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#dean is bi so am I
deanwasalwaysbi · 5 months
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Dean's nothing about our lives is real speech? When he says "everything we are is because of chuck"? He was speaking privately & directly to Castiel when he said that.
Not to Sam. Not everything I am. Everything we are. Dean was having a full on crisis.
"You asked, 'What about all of this is real?' We are." Dean didn't know how right Cas was.
Like no baybee. It'll take 15 episodes, but god himself will tell you Cas defied him and his plan to love you, actually.
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fandom-hoarder · 17 days
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Out of respect for the discord, I'm gonna say this here, because I was watching the eclipse and killing my car during the discussion.
Fanon =/= Headcanon, and it's not the same as a singular fan's headcanon that isn't supported by canon
Fanon is essentially a reading, interpretation, or headcanon that spreads widely in a fandom and gets adopted as a popularly accepted "fandom canon." Such as Sheriff Stilinski's first name being John before the show named him something completely incorrect.
Headcanon is personal to each individual's preferred reading of the show, based on canon or not. A canon that exists in one person's head.
The reason fanon tends to have a pejorative tone in fandom is because some fans are prone to attacking others for not accepting a common fanon, or the readings of "subtext" that led to it, as canon. And they insist that the way THEY read canon is the ONLY possible reading of canon.
And, personally, I think it's important to distinguish my headcanon of bi!dean (and aro!dean) apart from the fanon (dare i say, qfanon) of the hellers' bi!dean. The particular distinguishment being that I understand that wasn't the intent of canon, and there was no hidden bi agenda that got snuffed.
Having some of the same bi!dean subtext notes isn't the problem. It's when someone insists that was the intent. It's the unironic "there is no heterosexual reason for this" of it all. I know we're all queer shipping around here and all, but that doesn't exclude a certain whiff of homophobia and gender binary shit to the insistence that straight guys can't do [thing].
Just because you read Dean's look at Dr Sexy as queer, doesn't mean that's what it was. TPTB have said this themselves. And just because [a character from the book the vibes of spn was based on] was intended as bi doesn't mean Dean was intended to be bi. You can read that subtext into your headcanon, but that doesn't make it canon overall. Not even if it becomes fanon.
So when someone insists that's what it WAS not what they HEADCANON it was, it starts to make those of us scarred by heller qfanon very wary.
That said. We need to stop conflating fanon and headcanon so we can each enjoy our individual readings and share in the love of the show.
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wisefoxluminary · 21 days
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So a literal earthquake has happened in New York today and I can't help but think that Buck coming out as bi was so powerful that it literally caused the world to implode. Same with Destiel, Dean is finally awakening from his slumber and taking out his jealousy fuelled rage on the network that slienced him over the years. He is screaming from the rooftops "SPN REVIVAL NEEDS TO HAPPEN WITH CANON DESTIEL NOW OR YOU WILL BURN IN SUPERHELL!!!!". Maybe I'm going mad or what if it's just the elopement of the angel and the hunter in Lebanon, Kansas that's causing these disasters, what then?!!!!
This will start a chain of events known as DEAN'S BISEXUAL REVENGE!!!!
Is it a bird, is it a plane no...it's a canon Destiel coming near you!
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casxsunshine · 1 year
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yes, he's a sinner, a killer and "a terrible man", but also he loves cowboy movies and old rock, walks around the house in a robe and cannot live without his morning coffee. he gets along well with dogs and children, laughs at his own jokes, watches scoobie doo and calls his best friend angel “sunshine”. by the way, he's bisexual and head over heels in love with this angel. he sticks paper with stupid writings like “kick me” on his brother's back, calls his car “baby” and watches horror movies because he likes it when the good guys win. he secretly listens to taylor swift, loves hugging his friends and eating tasty food (especially pies and burgers). sometimes he acts like an idiot but on the inside he's just a soft teddy bear. he has his own room and keeps pictures of his family in his bedside table. he hums metallica to relax and always listens to the same songs in the car. he's afraid of dentists and flying. he's watched “frozen”, loves dory the fish and has movie nights with his family in dean-cave.
and these are just few reasons why dean winchester is the most wonderful and unique character i have ever known.
