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#david hackney
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Match 1 (Round 1)
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kpopppin · 1 year
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tmbmtb · 6 months
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Sometimes we say things that we really feel Sometimes we say things that are really real! Establishment don't want no part of us Except to make themselves the real big bucks! You're a rock 'n roll victim and I know this is true Cause I'm a rock 'n roll victim too
✯ Rock-n-Roll Victim, Death
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altamontpt · 2 years
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"We're going to make it" - Rough Francis
"We're going to make it" de David Hackney, uma maravilha.
No final de A Band Called Death, filme sobre os próprios, Bobby Hackney, vocalista e baixista da banda, afirmou: “I think David was the prime example of what the Lord said when he said “what does it profit a man to gain the whole world and to lose his soul?”. And David’s music was his soul, and he never wavered on that. And the chance came. Change your name and I’ll give you the world. And David…
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mylittlesecrethaven · 4 months
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So Many Good Voice Actors
Tower of God has sooooo soooo many voice actors that are very recognizable.
Am I about to go over them?
Yes.
Yes I am.
(Don't worry, I'm only doing the main three characters. Lemme know if I should do some of the 42 recurring roles or some of the 9 guest stars (Also, a little something extra at the end))
Johnny Yong Bosch - Playing Bam
Also plays Giyu from Demon Slayer, Ne Zha from Lego Monkie Kid, Nine from My Hero Academia, and more.
Chris Hackney - Playing Khun
Also plays Nanashi from Seven Deadly Sins, Kensuke Fukui from Kuroko's Basketball, Haruta Shigemo from Jujutsu Kaisen, and more.
Matthew David Rudd - Playing Rak
Also plays Tsuchiya and Kattsun from Romantic Killer, Panda from Jujutsu Kaisen, Dahlia from Seven Deadly Sins, and more.
Also, Keith Silverstein (If you don't know him, do look him up. He plays a shit ton of characters in a shit ton of animes) plays at least 7 characters in Tower of God.
And these characters are recurring, so it can get confusing hearing the same voice from so many characters.
It's like getting whiplash.
I'm not complaining, cause Keith Silverstein is one of my favorite voice actors, I'm just saying he plays a lot of characters.
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downthetubes · 1 year
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#DrawColumbo exhibition set to draw the crowds next month in Hackney
Hackney’s Jam Bookshop, opened last year by cartoonist David Ziggy Greene, is to host an exhibition of art paying tribute to fictional TV detective Columbo next month
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insidecroydon · 9 months
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Dewey pleads guilty to possessing indecent images of children
Serious questions over safeguarding raised after Labour Party’s election candidate now faces sentencing On bail: former Croydon Labour staffer Tom Dewey The Labour Party’s former borough organiser for Croydon has admitted serious charges of possessing indecent images of children. Tom Dewey appeared at Uxbridge Magistrates Court yesterday, where he pleaded guilty to five separate charges. He…
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mariacallous · 4 months
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‘I don’t like it when a comedian just spouts his own political views and relies on the audience agreeing with him to get a round of applause,’ announces Ricky Gervais in his new Netflix Special Armageddon. For 60-minutes Gervais, clad in his usual black t-shirt and jeans get-up, tells jokes about dwarfs, gay people, ‘disabled creatures’, African babies with AIDs, Chinese people eating dogs, people pretending to be asylum seekers, people pretending to have ADHD, students taking micky mouse degrees, Greta Thunberg, homeless people (‘fucking horrible’) and the fragile and narcissistic ‘woke’ youth. Which is to say that Gervais just spouts his own political views and relies on the audience agreeing with him to get a round of applause.
Gervais’s portrayal of David Brent in mockumentary The Office (2002) was a work of comic genius. Brent, a hapless white-collar middle manager who desperately wants to be popular, cuts a pathetic but ultimately sympathetic figure. The viewer didn’t so much hate Brent as feel sorry for him; he was an uncalibrated fool but a well meaning one, hence the happy ending written for him in the Christmas Specials that brought the curtain down on the story in 2003. Gervais foolishly resurrected Brent in 2016 for a feature length spin-off, Life on the Road (2016), this time without the grounding influence of his original co-writer on The Office Stephen Merchant. All of a sudden the charm had gone out of the franchise and Brent had morphed into something genuinely tragic and repulsive, trucking in boring jokes about gays and fat people.
