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#i could be making an actual analysis on that stream but instead i am going to make fun of tommyinnit
petrichormore · 10 months
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So about 4halo “dying…”
I’m watching the clip where Forever shows Baghera the book and supposedly “friendzones” Bad because I didn’t actually see the full thing and… why did people think the ship is dead? (I know Forever apparently revived it hours later but bear with me).
Because from where I’m standing, it’s perfectly fine? It’s been more dead in the past. So let’s break the scene down:
(Scene Analysis under cut - I felt like I was watching something straight out of a romcom movie. Also the following is about the CHARACTERS)
So. Forever shows Baghera the book and Baghera asks if he feels the same way. Forever says, “There’s a problem, Baghera - I love him back. (Pause) I love him back, but as a friend.”
Baghera goes “really?” because she’s skeptical and Forever claims that his “heart can’t take it anymore.” (Obviously in reference to Philza breaking it.) He then goes on to say that “After what happened to Philza, I think [thought] I had enough of it.”
I’d like to pause here to point out that at no point in this conversation does Forever sound confident in what he’s saying - he’s uncharacteristically shaken and unsure throughout. He uses phrases like “I thought” and “I’m trying” instead of “I know” and “I am” which imply uncertainty. He phrases his statements like questions, as though he doesn’t know what’s going on in his own mind.
Anyway, Forever says he likes Bad “as a friend” but his reasoning is literally just “I’m not ready for this right now” which… makes no sense to say if the first statement is true. If you aren’t interested in someone, you probably don’t justify by claiming you aren’t ready - because it’s just a fact relating to the other person. Saying “Oh there’s a big problem - I like this person as a friend because my heart can’t take the pain of heartbreak anymore!” Like. That doesn’t really make sense, does it?
He also tries to bring up a conversation dramatrio had a while back about how friendship is better (based, btw) - but to me it honestly just sounds as though he’s trying to convince himself rather than making a statement. Again, he sounds very confused. In response, Baghera points out that “not everyone is happy” with just friendship.
Forever also seems to be just generally confused with Bad’s behavior, as he sees it as uncharacteristic (which it is) and therefore disingenuous. This actually seems to be the main source of distress for him: whether or not Bad actually loves him. He talks to Baghera about how he doesn’t even know if it’s real because it’s so unlike Bad - Baghera agrees that it’s strange coming from Bad, but she believes Richarlyson when he says the book is genuine. Forever doesn’t, and later on in the stream he apparently reveals that he doesn’t understand how Bad could love him in a romantic sense and doesn’t want to be drawn in to something that might not be real? (Maybe???) As Forever is still streaming, I can’t go over it but I will when I can. Either way, this doesn’t seem like the type of worry a person who doesn’t reciprocate any romantic feelings would have? Like cool story bro but this really shouldn’t be relevant if your only feelings are platonic?
And Baghera? Baghera literally notices this! She sees Forever’s indecisiveness and says “Okay, but if you don’t like him like that, well, it’s not a question, you know?” She calls him out on it directly.
And Forever doesn’t acknowledge it at all. He just moves on and says that if Bad had approached him when he first joined, he would’ve been delighted to add another boyfriend in alongside Philza [Specifically, he brings up a song about Snow White and the phrase ‘Why have just one when I could have seven?] This, while funny as hell, has nothing to do with the conversation and it honestly comes across as Forever trying to examine his own feelings and failing miserably.
Baghera asks “So you’re sure you don’t want anything to happen with Bebou?”
Forever responds “yeah” and then immediately follows it up with “The problem is that after what happened, I’m really…” So ‘yeah’ is not an actual answer here, just a transitional word. (And again, notice the strange justification. The problem apparently not a lack of romantic attraction?)
Baghera follows that up by asking if Forever doesn’t want a relationship with Bad because he has been hurt by his previous ‘relationship’, or because he has no romantic interest in Bad specifically. Forever… doesn’t answer. He says, “Yeah, that’s a good question because I don’t even know if he likes me like that, or if he just loves me as a friend.” Once again, ‘yeah’ is not an answer, just a transition. Congratulations, Forever, you specified exactly nothing.
And thennnnn Forever is back to being worried over whether or not Bad likes him or like-likes him (it’s like they’re all gossiping 10 year olds hehe). He’s scared to ask him directly because he doesn’t want to “hurt him” (by ‘him’, I mean BBH) but it really just sounds like he’s a goddamn coward (affectionate) and is using that as an excuse. Especially since he phrases it like a question.
Baghera decides to take pity on him and offers to sneakily question Bad about it and then report back, which Forever immediately agrees to (it’s the most enthusiastic he sounds during the entire conversation). Forever than says that he really wants to “know what is happening” and to “take care of Badboy because he’s really important to me” (?? We all know, Forever, but okay cool I guess?? /j)
He finishes by reasserting (to himself, mostly) that he doesn’t want a relationship specifically because he’s trying to focus on his career, family, and friends (and because Philza broke his heart). He never says that he has no romantic interest in Bad besides the very first “as a friend” comment, and, in fact, somehow avoids saying it even when Baghera asks him directly to his face!
He honestly gives every reason for not wanting to be in a relationship except for “I’m not interested in the other person.” Like that’s the one thing he doesn’t say.
So. Take that however you will.
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cannoli-reader · 3 months
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Hello Cannolli, your metas on the Wheel of Time books are always very well thought out and constructed, and you've clearly given a lot of thought to the series as a whole. I was wondering if you have any ideas on what RJ's plan for Egwene's AMoL arc and story would be? For all the other characters I can see the writing on the well, the clues and foreshadowing, and together with what can be inferred from BS's books about RJ's notes get what I think is a good aproximation for what would be their final arcs and ending. Except for Egwene! I've always had a hard time understamding her character and Sanderson favoured her so much that I have a hard time discerning what came from him or from the notes! I've found your analysis of her character very interesting and enlightening and so wanted to hear your thoughts on this! Thanks in advance! (No hard feelings if you're not up for answering this tho!)
With the caveat that I have a limited and spotty awareness of Jordan's notes, and so my answer is based largely on my projection of her arc and established characterization in the series, I would say her end was probably where Jordan intended, but Sanderson's path to get there, somewhat different.
"(No hard feelings if you're not up for answering this tho!)" - I found this amusing, because I am always down to go off at length about WoT, among other topics. "Up for answering this"? How could I not be? How hard could this be? The results of seven hours and two drafts later are under the cut.
First of all, when speaking of Jordan's intentions, I generally refer to all three of the final books together as aMoL since that was his plan, to finish the whole series with one book. So I would have to take Egwene's story from where it left off in KoD.
I think her rise in the Tower would have been a lot quicker. Maybe a montage chapter like in KoD, where she meets the other Ajah heads, with less dramatic results, but making a slightly better impression than she did with the two in KoD. Her serving Elaida, as set up in Tarna's chapter, might bring things to a head, but not with schoolyard putdowns. I don't believe she suddenly has the revelation, conveniently just in time to avoid behavior that would spur Elaida to put an end to her pretentions for good, that she should be trying to unite the Tower instead of driving the factions further apart. Rather, that realization should be more organic and maybe a result of seeing the fruits of her sowing coming to pass.
I don't believe the Seanchan attack would have gone as it did in tGS, where Sanderson seems completely oblivious to the fact that all Egwene did was kill a lot of people without changing much of the outcome. Even her shooting down the to'raken with captives was pretty appalling, since she and Alivia are living proof that being collared is not the end of your life, and the view of channelers as combat assets it is important to deny the enemy is morally repugnant. If anyone is going to be thinking in that manner on the eve of Tarmon Gaidon, there had better be some harsh & immediate blowback. I also don't think Sanderson realizes he had Egwene torture helpless women to death, or that there was any irony or sense of hyperbole in her self-congratulatory stream of consciousness. IF those things happened under Jordan, it should be the spur to Egwene coming to realize that fighting the Seanchan can't be the plan going forward, since it brings out the worst in her and others, and maybe the truce is the best thing for now. During the attack, Saerin actually showed the best leadership, and the kind more in keeping with Jordan's style in the prior books.
I don't know about her rescue, because so much of that is utterly wrong, especially everything with Bryne, from his going along at all, to suddenly brandishing a heron-mark sword, to his reaction to the Warder bond, to Egwene's pompous displeasure with Siuan in the aftermath. Again, I think Egwene was supposed to become disillusioned with Siuan in general during/following her captivity in the Tower, as she works for reconciliation, because Siuan is the worst advisor in the setting since Mordeth. She is the author of the conflict between the Aes Sedai, for her own personal vengeance. There are plenty of signs in the text suggesting that Elaida is not so different from Siuan or Egwene, and the latter in particular takes a lot of actions that mirror or duplicate Elaida's supposed worst crimes against the Tower. As part of her getting her focus on the right conflict, which should have been in parallel with Rand getting his personal issues straight, she should have rejected the whole course of action she pursued from LoC through KoD. She subtly does that in tGS, to a degree, but in a very contemptible way, wriggling out of responsibility for her part and blaming everyone else. Her condemnatory speech to the rebels after she is raised by the loyalist Hall is particularly risible, considering that collectively, the objects of her tirade balked and dragged their heels at doing most of the things she berates them for, and Egwene herself schemed, lied, tricked, maneuvered and ultimately commanded, them in taking those actions. It's the same thing with her histrionics with the Hall when she is raised, the spirit of her ideas in direct contradiction with what she tells the rebels, and her "defense" of Silviana being pure sophistry. The best thing you can say about all that blather is that it paints a picture of a sociopathicaly dishonest and manipulative woman, and might have been intended to show how far lost she has become in the pursuit of her political ascension. If Jordan had anything to do with the scripting of her plotline in tGS, that had to be his intention, to be her equivalent of Rand's behavior after Semirhage gets her hands on him (and his attack on Graendal's HQ & threats against the Borderland rulers are far more justifiable than Egwene's conduct in the Seanchan raid).
For the political side, once she was the consensus Amyrlin, she should have been in the position of a compromise candidate, not the universal hero with the moral high ground (because she has done nothing to earn it, even in the errant perspectives of in-story characters: she has waged war against the Tower, ruined the harbors and her efforts against the Seanchan are not impressive to sophisticated and experienced politicians, who scorn combat as the province of dumb thugs). This should have led to constant frustration in her efforts to make reforms and pursue policies, because after Elaida and after Siuan was deposed for her own high-handed and unilateral actions, the Hall is not going to take the new Amyrlin flexing lying down, especially when she was only chosen because they couldn't stand any of the other choices, or their rivals would never have allowed preferable candidates through. They are not going to agree to major changes to Tower procedures or policies, and they are not going to vote away their own power or toss out checks on the Amyrlin's authority on her say-so.
Jordan's writing is very big on partial victories, and compromises and hard work being necessary to achieve goals, he does not go for dramatic speeches that sway people to give the protagonist everything they want. I believe Jordan's intention in writing the original bargain Nynaeve & Elayne made with the Sea Folk to be a lesson in the costs of high-level political dealings and a warning that the hot streak the girls had been riding for a while was coming to an end, and they were not going to get their way by showing up and asking for it, or with a feat of creative channeling, and that not all goals could be met by driving off the Black sisters or defeating a Forsaken. I also utterly reject the idea that he would simply have the Sea Folk walk back the whole bargain in order to give Egwene a cheap win at no real cost.
To me, Egwene's straw-man debates with Gawyn and Nynaeve about her authority and the effect their recalcitrance can have, make no sense in ToM, because it's simply not an issue, because Warder bonds are firmly established as strictly private, and even one of the strictest sisters can have a Warder back-talk her in the Hall of the Tower without losing face in the Sitters' eyes. Siuan needed 10 years of Moiraine running amok before she started to have political problems, and it was arguably a sign of her own being captured by the system that she put it on Moiraine. There is certainly no real sign that the narrative endorses Siuan's view of the relationship & political issues, since Moiraine feels not the slightest remorse and promptly bails on the meeting to avoid telling Siuan things she is keeping from her. In the story we got, Egwene is getting everything she could wish, there are no problems with her campaign against Mesaana, and the Sitters vote for her proposals for the most painfully stupid reasons I can imagine an educated adult putting to paper. What possible reason could she have for demanding Nynaeve, Elayne and Gawyn jump through hoops to maintain her reputation? That sort of demand makes much more sense in a story where she is experiencing constant political frustration and administrative headaches (Sanderson promptly tossed all the issues with a massive and on-going influx of novices of all ages down the memory hole).
Egwene calling on Nynaeve and Elayne to attend her in the Tower would also create conflict with Elayne. Jordan has seeded too many conflicts between Andor and the White Tower, and between Elayne's two sets of duty, in the series for that not to come to a head in the finale. Egwene's is not the only plotline or character arc where lots of potential conflicts were handwaved away. Elayne is trying to rule one country and claim another, behind two very dubious and fraught coalitions, that are largely loyal to other parties. As awesome & loyal as Dyelin seems to be, she is wrong in every disagreement with Elayne from WH to KoD. Even her support of Elayne at the end is ultimately expressed as an aspect of her conservatism and resistance to change. In Cairhien, she's going to be working with a Red sister who is sworn to Rand, and will see that as two strikes against Elayne, given her anti-Rand policies and positions in Andor. And where she had to suppress and conceal their relationship in Andor, that's going to cost her in dealing with Sashelle and and of Rand's partisans in Cairhien (and there are hints here and there that the commoners and servants and soldiers hold him in rather higher regard than their lords and ladies do). In Cairhien, Elayne herself is a compromise candidate, with the Damodreds and their allies ready to accept her for the father she doesn't remember, their rivals willing to accept her because her name isn't Damodred, whatever remains of Colavaere's allies resenting their own downfall under Dobraine in Rand's name, for Elayne's sake, and some of Dobraine's allies expecting some sort of reward or primacy of place for their efforts in the interregnum. Also, famine. And in the middle of trying to juggle all this political stuff, with the Black Tower conflict heating up in her backyard, and the methods needed to win over Andorans inspiring contempt in Cairhienin, and Cairhienin methods triggering fear of tyranny and intrigue in Andorans, she gets a call in the middle of all this to put everything on hold and dance attendance on the Amyrlin because she can't handle her end, that's going to be when Elayne decides now is the time to draw that line between personal and political authority and responsibility. And Elayne can get away with it as no other ruler in the last thousand years could, because when it comes to Elayne versus the White Tower, the Dragon Reborn, King of Illian and Car'a'carn of the Aiel, and the Lord Captain Commander of the Children of the Light are not going to think twice before taking a side. Right, of course, at the least politically convenient time for Egwene.
