fatally sour and the Harkers were forced to shelter with Dracula himself, including their half-vampire son, Quincey. Cut to two decades later, and Quincey finds himself out in modern London, smitten with Lu, adopted daughter of Arthur and Jack, and diving into certain bloodstained old documents that detail the real history of how his parents came to live in the castle. Said revelations coming not a moment too soon, as a storm is coming for him straight from the Carpathians…

Dracula Daily Sketch Collection – An array of illustrations that captures every entry beat by beat, the Dracula Daily Sketch Collection by Georgia Cook, alias @georgiacooked was dished out over the course of the last Dracula Season. Some of the most fun character designs out there.

Fanfiction Spotlight: BlueCatWriter – With a whopping 99 works devoted to the novel Dracula (so far, the number may have gone up since I blinked), @bluecatwriter is one of the most prolific and talented fanfiction scribblers out there. Romances, nightmares, and overlaps between the two seem to crop up the most, give or take a crossover. Seems fitting that those blue paw prints have contributed to BoMB too.

The League of Extraordinary Gentlefolk – An ongoing comic in which all your favorite characters from the Classics section get together and tackle some perils ranging from the mundane to the monstrous. Started by the amazing @mayhemchicken and posted on @lxgentlefolkcomic, this series is a love letter to beloved Victorian era lit, with a spotlight on the two couples leading the League. Namely, the Harkers, ala Dracula, and the Nortons, ala Sherlock Holmes,’ “A Scandal in Bohemia.” Mina and Irene are the driving investigative and steering forces here, and still deeply in love with their likewise-infatuated husbands, just like in their canons! What a concept! Alan.

Without spoiling the full character list, just know there are going to be a ton of familiar faces roaming around before you finish reading the first arc. Said arc having conveniently wrapped up just a few days ago! Give the comic and its bonus silliness a look if you’re in the mood for a new comfort-adventure epic.

Re: Dracula – Probably the most well-known and incredible thing to come out of the initial Dracula Daily wave. This podcast is a full audio drama that follows the same format as the Substack, with episodes coming out in time with the entries themselves. And it has an unfairly cool soundtrack. They have a Tumblr with @re-dracula, a site and a Patreon to check out before the series kicks up again on May 3rd. (Also, keep an eye out for their next work, an audio drama in the same style with Carmilla.)

The Soldier and the Solicitor – Another treat from @ibrithir-was-here, this one involves a bit of time travel trouble. Quincey Harker has stumbled out of World War I and into the same dark forest where his father once fled for his life…then runs into the man himself, on that same night. Jonathan Harker, young and starved and lost, who has no choice but to trust this stranger while the Weird Sisters are at his heels…despite said stranger having no shadow. It’s a tasty emotional trek, already complete on Tumblr, but now it’s turning into a Webtoon. While Ibrithir is juggling a number of other stories, she’ll be redrawing spruced up versions of the comic and adding a few new scenes as things unfold.

Substack Stack – You know what’s better than one emailed-out public domain book club? A mountain of them. Just. So, so many of them. You’ll see that a lot of these are finished, but some are still ticking along. Either way, they’re all great picks if you’re craving some more old school lit to fill the void between undead emails.

Frankenstein Weekly – Frankenstein

Jekyll and Hyde Weekly – The Strange Case of Dr. Jekyll and Mr. Hyde

Voyage of the Nautilus – Twenty-Thousand Leagues Under the Sea

Letters from Watson – Sherlock Holmes

The Invisible Mail – The Invisible Man

Letters from Bunny – E.W. Hornung’s short stories of the eponymous Bunny and Raffles

Letters Regarding Jeeves - P. G. Wodehouse’s Bertie Wooster short stories, including the novel, Right Ho, Jeeves

…

……

………

…The Beetle Weekly – The Beetle (NOTE: Do Not Read This.)

The Vampyres – A novella I finally wrenched through the gears of self-publication as of March this year. Starring a petite but powerful paranormal cast, The Vampyres, centers on an unscrupulous undead fellow who finds that the revenants of the world are being mowed down by an entity known only as ‘Quinn Morse.’ Between trying to save his neck and figure out where the shadowy bastard came from, the Vampyre in question crosses paths with a new paramour and handy human shield in the form of a grieving Good Samaritan. He’s even polite enough to invite the Vampyre into his home while he’s in dire straits! Surely this will end well. All the info is available here and a little author site is over here.