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temporarypoet · 23 days
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Dean Winchester is definitely Bisexual because I'm Bisexual and he's literally me
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cas-poisoning · 2 months
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I’m bi so I’m definitely not trying to undermine Dean as a bi character in a show like spn but I really am fascinated by the implications of Dean being gay.
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Me then, watching the show writers try SO HARD to write a single male character that Dean doesn’t have immediate chemistry with: "Hahaha sucks to be y'all!" *is Here For It™ in multishipper*
Me now, attempting to write Dean interacting with uuuh, characters he is NOT SUPPOSED TO BE WITH (romantically) in this fic: "...Shit." *is Cursed™ in multishipper*
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riverwithoutbanks · 11 months
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Oh so Misha is saying words again.
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If he doesn't have daddy issues on a cosmic level, is he really the one?
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bellamulti · 1 year
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dean winchester had (probably still does) a crush on Marty McFly (Back to the Future) and know one can tell me otherwise!
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I keep seeing things about the spn cruise with text like "whats next? spn on ice? spn on broadway?" and to that i say, I'm going to write an spn play because my friend said i should after i told them I would
how the fuck am i going to do that you ask? i dont have a clue
why? because im insane and i can. fuck you
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charcubed · 2 years
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I keep seeing posts that are like "interpretations of bi!Dean and gay!Dean are equally valid!" and I used to be like, sure, straight!Dean is definitely wrong but beyond that, see him how you want, who cares.
But now (esp after the Last Call script) I just don't understand the gay!Dean truthers? I follow quite a few on sm, and when I initially followed them I was like "they accept Dean is queer, that's good enough for me." But now they're really starting to get to me and it's not really worth arguing about to them, but I wanted to rant to you about it, cuz you get it.
The script literally included "gorgeous women" in the bar. Dean has canonically been sexually AND romantically attracted to women. He's based off THEE bisexual Neal Cassady.
Like I'm not really trying to defend m/w relationships (lol) but why do even queer ppl insist on erasing his identity when it's so clear? Why do they have to take that away?
Gay!Dean in AUs is one thing, but in the actual, textual canon of the show, Dean is bi. And no, gay!Dean and bi!Dean are NOT equally valid interpretations. And I don't think I'm an asshole for saying that 🤷🏼‍♀️
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Sorry it took a few days to get to this. Work and life have kept me busy and tired!
Unironically and non-sarcastically, Anon, I'm glad you've seen the light and seem to understand this topic more now. You are, of course, entirely correct. And you're not an asshole for saying it either.
I'm going to take this opportunity to answer your (potentially rhetorical) questions, and also bounce off of you and lay some stuff out about this topic in general at length for the first time–despite the fact that it may turn me into public enemy #1 again. I am already hated for non-combatively voicing these facts on Twitter (this thread tends to be considered one of the "ground zeroes" of the nonexistent "debate" lol), but I have avoided being dog-piled on Tumblr so far, so... fingers crossed I can miraculously keep it that way!
My hope is that anyone who is predisposed to taking this topic very personally just moves on instead of attacking me (or subposting me?) for any of what I'm about to say. I'm also not forcing anyone to read this, before anyone's like "that's way too many words" or "it's not that serious lol."
I do think this topic is important. I've made the decision to publicly spell out why. And if anyone doesn't want to read it, that's their prerogative.
To your questions, Anon:
I think a lot of this comes down to a fandom-wide problem (all fandoms recently, not just SPN) of not understanding the difference between headcanon and canon, the dimensions as to why that distinction does have its uses and its necessity, and the value in both. I'll get into this later.
