HERE IT IS
this is my definitely completely necessary, i promise, sonic style study!! i spent nine and a half hours on this canvas! aaa! i will master this style if it's the last thing i do!!!
more about my process under the cut!
the purpose of this study was to really get the proportions down as i figure out how sonic characters fit into my style. for this specific study i was mainly looking at the model sheets for the sonic team racing animation. i like the cartoony/sharp style combined with the more modern designs. eye and especially muzzle shapes played an important part in my progress with this.
my process began with looking at the sheets for sonic and shadow specifically-- sonic, because he's the blueprint for the style, and shadow because he's a lot like sonic and also i lov ehim. you can see i took lots of notes and "measurements" at first (on the left) and heavily referenced the poses from the model sheets. i made an effort to avoid relying on tracing at this stage. (and later on, i colored using my best judgement-- no color picking! gotta train your eye for color too!)
there's still so many intricacies that i'm trying to get an eye for, but after this i feel a lot more confident in portraying this style in a way that satisfies me. there's just so much to balance!!
after i felt comfortable with my more scientific approach, i tried getting more expressive, experimenting with different expressions and poses that i thought fit the characters (and injecting some of my headcanons obviously). this was to practice conveying each character's personality and as well as drawing them in ways that weren't completely static, like so much of my art has been lately (character designing kinda leans into that...)
i would have drawn more but i ran out of space and got tired lol. perhaps i'll do a part two, because i want to draw more characters interacting than who i usually gravitate towards. amy and knuckles were a dip into that. (side note, i was kinda shocked at how much easier knuckles was to draw with the right references, and how difficult amy is despite looking similar to sonic and shadow, who i have a lot more experience with. it's her hair...)
anyway, i'm very proud to have completed this, and i feel like it helped me improve so much! i highly recommend style studies if you have the patience for it. you can get the same effect by just drawing the characters a lot, but it feels good to sit down and really dedicate some time and space to it. for me anyway :)
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scars
empires superpowers au masterlist (not up to date)
i have no clue where this idea came from but here *hands you a tattooed jimmy*
this takes place about 8 months after then end of ‘poisoned rats’.
cw: past abuse, mentions of needles, scars
~
“Look at that one,” Jimmy points at the screen; Scott pauses in his scrolling. “It’s a poppy. You love poppies.”
“. . . I do,” Scott says, glancing at Jimmy quickly before resuming the scroll.
“That one’s a flag, but it could be a pride flag. That’s why I saved it. The birds are a bit cheesy, but I thought I’d include them anyway.”
Scott doesn’t say anything, just keeps scrolling through the document. He knew Jimmy had been researching something, but . . . he hadn’t been expecting this.
Before him, on Jimmy’s laptop, is a three-page document that is a collage of tattoos.
Some are better than others—there’s a celtic knot that looks pretty bad, and Jimmy’s right about the birds being cheesy, but the poppy is understated and delicate, and a cute cartoon cat makes him smile.
That’s all well and good, but the problem is: Scott has no clue why Jimmy is showing him tattoos.
Jimmy points at a bundle of stars, saying something about how it reminded him of Scott, then at a feather, then a ladder, which he explains could be combined with the stars. He quickly passes over an abstract canary, hands twitching and tripping over his words, to point out an intricate subway car, then a tiny soccer ball.
Scott interrupts right as Jimmy starts to explain an iceberg tattoo.
“Jimmy, I—this is great, but I don’t think I understand. Are you wanting me to get a tattoo?”
Jimmy blinks, laughs nervously. “I—Scott, these are—these are cover-ups. For scars.”
Oh.
Suddenly, there’s a lump in Scott’s throat.
“I—a tattoo is a big decision,” Scott manages to say around the lump, his eyes catching on a long scar down Jimmy’s left bicep. “It’s something you can’t change. Are you sure?”
Jimmy levels an exasperated look at him. “For one thing, I’m an adult. I know it’s a big decision, you don’t have to remind me. And I promise I’ve thought about this. I shouldn’t have to tell you that I have.”
“You’re right, I’m sorry,” Scott starts to amend, but Jimmy forges on.
“It’s my body,” he says. “It’s mine, and I can have the freedom to do what I want with it, because I’m an adult and it belongs to me. And when you—when you asked if I was sure, it felt like you were treating me like a kid, or like I don’t own my body. And it felt bad.”