What Manner of Man – This is the one made for everyone who started out hoping there’d be a real love story with our good friend Jonathan Harker and the Count when he was at his most charismatic. Where that sea of wonders dried up into a mire of horror, What Manner of Man by @stjohnstarling keeps things firmly on the romantic tracks. This Substack stars the letter-writing priest Father Victor E. Ardelian as he finds himself meeting with one enigmatic Lord Alistair Vane. It isn’t long before interest turns into intrigue and intrigue into undead intimacies.

The entire novel has been completed—along with multiple epilogues in the author’s Patreon, allowing readers to choose for themselves just how the uncanny romance plays out in the end—and the Substack now has a number of other gothic goodies piling up in the meantime.

NONFICTION

Dracula Daily: A Unique Reading Experience: This one comes courtesy of @realwomenofgaming. It’s a short and sweet piece that amounts to a fun snapshot of the entire Dracula Daily ride. A cozy couple-minute read.

‘Dracula Daily’ is the One Substack You Need a Subscription To: Features my favorite Matt Kirkland interview. @mattkirkland, if you’re still floating around on here, thank you for dispatching our vampire newsletter again this year.

Dracula Daily is Tumblr’s hottest new book club: Alright, the ‘new’ part is worn out by now, but this one is still a delightful article to swing back around to. Two years on, this Polygon piece is a time capsule of those early months when people outside our bookworm bubble realized we were all happily receiving letters from our favorite classic gothic horror blorbos.

“How Mina Murray Became Dracula’s Girlfriend” – Princess Weekes, if you ever read this, thank you, thank you, thank you. I am sending oceans of love and millions of rewatches to your video essay. If you haven’t seen it yet, “How Mina Murray Became Dracula’s Girlfriend” is one of the most refreshing and well-made breakdowns of both the title subject and numerous other issues that have proliferated in the public view of Dracula’s cast and plot as adaptations endlessly warp or outright bastardize the actual novel. An incredibly cathartic watch.

Literary play gone viral: delight, intertextuality, and challenges to normative interpretations through the digital serialization of Dracula: A mouthful of a title for an even more elaborate article about the Dracula Daily phenomenon. This one is a full-on study that analyzes just what happened within the big bloodsucker book club surge and how its ‘wandering reading practices’ enriched the experience for participants.

“The Undying Undead: An analysis of the Dracula Daily community for a theory of online community formation and interaction” – We have a thesis on here! Look at that! @sirangelothebestest’s MA thesis used our vampiric book club as the bones for a massive brick of an academic piece that definitely deserves a look.

…And I think I’ll go ahead and cap things here.

This isn’t everything I got recommended, but if I had squashed all of it in here, I think folks’ eyes would start to fall out of their head. I hope you can find something cool to comb through here. Or, if there’s something great I overlooked, tack it onto the list! We’ve got just two weeks to go until we’re off with Mr. Harker. Let’s enjoy our respite before those castle doors close behind us.

#time for Dracula Season pre-gaming :3 #thank you to everyone who sent in their suggestions!#dracula #dracula daily #re: dracula

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stone-cold-groove · 5 months

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Zowie!

#vintage illustration #vintage advertising #comic book ads #comic book advertising #comic style ads #comic book style ads #candy #penny candy #tootsie roll #comics #comic books

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atlantahammy · 7 months

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Right, given @somerandomdudelmao request for clip brushes, and me being at work, y'all about to get one hell a scrappy resource post for clip studio, also Clip can import ABR files, which are photoshop brush files:

Free stuff:

https://assets.clip-studio.com/en-us/detail?id=1930804 - Show style Ink Pen Mimic.

https://tamberella.gumroad.com/l/YLfEvh - City themed brushes, ie: windows, bricks

https://drive.google.com/file/d/1fqEHk1LxtrQNbreu-AIO82QbwLJv4Rxw/view - Sooo someone attempted to re-create the block blender used in ROTTMNT had it on the clip store, but, like, cause they linked to the twitter I believe it got taken down, I thiiink this is the base version I have because I've been attempting to make it better. (Can drsg and drop this into your clip brushes or import it from the menu)

https://assets.clip-studio.com/en-us/detail?id=1989496 - Body types of the boys as 3D Modles

https://assets.clip-studio.com/en-us/detail?id=1762185 - Traffic lines

https://assets.clip-studio.com/en-us/detail?id=1793198 - Bricks

https://assets.clip-studio.com/en-us/detail?id=1890997 - More Bricks

https://assets.clip-studio.com/en-us/detail?id=1922029 -Even more bricks

https://assets.clip-studio.com/en-us/detail?id=1726896 - can you tell I had trouble with bricks?