Expressing any form of reservation or note of disapproval about anti-woke comedy nowadays is to get oneself marked down as an invertebrate. For those of us who possess a strong enough constitution to sit through jokes that poke fun at the shibboleths of political correctness - provided they are actually funny - retorts like this don’t hold much water. But I’ve come to realise that such humour is increasingly sustained by a section of the audience being reliably ‘offended’ by it and kicking off. How else to keep the lucrative conceit going which says that rich middle aged white men telling rollicking jokes about asylum seekers are heroic truth-tellers saying the unsayable? These days Gervais’s adoring fanbase seem more enthusiastic at the prospect of upsetting their political opponents than about the material itself. And who could blame them: most of the jokes in Armageddon are hackneyed and stale - ‘Doctor, Doctor, I keep thinking I’m a pair of curtains’; ‘You are then’. Heady stuff that is indeed guaranteed to ‘annoy all the right people’.
Netflix describes Armageddon as ‘controversial takes on political correctness and oversensitivity in a taboo-busting comedy special about the end of humanity’. Yet those on the receiving end of Gervais’s barbs are hardly considered off limits by the wider culture: illegal immigrants, the homeless and transgender people are all regularly subjected to invective from government politicians and Britain’s overwhelmingly right-wing media. By all means make an off-colour joke about those groups if you wish: I’m a big boy and I know how to use the remote control. But you won’t convince me that publicly flogging these tabloid bête noires makes one a gutsy truth teller. It’s true that a disability charity condemned Armageddon before it was released on Christmas Day for a joke Gervais makes about terminally ill children. But it’s also true that Gervais is still on Netflix telling the joke, which perhaps gives a good indication of just how risqué this style of humour really is.
One of the biggest cheers from the audience during Gervais’s performance in Armageddon erupts in response to a fatuous joke about mobs pulling down statues originally put up to honour slave traders - another example of woke hypocrisy apparently. ‘He was a slave trader, pull down the fucking statue.’ ‘He built the hospital, should we pull that down too?’ ‘No, leave the hospital’. It’s certainly true that wealthy people have historically (and not just historically) tried to launder their reputations through philanthropy (and on this note Gervais enjoys boasting about how wealthy he is and how much money he donates to animals, who he prefers to humans). But you needn’t take a course in critical race theory to recognise that those who became uncontrollably rich from the slave trade might have set aside some of their tainted money for similar ends. ‘Pride and vanity have built more hospitals than all the virtues together,’ wrote the Dutch physician Bernard de Mandeville in The Fable of the Bees, his eighteenth century polemic against philanthropic hypocrisy.
It isn’t for me to tell a comedian who the ‘correct’ target of his humour ought to be - comedy is subjective after all. But then Gervais’s current shtick is of a piece with right-wing populism more generally, characterised as it is by a servility to the very power it ostensibly rails against. I’m no more required to accept Gervais’s assessment of himself as a brave heretic saying the unsayable than I am obliged to join in with the hysterical blue pencil-wielding critics who really do want to see him cancelled. As to who is currently coming out on top, Armageddon is apparently the highest grossing single stand-up performance ever, bringing in £1,410,000 for a recent show at the Hollywood Bowl in Los Angeles. Cancel culture indeed.
At one time conservatives and reactionaries would doggedly stand athwart history yelling Stop. Nowadays they need constant reassurance that they are still the plucky countercultural underdogs they imagined themselves to be in the halcyon days of their youth. Which is understandable I suppose. Nobody wants to be the angry young man whose waistband has inexorably expanded along with his list of blimpish grievances. ‘I think I am woke, but I think that word has changed,’ says Gervais. In other words it’s not him, it’s us. ‘No-one likes a white middle aged man anymore,’ laments Gervais at another point in the show. I’ve heard that one before too.
I used to enjoy Ricky Gervais but when I think of him today I always imagine some braying face demanding to know how ‘triggered’ I am by something puerile he’s said. This ‘type’ is seemingly ubiquitous at the moment: everything is geared toward getting a rise out of the libs and sticking it to the man in a way that doesn’t threaten one’s status as a servant of power (am I still allowed to say “man”? hehe - you get the gist).