Shame curls in his stomach. Jimmy’s right, he shouldn’t have responded like that. It’s perfectly normal for people to get tattoos, and for their partners to support them in it. “I’m sorry,” he apologizes again. “I didn’t think before speaking. I said something my parents would’ve said, and I should have considered what you just told me.”
Jimmy smiles, leans his head against Scott’s shoulder. “It’s fine. I was showing you because I wanted your opinion, and it’s all right if you don’t like the idea of a tattoo. But I would’ve liked for you to say that outright if that’s true, instead of telling me things I already knew.”
“No, I think it’s a great idea,” Scott hurries to amend. He pauses, taking a moment to get his thoughts in order. They’re working on having more open conversations, so that they don’t have repeat events of Scott’s Nightmare Situation of Last Month, as they’ve dubbed it. “I think a lot of tattoos are good,” he says eventually, “but some suck. So I’m happy you’re asking my opinion, because I don’t know if I’d be able to look my boyfriend in the eyes if he got a skull surrounded in roses on his bicep.”
That gets a laugh out of Jimmy. “Don’t think yours is the only opinion I’m getting,” he teases. “I know better than to trust a man who dyed his hair red all through college.”
“It looked good!”
They look at tattoos for a little while, Scott immediately vetoing the trio of birds and a guitar. Together, they separate the pages into ‘no’ ‘maybe’ and ‘yes’ images, dragging the little Darth Vader holding a lightsaber (a scar being the lightsaber) into ‘maybe’ and the celtic knot into ‘no’ and so on, until about half of the tattoos have been sorted.
And if they get distracted halfway through and end up making out right there on the couch? Well, they can always finish it later.
-
Three weeks later, Jimmy exits the tattoo parlor with the long, thin scar on his left bicep covered by a poppy, red and irritated from the procedure. Scott had been with him the whole time, holding his hand. They’d had to call for a break halfway through, but it had overall gone very well, and Jimmy had gotten into the passenger seat with a huge grin on his face.
“I thought I would be scared of the needle, but it wasn’t even that bad!” Jimmy says excitedly, twisting his arm around to check out the plastic-wrapped tattoo. “Did you hear when she said I was really good at staying still, especially for my first time? I’m going to get a good grade in tattoos, which is both normal to want and possible to achieve.”
Scott laughs out loud at the meme reference, resolving not to think about why it is that Jimmy’s so good at not moving while needles are stuck into him.
“Do you like it?” Scott asks instead, adjusting the rearview mirror before shifting the car into gear.
Jimmy doesn’t answer for a long moment. When Scott glances over at him, he’s let his arm fall, staring straight ahead, chewing thoughtfully on his lip.
“Yeah,” he decides eventually. “I really do. Now when I look at it in the mirror, I can be reminded of you instead of them. And . . . I can make choices with my body. That feels really good.”
“I can imagine.”
Jimmy twists his arm around again, peering at what little of the tattoo can be seen through the plastic. “I like it,” he says, quieter. “Do you like it?”
“It was my top choice, Jimmy,” Scott reminds him. “And it looks cute on you. Much better than that fish would.”
Jimmy snorts. “You know what, since it was Lizzie’s idea, I’ll tell her I’ll only get it if she gets it too.”
“Please—if you get fish, get a different one,” begs Scott. “It was huge, it had that horrible ‘gone fishing’ sign—get something cute, not something that screams fifty-year-old midlife crisis.”
That gets a laugh out of his boyfriend, and a little tension that had been in Scott’s body since before the appointment finally dissipates, allowing his shoulders to ease and his fingers to loosen their grip on the wheel.
“I’ve been watching videos on word cover-ups, so I think I might get one of those,” Jimmy says when they’re almost home. “I’m . . . I think it would help, even though I can still trace the letters. But I’d like to try scar treatment first, so I don’t think I’m gonna get another tattoo any time soon.”
“And here I was thinking my boyfriend was about to get all inked up and awesome,” Scott teases.
“And something for words would have to be really big, and there’s not much I want that’s good for that,” Jimmy continues. He glances at Scott quickly, then turns his gaze out the window. “That’s life, I guess.”
Scott thinks that’s the end of the conversation. He’s happy leaving it there, with vague plans and ideas in mind to experiment with.