https://ruunin.gumroad.com/l/wuPpz?layout=profile&recommended_by=library - Yet more bricks

https://tamberella.gumroad.com/l/OXJRt?l - books

https://assets.clip-studio.com/en-us/detail?id=1788819 - simple graffiti brush

https://assets.clip-studio.com/en-us/detail?id=2017520 - Stars that are similar to the effect stars

https://assets.clip-studio.com/en-us/detail?id=1803788 - Chains

https://assets.clip-studio.com/en-us/detail?id=1996420 - more chains

https://assets.clip-studio.com/en-us/detail?id=1826539 - Highlights for hair I use.

https://assets.clip-studio.com/en-us/detail?id=1938479 - Comic panel pens that I think go well with the mimic pen.

https://assets.clip-studio.com/en-us/detail?id=1920392 - Ruined Building brushes

https://assets.clip-studio.com/en-us/detail?id=1851086 - Street lamps

https://assets.clip-studio.com/en-us/detail?id=1989018 - Windows

https://assets.clip-studio.com/en-us/detail?id=2013894 - more windows

https://assets.clip-studio.com/en-us/detail?id=1993252 - Spray paint + 3d models!

https://assets.clip-studio.com/en-us/detail?id=2010437 - halftones

https://assets.clip-studio.com/en-us/detail?id=2009279 - more halftones

https://assets.clip-studio.com/en-us/detail?id=1997395 - glitch brushes

https://assets.clip-studio.com/en-us/detail?id=1998092 - scales

https://assets.clip-studio.com/en-us/detail?id=1881515 Spray paint

https://assets.clip-studio.com/en-us/detail?id=1702179 - electric poles

https://assets.clip-studio.com/en-us/detail?id=1749838 - easy speed lines

https://assets.clip-studio.com/en-us/detail?id=1948104 - pen I use to edit cass's comics (I'm sure you've noticed added limes or hatching)

https://porforever.gumroad.com/l/edags - metal textures, some post apocalyptic based brushes.

Needs Clippy/Gold:

https://assets.clip-studio.com/en-us/detail?id=1997417 - Spray Paint.

https://assets.clip-studio.com/en-us/detail?id=1673277 - Bricks

https://assets.clip-studio.com/en-us/detail?id=1776544 - More bricks

https://assets.clip-studio.com/en-us/detail?id=1983742 - Even more bricks

https://assets.clip-studio.com/en-us/detail?id=1942640 - More bricks + wood

https://assets.clip-studio.com/en-us/detail?id=2010200 - Half Tones

https://assets.clip-studio.com/en-us/detail?id=1806325 - more half tones

https://assets.clip-studio.com/en-us/detail?id=1808513 - Even more Halftones

https://assets.clip-studio.com/en-us/detail?id=1772102 - lots of half tones

https://assets.clip-studio.com/en-us/detail?id=1835699 - Caution Tape

https://assets.clip-studio.com/en-us/detail?id=1820838 - Keep out Tape

https://assets.clip-studio.com/en-us/detail?id=1822998 -Ruined Windows

https://assets.clip-studio.com/en-us/detail?id=1950280 - Steel beams

https://assets.clip-studio.com/en-us/detail?id=1977378 - Chains in motion

https://assets.clip-studio.com/en-us/detail?id=1982838 - Rust

https://assets.clip-studio.com/en-us/detail?id=1701296 - more rust

https://assets.clip-studio.com/en-us/detail?id=1740528 - electric poles

Needs Real Money:

https://saturnsday.gumroad.com/l/scalebrushes?layout=profile&recommended_by=library - Scales

https://jasonpiperberg.gumroad.com/l/HcXtB?layout=profile&recommended_by=library - Half tones, and a nice halftone blender.

https://delta9.gumroad.com/l/MxjHz?layout=profile&recommended_by=library - More Half tones.

