Tumgik
#dad jim hopper
lostlimerence · 2 years
Text
The Youngest
CW: discussions of predatory behaviour.
He’s the youngest of the three, a fact that is all too easy to forget.
Sometimes, when he’s reminded, it’s something mundane, like when the boys have a disagreement and Steve, to ease the tension, jokingly ruffles Billy’s blond curls with some quip like, “respect your elders,” as Eddie nods sagely with a barely suppressed smile.
Other times, it catches him off guard, like the time he’d passed Billy a cup of coffee, “black,” (like he’d ordered) then watched, not without amusement, as the boy’s nose had crinkled in disgust at the first sip.
But then, far too often he’s reminded in moments like this. When the kid’s cornered by some self-serving adult.
This time it’s Karen Wheeler.
He watches as she crowds Billy, manicured talons glinting as she strokes the length of his arm. His back is pressed up against the Camaro, knuckles white where he grips the handle. When he sees a predator cornering it’s prey on Tv Jim’s skin pricks, just like it is now. He’s caught the live show and Billy sure as hell isn’t the predator.
Jim pushes himself out of his car, takes a breath, and tries to swallow the acrid anger rising in his gut. He needs to be calm. Diffuse and extract. He repeats this mantra as he strolls over.
“Billy!” the kid starts hard and turns, anxiety clearly coursing his veins. Karen just looks up, clear irritation spreading across her face.
Jim hates her.
He forces a grin “hey kid,” he shouts, flicking a pointed stare at Karen as he does, before focusing on Billy “why you still here? Pool’s shut, isn’t it?” Billy looks a little perplexed as he replies, “yeah, I was just, er, leaving, right Mrs Wheeler?” he turns back to the woman, who has at least taken a few steps back. She doesn’t look even slightly phased as she corrects him in a sickeningly sweet voice, “we’ve spoken about this Billy, call me Karen,” as she bats her eyes in a way that makes Jim want to knock her out.
It’s an image he allows himself as he closes in on them, stretches his grin further and says “with all due respect Mrs Wheeler surely Nancy and Mike are home by now,” she has the audacity to puff up at the dig “I was just about to head home Hopper. The kids will be fine for a bit,” Jim keeps smiling, “ of course Mrs Wheeler, you get back to your kids and I’ll take care of this one.” he says it in what El has affectionately dubbed his ‘Chief Voice.’ It leaves no room for argument. With a slight huff Karen shrinks back, sends one final sweeping glance at Billy, before retreating to the safety of her car with a sharp “Goodnight.”
He watches pointedly as she drives out of the car park, then turns to Billy. He’s strung tight, trembling and pale. Jim braces himself, ready for an argument as he speaks“you aren’t driving anywhere like this kid, get in my car,” he’s surprised when Billy complies. Jim follows suit, puts the car in drive, there’s no destination for now.
Billy’s shaking hands curl into fists as the car pulls out onto the road. Jim waits, gives the kid time to process. The silence is long but when the words come they’re seething “I was fucking fine,” he hisses, “I don’t need your fucking help,” he’s gritting his teeth, snarling like an animal, hackles raised. Jim won’t rise to it, he knows this is the ‘fight’ part of Billy’s wiring, something he calls upon constantly. Instead he simply and calmly states “no you weren’t, and yes you do,” eyes fixed firmly on the road.
His periphery catches the lock and load in the kid’s throat as Billy’s teeth grit impossibly harder, he twists in his seat and pulls the trigger as he roars “What the fuck do you know?!” it’s fucking loud, splits Jim’s ears, but he keeps his composure, because Billy is a fucking kid and he’s a fucking adult. Plus, Jim knows he’s being pushed for a reaction, violence is the only language Billy knows especially when it comes to adult men, and Jim will never speak it, no matter how hard Billy tries to make him.
He waits for a beat, listens to the kids laboured breathing before speaking deliberately and slowly,“she’s a predator Billy, old enough to be your mother. Hell, her daughter is older than you. She shouldn’t be anywhere near you,” he glances over, sees a little bit of the anger dissipate as Billy retorts “yea I know that,” he leaves a beat before adding “you old fucker,” and Jim does nothing but raise a brow, refusing to take the bait. He lets Billy stew until the silence becomes too much and the kid continues just to break it, “it doesn’t fuckin matter, it’s always like this, I know how to get away, it’s fuckin fine, I don’t need you,” he spits the word need like it’s poison on his tongue.
Jim gets it, he knows this visceral reaction to offered help is nothing but Billy’s innate survival instincts kicking in. The kid has never been able to trust an adult to protect him, never been allowed to need someone like that. He has no logical basis that would allow him to just trust Jim. But Jim is a stubborn ‘old fucker,’ determined to become someone Billy can trust. But to build that trust Jim needs to get through to the kid, and to do that, he knows needs to push, needs Billy to accept some sort of help. So that’s what he does, he pushes a bit, calm but firm “what were you gonna do Billy?” silence hangs, “to get yourself outta there?”
It takes a while but eventually Billy frowns and mumbles “dunno, but I’d have done something,” and Jim needs to drive his point home so he takes a bit of a risk and asks “would you have shoved her? Hit her?” and that gets a reaction, the kid shoots up straight-backed with an emphatic and horrified ‘No,’ and Jim isn’t proud of it but he has to keep pushing so he says pointedly “then what would you have done?” and the only answer he gets is an exasperated “ugh. I don’t. Fucking. Know.” the silence that settles is suffocating.
When Jim breaks it he treads carefully, speaks slowly as he chooses his words, “exactly Billy, you don’t know. Unfortunately, that isn’t a situation, though by god I wish it was, where I could’ve just arrested her. That doesn’t mean it wasn’t wrong, it just means our justice system is shite,” Billy flashes a brief smile at that “ so because I can’t just cuff her, we need an alternative plan.” Billy opens his mouth, likely to protest again, but Jim soldiers on “This is what is going to happen, you’re going to give me your work schedule. I’m going to give you one of my kids walkie talkie things, because it can reach my radio. If not me, someone from my team will be in the car park for every late finish and you are going to contact me with the talkie thing if you end up in a situation where you need me to come and get you immediately, Ok?” Billy doesn’t speak straight away, stares out into the darkness before answering in a voice that cracks just a little “fine, whatever old man.”
With that Jim lets the tension bleed from his body. He needs to speak to Billy more, needs to sit him down properly, have repeated conversations with the kid about personal safety, consent, hell maybe even stranger danger with how reckless he can be sometimes. But that is for another time, now he needs to get him somewhere safe, so he just says “great! Now where am I taking you?” Billy shakes himself a little “just home,” Jim questions that, pointedly glancing at his still slightly trembling hands, “is that wise right now?” Billy frowns a little but changes his answer, “Munson’s” Jim smiles. Eddie is so well attuned to Billy, he knows the kid will get nothing but comfort as soon as Eddie lays eyes on him (he also knows Steve will be with them in a flash).
He makes the short drive to Eddies, cuts the engine outside and turns to face Billy, “I’ll get you a talkie and give it to Eddie or Steve tomorrow ok?” Billy stares at him shocked. He looks so young, so lost, like he can’t comprehend the idea that Jim isn’t just all talk, it takes a while but he gets a quiet “yea ok,” before the kid is suddenly yanking the door open, turning to slam it shut with a brief muffled “thanks old man” slipping through the gap, before he’s off practically sprinting to the door.
Jim chuckles to himself, at least it’s better than ‘old fucker,’ he waits for Eddie to open the door, sees the blatant look of concern as he gently slides a hand into Billy’s and pulls him across the threshold, just catches a glance of Steve who’s staring worriedly at his cop car before the door swings shut. Jim sighs starts his engine and heads home.
Billy’s the youngest, the most vulnerable of the three, sometimes it’s easy to forget.
Sometimes it’s vital to remember.
Tumblr media
936 notes · View notes
supernaturalfreak · 1 year
Text
I know not which I crave more of:
More Hopper being a father figure for Steve
or
More Eddie, Steve, and El interaction because that shit’s adorable
do i have family issues? i’m realizing it’s quite possible. maybe.
194 notes · View notes
mynameis-noe-body · 7 months
Text
Okay so — time for Stranger Things' Headcanon: dad Jim Hopper edition.
Tumblr media
James "Jim" Hopper was born around 1941/42, follow me on this. He went to school with Joyce, same year, right? And we know they are around 40 in Season 1 — it's 1981/82.
Let's say he left for Vietnam right out of high school, he's barely 18, just a boy. But he spends five of the worst years of his life fighting in a foreign country, breathing shit and stuff. He's 22 when he comes back — 1964.
