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starfirexuchiha · 3 years

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The Flower Meanings behind each P5R Flower Keychain Merch

After pre-ordering the P5R flower keychain merch, I decided delve into the flower meanings that each PT character is associated with in the new flower keychain merch.

I’m going to research into the Hanakotoba (花言��) meaning of these flowers, the English meanings, and the relevant flower essences to hopefully get the right information. Then I’ll try to connect how they relate to the characters. Understand that what I’ll say may not be 100% right, because this is my own interpretation.

The flower meanings I gotten are based on the Japanese websites and English websites that I looked into. THIS IS GOING TO BE A VERY LONG POST so please excuse any potential grammar mistakes I may have made.

If I ever have time, I might make separate posts for each Phantom Thief regarding the history, folklore and meta of their flowers.

Ren Amamiya - Red China Asters & White Daisies

China Asters are called 蝦夷菊 (Ezogiku) or in Katakana, エゾギク in Japanese.

In Hanakotoba (花言葉) China Asters in general mean:

追憶 (Recollection)

私はあなたを想うでしょう (I will think of you)

変化 (Change / Shapeshift)

信じる恋 (Believing in Love)

貞節 (Fidelity)

And Red China Asters in particular mean:

変化を好む (I prefer change)

The English meaning of these Asters are:

Patience

Elegance

Daintiness (Gentle and Kind personality)

Afterthought (Remembering someone who is no longer with you / Thinking if things should have happened differently)

Love of variety

And the Red color in an Aster is the color of passion that expresses strong emotions towards these meanings.

So basically China Asters mean Change and Recollection (Remembering something/someone), and “私はあなたを想うでしょう (I will think of you)”.

Note: There are 2 different classifications of Aster flowers. One is the Shion (シオン) Aster. The other is the China (エゾギク) Aster. There is no such thing as a red Shion Aster. China Asters on the other hand, comes with a variety of colors including red. Therefore, the red asters are China Asters.

Shion Asters tend to have the meaning: “君を忘れない (I won’t forget you)”. China Asters tend to have a similar meaning which is: "私はあなたを想うでしょう (I will think of you)”. This indicates remembering someone who is no longer with you, or when they are far away and separated from you. It seems that Asters in general involve remembering someone and not wanting to forget them.

How this connects to Ren:

Since Red Asters in particular mean “change”, I think this refers to how Ren is a “shapeshifter” (from the Beneath the Mask song), since he is a WildCard user who uses different personas and masks. I think the “変化を好む (I prefer change) ” meaning refers to how Ren wanted to reform society as a Phantom Thief.

China Asters in general also mean “recollection”, I think this refers to what happened between Ren and Akechi. Ren deeply regretted how he wasn’t able to save Akechi in the engine room and wanted things to happen differently between them (Like peacefully playing chess with Akechi in his room in the “Bad Ending”). For Akechi to be present and by his side...that was his wish in the dream world. This can also refer to how Akechi said “If only we had met a few years earlier...”. Recollection is also connected to the "私はあなたを想うでしょう (I will think of you)” meaning. Ren still remembers his promise with Akechi, even after the dream world ended. Akechi was separated from him twice but Ren still carries Akechi’s glove with him, thinking of him.

The meaning of these flowers are probably connected to the meaning of Akechi’s Forget-Me-Nots that I will mention later in this post.

Daisies are called 雛菊 (Hinagiku) or just デイジー (Daisy) in Japanese.

In Hanakotoba (花言葉) Daisies in general mean:

純潔 (Innocence / Purity)

美人 (Beautiful person)

平和 (Peace / Harmony)

希望 (Hope)

And White Daisies in particular mean:

無邪気 (Innocent)

The English meanings of these Daisies are:

Innocence

New Beginnings

Purity

Harmony

If the Daisy color is White then that specifically means “Innocence” and “Purity”.

How this connects to Ren:

Ren has his own sense of justice and righteousness, and he believes that what he’s doing is for the greater good. He is the Trickster who brings hope and drives away ruin. Shido falsely accused Ren of assault even though Ren’s innocent. He gotten a criminal record even though he is innocent. Ren started off as a misunderstood hero... and yeah I guess Ren is pretty good-looking too “美人 (Beautiful person)” lol.

Ryuji Sakamoto - Sunflowers & Red Ace Hydrangeas

Sunflowers are called 向日葵 (Himawari) or in katakana ヒマワリ in Japanese.

In Hanakotoba (花言葉) Sunflowers mean:

私はあなただけを見つめる (I only have my eyes on you)

あなたを幸福にする (I will make you happy)

崇拝 (Admiration / Adoration)

光輝 (Brightness)

あなたは素晴らしい (You are amazing)

偽りの富 (False Riches)

The English meanings of these Sunflowers are:

Adoration

Faithfulness

Loyalty

Joy & Happiness

So basically Sunflowers mean admiring someone or adoring someone and it also means happiness.

How this connects to Ryuji:

Ryuji is Ren’s best friend, and he also greatly admires Ren for being the leader of the Phantom Thieves. Ryuji is also the type of guy who is loud, cheerful, and optimistic. This can connect to brightness and happiness.

Hydrangeas are called 紫陽花 (Ajisai) or in katakana アジサイ in Japanese.

In Hanakotoba (花言葉) Hydrangeas mean:

高慢 (Boastfulness / Arrogance)

冷酷 (Ruthlessness / Cold-Hearted)

謝罪 (Apology)

The English meanings of Hydrangeas are:

Gratitude

Honest Emotions

Vanity

Boastfulness

Desire for forgiveness

Regret

In Japan, Hydrangeas are usually used to express apology for bad behavior. That’s why negative words like 冷酷 (Ruthlessness / Cold-Hearted) and 高慢 (Boastfulness / Arrogance) are associated with it. It’s to apologize for behaving like that.

How this connects to Ryuji:

Ryuji is a delinquent and a troublemaker. However, he’s also the type to apologize for the things he messed up on. One example is Ryuji feeling sorry for his mother because attacking Kamoshida ruined his chances of making things easier for her (like getting an athletic scholarship). Another example is the 3rd Semester where he deeply apologizes to Ren for abandoning him to enjoy the dream world. For 高慢 (Boastfulness / Arrogance), Ryuji wanted to have more fame and recognition as the Phantom Thieves were becoming more popular, but that was until the Okumura incident.

Ann Takamaki - Red Roses & Strawberry Blossoms

“A Beautiful Rose has thorns!” - Ann

Roses are called ��薇 (Bara) or they can be just called ローズ (Rose) in Japanese.

In Hanakotoba (花言葉) Roses in general mean:

愛 (Love)

美 (Beauty)

And Red Roses in particular mean:

あなたを愛してます (I love you)

愛情 (Love / Affection)

美 (Beauty)

情熱 (Passion)

熱烈な恋 (Passionate Love)

The English meanings of Red Roses are pretty much the same: Passionate Love, Romance, and Beauty. Roses are the most well-known flowers across the world.

How this connects to Ann:

Ann is associated with the Lovers Arcana. Ann’s phantom thief attire is also associated around the themes of beauty, lust, and love. This is because her Persona is Carmen, who is a Femme Fatale (An attractive and seductive woman, especially one who is likely to cause distress or disaster to a man who becomes involved with her). Like what Ann said in battle: “A Beautiful Rose has thorns!“

Strawberries are called 苺 (Ichigo) in Japan.

In Hanakotoba (花言葉) Strawberry Blossoms mean:

尊重と愛情 (Love and Respect)

幸福な家庭 (Happy Family)

あなたは私を喜ばせる (You please me)

先見の明 (Foresight)

完全なる善 (Perfect Goodness)

The English meanings of Strawberry Blossoms are:

Perfection

Righteousness

Spring / Rebirth

So basically Strawberry Blossoms mean perfection, love, and righteousness.

The essence of a Strawberry Blossom can help those who are going through a mental loop of fear and anxiety. For people who are worrying themselves to exhaustion and tears.

How this connects to Ann:

Ann is very kind, compassionate, and also cheerful when she’s with the Phantom Thieves. When it comes to “righteousness“, Ann has moral values and tends to reflect on whether her’s or the PT’s actions are right or wrong. She also has a strong desire to help those in need. I think “perfection” connects to how Ann is confidant about her physical appearance, but she also wants to be mentally strong and confidant like the female villains she watched.

The essence of a Strawberry Blossom (a mental loop of fear and anxiety) could connect to what Ann was going through during the Kamoshida arc. She worries a lot about Shiho, and was unfortunately put into a situation where she had to deal with Kamoshida’s threats and sexual harassment. This is because she feared that Shiho would lose her position in the volleyball team. This situation was so stressful that she suddenly had to talk to Ren about it at the station.

Yusuke Kitagawa - Nemophilas & Lily of the Valleys

Nemophilas (aka Baby Blue Eyes) are called 瑠璃唐草 (Rurikarakusa) or just ネモフィラ (Nemophila) in Japanese.

In Hanakotoba (花言葉) Nemophilas mean:

どこでも成功 (Success everywhere)

あなたを許す (I forgive you)

可憐 (Sweet)

The English meanings of Nemophilas are pretty much the same: Victory and Success.

However...

Nemophilas have essences for anyone who during their childhood, had lack of support from their father figure or had issues with their father figure.

How this connects to Yusuke:

Sure the “success” meaning could probably connect to Yusuke trying to succeed his art career, but I think the Nemophila essence meaning connects to him more. Yusuke did have a father figure in his childhood who is Madarame. Madarame adopted him shortly after his mother’s death. He became corrupted by his distorted desires and treated Yusuke as a tool to help bolster his fame and riches. Yusuke had issues with Madarame‘s abuse and eventually fought against him in the Metaverse.

However Yusuke still have this conflicting case of Stockholm Syndrome towards Madarame and it shows during the 3rd semester. In the dream world, part of Yusuke’s wish was to have Madarame be a supporting and sincere father figure towards him. This can connect to the Nemophila meaning of “feeling supported and loved, especially by male figures”.

One of the birth flower dates for Nemophilas is January 28th, which is Yusuke’s birthday. So these flowers are REALLY for Yusuke!

Lily of the Valleys are called 鈴蘭 (Suzuran) or in katakana スズラン in Japanese.

In Hanakotoba (花言葉) Lily of the Valleys mean:

再び幸せが訪れる (Return of Happiness)

純粋 (Purity)

謙遜 (Modesty)

優しさ (Kindness)

The English meanings of Lily of the Valleys are:

Motherhood

Womanhood

Purity

Sweetness

Return of Happiness

You made my life complete

So basically the Lily of the Valley flowers mean “Return of Happiness” but it could also mean “Motherhood”, because this flower is considered to be the perfect flower for the month of May, and Mother’s Day takes place in May. On May 1st, it is a custom to give a loved one Lily of the Valleys.

Lily of the Valley also has essences for those who are yearning or desiring relationships that are unattainable.

How this connects to Yusuke:

The “再び幸せが訪れる (Return of Happiness)“ meaning could refer to Yusuke becoming part of the Phantom Thieves and obtaining new friends. The PTs saved him from Madarame. Note that Yusuke first met the Phantom Thieves on the month of May, and Lily of the Valleys are heavily associated with that month.

I think this also relates to the Sayuri painting. The true form of the Sayuri painting expresses motherhood. The woman in the painting is holding a baby. Yusuke’s mother created this painting of herself happily holding her newborn son in her arms. “Yearning for relationships that are unattainable” could probably refer to how Yusuke deep down yearn for parental love. His biological parents aren’t present in his life and Madarame is a corrupted father figure. I mentioned before that part of Yusuke’s wish in the dream world was to have Madarame be a supporting and sincere father figure towards him.

Makoto Niijima - Canterbury Bells & Pink Tree Peonies

Canterbury Bells (aka Bellflowers), are called カンパニュラ (Campanula) in Japanese.

In Hanakotoba (花言葉) Canterbury Bells mean:

感謝 (Gratitude)

誠実 (Sincerity)

節操 (Loyalty)

思いを告げる (Telling your Thoughts)

共感 (Sympathy)

The English meanings of Canterbury Bells are:

Gratitude

Humility

Everlasting Love

So basically Canterbury bells mean “Gratitude” and “Telling your Thoughts”.

The essence of Canterbury Bells are for those who are stressed and cannot think for themselves. Canterbury Bells can help clear their minds so that they can stand up for themselves and make their own decisions.

How this connects to Makoto:

Before she joined the Phantom Thieves, Makoto was considered to be an obedient “good girl type of pushover” who followed the rules and couldn’t make her own decisions. During the Kaneshiro arc, so many things were happening to her at once such as the Principal giving her a difficult task, Sae getting angry at her during dinner, and Goro calling her a pushover. All of this really stressed her because her obedience is suffocating her. This connects to the “思いを告げる (Telling your Thoughts)“ meaning because it wasn’t until she entered Kaneshiro’s palace that she was finally able to speak her mind and stand up for herself.

One of the birth flower dates for Canterbury Bells is April 23rd, which is Makoto’s birthday. So these flowers are REALLY for Makoto!

Tree Peonies are called 牡丹 (Botan) or in katakana ボタン in Japanese.

In Hanakotoba (花言葉) Tree Peonies mean:

王者の風格 (Personality of a King)

富貴 (Wealth and Honor)

はにかみ (Bashfulness)

恥じらい (Shyness)

思いやり (Compassion)

The English meanings of Tree Peonies are:

Good Fortune

Bravery

Honor

Nobility

In Japan, Tree Peonies are well-respected and known to be called the “King of Flowers” (花の王様) or the “King of a Hundred Flowers” (百花の王). The reason why they’re called that is because back in history, Tree Peonies were used to decorate throne rooms and royal palaces. That’s why Tree Peonies tend to have meanings relating to royalty and honor.

The essence of Peonies are for those who are overworking themselves and trying to work hard for everything.

How this connects to Makoto:

Makoto’s code name is “Queen”, because of her bossy and strict personality. This also connects to the “王者の風格 (Personality of a King)“ meaning. Makoto’s bossy personality can be a King-like trait. Also a Queen is just a royal female version of a King. Makoto also worked hard to keep her grades in check and studied a lot in order to go to a good college. This could connect to the Peony essence for trying to work hard for everything. Makoto also drove a lot in P5 Strikers and exhausted herself from it. This could mean that Makoto is also the type to overwork herself.

The “はにかみ (Bashfulness)” meaning could probably connect to how Makoto has vulnerable or cute sides to her. She is scared of paranormal activity and have cute buchimaru merch in her room.

Futaba Sakura - Dandelions & Red Carnations

Dandelions are called 蒲公英 (Tanpopo) or in katakana タンポポ in Japanese.

In Hanakotoba (花言葉) Dandelions mean:

愛の神託 (Oracle of Love)

神託 (Oracle)

真心の愛 (Sincere Love)

幸福 (Happiness)

別離 (Separation)

The English meanings of Dandelions are:

Happiness

Joy

Youthful Thoughts

Dandelions are known to be a fortune-telling flower which is why words like “神託 (Oracle)” are associated with it. It seems like Dandelions also mean “Happiness” but also “Separation”.

How this connects to Futaba:

Obviously Futaba’s code name is “Oracle”, so all of the “神託 (Oracle)” and “愛の神託 (Oracle of Love)“ meanings of this flower connects to her. The “別離 (Separation)“ meaning could refer to how Futaba is separated from her mother because her mother died. The “幸福 (Happiness)“ meaning probably refers to how Futaba became happy again and gained new friends after the Phantom Thieves saved her.

One of the birth flower dates for Dandelions is February 19th, which is Futaba’s birthday. So these flowers are REALLY for Futaba!

Carnations are called カーネーション (Carnation) in Japanese.

In Hanakotoba (花言葉) Carnations in general mean:

無垢で深い愛 (Innocent and Deep Love)

魅惑 (Fascination)

愛情 (Affection)

And Red Carnations in particular mean:

母への愛 (A Mother’s Love)

The English meanings of Carnations are:

Admiration

Love and Affection

Fascination

Distinction

Carnations are known to symbolize Mother’s Day which is why “母への愛 (A Mother’s Love)“ is associated with it. The Red color of that flower in particular are used the most for Mother’s Day.

How this connects to Futaba:

Futaba loves her mother (Wakaba) a lot and she also misses her mother a lot. The whole Futaba Palace arc was about Futaba struggling to overcome her mother’s death. She later realized in her Palace that her mother doesn’t hate her and still loves her. This connects to the “母への愛 (A Mother’s Love)“ meaning. Futaba deep down still hasn’t overcome her mother’s death and it shows in the 3rd semester. Futaba’s wish in the dream world was to have Wakaba still alive. Futaba knew it wasn’t real early on, but she still rolled with it anyway because “If I got to see my mom again, then it was okay...”. She eventually apologized to Ren for this though.

Haru Okumura - Pink Roses & Hypericum Berries

As you already know, in Hanakotoba (花言葉) Roses in general mean:

愛 (Love)

美 (Beauty)

But Pink Roses in particular mean:

しとやか (Graceful / Ladylike)

上品 (Elegant)

可愛い人 (Cute person)

美しい少女 (Beautiful Girl)

誓い (Oath of Love)

感銘 (Deep Impression)

The English meanings of Pink Roses are:

Gratitude

Grace

Joy

Gentleness

Ann’s Red Roses represent passionate love and romance. Haru’s Pink Roses on the other hand, have a different meaning. Pink Roses are more associated with beauty and grace.

How this connects to Haru:

Haru is the “Beauty Thief”, and is associated with the themes of classy elegance, beauty and grace. This is because her Persona is Milady, who is a sophisticated and elegant woman. It’s also because Haru is rich. Haru is familiar with what it’s like to live in a high-class lifestyle.

Hypericum are called ヒペリカム (Hypericum) in Japanese

In Hanakotoba (花言葉) Hypericums mean:

きらめき (Sparkle)

悲しみは続かない (Sadness that doesn’t last)

The English meanings of Hypericums are:

Cheerfulness

Inspiration

Antidepressant

Hypericums are usually given to those who are grieving or lost a loved one. They are also known to relieve depression, because the medicine that uses this plant are antidepressants. Hypericums are also used to drive away devils, witches, sorcery, and misfortune. This is the reason why Hypericums have “悲しみは続かない (Sadness that doesn’t last)" as its meaning.

How this connects to Haru:

I think this is connected to how Haru lost her father and she was really sad about it. Hypericums are for those “who are grieving or lost a loved one“. The meaning of “driving away devils, witches, sorcery, and misfortune“ could refer to how Haru had to fight against her father in the Metaverse in order to stop his corruption and save anyone (and herself) who were affected by his distorted desires. Even after the Okumura arc, she still grieved about her father to the point that her wish in the dream world was to have her father alive again.

The “悲しみは続かない (Sadness that doesn’t last)" meaning could refer to Haru joining the Phantom Thieves and not being sad anymore. Her new friends relieved her depression.

Sumire Yoshizawa - Baby’s Breaths & Blue Star Milkweeds

Baby’s Breaths (aka Gypsophilas) are called かすみ草 (Kasumisou) in Japanese.

In Hanakotoba (花言葉) Baby’s Breaths mean:

清らかな心 (Pure Heart)

無邪気 (Innocence)

親切 (Kindness)

幸福 (Happiness)

永遠の愛 (Everlasting Love)

The English meanings of Baby’s Breaths are:

Everlasting Love

Newborn babies

Innocence

Holy Spirit

Unity

So basically Baby’s Breath mean “Innocence”, “Purity”, and “Everlasting Love”.