https://porforever.gumroad.com/l/ksemc?layout=profile - buildings, windows, etc

#resource #brushes #brush #rottmnt #clip studio paint #rise of the teenage mutant ninja turtles #rise of the tmnt #cass apocalypse series #cass apocalyptic series

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autisticandroids · 8 months

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i've been seeing ai takes that i actually agree with and have been saying for months get notes so i want to throw my hat into the ring.

so i think there are two main distinct problems with "ai," which exist kind of in opposition to each other. the first happens when ai is good at what it's supposed to do, and the second happens when it's bad at it.

the first is well-exemplified by ai visual art. now, there are a lot of arguments about the quality of ai visual art, about how it's soulless, or cliche, or whatever, and to those i say: do you think ai art is going to be replacing monet and picasso? do you think those pieces are going in museums? no. they are going to be replacing soulless dreck like corporate logos, the sprites for low-rent edugames, and book covers with that stupid cartoon art style made in canva. the kind of art that everyone thinks of as soulless and worthless anyway. the kind of art that keeps people with art degrees actually employed.

this is a problem of automation. while ai art certainly has its flaws and failings, the main issue with it is that it's good enough to replace crap art that no one does by choice. which is a problem of capitalism. in a society where people don't have to sell their labor to survive, machines performing labor more efficiently so humans don't have to is a boon! this is i think more obviously true for, like, manufacturing than for art - nobody wants to be the guy putting eyelets in shoes all day, and everybody needs shoes, whereas a lot of people want to draw their whole lives, and nobody needs visual art (not the way they need shoes) - but i think that it's still true that in a perfect world, ai art would be a net boon, because giving people without the skill to actually draw the ability to visualize the things they see inside their head is... good? wider access to beauty and the ability to create it is good? it's not necessary, it's not vital, but it is cool. the issue is that we live in a society where that also takes food out of people's mouths.

but the second problem is the much scarier one, imo, and it's what happens when ai is bad. in the current discourse, that's exemplified by chatgpt and other large language models. as much hand-wringing as there has been about chatgpt replacing writers, it's much worse at imitating human-written text than, say, midjourney is at imitating human-made art. it can imitate style well, which means that it can successfully replace text that has no meaningful semantic content - cover letters, online ads, clickbait articles, the kind of stuff that says nothing and exists to exist. but because it can't evaluate what's true, or even keep straight what it said thirty seconds ago, it can't meaningfully replace a human writer. it will honestly probably never be able to unless they change how they train it, because the way LLMs work is so antithetical to how language and writing actually works.

the issue is that people think it can. which means they use it to do stuff it's not equipped for. at best, what you end up with is a lot of very poorly written children's books selling on amazon for $3. this is a shitty scam, but is mostly harmless. the behind the bastards episode on this has a pretty solid description of what that looks like right now, although they also do a lot of pretty pointless fearmongering about the death of art and the death of media literacy and saving the children. (incidentally, the "comics" described demonstrate the ways in which ai art has the same weaknesses as ai text - both are incapable of consistency or narrative. it's just that visual art doesn't necessarily need those things to be useful as art, and text (often) does). like, overall, the existence of these kids book scams are bad? but they're a gnat bite.

to find the worst case scenario of LLM misuse, you don't even have to leave the amazon kindle section. you don't even have to stop looking at scam books. all you have to do is change from looking at kids books to foraging guides. i'm not exaggerating when i say that in terms of texts whose factuality has direct consequences, foraging guides are up there with building safety regulations. if a foraging guide has incorrect information in it, people who use that foraging guide will die. that's all there is to it. there is no antidote to amanita phalloides poisoning, only supportive care, and even if you survive, you will need a liver transplant.

the problem here is that sometimes it's important for text to be factually accurate. openart isn't marketed as photographic software, and even though people do use it to lie, they have also been using photoshop to do that for decades, and before that it was scissors and paintbrushes. chatgpt and its ilk are sometimes marketed as fact-finding software, search engine assistants and writing assistants. and this is dangerous. because while people have been lying intentionally for decades, the level of misinformation potentially provided by chatgpt is unprecedented. and then there are people like the foraging book scammers who aren't lying on purpose, but rather not caring about the truth content of their output. obviously this happens in real life - the kids book scam i mentioned earlier is just an update of a non-ai scam involving ghostwriters - but it's much easier to pull off, and unlike lying for personal gain, which will always happen no matter how difficult it is, lying out of laziness is motivated by, well, the ease of the lie.* if it takes fifteen minutes and a chatgpt account to pump out fake foraging books for a quick buck, people will do it.