The role of humour according to Gervais is ‘to laugh at bad shit to get us through it’. Which isn’t a terrible definition, though I suppose it depends on what one considers the ‘bad shit’ to be. I found much of the material in Armageddon indistinguishable from the endless bleating we hear in some quarters about the country going to the dawgs because of foreigners and queers and the young with their trendy ailments and political correctness et cetera. I can’t say I feel hysterical or offended by jokes about that stuff - soporific is more the word that springs to mind. Perhaps I should just be grateful that Gervais didn’t make an ‘Orange man bad’ joke. Maybe he’s saving those gags for his next Netflix Special when Donald Trump is President of the United States again. Important to laugh at the truly bad shit first though right.
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minkufu · 4 months
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For anyone wanting the cast list for the Hitman Reborn dub that may have trouble finding it or trouble seeing the cast image originally posted on twitter, here is the full cast...
Main Cast
Reborn: Veronica Taylor Tsuna: Brittany Lauda Gokudera: Matt Shipman Yamamoto: Zeno Robinson Ryohei: Ricco Fajardo Mukuro: Christopher Hackney Hibari: Jonah Scott Kyoko: Dani Chambers Haru: Madelaine Morris I-Pin: Julia Gu Lambo: Erica Mendez Bianchi: Michelle Rojas Xanxus: Christopher R. Sabat Squalo: Kellen Goff Lussuria: David Wald Levi-A-Than: Bill Butts Belphegor: Brandon McInnis
Supporting Cast
Ken: Khoi Dao Chikusa: Cody Savoie Lal Mirch: Kristen McGuire Nosaru: Michael Kovach Tazaru: Imari Williams Byakuran: Y. Chang Dr. Shamal: Alejandro Saab Kusakabe: Patrick Seitz Kurokawa: Emily Frongillo Nana: Krystal Laporte Futa: Ciarán Strange Giannini: Alex Mai Dino: Aaron Dismuke Romario: Rawly Pickens Roll: Jonah Scott Kojiro: Zeno Robinson Garyu: Ricco Fajardo Uri: Matt Shipman Mochida: Brandon Acosta
Additional Voices: Bryson Baugus, Cris George, Kevin Thelwell, Alex Mai, Ben Balmaceda, Lucas Schuneman, Kellen Goff, Chris Niosi, Khoi Dao, Chris Hackney, Kristen McGuire, Julia Gu, Michelle Rojas, Erica Mendez, Krystal LaPorte, Michael Kovach, Alejandro Saab, Y. Chang, Cody Savoie, Emily Frongillo, Patrick Seitz.
The test dub will be covering episodes 1, 20, and 77 along with the OVA. (If I may have missed or mislabeled anyone let me know!)
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anxresi · 1 year
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GOD am I sick of this. (Watch Out, MAJOR Rant Ahead)
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Why do Chloe haters (nearly) ALWAYS insist on using this tired old line to ‘win’ an argument?!
No-one (at least anyone I’M paying attention to) is saying Chloe should get away with her bullying because of her shitty parents.
We’re saying poor Chloe has been a victim of character assassination, sabotage, purposeful vandalism, ruination etc by the very person who created her! No... not her fictional dad or mom... but a certain real-life Frenchman by the name of Mr Thomas Astruc.
If you want a somewhat over-exaggerated parallel, it would be like Da Vinci painting a moustache on the Mona Lisa, Michaelangelo chopping David’s ‘bits’ off or Geppetto making Pinocchio into firewood (I say this because there’s been TWO movies about the lying puppet in the last year. Hint: don’t watch the Disney one).
It’s like... I can’t even debate these people, because they haven’t just got the wrong end of the stick, we’re not even in the same forest!