How this connects to Sumire:

The name of the flower. In Japanese, Baby’s Breaths are called “Kasumi” (かすみ) in hiragana. The name of Sumire’s twin sister is also in hiragana: かすみ芳澤 (Kasumi Yoshizawa). It appears that Kasumi is named after the Baby’s Breath flower. Sumire on the other hand, is named after Violets, and Violets are called すみれ草 (Sumiresou). What is the Hanakotoba meaning of Violets? “白昼夢 (Daydreaming)” and “あなたのことで頭がいっぱい (You Occupy my Thoughts)”.

Kasumi = Baby’s Breaths (Innocence, Pure Heart)

Sumire = Violets (Daydreaming, You Occupy my Thoughts)

Sumire was the first to be affected by Maruki’s power. Her cognition was changed, causing her to believe that she’s Kasumi. This is connected to the “白昼夢 (Daydreaming)” meaning. During her time being Kasumi, she was completely oblivious that she’s not Kasumi. This could connect to the “Innocence” meaning.

It’s also the reason why the Sumire keychain have Baby’s Breaths flowers instead of Violets. This is the Sumire that thinks she’s Kasumi.

The “永遠の愛 (Everlasting Love)“ meaning could probably refer to the bond between the two sisters.

The Blue Star Milkweeds (aka Tweedias) are called ブルースター (BlueStars) in Japanese.

In Hanakotoba (花言葉) BlueStars mean:

幸福な愛 (Happy Love)

虹あう心 (Rainbow Hearts)

信じあう心 (Hearts that believe in each other)

The English meaning of BlueStars are:

Faithful Affection

BlueStars are one of the common flowers that are used in weddings in a bride’s bouquet. I guess that’s why meanings like “幸福な愛 (Happy Love)“ and “信じあう心 (Hearts that believe in each other)” are associated with it.

The essence of BlueStars are associated with dream and reality. It helps balance the ability to daydream with the need to keep one foot fully grounded in reality.

How this connects to Sumire:

Sumire’s 3rd tier Persona Ella, represents Cinderella during her wedding day. The blue color of the BlueStars could also refer to the color of Sumire’s 1st Persona, Cendrillon.

But the essence of BlueStars seem to connect to her more. Regarding the Inharmonious Expression, Sumire wasn’t able to accept reality at first, and wanted to stay being Kasumi in the dream world. This could connect to her lack of ability to move forward and her inability to travel to another dimension (Reality). Then during her time in the 3rd semester with the Phantom Thieves and Akechi, Sumire eventually gained the courage to accept herself. She was finally able to keep one foot fully grounded in reality.

Goro Akechi - Lobelias & Pink Forget-Me-Nots

Lobelias are called ロベリア (Lobelia) in Japanese.

In Hanakotoba (花言葉) Lobelias mean:

悪意 (Malevolence / Evil Intentions)

謙遜 (Modesty)

いつも愛らしい (Always Charming)

嫌い (Hate)

The English meanings of Lobelias are:

Distinction

Malevolence

Arrogance

So basically Lobelias symbolizes “Malevolence”. The reason why Lobelias have these negative meanings is because even though these flowers look pretty, they are really toxic flowers that can kill you.

How this connects to Goro:

Goro’s true nature is full of malevolence and hate. He had caused psychotic breakdowns, had killed some people, and had attempted to betray the Phantom Thieves and kill Ren. His hatred comes from his desire for revenge against Shido, because Shido is the one who ruined his life as well as his mother’s. The 3rd semester showed this side of him even more. He is more ruthless, vulgar, aggressive, and wildly feral especially towards shadows. He takes great pleasure in killing them. Goro can also make himself go berserk by using “Call of Chaos” on himself.

Goro being a murderer and taking pleasure in killing things can connect to how the Lobelia flowers are really toxic and can kill you.

The “いつも愛らしい (Always Charming)” meaning could refer to how Goro is still pretty and charming despite showing is feral side. Like come on, look at this baby face:

Forget-Me-Nots are called 忘れな草 (Wasurenakusa) in Japanese.

In Hanakotoba (花言葉) Forget-Me-Nots in general mean:

真実の愛 (True Love)

私を忘れないで (Don’t forget me)

思い出 (Memories)

And Pink Forget-Me-Nots in particular mean:

真実の友情 (True Friendship)

The English meanings of Forget-Me-Nots are:

Don’t forget me

Remembrance

True Love

Eternal Love

Desperate Love

Memory of a dead person

The meanings of “True Love” and “Don’t Forget Me” came from legends of tragic romances in medieval times.

The essence of Forget-Me-Nots are for those who never fully resolved their isolation and abandonment issues after experiencing the death of an important family member or friend during childhood.

How this connects to Goro:

The “私を忘れないで (Don’t forget me)” and “Remembrance” meanings refers to what happened between Goro and Ren. Goro made a promise with Ren and gave Ren one of his gloves. But then Goro “died” in the Engine Room and Ren was devastated about it. Ren still kept the glove that Goro gave him and remembers him from it. This can also relate to the meaning of the China Asters that Ren is associated with: "私はあなたを想うでしょう (I will think of you)”, and also relates to “Memory of a dead person”.

The “真実の友情 (True Friendship)” meaning from the Pink Forget-Me-Nots in particular could refer to how in P5R, Goro now has a manual confidant. Ren is able to have an “open and honest relationship” with Goro because of this.

The essence of Forget-Me-Nots also relates to Goro. Goro does indeed have isolation and abandonment issues. He mentioned how he’s an unwanted bastard child, and in the engine room he mentioned how he wanted to be loved. He also deep down wanted to be acknowledged by Shido since Shido is his only biological link. Shido of course took advantage of that. All of this is because during Goro’s childhood, his mother committed suicide, leaving him feeling alone and unwanted. The death of an important family member.

For the ShuAke fans:

Since Forget-Me-Nots gotten their name from tragic romances, this can connect to how ShuAke is a tragic and angsty romance as well. Since they have an “open and honest relationship”, their “真実の友情 (True Friendship)” can turn into “真実の愛 (True Love)” as the story progresses. Also… their flowers communicated to each other like:

Goro: 私を忘れないで (Don’t forget me)

Ren: 私はあなたを想うでしょう。君を忘れない (I will think of you. I won’t forget you)

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Whew.... I gotta say, making this post has made me learn a lot about flowers and the flower language. Thanks to this new knowledge, I will consider using the meaning of flowers in my future video projects from now on. Making this post also made me delve into the meta of the other Phantom Thieves and I began to like them more because of it.

Like I said, my interpretations aren’t 100% correct, so make what you will with this knowledge.

You’re welcome 👋

#p5r #persona 5 royal #p5 royal #merch #flower language #ren amamiya #akira kurusu #ryuji sakamoto #ann takamaki #yusuke kitagawa #makoto niijima #futaba sakura #haru okumura #sumire yoshizawa #kasumi yoshizawa #goro akechi #shuake #akeshu #meta

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morwensteelsheen · 3 years

Note

farawyn and borodred for the ship ask game thing?

thank you so much!! :)

okay i’ll start with borodred because for some unfathomable reason i actually got there first —

1. What made you ship it?

One of my favourite Types of ships is the Elder Statesmen Of War-type set-ups, where it’s less about people brought together through theatrical romantic gestures and more about the steadiness of people who are going through similar (immensely difficult) circumstances, who know that in their hearts they’re always going to put their duty to that cause first, but still seek out human comfort in other people who will understand what their priorities are and why.

I think there’s also a lot of similarities about the kind of helplessness they both face despite having this tremendous innate strength. Both of them still have to deal with family dynamics that are complex (made more complex by the war) and that can’t be fixed just by their own sheer will power; both of them die these utterly unnecessary deaths (not that death makes a ship but I think in this instance it actually points to the constant tragedy these guys face); and both of them are meant to be the principal figures of their families and people and are ultimately sidelined by the cruel mechanisations of war and the forward march of history or whatever wanky term there is for it — my apologies to ep thompson's ghost, dont haunt me bro.

Plus there’s obviously the interesting thread raised when Faramir starts bitching about Gondor and likens Gondor (and by very explicit extension, Boromir) to Rohan. That always made me go ‘Hmmmmmm, wonder what else Boromir liked about Rohan,’ lmao.

Anyways for me the ship is the equivalent of Star Wars’ Kanan and Hera or (my OTP to end all others) Luke and Wedge, just people getting by on love and duty and without big ol fancy romance.

2. What are your favorite things about the ship?

The fanon, I think, really makes it, as with so many other LOTR ships. battlefield manners, by themightypen is essentially the definitive take for me on them — these two guys who are just so fucking exhausted, man, but still overcome by defensive love for their families, even if their (foster-)siblings are naïve fools. That I just love, love, love. Plus I think they’re unique for their ability to pretty comfortable explore the relationship between Gondor & Rohan in advance of the Ring War without having to stray too far into AU, which I always appreciate.

3. Is there an unpopular opinion you have on your ship?

Not really, tbh, except in that I don’t think Boromir is necessarily as laddy as people like to portray him. I’m happy to play into it in, say, my modern AUs because I think that’s a fun and sweet niche for him, but I am a bit 🤪 about Boromir as this kind of reckless, drunken playboy (not least because I think that’s a much funnier niche for Faramir to fill, at least when he’s younger). Chapter Four of Swaddledog’s Hearts and Minds gets my preferred Boromir characterisation absolutely spot on, I think.

And now, sigh, the ultimate OTP, Farawyn —

1. What made you ship it?

For starters, I think I am obsessed with Éowyn in a way I’ve never quite been obsessed with any other fictional character. I came to reading LOTR at this moment in my life where I was intensely frustrated about everything — trapped inside permanently (helplessly!) because of the pandemic, just starting a new political organisation that I truly believed in but that was still making me feel like shit, facing down an untenable about of work, and, fundamentally, really, really hating being a woman and what that means. And along comes Éowyn, who is bitter, who is cold, who is ANGRY, and who doesn’t perform joy or softness or gentleness just because people expect her to. She’s this seminal Woman Of War in so many ways, I think the kind of person a lot of us wish we could be. She’s got her emotional taps cut off at the source, she holds her head high and faces down unimaginable personal and political terrors, and at the end of it all still has this abiding love for her family that, I would argue, is almost unparalleled by anyone else in the book.

After all that, she gets this incredible moment of emotional catharsis (or what we expect to be emotional catharsis): “no living man am I!” She undertakes THE greatest martial act of the Ring War, and in that moment there’s this unbelievably sophisticated dialogue happening about gender (“Éowyn it was, and Dernhelm also”), and leadership (Merry finding his courage not because of the immediate scenario of the Witch-king, but because he’s spurred into it by Éowyn’s presence), and love and care.

And then we learn that no, actually, this glorious act of violence wasn’t the emotional catharsis we thought it would be. She gets to ride to war, she gets to throw herself headlong at death, and in the end that hopeless act of individualism isn’t really what does it for her. She’s still left desolate and despairing, and actually all of her problems haven’t gone away.

And then we need to rewind a bit, because along comes Faramir, who is gentle, and is kind, and does seem to believe in joy, but not because people expect it — actually it's made abundantly clear nobody expects it — but because it’s something quite innate to how he figures the world. And he’s a huge fucking nerd too. I have a lot of thoughts on Faramir’s flaws and why I find them endearing, which I won’t put here, but almost immediately you get this sense of a guy who’s quite melodramatic, good humoured, and very much not made to live in a time of war.

But he’s also clear-headed about war and what it requires (tactically, if not strategically, though that’s a post for another day), but who is kind of cynical and weary of it in his own unique way. And it’s a unique cynicism given his personal circumstances because he’s the second son of The great family of Gondor, he’s apparently — though with some big ol’ question marks hanging about the extent — very able to command some of the elite units in the realm, and what’s more than that, he’s got all these fantastical powers (the light mind reading to start, to say nothing of this apparently magical ability to command animals too. bruh.). By all accounts he should be this brazen hot mess, but he’s not. He’s desperate to claw his way out of this war-torn cage of expectation his people have for how a man should comport himself in time of war. Is it a little naïve? Sure. A little fussy? Absolutely. But does it point to that same desperation that Éowyn has? Yes! But also the practicality, like, neither of them are really enjoying the circumstances they live under, but good fucking god are they both able to Make It Work.

So finally we get to the Houses of Healing and what is the finest and most aggressively romantic writing of LOTR. Seriously, it’s so fucking much. It’s breathtaking. It reminds me quite viscerally of this fabulous quote from Les Mis:

The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.

At some point I will devote more time to talking about the two reasons line, and the blissful Queen of Gondor speech, but I think to me that big, important line is: “And then her heart changed, or at least she understood it; and the winter passed, and the sun shone upon her.”

It’s not about Éowyn changing herself entirely (though, I think, it really does bear mentioning that she does change, and that’s every bit as important to understanding that scene as it is romantic), it’s about Éowyn coming to terms with how to live with herself as herself, and how to live in communion with someone else. She can’t just cut people out anymore, and she can’t just treat them as objects of infatuation as she did with Aragorn, she has to reckon with people as they are. And that’s sort of the moment where I knew I was about to plunge fully off the deep end with these two and never know a moments’ peace again, lmao.

2. What are your favorite things about the ship?

Someone on here once called Farawyn a love letter to women and, by god, yes, exactly that. I love the capacity for emotional intimacy, that is beautiful in ways I can’t express. To me, though, my favourite thing is the promise of life they speak of. Not as in oh they shag loads and have babies (though not opposed to that, obviously), but in the sense that unlike Aragorn and Arwen, who are always going to be buried under/burdened with the crushing weight of history and tradition, Éowyn and Faramir are going out yonder those hills and they’re going to do some real cottagecore farming shit. Obviously with all the trappings of rank and nobility and whatnot, but they, unique to anybody else in the books, get to sow this new idea of what life should be. They are, outside of Aragorn, the single most powerful people in Gondor. Éowyn’s got the ear of a king, a steward (which is essentially a prime-ministerial deal here), and functionally her own prince (if the hobbits are to be believed when they refer to it as essentially hers). I suspect that, in life, there were remarkably few arguments she wasn’t winning, and that Ithilien probably trended towards the jumped up noble hippie camp Tolkien so desperately wanted Oxford to be (or, in other words — Cambridge, lol).

3. Is there an unpopular opinion you have on your ship?

Yeah, man, everybody stop treating Faramir like he’s a big fucking crybaby and Éowyn like she’s some kind of shrieking 2010-era tumblr girl.

One of the single most important lines defining Faramir’s character is when Denethor roasts his ass for always trying to appear noble and lordly, if you ignore every other piece of textual evidence we have about him, what part of that line makes you think Faramir’s some simpering daisy? And why would you want to link tremendous emotional intelligence and care with being too limp-wristed to function, lol??? Like I struggle loads with writing Faramir, because I have never once in my life tried to be noble or self-restrained, so find it hard to get into that mindset, but better, I think, to imagine him too closed off than to do this wilting flower song and dance lmao.

And stop making Éowyn out to be this over-emotional angst machine. She’s got problems, yes, and she’s sure as shit got a lot of angst, but at almost every point in the book where we’re overtly dealing with her emotions, she’s sublimating them into something else. One of the most serious times we see her cry is when she’s fighting with Aragorn about riding out, and after that moment she literally tries to kill herself. Those tears aren’t standard, man, that’s a real watershed (lol) moment for her. You have to read around what the text is saying to get a better feel why everybody’s constantly calling her cold and distant.

#god this is probably obnoxiously long because i can't do cuts on my phone #but refuse to open the tumblr website on my laptop lmao #faramir #éowyn #boromir #théodred #farawyn #borodred #god sorry for these fucking tags man im just trying to make my blog slightly more organised #i just have a lot of thoughts #i should really write more metas it would probably help my writing out quite a bit #asks #meta

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plush-rabbit · 3 years

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What headcanons you have in request box actually? I'm really curious lol. Have nice day btw, I love your work!!!!!

Okay, so usually I put some in a doc and then like figure it out from there so if you've sent one in and haven't seen it, don't worry, it'll be done and added once I make a dent lmao. These are also a mix of hc and fics. Some I'm like part way through so ye

There also might be some that I might not do because its vague, like I'm given just the prompt and I don't know what to do with it or there's just no ideas that come to mind so I really am sorry.

Upcoming ones:

Met with Dia and he said “how else will you please me?” And I think it awoke something in me?? Can I request Diavolo with a bashful innocent MC and him just laying back and letting her have his way with him? But of course he’s a total dom so he’s gonna take control but just has a little fun letting her take the reins to start with? Hi. I just found your stuff and you write so well for Obey Me. Could I request a fic with Barbatos and a female MC? Maybe she's staying at the palace for whatever reason and when he goes to his room he hears her moaning his name so he checks on her but she's sleeping. The next day he hints that she must've had a good dream much to her dismay. That night he goes to her room and she's awake and they end up sleeping together. With some praise and maybe even some tail action. Thank you! Can I please get a uuuhhh possessive/borderline yandere Leon please :3c maybe it’s after a big match for her and everyone’s fawning over her and he steals her away and reminds her that she’s his? 💕✨ I saw those headcanons where Jin and Shigaraki became parental or sibling figures to the reader sooooooo how about headcanons of a fem!reader being a mother figure to the league? Just an ordinary citizen in her late twenties until she met the LOV unexpectedly, during the time where the league had to hide and the reader's place is conveniently open (then again I'm sure they'd bust in if it wasn't) and she didn't rat them out. This happened quite a lot of times to the point where the reader is used to it by now and just lets them in, even if they weren't hiding from anyone and just wants to stay for the night. When she got closer to the league, she starts to show care and love for them in a way a mother would the reader isn't a member of the league, but they already consider her as family :'D I just really want them to get care and love since they've been through so much Last week I literally sat down and read your writing for like an hour and a half LOL It’s just really good and I love your characterization! I was wondering if I could request Twice and Shigaraki with an s/o who tries to be cute and surprise them by wearing their clothes when they return from a mission but maybe the clothes are a bit too snug cuz they’re a little pudgy :( could also be nsfw if you’re ok with that!! Thank you so much 💜💜 I like the Lucky!Cat!reader hc. Could you do some for the LOV, with a Male Cat s/o? Thank you! You're the best!! I've been obsessing about flowers and their meanings or what they symbolize soooooo. How would the LOV react to their s/o giving them a certain flower and then finding out what the flower means/symbolizes? Hope this passes! It's a request for OM. Can I have headcanons of the brothers + Diavolo (if you don't mind) of their s/o dancing "Paradise Lost" by GAIN? Provided you a link to the video for reference 😁: https://youtu.be/4i32ANEa5mk Headcanons where the LOV has an s/o whose like a literal ball of sunshine. Always happy and bubbly, smiling and laughing, they just seem to epitome of joy. Until one day, they just break down, being so emotionally drained from different factors that they can keep up the act of being happy anymore Last week I literally sat down and read your writing for like an hour and a half LOL It’s just really good and I love your characterization! I was wondering if I could request Twice and Shigaraki with an s/o who tries to be cute and surprise them by wearing their clothes when they return from a mission but maybe the clothes are a bit too snug cuz they’re a little pudgy :( could also be nsfw if you’re ok with that!! Thank you so much 💜💜 hey!! hru? i have a question do you think shigaraki would like a threesome? what if his s/o didn’t want one bc she’s like possessive of him (in a non toxic way) hey plush, can you do a reader x Shiggy and Dabi whos crying to them/grabbing their shirts and burring themselves into shiggy and dabi/ about their verbally abusive ex, how theyre so different from them, so much nicer and softer, how they(the reader) never thought they could be loved or deserved kindness? its been one of those days, i just need some comfort. thank you♡ heyy!! ^^ can i request some headcanons for hawks reacting to his female s/o belly dancing for him? :3 Heyo this is beetle juice anon idk if u remember me I’m the person who said shiggy sounds like beetle juice, I swear I couldn’t get that thought out of my head so can I request shiggy and reader getting hit by a quirk that forces them to do a musically ( idk I just want shiggy to sing honestly lmaoooo) idk maybe both of them being shocked that both of them can sing hey, i absolutely adore your writing! i love going through all your work, they’re my comfort fics! 💞 i was wondering if you would mind writing something for tomura with an s/o who is insecure about her body and how skinny she is? she feels too flat, like she doesn’t have enough curves or that she’s grown into her body enough and it makes her feel less of a woman, that tomura could do better. and it makes her anxious when it comes to initimacy and being exposed to him because in her eyes he’s so perfectly handsome and she just feels inadequate... it’s something i’ve had to deal with pretty much my entire life, getting called names like stick insect and coat hanger, but lately it’s been eating away at me more and more. you can totally ignore this if you feel uncomfortable writing about this stuff, though! 💕 So, like. Hear me out. What if, with Bakugou and Dabi (separate) : MC is super innocent and cute, blushes at the slightest flirt, and “doesn’t get” dirty jokes, but as soon as they’re alone with their s/o? They are the kinkiest most vulgar bottom they’ve ever seen. Nipples pierced, collar under the turtleneck, chain strung between the piercings and the collar, all out kinda slut. The duality of man. (Gender neutral) Hello so may i request shigaraki with a s.o whos warm loving and protective and very innocent basically a s.o whos like mitsuri kanroji both personality and look wise Female pronouns,maybe they are out on a date getting ice cream and the s.o is so happy shiggy came, they hold hands and people start giving him odd looks only for her to stand up to the bullies who are saying things about shigaraki, it ends with her kissing him infront of everyone to prove a point,and when the get home she tells him she doesnt care what people think and makes love to him topping hin while telling him all the reasons she fell inlove with him,(omg im so sorrry its so long if you have tpo many requests or dont like the idea please tell me) hey, i absolutely adore your writing! i love going through all your work, they’re my comfort fics! 💞 i was wondering if you would mind writing something for tomura with an s/o who is insecure about her body and how skinny she is? she feels too flat, like she doesn’t have enough curves or that she’s grown into her body enough and it makes her feel less of a woman, that tomura could do better. and it makes her anxious when it comes to initimacy and being exposed to him because in her eyes he’s so perfectly handsome and she just feels inadequate... it’s something i’ve had to deal with pretty much my entire life, getting called names like stick insect and coat hanger, but lately it’s been eating away at me more and more. you can totally ignore this if you feel uncomfortable writing about this stuff, though! 💕 could we get a fem reader cock warming Dabi throughout the night and get morning sex >//< // ik youre a busy bee so dont feel obligated to rush or anything, take ur time plushie!♡ can we please get a shiggy x reader and the reader asks him to teach her how to game and she ends up being better than him and whatnot (inspired by that “a simple wager”) fic (if you ever decide to make a sequel to that i will ve DECEASED Can I request a sub shigaraki with a mommy kink getting pegged by the reader ( I just want to make him beg and cry honestly) reader is a female Omh give us noncon/somno w scary eraserhead plsss / aizawa and aphrodisiac smut pwease ( ；∀；) Overhaul and Chrono punishing quirkless reader for being an undercover reporter/agent but like orgasm denial... (Idk if you write this stuff but anyways do it if you want have a nice night) Can I request something like “Peaches and Cream” but with Piers instead? I know you’re busy with other requests, so don’t worry if you don’t have time for this one! I love love your writing!!! Hello beautiful can I just say how amazing ur writing is loll, can I request shigaraki having a crush on the reader and she knows about it, like one day shiggy just goes to her room when there on a mission and just steals her stuff and humps her pillows, but she has cameras in her room so she saw everything, long story short she shows him the videos and humiliates him (shiggy of course a mess and is close to crying from how embarrassing that is, lowkey turned on ) the reader takes care of him ( sorry I’m really bad at endings 🙏🏻😅) the reader pegs him until he’s a crying mess. By the way the reader is a female and shigaraki is a sub has a mommy kink and the reader is dom of that’s ok of course I love your writing!! May I ask for Diavolo x F!Reader with borderline disorder? 👉👈.. Lately it has been very difficult for me to deal with this alone and Diavolo is mine comfort character.. (NSFW Talk, If your a minor..then why are you even reading this?? Get off this 18+ page?? Anyways-). I am a huge sucker for overstimulation, biting and crying, (many of my past partners have called me a sadist-) and I just 𝑎𝑑𝑜𝑟𝑒 the idea of Tamaki’s cute face streaming with tears and drool as Male Reader vigorously overstims the fuck out of him. And he would look so 𝑙𝑜𝑣𝑒𝑙𝑦 with his mouth gaping open in a silent scream of overwhelming pleasure because M!Reader gave his sensitive dick a handjob while he roughly railed Tamaki’s pretty little ass. (While abusing the fuck out of his G Spot, of course). I can just imagine him squirming and begging for mercy while M!Reader lovingly wrecks his body, taking him hard & fast in multiple different positions with each one making Tamaki wail with pleasure. He’s just so adorable, I just wanna see him get 𝑐𝑜𝑛𝑝𝑙𝑒𝑡𝑒𝑙𝑦 𝑚𝑒𝑠𝑠𝑒𝑑 𝑢𝑝~ Lusty ❤︎ -Anon. Bonus Points if you could have M!Reader be super fuckin tall, muscular, strong and also be absolutely PACKING. (This man has a godly dick, and it’s honestly a surprise Tamaki can take it so well without literally breaking in half) ahhhh hewwo could you maybe write something with dbd ghostface going full apotheosis for his crush? as in,, he starts to elevate her to a status of divinity and even when she's just cowering in fear in front of him or conversely stabbing him and causing him lots of pain he just keeps viewing her as some sort of deity and can't stop obsessing over her and wanting more from her

Again. I deeply apologize for not doing some. I wish I could, but (and this is not to guilt trip any of yall or anything, I understand that it'll sound like that it but it ain't it) sometimes the work I put into something and the feedback I get is sometimes not it. Like I'll work hard and get nothing and listen, I get it, its fanfic, there's a bit more stigma to it rather than art but yeah. Its a ramble, and basically, I don't wanna put work into something that I'll only get a few likes on. So yeah. Agains this isn't guilt tripping, I get it. I'm a consumer of it and I get the gist of it but yeah. More thoughts later, when I can properly sit and write as I am currently in a home depot

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verytiredowl · 4 years

Text

A character analysation of IdV’s Bloody Queen

Bloody Queen AKA Mary is a hunter in the mobile/PC game Identity V. She is personally my favorite hunter because she is easy to learn but hard to master. Her backstory is something that has always interested me though, so i decided to compile my thoughts onto this one post.

Something i appreciate about IdV’s character roster is that some of them are based off of historical characters, and interesting ones at that. So expect a lot of history lessons and references that should be explained in order to understand a character fully (especially with Mary considering how there isn’t a lot shown about her backstory through promotional content, and im talking about stuff like the official website here).

With that in mind, let’s just get into it.

There is not a lot we know about Mary other than the fact that she is inspired from a mix of stories, those being about a French queen named Marie Antoinette and Bloody Mary. These two are used in seperate ways, Marie Antoinette’s story being used as heavy inspiration for Mary’s backstory and lore, while Bloody Mary is a visual/gameplay inspiration.

Mary’s description on her info page and on the official idv website is

This is strange because it really tells little to nothing about Mary besides her being aware that the position of a queen means a lot of vulnerability. It also strikes me as weird because every other hunter has a fleshed out backstory being written under this tab. (With the exception of Guard 26)

So overall, the ground to work on is pretty small, we dont have a lot of info revealed to us, and therefore leaves her to be a character who loses a lot of potential on a writing stance.

Intro Video

Mary does have an introduction video, though, which explains the base of what happened to her Pre-manor.

The video explains how Mary was the queen of a country that had a bad financial crisis which was so bad people couldn’t afford food (if we are sticking fully to the Marie Antoinette inspo, this was in the 1790′s) and the public felt as if Mary didn’t care enough to help her people, the citizens voted her to be beheaded under a guillotine. Truth be told, Mary was actually trying to help her citizens by giving them cake.

We have probably the most lore information about Mary from her deduction descriptions, which explain her career as a queen more in detail, about struggles she had and her situation in general.

Deductions

(Credits to u/mawile94 on Reddit for the images)

The first conclusion is clearly telling us that the king Mary married had a problematic family, and the king’s family probably only looked at Mary as someone who will keep the family’s name up, someone who will have a child with the king. (Also, dont get confused: Maria Theresia is Mary’s mother’s name, not her actual name.)

Mary used to spend a lot of time away from the palace in Petit Trianon, which is a manor located in Versailles. The secret letter tells us that Mary was egoistic, naive, and was kind of a glutton. The letter mentions how rumors are powerful, and are going to spread really fast once word comes out about the “incompetence” and lacking abilities witihin the royal family, which will eventually be Mary’s demise.

Princess Lamballe is once again a historical recreation of actual Priness Lamballe, a part of the Savoy House (Western EU country). In real life, Lamballe was actually the confidante (someone who you would discuss private matters with as a royal) of Marie Antoinette after her 1 year old marriage came to an end. IRL, Princess Lambelle dies along Marie Antoinette’s side as she gets killed in the French Revolution.

The shameful secret can really only be assumed to mean that Lamballe was actually Mary’s secret affair, especially looking at how all evidence suggests that the actual royal family Mary is connected to seems to be a mess. Mary is kind of confirmed to be wlw from this deduction which is fucking cool, but this rumor mightve been what also caused Mary to be beheaded. (But, IRL, the king Artois considered Marie to be physicially unattractive or even smart enough for him, in contrary to him, where he apparently was attractive. He did end up making up with quite a number of mistresses. But let’s not get into a conversation about how unhealthy or toxic royal relationships were in the 1700′s)

this is obviously saying Lamballe is being replaced by the Yolande (Countess of Polignac) as her confidante. IRL, this happens because the Countess of Pilognac and Lamballe start having quarrels against each other, in which they try to win over the queen’s heart, and over time Marie ends up preferring Yolande’s company. But Lamballe feels as if Yolande was a bad influence on the queen, yet she could do nothing about it. The friendship between Lamballe and Marie remained regardless, and she constantly admired Lamballe’s loyalty toward her. "She is the only woman I know who never bears a grudge; neither hatred nor jealousy is to be found in her."

Mary finally has a child, and it is a girl. Here we see the reinforcement of Lamballe’s loyalty, but with this conclusion also being titled as a rumor, it is also telling that this is one of many reasons people will start getting suspicious of Mary’s possible affairs.

This conclusion only leads me to believe that one of the several reasons why Mary was treated the way she was by the public was because of jealousy towards her life and the things she achieved at a young age. The description of the people who are spreading the rumors are bitter, sour people who take joy out of seeing the bad in successful people. Here is where it all goes downhill (as evident by the subtitle under the deduction title.)

We will once again need a little bit of a history lesson for this one:

Koblenz, first of all is a city in Germany. The reason why the French would ever think of even setting up anything in Germany was because of the French Immigrants, and the reason why the Germans were cool about this was because the archbishop-elector (one of the chiep bishop electors) was the uncle of Louis XVI-a persecuted king of France. Along with the refugees that entered the city, two of them was Louis XVI’s brothers: The Count of Provence and the Count of Artois. them, along with Louis XVI’s cousin, Prince Louis Joseph formed an army of aristocrats who would seek to fight for the Ancien Regimé (The name of the political and social system that was popular in France at the time.) In the meantime back in France, the Royal Family gave in and decided to adopt the Constitutional Monarchy, which was very modern at the time. This deduction description just basically explains that this is where Mary and the royal family fucks up, i just thought it would be interesting to know what they actually meant by what they wrote.

Yolande has left behind the Royal Family and made a run to escape the country. If you’re wondering, at the start of the revolution Princess Lamballe was actually in Switzerland, but as soon as she got notified of the situation she revisited the royal family to aid them, and reassumed her position.

This letter in particular is pretty cut-and-clear: the intention of the revolutionists was to smudge the royal family’s name in the dirt once and for all. What real-life anti-monarchist propaganda would consist of at the time was promiscuous imagery of Lamballe and the queen as lovers to further “besmirch” the queen’s reputation.

This is just obviously hinting at the aftermath of the French Revolutions and also telling us the present (at the time the letter was written). Mary gets executed by the Guillotine, and-well we all know how the rest of the story goes.

Overall, Mary’s deduction story is just a short summarization of what actually happened before and during the French Revolution: it even added the details of how actually sketchy and corrupt the royal family within was, not just the dissatisfaction of the public. As a summary of what this meant for Mary, as the Hunter, she feels pure bitterness, and anger towards the citizens for the way they treated her and the people around her. And as we can see, there was no reference towards Bloody Mary what-so-ever, and the reason why that is is because according to the Chinese version of IdV (which is what the original game’s region/language is) Her name actually would translate to “Madame Red”, not Bloody Queen. I think it was just the translators having fun with words, and since her design is very similar to that of what a person would think Bloody Mary looks like, i guess it made sense to them lol

But regardless, we’ll still take a look at Mary’s design.

Mary’s design is simple compared to other hunter designs in IdV. A simple, ball gown which was originally white, but turned red due to Mary’s beheading, pools of blood dropped all over her body. Mary also used to have long hair, but assumed by the very broken looking locks of hair, her hair probably was cut down by the guillotine. Eagle-eyed people will also take notice to her neck, which is stitched back onto the rest of her body, which the designers wanted to include really bad since its prevalent even in concept sketches as well:

Mary’s gameplay design is based solely on mythologies about Bloody Mary, however, which makes things kind of confusing, but i guess thats what idv excels at the most lol

anyway, you’ve reached the end! if you have read this far, thank you so much, i put so much effort and research into this and i hope people will make good use of it. I also hope i made you more interested in playing mary and/or the French Revolution, lol but thank you for reading this!!

references:

The Count of Artois and the Coming of the French Revolution by Vincent W. Beach

The Princesse de Lamballe; a biography by Hardy, B. C. (Blanche Christabel)

My history textbooks

And wikipedia lol

#identity v #bloody queen #mary #mary idv #idv #character analysis #maemade

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chikkou · 3 years

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I'd ask this on your Lisa sideblog but you don't have anon on and I'm shy lol, but do you have any headcanons relating to Lisa the First? Like Lisa's views on religion, her relationship with her mother, if any of the various worlds we see mean anything?

hoh man i didnt even know anon wasnt on LMAO... ill turn it on after i post this!

also fuck YEAH i do holy shit i fucking LOVE lisa the first!! i know its sort of the black sheep of the lisa series, since it is a completely different type of game and was clearly austins first game, but i fucking ADORE it dude. the music - which he made ENTIRELY IN THE FREE TRIAL OF FL STUDIO BY THE WAY - is FANTASTIC, the art direction is actually pretty fucking incredible for an rpgmaker game that uses a good deal of basic assets, and the gameplay.... ok yeah that part is a bit lacking but its a yume nikki-style game be nice it was his first time LMAO

ANYWAY back to ur question. first and foremost, i think this is not even a headcanon so much as straight up canon, but lisa DESPISES christianity. marty is christian, probably catholic given the golden crosses everywhere, and he is a fucking scumbag hypocrite. lisa likely associates all of christianity with this line of thinking, as there is one room in the bile area where the melted martys (although i suppose we can just call them joy mutants now LMAO) simply stand in a circle surrounding one big cross. the role of the melted martys is up for interpretation of course, as is everything, but after playing the painful and seeing them described as “mindless sheep,” i think this is how lisa viewed them. so they likely represent other people that, to lisa, are probably just as sick and disgusting as marty

lisas relationship with her mother... i go back and forth on this one a lot. i can never decide if i prefer the headcanon that lisas mom died in childbirth, and so lisa never met her, or if i prefer that lisas mom was around for a very short time and then either left or died. the fact that she says “i didnt want to leave” at the end of the first leads me to believe that she most likely died. in either case, the memory of her mother was clearly important to lisa, as she wears her pendant through the entire game and its explicitly noted as being a gift from her. in either case, i think that the death/absence of the mother is heavily implied to be the primary cause behind martys descent into alcoholism and lisas abuse, since the white room strongly implies that marty did at one time sincerely love and care for her as a father properly should

as for the meaning of each of the rooms, i think most of them are fairly self explanatory, but some of them are a bit more vague, so ill break it down in terms of how i see it (and ill put them under the cut because its long as hell):

martys house - this is the most literal one. pretty self-explanatory. the dark, yet vibrant colors and the ear-bleedingly loud tv are pure sensory overload, something lisa probably deals with on a regular basis. when lisa goes outside and it turns into a sky of marty faces, i think this is the transition into the psychological part of the game

the lobby - this is honestly just pure yume nikki ripoff LMAO... but if i had to ascribe a symbolic meaning to it, i think its probably a quiet and safe area for lisa to retreat to in her mind when she needs it, but even that eventually gets sullied as tricky rick makes his way there, too (and tells her hes “just waiting” when she talks to him). the majority of gameplay is lisa searching for items with which to kill tricky rick, who always abuses and disparages her whenever she talks to him, telling her she’ll never forget. as for the reason why... well, take one look at him and its pretty clear whats going on there. (the name is also a reference to richard nixon, whose nickname was... well, you can figure it out!)

the town - the bar area is 100% my favorite from this world; lisa clearly hates alcohol and anyone who drinks it, associating them all with marty, and that music... all i can say is YUCK. the entire section also consists of lisa having to give up something in exchange for what she needs to move on, and usually getting the raw end of the deal out of it (she gives one marty a banana, he gives her a banana peel in return). she does all that while avoiding a marty following her outside who repeatedly tells her “you cant escape,” and upon reaching tricky rick (who is atop a narrow, columnar, PINK mountain), it becomes pretty clear whats happening to her.

the sea room - fucking marty spiders man. im assuming they represent the sickly feeling of crawling skin she gets when she looks at him or is anywhere near him, but holy GOD they are annoying to deal with. she kills tricky rick with pills here - we dont know what kind of pills these are, but i interpret them as sleeping pills, and given the rumbling music and the rapid cycling marty background, i wonder if he forced her to take these. marty is everywhere here, but the only one she can speak to is seen chilling on a raft of some kind. marty likely spent much of his time recreationally, i.e. drinking, so it makes sense why this would be here

the rope room - theres no symbolism here this is just pure comedy (LMAO). if i HAD to assign some meaning to this area, it would be that lisa likely is so despondent at this point that putting in effort to do anything feels utterly pointless, much like climbing this long-ass rope was

the white room - as i mentioned earlier, i personally believe that this area depicts the previous relationship between marty and lisa (and also has one of my favorite songs in the game). he is shown doing traditional fatherly things - he is no longer wearing sunglasses and is wearing a suit, meaning he was likely employed, and is actually smiling. he also spends time with her in a completely platonic, familial way. when she interacts with him, there is a little heart over his head. after lisa walks through the golden statues (which will reappear later), the entire world becomes filled with bile, and martys appearance returns to that of the other martys, but with an extremely warped, grotesque face. the item she needs in this area to kill tricky rick is found between two golden crosses.