*also part of this is how easy it is to make things look like high effort professional content - people who are lying out of laziness often do it in ways that are obviously identifiable, and LLMs might make it easier to pass basic professionalism scans.

and honestly i don't think LLMs are the biggest problem that machine learning/ai creates here. while the ai foraging books are, well, really, really bad, most of the problem content generated by chatgpt is more on the level of scam children's books. the entire time that the internet has been shitting itself about ai art and LLM's i've been pulling my hair out about the kinds of priorities people have, because corporations have been using ai to sort the resumes of job applicants for years, and it turns out the ai is racist. there are all sorts of ways machine learning algorithms have been integrated into daily life over the past decade: predictive policing, self-driving cars, and even the youtube algorithm. and all of these are much more dangerous (in most cases) than chatgpt. it makes me insane that just because ai art and LLMs happen to touch on things that most internet users are familiar with the working of, people are freaking out about it because it's the death of art or whatever, when they should have been freaking out about the robot telling the cops to kick people's faces in.

(not to mention the environmental impact of all this crap.)

#ai art #ai #chatgpt

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bestanimatedmovie · 1 year

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Choose your favorite!

Vote in the other polls!

What fans say:

The Lorax:

Spider-Man: Into the Spider-Verse:

It had a very big impact on meme culture. And a really catchy soundtrack. Plus it has the silly sexy green man. What more could you want from a film.*

The Once-ler and the let it die song. This movie is glorious.

It is legit the mother of all great animated movies nowadays. From Mitchells vs the machines to the new mutant mayhem movie! The plot is so good and you can really see character development from almost all of the characters, plus the designs are BANGER.

THE MUSIC?? TOP FUCKING TIER. THE CASUAL DIVERSITY? IT ALSO HAS LITERALLY THE BEST SHOT IN CINEMATIC HISTORY (Miles rising after taking his leap of faith)

BRO THE ANIMATION IS SO SICK. The amount of sheer effort put into this movie is insane. The character growth was so amazing to watch and such a great movie to analyze. Best scenes are obviously the leap of faith. Actually gorgeous. And also the scene where aunt May sees Peter b after her Peter died. Her “you look tired, Peter” is just so heartfelt

Where the hell do I even start. The visuals are incredible and the plot is engaging. Every scene is perfect.

This film has EVERYTHING. Humor, action, inspirational scenes, kickass music, absolutely killer animation, an art style that is an homage to comic books, loveable characters, a talking pig, DR OLIVIA OCTAVIUS, I could go on

This is the best superhero movie ever made, the leap of faith is one of the best movie scenes of ever

The animation style is better than all the others, and makes the movie funnier too! The representation is also good, and the romantic storyline isn't too prevalent in the movie. Probably the best animation Marvel has made. My favorite scene is when the villains show up to Aunt May's house -- its my favorite fight scene!

I’m sure this movie’s been submitted already because it’s arguably the greatest animated film of all time. I have a personal connection to it because I saw it in theaters on opening night with my late father, and we both loved it and I still do. The animation is revolutionary and it’s one of the only 3 movies that make me cry.

gsksvbsvsbsvs I love everything about it, I love the animations, the story, the soundtrack also the style of animation AAAAAA its so beautiful its art it belongs in a museum i get goosebumps everytime I rewatch it

It’s just so good. All the characters are amazing and I love Miles dad. It’s hilarious and sparked my love for spider-man. It’s such a sweet movie about finding yourslef and has such a powerful message. I totally recommend it so I’m not adding spoilers, but like. Ohhhh, it’s so good.

Interesting villains, well-developed character arcs, a fresh take on Spider-Man, unique use of animation, funny, good use of multiverse that adds to the nature of the story being told, complicated character dynamics

It's the best animated movie because A: it takes one of the most well known comic characters of all time, kills him off in the first few minutes, and then shows you every cooler version of him. B: Has a large amount of representation in its main cast, considering that they're all versions of Spiderman, and that requires a white guy by default. C: everything in it is so well done I can't pick a favorite scene, but the most iconic is the jump off the skyscraper window.