Joyce gets married the same year, to Lonnie. They are definitely not going to be happy, and Jim knows that. They have been friends, good friends years before. So, he's not really surprised to find about his old friend unhappy marriage. They spend and awful lot of time talking about that, but there's nothing she can do, come on — she's a young woman, just married and even though she fights her husband every day she still believes there's something that may be saved. That's when she gets pregnant with Jonathan — 1966.
Jim is 24, he just started into Hawkins Police and damn, the uniform dresses him good. Chicks look at him, and he likes that, he can't deny. At the same time, things for Joyce keep getting harder.
Things go slowly and difficult, and even boring sometimes. Nothing really ever happens in Hawkins. And people talk — better saving the appreance, right?
It's 1967 when, one summer night, Joyce is exhausted. Lonnie hasn't come back yet, and she knows she won't see him before Monday night, that's just how her weekends usually go. She's lonely, and tired, Jonathan is finally sleeping and she need a break. Jim calls to check on her, just to say hi or something. She invites him over. "God, I need a beer and a cig, Jim. You don't know how tired I am."
He comes later, six cold beers and a pack of cigarettes. (Maybe even some weed, for old time sake.)
They drink, and smoke. And laugh. And smoke, and drink. They don't know exactly how it happens, but it happens. They wake up still half naked on the couch next morning and they swear it was just one night, and they'll forget about it. He leaves, and life goes on.
Lonnie comes back home, Jim meets his wife some time later. And when he gets married, they live on the other side of Hawkins for some time, before New York. It's not a big city, and somehow the two of them just slowly becomes... strangers. Up to the point she doesn't even know...
And surely he cannot imagine Joyce's pregnant.
She keeps telling herself the baby's Lonnie's. It cannot be another way around. In 1968, she has a girl.
Jim is 38 when he comes back to Hawkins — it's 1980. He hates to watch the happy family; he knows Joyce isn't happy at all, but that girl. Sarah would have been 9 and Joyce's girl is just a little older, a 12 years old spitfire. Funny little thing, she is. And she hates her father to the guts. Everytime she can, she leaves the house, running into the woods. Her older brother tries to keep her but it's just — she's wild. A little rebel.
When Jim finds her the first time, running all alone in the street, crying an ocean, he immediately recognizes her. Jim takes her to the Benny's Burger, gets her a hot dog and fries, and a coke. She keeps talking, and talking, and talking — about her family, school and all the things no one in her family seem to care about ("Lonnie's fighting with Johnny, and mom's fighting with Lonnie and no one ever see me. This is good, can you buy me more sometime?")
He feel in love that night. He didn't get to be a father to Sarah... but she desperately needs one. So he talks to Joyce and keeps telling her it's alright. "Listen, that's a mess, I can see that. But I'm glad to help. If your daughter needs a safe place... just, you know where to find me."
And she does find him. The girl spends half of her nights at Jim's, mostly when her father comes home drunk enough to take it out on her, too. Jonathan is tough — he really doesn't want to deal with an old Chief, nor to be saved from his own father. But she's just a child.
Jim buys a VHS player. And a second toothbrush. She is small enough to take the couch. He can't cook to save his life, but finds out he's willing to learn — she can't eat pizza every fucking night, for god's sake. He helps her with math homework. Teachers are used to him coming to pick her up at school.
She calls him dad at school, speaking to her classmates. They know her as the Chief's daughter. Joyce doesn't mind explaing, she's done with keeping the appearance. "Jim is my dearest friend" she says, buying grocieres at the store, her youngest running around the shop, showing her the last pack of coloring pencils he wants for his next birthday. "He's always been there for my girl, and she just loves him like a daughter would."
He calls her peach. She's fine with it. And she should be at that age where kids get embarrassed by their own parents, but she jump out of his Hawkins Police pick-up with such pride before entering school — he couldn't be happier about that.
He lectures her about that danger of drugs, and alcohol and boys at the beginning of her first high school year. Now she's embarrassed. "I'd rather talk with mom about that, if you don't mind..." he nods, silently. "But thanks anyway, I love you too, dad."
It's the first time she said that. Jim doesn't get any sleep that night. He hadn't realize just how much he cared about her — it wasn't a matter of blood anymore, she was his daughter. Not Sarah, not a sort of surrogate for his own loss — his kid. She was her own person and he loved her.
He teaches her to drive. But she definetly improves with Jonathan, he can't be really patient about it.
She loves her brothers, really — they are just different. Like, there is something, somewhere... she can't wrap her head around it, but it's there. They are family just not the same family, perhaps. There is Joyce in her eyes, and in her smiles, but nothing of Lonnie. Even though she can see his nose on Jonathan's face, and his lips on Will's. The way he used to walk, bouncing around just like Johnny does. And the way he used to hums rock music, sometimes — just like Will's habits. She does not. None of this. She's quiet, and loves old movies, and checkered shirts, and coffee. No coffee in the Byers house, but tons of it in Jim's trailer.
And it all comes around when she gets a fever. Appendicites. Joyce and Jonathan rushes her to the hospital, they call him from the public phone. "Peach's getting operated right now — please, can you come?"
He's never left the Police station faster. And the doctors say they need blood — "Type 0 is rare. We don't have any bags available at the moment, but she needs a transfusion to recover as quickly as possible" the doctor explains.
Thank god Jim's there because the next day, when she opens her eyes, she asks about him too. He's slept in the hospital room, Joyce says, in case she woke up. But then, the doctor delivers the complete blood tests. They made sure about blood type compatibility and everything else, even though it was predictable — after all, she is his daughter.
And that's where all the knots come home to roost. Jim turns pale. He and Joyce exchange an eloquent look. He swallows. "My daughter — sure, but you mean that I... that we..."
Everything goes back to that 1967 summer night, to those beers, a joint shared on the sofa. Life couldn't get any stranger, right?
22 notes · View notes
writer-in-theory · 1 year
Text
Tumblr media
Billy Hargrove Bingo 2022
Prompts: "You can stay at my place." Reunion Flinching Pillow Fight Breakfast Club AU Jim Hopper as Billy's Dad Hidden Injuries Secretly Royal
Read on Ao3
Tumblr media
A1 — Swiping Right (9.3k)
Prompt: "You can stay at my place" Summary: Steve helps his roommate, Robin, land a Tinder date and maybe finds some romance of his own along the way. Pairing: Steve Harrington x Billy Hargrove // Robin Buckley x Heather Holloway Rating: M Type: Oneshot
A2 — California Dreamin' (10.7k) 18+ ONLY
Prompt: Reunion Summary: When Steve finally goes on his cross-country trip, he never imagined he'd find an old ghost from Hawkins. Pairing: Steve Harrington x Billy Hargrove Rating: E Type: Oneshot
A3 — Planting a Memory Garden (1.9k)
Prompt: Flinching Summary: All couples eventually have their first argument. Steve never expected it to go like this. Pairing: Steve Harrington x Billy Hargrove Rating: T Type: Oneshot
B1 — Everywhere You Look (There's A Heart) (Coming Soon)
Prompt: Pillow Fight Summary: Billy never thought he'd be a single father, but he knows he wouldn't give his daughters up for anything. Pairing: Steve Harrington/Billy Hargrove/Eddie Munson, Billy Hargrove & Daughter!OC Rating: T Type: Multichapter
B2 — The Best Thing (That's Ever Been Mine) (4k)
Prompt: Free Space Summary: When Steve and Billy run away from Hawkins together, they find out the story doesn't end at happily ever after. Pairing: Steve Harrington x Billy Hargrove Rating: M Type: Oneshot
B3 — Don't You (Forget About Me) (Coming Soon)
Prompt: Breakfast Club AU Summary: Five people who’ve never had a reason to interact much before now have detention together. What could go wrong? Pairing: Steve Harrington x Billy Hargrove x Eddie Munson, Nancy Wheeler x Robin Buckley Rating: T Type: Oneshot
C1— Piece by Piece (3.3k)
Prompt: Jim Hopper as Billy's Dad Summary: When Max calls for Hopper’s help one night, everything changes. Pairing: Platonic Billy Hargrove & Jim Hopper, Billy Hargrove/Steve Harrington Rating: T Type: Oneshot
C2 — All This and Heaven Too (6.2k)
Prompt: Hidden Injuries Summary: When Billy is forced into a contract with the devil after becoming a Victor of the Hunger Games, Steve is there, always. Pairing: Steve Harrington x Billy Hargrove Rating: M Type: Oneshot
C3 — One and the Same (Coming Soon)
Prompt: Secretly Royal Summary: Eddie Munson's life is turned upside down when his Uncle Wayne brings Prince William Hargrove to their home in Hawkins, Indiana as part of the Prince Protection Program. Pairing: Eddie Munson x Billy Hargrove Rating: T Type: Oneshot
23 notes · View notes
autisticgoodman · 2 years
Text
i'm coming out | lesbian el hopper
el comes out and her family is supportive. slight angst if you squint but it's all comfort, babey! i make my own canon.
click here to read on ao3. read below the cut.
el tiptoed her way to hopper’s room, wanting to talk to her dad. 