notice that all of the items she kills tricky rick with - a razor, pills, and now a plastic bag - are things that a child could plausibly get their hands on; none of them are explicitly weapons. i think this shows both her age and how often she must have considered using those things against him.

the bile room - probably my favorite area in the game, and also features what i consider the quintessential lisa song. this area really drives home lisas disgust with marty and with christianity as a whole - it almost certainly has the highest concentration of crosses, and it is also quite literally covered in wall-to-wall bile, dirty water, and disgusting houses. a lot of the most graphic sights, like the melting martys and the pond martys (no idea what to call them LMAO) are here, so i think this is pretty much the lowest circle of hell for lisa. marty gives lisa a freshly cut finger in exchange for a napkin here; im not necessarily sure what that represents, but i think the napkin was used by marty to masturbate (as he says “i needed that” after he takes it), so perhaps the finger is martys?

lisa kills tricky rick here in a cave that is not-so-subtly shaped like a penis, and gets a vhs tape in which he pretty explicitly states what is going on in the game; he even pretends like he doesnt know who lisa is at first, which somehow makes it even more disgusting. the fact that vhs tapes play a role here sort of makes me wonder if marty really WAS filming some of what he was doing, and given that lisa the joyful confirms that brad was forced to somehow participate in lisas abuse, that is.... horrific to think about, honestly

the marty tape - this tape just has the player (as marty) walk up to lisa and suited marty, who are having a tea party with a plastic tea set. they both get hearts over their heads if you talk to them. i think this drives home that he and lisa did once have a normal relationship, and perhaps theres some part of marty who misses that? theres a LOT of ways you can interpret this; having the player become marty really calls a lot into question.

the mansion - the room leading here has a marty staring directly at the player who informs lisa that she needs a sword to progress. unsubtly, the sword must be placed into the crotch of a womans statue. the mansion inside is beautiful and ornate, and easily the most gorgeous area in the game - and it all leads to what appears to be a proto-joy mutant marty, sort of looking like jabba the hutt. i dont doubt that this is intentional, given that jabba the hutt is associated with slave leia, and its not at all a far leap to call lisa martys slave. the golden statues of women, as well as many golden crosses, are everywhere in this area. its actually quite a large space with a lot of thought put into it, so im really upset that i cant figure out more of what it represents LMAO

the final area - lisa seems to go back to her actual house, but upon leaving her room and entering whether the living room would be, the whole area changes. she encounters herself in a blood red room, but when she talks to the other lisa, she turns into marty. i think this represents a clear question - who is lisa without him? IS she anyone? or is she just a vessel for him to do with what he pleases? she encounters a naked marty telling her to give up shortly after, and flees from him, but is followed by voices repeatedly telling her that she must accept her fate. i think this clearly show the mental state of lisas last days. she was tormented, eternally. she truly felt there was no escape from marty. even the background becomes nothing but martys face, over and over again, as the end screen flashes.

at the end text, she finds a video tape, and in the tape sees someone who is ostensibly her mother from behind. she apologizes for not being there for her, but when that figure turns out, its martys face that she sees. the sky turns into marty. the music becomes corrupted and overrun with pretty fucked up laughter. she tries to run, but marty is already everywhere. theres nowhere for her to run. and then the game is over.

note that the video tape comes AFTER the games end screen, which stops not long after the appearance of the naked marty. so i personally believe that the “game over” represents her deciding to take her own life, rather than just give up and accept her fate. by running from him into the blackness, she got away from marty the only way she could have. it is sad and horrible, but that is honestly the best ending that she could have gotten in this game.

the first is definitely not as good as the painful in terms of gameplay, that much i can agree on, but i really think people miss out on a lot by not playing it. i think its really crucial to see lisas life from her own perspective before you can see it from brads - after all, brad may have known more than anyone else about what was going on, but he did not experience it like lisa did. for brad, lisa is a symbol of his own regrets and failures, but lisa was a PERSON (well, in-universe anyway LMAO). she suffered on her own, with pretty much no one to help her, and then she suffered so much that she couldnt take another second of it.

#anya's anons #long post #lisa the first #ok NOW im gonna open my anons on my sideblog LMAO #i got wayyyy too into this #and i had to put it under the cut bc its really hard to not be graphic about the first given the subject matter #rape mention #abuse mention #lisa

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birbleafs · 4 years

Text

[fic] It’s A Matter Of (In)Convenience

Series: Saiki Kusuo no Ψ-nan || The Disastrous Life of Saiki K. Rating: T Genre: Humour, Breaking The Fourth Wall Character(s): Saiki Kusuo, Aiura Mikoto, Toritsuka Reita, Kaidou Shun, Kuboyasu Aren, Nendou Riki, Yumehara Chiyo, Teruhashi Kokomi Warnings: None, save for canon-typical shenanigans Summary: Saiki Kusuo’s plan for a quiet Sunday spent shopping for desserts in an ordinary konbini is thrown into disarray when he runs into several… inconveniences, much to his dismay. A/N: I've been re-reading/re-watching Saiki K. during this quarantine period and I haven't laughed this hard since I was into Gintama. This series has given me so much ridiculous joy, it’s great for helping keep anxiety and existential despair at bay lol. Fic can also be read on AO3

_______

Saiki Kusuo could not say he dislikes commuting by public train but he’s not particularly a fan of it either. After all, it’s exceedingly more troublesome and vexing for someone like him, encumbered with psychic abilities beyond human comprehension. He’s unable to switch off his telepathy at will, so it’s no small feat being stuck in a packed cabin and trying to filter out the cacophonous thoughts of fifty-odd passengers buzzing incessantly in his mind throughout the long ride to the next town. Distance isn’t an issue today, however. Not that it had ever been an issue, mind you—he could teleport to almost any location he so wished. But Kusuo had long since mastered inconspicuousness into an art form, and teleporting to his destination and appearing seemingly out of thin air in the middle of a packed convenience store was sure to draw unwanted attention to himself. No, it’s not worth the risk, even for such a coveted goal at the end of his journey. Besides, Kusuo is a man of principle, one who does not easily succumb to using his powers for self-interest. He will do this the ordinary, pedestrian way.

In any case, travelling out of Hidariwakibara-chō to neighbouring Tonari Machi on a random Sunday morning would also mean the chances of him running into certain... inconveniences are very nearly zero. Forty-five minutes and twelve stops later, Kusuo beams in quiet triumph as he walks past the automatic sliding doors and into the aforementioned convenience store, barely registering the musical jiggle over the speakers. He steps through the sparse crowd, pausing midway through the snack and desserts aisle when he finally catches sight of the neat row of orange boxes with silver trimmings on the top shelf. Kusuo allows himself a tiny grin as he reaches for a box, eyes bright with anticipation as he gazes upon its wondrous contents—three cups of chocolate brownie and cherry parfait, infused with coffee jelly and topped with dollops of luscious cream and cinnamon sprinkles. A simple but unmatched delicacy right here in this nondescript konbini, he thinks, savouring the glorious moment a little longer. Still, as fate would have it, he would be reminded in less than ten seconds that his life is but an unfortunate series of daily disasters, and his current reprieve short-lived. And it comes in the form of a young woman who had waltzed through the crowd and is now latching onto his arm with garishly pink manicured nails, her wavy blonde hair already casting a dark cloud over Kusuo’s face. Aiura Mikoto, resident soothsayer and trendsetter gal. Inconvenience No. 1. Ah. So it begins. “Wassup, Kusuo!” Aiura chirps a little too brightly. Already two or three mob characters in the konbini are throwing scandalized looks their way, but to Aiura they’re nothing but background scenery and lazily drawn silhouettes. “Who woulda thunk we’d meet here like this? It must totes be our destiny as soul mates, fer sure!” Isn’t it more because someone is totes a stalker? Kusuo deadpans telepathically her way, even as he makes no real attempt to avoid Aiura’s smothering embrace. Instead, he fixes her with a stare as blank as stone canvas. This is an invasion of privacy. Also, what’s with the meta observation in the previous paragraph? Stop messing with the readers like that. “Man, you sure are a ray of sunshine sometimes,” Aiura pouts, before she breaks into a giggle and relents. She unlatches herself from him, putting some distance between them. “Anyway, can’t your BFF like, just accidentally bump into you while shopping for the same box of snacks you no doubt travelled all the way out here for?” So you admit you really are a stalker then, Kusuo counters drily, only to frown again at the sudden creeping presence of another aura. He feels the weight of another arm draping carelessly over his shoulder, followed by the brusque yapping of an over-eager and desperate hot-blooded young male in his ears. “Yooo, Saiki-san! What a coincidence!” Toritsuka Reita, the spirit medium and an exemplary specimen of the most depraved life-form, the lecherous scum. Also known as Inconvenience No. 2. Saiki Kusuo, a man most unfortunate, lets out a weary sigh. “I see you’ve got that accusatory glare painted all over your face.” Toritsuka wags an annoying finger before Kusuo. “Now, now. Before you also accuse me of stalking, Mister Doom and Gloom, let me just say that I’m only here for one thing.” He flicks a furtive glance towards a discreet corner of the magazine section. The shelves are filled with magazines wrapped in plastic, large R-18 stickers plastered across the covers and over the spines much like indecent warning signs. Toritsuka dabs towards the third shelf, waving a mini poster at both Kusuo and Aiura, and this sentence then abruptly proceeds to describe the close-up of said poster—a particularly titillating centre spread featuring a curvaceous model’s skimpily clad... assets. “Surely there’s no better reason to be here now than for the special compilation of EROmag’s Greatest Upskirts And Panty-shots Of The Month!” Toritsuka exclaims, echoing the thoughts of all resident perverts. “Ugh, grody to the max,” Aiura says, lips curled in utter revulsion. For once, the stars are aligned and Kusuo finds himself wholeheartedly agreeing with her sentiment. Before he can get a retort in edgewise however, he’s unceremoniously tugged closer into Toritsuka’s one-armed embrace, who then proceeds to thump a hand over Kusuo’s chest in a grand show of obnoxious male posturing and solidarity. “You women will never understand,” Toritsuka counters with an ingratiating smirk. “But Saiki-san and I, we’re bosom buddies, connoisseurs of refined aesthetics. Together, we’ll finally gaze upon those heavenly lace panti—A-ACKK!!” He hacks up a lung just as Kusuo nonchalantly drives a sharp elbow right into his solar plexus, causing him to stagger backwards onto the floor. Bosom buddies? Kusuo echoes ominously, glaring daggers at the pathetic writhing form before him. Pretty sure that ridiculous thump you just pulled is both an outrage and insult of my modesty. Hey, can I call the police? I’m calling the police. Aiura nods at that, lips curved into a Cheshire grin and looking extremely pleased with herself as though she’s the one to suggest calling the cops. “Delusional sleazebags should just crawl back into the garbage bin where they belong. Like the skeevy trash panda that they are, right Kusuo?” “Who are you calling delusional, huh?!” Toritsuka snaps, jumping back to his feet. “I’ll have you know that Saiki-san and I have been nothing but the most loyal, the tightest of all bosom buddies—” Refer to me as your bosom buddy again and I’ll crush your windpipe, Kusuo interjects without missing a beat, and the EROmag poster in Toritsuka’s hand spontaneously combusts into flames. “Argh, not the panties!!” Toritsuka yelps, watching in despair as the poster shrivels up in the blaze, only to catch sight of the eerie, voidless depths of Kusuo’s inscrutable gaze. The spirit medium pales at the split-second reminder of his fleeting mortality, sweat dripping down his nape as he carefully backs away from the precarious jaws of death. “B-B-Bros! I-I meant that we’re the best kind of bro-some buddies, ahahaha! T-That is to say, brotherly and wholesome—R-right, Saiki-san? So don’t get all conceited just because you’ve got big knockers, Tits McGee!!” “Pfft, brotherly and wholesome? As if!” Aiura scoffs, unimpressed. “You’re about as wholesome as your d*ck aura and a college frat boy’s porno stash. Just admit you ain’t nothing but a tiresome anime trope!” “Look who’s talking, Miss Fanservice. This is a wholesome shounen series, so how about you take those bazongas back to Hooters where they belong!” “Haaah? You looking for a fight, you raunchy racoon?!” “Bring it on then!” Kusuo scowls at the petty squabbling, exasperated at how easily his quiet Sunday was already going awry, much like the metaphorical train wreck poised for a manic spiral off its rails. He decides to take his leave then from the two inconveniences bickering loudly, making his way towards the self-checkout station near the entrance. He pays for his items, stealthily packing them away with a subtle flick of his psychokinesis, and is only a few paces away from complete freedom at last when the generic musical jingle blares from the speakers overhead. “♪~Welcome to F☆mily Mart Konbini, We Guarantee 99.9% Shopping Satisfaction! It’s A Matter of Convenience~! ♪” Kusuo frowns at the jingle. Why is it only 99.9% satisfaction? And really, a matter of convenience? Not when he’d already run into two inconveniences in a row and all in a convenience store. Is God conspiring with the universe and pulling a sick prank on him right now? What a horrible sense of humour. The automatic doors at the entrance slide wide open then, and in saunter three terribly familiar faces—Kaidou Shun, Kuboyasu Aren, and Nendou Riki. Inconvenience No. 3, No. 4, and No. 5 respectively. “What did I tell you, Aren? Not only did we manage to beat traffic, but this unexpected change in my Sunday routine would’ve thrown a wrench into Dark Reunion’s plans of attempted kidnapping. Too bad I, The Jet-Black Wing, am always several steps ahead. Heh.” “Uhmm, yeah I guess… Hey, Shun, look! There isn’t a queue for the limited edition Ginta-Man figurine raffle tickets here at all. Good thing you insisted we meet at the crack of dawn—Tch, Nendou, don’t dawdle around and block the entrance like that! What’re you looking at anyway?” “Oh? I thought I saw my pal just a few seconds ago...” “Huh, Saiki’s here too-?! Oh, you mean that. Don’t be daft, Nendou, that’s just a cardboard cut-out of that kiddie hero show, Cyborg Cider-man Mark II.” Seriously?? Kusuo curses irritably as he dives inconspicuously out of sight from the passing trio, right into the bath and shampoo aisle. It’s just been a series of inconveniences one after another this morning, the metaphorical train wreck already hurtling itself past the edge of no return. Good grief, what a pain. May as well have the rest of the cast show up next— Another cheesy musical jingle, another swoosh of the sliding doors, and— “Waahh, it’s really you, Kaidou-kun!” “Hello, what a nice surprise to run into everyone here.” “Oh, hey there, Yumehara and... Offu~! T-T-Teruhashi-san?!” Saiki Kusuo, ever the suffering protagonist, drags a hand over his face. See? God hates him. Two aisles over, he can still hear Aiura and Toritsuka’s voices drifting over: “Man, I’m sick of looking at your pervy mug. C’mon, Kusuo, let’s ditch this loser—Huh, where did you run off to, Kusuo?!” “Your petty squawking has given us all an earache and must’ve driven Saiki-san off as well!” Oi, oi, Kusuo flinches inwardly, seized by a helpless fear of watching his quiet Sunday careening off the cliff and further away from his grasp. Quit yelling out my name like that and throwing me to the wolves already! Too late. At the mention of Kusuo’s name, Nendou cranes his neck 270 degrees Exorcist-style like a hideously monstrous owl and rushes over to Toritsuka’s side. “Oh! Did you just say my pal is here?!” he exclaims happily, shaking Toritsuka by the shoulders like a dog shaking an unfortunate chew toy. “I knew I’d seen him when we walked in earlier!” Not to be outdone by Nendou, Teruhashi also leaps forward before Aiura with none of her previous composure, her unblemished, porcelain visage now dusted with a hint of rose, a conflicted mix of perplexity and (envious) shock pooling in her angelic eyes. “D-Did you say ‘Saiki’?! H-Hey, Aiura-san, you did say ‘Saiki’ and not actually ‘Kusuo’, right? M-My, I must have misheard things, right? R-Right?!” “What the heck is going on? Is Saiki really here?” Anxious, Kusuo grits his teeth at the growing clamour as his friends converge from all corners of the store towards the aisle where he’d been forced to hide. Guess there’s no avoiding it after all, he frets despairingly, and in less than a nanosecond, teleports unnoticed from the konbini to an empty street outside. Kusuo sighs, relieved to have finally escaped. Minor inconveniences aside, perhaps a quiet Sunday spent savouring chocolate brownie and cherry parfait in the comfort of his home isn’t beyond his reach yet. What? Didn’t he just use his powers for self-interest to teleport out of a sticky situation? Foolish readers, that was for self-preservation and completely acceptable, of course. He holds his shopping bag close, pleased that he’d managed to avoid a disaster, and begins to walk down the street—only to freeze mid-step when he feels a sudden splitting headache jolt through him… A flash of images appears: Aiura and Toritsuka crouching in fear together, Kuboyasu bracing his bleeding arm, Kaidou screaming shrilly as he shields Yumehara and Teruhashi from a masked man brandishing a gun, Nendou digging his nose with his pinky—That’s just disgusting, no one wants to see that, stop it!! The vision finally ends, and Kusuo lifts a hand to his face, massaging his temple to clear the precognitive fog from his mind. An armed robbery, huh. He lets out another resigned sigh. Good grief—What a pain, Saiki ‘I-don’t-(but I actually really do)-care-about-my-friends’ Kusuo mutters internally in annoyance, even as he yeets himself head-first into other people’s business and right back into the convenience store to stop a future robbery. Still he smiles, eyes soft with perhaps the slightest flicker of affection for this dysfunctional bunch of people in his disastrous life. Someone has to protect them and save the day, after all.

–End–

#saiki kusuo no psi nan #the disastrous life of saiki k.#saiki kusuo #aiura mikoto #toritsuka reita #fanfic #too lazy to tag all the characters here #this show's over the top ridiculousness and crack is 10/10 my type of comedy #i love it lol

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obiyuki-beebs · 4 years

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CH 116 thoughts / discussion

mkah spoiler / discussion and no cut.

I’m going back to thinking about the 115 post (reblogged directly below this one or in the obiyuki content page on my blog) I did and how that bottle is just like the one Touka Bergatt told his brothers “wont work on him”. So now we know that this bottle of perfume (and is perfume, not poison as I had previously thought) that is basically hypnotic pheromone juice. Touka apparently cannot be influenced by it. Was that what was used to lure in and kill Touka’s father? I think so.

Remember in the early days (ch. 28) when Mitsuhide smelled that smashed potion and went nuts over Zen for a chapter?

While it may not be the same potion, it does have similar hypnotic properties. This potion is described by Garack as being associated to what we are thinking of at the time, or more particularly, producing a strong reaction to a deeply held loyalty (a type of love). Mitsuhide is worried about Zen, who he already has a strong relationship with. This potion seems to have enhanced feelings that were already there.

That was the same instance that was used as the final test for Shirayuki’s court herbalist apprenticeship, which she passed. I think that counts as a strong memory that may influence this arc as well if she and Ryuu recall the test in their brainstorming and investigation.

We did not get a name for the plant, and it is simply referred to as the blue flower drug. While I’m not supposing Sorata was planting an easter egg so early, I do think she may be using a similar premise of hypnotic (at the very least).