But in this fandom specifically, based on observation and lengthy conversations I've had with a dozen long-time fans who are my friends... I personally think it's maybe a new dimension of viewpoint that's branched out from a holdover of "all interpretations are valid" being the party line people have clung to a very long time. (That’s also true in other fandoms, but I think it’s especially true here.) It's a form of solace people don't want to deviate from. No one wants to be seen as or feel like the ~jerk~ who's ~invalidating another person's view of canon~ in response to someone else's knee-jerk reaction of hurt. This is a fandom with early-2000s cultural baggage and context, where people dealt with feeling like the "crazy fangirls" who shipped Destiel and dared to call out queer subtext. Misha's "You're not crazy" tweet exists for a reason. I do feel like a lot of well-meaning people–aside from misunderstanding or being ignorant to the analytical roots of this topic and why they absolutely matter–just know what it feels like to have their thoughts on queer content in a show feel "invalidated," and they don't want to be perceived as doing that to other people. And/or: they’ve felt invalidated before (in this fandom or others!), and so they’re hypersensitive to anything they perceive as doing that to them again, especially if they tied personal identity into the projections they’re making onto the media they enjoy.
I understand that people don’t want to seem ~mean~ or make waves. I also don't want to seem mean or be mean, which is why I try to be as clear as possible whenever I talk about this and I never go after people directly (or interact/reference any of the many subtweets from people who openly talk shit about me. haha). But the facts shouldn't be seen as "mean"; they are simply facts. And yes, they absolutely matter.
Because the thing is... none of the above has any bearing on the nuances of the topic at hand, the indisputable fact that Dean is bisexual in canon and that claiming otherwise is erasure, and the truth that none of this should be seen as a threat to people's headcanons. 
These are all things that people should understand, and I will not apologize for knowing that and saying it. Misunderstanding this–making the false claim that “all interpretations of Dean’s sexually are equally valid as long as you see him as queer”–is an act of bisexual erasure in this context, and it often (unintentionally!) plays into biphobic talking points. And yeah, in my opinion, that’s something people should care about because it’s worthy of both personal and fandom examination. It is, in fact, why “representation” matters at all.
Let’s not kid ourselves: the bulk of this fandom-wide discourse is about Bi Dean vs Gay Dean. So, y’know, that’s the bulk of how I’m going to address it to just get it all out there.
Right out the gate, let me clarify this: I am not saying–now or ever–that those who are self-proclaimed “Gay Dean truthers” or argue that “Dean being gay in canon is a valid interpretation” are deliberately coming from a place of malice and the intent to contribute to bisexual erasure. By all means, I’m sure most aren’t! Nonetheless, intent does not equal impact. I’ve even seen people say “I’m a Gay Dean truther and I’m bisexual, so how could I possibly be contributing to bi erasure by arguing for Gay Dean?”  But in this situation–as in any other–no one is immune from unwittingly perpetuating harm, even including bi people. And it’s important to understand why that is.
“Interpretations” are not opinions, not all are equal, and they do require some level of skill. This is not a personal attack, or a moral judgement on anyone, or somehow a threat to people’s enjoyment of a favorite character. It is just fact.
Gay Dean is not a valid possibility in canon. There is no lens that justifies an argument of it with canonical basis. I have to break down why, in order to sufficiently express why claiming otherwise is a harmful position to take, so bear with me.
(No, this is not an invitation for a Gay Dean truther to treat this like a “debate” with me or waste time writing out a counterargument. Please just exit the tab if you’re somehow here battling that urge.)
For someone to say that Dean is gay in canon, here is an incomplete list of what has to be erased, ignored, or explained away:
• His sexual attraction to, romantic love for, and relationship with Cassie.
• His sexual attraction to, romantic love for, and relationship with Lisa (whether or not one thinks she was ever the ~ultimate love of his life~, attraction and love were present.)
• His stash of and enjoyment of porn that includes women, which is referenced many times.
• The moments where he was seduced by a female-presenting monster.
• Each and every time he made a reference to or joke about his attraction to women.
• Any fling he ever had with a woman on screen, and the enjoyment he had in the process.
The man is canonically sexually and romantically attracted to women, and he has acted upon that and even enjoys that about himself in wildly diverse contexts. It is a blatant part of the text of the show. (The fact that we are at the point where this is somehow a main point of contention rather than his attraction to men does make me feel a tiny bit insane, to be honest.)