“dad?” she knocked on the door, playing with her oversized shirt. 
“yeah, kid?” hopper opened the door, letting his daughter into his room. “what is it?”
“can we … can we talk?” she looked up at him, nervous. 
“always.” he closed the door behind her, sensing it was serious. he led her to his bad, patting beside him for her to sit. “is something wrong?”
el didn’t respond for a moment, hesitating as she thought of what to say. 
“is it wrong to … like girls?”
hopper froze. “what do you mean?”
“is it wrong for a girl to .. like girls?” she got teary eyed at hopper’s expression. “a friend told me she’s a … a lesbian. is it wrong to be her friend? i don’t want … i don’t want to stop being her friend.”
“no, el, honey, it’s okay. it’s okay for a girl to like girls. it’s also okay for a boy to like boys. it’s just that … some people don’t think so and questions like that scare me,” hopper tried his best to explain to his daughter without upsetting her further. 
“scare you?” she was still upset, and now concerned. 
“there are bad people who think it’s wrong for a guy to be gay and a girl to be lesbian. they’re really bad people. i was worried that you’re a lesbian because … i don’t want you to experience that kind of evil.” 
“would you still love me if i … liked girls?” el asked, voice wavering. “even if the evil people said it was wrong?”
“of course! you’re my daughter, okay? and i will always love you no matter what. if you like girls, that’s okay. i will love you and support you no matter what.”
el hugged him, tightly. “i think i’m … a lesbian,” she said into his shirt. “how do i … how do i tell mike?”
hopper hugged his daughter back and shook his head. “you don’t have to. you can just break up with him. you have to be careful telling people, i’m sorry. i wish .. i wish it didn’t have to be that way.” he held back tears, not wanting to make his daughter upset. it hurt him to know that there were some people who would never accept her. “this doesn’t change you, okay? you’re still my daughter.”
“will .. joyce think so too? i want to tell her. she’s .. she’s my mom.” 
“of course she will, el. and so will the boys.” hopper nodded, kissing el’s forehead. 
“can you come with me while i tell them? my friend told me that … sometimes people have support.” she looked up at her dad, clear nervousness on her face. 
“of course. i’ll be with you for anything.” he nodded, and the two stood up to go to the living where the byers currently were. 
el stood nervously behind hopper, who cleared his throat to get the attention of everyone in the room. “the kid has something to say.” 
he stepped aside and let el take the floor. she had never been this nervous before. she didn’t even fully understand why she was nervous. 
she looked to her dad for support and he smiled, encouraging her. 
“i … i like girls. i am what is called … a lesbian.” she took a deep breath and awaited the responses of the rest of her family. 
“oh, sweetheart!” joyce stood from her spot on the couch to hug el. “i love you so much, thank you for trusting us.” she kissed el’s forehead, smiling. 
“i love you, too …,” el paused before calling joyce,”mom.” 
joyce grinned. it was the first time el had directly called her mom. 
“el, you’re such a cool little sister. i love you no matter what.” jonathan looked down at her and ruffled her hair, causing her to giggle. 
“thank you, jonathan.” she hugged her older brother, tightly. 
will almost looked relieved when she came out. he had been so worried that when he decided to come out, his sister wouldn’t accept him. 
“i love you, el.” will gently pushed jonathan out of the way, the two twins hugging. “you’re still my sister.”
“thank you,” el whispered, holding back tears. 
they were her family, and they accepted her and her powers, and they also accepted that she liked girls. 
26 notes · View notes
aro-ace-of-spades · 2 years
Text
Me just crying cuz Im re watching stranger things for like the 6th time
And sobbing cuz hopper is reading 011 a bedtime story and my parents never did that and hopper isn't even 011's real dad but he loves her so much
*breaks down crying*
27 notes · View notes
kennahjune · 4 months
Text
Teen Dad
Quite surprised there’s not a lot of these AUs considering how much Steve apparently sleeps around but anywho.
Teen Dad Steve who finds out one of the girls he’d slept with pre-Nancy is pregnant and he damn well intends on helping out however he can.
Turns out; helping means taking his son (his SON) and having full custody because the mom, no matter how much she wants to be involved, can’t take care of him.
Steve’s alright for the first 6 months of little Louie Harrington’s life.
But then his parents come home and shit hits the fan.
Which— fair enough. He was only 17 and already had a whole ass son, they were gonna freak out.
But kicking him AND aforementioned son out? With no where to go? No money? Barely a job?
That’s just fucked up.
But Steve makes do, and lives out of his car for no more than a month before finally landing his hands on a cheap trailer in Forest Hills.
He and Louie move in and sure, it’s rough. But he’s got a nice paying job at the Diner and yeah maybe he has to skip some classes to get extra money but it’s fine. It pays his bills and rent and that’s all that really matters.
It’s fine.
And then the second wave of Upside Down fuckery hits, and Steve’s suddenly in the hospital with a grade 4 concussion (whatever that means) and his top priority is to make sure someone is with Louie.
Enter Claudia Henderson, Dustin’s mom.
She takes care of Louie for as long as Steve is in the hospital and then some when Steve can’t be left unsupervised in case his head worsens.
And that’s how the Party is introduced to little Louie (as they all call him).
Steve’s stunned to find out that Mike and Lucas are so good with little kids, but the two of them love stopping by the Henderson’s (and later on the trailer) to see little Louie and offer to babysit for him whenever.
The other kids take a little bit of time to warm up to Louie (and the fact that Steve’s actually a parent) but when they do Steve never ceases to have at least one of them over.
And with all the racket brings in the attention of nosy neighbors.
Steve is well accustomed to nosy neighbors. Mr. and Mrs. Lincoln next door to his parents were always looking to snitch on him for something or other.
But Miss Bottomette and her grandchildren Noah and Casey were sweethearts. Steve didn’t mind having them over for dinner or going over there. Miss Bottomette was the one to teach him how to actually put his cooking skills to work.
Linda and Tom, a newly married couple down the road, were quite eccentric but that’s what made them charming. Steve found their dog, Dasher, quite the sweetheart.
And even Mr. Knowles, the grouchy old man next door to Miss Bottomette, seemed to take a liking to Steve and Louie.
It wasn’t long before the story behind the new boy in 2718 New Bird Ave was revealed: Teen Dad Kicked Out.
Then the whole town knew. And while most people were nice about it, even supportive of how he had taken a step into his child’s life, there were always those people who sneered.
Steve ignored them, loving the life he was working on making for himself and Louie in the trailer park.
The only neighbors he never seemed to meet, despite the looming presence, were the Munsons, right across the street.
Steve knew about the Munsons. Well— he knew about Eddie Munson; drug dealer who was on his second run of senior year. Steve actually shared a few classes with him.
He’d yet to meet the mysterious Wayne Munson, but that was to be expected with work schedules.
And then Steve was graduating, and his parents didn’t show up.
But that was totally fine. Cause the kids, Claudia, Joyce— even Hopper with El— were there. They held up little baby Louie while Steve walked the stage.
He’d heard rumors of Eddie Munson having to retake senior year for a third time— but he didn’t dwell on it for too long. Because sure, he missed more than his fair share of classes and scraped by with a C+ average.
But he did it.
And then summer hit, Dustin left for camp, and the mall opened up.
Steve picked up a job at Scoops Ahoy, cutting back on his hours at the Diner but still staying there because the money was needed and the tips were lovely.
And he meets Robin Buckley, and actually talks to Eddie Munson every once in a while when he stops in with his band, and lets the kids sneak into the movies because he’ll be damned if he robs them of a normal summer.
And then Dustin comes back and their reunion is short-lived because Russians are hellbent on torching non-existent information out of Steve and he’s busy getting his third concussion and then there’s a fucking flesh monster and Billy and Hopper for protecting them and—
It’s not a good night.
But then he’s rushed to the hospital and he tries to call Miss Bottomette only for the call to refuse to go through and shitfuckgoddammit.
Because what about Louie?