With Gawyn, he has been taught, since day one, that in addition to physical protection and military advice, his job is also to tell his principal when she is in the wrong, and that is so not going to fly with Egwene in the middle of all the other problems going on. Sanderson seems to have run with the fandom meme that Gawyn is an idiot, on top of inventing a character issue where he resents Rand over class issues and a sense of heretofore never seen royal entitlement. The funny thing is "I should be the leader and hero, not that up-jumped sheepherder!" is basically Egwene's normal state of mind. So I could see Gawyn going to Elayne at Egwene's behest, or stepping in an volunteering, in an effort to patch things over, and butting heads with his sister, while trying to loyally stick to the party line, because Egwene is pissed that he keeps suggesting her leadership methods aren't the best. Because Gawyn has been taught to be a military commander in what is basically a feudal military structure, which means herding cats on a bunch of nobles to get them to carry out the crown's strategies and campaign plans, whereas up until aMoL, Egwene's political training has been about intrigue and subterfuge, and no so much on coalition-building, and appeasing competing interests.
With Nynaeve, she's generally willing to play along, but that's not always helpful, as Nynaeve is all about the moral with little use for the political. We see what her version of helping with political negotiations is like in KoD where Cadsuane has to rein her in from threatening the nobles with Rand's wrath. Her PoV chapters became much more rare after she broke her block, because she's largely centered and has found her right head-space, that Egwene & Rand are still striving for in KoD & aMoL. And that means she is going to be a lot more confident in calling out the sisters on their bullshit, and have Opinions, however respectfully she might make them known to Egwene, on Egwene's methods. She's been butting heads with Cadsuane for three books. No one in the Tower is going to impress her all that much, and to Egwene, it's going to be like having a loose cannon in the Tower.
I think in Jordan's version, Egwene, around the time Rand is on Dragonmount, and Mat is struggling in the Tower of Ghenji and Perrin is trying to save the Children of the Light while relations with Elayne are at their nadir and Caemlyn is falling to the Trollocs, is going to complete her mini-arc of coming to understand what it means to unify the Tower, to move away from the partisanship that divided it under Siuan and her predecessors, reconcile with the fence-sitting sisters, and after all these problems are worked through, she starts repairing her relationships with Elayne and Gawyn, at the least. Maybe she helps resolve things between Elayne and Perrin as well. I don't think her penultimate climax is going to be simply beating Mesaana and the Black Ajah in direct combat for the Tower, at most that would be a part of the whole unity arc, only tangentially related, in the way that the fight with the Black Ajah was to Elayne's claiming the Lion Throne.
I also think the conflict, if any, between Rand & Egwene at Merrilor is going to be over an arbitrary and nonsensical issue like the Seals, but more the cumulative result of all the baggage they've built up over the course of the series. Egwene is going to be fearing the worst, because I think it more likely that Dark Rand called the meeting intending to lay down the law and crush any resistance to his leadership, but then Dragonmount, whereas he has been observing from the outset her resistance to him and his role in things, and her White Tower partisanship. Their working past that, and coming to accept the changes each has made should be organic as well, the payoff of years of friendship and history, with all their friends in common, from the Two Rivers and Rand's love interests helping to bring them together. It would absolutely NOT be resolved by Moiraine wafting in on a cloud of angel farts quoting Scripture the Prophecies of the Dragon to convince the assembled leaders of the nations to fall into line.
I think the effect of Moiraine's return should have been private and personal, for Rand at least, and maybe Egwene too. And it should have some apologies for how she treated them and used them, because let's face it, she did not go out as a hero, she manufactured a scenario to emotionally abuse and gaslight Rand into believing his weaknesses and shortcomings caused her death, and wrote a letter tacitly blaming him, while also writing one to passive-aggressively guilt Mat into risking mutilation and death to extract her from the situation she contrived to put herself in. In any case, it's nonsense that Rand & Egwene would drop their contentions at her word. Egwene was losing her devotion to Moiraine as a mentor before the end, not least because of disagreements over her handling of Rand, and as Amyrlin, would emphatically make a point that their relationship has changed now, as she does with absolutely every other person she knew beforehand. Part of Rand's epiphany is getting some perspective, and while he'd be thrilled to see Moiraine return, the List should be gone, and only relevance her return should have to that construct is the role she played in turning Rand that way. Her return doesn't solve problems, it's the reward for working past the problems. For Moiraine herself, I think she's learned her lesson as a result of her captivity, and goes into the Pit of Doom with him because she means it now, she accepts that this is Rand's mission and it's his call and she will back him 100%.
A lot of the decisions for Tarmon Gaidon, will, I believe, be made on the basis of the connections and trust built up over the course of the series, and part of Egwene's role would be to legitimize it all for public consumption, by telling people who don't get it, that everything is cool, trust the Amyrlin. For the Battle itself, I could not say, because what Sanderson wrote is the complete opposite of WoT warfare. Instead of heavy emphasis on the fog of war, brilliant plans crashing and burning at the outset, the brutality, and the cost, and especially the chaos, and the lack of control, we got a handful of protagonists playing a strategy game, where every piece moved exactly according to the rules, Mat was in complete control the whole time, and half of the decisive moments were settled in duels. On the issue of Egwene, I do think she would die, trying to do something beyond her grasp. I think Gawyn might die specifically because of an order Egwene gave or a choice she made, which is the strong implication of Egwene's dream of him choosing between two paths that lead to different fates, because of her. As it was, picking a fight with the enemy Forsaken general because he didn't have anything better to do, A. does not fit that foreshadowing, and B. indicates a failure to grow from the again, out-of-nowhere envy of Rand and his role. Telling Galad not to succumb to his own fatal flaw, because it got Gawyn himself mortally wounded, is hardly growth (and why would Galad hate or envy Rand, anyway? At best, his expression of this too-late realization makes Gawyn a shitty sibling for thinking the worst of his big brother). In Jordan's aMoL, Gawyn dying because of Egwene's choice or action (not necessarily error, mind you) fulfils his loyalty arc and forces Egwene to confront a real and personal price, and one that she has not reckoned with before this book. She's considered in the abstract prices for her tactics and people dying from her decisions, but its never come home, especially because she was spared the necessity of assaulting the Tower. Egwene pushed for decisive action, but hesitated over actually pulling the trigger on any such significant acts, and lucked out when the Seanchan swooped in and relieved her of the need to fish or cut bait on the Tower siege.
That's what I think Egwene's arc would come to in the end - a realization that she's only ever paid lip service to meeting toh or the "pay for it" part of taking "what you want", and that the price for her quest for the Amyrlin Seat, and all the dirt she did along the way, using slander against her enemies and false propaganda on her subordinates and allies, declaring war against people she should have been working with against the Shadow, and being a party to perhaps the worst case of "men fighting their own petty battles" with the Shadow looming over the world, it all comes down to what is she going to do with that power and that position. Her rationalization from the get-go, and perhaps even her true motive, though that would denote an incredible degree of arrogance, has basically been to ensure that the necessary steps are taken and the right woman for the job has it. And now, at the critical moment, she has the choice to try to do the impossible to save the world, regardless of the cost to herself, and she can't do anything else. Whether because that is how she operates, to always push, always reach for more, or because she has come to the realization that if she backs down, she was full of shit when she did all the suspect stuff she did along the way, and that all her striving since becoming Nynaeve's apprentice has only been about self-aggrandizement, that she has been taking what she wants all her adult life, but now is being called on to pay for it.
And a flip side to that, is that Egwene, as depicted in the story, who is all about concentration of power on herself, and cares only for accruing more and more power, status or authority, can't survive or have a happily ever after, without a radical change of personality and mindset, without changing into someone no longer recognizable as the woman whom readers love or hate for her irrepressible ambition and determination. To put it another way, Egwene's attitude and mindset are only justifiable in a protagonist of a fantasy story where the fate of the world hangs in the balance, where her drive and appetite for advancement can only be justified as a means to resolve stakes of that magnitude. She is the parallel to Rand, who, as the Chosen One, the prophesied savior, is given a great deal of latitude and approbation for actions that would be unconscionably ambitions or tyrannical in anyone but a man on whom the fate of the world depends (though, ironically, Egwene herself is the least tolerant toward Rand in this regard). It's understood that after the Last Battle, Rand, if he survives, will no longer have the claim to most of his power or authority. Many people swear fealty or promise to follow him, to the Last Battle, as a limiting condition on their service. But such conditions are not applied to Egwene or to her position as Amyrlin Seat. The Aes Sedai who swear fealty to Rand after grossly abusing their power and social position and violating his trust, still only do so until the Last Battle. The Aes Sedai Egwene blackmails with the knowledge of actions taken to help her friend and to further her cause, do not have any such condition that will end their servitude. And Egwene is outraged by Rand's receipt of sisters' fealty. With that kind of mindset and usurpation of power, she had to go. Egwene is the epitome of the Dark Knight aphorism that you die young or live long enough to become the villain.
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gun--arm · 1 month
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just in terms of analysis of the dyne scene & all that jazz; i've seen a LOT of interpretations of the barret / dyne fight + ending and i feel mixed on them. while i love analysis and agree with a lot of it - there are things i both like / dislike about those analysis and i wanted to talk about.
obviously, im an og stan. i loved the original dyne segment. dyne is a mass murderer at this point, killing indiscriminately because he literally wants to watch the world burn. he's so angry from grief and vengeance that he's taken the whole 'dig two graves' to an extreme - digging multiple! in the original, when confronted by barret; he reveals his resentment for the world and everyone in it ( all of them deserving death ) and before the fight, upon learning marlene is alive - suggests he'll kill her to reunite her with her mother. this is basically the catalyst for barret and him to fight. dyne is a death seeker, we see here, but too afraid to kill himself ( possibly too depressed but also too furious to act on his own suicidal feelings ). after the battle with barret and essentially what is - his once close friend - granting his wish of death on him, dyne announces he could never be a father to marlene again before he kills himself. his whole 'my hands are too stained' are because he's murdered so many innocents, what kind of father could he be now?
now - i've seen a lot of people dunk on rebirth for their handling of dyne. and i am the first person to critique the remake universe. trust me, i diss that shit a lot ( lol ). however...i actually love the dyne content and here's why;
firstly, the insight of dyne being much more unhinged / hallucinating / losing his humanity shown here. with modern graphics, we can see the subtleties in facial expressions / body movements. the voice acting between barret & dyne is absolutely stellar.
we see dyne talking as if eleanor / marlene are with him; he's almost spitting at barret in resentment, but you can also hear that familiarity as if he's close to giving his friend a chance. then he sees cloud - and sees red.
i love his totally discriminate view of the shinra; he hates them all, no exception and WILL shoot on sight. i love that when dyne speaks, he comes off as genuinly unhinged / insane. this isn't someone who can be reasoned with - he has gone overboard ten-fold. of course, during the fight - he shows some snippets of humanity / reality - but he has to be challenged to get there.
now, i know one thing people hated in his fight, is the way his arm kind of mutates (?). he goes all tetsuo iron man or tetsuo re akira here ( lol ). when it happened in game, i was a big ol ?????????? because it feels random and weird BUT ALSO -
what if he's just fucked up from mako, or the life-stream? what if shinra did MORE than just destroy his town? we see the suggestion of mako making monsters so why is it a far reach for it to have effected him? personally, i quite liked the addition of this insane boss twist. i especially like barret's response; as if he's having a nightmare. he slaps his face to keep himself awake - he doesn't want to believe his friend is a monster. as my partner always quotes; 'it's a metaphor' lol.
as for the next part i've seen people critique - it's when dyne decides to go 'suicide by cop' rather than jump from the cliff edge himself. i've seen people say that this is like he's had his choice of suicide 'robbed' from him, it's as if he's not died with dignity but instead by shinra troop. personally, i do not see it this way.
dyne dies willingly - he protects barret and chooses to stand in the line of fire in the hopes of dying. he hasn't been able to take his own life, keeping in line with his fear ( especially so after hearing marlene is alive ) but he goes out as he wants to; he gets his wish of finally dying.
the main two things i do not like about this scene is - 1. him dying atop barret and proclaiming he bare the weight of his guilt. that's a lil too on the nose for me; they could have done this without the dialogue. 2. the immediate shift in tone after the fight with dio / palmer etc.
two things i especially loved about this entire scene;
dyne desperately wiping his hands on himself.
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2.the way he SNATCHES marlene's pic from barret.
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funkymbtifiction · 2 years
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I am thinking that going over past or even a more recent situation is a loop or inferior function focus . But how you do depends on the type. Sometimes I try to understand it better hoping to prevent it in the future. Sometimes it works but much of the time it’s just like a hamster wheel that turns and turns but ends up nowhere . Is that Fi/ Si or more of a Ti thing trying to understand better?
Intense analysis and attempting to make sense of things can be Ti, or it can also be an Enneagram "head type" (5/6/7) thing, because of living life through your mind rather than your body or emotions.