Back to 116....

You can see in this depiction of Yozumi that his eyes are blank. We get confirmation that he was hypnotized, but I think we should remember this look for future encounters as it provides insight to the effect the perfume has.

After she hits him to get him away, he looks shaken. Shirayuki sees how strongly his emotion is affected by this. Yozumi is tearing up with obvious pain in his eyes. What happened to his lover? He asks repeatedly for Shirayuki to leave, facing away from her, clearly fighting the hypnotic temptation. Look at his face in the next image. Why is he so distraught? What about his lover and the perfume are so upsetting? This might also provide some insight on why he’s so protective of the perfume bottle. Is it all he has left of his lover? Did she die? Missing? Was he betrayed?

“I took it with me in secret.”

Did he steal the perfume from her?

Yozumi -- who will not name his lover but we can almost definitely infer is Mm. Liera or in some way connected to her -- reacts to some of the perfume that Shirayuki placed on her collar. This means that the perfume is not the same as the potion described in ch 28, so is it the same plant in a different formulation? Or is it a different plant that also has hypnotic effects?

(as a side note, I wonder how effective washing out the perfume is? Washing off of your skin, sure, fool proof that eventually the substance will be gone. But with fabric? It might be much more difficult to clean. Maybe Shirayuki is using the pepper Ryuu gave her to wash her collar? If there is somehow leftover potion on her clothes, will some unsuspecting gentleman get a whiff of trace potion and be swayed to make a move? I would like to see shirayuki in proximity to obi for this hypothetical... this whole paragraph seems silly now that I’m editing but I’m leaving it).

“When I was beside him, he seemed like he was in pain.”

Emotional pain? Physical pain?

Yozumi seems to have been ‘addicted’ to his lover by means of this perfume, and describes withdrawal symptoms when he was separated from her for more than a few days.

Withdrawal -- physical withdrawal -- is serious and a sign that the body has become accustomed to a stimulus, that being in contact with the stimulus is the bodies new normal.

However..... I’m not sure how closely we are supposed to compare that to withdrawal in the real world. I (used to) work in healthcare and still think like a nurse... I can’t help but apply that line of thought when Shirayuki is also a health care professional. Court Herbalist seems to cover sides of modern nursing and modern pharmacy. I think it’s more likely that the perfume is a vehicle for manipulation -- a lure for an assassin to exploit -- rather than so severely addictive that it incapacitates someone.

That being said, Yozumi is still addicted to the smell of the perfume. Addiction psyche will often have you rationalize and seek out the source of your addiction, even if you know it’s the wrong thing to do. Will he try to seek his lover out? Is she alive? Is she a villain!? All I’m sure of is that she is associated with the Bergatt scheme (re same bottle, etc), and is part of the untrustworthy faction in the North that will try to reclaim Wilant and its territories.

Can Yozumi be trusted out and about? Lol no. Probably not. Who does he kinda look like? Obi bb..... Spy time? Will the knights ball be a masquerade?! WILL OBI AND SHIRAYUKI GO TOGETHER WEARING MASKS?! ahem I hope so. With close proximity dance & perfume. I hope we get some Obi x Shirayuki confronting the tension between them. Maybe the perfume / knights ball will be the catalyst?

Then. Yozumi is contacted by someone he has never met and invited to meet, and this woman has the same scent. This woman is connected to the original lover, and whoever supplies the ‘perfume.’ Probably the Bergatts and their loyalists. This encounter with the perfume alerted Yozumi that he should be suspicious of the lover and the scent, which catches us up to the present and why he has come to see court herbalists.

So this perfume ... basically makes people horny .....there’s going to be a ton of temptation shit going on and I am so here for it.

this post is already so long ...... my arthritis is so bad rn but I’m so pumped about the chapter I’m popping 800 mg ibuprofen and trucking on thank you so much for reading up to this point

So ... the identity of the lover. We know she is high born, and is the daughter of a Viscount. We can assume she’s from the North. There seems to be a network of women working with and / under Mm. Liera to tempt and manipulate chosen parties (Yozumi, Touka’s Father, etc).

Shirayuki and Ryuu plan to send their observations to the pharmacists of Lyrias, with “people they can trust.” Eisetsu became a little more suspicious to me in this chapter. His reaction to people we can trust was odd when you reflect on it, especially after he OBVIOUSLY LIES ABOUT KNOWING MM LIERA at the end of the chapter. Obi can tell that Eisetsu is hiding something.

Bullet points from here on out because handswristselbowsandshoulders are literally on fire haha arthritis !!!!!

Other thoughts:

I wonder what Mitsuhide and Kiki were talking about on their walk in the woods? How curious. Maybe they are discussing the state of the North and theorizing similar to how we are? IS THIS META SORATA (p not)

I love the interaction between Ryuu and Shirayuki when she has finished washing off the perfume and she thanks Ryuu for coming with her and Obi ... happy family ... peers who trust ... coworker you can rely on .. ♡(｡- ω -)

lol Eisetsu “vetoed” but I mean he seemed to get a clue after Yozumi mentioned her being from a Viscount family.

Another suspicious Eisetsu moment ... Does he know who Yozumi Iriz is? Apparently so.

I might be totally off base in suspecting Eisetsu. Maybe he’s one of the good guys. It’s too early to just explicitly trust, especially in a part of the country that is known to be hostile to ProWistalFamily. I am pretty back and forth about if I trust him, though. I want to. I think he’s funny and that he seems genuinely good. But idk. My hackles are raised.

It brought me SUCH JOY that Obi came back after the rains, with the flowers blooming. (((o(*°▽°*)o)))

Wasn’t that little agreement clap between Shirayuki and Eisetsu much like the high five that Obi and Shirayuki do? Maybe Yuki did that to put herself at ease, almost like she too is trying to trust Eisetsu.

d r a m a ? ? ! !

People are covering for Mm. Liera and her crew. They are associated and probably working closely with the Bergatt loyalists. What will be next?

We will hear more about the upcoming Knight’s Ball

More research conducted on effect of perfume and its properties

Will it be related to the blue plant from ch 28?

Will a spy be sent to Lyrias to intercept research on the perfume? This is more of my Hackles Incorporated TM business mentioned before re Eisetsu and if he can be trusted.

BACK TO WAITING!

<3 beebs <3

#ans ch 116 #ans spoilers #snow white with the red hair #obiyuki #obi x shirayuki #ans #akagami no shirayukihime #obyuki

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tintinwrites · 5 years

Text

you can see me? | Poe Dameron x Ghost!Reader

A/N: This is what happens when I take a one-word prompt and write what comes to mind lol

Rating: T

Warning: Reader is a ghost. Reader’s fiance was bad.

Word count: 1,508, apparently!!

Prompt: Ghost from day six of @blackirisposts October Challenge

Summary: You’ve seen many people move in and out of your house. Poe is the one who sees you too.

GIF credit: poesddameron

-------------------------------

Eight different families had lived in your home since you died.

Your fiance lived there with a new wife and eventually a set of little twins that prompted the small family to move somewhere larger in the autumn of 1899.

A handsome couple soon moved in and welcomed a curly-headed girl two years later, and they stayed until that girl became a rebellious young woman early into the 1920's.

An older man and woman moved in to downsize after their last child became married, grandchildren visiting and growing through the years until their grandparents died; the man in 1953 and the woman in 1954.

Their youngest child moved in with her husband and two teenage children and left a couple years after they moved out, in 1962.

Newlyweds came and promptly had one child every year, filling the house to the brim until they realized they needed more space in 1968.

You were alone for two years until a group of young girlfriends decided to share the house while seeking their higher education, then went their separate ways for careers or marriage upon graduating in 1974.

Another four years alone, another pair of newlyweds who had a little boy in 1982 and a little girl in 1990; they were with you longer than anyone, but they left you like everyone else in the year of 2015.

Every family was easy to get attached to and you were sad to see them go, but you were always excited to discover who you would be with next.

You found yourself attached immediately to the man who started filling the house with boxes in 2019.

His name was Poe Dameron according to some documents you'd seen and he was your eighth family. He was very handsome and he had a laugh that you enjoyed almost as much as the laughter of the many children who had lived there over the years.

He was also kind, sure to hand out candy to neighborhood children on Halloween even though most of his boxes had yet to be unpacked.

You were watching him compliment a boy's superhero costume and generously give him a handful of candy, smiling dreamily as he shut the door and turned around.

He stared at you. "Can I ask what the hell you're doing in my house?"

You paused, slowly glancing over your shoulder and then back at him.

There was no one else for him to be talking to, but there was also no way that he knew you were there.

No one had ever known you were there. No one could see you and even when you would expend your energy to knock over a dish, they would explain it away with a tilted shelf or a breeze through a window.

"Your costume is cool, but I'm gonna have to ask you not to come into my house unannounced." The costume he was referring to was the dress that had been more appropriate for your time than his.

"You can see me?" Your tone was full of wonder and hope.

"Of course I can see you. Why don't you head out of here and we can forget all about it?"

"Oh, no, I can't. You see, I'm dead."

He had his hand on the door after opening it again, staring at you for a moment and then laughing slightly. "That's funny. I really don't want to hurt you or have to call the cops, please get out now."

You tilted your head. "But I am dead. This is my home."

"I'm sorry about this." He strode to you and moved to take hold of your arm, eyes widening as he stumbled forward and his hand went right through you.

"About what?"

Perhaps he was apologizing for the way he suddenly began trying to poke you, batting his hand through your chest experimentally. But you couldn't really feel it and he was clearly trying to prove that he hadn't imagined your incorporeal form, therefore you were more curious than offended.

He quickly stepped back, muttering to himself about something being impossible and how 'this isn't the kind of crazy you are when you have a big ego'. He covered his face with his hands for a long moment, then slowly looked at you again.

"I'm not saying I'm a hard ass who refuses to believe in ghosts and all that, but I always figured they would be invisible or something. You know, the kind of thing that makes stuff fall off of tables and that's it."

"No one has ever been able to see me...I've tried to communicate by dropping things, but it takes a lot of my energy and people consider all the other reasons why things suddenly fall."

"Okay. Cool. This is probably some weird dream or I've gone crazy for some reason."

"I promise that I am very real. I haven't talked to anyone in...over a hundred years."

There must have been something to the lilt of your voice, sounding like you could start crying and like you could shout in pure joy, that had him looking at you sympathetically. "You have a name?"

Being a spirit should have meant that you had no emotion, but you had cried many times since you died and you were tearing up right then. "Y/N Y/L/N. I've been all by myself since 1894."

"Hot damn. I can't go more than a day without talking to somebody."

"I know. You've called someone on your cell phone every day since you moved in."

"You died in 1894 and you know what a cell phone is?"

"I have been here for one hundred and twenty-five years already and the only thing I can do is watch. I have seen the introduction of the radio, the television, home phones, and computers. I have watched them all fade away and be replaced with better versions, such as flat screen TVs and computer-like phones that can fit in your pocket. I have watched television shows since the 50's and listened to the most popular music, from jazz to pop."

"You've pretty much seen everything then." If this was all in his head, he was surprised at how detailed it was.

"All I had for my entertainment were the moments those who lived here would watch television or leave a book open, and then I would read the pages over and over again until I grew bored of them. I spent every hour of every day pacing and counting cracks in the walls until you moved in."

"That sounds like hell."

"It is. I enjoy having people around here even though I couldn't talk to them...I loved watching all their children. Such innocence. Such potential."

Your eyes were sad and Poe was too, certain that there was no way even his subconscious could make up something like this.

He sat on a large box that he knew was full of stuff that could hold his weight. "Do you mind if I ask how you...how did you die?"

You looked down and he followed your line of vision to see a wound right above your chest that he might have thought had been delivered to you minutes ago if he hadn't known better.

His eyes met yours.

"My fiance was always an unkind man...I suppose I angered him too much."

"You didn't." He looked at you with meaning; it had been a long time since anyone looked at you on purpose, and you weren't sure you'd been eyed that kindly even when you were alive.

There was a knock on the door and he jumped to his feet to hand out candy to little children that seemed to be dressed up as characters from a show you didn't recognize.

He stayed up half the night to ask you questions and answer some that you had as well, him enraptured by all the things you had learned in over a hundred years and you by all he had learned in a mere thirty-four years of life.

Poe slept for a couple hours and woke early to get ready for work, momentarily surprised when you came into the bathroom while he was shaving.

You really weren't something he dreamed; you watched him very closely and then moved your hand under the stream of water in the sink.

It almost made him sad to see it go through your hand.

How many times had he taken the basic ability to touch almost whatever he wanted for granted?

You gave him privacy when he had to put on his clothes, staring out a window and walking into the living room as you heard the door shut and his key turn the lock. Yet you could still hear voices.

Looking around, you discovered that he left the television on the home and garden channel. You then noticed that there were a bunch of books on the floor, near the now half-empty box he'd been sitting on last night.

Every single one of them was open to the first page.

#poe dameron imagine #poe dameron x reader #bipspoopy19 #star wars imagine

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keitthen · 4 years

Note

Kaigaku, Rengoku, Tanjirou, Giyuu, and Shinobu with an s/o who has fairy wings that they can disguise as part of their haori!!! You can decide which color(s) they'd be and what the boys would do when they saw them! Your writing is just *chefs kiss* perfection. Lol from now on I'll refer to myself as Kaigaku's simp anon 😌💝

───── WITH A S / O WHO HAS

FAIRY WINGS.

Awwww, thank you so much nonnie! I really love writing your reqs as they're so much fun! I hope you don't mind as I kept a gender-neutral s / o.

I hope that you like these as Tumblr was being drunk and deleted the first draft. -_-

↳ character (s); kaigaku, rengoku, tanjirou,

giyuu and shinobu.

↳ writing form; headcanons

↳ (a / n); I loved writing these. Thank you so much nonnie!

───── [- KAIGAKU. ]

Kai, even if he doesn't appear like it due to his rash and ill tempered personality, is a person who is very attentive to his surroundings.

So, when he notices that his significant other keeps fumbling with their haori, he gets curious about the reason for their distress.

He'll walk right up to them, and ask them if something is wrong. Poor s / o is scared out of their wits at his sudden appearance, but eventually calm down.

When they answer that nothing is wrong while giving him a smile, he notes that it was a shaky one.

This causes him to become suspicious of them, and he keeps asking them until they finally crack.

They just pull him into their room and tell him that they want to show him something. He calmly sits down, and when he sees that they're hesitant, so he opens his mouth to say something but immediately shuts it upon seeing their peach and pink wings. He just stares at them, causing his partner to get uncomfortable.

When they begin to ask him if he hates their wings, he immediately shuts that notion down, even before it is asked.

He makes it a point to tell them everyday that he loves their wings, although awkwardly.

So, in his own awkward tsundere way, he makes sure to see to it that his partner feels happy about how they are and how they look.

───── [- RENGOKU KYOJUROU. ]

Rengoku is someone who pays close attention to the people around him, so he will immediately come to know if something is off about them.

Upon noticing that his partner keeps glancing at their haori, he goes up to them and asks them if something is wrong.

They were prepared to tell him a lie, but upon seeing the soft look on his face, they falter, and end up telling him that they want some time.

Kyo is a very understanding person, so waits for them as long as they want time.

When they do show him their turquoise and gold wings, he just stares at them with a distant look in his eyes.

When his partner panics thinking that he hates their wings, and begin apologizing to him, he interrupts them in the middle of their rambling.

"I don't hate your wings, rather I love them! But you see .... The thing is that you looked really cute with them ....... and I was trying to hold myself back from jumping you by reciting Gyomei's mantras. "

* cue his partner's flustered face *

He bursts out into laughter at their blushing face, and soon enough, they too join in his contagious joy.

All in all, he's the sort of person who loves his partner no matter what, even if they have wings or horns.

───── [- KAMADO TANJIROU. ]

Tanjirou is someone who loves his significant other with all his being, and they know that, so they're worried about how he takes to the news.

He takes note of the way that they keep adjusting their haori at small periods of time, and proceeds to ask them if they were uncomfortable.

They know that they can't hide it from him, and tell him that they'll tell him with a little bit of time.

Tanjirou, like Kyo, is also very understanding, so he'll give them all the time they require.

When he gets to see their light violet and vivid tangerine wings, he looks at them with visible admiration and sparkles in his eyes.

His partner relaxes at his loving gaze, and calm down from their nervousness.

On the other hand, to him, the person he loves is already amazing, but now they're a new level of amazing? Sign him up to make a fan club for them.

"(Name), I knew you were amazing, but I didn't know that you were this amazing!"

* cue partner's flustered face pt.2 *

But guess what? This time it's his partner who needs to recite Gyomei's mantras.

He wants to see his partner love and be happy with themself, so he offers to give them a bigger haori as a birthday present, so they can keep their wings comfortably.

He also makes it a point to tell them that they're the only person who he wants to spend the rest of his life with, and that he'll always love them, with or without the wings.

So, with a partner like him, his significant other doesn't regret trusting him, because they know that he loves them sincerely.

Where can I get myself a tanjirou?

───── [- TOMIOKA GIYUU. ]

Giyuu is someone who doesn't love in the traditional way. Instead of telling his partner that he loves them, he would rather show it through actions.

He notices the way his partner keeps nervously glancing between him and their haori.

But he also notices that they're hesitant, so he waits until they come forward themself.

When they do, he patiently waits for them. Upon gazing their dark pink and pale red wings, he goes into shock.

He needs some time to process it, so he tells his partner that he would be going out for a while.

In the evening, when, after much thought and deliberation, he comes to the realization that he still loves them, he makes his way to them, when he is stopped by Mitsuri.

She tells him that his partner has been crying since he left, and all it takes is that one sentence for him to sonic dash to them.

When he takes a look at their swollen and red eyes, he feels guilty. As he is a person of few words, he just pulls them into a tight hug, and rocks them softly.

When they've calmed down, he awkwardly tells them that he doesn't hate their wings, but rather likes them, and that he needed some time to process the fact that they had wings, but it didn't mean that he loved them any less.

Tsk, tsunderes

So, when his partner thanks him with a bright smile, his face flushes red.

* cue Gyomei's mantras pt.3 *

Then on, after gifting them a bigger haori, he's developed a habit of gently running his hands over their wings.

While he doesn't tell them words of affection, the hand that tightly grasps theirs tightly, speaks volumes of the love he has towards them, and they know that they don't have any regrets about showing him their wings.

───── [- KOCHOU SHINOBU. ]

Shinobu, as a doctor, can read body language very well.

So when she notices her partner being all jittery and glancing at their haori, she steps in.

After talking with them, and coming to know that they have wings, she asks them if she can see them.

The moment she lays her eyes upon their light red and pale blue wings, it's like she's falling in love all over again.

In a trance, she reaches out to touch them, but when her hands come in contact with them, she comes back to reality, realizing that she didn't take their permission to touch their wings.

She looks at them only to find them fondly looking back at her, causing her to let out a smile.

She finds a connection in the fact that her partner has wings, and her favorite insect, the butterfly, also has pretty wings like them.

She makes sure to be their number one hype woman and will not let her partner feel unloved.

Bonus;

She wondered if the wings were touch sensitive, and wanted to test out the hypothesis. So with a devilish smirk, she set out to find them. What happened after testing it out, is something I'll leave to you, but she's the only one who doesn't need to recite Gyomei's mantras.

My simping for this woman is limitless

it again nonnie!