Now, in my experience (which I don’t claim is comprehensive!), the people who argue for Gay Dean tend to explain ALL of this away under some form of universal umbrella of Dean being “performative,” a variation on compulsive heterosexuality they ascribe to him. The claim or explanation tends to be that Dean was performing a mostly-faked attraction to women based on his father’s expectations and outward pressures he received in the culture of his life. Moments are often cherry-picked out of context to support this “reading.” 
Who is Dean supposedly performing FOR, even in the moments where he acts on his attraction to women when he is alone? How does this explain his significant relationships with women like Cassie and/or the legitimate visible enjoyments he received from those interactions, as well as his flings with women throughout the show? How does this explain things like the Last Call script, where Dean is very clearly written as attracted to “gorgeous women,” a factoid that is not only very clear on screen but also (of course) written in literal black and white?
(There are no sufficient answers to these rhetorical questions. Once again: please do not waste time trying to give me any.)
And what evidence are Gay Dean people using for comphet or performative Dean? The “evidence” is often a misread of canon, pointing towards the consistent theme and false goal presented in the text of the show of characters’ efforts to strive for an “apple pie life,” aka a heteronormative ideal family. Gay Dean people misrepresent what this theme and through-line in the show is actually about, which is the totality of learning to accept your life rather than striving for something ill-fitting, that what you need and want need not be mutually exclusive (family life including fulfilling romance + hunting life can coexist), family is what you make of it and how you define it, and there are no true limitations on what all of this “should” be. While these themes are inherently queer, they are not about narrow performances of masculinity, femininity, or sexual identity, but about making space for ALL forms of all of the above–AND about identifying what it is that one wants and thinks they can’t have.
Namely, for Dean, that’s a version of settling down in a life that fulfills him in every direction, with an open and honest mutual relationship with the person he is in love with. This latter point would be true whether Cas was a man or a woman (though the fact that he is a man of course adds further dimension of interest to the story). Dean doesn’t think he can have a romantic relationship / family that lasts, and by later seasons that yearning is a key part of his character. The times it didn’t work out for him weren’t because those other people were women, but rather because the “lesson” he internalized from traumatic instances of loss is that hunters don’t get to do ~the love thing~ or get the settled down life. This is stated in the text of the show multiple times, and that’s also why Dean seeing examples of hunters who made any kind of balanced life work (especially masculine queer hunters like Jesse and Cesar) is pointed and purposeful. To say it’s about comphet instead (with no sufficient canon evidence that supports that) disregards a key point that’s central to Supernatural’s story, and in my opinion it disregards it to its detriment.
For Dean’s journey in particular, it is about freedom from limitations of structure, and knowing that he contains multitudes. The things he got from John–loving classic rock and loving his car, for example–are no less core joyful parts of Dean simply because they originated from his father. Dean can love classic rock and still occasionally love a Taylor Swift song, for example. He can love cowboy movies and manly movies, and also enjoy chick-flicks. It’s the idea of learning that there are no limitations, not that masculine interests are not inherently something he loves for himself or that aren’t important parts of his identity. It’s an expansion to openly include more, not a switch or a narrowing. The same applies to his sexual attraction and his queer identity. He can be attracted to cowboys and bikers, and also be attracted to gorgeous women. Him being attracted to / loving women does not mean he cannot and does not feel attraction and love for men; likewise, him being in love with a man does not mean he wasn’t and isn’t attracted to women. 
(“Last Call,” as an episode, exists in part to drive the totality of these points home, and emphasize that Dean’s attraction to men is something he’s known about himself for most of his life and acted on previously. So is most of the queercoding and queer subtext applied to Dean–which is specifically coding him as bisexual. His attraction to men is sometimes established or made clear because it echoes his attraction to women, etc. etc. Dean’s canonical attraction to men is a whole other post.)
So here we come to why saying otherwise and trying to shoehorn a comphet narrative onto Dean in canon is harmful:
Aside from the fact that to claim Dean’s joyful attraction to women is performative is to cut out chunks of the story and is thus not supported by canon, and it relies on making assumptions about and projecting onto the text… unintentionally or not, the implication is that bisexuality is not queer enough, or that being gay is somehow “queerer” and thus more compelling and a preferred concept, and that attraction to different genders is a heterosexual / straight trait requiring removal. No one is queering a text in a more revolutionary way or unlocking a ~secret good Supernatural~ by making a bisexual man into a gay man. That’s simply not how this works.