An INFP in a Si loop is caught up in their feelings about events that are dead and gone, but that they keep reliving, rather than moving forward and looking for newness in the future.
An INTP in a Si loop is caught up in analyzing "dead material," which means trying to solve unsolvable problems (refusing to be 'beat' by it), leading to them wasting their time trying to make sense of things that do no matter instead of being innovative in a forward-focused way.
A Si loop is when an ENP stops having excitement and new ideas about the future in a never-ending stream of consciousness, and starts moping about things they can't change in the past and using that as an excuse to be miserable in the present (if I had taken that job... if I hadn't broken up with this person... I would be happier right now!!!). They hang onto dead relationships or past experiences and wish they could change them, rather than living for today and figuring out how to move forward into tomorrow and get what they want (aka, I miss this old friend instead of looking for a new one; I wish I had taken that job instead of trying out a different one). There's a lot of 'romanticizing' and 'mis-remembering' that happens in a Si grip, where they selectively remember things that aren't accurate (either vilifying someone or romanticizing them). Low Si doesn't line up with "what actually happened" so they are pretty "outside of reality" from the perspective of other people ("delusional about the past").
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duhragonball · 5 months
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Nanwum VII Update: 72,197
I'm starting to run out of gas, which is probably not a big deal since I already cleared 50k, but this bears out my whole strategy of building an early lead. My intention was to pull down 2k per day from the 13th to the end of the month, and I'm still on track, but on the 14th I fell a little behind and only got to 1709. It's not a problem, since I got caught up, but I need to be careful from here if I want to make it to 100k. Not that I need 100k, but I like bragging rights.
To reward myself for the insane wordcounts I put in earlier this month, I decided to watch all of the recent DBZ review videos that TotallyNotMark put up. You know, the ones with the new Team Four Star DBZA clips in them. I'd already watched the "Buu Bits" in a separate compilation video, but now I'm finally checking out the review and...
I don't know, there's a lot of good material in these things. The editing is top notch, and you could play these videos with the sound off and still enjoy it just as an hours-long DBZ highlight reel. And Mark has a lot of salient insights on the series. I particularly liked his analysis of Gohan and Videl's dynamic, and it's also refreshing to see a DBZ fan who, you know, actually likes the show. Like, he's gushing over Vegeta's character arc, or talking about how great the androids and Cell are without a bunch of qualifiers, and it's just refreshing to see that.
That having been said, the writing for these videos often ends up sounding like this:
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Like, arguably, you can't do a six-hour review of a cartoon show without being a little pretentious, but there's sentences in these videos where it feels like YouTube is paying Mark by the word.
Also, he tends to make these off-the-cuff style remarks, like he's discussing creative decisions about making the video in the video. I get that too. I write my blog with that same stream-of-consciousness energy, because I really am making this up as I go. It's a blog, there's not gonna be a second draft. But he's doing a YouTube video, and there's a lot of production values involved and the work is pretty polished. I don't think it makes a lot of sense for him to talk about how the sausage is made. Just give me the sausage, which is footage of the cartoon with a guy telling me what he liked about it.
I've sort of had this fascination with the writing style throughout the series, and I think if I had to spoof it, I'd go with something like this:
"Again, as I said before earlier in this video, when I started this review, I wanted to avoid sounding pretentious, an attribute the likes of which can be disastrous for the making of a successful review. But, having established that fact firmly and decisviely, perhaps even conclusively--not withstanding earlier comments made about the length of Piccolo's cape, which is a subject for another day-- I can say with great certainty that Goku and Vegeta do indeed comprise a dramaturgical dyad, not only upon which the series depends upon, but through which we can see the true genius of one of the most influential manga authors of all time."
And while you hear this word salad, there's a cool shot of Vegeta beating up Pui Pui or something.
The weird thing is that I didn't really pick up on this in his GT, Super, or OG Dragon Ball review videos. It's almost like he's purposely writing more stuff so he has room for all the cool footage.
Right now I'm in the tail end of the Buu Saga, and while I give him credit for being diplomatic about it, Mark still falls into the same trap I see with a lot of critiques of the Buu Saga: They keep comparing the existing text with some hypothetical better story that they assumed Toriyama was planning to write instead, before he changed his mind.
I think everyone has run across this before. People saw Gohan take the main-character role after the Cell Games and assumed this was a guarantee. When Gohan gets demoted and Goku takes the lead again, they cry foul and complain about how Toriyama failed to make it work, or he just plain gave up. There's an old fan rumor about how he was "forced" to put Goku back in charge because of backlash from angry fans, but this is absurd on its face.
This leads to critiques of the Buu Saga that operate on the premise that there's some idealized "correct" version of the story, where Gohan trains really hard, beats Buu all by himself, and so on. Whenever the published version of the story deviates from this "correct" version, critics suggest that Toriyama got his wires crossed, and blame everything on the awkward pivot back to Goku.
To me, that doesn't make sense. "Gohan and the Next Generation defeat Buu" is a what-if fan theory. Maybe it's better than what we ended up getting, but it's not fair to review the published work by comparing it to a hypothetical draft that may never have existed. That's like if a food critic gave a steakhouse a bad rating because he thought it was a pizzeria and he's still mad that his sirloin didn't have anchovies on it.
When you look at the Buu Saga as it was actually presented, the throughline is clearly not about passing the torch to the kids, because they all get jobbed out and killed. So it's dumb to review the thing and complain that the Gotenks stuff is pointless, and Gohan's power up is unearned, and his loss to Super Buu really sucks the life out of the story, and gosh, this is a really terrible passing-the-torch story. Well that's because it's not a passing-the-torch story. It's a story about Goku trying to pass the torch, failing, and discovering that he still has a place in the world after all. The "torch" he was trying to pass was his identity and personal responsibility, things he can't just confer on someone else.
You can't just tell someone else they're the new protagonist of your story and now they have to go do your job and feed your pets while you play video games. Everyone talks about Vegeta going Majin as a manifestation of his mid-life crisis, but Goku's mid-life crisis was him dying at age 30 and nope-ing his way out of life to train in Valhalla for the rest of eternity. The Buu Saga forced him to accept that this was a mistake, which is why he doesn't just drink a vial full of heart-virus juice after the story ends. He's back in the world of the living and this time he knows he needs to stay there.
And when you look at it from that perspective, suddenly all the Gotenks/Elder Kai Ritual stuff makes a lot more sense as awkward farce. It's anticlimactic and unsatisfying because none of those plans were ever going to work. Nothing worked until Goku and Vegeta both got their heads out of their asses and worked together. The world didn't need martyrs or torch-passings or a 'next generation', it needed adults to put their personal feelings aside for the greater good.
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enneamage · 2 years
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can you elaborate on wilbr trying to subtly punish people around him from ur last ask?? do u have examples? like i'm not doubting you lol i just don't really watch him because his personality drives me up the wall. (also thank you for making this blog your thoughts are super interesting & clearly explained)
Thank you! I'm glad people like my Words. When someone acts a certain way and you have an emotional response to it that’s one thing, but when someone is actively trying to make you feel an emotion it can be a little bit different; you can kind of feel from the inside that you’re being twisted. I’m generally pretty good at noticing when people want to throw me off balance, mostly because I’m good at not giving it to them :P.
Wilbur set off this trigger in my brain a lot. It actually helped me understand from an ~authorial perspective~ what he was going for during roleplay, but as we’ve established the SMP fiction/reality divide isn’t as clean as people think it is. This is why I’ll use a SMP thing as an example instead of the little micro-moments from his other streams, since SMP stuff kind of writes his personality in big easy to read comic sans.
Ghostbur was a big meta-example of what Wilbur is capable of. When Ghostbur was ‘on’, you were in for a passive-aggressive feels trip. The meta of Ghostbur is proof that he knows how to stick the knife in and pretend it’s an accident, but since it was for roleplay I was watching/letting it happen for artistic effect. Through Ghostbur, Wilbur (as a writer, admittedly) had free reign to press directly on people’s sore spots, and he did, often. It shows what he’s paying attention to, what his reflexes are, and what he’s capable of when the two mix.
Ghostbur was made as a utility (so he could be around his friends on the server) but he also had a gimmick to him, the amnesia that kept him ‘innocent.’ If it can be said that people were ‘supposed to’ do anything while they were watching, we were ‘meant to’ question his ongoing impulse to bury his head in the sand using his blue, or at least recognise it as dark. While I wasn’t looking for analysis at the time (I might not have even been around?) I didn’t see much to this effect, so people might have taken him more at face value. If I had to guess, I would say that he started getting frustrated at people for not understanding the points he was trying to make with Ghostbur, ironically for not seeing the dark parts that he put in him.  He may also have been angry at himself for trying to do something that didn’t work, he gets very sensitive about stuff like that.
In an attempted hardcore stream with Niki, Wilbur made an offhanded comment that kind of reframed Ghostbur for me, he sounded sad that people liked Ghostbur (implicitly better than they liked alivebur.) Now it’s not unusual for Wilbur to be dismissive about his own successes if he retroactively labels them as cheap (he was weird about his You Laugh You Loose for a bit) and I don’t get to know exactly what his relationship to Ghostbur was, but I have a feeling he was bitter. People like my dopey little ghost mask more than they like my explosive unhinged bitter self character. Ghostbur had to go, and he died as he lived: a bid to make people feel distress.
It is not a coincidence that revivedbur came back so perfectly insensitive to the people and things around him, especially Ghostbur.
I sent the Ghostbur Limbo reddit posts to my friend once and we were both cracking up at how blatantly he was stabbing the voodoo doll of Ghostbur to try and make people sad. He’s done this twice while he was sick, and I am sure that it was him trying to spread his misery around. (I’m also of the opinion that the train station is a metaphor for how he felt at the time when he was playing Ghostbur, if he himself was Revivedbur.) I’m getting the sense that he’ll do something with Ghostbur in the end, but he’ll never give up good leverage on anything but his own terms.
In real-life streams, it generally comes down to vibes. It just felt like he was asking for emotional results from a lot of his actions, even if they were just little split-second ones. The number of things that he seemed to do on purpose, or at least had a desired malicious effect attached to them, got weird. Streamer should not be this angry at me, I am but a little frog.
Most of the time he passes it off as being English, but I promise you it’s not that.
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mdhwrites · 1 year
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Do you prefer canon or fanon more when it comes to ships?
Canon is necessary sure, but I prefer fanon when the characters don't get that much attention in the actual media, some fan interpretations feel more engaging me thinks.
*looks at my version of Boscha who is at least like 90% an original character* I hope you've enjoyed my spins on her. XD More seriously... I think fanon matters to me only so much in that it can inspire me. Fanon cannot make me care about a character the show cares about or a character I dislike. How they are in canon is simply too rooted in my brain. This is where you get the fact that when I write Luz, my brain will sometimes stop me mid-writing with "You're showing her as too caring. Too understanding. Would she actually behave this way in the show?" because my opinion of her and if she's a good person has dropped so low. You have me going "Would Amity even care about this anymore because it's not connected to Luz?" And both of these thoughts can kill an idea for me because now I'm just kind of sad.
If fanon had more power over me, my own interpretations of the characters would matter more. Interpretations where genuinely the only time Luz would lie is if she saw it as helping ease the pain of others, not because she was afraid of her own consequences. Versions where Amity is constantly pressuring herself even more than her parents do because she herself cares about success and magic. Versions that I wrote for over 300k words. But versions that don't match with canon anymore. That are so far removed that if I'm going to write those versions, they feel like they have to be in an AU so I can put more distance between me and TOH. And at that point... Why am I writing it as fanfiction rather than original fiction? Besides, you know, getting people to actually read it? *sigh* This isn't to toot my own horn btw. My analysis of the show could be entirely off base and this is still how my brain would work. I came into this fandom because Lumity's dynamic entirely shifted what I wanted to write. And now I struggle to write at all because I hardly want to even see the two anymore, even as the creative side of me still wants to be writing my precious, Lumischa trio. Yaaaaa- Edit: Watch THIS, with no tags, somehow be what gets outside of my bubble just because for once I don't go into my reasonings for seeing Luz and Amity like that. ========
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead, If you want to hang out with me, I stream from time to time and love to chat with chat.
And finally a Twitter you can follow too!