My point is to those somewhat disingenuous individuals, and let me be VERY blunt here, because I ain’t repeating myself... (clears throat): 
Chloe’s Character Writing Has Been The Worst I’ve Ever Seen In A Professional Cartoon Show. The Fact They Utterly Destroyed One Of The Few People In Miraculous With Any Potential For Serious Development For Growth And Basically Replaced Her With Another Girl Who’s Just As Blandly ‘Perfect’ As Most Of The Other Females Demonstrates How Utterly Lacking In Ambition, Creativity And Talent The Makers Truly Are. (As If The Glaring Lack Of Other Positive Attributes To The Show Isn’t Evidence Enough) The Only Reason You Use A Completely Manufactured And Different Scenario Than The Case I Put Forward As Your Lone Defence Proves You KNOW I’m 100% Right. THAT’S Why So Many People Are Defending Her... Not Because They Think She Should Get Away With Her Progressively More Ridiculous Misdemeanors Inserted Into The Scripts To Convince The Audience To Hate Her More And More, But Because We Recognize The Less-Than-Subtle Route The Writers Have Taken In The Last Few Seasons To DESTROY Her Character, Her Role, Her Agency And Any Hidden Depths Or Layers She Might Have. This Is A Girl Who LOVED Her Daddy, (Occasionally) Valued Her Best Friend, Adored Adrikins, Confessed How Inadequate She Felt In Front Of Her Idol Ladybug, Made A Heartfelt Apology To Her Teacher In An Emotional Hug (It Made Me Cry :,/ ), Made REAL STRIDES With Her Behavior In terms Of Being More Independent Towards The End Of S2, Had An Intriguing Relationship With Her Favorite Stuffed Bear Which Acted As Her Conscience, Was Setting Herself Up To Be An Efficient Anti-Hero With Questionable Loyalties... And All This Fascinating Narrative Was Left To ROT In Favor Of Turning Her Into The Most Boringly Generic Baddie In The Entire History Of The Show. WELL DONE, EVERYONE. Then To Add Insult To Injury, They Claim This Was The Plan All Along And Her Rapid Deterioration Into A Teenage Psycho From A Standard School Bully Is Some Kind Of Bizarre Statement On ‘How Some People Can Never Change’ Rather Than The Obnoxiously Terrible Piece Of Hackneyed Writing It Actually Was. Damnation Arc? A Fancy Title For Utter Bullsh*t That’s An Insult To Miraculous Ladybug Fans’ Intelligence Everywhere, I Say. I Don’t Know About You Guys, But I Feel Cheated, Swindled, Bamboozled... You Name It, Or Just Thorughly P*ssed Off Should Suffice. Want Some Evidence For My Claims? Okay, Here Goes: Get Comfortable... Removing ALL Of Chloe’s Positive Traits And Redemptive Moments Overnight After S3. Pretending They Never Existed Or Happened In The First Place. Turning Her Into A Villainous One-Dimensional Sociopathic Object Of Ridicule. Giving Us Zoe Who’s Goodie-Two-Shoes Non-Personality Is No Substitute Whatsoever For The True Queen. Cynically Producing AN ENTIRE EPISODE in S5 For The Sake Of Retroactively Making CHLOE Solely Responsible For Adrinette Not Happening Sooner. (Thus Purposefully Exposing Her To More Vitriol From Obsessive Shippers) Pretending That She Had ‘Plenty Of Help’ To Change When The Truth Is No-One Seriously Attempted At All. (Even Saint Marinette ‘Encouraged’ Her And Good Ol’ Toxic Audrey To Bond By Being Awful To Each Other Instead Of Getting To The Heart Of Chloe’s REAL Issues), Breaking Up All Her Closest Relationships One By One Until The Only Person Left Is With Her Is Her Tyrannical Mother Who Promises To “Take Control’ Of Her Life Now In A Different Country That Her Father Has Disowned Her. (So I Guess Letting Chloe Get Further Traumatized By Her Main Abuser is Thomas’s Idea Of ‘Punishing’ Her... Great Message There For Children!) This Means Adrien Wants Nothing To Do With Her, Sabrina Has Been Unceremoniously Dumped And Even Butler Jean Has Been Fired With Little Fanfare. (Not That Chloe’s Had Any Interesting Interactions With Adrien Since S2... What Was The Point In Making Them Childhood Friends Again?! Her Dad Is Basically An Enabler Who Got Off Scot-Free Now He’s Resigned As Mayor And Looks To Have A Fresh Start With His ‘Perfect’ Adopted New Daughter, Sabrina Has Been MIA For YEARS And Only Gets Acknowledged This Once To Further Isolate And Damage Chloe And As For Butler Jean... Who?!) What It Boils Down To Is That Thomas Doesn’t Just Want To Strip Chloe Of The Bee Miraculous Permanently And Write Her Out Of The Show, Oh No! He Wanted To Transform Her Into The WORST Possible Version Of Herself To Try And Forcibly Extract Away The Last Few Fans She Has, And Then Give Her The WORST Possible Ending In The S5 Finale Despite Other Characters (E.g Gabriel) Doing FAR Worse And Yet Either Ending Up Getting ‘Redeemed’ Or Thought Of As Heroes(!). Oh, And Lila Has Multiple Moms Now(!), A Completely New Identity(!!) And Is The Main Antagonist From Now On(!!!)