Miss Bottomette said she’d be alright watching Louie until Steve got home, but Steve wasn’t able to go home until someone was able to make time to take him home.
Usually, he’d lean on Hopper for this stuff, since his parents were out of the question. But—
But Hoppers dead.
So he’s stuck at the hospital for another day or two until finally, Claudia comes to pick him up.
He’s with Dustin in the backseat of the car, anxiously bouncing his leg and biting at his fingers and nails until Dustin gives in and just holds his hand. Robin’s there to, having been able to leave after the first night but coming with Claudia to pick him up. Steve’s relieved to have them both close by, even if his hands reach for Erica subconsciously.
His trailer’s empty when he gets home, and Miss Bottomette isn’t answering the door.
Steve’s on the brink of a full blown breakdown before Mr. Knowles— bless his heart— points them across the street.
The Munsons apparently have his son and have for a bit now since Miss Bottomette had a minor seizure and couldn’t be left alone with Louie. Mr. Knowles assured Steve that she and the kids were fine and staying with him for the moment.
Steve wasted no time afterwards sprinting to the Munsons and knocking on the door. Dustin and Robin are close behind him, Claudia waiting patiently in the driveway.
The door is answered by a gruff looking old man that’s taller than Dustin but slightly shorter than both Robin and Steve.
“You Harrington?”
Steve nods so fast he faintly wonders if that’s how bobble heads feels.
They’re let in in no time and the old man— the infamous Wayne Munson— calls out of Eddie.
Eddie Munson emerges a moment later with little Louie in his arms, bouncing softly on his feet to keep the baby calm.
Steve is in front of him in a second, scooping Louie gently out of his arms and into his own.
He doesn’t realize he’s crying until Dustin’s rubbing his arms and Robin his back. Claudia is talking to Wayne, explaining what had happened (or the cover story version at least) and Eddie is hanging back a few feet from the three of them.
Robin takes little Louie in her arms and shoos Steve to the couch to calm down.
“Let him meet his auntie, Steve. You take a minute to breathe now, yeah?”
Steve was led to the couch with a soft hand on his shoulder from Eddie Munson, and they sat side by side while Steve worked on easing his breathing and to stop fucking crying.
Eddie’s shushing him and after a moment (and a clearly pointed cleared throat from Robin) Eddie wraps his arms around Steve’s shaking figure.
They leave the Munsons’ trailer is promises of new babysitters and a new friendship.
And then the fuckery that’s 1986 happens.
.
First Part:
3K notes · View notes
dwobbitfromtheshire · 5 months
Text
Steve knows the kids don't mean it when they make him feel stupid. Mostly because they're just as dumb as they are smart. If they were curious enough, they'd stick a fork in an outlet. That's what Steve was for, and he's okay with looking out for them until they realize they can start doing it for themselves. They're learning. . .slowly.
Of course, Eddie doesn't realize this until after Vecna, and he's running around like a chicken with his head cut off and he's trying to stop Max from smothering Mike with a pillow in his sleep. Suddenly, he's a stressed-out dad smoking on the back porch at the homecoming party they've thrown at the Munson's new home. He's watching them run around the backyard, looking tired, and Wayne is laughing at him.
"It's not funny," Eddie muttered. "I love those kids but they're going to make me go gray."
"Or lose your hair," Wayne said in amusement.
"Don't even joke about that," Eddie said.
"Got you something, boy," Wayne said and handed him a small box.
Eddie opened it up to reveal a world's greatest dad mug. He looked up to find Wayne drinking out of a world's greatest grandpa mug.
"Seriously? Did you buy that for yourself?" Eddie asked.
"Yep."
Steve came out on the porch, drinking out of a world's greatest mom mug.
"Not you too," Eddie said.
"I think it's funny," Joyce said from beside Hopper.
"Even if it's about one of your kids?" Eddie asked, and she just grinned.
"You know, I think Will and El are the only ones we don't have to worry about," Steve grinned, sitting next to Eddie. "They're angels."
"That's true. . .wait, what's Max doing to Mike?" Eddie asked.
"Well, it looks like Mike has fallen asleep in the grass, and Max is. . .Max is giving Mike a free haircut," Steve said as he sipped his coffee.
"Yeah, I figured that was coming when Mike said skateboarding is stupid," Hopper said.
"You knew Max would cut his hair?" Eddie asked.
"You gave her the scissors, didn't you?" Steve asked.
Hopper stared off in the distance as he sipped his own cup of coffee. Joyce looked at her husband in horror.
"Hop!"
"Should we stop him?" Eddie asked.
"Nah," Steve said.
"What did he say to you?" Eddie asked.
"Well, Dustin joked about us acting like a married couple, and Mike said that I would never marry you in a million years," Steve scoffed and looked at Eddie seriously. "I would marry you in a heartbeat, baby."
Mike yawned and stretched, his brows furrowing.
"Does anyone else feel a breeze?" Mike asked.
"He's looking this way," Eddie said with a grin. "May I kiss you in front of everyone?"
"Absolutely," Steve said with a grin.
Eddie leaned forward and captured Steve’s lips with his.
"Finally," Robin said, coming out of the house.
She was sipping on a mug filled with tea. On the mug, it said: world's worst godmother. Dustin came out a moment later wearing a hat that said: world's loudest child. Eddie glanced at Wayne with an amused look.
"You really went all out, huh?" Eddie asked.
"We had plenty of hush money," Wayne shrugged.
As Max wondered inside, she handed Dustin a pair of scissors.
"What am I supposed to do with these?" He asked.
"Oh my God! My hair!" Mike shrieked. "Henderson! You're dead!"
"It wasn't me, I swear!" Dustin exclaimed and ran off when Mike started chasing him.
"Dustin! You butthead!" Eddie exclaimed. "No running with scissors!"
2K notes · View notes
ikarakie · 1 year
Text
hopper sees steve as a surrogate son. really, he shouldn't make such a habit of picking up stray children, but he looked at harrington and saw a kid who just... needed someone. saw the vacancy in his eyes when he thought no one was looking. saw the police file, the noise complaints and the few reports from hawkins middle school about suspicious bruises that had been swept away. saw a boy who'd seen too much. who just needed someone to lean on.
so he tries to be that. offers the kid a hand every now and then. keeps an eye on him, all alone in that big house, after everything. after '83 and then '84 and then summer of '85, when he'd signed his medical papers because there was no other adult for him around. it always left him a bit hollow, but he told himself that it was okay as long as he was around. as long as steve knew, deep down, that he could come to hopper for help, even if he'd wait until he was on the brink of overload before doing so.
it's all this that makes the sight of steve's car, that brown beemer that had dropped his daughter back home so many times, pulled into a ditch with the lights off cause his stomach to sink. a million awful things come to mind as he pulls in behind it and quickly hops out of his cruiser.
had he seen something and spiralled into a panic? had he gotten a bad migraine? had he run off into the woods alone?
thankfully, he finds the best case scenario: a slightly flushed and dishevelled steve rolling down a foggy window. grinning like he'd been caught with his hand in the cookie jar when he realises it's just hopper. he's fine, he's in one piece.
what's not fine, however, is the person with him in the backseat. eddie fucking munson, a kid hopper's put in handcuffs more than once. not because he's another boy, who gives a shit about that, but because it's eddie munson. drug dealer, general troublemaker, and definitely a bad influence on his boy.
he does his best to save the judgement this time, sensing the fear emanating off the couple. tells them to be more careful, to go home and kiss or do whatever there instead in case anyone else drives by tonight. munson looks at him like he's grown a second head, (which, fair. usually their interactions go a lot less amicably than this) and steve just tears up and nods. he reaches in to ruffle the boy's hair, ignoring the protests, before reluctantly trudging back to his car and driving away.
he calls steve the next afternoon and gets him to confess that, yes, he is dating edward 'eddie' munson. no, it's not a fling. yes, they're boyfriends, god help him. he gripes about it a decent amount, because really, steve? that one? you picked that one? but he keeps the tone light enough that steve feels comfortable enough to defend eddie's honour amidst laughter. within a week he's got steve sat across from him, eddie by his side looking two seconds away from shitting himself.
"well, boys." he grins, cracking his knuckles. eddie watches. gulps. "let's have a little chat, shall we?"
3K notes · View notes
jeysuso · 2 years
Photo
Tumblr media Tumblr media Tumblr media
#it’s a dad thing
7K notes · View notes
imfinereallyy · 1 year
Text
Father Figures
pt. 2 here, and full version on ao3 here
The first time James Edward Hopper meets Steve Harrington is when Steve is thirteen years old. It is back when he is still pushing everyone to call him Chief Hopper, or at the very least James to sound more professional. It is mostly a lost cause, as he has just returned to Hawkins after his daughter Sarah's death and most people can't help but call him Jim and Hop in familiarity, in sympathy.