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fixzorforever · 1 year
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Wow, so this is waht messaging in tumblr is like. Weird Space in here, is this space unlimited or limited. How many charcter limits does this Ask Box Allow me to proccess with, will it halt to proccess after so many or would it not care in any of the slightest of instances of having either one character impute or over seven hundred fiftyfive thousand eighty-eight hundred four decimal five tenth. Will the reader stop reading this after having to read that rather silly number, or will they realize that there is a clue to a mysterious puzzle hidden amonst these writhing ashes, will they kick around in search of the other clues and hault and re-read this title block again and again to see the secrets they hast missed. Oh it looks like this text block expands as I continue to create more and more text lines, how enjoyful now I can create full and ensatiated paragraphs in here that lead no where and nothing about everything. Are you still reading with me OP as I write along this haunting pathway leaden with blasted mortars and shells of the previous engagers, or hast thou left moi alone in this perilessnessless journy that only I can summon, and grant myself the immunity of nonscense. As my spelling of the English (mostly) language alters making new words and true words that not even this grammar and spell checking program setup by Tumblr can tell waht I am writing. Now heres for some trivial knowledge that only a person egated with plants and thier historys can enjoy of, Sarcobatus vermiculatus is a species of shrubby flowering plants in the Family of SARCOBATACEAE, Sarcobatus is Greek naming which is to mean Fleshy Brambles, refering to its rather prominent leaves. Native to the Prairie lands right after the British Columbian Cordillera and extending down through the Dry lands of The United States of America. This plant is potentialy the sole species of a genus, as there are only two species in the Sarcobatus genus but that is in debate wether if Sarcobatus baileyi is just a varient of Sarcobatus vermiculatus, but they werent always like this. Before the year of two thousand nine they were apart of the family CHENOPODIACEAE, the Amaranth Family, and still at that point listed as the name as it currently holds but after the Angiosperm Phylogeny Group III it was re-evaluated with the DNA analysis and similar studies to prove that it was likely not of the Amaranth Family but more likely its own as it shows closeness with three other Families, and a potential Sister Taxon, Agdestis, which only holds no answers if Agdestis is actually its own thing and is commonly with uncertainty place in the SARCOBATACEAE group instead of its own. Now Sarcobatus common name is Greasewood, and a specimen was found in the Expedition of Lewis and Clark in North America. It has very tough and durable wood so it was used for Arrow Shafts and Firewood, but dont eat it as it will give you Potassium Oxalate Poisoning (Sheep are Vulnerable to this) it will give you Liver Failure. More interestingly this plant wants Salt and will only grow common in areas of alkaline and saline soils, often in or near stream beds, but its a desert plains plant so it just grows in the anceint salt rivers of the plains, so you can guarantee the area to be not good for growing other non-alkaline loving plants. Huh Wow we got this page fairly long and I still can write, but my text is now being written just above the task bar of my computer, will it go lower I cannot tell you but it does seem to be growing closer to that which lays under. So how was this story here where you learn something that you cannot use ever, fascinating that you sat there and read this entire this that would dictate that nothing of value to you would be found and yet not you still managed to read here. Oh I could simply just scroll a little and have the text continuum continue a little further away from my taskbar darn so it seems that the under siden will not be reached todays or soon. And neat fact is that you read just over 727 words, Text limit is 4096 by the way, so take that with you. Thunder
neat, dunno why you sent this to me, a fixzor blog, and paragraphs would be useful
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stellocchia · 3 years
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This is part 2 of the comprehensive analysis of c!Tommy and c!Dream’s relationship during the Exile Arc
Part 1
So, initially I was thinking of making only one post with only the important quotes from this streams but... yeah, not saying what I think about stuff is not in my blood. So now I’m stuck with this and I’m determined to finish it!
Once again, it’s all about the characters from here on out and I will be mentioning serious themes of abuse and gaslighting, so keep that in mind.
We’re starting this one off with the second proper exile stream: Tommy Is Getting So Much Worse in Exile...
Mushroom Henry is introduced at the beginning of this vod. Initially Tommy doesn’t like him, believing him to be a poor replacement of the real Henry. He then goes towards Tnret and finds it compromised as Lazarbeam had planted some tnt under it the day before during a visit with Vikstar and Technoblade (now, how much of that visit was canon? No one knows! But the tnt part definitely was). Also to be noted that Tommy already stopped fighting back against mobs, which is already rather worrying. 
Anyway, this is the stream where Tommy makes an enderchest with Fundy and Ranboo, so I will only write down some of the most notable quotes, and keep it rather brief. It is to be noted that Tommy’s depression at this point had already gotten worse as in the Nether time and time again he avoids doing the haybell mlg instead taking the full fall damage, he defends himself less and he’s already expressing feelings of loneliness. Also, he is now on the first stage of the exile skin set.
“Because if we can’t stay motivated then- then we won’t have anything to do (...) we’re gonna work out how to Keep Doing Things and not... sit around crying” (he has the need to keep busy to stave off loneliness)
“Now everyone, if you should know, we’re gonna go bach and reclaim everything at some point and kill Dream” (talking to chat)
“Music! It’s like a person but they’re not here!” (about Chirp)
“This is like, you know when you fall over? Or you know- or you know when one of your pets die? At school? And then all of a sudden you’re at school and you’re upset and all the people who are usually assholes to you start being nice all of a sudden. This is that!” 
This was quite interesting, so I want to talk about it briefly: but this is Tommy’s general mentality. He sees anyone trying to help him or giving him things as just pity from people who don’t actually care nor necessarily even like him. Basically, he feels betrayed and alone and doesn’t actually think that any of this people could possibly care. This however doesn’t seem like a mentality that’s born from exile (since he’s had it since the very beginning of exile) and we don’t actually know where it generated from. Though it could possibly be from the fact that he always had to be very independent since he had to fight in quite a few wars and even take the leading position in the Pogtopia times.
Other note: this is when Ranboo starts leaving letters for Tommy (You can find Tommy and Ranboo's mail exchanges here). At the beginning the chest they used to exchange them was situated on the Nether side of the original portal, which was a ruined portal a bit further away from Tommy’s camp. Also Tommy dies in lava (not canonically) a ton of times in this one and Fundy every times gives him some of his stuff to pretend like nothing got burned (which was kinda adorable).
“Fundy why didn’t you come with me when I got exiled? I was meaning to ask you. ‘Cause no-one came with me” “No-one came with you because it was- *sigh* Tommy I don’t know! It was- it was a shock to all of us” “You could have came with- yeah, but you just let me go. You just let go on me Fundy” “And- and just leave L’Manburg to Tubbo himself? Like all alone?” “No he would have had like literally everyone else on this server” “Like who?” (I just found this exchange interesting)
“I don’t think you’ll like it but Dream is uh, kind of proud of Tubbo. He- he’s actually acknowledging L’Manburg as a new country now” (and this is what the other side of the manipulation looked like from the outside)
“Wait wait! I could talk to the narrator! Then I’d finally have a friend!” (proceeds to start talking to the narrator)
“No no no. No no no Ranboo. Stop- stop complaining. Stop being weird Ranboo. You should be honoured to have a friend that’s close enough that he shoots you” “I don’t think that’s a ‘friend’, I think that’s just an assassin” (Ranboo with the common sense)
“This is where I used to live and then Dream tore it down” “Why did Dream tear it down?” “*sigh* I don’t know”
"Look guys: this is the song of a female astronaut named Clara” (about Chirp)
The vod ends with Tommy and Ghostbur’s attempt at saving Lazarbeam from lava and Ghostbur gifting Tommy the “Your Tubbo” compass.
Moving on: Tommy Is So Lonely in Exile with Dream
This is actually the first stream where Tommy starts off drowning (and he actually dies, yet again, non canonically). Also Puffy gifts him some blue wool, 3 diamonds and his own Christmas tree, specifying that it’s not out of pity so he actually accepts the present. 
“We’ve got some things to do. I’m still feeling um... I’m not feeling I AM very very very alone. Just- just so- just lonely all of the time... which isn’t, you know? Isn’t okay. I don’t know why I was at the bottom of the ocean just holding a bone”
Now, a bit to unpack here. In real time by now it had been 3-4 days technically, but in rp it has been specified already multiple times that it had been quite a few days since Tommy got exiled and we don’t really have any reason to believe that he received any more visits then what we’ve seen. Which probably increased his loneliness. Also we don’t have an actual explaination for him waking up drowning, my best guess for it is a mix of him being suicidal and general depression making it hard to get any proper rest (which we know was the case for him since he did mention at one point that he “didn’t sleep anymore”) which could have caused him to start sleepwalking since both “not getting enough sleep” and “stress and anxiety” are listed as causes of it. Now the actual subconcious reason as to why he was going in the sea and letting himself drown is unknown but, again, he was suicidal while in exile.
Also “How to Sex 2″ got burned by Ghostbur, not volountarily of course, he just had it on him when he died in lava. 
“I’m too lonely to be angry now, alright? We got to appreciate all the friends that we can get” (about Lazarbeam bringing him a present)
“The compass is nice though! We’ve got a compass that always will point to Tubbo... not that- not that he’d care” (beginning of the doubts about his old friends)
“Tubbo has one too? [referring to the compass] Oh he’ll just- if he’s got one he’s just using it for show... he’s- I’ve accepted that he’s the president now and I’m just- I’m just that guy he had to exile to show how powerful he was” (again, doubts)
Also Tommy makes his first path to Logstedshire in this stream. He also takes a liking to Mushroom Henry here after figuring out he could produce mushroom soup, meaning he actually had a sustainable source of food instead of having to relay mostly on handouts. 
“Guys we need some more coal” *Dream joins the game* “...ooooooh no please don’t come and visit me. Please please please” (I’m leaving this here, I believe this reaction speaks for itself)
“Hey! I’m- I’m above right now by the pretty Christmas tree that there is here” “Why are you here?” “I’m visiting you!” “Last time you said that you ruined me” “I- How did I ruin you?” “*sigh* Hi Dream!” “Hello~” “What have you- what” “Where are you at?” “I’m just com- why are you here? Every time you’ve been here you’ve done something destructive” “I- I what- I haven’t done anything destructive... everything’s been fine! I haven’t destroyed anything”
At the time there were a lot of people who were hesitant at calling Dream’s manipulation “gaslighting”, as that is a precise type of manipulation, but this right here? This is an example of gaslighting. Dream destroyed everything Tommy had every time he visited him and they both know this, still what Dream is trying to do here is convince Tommy that that never happened to keep up his friendly facade. Just because he isn’t saying directly “you can’t trust what you remember” doesn’t mean that that’s not exactly what he is implying. To reiterate this point they meet up right after and Dream, once again, blows up Tommy’s armour and diamond sword: 
“Hello~ take your armour off” “Why should I take my armour off?” “Um, drop it down here” “No, no! I worked really hard to get this. No!” “Okay... you can get it again!” “No! See this is what I told you about, that you’re destructive to me” “Tommy I’m not destructive... but, listen, you gotta drop it” (...) “No, no! I’m a rebellious teenager. I don’t listen to green punks” *Dream hits Tommy with an axe* “*screams* Okay okay okay okay okay”
Again, Dream hitting Tommy in this case is portrayed as physical abuse. And then Dream goes back to acting as if nothing ever happened, going on to talk about his day, telling Tommy that he knows about the 2 compasses and telling him that Tubbo went over while Tommy wasn’t there and that he is free to visit Tommy, he just hasn’t done it yet (all of this are actually true, but the implication that Tubbo didn’t want to see Tommy obviously isn’t). 
“Dream, I think I’ve realized why no-one’s came to see me” “Why’s that?” “It’s because- it’s because there is not an easy way to get to me and I’m gonna make an easy way to get to me today” “I mean, if you boat here, it took me 2 minutes” “No no-one wants to use the boat, it’s too far- it’s too far for people” “Oh you know what Tommy? I’ll do you a favour”
This is when Dream moves Tommy’s portal. Now, one thing that I want to point out is that Dream had already intercepted Ranboo’s and Tommy’s first mail book (we know this because in Ranboo’s message at the beginning of this stream he said that the first one disappeared) so he probably knew that Ranboo was using the secrecy of the further away portal to communicate with Tommy undetected. Of course Dream can’t have that, though he probably didn’t account for Ranboo not giving up that easily.
“Well it’s very awkward considering you exiled me and- and have banished me from being around all of my friends and now are trying to side with me it’s kinda-” “Tommy what’d you mean from all your friends? I’m your friend!” “Yeah... yeah you are” “I am your friend Tommy~” “Yeah I- Yeeeeeah, Dream” (just to clarify: Tommy is not agreeing with Dream here, he is being sarcastic. Also Dream starts harping a bit more on this point from here on out)
“Oh I just witnessed another suicide...” (second time this happens, the first was in the last vod, and he stays staring at the lava for a moment)
Tommy once again trying to push Dream into lava (again similarly to how he did in the first proper exile stream) and Dream just goes along with it (mostly just to flex about how that can’t actually kill him). I consider this couple of times as the first times Tommy started lashing out in exile. 
“Health and safety is important Dream! *staring at lava* Is it though?” “Yes, yes it’s important Tommy. It’s not your time to die”
“And then you’re coming over here giving me shit and also burning my shit. You’re just- you’re just a monster” “I didn’t burn any of your shit” “You blew it up! You exploded it! Man you’re ruining my life...” “I blew it up, I didn’t burn it though” (because that makes all the difference of course...)
“Hey man I could jump and you’d be able to do nothing about it and I’d- I’d be done-zo” “I- I ask you please not to” “Okay” “I need you alive and well”
Now I found this interesting when first watching as well, but Dream really did spell it out for us that he actually needed Tommy, huh? Like, in retrospect, what Dream then intended to do in the Season 2 Finale seemed kind of obvious. Also after that They have a discussion about the enderchest, but Tommy gets to keep it. Also Ranboo appears at the portal, though Dream doesn’t manage to see who it is and Ranboo manages to escape before he sees (thanks in part to Tommy distracting Dream). Now I want to point out that, even if outwardly people had the permission to visit Tommy, the fact that everyone was so scared about Dream finding out about it talks volume about how clear that was. Also this is when Dream gives Tommy the general direction of Technoblade’s cabin.
“Look at us go... hey why don’t you just un-exile me, you know? You know?” “*laughs* Well I think that I- I- I think that maybe there is a possibility at least in the- in the future that you could- you could- you know? Get a visitor’s pass...” (notice that he only confirmed a possibility for a visitor’s pass, not for actually going back, Dream literally never meant for Tommy to go back permanently)
Lazarbeam arrives to visit Tommy at this point to gift him Far and a fire resistence potion.
“See I told you! It was because I didn’t have a bridge that nobody was coming to visit me Dream! It wasn’t because it was me” “Yeah it must be...”
“Hey Dream come and listen to this man! [talking about Far]” “I-I’m-” “Hey, promise you won’t- If I get a new disc you wouldn’t mind would you?” “No I wouldn’t” “Okay, come and listen. I trust you now, now we’ve bonded” (Is this the second time Tommy invites Dream to listen to a disc with him?)