... I Think Her Superpower Is Dumbing Down Everyone Else So They’ll Believe Her Obvious Untruths. GREAT STORYTELLING, GUYS. Mr Astruc Is A Pathetic, Petty, Spiteful, Talentless Excuse For A Showrunner Who’s So Problematic To Discuss His Many And Numerous Controversies Would Take Another Post Probably Five Times As Big As This Already Overlong Wall Of Text, So We’ll Save That For Another Day. Good To See Though, That His ‘Brilliant” Scheme Appears To Be Failing And The More He Sticks Pins In Chloe’s Likeness The More Support She Gets Online And The More ‘Very Sweet’ Zoe Gets Hyped Up Into Something She’s Not, She’s Recognized As The Shallow Shill She Truly Is. I Just Hope Little Kids Aren’t Taken In By His Obvious Crusade To Make Chloe The Most Hated Teenager Since Joffrey. Why Couldn’t The Idea For Miraculous Have Fallen To A Guy Who Had Some Semblance Of Ability, Instead Of This Mediocre Hack Who’s Happy To Wallow In Stale Romantic Cliches, Underwhelming Superhero Fights, Uninteresting Lore, Non-Existent Continuity, Bbaadd Dialogue, Filler, Filler And More Filler, An Overabundance Of Characters = No Development For Them, ‘Special’ Episodes Abroad That Are Anything But, Prioritizing The Merchandise Above The Show ALWAYS, Allowing SO Many Spoilerific Leaks To Spread Under His Watch, Blocking Fans Left, Right And Center When They DARE To Question ANY Part Of His Writing (Because Apparently We’re Too Dumb To See The GENIUS)... And... rreesstt.
I am well aware that this post started out as one thing and ended up rather more convoluted than I hoped for, but Tumblr has always been a great source of therapy for me... so what better to get all my major bugbears out in one word soup of a paragraph that nobody will ever read if they know what’s good for them, before slouching back in my spinning chair with a glazed yet satisfied look on my face?
Nothing, that’s what.
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britneyshakespeare · 5 months
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Being then in a pleasant frame of mind (from which I infer that poisoning is not always disagreeable in some stages of the process), I resolved to go to the play. It was Covent Garden Theatre that I chose; and there, from the back of a centre box, I saw Julius Caesar and the new Pantomime. To have all those noble Romans alive before me, and walking in and out for my entertainment, instead of being the stern taskmasters they had been at school, was a most novel and delightful effect. But the mingled reality and mystery of the whole show, the influence upon me of the poetry, the lights, the music, the company, the smooth stupendous changes of glittering and brilliant scenery, were so dazzling, and opened up such illimitable regions of delight, that when I came out into the rainy street, at twelve o'clock at night, I felt as if I had come from the clouds, where I had been leading a romantic life for ages, to a bawling, splashing, link-lighted, umbrella-struggling, hackney-coach-jostling, patten-clinking, muddy, miserable world.
David Copperfield by Charles Dickens, "Chapter 19: I Look About Me, and Make a Discovery"
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tmbmtb · 7 months
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All you false pretenders And you freaky contenders Trying to be the first In my own opinion You are not defending You, you are the worst Made the world a circus And you're trying to curse us Cruel, he knows no bounds But we won't let you beat us No, we won't let you cheat us It's only one time around
✯ Where Do We Go From Here???, Death
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feckcops · 1 year
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Disappearing schools, families forced out – and we call this progress
“Last week, Lambeth announced that a secondary school founded in 1685 will close for good this summer, with its students farmed out elsewhere. In Camden, St Michael’s primary will not even make the end of the school year – it closes this month, the fourth in the borough to go since 2019. Days before the Easter holiday, Hackney warned that two of its primaries are likely to fold and another four may have to merge to survive. Neighbouring Islington is considering closures, while Southwark believes 16 primaries are at risk.