It didn't mean they didn't take him any less seriously though. In fact, his cold, grieving demeanor gave him quite the reputation around town. Made assholes like Lenny Byers and troublemakers like the little twerp Munson turn in the other direction when they see him. So Jim doesn't try to push the professional name too much. He knows people around here respect him.
They respect him enough to follow his word, they respect him enough to turn a blind eye when he takes an extra pill or two.
Jim doesn't think too deeply about his reputation until he meets Steve Harrington for the first time.
He gets a call from Benny. It's directly to his line at the station, instead of a general 911 call. He doesn't think much of it when he answers, most likely it was a non emergency from an old friend from high school. That's the only reason people call him most days.
"Chief Hopper. Make it quick."
"Jimmy." A deep, worried breath comes from the phone.
Jim immediately straightens. "Benny, what's wrong?"
Benny usually only calls for a laugh, or to invite him out for a drink. The guy doesn't care about too much, or ask too many questions. Hearing concern in his voice was alarming, to say the least. "Listen, Hop, there is a kid here. And normally I don't care, cause business is business, but it's two in the morning, Jimmy. And despite the kid wearing the most expensive pair of sneakers I have ever seen, he only has two dollars on him for a meal. He got all skittish when the plate landed too loudly. And I don't know..." Benny takes a deep breath before he continues. "...I just don't want to be at fault if this kid's trouble and some fancy parents come looking for him."
Jim can tell Benny wants to say something else, he doesn't push though. Jim Hopper tries to never ask too many questions.
"Alright Ben, I'll be there in ten."
———
When Jim arrives at the diner, Benny notices him and nods in the direction of the corner booth. And there, sitting with his head low and scarfing down a plate of fries is Steve Harrington.
Jim has never met the kid personally, but he knows his parents. Cold, calculating, and pretty much owns half of Hawkins. Jim is starting to understand why Benny has called him.
Jim slides into the booth across from the young boy. He's prepared to take the kid by the back of his shirt and drag him out of there. He doesn't need these kids to be causing hard-working people any trouble. But when Jim makes a thump in the booth, the Harrington kid's face snaps up in fear, and Jim's plan for an angry monologue just drops.
Because there, on Steve Harrington's jaw, is a bruise the size of Indiana itself. Jim's face remains gruff, but his body language softens. "Hey, kid. What are you doing here so late?"
Steve's posture remains stiff and small. "Sorry sir, I was just hungry and it was the only place open. I wasn't—I wasn't trying to cause trouble."
It's then, for the first time, Jim thinks that his reputation isn't one of respect. Instead, his reputation might something worse. Fear.
"Didn't think you were. Just wondering what a rich kid like you, is doing on this side of town, at this time of night." Jim doesn't say it like a question, just fact. He tries not to take it too personally when Harrington turns his bruised side in on himself.
"Would have uh—gotten something from home but we—I didn't have any food left. And by the time I was able to eat, everything else was closed."
"Able to eat—kid what are you rambling about. Let me call your parents to pick you up." Jim makes his way to stand but Steve grabs his wrist to pull him back.
"No! I mean—" he clears his throat "—not necessary sir. My parents left for a work trip tonight. I uh—don't have a number for you to call them anyway. They call me instead, they never have a solid line to contact. Nothing bad happens in Hawkins anyway, so it isn't something to worry about." The last line sounds practiced, like it is something repeated to Steve religiously enough it's become his own mantra.
Jim is starting to put it together. The waiting all day to eat. The bruise on his jaw. The lack of money for food. God, the kid probably walked six miles to get here.
Jim isn't stupid, he can connect the dots. But Jim also knows when not to push things. When not to rock the boat. When sometimes, even if it pains him, helping someone would be a lost cause. He thinks of Sarah briefly.
It's even worse when that lost cause is just a kid.
Jim decides maybe the best thing he can do for Steve at that moment is to ignore the obvious problem and offer him a bit of kindness. "Well, I can't have ya here this late. Could look bad for Benny. And we don't want to get Benny in trouble do we?"
Steve shakes his head immediately. "No Sir."
"Didn't think so. Why don't I drive you to the station? Don't worry I'm not arresting you. But we got a nice cot there, and you can get some rest. Then I'll drive you back in the morning when I clock out. Cause I'm still on duty and all. Can't be driving you back Loch Nora quite yet." Jim doesn't mention how he can see bags under Steve's eyes. He doesn't mention how it would be quicker to his house than to the station either. Jim maybe, just a little bit, wants to keep an eye on him. Even if it's only for a short time.
"It's okay I can walk—" Jim levels Steve with a look "—actually that sounds great. Thank you, Sir."
Jim nods with finality and starts to stand. "Oh and kid? Enough with that sir crap. I ain't Mr. Harrington." He almost says I'm not your dad. But that felt wrong somehow, giving Harrington senior that title.
"Okay, sir—I mean Hopper. Okay, Hopper."
---
As the years go by, James Edward Hopper keeps an eye out for Steven James Harrington (Yes he looks at his file for his full name. Yes, it makes him feel some sort of way he has his name as his middle name and not his father's. Richard would make a horrible middle name anyway). At first, it's drive-bys to see if anyone's home. Giving the kid a ride if he sees him walking. Swinging by a basketball game or two, to see how he's playing.
Then it turns into busting his ragers. Hauling him in for the night not to arrest him but to sober the kid up. Pulling him over for driving while intoxicated with that dumb Hagan boy.
Jim wants to be mad, he does. He even yells at Steve sometimes. But he can't find in him to be mean to him, not really. Not when he's pretty sure the only thing Steve has consumed in days is alcohol. Not when even though he has gotten much bigger, and the bruises are less visible, Steve never ceases to flinch when Jim grabs him.
So mostly, Jim either just drives him home or brings him in, giving him a sandwich and bed for the night.
Around when Steve is sixteen though, things get worse for Jim. He becomes more frustrated, with Steve, with his job, and with this town. He takes more pills. He neglects his job. He forgets Steve.
Then the Upside Down happens for the first time. Jim tries to better himself for Joyce and the kids. He mainly though does it for El. His second chance, his new reason for trying, his daughter.
Jim knows it's okay to get a little lost in taking care of her. That it's a good thing, and she deserves his full attention.
He does feel a bit of guilt though, after round two of the Upside Down. When Steve Harrington sits in Joyce Byer's living room, looking like he went ten rounds with a semi.
The kids are all over him (including Mike which shocks the hell out of him). Dustin is trying to stop the bleeding on his face, Lucas is holding ice against his head and even El, who Steve met for all of five minutes, is sitting beside him on the couch, holding his shoulder up. There is a look in El's eyes as she stares up at Steve. Like she can see through him, like she knows him. Like she understands him.
Jim feels his heart break a little.
He approaches Steve in a crouched position. "Hey kid, I think we better take you to a hospital. You look like shit." He is sure there is a better way to say it, but Jim Hopper is a blunt man and that was never going to change.
The redhead, Max, snorts. "That's honestly the nicest way to put it."
Steve glares, Jim can't decide if it's at him or the kids. "No. I'm okay."
Dustin shouts, "Steve you are most definitely not okay. Hop's right you look like shit—"
"Language."
Dustin ignores Steve, "—and that's just externally. Who knows what's going on internally."
"C'mon kid, I can drive ya." Jim moves to help him stand.
Steve bursts with anger and pushes Jim away. "I said no. And you're not my dad."
Jim's jaw tightens and he resists the urge to scream back: and thank god for that.
El speaks before he can yell back. "You're hurt." It's soft, it's demanding and it's so very El. Jim watches Steve crumble back into the couch.
His voice is rougher than before, but much more gentle, "No hospitals."
"Okay. At least let Joyce look at ya. She used to be a nurse." Jim puts a hand on his shoulder, careful not to jostle him.
"Okay, Hopper. Okay, Hop."
———
After that, for a little while, Jim tries to look out for Steve again. It's harder this time though. He's more independent and harder to catch sight of. When he does see him, one of the gremlins is around him, and he can't check-in. And Hop has El, and he can't neglect her in favor of Steve. He tries to balance it out, but in the end, Steve isn't his kid.
Jim finds a small loophole though, which is El herself.