The animation is incredible, the movie has so much story and heart, and there’s a perfect balance between humor and seriousness. And the soundtrack slaps

This is probably the best animated film I've ever seen. The animation is definitely the highlight, the way they blend comic book art styles and 3D animation is an absolute joy to look at and is so overwhelmingly creative, every frame of this movie is gorgeous. The impact this had on the industry is undeniable, as we start to see more and more movies getting more creative with their animation styles. It's not just the animation though. All of the characters are entertaining, all of the jokes land and the story is really well done. It leaves me blown away every time I watch it.

This movie kind of changed the western animation industry from the ground up. Apart from being expertly written, funny, and heartfelt, it is also stellarly animated, with a unique visual style that takes direct inspiration from the comic books it adapts and mixes 2d- and 3d-animation in a way and to a degree that hadn't really been seen before in western mainstream. Its critical and monetary success paved the way for mainstream 3d animation to open up to new and excitingly stylised movies that were like a breath of fresh air between the generic Pixar-style animation that had been the largely unchanged norm in the industry since Toy Story circa twenty years earlier**. ITSV divides the screen like panels on a comic page, it uses dots and lines for shading and gradients, doesn't shy away from lowering framerates for stylisation, and makes liberal use of onomatopoeia, both to comedic and dramatic impact. Impact frames and SFX are often hand-drawn and stunningly colourful, and even the simple dialogue scenes astonish with an expressiveness and realism in their depiction of emotions that makes me rewatch a two-second scene of Miles laughing fifteen times in a row. My favourite scene has to be the What's Up Danger scene, the emotional climax of the movie. Set to an absolute banger of a song, it is the moment the entire film has been building up to. I won't spoil anything plot-wise in case you somehow haven't seen this movie, but both from an emotional and a visual standpoint it is Fucking Dope. Conclusion: Spider-Man: Into the Spiderverse is my favourite movie of all time and I could talk about it for hours. If you haven't seen it, go watch it. Thank you.

Have you SEEN the Whats Up Danger/rising and falling scene? it's a work of art that makes me fall in love with storytelling all over again whenever I see it. Also the impact that it's had on animated film is absolutely being felt at current, if incrementally. Incredible film.

It has an amazing art style based on comics and mixed up due to genre differences. It's really fun and the characters are great, even the side ones. The story line is great and I love Miles and his family.

*Mod note: errr, quite a lot more than memes and music actually

**Mod note: amen

#The Lorax #Spider-Man Into the Spider-Verse #best animated movie #round 2 #tournament poll #tumblr's favorite

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colleendoran · 1 year

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Neil Gaiman's CHIVALRY: From Illuminated Manuscripts to Comics

One of the many reasons I wanted to adapt Neil Gaiman's Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.

We're often told that the first comic book was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.

Sequential art predates Action Comics #1.

Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn't take off as a popular medium for several reasons, not least of which was the necessary printing process hadn't been invented yet and it's hard to popularize - and commercialize - something most people can never see.

You find sequential art in cave paintings and in Egyptian hieroglyphics. I've read that comics (manga) were invented by the Japanese in 12th century scrolls.

And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.

The most obvious example of early sequential art in Western art - as a complete narrative in sequence - is the Bayeux Tapestry.

At 230 feet long, this embroidered length of cloth was likely commissioned around the year 1070 by Bishop Odo, brother of William the Conqueror. It depicts the Battle of Hastings in 1066 and the invasion of England by the Normans. (The tapestry was made in England, not in France, but it is called the Bayeux tapestry because that's where it is now.)

Imagine what a task it was to embroider this thing. Whew. And you thought it was hard learning Photoshop.

This work of art is important in the history of sequential narrative, but the Norman invasion is also important to the legend of King Arthur - and another important English legend - for reasons we'll get into later.

It's complicated.

All this is why you see this art in the background of this page of Chivalry.

Using the Romanesque art style of the tapestry in panel 1, I've added the Latin phrase "Rex Quondom, Rexque Futurus" - "The Once and Future King", the final words of Sir Thomas Malory's Le Morte d'Arthur as inscribed on King Arthur's tomb, and the title of T.H. White's famous Arthurian novel. (EDIT) and it has been kindly pointed out to me that QUONDOM should be QUONDAM, which is hilarious and annoying and this is how history gets rewritten by accident.

