Photography by Yuma Yamashita
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Herzog & de Meuron, Sammlung Goetz, Munich, Germany, 1989-1992
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Mark Rothko, Untitled, 1968
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Frei Photographic Studio (1981-82) in Weil am Rhein, Germany, by Herzog & de Meuron
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Herzog & De Meuron. Viviendas Schwitter. Basilea, Suiza. 1985-1988
Photo: Giorgio Azzariti
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Herzog & de Meuron
VitraHaus, 2010, Weil am Rhein, Germany
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Herzog & de Meuron / Vitra / Vitra Schaudepot / Exhibition / 2016
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HERZOG & DE MEURON
SCHAULAGER BASEL, 2003
Basel, Switzerland
Image © Schaulager
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Herzog & de Meuron, Frei Photographic Studio, Weil am Rhein, Germany, 1981-1982
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Piet Blom, Cube Houses, Rotterdam, Netherlands, 1978–1984
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...we are more interested in the direct physical and emotional impact, like the sound of music or the scent of a flower. We are not looking for meaning in our buildings. A building cannot be read like a book, it does not have any credits, subtitles or labels like pictures in a gallery. A building is a building. In that sense, we are absolutely anti-representational. The strength of our buildings is the immediate, visceral impact they have on a visitor. For us that is all that is important in architecture.
Jacques Herzog, Jeffrey Kipnis in conversation with Jacques Herzog
Jeffrey Kipnis: "Una Conversación con Jacques Herzog (H&deM). A Conversation with Jacques Herzog (H&deM)." In: Fernando Márquez Cecilia, Richard C. Levene (Eds.). "El Croquis. Herzog & de Meuron 1993-1997." Vol. No. 84, Madrid, El Croquis, 1997. pp. 7-21.
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The Tribeca, New York home of art collectors nachopolo & onuska designed by Herzog & de Meuron. Via studiotwentyseven
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