He worries about her every she since she ran away and he didn't even notice. And he knows Steve, like him, has a soft spot for the kids. So under the guise of babysitting, Jim gets Steve in his cabin once a week. So someone other than Joyce or Jonathan (or horribly, mike) is spending time with her. Sure, he's not there to keep an eye out for Steve himself, but it's the closest he's going to get.
Besides, biological daughter or not, El is just like Jim. She has a habit of collecting strays. If it's not going to be him looking out for Steve, he can't think of anyone better for the job than his little girl.
———
After Starcourt, somewhere in a Russian prison, Jim thinks of Steve.
Every day, Jim thinks of El. Misses her. Longs to hear her laugh even longs to hear her yell back at him. Every day, Jim thinks of his daughter and mourns what could have been. But Jim knows she's being taken care of. Knows Joyce and the boys will love her, and take care of her. Make sure she knows nothing else but kindness.
He worries though, between those moments, about how there is no one there for Steve.
———
Months later, in Hawkins Memorial, Jim Hopper finds Steve Harrington in a hospital chair next to Eddie Munson's comatose body.
Jim has a lot of questions but doesn't get any of them out because suddenly Steve Harrington is right in front of him, sucking in a harsh "Hop," and then collapsing in Jim’s arms.
Jim holds him close, says nothing, and cries silently with him.
———
During the summer that follows, James Edward Hopper notices a change within Steven James Harrington. Despite the obvious PTSD the boy suffers, and the scars that litter his body, Steve is visibly happier than Jim has ever seen him. He laughs more, he openly cries more, and he loves more.
Steve's now living with Robin in a tiny two-bedroom downtown. He comes to family dinner with the entire party every Sunday. He shares a cup of tea (no more beer for either of them) and a cigarette every Thursday evening on the Byers-Hoppers front porch.
Most noticeably, the biggest difference Jim sees in Steve is Eddie Munson.
Jim once again isn't stupid. And despite being an ex-cop isn't a bigot (he couldn't find himself back at the force, the corruption is too much for him. And he himself, was never very good at his job). So he can easily come to the conclusion that Steve has a massive crush on Eddie Munson.
Dear. God.
It's not that he has a problem with Eddie being a boy, but it's the fact that out of all people he can choose from, Steve had to go and fall for the twerp who used to trip over his laces when running away from Jim for the third time.
Jim feels, after all the years of neglect that Steve faced, he could do so much better.
Steve is happy though for once, and Jim doesn't say anything at first. But it becomes so painful to watch. The lingering touches. The longing gazes. The nicknames (sweetheart, honey, dear god did he just say big boy—).
Nothing ever comes of it though, it's August and neither of them has done anything but pine. And Jim seems to be the only one who notices.
At first, he thinks it's cause everyone is being kind, and giving them room to explore themselves. But with everyone making jokes about Robin and Steve (from the kids) or Steve and Nancy (from Eddie), it seems like no one notices the excruciating flirting between the two.
(Except for maybe Robin, but Jim isn't quite sure Steve and she aren't one organism. He doesn't count her)
Still, Jim ignores it though. He has learned his listen from Mike and El. Getting involved makes everything worse.
That is until, the second week in August right before family dinner, when he finds Steve and Eddie early, sitting on the couch, with Eddie dabbing the blood off of Steve's face.
"What happened?" Jim is over on Steve's other side in an instant.
"Nothing Hop, it's stupid." Steve tries to shrug off, and he looks towards Eddie briefly.
Jim's vision, for a brief brief moment, is filled with unclear rage. It's enough to consume him and makes him impulsive. Jim can't help but think he got it wrong. Maybe the two are together, and Steve had fallen into a bad relationship. He knew that Eddie was trouble, but he didn't think about it being that kind.
And though he is being irrational, and being for once a little stupid, no one can really blame him when he hauls Eddie up by the collar and into his line of vision.
"Munson, did you put your goddamn hands on my kid?"
Jim can hear Joyce, El, and Will (the only other people in the house) all run out into the living room at the sheer volume of Jim's voice.
Steve sits frozen, Joyce and El yell at him to "put him down, oh my god."
And Munson? He starts to ramble.
"No. No! I would never, ever hurt anyone. Haven't we learned this by now? I can barely kill a spider. I have to put them in a cup and put them outside." Eddie chuckles nervously, waving his hands around frantically.
Jim's grip tightens and pulls him closer. He's pretty sure his vibrating at this point.
Suddenly though, Eddie becomes deathly serious. As if he just realizes what Hopper has said.
"Hop, I would lay down my life before I ever hurt Steve. There is no one in this world that deserves kindness more than him. And if I ever do hurt him, whether it be emotionally or physically, I give you full permission to beat me up. Hell, I'll probably throw myself at your fist."
Jim doesn't let go but stays silent as he listens.
"You see, Steve here decided to pull a you when some jerks wouldn't leave me alone at Family Video today. They were throwing around a bunch of slurs. Nothing I haven't heard before. And even though I could handle myself—“ Eddie gives Steve a look “Steve here always has to be the hero and decided to defend my honor. And of course, it just had to turn physical. And Steve decided to take on three guys on his own. Got to say though, he held his own. It was kinda hot honestly—"
Jim hears Steve choke a little beside them, startling him out of his frozen state.
"—And he only got a cut on his forehead from one of the dickwads class rings. I'm a little worried he has another concussion though. Believe me, Hop when I say, I am just as pissed at those guys as you."
At the end of his speech, Eddie calms down and even holds eye contact with Jim. He still doesn't let go of the twerp, despite being considerably less angry. Well, at least at Eddie.
It's Steve though that finally gets him to let go. "Dad, please put Eddie down."
Steve says it like it's nothing. Steve says it likes its the easiest thing in the world. But to Jim, to Jim it's the best thing he's gotten since El.
Instantaneously, Jim drops Eddie back on the ground and scoops Steve into a bone-crushing hug. "You got to stop scaring me like this kid. Can't lose you again."
Steve's almost his height now, so he tucks Steve's head into his shoulder and lays his head on top of his hair. He hears a muffled, wet "I'm sorry" against him.
Jim chokes back tears as he says, "No, no you got nothing to apologize for. Just be more careful. Okay?"
Steve releases himself from his hold and looks at him. "Okay, Hop. Okay, Dad."
Jim ruffles his hair without jostling his head too much. He thinks he would do anything for his kids. Including pushing along this nightmare of a pining contest.
"And if you like him I like him too."
"Huh?" Steve says confused.
"Eddie here. If you like him, then he's okay by me."
Steve goes to stop Jim, but he's already one step ahead. "But if he hurts you even in the slightest, you're watching me dig the grave I'm going to bury him in. Understand?"
Steve blushes from head to toe and nods frantically, knowing if he protests it will only make the conversation longer. The room is silent until Eddie speaks.
"Don't worry Hop, I'll dig the grave for you." Eddie's voice, despite the threat, is filled with delight, wonder, and hope.
My work here is done Jim thinks as he gives the boys one last nod and leaves the room.
And if later, if Jim sees Steve and Eddie holding hands at the dinner table he doesn't comment on it. And if he sees Eddie give Steve's knuckles a light kiss, and whisper something that almost looks like "I love you", he only smiles at the two boys. Because if one more person loves his boy, it's a win for him.
Because James Edward Hopper, thinks his son Steve deserves that and so much more.
———
okay I spent waaaay too much time on this (as per usual) but I wanted to dive in a little more on Steve and Hoppers relationship (and how it impacts Steve and Eddie). I feel like a lot of fics makes them distant friends (which is canonically correct I guess) or surrogate family with no explanation. And I like the idea of them slowing building a father son relationship. Really leaning into you choose your family. I know people have mixed feelings about Steve calling him Dad (honestly sometimes I too think it’s cringey) but sometimes I love it and that boy deserves a good father figure. Even though steddie doesn’t come in until the end, I think it all really blends together nicely. Also in my head either the boys are both out to each other, is at least it’s heavily implied or is a known safe space they are in. We do not support outing people in the house. It’s probably a one-shot, but maybe I’ll add more snippets later on. For now it felt like a good place to stop.
As always I hope you enjoyed this as much as I enjoyed writing it. I just zoned out for like two hours as I wrote it. It kinda made me emotional I’m not going to lie.
part 2 here and the full version on ao3 here
2K notes · View notes
lostlimerence · 2 years
Text
Safe
CW: abuse, past SA implied, injuries, self-hatred/self-worth issues.
Billy stands on the porch, fist clenching a napkin that’s been inked messily with directions - his house to Hopper’s cabin. They’re meant to be driven, but Billy has walked, or more accurately limped, the three mile route.