At this point Dream pressures Lazarbeam to mug Tommy with him and the whole scene is just pretty weird, but it boils down to Dream blowing Tommy’s armour up (again), while also hitting him a bit more when he doesn’t immediately comply (basically making this humiliating and making Tommy understand that he is not any safer with someone else there). Though Tommy does end up lashing out and killing Lazarbeam (not canonically) and Dream destroys his enderchest in retaliation. After that Tommy does become more submissive, not wanting to get killed. Now I want to point out that that same day Dream had agreed that Tommy could keep his enderchest without any conditions to it, but, of course, Dream’s rules are constantly changing. Dream does leave after that for a bit.
“I put your enderchest back by the way Tommy” “Really?” “Yeah. I just wanted to prevent you from putting his armour in there so... that’s why I broke it” “Thank you! Thank you” “You’re welcome” 
Wanna know why this is bullshit? Tommy didn’t even try to go towards the enderchest when he had Lazarbeam’s armour and immediately gave it up at Dream’s request. This is just Dream giving Tommy a “reward” for being compliant after punishing him. Also pointing out the fact that Tommy felt compelled to thank Dream even if Dream was the one who caused the issue he just fixed in the first place. Also Connor arrives as well.
“Yeah you can’t move into my home Connor” “Well I mean, of course he can because it’s not your home because you’re not going back” “What do you mean I’m not going back?” “Well as I said maybe potentially you could get a visitors pass” (reiterating a point from the start)
“Tubbo- Tubbo said that! Tubbo said it [the server] looked so much better since Tommy left. And I was like ‘wait what?’ and he’s like: ‘yeah it could be a coincidence though but I don’t think so'” (you manipulative green bastard)
“I don’t know if you know this but I’ve been constructing a- a uh- a prison and it is ginormous so...” (I did not remember Dream mentioning the prison this early on)
Anyway, the stream ends with Dream stripping for primes and since I need it, I decided that that’s canon.
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Analysis of the “Fundy’s Mind” Stream: A Showcase of Repressed Memories and Repressed Insecurities
i. INTRODUCTION
Hi! This is going to be… something. Funny how I focus on this rather than my research homework, but I have a MASSIVE Fundy brain rot right now and I’d love to share my thoughts on Fundy’s newest stream. Fair warning, I am not the Messiah, so don’t take everything as fact. I’m open to constructive and objective discussions in replies or in DM’s, so feel free to hmu!
All of this is /dsmp and /rp by the way!
Heavy trigger warnings for derealization, parental neglect, neglect in general, self-deprecation, self-neglect, low self-esteem, death, manipulation, abandonment, loneliness, trust issues, torture mention, blood mention, and broken friendships.
Word Count: Approximately 10k.
ii. PRE-LIVESTREAM ASPECTS
Before we begin deep diving into the mind of Fundy, I do want to emphasize two major themes of this stream: 1.) Fundy’s insecurities, especially when it comes to abandonment and trust, and 2.) Fundy’s future predicting abilities. A ton (but not all) of statements uttered by the books and Fundy himself tend to have double meanings that apply to both of these themes. 
We can further discuss the future predicting powers later, but to give a little background on Fundy’s insecurities: Fundy is notorious for heavily depending his self-worth on the recognition other people give him. Despite his immaturity, a lot of Fundy’s character is rooted in being heavily underestimated. This could be observed during the Pet Wars when his safety was constantly being threatened by Sapnap, inevitably making him lose a duel against him. Another way we can see this is through Wilbur’s early treatment of Fundy where he constantly infantilized him because Wilbur believed Fundy was a child incapable of being independent. This caused Fundy to appeal a lot to any type of compliment from any person- it began with Quackity ensuring him that he will gift him a lot of cookies if he votes SWAG2020, then to Schlatt complimenting him to the point that Fundy almost gave up on spying and siding with Pogtopia, then to the Butcher Army where he unhesitantly followed Tubbo and Quackity’s lead no matter how many times they made fun of him. While he revels in any type of recognition given, oftentimes, those who seem to care for Fundy tend to leave after he grows attached to them; first with Wilbur, then Niki, then Schlatt, then Eret and Phil, then Tubbo, Ranboo, and Quackity. In the Dream SMP, Fundy is very lonely and has dealt with abandonment issues left and right, but typically, he never does anything with his loneliness, as the last time he lashed out against someone who left him, nothing positive really came out of it (this is when he got mad at Ghostbur). 
(Everything else is under the cut! I worked so hard on this, so please read it if you can, it’d mean a lot!)
So, with all that laid out, I want you to keep this all in mind as it is important for understanding why Fundy feels the way he does in the stream.
Now, let’s begin the analysis. First off, I believe it is important to denote the title and the tags of the stream. The stream is titled “Fundy’s Mind”, so we have to denote that this isn’t merely a dream sequence- the stream is meant to explore the complexity of Fundy’s mind. This includes his thoughts, insecurities, repressed memories, and so on and so forth. Additionally, the stream is tagged “Permadeath”, something different from what Fundy typically tags his streams. There is no clear explanation as to what this could mean, but the possibilities are:
It is hinting that the death system in the Dream SMP could be rigged, and someone is messing with the semantics of death and how it works.
It is hinting that someone will face a permanent death, and most fingers are pointed at Fundy as this is his stream. If not a permanent death, he might at least lose one of his canon lives which was hinted later on in the stream (will discuss later).
It is hinting that he was killed by the end of the dream. Not really a solid theory as we don’t actually know the repercussions of killing someone who is actively dreaming, but it is a possibility.
iii. PROLOGUE
A thing to question at the beginning of the stream is if the entire introduction was part of the dream or not. Seeing how Fundy has the same inventory from this to the next scene, it is plausible, but I don’t think it provides anything if it were a dream. 
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Anyway, other things to denote are Fundy’s hotbar! First noticeable thing would be the 38 baked potatoes. The website angelnumber.org explains that 38 means:
“The combination of these two numbers makes the number 38 a number which signifies joy and optimism, courage, finding creative ways to materialize abundance, reality, etc.
The essence of the number 38 in numerology are different kind of relationships, such as romantic ones, business partnerships, teamwork, cooperation, diplomacy, etc.
Number 38 people have a talent for dealing with people in a caring and creative way. They are born team-workers. They need interaction with other people to fully enjoy their lives. They are usually optimistic and have a gift of inspiring others to action.”
So far, the number 38 is viewed to be positive. It signifies financial success and cooperativeness, which is interesting if Fundy’s future arc potentially ties to working with Quackity. To further add onto symbolisms regarding success, dreamastromeanings.com says the following:
“If you dreamed of baking or roasting potatoes, that dream is a good sign. It usually indicates your finances increasing over time.
Possibly you have made some investments and now you are beginning to reap the fruits of your efforts and risky activities.”
or,
“If you dreamed of holding a potato in your hand, that dream is a bit of a warning. You might soon receive some lucrative opportunity, possibly work related.
It is advisable to think fast and accept it because you might not get a second chance.
It could also indicate that you are a bit lazy when it comes to taking chances and missing opportunities because of that.”
Both explanations refer to business opportunities and possible investments. If we combine both the explanation for the number 38 and carrying potatoes, we can assume that Fundy will be receiving a business opportunity that would be too good to miss. These explanations also imply that nothing too negative would occur, but instead, Fundy can achieve success through this business opportunity. The only arcs in the Dream SMP which I think could provide a business opportunity would either be 1.) a new warden at the prison, 2.) new member at Snowchester (low odds), but the most likely occurrence would be 3.) Quackity offers him a position at Las Nevadas. With the Quackity smiley face at the end of Fundy’s stream, we can safely believe that the job opportunity at Las Nevadas would be the most likely occurrence.
Another explanation for this is that because the 38 potatoes were brought from the seemingly real world, it could possibly pertain to something that had already happened in the past. This could possibly allude to L’Manberg, especially when the explanations behind 38 potatoes are presented to be more positive, something the current Las Nevadas arc isn’t.
Second thing to notice about the hotbar: Fundy is currently at level 5, with his EXP bar 1/18 filled. To reach level 5, one has to gain 55 EXP, and to reach level 6, one would need to gain an extra 17 EXP. If the bar is merely 1/18 filled, 1/18 of 17 would be 0.94, which when rounded off, is 1. Add 1 to the extra 55, and we would approximately get 56 EXP. The website angelnumber.org says the following:
“The number 56 symbolizes teamwork, coexistence, family, relationships, adventure and expression of freedom.
Number 56 people have diverse interests, some of which they have an in-depth knowledge of and some just general understanding.
They try different approaches in relationships, trying to keep them alive. If everything they’ve tried fails, they simply walk to another relationship.”
This could mean a lot of things. The second sentence could imply that Fundy doesn’t fully comprehend the complexity of his mind. Some parts, he may understand, some, he does not at all. This could imply that there are also more secrets hiding in his mind that we couldn’t get to see. The third sentence is more interesting as Fundy’s entire character arc involves him and his broken relationships with other people. It’s a quite accurate description of Fundy, describing how he desperately tries anything to make a relationship work, and if it fails, he could easily befriend other people even if there is a possibility that that relationship would fail like the previous. 
If we ignore the number of EXP, we can merely focus on the number 5, which means the following:
“When angels are sending you number 5, they want to encourage you to have hope and to be ready to accept all the changes that are coming. Also, if number 5 has appeared just at the moment when you have been thinking about something important in your life, this number could be the answer or the solution for your problems. You should pay attention to number 5 and think of its secret meanings.
If number 5 keeps appearing by your side, it means that changes are already happening in your life. If they have not happened yet, don’t worry. They are on the way and you will feel them in the next couple of days or weeks.”
This can be connected to both the EXP number and the stream as a whole as Fundy begins to accept the gravity of his abandonment issues instead of suppressing his negative feelings towards it. Throughout the stream, Fundy is shown rejecting the idea that he is being neglected by others, but by the second half of the stream, he rejects it less and less. This could be the change the explanation is referring to as Fundy realizing his negative feelings towards his abandonment issues are valid and he needs to take them more seriously rather than brushing them aside. 
With number symbolisms finally aside, we can begin analyzing the actual sequences! Fundy is seen to be approaching his “Not A Secret” Base with a sigh, asking chat if they can go to sleep so that he can go to sleep too. Fundy immediately doubts the possibility of the others in the server following through his request until Ranboo responds with a simple “okay” while Niki responds with “yiss, am asleep”. Fundy quickly flashes the members list on the screen, showing us that only Niki and Ranboo are online on the server before he showcases his new bed, claiming that he likes it.
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Two interesting notes about this: 1.) he decides to sleep, which is odd enough in the Dream SMP, and 2.) him having three new beds despite only using one of them. For the first point, I’d like to refer you to what Fundy said at around 26:08:
“I just gotta sleep and then, it’s gonna disappear! And then everyone is gonna appear out of a bush and they’re gonna be ‘Surprise!’, and I’m gonna be like, ‘You guys…! You’re always pranking me, you’ve always been there for me. Every single time… except sometimes… when I needed you the most.’ I just go to bed, I just go to bed, and none of this ever happened.”
While I understand that he is referring to the dream, I also believe that this statement would be one of those types I mentioned earlier that may have a double meaning. While “I just go to bed,” could refer to him wanting to sleep and wake up from this horrific dream, it could also refer to how he easily shuts down to his abandonment issues and goes to bed instead of handling it head first. Knowing this, him going to bed in the first scene could imply that he is in this type of  abandonment predicament, especially when we connect it to the second point. The color orange is meant to represent joy and warmth, and even without the symbolism, we all know orange is Fundy’s favorite color. He sees these three beds and says that he likes them, but I can’t help but feel like the other two beds are meant for two other people. I don’t think Niki and Ranboo being the only other two people on the server is coincidental; they have to relate to the two extra beds in some way.
Niki and Ranboo are two prime examples of close friends Fundy had before breaking off after a misunderstanding. Niki fought with Fundy after he had to burn the flag she made in order to gain Schlatt’s trust, while Fundy fought with Ranboo after Doomsday when they had conflicting beliefs about neutrality and sides. After both incidents, Fundy never really made his way to apologize, but Fundy has awkwardly met up with these two after a certain point. With Niki, he was forced to team with her at the beginning of the November 16th War, joking around with her and Eret, while for Ranboo, Fundy had to talk to him and Philza when they were joking around in the SMP. The meet ups definitely relieved some tension, but it never fully resolved the conflict Fundy had with both characters, so there was never a chance for him to rekindle the close bonds he had with both Ranboo and Niki in the past.
Fundy going to his favorite beds with two extra spots next to him could represent how he does cherish the friendships he shared with Niki and Ranboo, but never has the guts to actually bring back things the way that they were before. So, instead, Fundy sleeps, not wanting to think about them any further.
iv. FIRST DAY
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When he wakes, Fundy checks his inventory before exiting his base, saying “Uhm, I don’t actually-” until he cuts himself off once he spots the desert. I don’t actually know what Fundy was supposed to say here, but because he checked his inventory beforehand, I believe he was trying to say “I don’t actually know where my things are,” but I could be wrong. To be fair, this isn’t too important, so we don’t have to focus on that. What we can focus on is the misplaced desert that was obviously not there before Fundy slept. We can easily infer what deserts could symbolize in dreams, especially when it comes to loneliness and the feeling of being deserted, but for better insight, consider what dreamstop.com claims about deserts:
“A dream of a desert is about something that is devoid of any feelings or care for you. It is all about them and nothing about you. Does someone show you a lack of respect? Is there someone or something in your life you dislike and adds no meaning to your life? Do you feel invisible? That no-one cares about you? Deserts represent an empty, barren place you may be trying to fill.
Desert dreams may appear when a relationship or friendship breaks down, or when you feel totally alone. You may have moved recently and have not yet made friends. You may feel homesick for all you left behind.
Being lost in a desert refers to your feelings that a situation is hopeless. You may have a problem you feel no-one cares about, even though you tried to reach out. You may feel there was no support and are feeling hurt and alone.”