My original intention was to draw this Bayeux Tapestry scene out and juxtapose it with shots of Galaad interacting with the children, but the two page sequence I imagined didn't really work as well in reality as it did in my head.

Foremost among my concerns was that the tapestry reference might be too obscure for most readers. I wanted to weave the visual meta-text of Chivalry into the story (For further reading on this project and my use of visual meta-text, symbolism, and history in Neil Gaiman's Chivalry, go HERE. And HERE. And HERE. And Yet again HERE.) in such a way as it would enhance the experience for people who "got" the visual meaning, while not dragging things down for people who didn't. So I cut this scene down to one panel.

The tapestry is a complete, long form comic strip created over 1100 years before some people claim comics were invented. So, I loved being able to reference it here.

But even more interesting to me are the sequential art sequences that appear in illuminated manuscripts - comics in book form.

I once got into a rather vicious argument with an academic who insisted illuminated manuscripts were comics. I said no. She said yes. Then she insulted the lowly comic artist and blocked me on Facebook.

Whatever.

My point was not that you can't find sequential art in illuminated manuscripts. My point is that an illustrated book isn't de facto a comic. Most illuminated manuscripts are illustrated books. Some illuminated manuscripts contain sequential art.

Just because opera is music, that doesn't mean all music is opera.

Just because comics books are books that doesn't mean all books are comic books.

And just because some illuminated manuscripts contain sequential art, that doesn't mean all illuminated manuscripts are sequential art.

But one is.

Let me show you it.

One of the earliest examples of an illuminated manuscript with comic art is The Bible d'Etienne Harding which you can see in this really bad jpg here, sorry, best I could find.

Created around the year 1109, property of a French Cistercian monk, it combines sequences like this with pages of text and illustration.

Not a comic book IMHO, but an illuminated manuscript with sequences of text, illustration and sequential narrative.

It's no more a "comic book" than a newspaper is for having text, illustration, and comic strips in it.

IMHO, academic lady.

And here's a look at the Old English Hexateuch (hexateuch refers to the first 6 books of the Bible) which I think is far more visually complex and interesting work, and comes much closer to the illuminated manuscript as comic, but still intersperses large sequences of text and illustration with sequential storytelling sequences. So I don't consider it a comic, but a book with sequential work in it.

Now this work below is a different matter. This is from the Holkham Bible Picture Book, circa about 1330.

This thing is genius. It measures a little larger than a modern comic, around 8"x11", and almost every page of it is like this spread here. 231 pages of beautifully rendered art, with repeated use of banderoles - "speech scrolls" (basically word balloons) - and captions, and (mostly) real sequential art. I've never seen anything else that comes even close to it, and by all accounts, neither has anyone else.

It may not be a modern comic book - but it's a comic book as far as I can tell. I don't think there's any other illuminated manuscript that is as complete, sophisticated, and innovative a sequential storytelling work.

If this were printed and seen by more people, the comic book medium would have taken off centuries earlier, IMHO. But it wasn't. It was tucked away in a monastery somewhere and few people ever saw it. It ended up being forgotten for centuries until it popped up again around 1816 when a banker sold it to an avid book collector, Thomas Coke, Earl of Leicester, who inherited Holkham Hall and its library and set about restoring and expanding it.

The banker wrote, “a very curious MS. just brought here from the Continent. . . which I think one of the greatest curiosities I ever saw”.

Sequential art got invented over and over and over by one artist after another until one day centuries later, some teenaged boys found their newspaper strips gathered together in a cheap format, and suddenly comic books were popular and like new.

And then a lot of people who didn't seem to realize that books had had pictures in them for centuries got all up in arms about the harms of books with pictures in them.

I think it's funny that it is called the Holkham Bible Picture Book. There really was no "comic" art language when this work was created or when academics began to catalogue this sort of thing. Will they change the name now?

Who can say.

Anyway, another Holkham Bible Picture Book reference for you.

Look familiar?

I referenced it in this scene in Chivalry.

One of the fun things about the Holkham is that it opens with a discussion between a friar who has commissioned the work and the artist. The friar admonishes the artist to do a good job on the project because it will be shown to important people. And the artist responds, "Indeed, I certainly will and, if God lets me live, never will you see another such book."

He wasn't kidding.

You can see the entire manuscript HERE.