Now he’s made it, he just needs to knock.
Which, apparently, is easier said than done, cause he’s been standing on the mother-fucking top step for at least ten minutes and he can’t seem to do a goddamn thing. Just knock for fucks sake, he begs his aching body, but the adrenaline from the beating is still spiking his system, mixing with the anxiety sitting in his stomach, a concoction that’s rendering him motionless.
He’s still warring with himself when the hall light flickers to life, illuminating Hopper’s silhouette as he moves to open the door. Instinctually Billy steps back, wincing as his injured foot takes too much weight. Hopper steps out and grunts “hey kid,” eyes scanning as he mentally catalogues any visible injuries. Billy grimaces, he knows he looks like shit, can taste the dried blood from his split lip, feel the throb behind his left eye, the pulse of his swollen foot. He dregs up a grin, tries for casual “hey old man,” there’s a beat of silence before Hopper is turning back into the light, leaving the door open, waving at Billy to follow, so he does.
Hopper’s cabin has a warmth that settles deep within Billy’s bones, he flexes his fingers, focusing on the blood tingling in his fingertips as he hovers awkwardly in the living room. Hopper rustles about in a cupboard for a while before producing a worn first aid kit with a triumphant “aha.” He brings it over, gesturing at the sofa furthest from the TV “sit over there kid.” Billy sinks into it, Hopper sits opposite, then leans over to pass him the kit, Billy accepts it, thankful that the man is giving him some space. The idea of having someone so large looming over him right now sets his nerves on edge, and besides he’s a dab hand at patching himself up.
He flicks the clasps open, locates the antiseptic wipes and starts pressing them to the various wounds littering his body. Mentally, he braces himself for the questioning the Chief is very clearly trying to work himself up to.
Sure enough, the man takes a deep breath and leans forward slightly as he says “so, you gonna tell me what happened?”
Billy feels his hackles rise instinctually, he’s so tired of this charade, the new adult in his life who says ‘what happened Billy?’ who, when he proceeds to tell them, either fucks off because this is ‘too much for them to handle’ or tells him to ‘stop telling such nasty lies’ says that ‘he doesn’t deserve to have such a kind, patient man like Neil Hargrove as his father.’ He doesn’t think he can handle it again, but a tiny part of him, a very tiny part, is sparking with the hope that maybe this one will listen.
So he bites back the snide remark primed in his throat and instead looks Hopper dead in the eye and tells him the simple truth “my dad beat the crap outta me.” Silence hangs as he starts examining his foot, he prods hard at the tender, swollen flesh of his ankle, wincing slightly, then chances a glance at the chief, attempting to gauge his reaction.
The man looks furious.
Billy can see it, the silent, overwhelming wave of anger, the kind that boils below the surface of the skin and spreads to every fibre of a persons being.
Billy can see it, has seen it so many times before, barely contained, about to blow. Shit, he hates himself for letting that spark live.
Fuck. He thinks fast, this man is a cop, he’s handled plenty in his life. He knows what they like.
Submit, he slides off the sofa sinking onto his knees.
Defuse, he bows his head and mumbles “sorry sir.”
Deflect, he bites his lip, keeps his head lowered, tries for seductive, though it comes out a little shaky “ I’ll do anything you want me to.” braves another look up at the man and freezes.
Hopper’s eyes are now wide with shock, and there’s a new sheen to them as he presses his fingertips hard into the corners.
It’s been less than a minute but Billy feels like he’s lived several lifetimes. He’s at a loss.
When the man speaks he does it, carefully and slowly, “Billy,” his voice sounds heavy, like it’s been dampened with tears, “I need you to get up kid.” Billy listens, awkwardly manoeuvres himself back onto the sofa, and waits.
Hopper takes a shaky breath, makes sure to catch Billy’s eyes as he says gently, “Billy, never, never offer yourself to someone like that. I need you to know, you’re safe here and that I would never do anything to hurt you, you understand that?” Billy holds his gaze as he mumbles “yeah.”
It’s unconvincing enough that Hopper keeps going, clearly not satisfied with the response, “Billy, why…what was it…what did I do that made you think, you needed to do that?” Billy doesn’t think he can explain it too well so he just says “you were angry when I told you my dad did it, I could tell and I just know how to handle cops,” Hopper looks like he’s going to be sick.
“I was angry, not at you, but at your dad, I’m sorry, I should’ve tried to keep my reaction under control kid, especially given the circumstances,” Hopper sighs for what feels like the hundredth time, and Billy is so unbelievably confused that all he can do is nod accepting an apology he is not used to being given.
The man pushes on, clears his throat “and you know how to handle cops?” Billy feels heat rising to his cheeks, embarrassment and shame wash over him, he tries to explain “you know, they think I’m pretty, like my mouth nd’ stuff,” Hopper’s white knuckling the sofa as he responds “Billy you’re eighteen,” and that gets his back up a bit, so he spits “yea I’m fucking legal” he bears his teeth, but immediately feels awful as Hopper looks devastated,“barely Billy, and I’m over double your age, how old were you when you learnt ‘how to handle cops’?” Billy shrinks back at the question, both wants and doesn’t want to say, but decides to try for the truth “I dunno fifteen maybe, it’s not a big deal, I’m good at it,” Hopper looks like his heart is being pierced with each and every word that leaves Billy’s mouth, “it’s a big deal kid, those cops should be behind bars, you were, hell you still are a child, I’m sorry they took advantage of you like that,” and Billy can feel his mask cracking because no one has ever put it that way before, he can feel the press of tears behind his eyes, he tries to blink them back.
Hopper silently offers a tissue and looks at the clock above the Tv, “Billy, it’s late, you’re tired and you’re injured. You need sleep. But tomorrow morning I’m clearing my schedule and we are going to talk through all of this. Your dad and the cops and we are going to discuss potential prosecution” he holds up a hand to prevent Billy’s immediate protest “it’s not something for now Billy, we both need clear heads, I’ll grab you a towel you can clean up and head to bed ok?” Billy nods, doesn’t really trust himself to speak so he gets up and starts to head in the direction Hopper had indicated.
“And kid,” Billy stops “the spare room has a lock, on the inside,” a sharp spike of joy leaps in his gut, he nods, tries to keep his tears of relief from falling as he goes to clean up.
Later, he lies in bed staring at the lock bolted shut on the door and tries to get used to this new feeling. The feeling of being in a home that is warm and quiet, with someone who seems to care about him.
Tries to get used to feeling safe.
Tumblr media
412 notes · View notes
luveline · 7 months
Note
jadey - HONEY - listenlistenlisten, so I feel like you said you'd write for hopper?? but if not (because he's not on the official list) please ignore this request! BUT would you be able to write something about hopper visiting reader in the hospital after she was almost posessed by vecna?? whether this is still early stages of relationship or already established, you pick, gorgeous!! (also ik this means no hopper/joyce but personally I prefer hopper/me??) xoxoxo BIG SMOOCHES
ty for your request, love u! ♡
Nobody would ever believe you, but you know it's Hopper from the smell. You've missed him for months, and though the scent of him wore away from his sweatshirt before you thought you had time to memorise it, you know without opening your eyes that it's him sitting beside you. 
Your heart monitor beeps loud and erratic. 
"Don't," he says quietly. "Don't freak out." 
It won't listen to him, how could it? Not even the oily fog of painkillers can dull the reality of him being here, right here, this close. 
"You're supposed to be dead," you croak, peeling your eyes open achingly slowly. 
"Aren't you a little old for teen angst?" he asks. 
He's real. He's real, you're exhausted, you almost died, but he's alive. Tears well in your eyes of their own accord, not a lick of choice in it as Hopper takes your arm into his hand. 
"You look sick," you say tearily. 
"Nice. You look worse."  
"Where's your," —you gesture to his body— "everything?" 
He's lost a dramatic amount of weight, hollows sunk under his eyes. He grins despite your insult and leans back in his chair, hand sliding down toward yours, fingers pushing between your knuckles to twine them together firmly. "Russian weight loss program. Like it?" 
You're honestly not sure. Maybe when the shock has worn off you'll feel strongly either way, but right now it's his obvious alive-ness that takes centre focus. 
"I missed you," you say. You've not even a syllable into 'missed' when your voice disappears, the agony of your admission knocking the air from your lungs in one callous blow. "I missed you so much." 
He squeezes your hand. "I know. I'm sorry." 