“Preferring” an argument for Gay Dean in canon requires explaining away or misreading all of those moments Dean has with women, essentially replacing them with trauma or suffering or discomfort that–in my observations–also sometimes rely on stereotypes of gay men. It also involves potentially preferring to twist them into behaviors Dean must have universally put himself through not out of genuine joyful desire but at minimum because he felt like he “should” or at maximum in an attempt to “fix” his “gayness,” even when no one was watching. And it points to the pressures Dean experienced about living a life that fit him fully–pressures that exist not just in his world, but also in our patriarchal world and society–and it implies that queer people can’t authentically experience attraction or love to someone of a different gender, because maybe they’re actually just “performing” the heteronormative ideal. As in: a “visually queer” relationship is the end goal, right? For Dean, that’s an m/m relationship... so surely m/f matters less, or maybe it can’t be a genuine and significant part of a queer person’s life.
Once again: I do not think any of this is intentional on the part of Gay Dean truthers, nor do I think it’s done with malice. Nonetheless, these harmful biphobic viewpoints permeate these conversations and misconceptions when people say these arguments are valid.
There is no canonical basis for explaining away all of Dean’s moments with women, and the story does not provide or point to any kind of cohesive narrative reason to do so. YES, people absolutely experience comphet in real life, and those experiences are valid and exist. YES, real gay men can and do sleep with or have nuanced romantic relationships with women before realizing they’re gay later in life. No, that does not mean that’s how analysis of a fictional character in a fictional story always works, especially in regards to a story built over time like Supernatural’s unique approach and the way it was molded to place queerness and specifically bisexuality at the core of Dean’s story.
Ascribing comphet to Dean in canon–or making any other insufficient justification for explaining away his attraction to women–is personal projection. And yes, it is bisexual erasure.
This is not a position fueled by personal hurt for me, as I would say the same here whether or not I was personally bisexual. It is an acknowledgement that these conversations don’t exist in a vacuum, and that’s something everyone should care to understand. I know what comphet storylines look like in fiction, and I know they are worth defining as such, and in other fandoms I even defend that very loudly. This is not the case here, and to say it is requires mental acrobatics that are objectively unsupported by canon... and invariably insisting otherwise perpetuates one of these harmful biphobic viewpoints whether or not one realizes it.
To say Gay Dean is a legitimate read of canon–which it is not–supports people who are erasing his varied sexual and romantic attraction to a different gender simply because they’ve decided they want to ignore that. “I like the idea of Dean being gay” does not mean that he is gay in canon, and writing meta to that end is a problem. It’s not an invalidation of someone on a personal level or some weird variation of homophobia to say that, and I do think people should maybe examine why they seemingly like the idea of him being gay more than him being bi, or why they staunchly defend it (or any other “different queer reading”) as a possibility. 
I understand there may be the urge to be like “is it that serious” or “this is just a CW show,” but to that I would say… then why are we all here?
Clearly, most people do still care about queer representation on some level and understand that queer subtext is present and acknowledge that Dean isn’t straight... hence the origin of this new prevalent concept of “as long as you say Dean’s queer then it’s fine.”
But in any piece of media, the text is the text is the text. The text can also be compelling, and fascinating, and contain value whether or not it’s an exact reflection of you personally as a fan and as a person. Sometimes there is arguably even greater value in being able to find reasons to relate to the humanity of a character or in a story even though elements differ from who you are personally. It is an exercise in empathy, and it is a pillar of why humans tells stories to each other to expand our viewpoints, and it sometimes results in examining the sources of that empathy. It’s why “representation matters”: not just so we can see ourselves, but so we can see others, and find reason to empathize despite differences. There’s unquantifiable power in that, and it’s also why the diversity of queer experiences and identities should be championed and acknowledged both in fiction and in reality, not turned into a monolith. Our solidarity amongst our individual queer differences and identities is our truest version of strength and authenticity. We are not all exactly the same, and that’s a good thing. When care is taken to specifically convey that in fiction, it is worth not only acknowledgement but also defense.