But later that evening, at home, as Jimmy washes dishes and Scott dries them, Jimmy blurts out, “Would I be wrong for wanting a canary tattoo?”
Scott pauses. “Um. No?”
Jimmy sighs. “See, it’s the only one that I think I would want that’s big enough and colorful enough to cover any words. But I don’t know that I could be okay with having it cover up one of those words, because of . . . connotations. But also. . . .” he sighs again, sets down his dishcloth.
“Scott, being the Canary was the only freedom I had, as awful as it was,” Jimmy explains, and it’s a credit to how far he’s come that Jimmy’s voice doesn’t even shake. “I didn’t love it, but I could go outside. I could literally fly. And I looked pretty cool, honestly. So if I got another tattoo, I think it would be a canary, but . . . I’m afraid that’ll cause more harm than good, with my mental health and all.”
“I . . . don’t know,” Scott says honestly, sliding a plate into place in the cupboard. “I’m not in your head. And it’s not my body. But you don��t have to decide today. You don’t have to decide any time soon. You can talk about it with other people, and with Nora. And we can start looking into scar treatment, if you think you’re ready for that.”
Jimmy picks up the cloth again, runs it under the water. “I don’t know,” he says eventually, voice unreadable. His face has set back into that guarded look, the one that Scott is now so familiar with. “Maybe.”
Whatever Jimmy’s unspoken other concerns are (and Scott knows that they exist, he can tell in the tenseness of his stance), Jimmy abandons that topic of conversation. He doesn’t bring up tattoos again for weeks.
But every so often, Scott catches him admiring the poppy, and he can’t help but feel a bubble of happiness.
Jimmy finally has a good reason to look in a mirror.
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hmm. retainers.
actually, let's first talk about the leylines of sornieth. the network of magic running beneath reality that all magic flows through. the world's natural mechanism for cycling magic.
all magic flows from the leylines, returns to the leylines, and is broken down by the shade within so the cycle can start anew.
(as you might have noticed, the leylines and the shade both are the source of many superstitions and misunderstandings, but this isn't about them.)
near-to-all creatures on sornieth are magical in some way, which means that their magic, too, will return to the leylines upon death.
all that is to say that the leylines are the afterlife. purgatory. whatever. which means that every now and then someone will realize this and try to break out. because that is something people will want to do, because a good few people do not want to be dead and/or do not want to simply fade into oblivion. and because that is something you can do, since magic can, in fact, flow out of the leylines.
(which means that you can, in fact, revive someone if you drag them back out but WE'RE TALKING ABOUT RETAINERS HERE.)
retainers aren't actually dragons. they are just kind of... spawned in by purgatory to keep people from breaking out of the afterlife. luckily, they're usually passive. won't bother you if you're just chilling (or, more likely, dying a second time) in purgatory.
they'll beeline for anyone causing trouble though. this includes people trying to break out, people trying to break in, or people who have already broken in and are running around in the leylines while still being very much alive. they will not pursue people out of purgatory, but they will remember and they will come for your ass once you die again.
physically, they're pretty damn big. about the size of a particularly large imperial. they don't have any limbs by default, but they can grow any number of them so one can absolutely have, i don't know, twenty arms if it needs that many. their wings and haloes (for the ones who do have haloes, at least) are not quite solid, but you'll encounter some resistance if you try to touch them.
they can technically be killed if you fight them hard enough, but so long as they retain a connection to purgatory they simply will not stay dead. "killing" one is a pretty tall order in the first place. they're stupidly big, they can channel lightning (not actually lightning- just raw magic. remember, purgatory is inside the leylines) they're able to teleport, and they can straight-up change the geography of purgatory at will. if you want to get out of purgatory, you're better off trying to avoid these things instead.
they seemingly answer to the employers, despite the employers... not actually having created purgatory. still, some of the employers have taken it upon themselves to watch over purgatory and have managed to intertwine their own magic with that of the leylines. as a result, they have some degree of control over both purgatory and its retainers.
anyways out of universe um. hi it's me i'm being insane about madness combat and making fandragons of the most random things. gabriel ultrakill is here because it makes the most sense. he's a retainer now because it's my lore and i get to pick the writing
also i use "the leylines" and "purgatory" pretty interchangeably above because they are interchangeable. two names for the same thing.
btw sorry i keep drawing things that are not actual flight rising dragons who are actual flight rising breeds. it Will happen again
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