I hope these were what you wanted!

Gif totally unrelated, but thank you for the compliment once again!

Love, Ria.

#ria answers #ria writes #ria #kny #kny hashira #kny kaigaku #kny rengoku #kny tanjirou #kny giyuu #kny shinobu #kny headcanons #ily anon <3

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gamergirluprising · 4 years

Text

Alastor’s Possible Backstory, Emotional, And Mental State.

Okay, so, I find Alastor from Hazbin Hotel one of the few characters that interest me due to his sheer mysterious aura. He has a lot of secrets and I’d like to dissect this man down to his mannerisms, his beliefs, his (low-key/high-key?) pessimistic view of life, and his use of voodoo. I personally am not a fan of the said show since it’s pretty vulgar and hasn’t caught my attention due to the possible problems I see in the show (Why the heck did the God in this universe allow a hierarchy to take place AND give people superpowers by turning them into magical animals and such? Why did he even make a Hell?)

But anyway, I’m not here to discuss my likes and dislikes about the show, I'm here to discuss the Radio Demon and what could have possibly happened in his life as a child to start this craziness and explain his complex personality, mental state, and emotional state. Alrighty with that being said, LET’S DISSECT!

ＭＥＮＴＡ L~𝓔𝓜𝓞𝓣𝓘𝓞𝓝𝓐𝓛 ~BEGINNING

Dude’s got a mental problem fam, and I'm not saying this just cause this man’s teeth are as yellow as Bill Cipher’s entire existence. No, no, no this man is crazy for not just his unhinged need to see other’s fail and to have utter and complete control(Will tackle later) he’s crazy for his huge narcissistic behavior. Dude, Honestly thinks he’s better than everyone and ONLY allows those he thinks are worthy into his “friend” circle. I quote friend because I’m not too sure how exactly and deeply he feels about Rosie aside from their relationship being like Jack and Mary from Mary Poppins Returns, as stated by Vivzie on twitter. He finds those who don’t always smile as people who are WEAK and LAUGHABLE and regardless of how they are, he still finds them to be weak, which BY GOD is such a flawed way of thinking GEEZ. Now after reading about Alastor and becoming more intrigued, I decided to do research on his behavior and when and how it starts.

𝐍𝐚𝐫𝐜𝐢𝐬𝐬𝐢𝐬𝐦 has 9 defining traits. I’ll go over a few that I’ve noticed.

1. He really thinks he’s more important than anyone else and has shown this through his mannerisms, the way he speaks, his vibe and just his general character scream “I’m better than you!”

2. HE LOVES SHOWING OFF! Dude can’t seem to get enough of the spotlight, thus why he LOVES to broadcast his carnage on the radio! Why else would he do so!? He finds constant admiration and respect when he does his “little” display of power!

3. Now, we ALL know he has done some pretty...gruesome things to claim strength and be seen as the strongest, even when there are others who are stronger he displays himself as if he is more dominating and wouldn’t waste his time with, how you say, vermin. This is evident by his response to Vox

You can find where I found this here at Faustisse’s cleanup and Inking vid of the upcoming Alastor Comic https://www.youtube.com/watch?v=_15UYpcWJ_Q

In case it is too hard to read due to the bad quality, Alastor is saying “Show off all that and no cattle.” which is pretty much “all hat, no cattle” (or, alternately, “big hat, no cattle”) which refers to someone who is all talk with no action, power, or substance behind his/her words. I’d applaud this power move, and still kinda do, if it weren’t for this dudes BIG HEAD lol.

BUT, you get the point, the dude is an egomaniac! “We already knew this, I mean DUH!” you say to me pinching the bridge of your nose. “Why do you point out the obvious?!”

Well, notice how severe and prevalent these traits are. Don’t you find it odd how this dude has SEVERE megalomania? Well, I did research and found out that Narcissism has a very sad connection most of the time and affects males more than females.

at https://www.healthdirect.gov.au/causes-of-npd here’s what I found

Notice the parental factors during early childhood are all abuse-related. This could very well be one, if not the main reason, why Al is the way he is: He was abused as a child! And to make matters worse, as I was looking deeper into this, I noticed that sexual abuse is ANOTHER factor, which would explain why Alastor doesn’t like being touched without consent or by surprise but will GLADLY invade other’s personal space to feel in control (He's a hypocrite like that). Sexual assault victims ALSO don’t like being touched without consent so this just adds more proof to my claim! And serial killers tend to have a rough family life and have been molested, taken advantage of, neglected, or all of the above!

It’s also come to my attention that Alastor enjoys talking with women more than men for 2 reasons. 1) Alastor finds it easier and more enjoyable to talk with women. 2) He finds men to be dumb brutes at least in hell.

I give COMPLETE CREDIT to @dollymoon

Thank you for the awesome amount of facts you’ve provided! RESPECT! https://www.tumblr/dollymoon

Alastor most likely has a very harsh grudge against the world due to his treatment as a young child. His abuse, and possible loss of his mother growing up, lead to him finding joy in seeing those suffer and fail EVERY SINGLE TIME! Notice the way he talks creepily to Charlie about watching sinners “Repeatedly trip and tumble down to the fiery pits of F A I L U R E.” Look at this man’s face as he’s saying this! The man looks turned on with the VERY fact of people suffering, that’s his kink, y’all, he a damn sadist! (No, being asexual doesn’t mean you can’t have kinks, I’ve checked, lol. Got you fam.) Ima kink shame the hell out of this man (Pun-unintended)

Ahem, anyway, this dude has got a hate boner for the world and finds relief when exacting pain on others because he feels wronged and feels the world is to blame. He does seem to acknowledge and accept that where he’s at is the end of the road for those who want to change, their chance was when they were alive, and has accepted that this is the natural order of things and they can’t fix that. I had this vibe that he must have gone to church as a kid due to his mom being religious and he loved his mom so he obeyed, Has been stated by Faustisse that he’s a mama’s boy, BUT remember, Vivzie said anything that comes out of HER mouth is what’s canon. Unless she has already stated it as fact any other info can’t be trusted. (Even though this info is PAINSTAKINGLY clear just by him mentioning his mother’s cooking and it just makes too much sense, lol.)

So he must have grown up to be low-key violent but with manners like he practiced being slick and suave in order to trick people into trusting him so that he may kill them without getting caught, which would work perfectly with him not chasing people due to his moral code. He practiced and practiced and seeing as how he was well-off in his later years, I’d assume he started doing his radio schtick when he was in his early 20s or at the age of 18. So he began when the roaring 20s was just starting, a new beginning for him!

Alastor's name means "he who does not forget", "avenger", "persecutor", "tormenter", "one who suffers from divine vengeance".

(This also makes me think his real name is Alexander/Alexandre since it's the exact opposite of his Hell-Name and more interestingly, in terms of name-giving traditions, between the latter half of the Spanish period (1790-1803) and the beginning of Jim Crow Segregation (1893-1964), gallicized names of classical Greek and Roman origins dominated in Loiusiana. This may be due, in whole, or in part, to the fact that New Orleans had North America’s (excluding Central America and the Caribbean) first Opera Houses and Theatres, owned, frequented and operated by Creoles from Louisiana, Cuba and Saint-Domingue/Haiti. Adonis is my second choice since It literally means "handsome man" and that would totally fit him for his handsomeness to the fact I feel that his mom would def name him this outside of Alexander/Alexandre.) http://www.mylhcv.com/common-creole-names-for-males/

This is a HEAVY hint to what happened in his life and why he’s so drawn to seeing people fail and helps hold my theory together quite a bit, if not a lot. Of all the names to give this dude, he was given a name that legit is on par with the word “Vengeance” and “Avenger”. Vengeance for what? Avenge who? He was wronged. He possibly is angered also by the death of his mother, who was most likely his ONLY ray of light. He is a broken man who most likely has insecurities, based on the info of narcissism which tells us that narcissistic people are the most insecure sorts of people. Alastor is aware of this and sees it as a weakness, something to be culled and hidden from the world never seeing the light of day. His only way of making himself feel stronger and more in control was through voodoo and cannibalism. Many Cannibals believe to be the bees-knees since they go a step FURTHER into crime by devouring their victims and placing themselves into a rank different and more feared by the rest. They see that no one else would even have the balls to attempt to reach that spot, which again leads back to the way Alastor thinks. He just adds oil to the fire when doing voodoo and doing BLOOD RITUALS which you can see him doing when attacking Sir Pentious! https://twitter.com/hntrgurl13/status/1197918059836690433?s=20

Dude has so much baggage that he hides behind a smile he thinks ALONE brings strength like niBBa are you serious? I’d like to see this man try and say that to the faces of strong people like Superman, Goku, Midoriya, Naruto, Broly, Wonder Woman, GOD. Yo even GOD shows emotions. Wanna know why these beings are strong? It ain’t just cause they smile, Nah, it’s cause they’re determined or the very literal embodiment of determination. they have a damn balance and that strength helps them smile through the pain, they don’t need to exhibit a smile to be strong cause them being themselves and having the strong mentality is what gives them strength, not a damn smile. Watch Charlie hit him with the good old reality check when the man attempts to freaking take over her joint (Both hotel and hell) and she proves strength ain’t just gained through smiling or dominating others. He high-key sounds weak for even having that mindset, only weaklings think like this. He has a very weak view of life which brought forth a monster, or should I say DEMON.

Here’s the info of him not liking being touched.

I’d also like you guys to keep in mind that Vivzie has stated that none of the characters have split personalities, proving Al knows EXACTLY what he's doing.

It’s all them but some have a DUALITY to them. As hinted at by the word "dual" within it, duality refers to having two parts, often(but not always) with opposite meanings, like the duality of good and evil. If there are two sides to a coin, metaphorically speaking, there's a duality. Notice how Alastor also has a duality in him. What kind tho? Remember those shadows that follow him everywhere? Yeah I'm pretty sure those shadows represents his duality in some way, shape, or form.

I also forgot to add that Masochism and Sadism both ALSO stem from the same things Narcissism does or similar things like being sexually abused as a kid. Remember not all cases are the same, I just wanted to put that out there (Not sure If Al is still a Masochist since that’s old info from him being just a deer and liked it when people tried to kill him.)

So in conclusion:

-Dude was possibly abused as a child by his Father

-he hates society/the world due to his terrible child life

-He possibly feels shame for what he has done and thus has accepted his fate

-He loves his mama and MOST LIKELY hates his father who probs is the one who did him a terrible service for just being his father growing up, this would explain his view on men as well

-He also feels shame for being so weak to even allow his father or any male figure to do what they did to him

-Man gets turned on when seeing people like sinners suffer.

KEEP. IN. MIND. None of this excuses his terrible behavior and excuses for being so power-hungry, He’s an interesting character and I love his quirks but he is by no means a victim without faults. He is a product of society and that’s sad but he needs to pay for his horrible actions. Cannibalism is going to far, using you and your victim’s blood for voodoo isn’t excusable, and just killing someone for the sake of vengeance won’t make the pain go away, so nothing he does that involves harming people is cute or a way to suppress his anger, which he’ll have to learn the hard way in this story, I bet. Hopefully, it’s done well cause he’s still very much a bad guy regardless of the fact that he is aiding charlie.

WHEW, that was a long post, one of my longest ones! I really wanted to write out my thoughts on this character cause I’m ALWAYS intrigued by the mystery characters like him withhold. They tend to have hints to their behavior and it was really fun traveling through the possibilities of his nature. I’m probably 100% wrong about all of what I said since I am still not sure about everything and I researched as much as I could. I wouldn’t have had such an easy time if it wasn’t for @dollymoon and their amazing efforts to inform the community, y’all crazy but y’all dedicated so respect. I am not part of the community so I wouldn’t have been able to pinpoint all the info and more. So this is my piece on Alastor the Radio Demon, a.k.a dude who looks like he’s taken ecstasy.

P.S

-Why is this man wearing a torn up and ragged jacket when he can easily make himself a better freaking jacket? The man wore a one that was fresh as hell during his reprise, so what gives?! and why in God’s name is his damn teeth yellow? How you gonna say “You're never fully dressed without a smile” but got on one of the dirtiest smiles I’ve ever freaking seen? I'd rather not smile and be strong than to wear my clothes at its dirtiest(his smile I mean). Ain’t no way in the fresh hell would I invite an edgy radioman, who I know does voodoo, into my damn house, I am too black/Haitian for that bull.

-Y’all finna tell me why y’all falling for a man who canonically has stank breathe...?

At least clean his damn teeth and give him a mint first, D A M N people!

again, thank you very much @dollymoon

but yeah, that’s my theory y’all, hope you enjoy and sorry for the constant repetition in here! DISSECTION OVER. . .

#hazbin hotel #hazbin hotel thoughts #hazbin hotel theory #hazbin hotel character #hh theory #alastor radio demon #radio demon alastor #hazbin alastor #alastor hazbin hotel #alastor #hazbin alastor theory #Alastor is freaking crazy ya'll #cartoon theory

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uribo-in-space · 4 years

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Star Trek TOS First Time Viewing Reaction - S2E2: Who Mourns for Adonais?

DISCLAIMER: I have seen some TNG and Voyager when I was a child and later the AOS movies as a teenager. I felt quarantine time was the right moment to begin the ambitious project “Star Trek marathon 2020/(2021?20??)”, meaning I’m going to watch all of Star Trek starting with TOS finishing with Disco (or maybe we have Strange New Worlds by the time I catch up haha). I started TOS last month and I AM LIVING. IT’S AWESOME and sparks so much joy. I decided I could just write up my thoughts as I am viewing it for the first time as a memory of the experience, not knowing most episodes at all. So, there we go.

Spoilers obviously - just in case somebody else is 50 years late like me, haha.

Opening scene: Scotty flirts with a female lieutenant on the bridge. So far so cute. What about the dialogue from Bones and Kirk accompanying this scene though?

MCCOY: I'm not sure I like that, Jim. KIRK: Why, Bones? Scotty's a good man. MCCOY: And he thinks he's the right man for her, but I'm not sure she thinks he's the right man. On the other hand, she's a woman. All woman. One day she'll find the right man and off she'll go, out of the service. KIRK: I like to think of it not so much losing an officer as gaining SCOTT: Come along. (He and Carolyn enter the turbolift.) KIRK: Actually, I'm losing an officer.

like - what? I had to rewatch this scene to fully understand what they’re saying. I think it’s interesting that, despite TOS being like 50 years old now, I find it easy to forget we’re actually in the 60s/70s when binge watching. Watching it now is sometimes a weird meta experience as you tend to overlook elements that were considered super futuristic in the 60s but are perfectly normal now, so that you actually miss some FUTURISTIC elements because you’re living those aspects of FUTURE already. Yes, of course women quitting their jobs after marriage still happens, but it is not considered a “rule” or “natural order of events” anymore, and is (talking from a western perspective) more of a choice and you would not assume this happening automatically. Especially if you produced an utopian sci-fi series today, that concept would probably not be included. Anyway, it’s pretty interesting that female Starfleet members seem to drop out of service after marriage and it is not considered something a captain or anyone can do something about in the future (I mean, apparently the men still continue their service? I only have divorced Bones for reference so far though). Anyway, TLDR, I am not judging the 60s relics as they are a product of their time, I think they are rather an interesting addition to the viewing experience in 2020, considering the writers did think this concept would persist in the far future. Back to the episode.

IS THAT A GIANT HAND IN SPACE

I love that Chekov casually assumes he has hallucinations - like bro do you have reasons to believe that and what did you do in your free time

This hand really kills me. I also could not believe what I am seeing but I love it

Spock stating he is not offended because you need emotions to be offended - interesting, Spock, so what happened when Kirk pulled a yo mama joke on you in that Paradise Hippie Love Romance Pollen episode (man that was a gem of an episode)

Chekov has one of the most HILARIOUS lines in that episode (next to having one of the most hilarious hairstyles, his hairstyle looks like an interesting over the top take on the Beatles haircut and his head looks so much like a mushroom I feel like he has a side job in Mario Kart):

APOLLO: Search your most distant memories, those of the thousands of years past, and I am there. Your fathers knew me, and your father's fathers. I am Apollo.

CHEKOV: And I am the tsar of all the Russias.

KIRK: Mister Chekov.

CHEKOV: I'm sorry, Captain. I never met a god before.

Chekov be sassy to gods

I can’t let this haircut go, as it got me thinking: Is there a hairdresser on the Enterprise?

That’s a thing to explore

What gossip that person might hear sign me up

So, the guy really is the God Apollo huh

Costume note 1: That toga Apollo wears is SO SMALL like - “SIR nice to meet you but you’re REVEALING THINGS please sit with more modesty OR - NO NOT LIKE THAT”

Costume note 1, addition: Nice to see the ratio of revealing costumes of men & women wearing sexy revealing clothing in this episode is very equal

Apollo really has a worshipping kink huh

But as a Greek god you probably have that

Also where ARE the other gods? Like he just casually says they are all gone... “with the wind” but... why? Did they suffer from worship withdrawal like he does now?

Also: I really LOVE the concept they introduced that the Ancient Greek gods were just a bunch of space travellers visiting Earth who decided to chill there for a while and be all powerful and worshipped. But as Kirk says in the end they were a huge factor for mankind to move to the Golden Age, which is a cool thought.

Seriously what a fun premise? I would watch that as a series. Hera, Artemis, Zeus, Apollo etc. all chilling on their ship and having fights and romances and space adventures on strange planets. I imagine them being a really chaotic and high-maintenance bunch though

Thinking about it, Apollo said he was a demi-god with a human mother (if I understood that correctly) so basically he was born on Earth and never saw (what I assumed is) their home planet until he was an adult and they returned (why did they return?)? But the Enterprise crew defeats him by finding out his “god powers” are actually originating from the temple structure on the planet, so does that work long distance then?? Like they could access their home planet powers from far away...? And not the powers themselves are passed down by genes but rather the access to it? Or is it that they need worship to thrive (like that’s why it worked on Earth and they just need a temple?) Questions over questions. Love the concept overall.

Kirk, Scotty and Chekov talking about energy patterns and science and how to defeat Apollo (also Chekov you’re such a smart boy! and he says he is only 22 in this episode awwW and the others are looking at him like - wow a child is with us) and Bones just randomly... grabs a bowl of fruit, holds it a bit and puts it aside - as I saw no note for that in the script I think it was improvised by Kelley... but why? Like was somebody from the staff whispering last minute “oh no that bowl is ruining the shot take it away subtly if you can”? It really startled me but it’s kinda funny.

Chekovs hair is even more FLUFFY and voluminous in this scene like did they bring the Enterprise’s hairdresser with them? (It’s cute)

CHEKOV: Perhaps if I assisted. KIRK: How old are you? CHEKOV: Twenty two, sir. KIRK: Then I'd better handle it.