You don’t need much analyzing to connect these meanings to what Fundy is experiencing. The setting of a “desert” merely pads the idea of Fundy being incredibly lonely to the point of him believing that he has nothing left to lose. Back in Doomsday, he was an optimistic nihilist, claiming that he doesn’t care much about what occurs from this point onwards as long as he can have a little bit of fun. On the stream where he created the Cube, he claimed that most people hated him anyway, so the least he could do was to make himself so hateable so other people could unite together in their hatred of Fundy even if it meant Fundy would have no companions left. Let it be known: Fundy is incredibly, incredibly lonely, and he is miserable in his loneliness, especially when his self-worth depends on how much people recognize him.
Another thing this desert could be eluding to would be Las Nevadas as it is set in the desert. I do think the desert’s main purpose is to showcase Fundy’s loneliness, but the connection to Las Nevadas is plausible.
Additionally, the dark skies Fundy sees doesn’t really need much of an explanation either. I couldn’t find a website exactly defining what it means to find a dark sky, but most of them speak of it as a negative thing, often symbolizing something terrible to come. I don’t think I need to explain that part, so we’re moving on.
Fundy is, understandably, very confused about this entire predicament. He quickly moves around his base to figure out what is going on, even messaging in chat to see if anyone would respond. Climbing up the ladders, he stands atop his base, spotting the silhouette of the Camarvan from afar. He continues to be confused, claiming he has no idea why he’s here in the first place. He claims he is “freaking out”, continuing to ask questions about where he is, and why the sky turns dark. He denotes that he isn’t at least completely alone as bunnies swarm around the desert. He begins to follow this sandstone path, every few blocks or so passing a fence with a torch stood atop it.
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Here, we can infer that Fundy seems to have never seen this place before, or has no recollection of it entirely. Fundy doesn’t seem to be immensely freaked out just yet, especially since he hasn’t asked any questions about how no one is there, mostly focusing on his location and asking what the place is about.
Fundy then asks why the van is here, then zooms in on the nametags he sees at the back of the van. It is notable that something nametagged “Fundy” is shorter than another thing that is nametagged “WilburSoot”. Fundy tries to reach out for them but is unable to enter the van.
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We can easily infer that this scene was meant to represent Fundy’s childhood in L’Manberg when he was being taken care of by Wilbur. Despite the lack of silhouettes, we can easily determine that Fundy is young in this scene because of how his nametag is in a much lower position next to Wilbur's, implying that whoever owns that nametag is much shorter. We can denote that by the beginning of the L’Manbergian Revolutionary War, Fundy was, in fact, a child. 
Another question some of you might ask: why is the Camarvan here in the first place? While I believe it could be representative of the part of Fundy’s mind that tackles past memories, I do think it also serves another purpose which I will explain later.
Moving on to the next scenes, Fundy continues following the sandstone path while typing in chat, asking if anyone was actually there. He gets confused by the path for a moment, wanting to go to the ominous building, before realizing that the path does connect to the building, it just swerves a little to the left.
It is notable that when Fundy cried out for help, he doesn’t call for a name in specific-  he calls out for ANYONE. The fact that he is calling out for “anyone” could denote that he doesn’t have any close friends or family members he would want to specifically call out for. 
Continuing on, Fundy follows the path to the building, still very immensely confused about where he is. Opening the door, he sees that the inside descends into an underground room with its flooring made out of chiseled quartz blocks. Fundy gets scared at first, immediately closing the door, looking back in, and going back out once more.
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Fundy denotes that there is absolutely nothing out here as he walks around the building. He then gains the courage to descend the staircase, wondering what it is, and at the bottom, there are a lot of misplaced sandstone blocks with small lights illuminating at certain corners. The path leads to the left, showing 10 pieces of red carpet on the floor, and 8 pieces of yellow carpet on the table. He approaches the wooden table before looking to his right, spotting a skull on the floor next to a piece of redstone, which I believe is meant to resemble blood.
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I don’t think we really need to research a skull to check what it might represent, but my theory so far as to what the skulls mean in each building would be that it’s meant to represent Fundy losing a canon life. I don’t know if this was intentional, but the corner room where the skull is somewhat reminds me of the Final Control Room with the redstone in the middle representing the button. That is, after all, where Fundy lost his first canon life. 
One of the theories I subscribe to is that the skulls in these buildings are meant to foreshadow Fundy’s death before he ever reaches it. Earlier in the day, we saw Fundy pass by the Camarvan with a younger Fundy which could possibly imply that they haven’t gotten to Eret’s betrayal yet, but the skull creeping up at the corner could represent that it is, in fact, coming. How this ties in to the entire future predicting thing, I will explain later, but for now, keep an eye out on the skulls.
Terrified of the skull, Fundy opens the chest and hesitantly picks up the book and quill inside of it. He opens it and is introduced to another Fundy writing to himself. Other Fundy claims that they’re not exactly the same person, but this Fundy is a part of the real Fundy. Other Fundy claims that Fundy cannot trust this place as it is not real, then begins saying that Fundy himself is not real repeatedly. Fundy’s heart rate suddenly increases when he sees the words “wake up” appear slowly in the book, and after page 34 is shown, Fundy wakes up to a new day in the dream world. 
First thing to denote is that the book has 87 pages, and 87, according to affinitynumerology.com means as follows:
“The numerology number 87 is a number of family, organization, and prosperity.
It's also a number of harmony and idealism, the ideal generally related to a harmonious and prosperous family relationship.
87 has parental instincts. It assumes responsibility for the welfare of others it considers to be family.”
The explanation implies that Fundy longs for family and cares deeply for those who he considers as his family. As much as he hated Wilbur after he died, Fundy still continuously expressed how much he needed Wilbur to be there. He is absolutely attached to anyone who poses as a possible family member, especially to those who he views as parents or guardians. Even outside of Wilbur, he is still practically attached to Phil, even if Phil refuses to consider Fundy as family. Fundy also got immensely angered by Eret when she didn’t show up to sign his adoption papers. I’d even say his attachment to family would even reach people like Sally and Schlatt. Fundy has a tendency of casually talking about Sally, and whenever a character talks about eating salmon, Fundy becomes deeply offended. For Schlatt, Fundy kept Schlatt’s netherite sword after he died, considering it to be an “heirloom”, something that only gets passed down onto different generations of the same family. Fundy is incredibly attached to the sword, and whenever he loses it, he’s absolutely desperate to get it back. As much as Fundy gets abandoned, he still deeply appreciates a lot of his family.
87 is also very reminiscent of one of the books in the Inbetween. A lot of the phrasing in the books are actually quite similar to the Inbetween, but we aren’t sure if Fundy and the Inbetween are directly affecting each other or if these places merely work in similar ways. The main similarity between Fundy and the Inbetween is that it involves something related to time travelling, so the similarities could be pointing towards that rather than imply that Fundy is directly affecting the Inbetween all together.
Secondly, the book stops at Page 34. The website angelnumbers.org express the following:
"Most likely you are leaving your projects unfinished because of fear for their destiny after you finish them.
Will they be rejected or accepted by others?
Because you would rather not find out that and possibly have your ego hurt, you consciously or subconsciously sabotage your work and leave things unfinished.
When this number starts appearing in your life frequently, it is a reminder to acknowledge you have a problem and start dealing with it.”
This is very reminiscent of the paragraph I made earlier discussing Fundy’s relationship with Ranboo and Niki- and this could honestly apply to any other relationships Fundy has as well. Besides Fundy’s relationships, this explanation could apply to Fundy’s hesitance of finding out the truth of his mind. Earlier on in the streams, Fundy is immensely confused about the dream, not wanting to discover its truths at all. This eventually changes on the third day, but we’ll discuss that in a bit.
Another thing I’d like to discuss would be the identity of the book authors and why they wrote the books the way they did. I’ll explain about this more in-depth later, but I do believe that another Fundy is, indeed, writing these books. As this was set in Fundy’s mind, it’s quite impossible for anyone who isn’t Fundy to be meddling with the books. What we can denote, though, is the reason as to why these books were created in the first place. The book itself seems to be harmless at first, quite inviting towards Fundy in the first few pages, but once it had to introduce what this world is, it seemed to hesitate. There were a couple of disjointed pages, as well as blank pages, before it began claiming the world wasn’t real, and that Fundy wasn’t real. It turned a complete 180, which seemed to be very odd to me. In past events of the Dream SMP, derealizing statements like this tend to be tricks of the mind, but these statements seem to be intentionally put there by those who wrote the book, especially since later on, we see another book completely give up on saying these triggering statements, saying that “It’s not going to work.” (32:05). 
What this implies is that whoever placed these statements are attempting to scare Fundy in some way, possibly heightening his insecurities and terror so that he can be truly terrified of the place. The constant statements of “you are not real” may not only refer to the Other Fundy trying to make Fundy spiral downwards in derealization, but it might actually represent how neglected Fundy feels to the point of feeling invisible, to the point of feeling that he “isn’t real”. But why is this Other Fundy trying to scare Fundy, and who, specifically, is the person behind the writings, you might ask? This question will be answered later on when we go more in-depth with the other books, as the bigger picture is very much needed instead of explaining it all by the first book.
v. SECOND DAY
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Fundy wakes up in his base once more, evidently confused. We don’t really know why he wakes up in his base, and why the world changes every time he wakes up, but let’s just say this is all part of his dream to make sense out of it. This time, he sounds more broken, and definitely more unhinged. He calls out for any other member in the chat, telling them that whatever they’re doing is not funny. This is the first we see of Fundy believing that the others may actually just have been pulling a prank on him. He opens his chests frantically before venturing outside once more. He claims that he doesn’t believe the book, saying that this dream sequence feels pretty real to him. 
This time, Fundy puts a bigger emphasis on asking why he is alone, and why nobody seems to be here with him. Fundy seems to be more shaken up by the idea that he’s alone over the idea that he does not know anything about where he is at all. He approaches the van, and when he zooms in, he sees that Wilbur’s nametag disappeared. 
Transcript of this following scene:
“I knew you were there. No, no, no, no, no, no, no, no, no, no- you can’t fool me! No, I knew you were there Wil. You were there, right there! Where did you go? Are you being- he’s being funny. This is funny! This is great. Aw, this is amazing- it’s just a prank! It’s April Fools soon- that’s why! Oh, I’m just being pranked… right?”
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Now, this was… sad. This is one of the other statements that could have a double meaning. Fundy insisting that Wilbur is supposed to be there could not only be him comparing this day to the previous, but it could also imply his true feelings towards Wilbur, especially since he’s disappeared for a good portion of Fundy’s life. Fundy believes Wilbur is supposed to be there for him, but the reality is that he wasn’t. Instead of facing reality, Fundy concludes that all of this was a harmless joke instead of believing that Wilbur might have possibly left him.
Fundy attempts to enter the van once more, but his attempt doesn’t work. He then follows the path on the side directing to the ominous building only for him to realize that it has gotten closer.
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The building getting closer to the main base actually has a lot of symbolism behind it. The building itself stores a lot of secrets, especially when it comes to the truths about this world and the different insecurities Fundy has repressed. Those writing the books have laid out all these secrets in every single book found in this building. The fact that it’s underground is meant to represent that these secrets are meant to be hidden in the depths of Fundy’s mind, but the fact that the building is getting closer to the main base makes it feel like 1.) the stored secrets about this world that Fundy may have forgotten about might finally seep into his consciousness, making him aware of them next time he wakes up, and 2.) the insecurities Fundy repressed deep down are seeping out more and more as it reaches the main core. Once it’s there, Fundy won’t be able to reject the truth about his abandonment issues any longer.
Fundy nears the building, still quite nervous. He opens the door, and the layout of the inside seems to be slightly similar to the previous day, but there are small details here and there that are different. Instead of 10 red carpets, there are 6, and instead of 8 yellow carpets, there are 6. Additionally, the skull seems to be closer, this time directly next to the table.
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While the carpets were quite subtle, I do think it symbolizes a certain decrease of something. Red symbolizes the color for passion and love, while yellow is meant to represent happiness and positivity. Earlier, we saw that Wilbur disappeared from the Carmarvan, so the decrease of rugs for each color could represent Fundy’s love and happiness decreasing.
For the skull itself, I don’t know if I’m right, but this is what I infer from it: On the first day, we saw that Wilbur was still standing next to Fundy in the Camarvan as the first skull underground was still very far away. On the second day, when Wilbur was gone, the skull got closer, standing next to the table instead of it being far away. I theorize that if the skull is closer, then a canon death has already occurred in the time period the day wants to present. The first day presents a time where Wilbur was still taking care of Fundy, so Eret’s betrayal may not have happened yet, hence why the skull merely stayed hidden at the corner. On the second day, Wilbur has actively left Fundy, similar to the period after L’Manberg’s independence when Fundy had to partake in the Pet Wars alone. During that era, the betrayal has already happened, which is why I believe the skull is much closer this time. 
Continuing on, Fundy opens the book and begins reading. From this point onwards, I do want to go more in depth with each of the books, so I’ll put transcripts here and there with my thoughts added onto it after each transcript.
“Hi me!
Welcome back!
Yeahh, second time here? or third?
not entirely sure”
So, this is confirmation that this might not be the first time Fundy’s having dreams like this. A good question to ask is if the book was written a long time ago and has presented itself the same way it does right now, or if this book was written recently. I don’t think the stream gave a definitive answer, but it is something to keep in mind.
“Listen to me Fundy
and you should trust me because,
well you know why
There are two things you can do right now
Walk back to your base, jump in bed, fall asleep, and you will wake up as if nothing ever happened
Or you can keep reading…
And I will tell you what I know”
The book pauses for a bit then continues saying “You are not real” ten times, “You dont want to know the truth” fifteen times, and spams “WAKE UP” until the 38th page, a number we analyzed earlier because of the 38 baked potatoes. 