So: do we or do we not care about why representation is important, and why these sorts of conversations should exist at all? About censorship of queer storylines, and diversity in the queer community, and solidarity in differences? About bisexual men, a vastly underrepresented group in fiction, and the specific censorship that affected Dean’s bi story accordingly? And about how these viewpoints people can place onto fiction through fandom-wide conversation–like implying Dean is ~queerer~ if you say he’s gay, or that you’re somehow sticking it to the CW and “straight culture” if you suggest he’s gay–can influence biphobia that translates into ways people see bi people in real life?
In other situations even in this fandom, people understand the value of diverse queer experiences. No one would dare to say that “you can argue Charlie is bisexual in canon because as long as you say she’s queer it’s fine.” Charlie is a lesbian. It’s very, very clear, and she shows and states that she is only attracted to women. Dean’s attraction to women in canon is equally clear, and is part of his bisexuality. Why is erasing that defendable?
Look: it is people’s God-given right to write whatever fic they want about “what if” variations of Dean’s sexuality through a different lens. It is not their God-given right to make things up about canon and call it analysis.
It is a universal truth that fandom is always going to take canon and mold it into other versions that they love, for their own personal reasons and in ways that have value to them. That’s why transformative works like fic exist, and it’s why fandom is awesome, and I’m glad people use aspects of their favorite stories to tell other inspired stories that are of personal significance to them. But the word transformative is used for a reason: it’s an alteration of canon. It’s not a bad thing or a personal attack on people to say that.
There is a difference between understanding canon and writing actual meta / analysis of the show, and writing AUs for ones own enjoyment and fulfillment. (This is true on AO3 or on Tumblr/Twitter. I often see posts that are positioned as “meta,” but again, are just cherry-picked weirdness.) These differences are important, as is understanding how headcanons and fic affect surrounding conversations and fandom perceptions. And this fandom seems to have a very big problem with understanding the difference between these things, while taking it extremely personally in a negative way when people try to explain why the difference matters.
Confusing analysis and transformative fandom does a disservice to both, and denying the value in the former is not only a form of anti-intellectualism but also removes some of the beauty in the latter. If we can’t distinguish and differentiate between canon and headcanon, we can’t discuss the value in understanding the canon, nor adequately discuss the artistic value and power in creating derivative variations from it in personal ways. Both are different, both are equal, both are vital, and insisting the distinction is needless hampers conversation across every space. And nowhere is that more true than when one is discussing queer representation and queer censorship, like in the case of Supernatural. Again, why are we here? Why do we care? You cannot argue for and discuss the problems of censorship sufficiently if you don’t understand what was censored–and in Dean’s case, that was his love for Cas and his bisexuality.
I leave you with this (probably unneeded) analogy:
Imagine Dean’s a zebra.
(Sorry, EDS community; not that kind of zebra.)
People are trying to say “Dean is a black and white hoofed mammal <3″ and well, that’s accurate, but that doesn’t mean him being a zebra isn’t its own unique thing. A whole bunch of people are looking at him though and saying “well I prefer to say that Dean’s a black and white horse,” because they like that viewpoint better. Close enough, right? A black and white horse is basically a zebra, right? And then there’s the people who are like “I think Dean’s a cow!” and it’s like, okay, no idea where you came from, but whatever.
The point is that those are all entirely different fucking things. They’re different animals. Someone wanting Dean to be a black and white horse doesn’t make him less of a zebra. Pretending otherwise is absolute nonsense.
This debate/discussion/discourse is equally nonsensical. That is the logic (or illogic) that applies here.
Just because Dean is “queer” doesn’t mean any queer categorization underneath that umbrella suddenly equally applies.
Dean is bisexual. And he is “queer” because he’s bisexual.
Those are the facts. 
And for the love of God, please... I really don’t think I’m an asshole for saying it.