Also I like protective Scotty in this episode. I think it is one of the first times he really gets some character development and proper screen time

Kirk being choked by Apollo is on the thin line of really intense acting and passing into Shatners school of overacting but - it works so I am giving a thumbs up for very INTENSE acting

I feel somebody shouted at him “MORE INTENSE” “MORE MOANING” “INTENSITYYY” “BE MORE CHOKED”

Lieutenant Carolyn is kind of a weak character and is pretty much the embodiment of a 60s ideal of a woman but HELL she is beautiful

Costume Note 3: I actually like the cut of her costume, it is an imaginative take on the toga and also sexy - I was surprised they aired it like that tbh - like from one side it looks like she is topless really

Costume Note 3 addition: but then HOW did they fix it? Like she’s not wearing any kind of bra and the fabric is not attached to anything so I guess they glued it to her skin in a lot of places huh - also there is a scene with a storm and a strong wind where I feel the way she tries to protect and cover herself is not just acting but really an attempt by the actress to catch her costume from flying away and not trusting the glue the costume people used

I don’t want to imagine how many wardrobe malfunctions she had with that costume and how many times she stood there topless in front of everyone so... idk

I guess same goes for Apollos costume lol so fair

On a more positive note on the portrayal of women is Uhura’s role here. Her in that mechanics uniform building a bypass circuit in that crammed space under her console (she still has her full hairdo which gets all squished oh NO and the hairdresser is down on the planet fixing Chekovs mushroom!) - you go girl

UHURA: Mister Spock, I haven't done anything like this in years. If it isn't done just right, I could blow the entire communications system. It's very delicate work, sir.

SPOCK: I can think no one better equipped to handle it, Miss Uhura. Please proceed.

Thumbs up for the supporting Spock.

Also I love every time Spock takes over the Bridge. It’s so cool.

So that’s all! Overall a campy episode at first look but I was pleasantly surprised by the concept of the Greek Gods being space travellers etc. Thumbs up for that giant hand too (pun intended). I like to imagine that like with episodes that play in a middle-age setting they just had a set from another movie lying around and thought - how can we make this a strange planet - but that’s really part of the charme of it for me.

This was a long text huh.

BONUS QUOTE (or rather BONES QUOTE?) - as it was my favorite:

MCCOY: To coin a phrase, fascinating.

#star trek tos #star trek marathon 2020 #star trek #star trek episode reaction #star trek tos s2 #star trek tos s2e2 #who mourns for adonais

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lizzybeth1986 · 5 years

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Quick Thoughts on TRH Book 1, Chapter 3

• I'm hoping that if I have this chapter out early enough (doubtful, because compiling and organizing my screenshots takes time, and my drafts often don't save which means there are times I will have to replicate whole paragraphs from scratch. But fingers crossed!), I might try and do revisits of the first book. I did four of those chapters last year, and I think now - when we're looking at some of the stories told to us in Book 1 from a new lens - is a good time to explore that first book again.

• I hope the read more issue is resolved by now. It made posting quite hard the last time. In the meantime these are the tags you can block: #long post, #trh quick thoughts, #trh qts, #trh qt reblogs.

• Thanks a lot to @pixieferry for her Hana playthrough, @thefirstcourtesan for her Drake playthrough screenshots and the Abhirio YouTube channel for the Maxwell playthrough screenshots. Not much of those are up, because of lack of space to put up the pictures and the fact that this particular chapter wasn't specifically LI centric.

• Title: Your Kingdom Awaits.

Alternative Title: Tell Me What's Gestating in My Womb Today, Cordonia! A Cordonian Ruby? An Autumn Glory? A Granny Smith?

• Three chapters in and I'm getting more and more baffled by this story by the day. There's stuff I like. Some of the characters I still love. I have fun looking at the little hints, the bits of symbolism, the callbacks. I love theorizing what we'll be doing next! But all of this needs to be glued together by a coherent storyline and this just isn't it.

• Even if we push aside the gross inequalities in balance (re: character development), there's still so much that just doesn't make sense. Why is there so much rush. Why is everyone in this country (and outside) so invasive and entitled over this one noble's child? Why are we doing such insane scales of prep over a process that is in itself is so unpredictable? Why am I learning about Cordonia's allies/potential enemies in such a vague and shoddy fashion? And most of all what kind of bullshit Royal Council is this???

• But I'll elaborate on all those questions later. For now let's move on to the chapter!

• If you didn't buy the corgi in Book 2, they ask you if you'd like to buy it now at the beginning of the chapter. Possibly that may affect the entry of the second corgi in some way? Idk.

• Esther, the Queen of Cordonia is also still the queen of winging it. You'd think they'd have planned a look for her (esp given the amount of time they could spend on the train) and gotten her ready by the time they reached there, not scrambled around for an outfit the minute they reached Valtoria.

• The LI tells the MC that they're fixed an appointment with the best obstetrician they could find, and we will be going there to ask our preliminary questions plus get a check up. I was wondering if in Hana's case they would be going to a fertility specialist instead.

�� In any case, Bertrand volunteers to help us with an outfit for the last time in a short while, because he's traveling to Texas to prepare for their wedding. (we're going there too, but later. I'm not looking forward to another round of Savannah-worship - possibly with an added side of Bianca-worship - no thank you).

• Bianca's ranch is called the Walker Ranch, after Jackson's last name. Why Jackson's?

• Our OOTD!

Electric blue with a gold belt and a black and white border on the neckline, accessorized with a necklace (I think it's pearls set in gold?) and a brooch pin in the shape of a crown.

I kinda like this one and knowing the way this team operates when it comes to outfits most of the time, I'm pretty sure the colour scheme was chosen on purpose. With this outfit, the MC is presenting herself in the national colours, with a tiny signifier of what her future role might be. Either as Queen or as mother of the future heir to the Crown. This is an outfit that would send a message during Liam's announcement, whether she is (symbolically) wearing that crown or not.

• I'm obviously not very comfortable with the implications that would go with that outfit (esp if she is not the Queen), but I can't deny it does its job.

• The MC can opt to go for either being poised, acting like a diva or being very casual in her approach. Whatever she does the crowd pretty much worships her.

•

So everyone except Liam has someone (media, a fan, common people) approaching them as a way of showing how famous and revered the entire group has become in Cordonia. Liam doesn't need one coz he's anyway getting his moment with his big speech in front of the Valtoria manor.

Drake - Donnie Brine from the CBC speaks to Drake, positioning him as a man of the masses, the person that the Cordonian people see as their representative. Drake is woefully unprepared and freezes, blurting out that "things are great" which probably might end up becoming a meme on Cordonian internet later. Random Cordonian Woman from Applewood saves him by confirming this statement even though her trees have yet to grow and the tax problems are pretty much making her life "not great".

Maxwell - Where are Jiro and Camellia from Applewood? I like little Marco and Valerie but I hope they're not the only kids PB is going to be showing every time they need to show children. Marco approaches Maxwell and the MC both to sign his copy of Maxwell's book, and Maxwell takes care to do a dramatic signature that will not "obscure the picture of his face". I'm giggling at that image.

Hana - Valerie approaches Hana with a handmade flower necklace, presumably with a pattern made from "the Lee family crest". Now either Lorelai's family in Cordonia have the same surname as Xinghai, or Xinghai got himself a house crest for some reason. Either way, to toss out a detail like that so casually (a family crest is something that passes down through generations, esp in noble families) without even thinking of the logistics of it...(when an entire book of yours has been dedicated to sigils and crests) is pretty lazy.

BUT. In good news this means that my longtime speculation that Hana's mother's house had flowers as part of their court of arms is correct! (I was also right about a couple other things, like Maxwell's ancestors and Liam's mother being alive when Olivia was brought to the palace. YAY! 😁)

• We now move on to Liam's public announcement. Which sounds kinda weird whichever way you look at it. A married Liam announces that he and his wife are on a mission to enjoy babymaking and a single Liam announces this:

(Screenshots from a Hana playthrough by @pixieferry)

I will translate what both Liams are saying into Cordonian:

Married Liam: We don't have an apple cinnamon bun in the oven yet, but we're definitely having fun kneading that dough nudge nudge wink wink.

Single Liam: I'm neither making apple buns nor kneading dough. I'll leave that to my friends the bun-making experts here. I'm just gonna park my butt outside the oven door along with the rest of Cordonia.

Sounds weird? You're welcome. It was meant to sound weird.

• Esther finally reunites with her corgi Joy! I wonder if at some point she'll meet up with her horse Celestia and red pandas Hansel and Gretel too xD

• Mara tells me safety checks have been done, but...it's Mara saying that, so I'm not sure I'm quite convinced. The alternative is Bastien, so...we're kinda screwed I guess.

• The group then discusses the future foetus, and Liam takes this opportunity to hint at their childhood history. You know what that means? DIAMOND SCENE!!

•

(Screenshots for Asian Liam from my playthrough, Black Liam from @pixieferry and White Liam from @thefirstcourtesan)

LOOK AT THE WEE LITTLE KIDDIES AND LIAM'S MOM OMG AAAAAA.

As far as I can tell, among the kids the sprites for all three Liams and Drake are very much new, and the rest come from variations and changes to different faces. Maxwell's face is a copy of Simon from THoBM (only the mouth is slightly different), Hana's has a lot of similarities to young Kenna in TCaTF, but with pigtails instead of tiny buns. Olivia's is a little harder to place but I think there are plenty similarities between hers and RoE Camellia's face. For Queen Eleanor they used Young Mary's (MC's mother) sprite from D&D in accordance to whichever Liam you chose. Perhaps the only Mary sprite not used here would be the brown/Indian one, because Liam's ethnicities mainly feature White, Black and Asian. She even wears Mary's opera outfit (that incidentally Mary also ended up wearing to her wedding lol).

• Somehow they forgot that Maxwell was supposed to be a cute chubby little hippo who was loved by his mother.

• I'd like for Black Liam to grow more hair on his head because the curls on his younger self are lovely 😍

• Since most of the childhood tales revolve around the experience of growing up in the palace, this build up to the diamond scene begins with the MC asking questions about each of the boys (Liam, Drake, Maxwell).

- Little Liam and His Crown: Liam claims he only wore those during state occasions, but Maxwell (who admittedly didn't see Liam as much as Drake did but saw him often nonetheless) saw him practically sleep in the thing, and Drake has pictures to prove it lol.

- Grumpy Drake: Maxwell and Liam agree on Drake becoming grumpier as he grew older, but disagree on what metaphors to use to describe it. Maxwell favours "scratchy bark on a secretly loveable tree", and Liam claims he is "whiskey maturing in its barrell". ("oh", I want to ask Drake, "so that's what they call 'old grain mash' these days?" 🤣 This is my revenge for him referring to wine as old grape juice back in Book 2). No prizes for guessing which metaphor Drake liked better.

- Banning Maxwell from Palace Rooms: Maxwell's lucky he has a king for a friend because apparently before Liam jokingly and unwisely decided to give the man a royal pardon Maxwell was banned from all the good rooms 😅

• Hana clearly hasn't lost her touch when it comes to epic savagery. "I imagined you guys like the Three Musketeers, only...less French". 😅😅

• This diamond scene is split into three parts. You have the fun 'adventures' of the little boys (and later Olivia) at the palace, split in between by a slightly more sombre tale of little Hana's loneliness. The narrative voice in all three is very much that of a child, and focuses on Liam's and Hana's imaginations, so as to make their childhood stories more real to us while still providing us background information about the country's recent history (the "recent history" bit doesn't apply to Hana, though, since she is in China at the time).

- Pirate Adventures at The Palace Courtyard: Liam, Drake and Maxwell pretend to be pirate kings, battling rivals on the palace courtyard. After rescuing Maxwell from being stuck on the branches of a tree, the trio decide to continue their adventures on the gardens that are his mother's brainchild, but are stopped by a palace guard. Liam is briefly saddened by this, but is comforted by Drake and Maxwell. The boys then decide to continue playing in the palace kitchens. This scene begins by focusing on the antics of the little ones, but is really about the changed atmosphere in the palace that the boys themselves were too young to notice at the time.

(We also find out which place in TCaTF the Beaumonts originated from, since young Maxwell refers to himself as a pirate from Panrion in both scenes that he is in *cue Lizzy looking very very smug because I've been saying the Beaumonts were from Panrion/someplace in Ebrimel since way back in Book 2*)

The MC has options to respond to this tale (either about whether they were always this naughty, or about the increased security in the palace). In response to her question about the three of them, the boys tell us that Liam was known for being a free spirit and would skip many diplomacy meetings before he even met the other two (again, Constantine, Liam was A CHILD). If you ask the question they want you to be asking, however, about the increased security in the palace, Drake and Maxwell will tell you the security wasn't as strict earlier, and Liam will explain that the royal family had recently received threats at the time, and his parents were a lot more tense and on-edge than usual. Either way, you either get to know a bit about the political atmosphere at the time, or realize that little Liam wasn't the heavily burdened one we met on that first night in New York.

- Pretend-Teatime with a Young Hana: Hana continues on this thread of conversation by focusing on the bond between the boys, commenting on how she never grew up with that kind of experience. To which Drake and Maxwell have these reactions:

@Drake, pls fall on a cactus.

@Maxwell. Honey. She said this to you yesterday. She's probably said this more than once. You've seen her parents!! Wtf kind of friend are you if you can't even take what she said seriously the first time?

@Hana pls get yourself better friends 😭

Like @callmetippytumbles said in her response to this scene, I have no patience for this kind of selective stupidity.

So Hana's scene is technically a call-back to something she once told the MC back in Book 1 Chapter 6, when they were on their way to the post-Derby tea party with Queen Regina. At the time, Hana spoke of her parents not allowing her toys because they thought them frivolous, and how she had to make do with whatever was lying around instead. We actually see this happen in reality here. We see her PoV of what her inanimate objects do, we see her practicing court etiquette on these objects with her tea set, and we see her leave space for her asshole mother even though Lorelai doesn't deserve that much respect or consideration. There is a lot to unpack in this scene and I want to do that in my General Thoughts section later on...but for now I'll just say that it broke my heart, and not just in an "oh poor Hana" way.

- The Attack from Lythikos: I love this sequence too, not only because it shows us Olivia, a younger Constantine and Liam's mother Eleanor, but because the narrative framing in itself alludes to what happened between Lythikos and the Capitol earlier through the pirate story. Liam and Olivia still speak in the language of their story, but the sequence actually plays out what happens in their real lives. Olivia attacks the pirates, but is left desolate, sword broken, at the end of it (just like her parents tried to, and died in the process - leaving an innocent Olivia alone without support). Liam offers her terms that would give her safety and protection, and in return, she asks to be Pirate Queen and for Drake's sword - which he reluctantly gives.

Constantine mistrusts Olivia and attempts to limit her natural abilities and instincts, but it is Liam's empathy, support and validation of her pain, that eventually makes her the steadfast ally that she becomes as an adult - not Constantine's paranoia. Had Liam followed Constantine's lead, the chances of Olivia falling into the trap of subscribing to her aunt's beliefs would have been much much higher, and Constantine would have found himself at the receiving end of a self-fulfilling prophecy. The narrative may also be implying how deep Eleanor's own impact on her son must be, long after her death, since the narrative frames him as adopting her way of dealing with situations often.

In any case the narrative allows us to see the children as they were before their individual tragedies changed them (except in Olivia's and Hana's cases - where they were still struggling to survive the situations they were in), and allows us to see what shaped them into the adults they are today.

The MC then gets to ask one of two questions: either why Constantine treated Olivia so badly, or about the arguments his parents were having. We learn from these that this incident was shortly after Liam became friends with her and his parents brought her to the palace (this references both Liam's conversation about Olivia to the MC in Book 1 Chapter 7, and Lucretia's complaints about Constantine "keeping Olivia hostage" in her diamond scene in Book 3).

• Possibly this may not be the only scene of its kind we will see. Possibly the next few may be Drake-centric, since we may actually meet Bianca in a few chapters. But these scenes may definitely have an impact on dialogue later, just like how learning of the assassination attempt in Drake's Italian Restaurant Scene and Eleanor's death in Liam's Fydelia Balcony Scene in Book 2 are referred to later (if bought) in the hospital scene with Constantine.

• In any case, we leave the past in the past (for now), and move towards Valtoria's throne room. Where we meet Penelope, just back from her first canine fashion show, Kiara who tells us she has everything kept under control (you always do boo 😍) and Madeleine who is all up our uterus.

• She mentions King Bradshaw from Auvernal and his "impossible to control" wife, then mentions a Queen Amalas immediately after without bothering to tell us where this person is from. WTF? At least tell me the name of her goddamn country if she's another person!! You'd just have to say Queen Amalas of ChickenFeetonia and I would understand.

• ...you're telling me the Queen of this country (in my playthrough) has barely looked at a map of the place she's ruling or checked out who rules what?? You're telling me that the Royal Communications Director is STILL going to give her a gazillion flash cards to read something that she could sum up in five minutes, at the very last minute? Bitch what have you been doing this entire time? Touching up your manicure??

•

@Penelope: No you're not.

@Kiara: STOP ENABLING HER, KIKI, AND GET YOURSELF BETTER FRIENDS.

@Madeleine: Pls fall on a cactus.

• Madeleine hasn't been here for even five minutes and already I've had enough of her entitled ass. "Little apple gestating in your womb"...just...I can't. Ugh. Get your nosy nose out of my oven!!

• Remember how I told you guys about how apple analogies may be used to denote fertility? (mostly because RoE spoke of this apple cutting ceremony and it was a very obvious indicator towards apple metaphors being used to describe pregnancy and childbirth).

• I facepalmed when Kiara agreed with her but she's also probably thinking "well see this is why they call me the smart courtier. I don't have to deal with this shit anymore and now you do" (she isn't wrong).

• WELL HELLO OLIVIA.

• She informs us that we're expected at the solarium. I have a solarium?

• Apparently it was Mara's honeymoon gift to us. More like her "sorry Bastien and I screwed up last book" gift, I'd say.

• So wait where was this roster Liam was speaking about in the last book's epilogue? I see one Cordonian noble and one Englishman who until my wedding wanted to have nothing to do with Cordonia, and who's now bleating "our country, our kingdom, we're under attack" like a panicking patriotic nanny goat.

• Why can I not see Emmeline here, who is clearly the expert on her duchy? (I mean like. Landon is nice, but I'd really like to see more women in this Council too). Also does Kiara's inclusion into the Council cancel out the presence of her father Hakim, who is a seasoned diplomat and might possibly have some really good suggestions for dealing with these foreign powers (and seriously he'd be a better option than Godfrey anyway).

• Now Esther has a suggestion! Let's see what it is...

• A royal ball, apparently. Which...given the company, I'm sure it probably would be appropriate but I'm pretty sure we'll need to have more than that in place. I'm pretty sure the people in this council should either be finding out whether the person making these suggestions knows anything about these issues or whether she is simply talking out of her ass. This was a problem last book as well. The MC rarely feels the need on her own to explore these situations more, is okay with just learning things last minute and rolling with it and has the same solution to everything. It's either tours or balls but very little actual exploration of the situation. (I mean there is even a point where she barely shows any empathy at Portavira - even though they're still reeling from a bunch of natural calamities - and thinks it's appropriate to tell them to come for her wedding anyway. No wonder Liam panicked and started giving her diplomacy lessons, stat!) I'd actually take the MC seriously if she were doing her research and her suggestions weren't so shallow and one-note.

• Hana is grinning and giving justifications like this suggestion makes sense. STOP. ENABLING. HER. HANA.

• I especially want to know what Liam's experiences with these dignitaries have been. Both last chapter and this one, I'm seeing him in a position where he is defiant and digging his heels into whatever ideas he is having, but I don't know the context yet and would like to make sense of that. From whatever I've read so far...Liam took the year following Leo's abdication to familiarize himself with taking the front seat in negotiations, and probably may have been familiar with this kind of situation and the kind of people involved even before he became Crown Prince. It makes me wonder how difficult negotiating with them has been, and I want to see why Liam is so done with these people, so fed up. We're missing some context here and I think learning at least a little more than these scraps would have been better for everyone.