For the book itself, whoever is writing the book seems to be a bit hesitant when writing. It doesn’t seem to want to explain what this place truly is to Fundy, and as much as it clarifies that they are, indeed, Fundy, they never expound on how they were able to write these books and why Fundy should trust him. Other Fundy saying “you should trust me because, well you know why” is actually quite ominous, and I can only think of two reasons as to why they would say it: 1.) Other Fundy is implying that Fundy can trust him because he is, in fact, the same person, or 2.) Other Fundy is hinting that Fundy trusts too easily as seen with the people Fundy trusted in the real world.
Additionally, the Other Fundy seems to emphasize on the fact that they WANT Fundy to go to sleep and wake up in the overworld. They phrase it so that sleeping once more is the more logical option, while they basically scare Fundy with the other option, evident by his quickened heartbeat. The Other Fundy seems to know about the intricacies of this dream and its world, but seems to be very hesitant to tell Fundy about it. The continuous threats imply that the Other Fundy doesn’t want Fundy to know the truth at all.
Basically, this Other Fundy knows something, something our Fundy doesn’t know about, and wants to emphasize that it is something horrific. He will do whatever he can do so that he can stop Fundy from knowing the truth, even if it means he has to scare Fundy.
Additionally, to me, it feels like “WAKE UP” could possibly have two meanings. If the underground structure is meant to represent things that Fundy constantly represses to the back of his mind, not only would the secrets of his dream reside there, but his own repressed insecurities may reside there as well. The way Fundy treats the truth about his dreams is actually quite similar with the way he treats his insecurities- he tends to reject its existence and pretend that everything is normal. This dream isn’t just a dream, it’s an exploration of Fundy’s mind, and telling Fundy to “WAKE UP” doesn’t just refer to not knowing the truths about the dream, but it could also refer to Fundy not knowing the truths about his own insecurities hidden deep in the depths of his mind. 
vi. THIRD DAY
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Fundy wakes up, breathing heavily. He paces around his room before opening the door frantically, seeing that he is still stuck in a desert. He begins to laugh, repetitively telling himself that all of this is a “joke”. He continues questioning why he’s still in this dream, and when he opens the door, he sees the ominous structure observably closer to the base. He claims that he’s actually stressing out, and Fundy goes on a tangent about this dream and reveals a bit about his insecurities:
“They’re toying with me, they’re toying with me. They’re actually- everyone is toying with me- they are ALWAYS TOYING WITH ME. Everyone is! I’m always being played with. Why? Why always me- no! Why does it always have to be me? Every single time. I don’t wanna- (sigh). I don’t wanna keep dealing with this- I just wanna- no- do I just… Do I just… Do I just go up here and listen to- wai- okay. The book said I have two options: I can wait here until it’s night time. Wait until the sun sets and I can go to sleep, and when I go to sleep and wake up, none of this is real. None of this is gonna- it’s gonna disappear. None of this is real, none of this is real, none… It’s not real, it’s not real, I am currently not real, this is no- how is this possible? How is this- wha- how did- how… None of this is real. I am not real. All I have to do is wait for midnight and just sleep, and all of this would end, right? All I have to do is… wait until night time and then… it’s all gonna be over, it’s all gonna be done. 
I just gotta sleep, and then, it’s gonna disappear. And then everyone is gonna appear out of a bush and they’re gonna be ‘Surprise!’ and I’m gonna be like, ‘You guys! You’re always pranking me… you’ve always been there for me (sniffs). Every single time… except sometimes… when I needed you the most. I just go to bed… I just go to bed, and then I wake up, and none of this ever happened. And we’re gonna go back to my old life where I have fun and join parties and join groups and only see them disappear in front of my eyes as I start to get attached to them. Y-yeah, that’s- that’s- that’s the choice I’m making. Go back to that... (sigh). Just… or you know…”
LOTS to unpack here, and I’ll go one by one explaining certain aspects of this because it’s not just something that showcases Fundy’s insecurities.
Firstly, interesting how Fundy believed that the book was toying with him like how a lot of other people do. That’s what makes him afraid of the book- the feeling of being pushed around. The book is actively trying to use Fundy’s insecurities against him in order to make him more and more afraid of the truth. This is interesting because Fundy is known to be ignorant towards his actual issues (just look at his monologue), but the Other Fundy seems to be acutely aware of them. I will explain why he is aware of them later on.
Secondly, this is the most observable point, Fundy seems to be aware that he is quite frankly, alone, but tends to ignore it. He copes with his abandonment issues by treating his abandonment like a joke. He believes that every single person who’s left him did it as a prank. Even if he laughs at this idea, he is also evidently hurt by it. It hits even harder when you realize that Fundy is quite the dependent character, often sucking up to any person who gives him recognition. If Fundy depends on others to dictate his self-worth, how do you think he thinks of himself right now when he literally has nobody?
Putting emphasis on Fundy’s loneliness is going to be interesting because I do think some characters in future arcs are going to exploit that. If Quackity is going to use and manipulate Fundy the same way Sam does, then there would be no doubt that he will use Fundy’s loneliness against him. Even if it’s not Quackity who approaches Fundy first- even Bad, Sam, Dream, anyone, really, could use Fundy’s loneliness against him, which will make for an interesting plot point.
Lastly, not a lot of people spotted this, but this monologue also gives us insight as to why Fundy continued looking for the truth about his dreams instead of staying in his base and waiting for night. When talking about what to look forward to once he wakes up, he talks about how much “fun” he is going to have. Slowly, you see his denial start to dwindle as he finally admits that people leave him just as he gets attached to them. As much as Fundy wanted to wake up from this horrific dream, he realizes that, once he wakes up, he has nothing to look forward to either. That’s why he hesitates when he says “Yeah, that’s the choice I’m making,” because he realizes waking up isn’t as ideal as it seems. This is why Fundy immediately goes outside afterwards with no hesitation- Fundy has nothing left to lose, hence why he chooses to venture forth. Fundy is driven to do things because he feels like his life is purposeless anyway.
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Fundy then begins to head outside quietly, zooming into the ominous building while walking right towards it. He then detours for a moment, walking towards the right of the building, and approaches a giant crater filled with obsidian and blackstone.
The explosion could symbolize two things:
Any of the L’Manberg explosions. With the obsidian and blackstone combination, my guess is that this is either the first Doomsday event (L’Manbergian War of Independence) because of L’Manberg’s walls, or the November 16th War because of Schlatt’s Podium. Why the big amount of blackstone and obsidian? Well, I’m not so sure when it comes to L’Manberg as its walls didn’t have obsidian, but for the November 16th war, I do think that the abundance of blackstone and obsidian is meant to represent how Fundy is reducing the November 16th war to Schlatt’s Podium. This can be alarming as he was the one who made Schlatt’s Podium, so reducing the war to that one building might symbolize that he blames himself for the war.
Another theory, which is the theory I subscribe to more, is that this is actually depicting an event in the future that we haven’t seen yet. Namely, the prison. If you zoom in on the explosion, the block pattern is quite reminiscent of the block pattern present in the prison.
While I’ll mostly discuss Fundy’s future predicting powers later, I do think that there’s a possibility that Fundy saw a vision of the future, unlike the past two days where he saw visions of the past. The prison might possibly be nuked in the future.
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Fundy then proceeds to walk back towards the building, repetitively saying “no”. He claims he needs to find out, sounding more determined than before. For this, even if the explosion could represent many things, I do think Fundy is generally reminded of the explosions he had to witness throughout the history of the Dream SMP. Perhaps he believes that finding out the truth could prevent more explosions from occurring, perhaps he figured out that this was the prison and he needed to know why it exploded, perhaps him walking away from something that’s reminiscent of real life represents his choice of wanting to learn more about his dreams rather than sticking to anything similar to real life. 
Moving on, Fundy enters the building, saying he wants to know what’s going on. The underground room seems to have changed a bit, as the chiseled quartz floors changed into quartz bricks. The place also seems to be littered with end stone blocks and bricks. The place is much darker as well, and the carpets on the floor and table seem to be gone entirely. Two skulls can be observed near the table.
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My brain actually can’t reason as to why the end blocks were there, or why the quartz blocks changed. My guess is that the end stones will eventually connect to a future plot point relating to the End, but again, I’m not sure. The carpets being gone could represent that the love and happiness (red and yellow) that Fundy had disappeared completely. The dishevelled state of the room could represent that the secrets being held inside this underground room are finally breaking free as its confines tear down more and more. 
Now the skulls- if we go by the theory I presented earlier, then the skulls are meant to represent canon deaths. If the skull was tucked into the corner, then that means death is to come, but if it’s near the table, then I believe the canon death already occurred. If two skulls are next to the table, then it could imply that whatever time period the day is set in should be around the time Fundy loses a second canon death, which hasn’t occurred yet. Again, this is all speculation, so I might be overthinking, but if the explosion is meant to represent the prison getting nuked, then there’s a possibility Fundy would lose a canon life before the prison gets destroyed.
Now, onto the juicy bit: the book. The book reads as follows:
“Hi. again.
...Why are we so persistent
...Why are we so stubborn
...You have been here before, but you keep coming back
...Why?
WHY???
You dont want to know the truth
It will hurt you
I dont want to be hurt again
YOU dont want to be hurt again
I KNOW WHAT YOU WANT
PLEASE JUST LEAVE
GO TO BED
FALL ASLEEP
ENJOY YOUR LIFE
ENJOY THE FUN THINGS
THE TRUTH ISNT WHAT YOU WANT
PLEASE
STOP THIS
STOP!!!”
The book tries scaring Fundy by spamming “WAKE UP” across multiple pages.
“It’s not going to work, huh..
Listen to me Fundy…
Your mind is not safe…
You are not imagining this…
This place might not be real…
But he is.
Spare yourself.
I need you to listen carefully.
Do not join him.
Whatever he asks of you.
Do NOT join him.
his plans aren’t as nice as they sound.
his intentions aren’t what you think they are.
he will use you
he will destroy you
everything you ever loved
everyone you ever cared about
do not join him.”
Before I explain this book, I think it’s best to also note down what was said in the next book as well so I can better explain what’s going on.
“note to self
hello
I just wrote this book to remember who I am
To remember what is happening
All the books I just found are indeed written by me
Listen to yourself
You suffer from a very odd illness
You suffer from a form of insomnia, within your own dreams.
Now the effects of this aren’t really known, and even I don’t fully know what is going on.
but let me tell you
somehow, this world, these actions and events, are linked to reality.
things that happen in these so-called “dreams”, tend to leak into the real world
they will actually happen.
you might wonder how exactly this is a bad thing.
the ability to predict certain events from happening, sounds pretty cool.”
Fundy then stops reading the book, seemingly overwhelmed by the influx of information. Analysis time, boys, time to unpack what this all means.
Firstly, I believe that this dream has happened before. Multiple times, actually. If certain “events” in the dream are meant to predict the future, then the moments involving the Camarvan on the first two days could imply that Fundy has seen this place before during the L’Manberg era where he could’ve predicted Eret’s betrayal and the loss of his father. If we think about it, the books could honestly be given to Fundy at any time period and it would work. Look at the entire section of the book describing someone who Fundy can’t trust- this “him” person could honestly be… anyone who abandoned Fundy? If the book hints at someone who might possibly hurt and use Fundy, then Eret, Wilbur, Schlatt, and Dream could also be considered. These people were nice to Fundy at first before betraying him one way or another. There is a possibility that this dream has warned Fundy about these people in the past, only for Fundy to forget about the dream. What about this time though, who is this “him” that’s going to betray Fundy during this time period? Well, the easy answer would be Quackity, but Bad could be a possibility as well. With the hint towards Quackity at the end, I do believe that Quackity would be the main suspect, but it’s also good to keep an open mind as we don’t know much of who Fundy’s involved with in Season 3.
Now, why would Fundy be able to forget about the dreams, though? I do think that whoever is responsible for writing the books are doing their best to prevent Fundy from uncovering the truth. Who do I think are the book authors? Well, I don’t think they were lying when they said that they were Fundy. I believe that, just like the Dream voice in Ranboo’s head, the Fundy that writes books would be some sort of conscience or subconscious in Fundy’s mind. This part of the mind holds certain memories repressed by Fundy, as well as some of the insecurities he chooses to ignore. They are aware of all of Fundy’s past visits of this dream, and they know the dangers of it, which is why they want Fundy to not uncover the truth. 
The signed book claims that whatever Fundy sees in the dream will seep out into reality. Knowing this, I believe Fundy’s subconscious is trying to prevent Fundy from seeking out the truth to prevent these future visions from happening in real life; this especially applies to events that involve Fundy possibly being hurt. There is a possibility that this Fundy has seen past Fundy’s discover events like the Camarvan and the loss of Wilbur occur in dreams way past before it occurred in real life, so they feel afraid that our Fundy would uncover more and more truths that would become reality. While we don’t know if Other Fundy’s beliefs on future predicting is true, this gives us a better understanding of why they want Fundy to go to bed and wake up. (Additionally, the Other Fundy has placed emphasis on saying that the truth may hurt Fundy, so there is a possibility that these future events might involve something that heightens Fundy’s insecurities more. That’s why this Fundy seems to be so aware of Fundy’s insecurities- they have witnessed Fundy’s insecurities being used against him in certain visions.)
For the memory thing, so far, I believe a part of Fundy’s mind is actively suppressing all the memories Fundy has of his dreams. Fundy already represses a lot of his insecurities, so using Fundy’s insecurities against him might actually enable them to keep Fundy’s memories about the dream locked in the corners of his mind. The place where the book is kept in is underground, after all, but we do have to keep in mind that the building is getting closer and closer to Fundy’s main base. This could symbolize that Fundy will remember his dreams more once he wakes up.