So, to whoever made it this far: please do me the courtesy of not hating me for it or trying to bait me into a fight. 
I’m tired. Thanks.
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EDIT: Couple of good additions!
•  @doctorprofessorsong added some good details about how some of these harmful biphobic concepts translate to real life, and real things that bi people struggle with.
• A lesbian anonymously sent in her perspective as someone who enjoys gay Dean headcanons/fic and agrees with this post, and agrees that the fact that Dean is bi in canon is important.
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somewheregold-blog · 1 year
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dean winchester and claire novak are asexuals
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chessieshire · 2 years
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Drabble Day 11: Trust
Dean comes home late after closing his new business Hunter's Bar & Grill. "That's odd.." he thinks to himself. The porch light isn't on and the house is completely dark. Castiel usually has some of the lights on due to his recent fear of the dark after rescuing him out of The Empty. He explained it as a combination of feeling powerless in the dark.
Dean felt a rush of guilt when Castiel admitted that to him because rescuing him meant becoming human and Dean worries he took that choice away from him despite Castiel's reassurance that he wouldn't have chosen differently.
Dean retrieves his gun from the glovebox and his hunter senses kick in at the chance a vengeful monster has discovered their new home. He opens the front door quietly and tests the lights in the hall. None of them are working. He listens and notices that the fridge isn't running and the light on the microwave isn't on. "Oh the power's out." He realizes. It stormed earlier in the night. A line must be down. "Cas?" Dean calls out putting his gun away and making his way towards the bedroom. "Here." Castiel responds quietly.
Dean turns to his right and realizes Castiel is sitting on the floor in the bathroom in front of the tub fidgeting with the leather bracelet Dean made him etched with the words, "I love you Huggy Bear" in Enochian as a means to remind himself that he's no longer in The Empty.
Dean's heart aches and sits down next to Castiel. "I'm here. You're with me now." Dean says as he coaxes Castiel to lay his head in his lap. Dean runs his fingers through his hair soothing him while offering sweet words of encouragement and compliments. After a few minutes Dean takes his phone out of his pocket and calls the Electric company to report the power outage. They responded that its going to take at least another hour before they have it up and running again.
"I have an idea Cas, you trust me?" Dean asks as he's rubbing around the outside of his ear knowing it makes Castiel a little ticklish. "Of course Dean. What do you have in mind?"
"Well, I am going to get your shoes and your jacket and we are going out for a drive until the power's back on. Give me a minute?" Dean asks. Castiel nods under Dean's hands and lifts his head up and sits up.
Dean gives Castiel a quick kiss on the temple and goes to the hall to quickly retrieve his shoes and jacket. He comes back and helps Castiel put them on in the dark and helps him up. Dean hangs onto Castiel's hand as he's hanging onto Dean's arm and is being guided down the hallway to the front door.
They get into the impala and Castiel starts to relax as he's hearing the sound of the engine from the car and watching the road lit up from the headlights in front of him.
Dean starts humming one of his favorite Led Zeppelin songs and Castiel scoots closer and rests his hand on Dean's thigh. Dean intertwines their fingers and pulls their hands closer to his lap.
Dean's mind is wandering as he's trying to come up with ideas on how to associate good memories with the dark for Castiel. He sees a pond up ahead and remembers there's a dirt path from the road that leads to it.
"You trust me angel?" Dean asks softly. "Always, Dean." "Mmkay." Dean responds as he pulls out onto the dirt path leading out to the pond. He parks near it and reaches down between them on the floor for his shoebox of cassette tapes and searches for one in particular. When he finds the mixtape he made for Castiel years prior he pops it into the tape deck and turns the volume up. Dean turns the headlights off and gets out of the car. Castiel opens the passenger side door and follows him towards the edge of the pond where they can see the moonlight reflecting off the water.
Dean urges Castiel to lay down on his side facing the pond with his head in his lap then resumes running his fingers through his hair while softly chatting about his day.
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dlippincott157 · 2 years
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soulessbastard2 · 10 months
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What in the homosexual is this? Dean Winchester is bi and no one can tell me othervise.
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