“This is a huge story, not only about marooned children and panicked parents, or redundant teachers and struggling councils, but the very future of our major cities. These schools are not shutting because they are bad, but because inner London no longer has enough children to fill them. The dead centre of Britain’s political and economic powerhouse is driving out families – and its education system is now taking an almighty hit. Hackney, for instance, has 589 fewer kids in reception today than it did in 2014, a shortfall equivalent to about 20 vacant classrooms. Since schools mainly receive cash per pupil, empty desks mean debts, and debts force closures …
“If this historic shift has a hinge point, it’s the 2010s, when two big forces began reshaping the capital. The first came from Downing Street: since David Cameron moved into No 10, successive Tory governments have taken benefit money from the very youngest and handed it to the oldest. The Resolution Foundation calculates that newborns have lost £1,500 a year in entitlements, while those aged 80 and above have gained more than £500 …
“The post-crash decade also saw inner London turned into a theme park for property speculators. The Bank of England was spraying about hundreds of billions of pounds like it was champagne at a grand prix, the then chancellor George Osborne was chucking taxpayer’s money at the property market, and London councils, including some of Gould’s Labour colleagues in Camden, were allowing developers to run riot. The arguments about gentrification soon descended into cliches about hipsters and Foxtons, when what was really being decided was who would live in the city and who it would serve.”
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enemyporn · 4 months
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A Band Called Death. Bobby, David and Dannis Hackney 1971: the first hardcore band.
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brigdh · 4 months
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End of the year book ask! 15, 20 and 24? And Happy New Year! <3
15. Did you read any books that were nominated for or won awards this year (Booker, Women’s Prize, National Book Award, Pulitzer, Hugo, etc.)? What did you think of them?
Several, apparently! Though most of these I didn't realize were prize-winners when I read them.
Demon Copperhead by Barbara Kingsolver (won the Pulitzer for Fiction): FANTASTIC, amazing, loved it. A retelling of David Copperfield in modern Appalachia.
Nona the Ninth by Tamsyn Muir (Hugo nominee): also excellent! I probably should have reread the first two books in the series before reading this one, but it was still wonderful.
Cabin at the End of the World by Paul Tremblay (won the Bram Stoker Award): also LOVED it. Do not judge it by the movie.
Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution by R. F. Kuang (won the Nebula): to break my streak, I hated this one. I felt like it was a 101-level take on imperialism without interesting enough characters to redeem the historical shallowness.
20. What was your most anticipated release? Did it meet your expectations?
Ha, I haven't actually gotten around to reading any of my top 2023 releases yet! That said, I cannot wait for Translation State by Ann Leckie (the next book in the Imperial Radch series), Witch King by Martha Wells (fantasy by the author of Muderbot), Lone Women by Victor LaValle (horror in the Wild West by an AMAZING horror author, one of my favorites), and The Adventures of Amina al-Sirafi by Shannon Chakraborty (middle-aged lady pirates by the author of the Daevabad trilogy).
24. Did you DNF anything? Why?
I have a compulsion to finish anything I start, so I never really admit to DNFing a book; even if I put it down and haven't read anything of it for months, I keep *meaning* to get back to it and finish it eventually, so I don't count it as DNF'ed.
That said, it took me a year to finish The Pirates Lafitte: The Treacherous World of the Corsairs of the Gulf by William C Davis, because it was so boring and also weirdly racist. I also have been taking ages to get back to Better the Blood by Michael Bennett, which is a murder mystery set in New Zealand, but it's so cliche and hackneyed.
Thank you for the questions, and happy new year to you too! <3
book meme
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autoacafiles · 10 months
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So this has been something that's been asked for a few times, so after a long times work, here we have it! A hypothetical voice cast for the characters of Autobot Academy. If there's a character you don't see, it's as we don't want to rush figuring out a character. We may update this list in the future, however it'll be in our own time, so we won't be taking any questions about specific missing characters. And hey, if you have your own voices that don't match up with these, then feel free to stick with that!