• I like that they remember Kiara as the only one outside of the charmed six to get a seat in this council (Kiki deserves the best). I also liked how succintly she summed up Drake and Hana's points about what the heightened taxes are doing to the people as "a reminder that we're not just here for ourselves".

• I find the entire idea of Drake Walker being the sole commoner representative in the Council laughable, especially in a narrative where every other commoner barely has a face, hardly has a name, and almost never has a voice. A man who has spent a huge chunk of his life in a palace, and who I've hardly seen even interacting with a commoner in the story...I'm expected to believe he will have great insights on commoner issues?? Even in this meeting, it's Hana who does a better job explaining this situation (she's the one highlighting the tax issues) than he does. Then again this Council also somehow gave a seat to Duke Karlington - a man who literally never had Cordonia's best interests in mind last book, and who only ended up attending our wedding because we had to be brought in as family counselors to settle HIS family disputes (I mean lol Godfrey how can you call this wedding a disaster when it caused you to magically become so "patriotic"!)

For God's sake, I want to see other commoners on this council. I want people who are actually living these experiences highlighting their issues. This is an issue I have with the MC too. She started out a commoner herself a waitress who wouldn't even flinch at the sight of rats in a dumpster. For someone of that background and who has possibly lived under the worse circumstances than some Cordinians themselves, you'd think that she'd have questions and show interest in how the people who aren't owning lands and are regular individuals on the street live their lives, and whether things are okay for them. But she's so immersed in the world of nobility that she rarely ever even tries to come out.

• Before Liam takes into account everyone's points and comes to a conclusion, the MC has the opportunity to give them her opinion. She can either say that we can't trust anyone, which Godfrey agrees with, or that an alliance would be good for Cordonia, which Godfrey views as naive, OR (and I didn't expect to like this response but I actually do) that she's a waitress from the States, and wouldn't know all that much about this situation. To which there isn't much of a reaction as such, but that's kind of what seems different about this book compared to the others.

• Once the meeting is wrapped up, our LI and Maxwell/Hana whisper in a corner about a surprise they have in store, and take us upstairs to show us what it is. If you're marrying any of the other three, Maxwell is the one who has arranged and picked out themes and colour schemes for the nursery. If you're married to Maxwell, Hana takes over this role.

• Ooooh. New (I think!) baby music! Nice. Very lullaby-like.

• Every design has these basic components:

a crib with a pillow (which I think will be updated later)

a couch nearby, likely for comfort when the mother wants to breastfeed (the updated versions seem to have a footrest)

a table with a lamp

three empty frames (also to be updated. I'm guessing for one of those "my first hand/foot impression" kind of thing and maybe even photoshoots etc)

a ceiling lamp/chandelier

a hook, also on the ceiling.

The two updated versions have footrests, updated lamps and ceiling decorations, additional carpet and customized designs (except for the crib and the pictures and the hook, which I think will be updated later). The Royal Glam theme is all reds and golds, very luxurious and very Valtoria. The Fairytale Forest theme has more whimsy, with bears, foxes, leaves, flowers and apples on the wallpaper, wood paneling, a beautiful golden lamp. Very pretty. Both seem to reference the MC's journey in TRR: her being either a Royal and the closest thing to one, and her journey being very fairytale-like (remember, the same logic was used for Hana's "something blue" gift for the MC's - where she views her as Cinderella).

• Only problem is...who exactly buys a nursery before they have a baby! Especially considering how unpredictable pregnancy and childbirth can be.

• We now meet Dr Ramirez for an appointment. I'm not sure about her suggestion that prenatal vitamins etc they will deal with after she has conceived. I know a number of people who did pre-pregnancy appointments and vitamins and folic acid were on the top of the list of things they'd start a routine with.

• As expected, all the appointments go roughly the same, with the usual answers to the usual questions (one about sushi, another about morning sickness and a last one about potential complications). The MC and LI are in the clear, and can start preparing - but apparently shouldn't stress. LMAO. Thank you doctor, I'm sure that will be easy to do in this country 😂

• Hana's goes differently, and it's clear this doctor's visit was primarily written to address her situation with the MC. The tests go differently, the suggestions given to them are different, the questions the MC asks (one about choosing donors, when they should start, and who should carry the child). The bombshell that immediately follows this is:

Wow. Seriously. Wow. You couldn't find a more temporary reason for why the MC has to be the one conceiving? It has to be something that would make her overall ability to conceive almost impossible?? (and this we find after one test? No follow ups?) I recall someone putting up/reblogging these screenshots with a caption about how the narrative pretty much took Hana's entire ability to conceive from her, and it's so true - and so disturbing when you place it in the context of how they've dealt with her issues so far (more on this later).

• In Hana's playthrough, she struggles with implications of this news, but constantly tries to veer the focus back to "well at least one of us can is able to have this baby". Twice, she is shown moving away from her pain to ask about the other possibilities for the MC.

• Anyway...we now move to the next morning, when the couple wake up to bad news - and it's concerning the pictures taken during their honeymoon. Given that Maxwell/Hana is holding a magazine when they tell the MC they found out who was responsible...I wonder if it's one of our news outlets. Or whether it's a foreign media rep.

• So I guess this complicates things at our Ball, since we're already on thin ice and this news would have spread to those other dignitaries as well. So we're going to have to deal with whatever implications come with those pictures (perhaps a spin on the royal gang having fun while Cordonia is in a national crisis? Who knows. It would be hypocritical of Cordonians and people from other neighbouring countries to judge the couple over the babymaking that they themselves were enforcing on these two!)

• In any case...royal ball this week. And in the universe of PB's stories that usually means some shit will go down.

General Thoughts and Observations:

• The funny thing about the MC's responses now is that her heightened position now seems to allow her to get away with a lot more than she used to. Now if she gives a joke response, the media and people laugh with her rather than at her. If she is a diva, the crowd will lap it up. I'm guessing what the book is trying to imply is that these are the people she has won over and doesn't exactly need to worry about, and now the ones she will have to convince are from other, more powerful countries - ready to back Cordonia into a corner anytime.

• As you can tell by now, I absolutely loved the childhood sequences. They sounded like children, most of the narrative lines up with what was already said in the previous series, and there were some interesting narrative devices used here.

• I think the third sequence especially drives home the point about what Liam did right, even as a young boy, and what Constantine refusing to look past Olivia's lineage to see her as an individual could have cost him. Constantine's ruthlessness and lack of genuine care for his bonds/friendships (eg. Hakim) had him in a position where he was unable to relate to anyone beyond his own tiny bubble (even his own wife Regina was taking countermeasures to make the best of his horrid plan), and had him make decisions that did more harm than good. For instance, take what he did to the MC, for no fault of her own other than that he didn't think she'd be a good Queen. Not only was what he did utterly disgusting, but it also would have made his own family a subject of shame in the country (which is why Constantine practically begs her never to expose him, because then Liam would be paying the price). Imagine what would have happened if Constantine didn't agree with Liam and perhaps Eleanor, never brought Olivia to the palace, and Liam had never shown her his constant support. Liam's genuine empathy in this case pretty much ensured the safety of his own line.

• I also love the implications of that sequence. Constantine is so wrapped up in his fear that he tries to break what Olivia considers most precious (Zenobia the sword in this case, but this could allude to her parents' deaths and later, her possible marriage to Liam at his Coronation). Liam attempts to fill that gap by taking her in, caring for her, and giving her the tools to continue being the Lythikos fighter she has always been.

• There are a few TCaTF references in the palace scenes: Maxwell mentions Panrion twice, and Olivia calls her sword "Zenobia" in honour of her historical hero (she still speaks of Zenobia with something akin to worship during the Winter Festival in Lythikos).

• Olivia's dress is also modelled on Zenobia's, with the same colour and bodice embroidery. In fact most of the clothes are very similar to their adult garments: Drake still wears denim, Maxwell favours dark colours (still should have been chubby though), Liam's clothes are similar to his casual wear minus the ascot, and Hana wears pink, with flower designs on the skirt.

• What I like most are the narrative voices for both Liam and Hana, who are the ones narrating these stories, and how rooted in their imaginations the scenes themselves sound. But there are significant, heartbreaking differences in how we see their imaginations play out:

Here are a few samples of narration I've managed to save from Liam's PoV. Notice how Liam and his friends are so into their little game that they find adventure in everything? Notice the language they use to describe themselves and what they are doing? Once-defiant topiaries shaking in fear at their antics. "Liberating" chocolate tarts. "Conquering" the upper floors. These boys are playing out their dreams and showing us the kind of men they would want to be. The heroes. The victors. The ones everyone looks at with awe and reverence.

This is also not a story Liam is creating alone. Drake and Maxwell happily join in, sink into their characters and display their heroics alongside him. Olivia also joins in and holds her own, and when Liam's father tries to break her spirit, Olivia shows Liam her trust and faith in him by using the language of the game.

On the other hand, here is what the narration technique in Hana's tea scene looks like:

There is a lot to unpack here. A lot. There is perhaps more in this one scene of Hana's than there is in all of Book 3, where she was pretty much pushed to the sidelines.

We were told in Book 1 that Hana had to get creative because she wasn't allowed toys. This was told to us in a rather matter-of-fact way, by a person who was normalized in this way of life and who hadn't yet realized just wrong her upbringing was or how damaged her self of self was. It's perhaps easy to forget this bit of dialogue if you were reading it for the first time because at the end of the day it's spoken of without much gravity.

It's when you see it play out in front of you, in little Hana's voice, from an adult Hana who will now view this entire sequence very, very differently, that the tragedy of it all really hits you. At such a young age she is forced to make do with the little she has: the little she has in terms of things to play with, the little she has in terms of relationships. What the MC says after that sequence is half-right, it's sweet how Hana used her imagination in spite of her parents' rules and strict lifestyle. But what that misses is the burden experiences like that would place on a child in her earliest, more formative years. What stand out to me the most in this sequence are these:

- The most obvious: the use of a 'tea party' to teach herself etiquette and diplomacy. In the present, Hana tells the group that "a lot of what I learned about courtly negotiations, I learned from the tea table". This is the level Hana chooses to focus on after telling her tale, to soften the blow of the story itself.

- The fact that despite her mother's treatment of her, Hana still leaves space for Lorelai. Still wants to believe the best of her, still wants her involved in her life. Lorelai denies her her support and comfort, which is the initial layer to her injustices against Hana. In a lot of ways, even now - Hana is still leaving space for Lorelai, giving her chances to improve, trying to educate her on respecting her boundaries better. It's a long, exhausting process, and Lorelai doesn't deserve the many chances Hana keeps giving her, but Hana is also a person who struggles to completely cut off from the people in her life, controlling and emotionally abusive though they may be.

- At the end of the day, the objects she is giving a life and a personality to, are inanimate objects used for other purposes. Not toys, not real friends. Every last one of them. Miss Doily is kind and caring, Princess Sinckerdoodle is jealous and gives a damn about etiquette (I like how you can see allusions there to Olivia and the MC in the Bakery Ball dialogue!). But they're essentially all objects that cannot move the way her narration describes them as moving. Even dolls and toys, inanimate though they are, are made for the express purpose of allowing a child to participate in pretend play. They can be given a voice, their limbs can be moved, the child can easily turn such a space into an active space with the use of her toys. The doily, the napkin, the sock...these are things Hana will have very little actual control over. They will not be able to move the way she wants them to, do the things she wants them to. Everything has to be happening in her head and there is very little outlet for her other than the few things she has at hand (a similar example of of Hana using scraps we will also find in Book 2, where she draws whiskers on a rock to replicate a toy mouse).

Look again, at the differences in the way Liam narrates his tale and how Hana narrates hers. Liam's is also a fantasy, also uses inanimate objects. But supporting him in building this imaginary universe are his friends, and the parents who both don't stop him from immersing himself in this imaginary world, and have a safe normal (for now) life to return to when those "adventures" are over. On the other hand, Hana has to do the heavy work...in every way. She has to imagine not only the background of what is happening, but also what the objects in front of her are like, what they will do, how they will interact with her, how they will interact with each other.

If I had to replicate such a scene into film, the loneliness of this sequence would perhaps hit harder. A large, empty room. A tiny girl. A tea set and several strange items - and none of them actually move. She is sitting alone, in the dim light, in the silence, talking to these objects that will never respond so she pretends they do, just to chase away that yawning, aching feeling of not having a single friend. All she gets in return is silence. All she finds in front of her is space, and more space. The kind of space that could swallow a child in its emptiness.

And in the center, is a seat left empty. For a mother who doesn't believe her daughter is worth the time.

I think there will be very few who will appreciate the strength it takes to survive a lifetime of that, and that's sad.

• The little Hana sequence reminds me of the animated film Cinderella, particularly in how the main character uses dreams and imagination as an escape from her life of drudgery and the abuse she faces daily. Particularly the song "Sing Sweet Nightingale", where Cinderella's dull world bursts into vivid colour through the soap bubbles that emerge from the washing bucket.

It's a beautiful, soft, almost surreal little sequence...but when you strip it all down to its basics, what you're essentially seeing is a woman so abused by her family and so trapped in this life she does not deserve, that she has to grasp at straws to find joy. Or in this case, soap bubbles.

What Hana faces in her home is perhaps a little more similar to Rapunzel's situation in Tangled than Cinderella's, but there are definite similarities in the way both characters use their imaginations to soothe and comfort themselves. She is forced into a situation where her imagination - and these things that can't respond to her - are all she has, and the only ways she can keep herself safe and happy. That's way too big a burden for a child so young to bear.

• I wonder if there will be more than the memories. Perhaps documents, news clippings, research material that the MC can use to dig further into what's going on in this country. It's possible, but it's also possible that memories will entirely be how we unravel this mess. I was speaking to @thefirstcourtesan the other day and she mentioned that Bianca and Bastien would both be pretty good sources for finding out more - Bastien, after all, had a lot of respect for the second queen and was close to Jackson, and Bianca would have heard certain things from her husband or witnessed something at the very least (and if they were friends, that angle too). I probably would add Lucretia and maybe Anton (if we see them and if they cooperate), Bertrand or someone new who knew Bartamely (if we can find out more about the Beaumont house that would be lovely!), the Lees, and...Francesco? (I still haven't forgotten that Bertrand mentioned him as being a friend of Liam's mother). I also want to see what new information Olivia got from the last time she did her research on any hidden deals or laws that could endanger the kingdom. There are quite a few possibilities in terms of what we could find and how it can be presented, so I'm looking forward to that. This scene was a good start.

• Having said that, this was something they should have been addressing the previous book. If they hadn't spent so much of their focus on all the wrong things, we wouldn't have as much ground to cover as we do now. And I'm not sure they've learned their lesson enough that we will not see the same mistakes repeated this time.

• Why is the system in place to inform and update the MC on what's happening so poor this time. At least earlier, we'd have a fairly good idea of what would be happening next, even if some important stuff was done last minute. Now the explanations themselves are poorly formed and done without proper thought on whether the MC/readers might understand what's going on or not. It doesn't look good on the story, nor does it look good on those characters esp the MC. This is stuff she could have maybe gotten away with as a suitor. But now she is Duchess/Queen, and an influential figure. What looked good in her days as a suitor won't look so good on her now.

• The Royal Council could be a way forward - for the nobility and royalty-heavy narrative to something that shows us more perspectives from the people who really form the backbone of this country - the commoners who actually populate Cordonia's lands and duchies, whose hard work likely keeps the economy running. Just one Drake isn't adequate for that kind of representation - not when he very rarely addresses their issues in the first place. Please tell me there will be more in that Council because the Council as it stands is in no way an improvement on the status quo.

• I've said more than enough about how bizarre and downright OOC Liam sounds, but I do think we should not ignore the context - the fact that every single individual involved is making these demands of the MC and expecting her to save their country through her child without really checking if she has basic knowledge or other resources in place (such as information about the rulers she is meeting). That includes the LIs. It's very easy to make just a character or two a convenient scapegoat, but let's not forget that there isn't a single person in this entire narrative that is bothering to examine the implications. Not a single.

• What really got me angry...was the Hana doctor sequence. Maybe two books ago it would have just hurt - but more on the level of "it hurts to see Hana like this but I have hope for her". Hope that she would have the space to grieve something she had lost before she could ever even have it, hope that the narrative would validate her pain and encourage her healing. But I can't even hope for that anymore.

This is a very very painful, complicated situation to put a person in. And yes, sometimes those are things you want to talk about and finding out you can't have children when you've always wanted to have them is a very real, very difficult situation - and there is a lot you can explore in terms of how a person with these conditions would feel. But the thing is...Hana has already been on the receiving end of multiple tragic storylines. I have already seen enough and more of her in pain. What I'm not seeing is a good - or even adequate - payoff that validates her painful journey and allows for a release of those emotions. I'm constantly seeing more tragedy, less triumph. I'm not seeing enough satisfactory resolution to those many many issues, and I've spent three books just watching her hurt be brushed aside both by the people who bully her AND the people who are supposed to be her friends (let's be real, they're doing it even now). And now is supposed to be a good time to pile up another difficult situation on her???

• Whenever Hana has been forced into situations that hurt her, her emotions and thoughts have always been pushed to the sidelines - unless and until it was to elevate the MC to a pedestal in Hana's eyes. Hana has rarely - if ever - been given the space to speak out against injustices done to her, has rarely been allowed to have an opinion on people who have harmed her.

When the narrative should have been validating what Madeleine put Hana through, they opted to create sympathy for Madeleine instead...and had her completely minimize what she did to Hana ("I'm sure Hana will be willing to let bygones be bygones").

When the narrative should have been allowing her to discover what her sexuality was, they opted not to talk about it at all. They opted to make her MC-sexual instead. Even with the "alternative LI" they planned for her (*pukes*), they focused more on Madeleine's feelings than Hana's.

When the narrative should have allowed her the space to explore what her parents did wrong and arm her against their faulty arguments about her being the "delicate flower" who cannot survive without them, the writers opted to push her into a 'solution' that was still centered around her usefulness, not her emotional state. Her 'happy ending' with her parents involves constantly educating them on how to treat her with respect, a suffocating, draining process for a child with her background.

When the narrative should have - at least - given her a good wedding, after showing us what dreams she had for it, a wedding where she was treated like a bride, not a bridesmaid, her writers did exactly the opposite. She is more skilled than the MC yet it is the MC that gets the duchy. She is the creative one who comes up with the polo moves yet it is the MC that gets the credit. She is the one that didn't have a chance to fully plan her own wedding the way she wanted earlier, yet the same MC still treats her like her wedding planner rather than a bride. In not one of these situations is she ever allowed to vent about or even speak of what this is doing to her.

Maybe they will give her a chance to explore this difficult journey, maybe they won't. But how dare they push another tragic, difficult (to her) truth such as this, when they have barely allowed her to voice discontent or pain on a host of other issues!

Piling more pain on top of the pain a character already has, isn't going to make your character better developed. Allowing them the space to feel and show those feelings to others will. Thinking of worthy resolutions to those issues, will. If you want to be fair to Hana, center her in her story. Expand on her origins. Focus on story not skills. And validate her pain goddammit!!

• Sigh. Until next time, folks.

#long post #the royal heir #trh quick thoughts #trh qts #king liam #hana lee #maxwell beaumont #drake walker #olivia nevrakis #trr kiara #trr penelope #trr madeleine #bertrand beaumont

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