You start to sit. Hopper stands and slips his hands behind your shoulders, helping you up with a tenderness you've dreamt about every night since he disappeared. There was no time to define what you were to one another, all these months you've been grieving a maybe, but you know the connection you had was more than real when he reaches down the millisecond you reach up. His lips smashed to your forehead and his big hands spread and searching like he's trying to stop you from falling away from him, you splutter as the air is knocked from your chest again. 
"Sorry I wasn't here to look after you," he says.
He hugs you for so long you figure you must be dreaming. There's a familiarity to his embrace even if the feel of him has changed, security with a little less padding. "What happened to you?" you ask hesitantly. 
"What happened to me? You just had something– someone in your head. You almost broke your neck, you could've died." 
"I'm lucky. I am. It could've been worse." It was worse for others. Your voice wobbles embarrassingly. It doesn't put Hopper off. You used to worry that being younger than him would make you too different; you aren't a kid but you haven't lived a life as agonisingly detailed as he has. You're scared there won't be room in his head for your weight, too, but there always is. "You're back," you say, relieved.
"I'm back." 
You breathe out. 
"Let me see you," he demands, drawing away to check you over. 
Your skin is clammy and has been for days, you weren't sleeping —sleeping meant dreaming. Hearing the toll. You've chased sleep with coffee and caffeine pills and bad TV, each day going a little more insane with wanting Hopper back. There were moments when you knew for sure he was dead, and moments you hated yourself for entertaining the idea. Whatever you deserved, he's here, wiping your sleep crusted eyes with a careful thumb. 
"Well, you're still a sight for sore eyes." 
"Yeah?" you ask, laughing until you cough. "I look good in the gown, right?" 
"Better out of it," he suggests, kissing the top of your head. He lingers there too long. You can read his mind for that single moment. 
He's not happy with himself for letting you face it alone. Which begs the question. What kept him away?
"Hop, where have you been?" you ask gently. 
"I'll tell you everything after you eat something." 
"Me?" 
"I almost forgot how rude you are," he says, rubbing your cheek fondly. "Shit. Like I could forget a thing about you." 
You take his hand from your face to clear a path. "That's romantic. Hit your head while you were gone?" He nods, hangs his head, lets you cover the back of it with your hands. You pull him forward, searching for hair he doesn't have. "What did they do to you?" you murmur sadly. 
"Don't say that. The neck up is as good as it gets." 
"I don't believe that for a second," you say, though you worry about what he means. "You better go find me something to eat. I want to know everything that's happened." 
"Got a waiting room full of people who aren't gonna like that," he says, lifting his head.
"I really, truly don't care," you say, still so softly. "I've been waiting to see you again for a long time. They can… they can walk a mile in my shoes." 
"Whatever you want." Hopper clasps your elbow. "Anything you want." 
484 notes · View notes
theladycarpathia · 26 days
Text
Billy’s not expecting the call from his dad.
“Billy?” Hop sounds distant, the faint sound of an idling engine in the background. Billy blinks, because his dad is at work and as far as Billy knows that usually means sitting behind a desk at the station and arguing with Flo.
“Don’t you have paperwork to be doing?” Billy says and Hopper snorts. There’s the sound of background traffic that’s then shut out by the clang of a car door.
“Don’t give me cheek, I am still the chief,” Hopper says as though that means anything in a small town where the most crime that they get is some drunk idiot attempting to rob the gas station.
“Yes, sir,” Billy quips and changes the channel. No one else is home and he’s bored. Jon and Joyce are still at work, and El and Will are doing weird nerd activities. The diner didn’t have a shift for him today and he doesn’t have a date, so he came home. He’d half expected someone to be here, instead of getting stuck with a protein bar and old reruns.
“That’s more like it,” Hopper says and then clears his throat awkwardly. “I was just wondering…are you definitely single?”
“Dad,” Billy says, attention now fully away from the TV set. Hop’s called him before, to ask him shit like do they need milk and to take the trash out. He doesn't call to talk about Billy's love life. They never talk about that, not after that time Hopper came in his room without knocking. “What is your next question, because this could make the next family dinner a little uncomfortable.”
“Don’t be a dick,” Hopper gripes. There’s the sudden cackle of laughter in the background and Billy sits up.
“Are you with someone?” he asks and then sucks in a breath at the implications. “Did you put me on speaker?”
“I may have done,” Hopper says, sounding sheepish. “I just picked up a young man outside the movie theatre and he’s about your age…”
“I’m nineteen!” the mystery guy hollers from the backseat. Hopper keeps talking like the guy hadn’t spoken.
“I don’t know, I just thought he was your type.”
Billy presses a hand to his temple, unable to believe that his dad has just said those words. “What’s my type?” he asks, wondering if he’s going to combust right here and now. Hopper makes that little awkward throat clearing again, like he can’t believe the situation either.
“You know,” he says stiffly. “Sort of…pretty.”
Oh God. Billy can never look Hopper in the eye again.
“You think I’m pretty?” the guy asks curiously, and Billy can’t blame him for sounding a bit weirded out.
“I think you look like a lot of the doe-eyed pretty-boys my son brings home,” Hopper snaps. Despite his obvious discomfort, Billy can’t help the rush of affection at Hopper trying to be supportive. Neil would have beat the shit out of him. Hopper tries to hook him up with appropriately aged delinquents in the back of the police car.
“A lot?” the guy asks and Billy flushes. He then regrets it because he has no idea if he even wants to impress whatever guy Hopper has picked up.
“It’s not a lot,” he says defensively because Hawkins isn’t exactly big on the gay scene. His last boyfriend he met at Tina’s Halloween party and to be fair, if you wear a kilt and not a lot else to a party in October, Billy’s absolutely going to beg you to rail him in the downstairs cloakroom. The relationship hadn't exactly worked out.
“Look, I get the feeling I’m never going to hear the end of this so here’s the situation,” Hopper says, sounding tired. “This is my son, Billy. He’s about to finish high school, he likes cars and burgers and loud music. He has shit taste in men even though he’s attractive, clever and a smart mouth. Billy, this is Steve. I was on my way back from the mayor’s office when I caught him peeing in an alley. Judging by his big brown eyes and the fact that public nudity doesn’t seem to be a problem for him, I thought of you.”
“Aww,” Billy drawls, sitting back on the couch. There are lights in the drive so someone has just arrived home. Which is good because he needs to tell everyone this story so they can give Hopper shit about it over dinner. “Pops, that’s so sweet.”
“Don’t say I never do anything for you,” Hopper says, like he hasn’t already done everything for Billy by getting him out, giving him a home. “I’ll take an extra polaroid when I process him.”
“I had to take a leak!” Steve protests and Hopper sucks in air through his teeth.
“There are public bathrooms, kid, I’ve heard those work pretty well. Billy, help your mom with dinner when she gets home.” Sucks for Hopper, it’s Jon heading up the path, keys dangling from his fingers. Billy can’t wait to tell him this story.
“Or what, you won’t bring me any more dates?” Billy asks, but he’s only half-joking. Hopper means well and kind of fucks it up a lot but this time he might have hit it right on the money. He thinks he might like Steve.
“Do I get a picture?” Steve asks. “Or does the Hawkins Police just pimp out young innocent men with full bladders?”
Oh yeah. He’s definitely going to like Steve.
“I have a picture on my desk,” Hopper admits grumpily. There’s the jangle of keys in the door as Jonathan lets himself in. “You can look at it if you’re good.”
“And what if I’m not?” Steve asks and Jonathan walks in just in time to raise his eyebrows at Billy.
“I can help punish him, if he’s not,” Billy suggests, and Hopper hangs up the phone just as Steve begins to laugh.
This has probably been done before because it's based on that famous tumblr post but it's so dull during school holidays I have nothing to do but write. And I have no in progress Harringrove fics which is probably a problem I should fix.
240 notes · View notes
weird-an · 2 years
Text
Billy hides in his room like a spooked cat at first.
Hopper tries his best to be patient. The boy has been through a lot, he reminds himself. He needs time.
The first of Billy's things Hopper finds outside of his room is some hairspray in the bathroom.
Billy is still hiding.
But slowly, there is more stuff lying around. His sweater, a few earrings, some books Hopper or El definitely didn‘t buy.
Billy shows up in the living room more often. They watch cheesy movies together both of them deny to like.
One day, Hopper comes home and finds a topless Steve Harrington drinking a soda in the kitchen.
"Hey Hop! Billy said you would not mind, if I stayed for dinner?"
Hopper finally realizes that Billy trusts him.
2K notes · View notes
musicalchaos07 · 11 months
Text
Very important question:
If Hopper calls El kid and he calls Will buddy, what is Jonathan's fun nickname going to be?
734 notes · View notes