Autobots
Yuri Lowenthal - Hot Shot/Excellion II/DF Hot Shot/Ben Tennyson
Ashley Eckstein - Lightbright/Maxima/DF Lightbright
Tara Platt - Artillery/Maelstrom/ CG-11272017
ThunderPsyker - Bumblebee/Mjolnir
Morgan Garrett - Arcee/Diabla/Spidarcee
Nick “Lanipator” Landis - Rampage/Shockaract/Straxus
Brianna Knickerbocker - Transmutate/Transmutate X/Transmutate IX
Sam Vincent - Side Burn/Darkburn
Rick “Rice Pirate” Lauer - X-Brawn/Wrenchit
Chris Hackney - Mach Alert/Infernox/Lio Convo/Galva Convoy
Tiya Sicrar - Moonracer
Christine Marie Cabanos - Nightracer/Wipe-Out
Ashley Johnson - Glyph
Kanono - Tap-Out/AlbinoBug
Lizzie Caplin - Tremor/Shockblast
Erika Ishii - Sonar/Noisemaze
DoktorApplejuice - Armorhide/Armorbreak
Josh Keaton - Sideswipe/Firebreaker/Sunstreaker/Mismatch
Alejandro Saab - Steeljaw/Shatter-Pattern/Phantomjaw/Hellhound
Chris Miller - Thunderhoof
Sumalee Montano - Lodestar
Max Mittelan - Hosehead/Contagion
Sam Regal - Bomb-Burst
Kyle McCarley - Longshot
Ben Diskin - Misfire/Missilefire
Lucas Gilbertson - Saber/Dark Saber/Devcon/DF Devcon
Li Ming Hu - Hightail/Ravager
Mike Ginn - Gridlock/Ravager
Erica Mendez - Galaxy Flare
Michelle Ang - Riptide
Vanessa Marshal - Strongarm
Jill Harris - Nautica/DF Nautica
Courtney Ford - Muzzle
Nicolas Cantu - Wasp/DF Waspinator
Erin Fitzgerald - Convex
Archie Kao - Roadblock
Connor Kelley - Sky High
Haven Kendrick - Hot Rodimus/Raze
Michelle Yeoh - Windblade
Shannon McCormick - Rung
Elizabeth Maxwell - Chromia
Edward James Olmos - Fortress Maximus
Travis Willingham - Rollout
Andrew Francis - Scorch
John DiMaggio - Kup/Nitro Zeus/Leadfoot
Kyle Herbert - Star Convoy/Orion Pax/Toxitron
Mark Bonnar - Starscream
Paul McGann - Perceptor
Jake Johnson - Devaron
Herself Sarah Wiedenheft - Saperion/Arcrunner
Debra Wilson - Elita-1
Nicolas Cage - Overload
Nathan Fillion - Silverstreak/Killstreak
Ian MacKellen - Alpha Trion
Maximals
Tara Strong - Slash
Bryce Papenbrooke - Leobreaker
Matt Mercer - Bigfight/Death Convoy
Tom Gliblis - Break
Aleks Le - Stampy
Jack DeSana - Whoop-Kong
Roger Craig Smith - Bound Rogue
Charlie Day - Rattrap
Protectobots
Ashly Burch - Whirl
Heather Watson - Minerva
Aerialbots
Ratana - Stiletto
Cherami Leigh - Skyburst/Stormclash
Rachel Robinson - Surge
David B. Mitchell - Silverbolt
Axellerators
Jamie Chung - Flare-Up
Ron Botitta - Amp
Decepticons
Jason Marnocha - Megatron
Isaac C Singleton Jr. - Soundwave
Kathleen Delaney - Thunderblast
Vincent D'nofrio - Motormaster
Laura Bailey - Drag Strip
Shelby Rabara - Wildrider
David Kaye - Gnashteeth
Marc "Ganxingba" Soskin - Thundercracker
Ian Hanlin - Skywarp
Ryan Reynolds - Deadlock
Kaley Cuoco - Flamewar
Todd Haberkorn - Stonecrusher
Maurice LaMarche- Cryotek
Josh Powell - Onslaught
Corey Burton - Shockwave
Sylvester McCoy - “Doc”
JK Simmons - Horntrap
Resistance
Cameron Monaghan - Beta Maxx
Neo-Maximals
LaMonica Garret - Great Convoy
Peter Dinklage - King Atlas
Lydia Leonard - Black Convoy
Sam Witwer - Venator
Others
Colin Baker - Jhiaxus
Billy West/Michael Dorn - Dion/Umbra Convoy
Greg Cipes - Carjack
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