So basically, so far, Fundy has dreamt this dream multiple times in the past, and during each dream, he witnesses an event in the future that could possibly happen in real life. Fundy’s subconscious, or possibly past versions of Fundy, are trying to warn future Fundy’s to not uncover too many truths about the dream as they believe this could possibly manifest terrible events to happen in real life. To get Fundy to go back to bed, they try scaring Fundy, using his insecurities against him, only this time, Fundy is a bit more disobedient because, again, he feels like he has nothing left to lose. 
Another theory I have which I’m not 100% sure about is that this Other Fundy, as much as it has good intentions, may have committed a mistake when they tried to get Fundy to bed by using his insecurities. If anything in the dream may happen in real life, them heightening Fundy’s insecurities might pass over to the real world as well. While scaring Fundy could prevent him from uncovering the truth, it might’ve also been a double-edged sword as Fundy is more aware of his insecurities more than ever.
Continuing on, Fundy decided to leave the building, seeing that it’s night time. He sounds relieved knowing that he can sleep and that he can wake up from this dream. He celebrates for a moment, throwing the book away, but then he hesitates, saying he wants to know the truth. He picks the book up again but doesn’t read it immediately, claiming that he could just sleep instead of knowing the truth.
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Fundy seems to revel in the idea of waking up for a bit until he mentions how much of a “blast” he can have with everyone once he wakes up. After mentioning this, he immediately picks up the book with no hesitation. This is the second time Fundy is shown to be motivated in finding the truth about his dreams because of him realizing how unfun the real world is. Again, Fundy is seen to be motivated by the fact that he has nothing left to lose, and as much as he is scared of this dream, he seems to prefer finding this world’s truth over going back into the real world where he’s practically alone.
Moving on, the book continues:
“however…
while this might be the case of dreams…
this is also the case for nightmares…
this is your last warning Fundy
please… for the both of us…
just wake up”
This part of the book simply affirms all I’ve theorized about earlier. The Other Fundy hints that some events that Fundy might witness in his dream would be detrimental to Fundy, which is why he doesn’t want Fundy to continue exploring. He knows that Fundy will possibly manifest an event that will ruin him in real life, so he wants Fundy to sleep instead of accidentally manifesting his demise.
vii. FOURTH DAY
Fundy then wakes up once more, complaining that this dream never ends. He goes outside, seeing a black, hooded figure slowly turn around and chase him. With a quickened heartbeat, he runs up his stairs to sleep in a black bed placed on the roof. Fundy screams as we see the hooded figure approach, and the screen fades to black. A white smiley face reminiscent of the one on Quackity’s skin appears on the screen as casino slots sound effects play in the background.
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Now, what do I make of this? Well, firstly, we gotta point out that his bed at the end looked EERILY similar to a gravestone. A lot of websites claim that sleeping in a gravestone or seeing a gravestone could indicate change, especially when it comes to overcoming one’s sadness or problems. In a literal sense, we can think of it as something foreshadowing a future canon death, especially if we think that the person chasing Fundy is the grim reaper.
Speaking of that person, I do have a couple of explanations as to who this person is:
The person is death themselves, the grim reaper. This is the common conclusion everyone believes in, especially when we consider this “him” person possibly hurting Fundy, and that second skull in the underground room. Quackity is the main culprit for now, especially with that smiley face in the end, but there could be other possibilities! Like, what if someone takes Fundy’s canon life before he joins Quackity, which is why the smiley face only popped up after Fundy’s dream death? Mayhaps someone affiliated with Quackity might be doing the dirty work for him, so Bad, Sam, Dream, and anyone, really, could be responsible for Fundy’s future canon death. Moreover, the fact that this death occurs affirms the beliefs of the Other Fundy. The Other Fundy merely wants Fundy to be safe from possibly manifesting his demise in real life, but Fundy’s curiosity got the best of him, and in the next sequence, he was killed, proving that the Other Fundy was right in saying that Fundy should’ve just slept.
A theory I made up which I’m not 100% sure of is that this figure is actually Fundy’s subconscious trying to get him to sleep. When Fundy was being chased, we heard a quickened heartbeat, and where was the only other time we heard that? When Fundy was reading the “WAKE UP” and “you’re not real” messages from those books. We can view this as the Other Fundy’s attempt in trying to get Fundy to actually sleep by using another scare tactic against Fundy. And well… it did work! Because Fundy was afraid of this figure, Fundy went to sleep. There is also a possibility that this occurrence is what makes Fundy forget about the dream because his subconscious got a hold of Fundy and forcibly made him forget, but I’m not 100% sure about that one yet.
Lastly, the face! That should already allude to Fundy possibly joining Quackity’s lore, and with the “38 potatoes” symbolizing business opportunities, I expect Fundy to be joining Las Nevadas as a possible employee. Quackity does, in fact, prey on people who are insecure, and can easily get them to do whatever he wants because of his words. If he can get Sam to give him the tools needed to torture Dream, Quackity might exploit Fundy’s loneliness into making him do whatever Quackity wants from him. 
Another face that this could possibly connect to is the face in the Egg lair! While I’m leaning more towards Quackity because of the casino sounds, I do wanna say that the Egg and the Eggpire could possibly be connected as well, especially when the Egg could provide Fundy anything he wants. Just like how Quackity could prey on Fundy’s insecurities, the Egg preys on those who feel like they’re missing something, so as much as Fundy could be manipulated by Quackity, he could also be manipulated by the Egg. Additionally, business opportunities could apply to the Eggpire as well as they’ve contacted Purpled in the past to assassinate Puffy, so who’s to say they won’t try adding Fundy to the Eggpire?
TLDR; This entire stream showcased both Fundy’s insecurities and Fundy’s future predicting powers and how this “Other Fundy”, aka his subconscious, wants him to repress them because they believe that if Fundy uncovers the secrets of his dream more, then Fundy would accidentally manifest his demise in real life. Additionally, Fundy is very lonely, making him vulnerable of being used in the future because he is desperate to get any type of recognition from anybody. In summary, be afraid of Fundy’s future lore streams, be very afraid.
viii. ADDITIONAL NOTES
Even when I finish this, there’s a lot of questions to ask about this stream that I want you to keep in mind:
How many times has Fundy encountered this before?
How does Fundy forget all the information he got from the dreams?
How does Fundy write to himself?
Why is there so many details connected to Karl, and what does it have to do with time travelling?
Why does Fundy return to his bed every time his heartbeat quickens when reading a book?
Was the first scene part of the dream or not?
Could the underground room’s structure actually mean something?
And there’s probably more, but just saying, keep an open mind about this entire stream because there’s definitely a lot more to uncover.
I want to reiterate: I am not the Messiah, so don’t take my word as the truth and the absolute truth. I’d love to hear your thoughts about Fundy’s stream as a lot of it could be up for speculation! The entire thing is filled to the brim with symbolisms, so there could be a lot of interpretations to consider. If you enjoyed this, feel free to like and retweet because I worked my ASS off with this one. 
Special thanks to the following:
Fundy and any of the Dream SMP members because that stream was INCREDIBLE. Go give them your love and support.
kingjem for always being there whenever I want to discuss any ideas I have about the Dream SMP. One of the smartest bitches I know, go follow them.
To all my betas who reviewed this document since I have a TON of grammar mistakes (thanks English): prismartist, bootsforthebootsgod, Finni_june (twt), ender-hyperfocuses-on-things, and Dngertosociety2 (twt)
And to all of you who like this post and would share it to other people! All support is appreciated. :D
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ilikekidsshows · 3 years
Note
I know you're probably busy with the she-ra live blog but after I saw your analysis on Ladybug!Alya, I'm really curious about what do you think of Black Cat!Alya. Of course you're free to ignore this, no pressure!
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I am still answering asks, it just takes me longer to get to each one, since I have less fandom hours in a day to dedicate to them with the liveblog taking up some time.
Okay, so, looking at Marinette in 'Origins' and then in the rest of the series, it's obvious that a combination of being a superhero and getting to know Alya is what gave Marinette all that confidence and snark. I fully believe she was capable of it before too, but needed the positive enforcement and feeling of empowerment to bring that part of herself out. Most likely before the series Marinette only snarked at people in her head after the situation was already over, in a: "I should have said X that wouldn't have showed them," type of way. Where am I going with this? I'm saying Alya wouldn't need to learn to match Plagg, she could do so from the get-go.
Judging from her early interactions with Trixx at the end of 'Sapotis', where Trixx managed some smooth reverse psychology on her, only Plagg's lying might catch her off guard. Alya is so fundamentally honest that she can't immediately tell when someone's being deceitful. However, Alya is a middle child with some pretty rowdy siblings on both ends, so I think she'd catch onto Plagg being a prankster soon enough, especially after the newness of the whole "this being lets me be a superhero" thing wears off and she'll be less starstruck towards him.
I said in my Ladybug!Alya analysis that you can give Alya any Miraculous and she will make it work for her because she wants to be a hero so badly. This is a factor even when you give her the Black Cat. As someone well-versed in superhero tropes, I see Alya being worried over ending up with such a villainous power, but we've already seen how imaginative Alya can be, so she'd realize the true versatility of her power pretty quickly. I've already brought up in my comparison post about Adrien and Alya that Alya is capable of being the same level of nurturing as Adrien, and she exhibits a strong sense of justice. Alya could definitely be trusted to use Cataclysm responsibly.
I see Alya and Plagg as capable of working out any interpersonal issues between them pretty quickly. This is mostly because, like Adrien, Alya has people in her life who care about her but will do things that anger, annoy or even upset her, albeit to a lesser degree, since Alya's family is just a normal bigger family instead of abusive and manipulative like Adrien's. As such, Alya’s family members would only upset her by accident instead of not caring about her being upset. Regardless, Alya could easily spot Plagg's nonmalicious intentions even when he acts up.
Something that I see as actually affecting Plagg and Alya's relationship is how intellectually (and otherwise) lazy Plagg can be. He completely overlooked the Peacock brooch and the grimoire in 'Volpina' in favor of raving about wanting cheese, and he only gave Adrien the cliffnotes on his powers in 'Origins'. Plagg would not want to answer Alya's endless stream of questions concerning her powers and the history of the Miraculous. He would definitely play up the effect of the gag order to ward her off, which would most likely feed into that distrust towards the Guardians I mentioned Alya might develop in my Ladybug!Alya analysis.
We also know of Master Fu's reluctance to share what he knows in fear of any information leaking out. Fu's paranoia in the series has progressed to the level where secrecy is a way of life to him and he doesn't even question whether or not some bit of information would be useful for his chosen before he decides to keep it to himself. Combine this extremely dodgy behavior from their "assigned Guardian" with Alya's curiosity and suspicion, and an Alya guided by Plagg definitely has a chance of developing into a bit of a "Rogue Miraculous Holder". This Alya would eventually aim to find her own path of being a hero, letting go of those training wheels of modeling herself after others and the idea of following rules set by other people.
Of course, depending on Alya's potential Ladybug partner, they might be able to mitigate these trust issues.
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fl0ating-tree · 3 years
Text
i’ve seen a lot of posts discussing the main themes of the dream smp characters but ive rarely seen posts discussing the main themes of the plot in general and so i thought i’d share my ideas on it. there are so many posts talking about how each character is morally grey and while this is one part because each character is actually a CC and can’t just be a black/white side character, and one part intentional story telling, it’s really interesting to look at what this means for the story as a whole. 
the topic of history throughout the story is pretty obvious, with the original l’manberg war being heavily inspired by hamilton and multiple characters saying something along the lines of “history is repeating itself”, but that’s a topic. not a theme. 
the theme of how personal perspectives on events shape your views on history, and to a lesser degree how the victors write history, shows in both the storytelling and through the creators themselves. while it’s inherent with how this story is told (live-streams from multiple perspectives) that you’ll get some sense of multiple POVs on events, the smp really uses that to their advantage. dream intentionally doesn’t stream the smp because it limits what you know about c!dream, making him an unsympathetic villain, while technoblade often streams his POV on big events because it makes it so much easier to see where c!technoblade is coming from and sympathize with him, even if he’s often in the wrong. the fact that me saying “c!techno is in the wrong” is a debatable statement shows just how greatly opinions on history change based on your POV and is a testament to how well this storytelling element is implemented. 
wilbur often streamed big and small events, and it showed both the big character moments for c!wilbur but also the small character interactions that build up his relationships. when he died, we only got one stream from ghostbur’s POV and it was used to show just how deeply saddened ghostbur was by the destruction of l’manberg and personally i view the fact that wilbur was streaming while ghostbur requested to be revived was symbolic of ghostbur making that reach to be human, to have his opinion on events heard, again. 
history being written by the victors is another running theme, though to a lesser extent than pov’s impacting historical views, and this theme also gets a bit meta. throughout the story characters say things about history that are just straight up wrong. c!niki saying c!tommy never apologizes, c!wilbur saying c!eret never made attempts to redeem himself, and most notably, c!techno saying c!tommy betrayed him by setting up a government during the nov 16th war. (i’ll admit i am slightly biased towards tommy, but i’ll try and keep this next part as objective as possible)
if you go back and watch the pogtopia streams, both c!tommy AND c!wilbur discuss rebuilding the government, becoming president/vice president, and so on in front of c!technoblade. never once did they say otherwise that they weren’t going to rebuild the government, and even tough c!wilbur went back on this and planned to blow up l’manberg instead, c!tommy never went back on his plans to rebuild government. but then how is one of c!technoblade’s biggest arguments against c!tommy “you betrayed me and built a government after i helped you”? it has to do with the fact that c!technoblade won that war and that technoblade has the most viewers. this is where this analysis gets a little meta. 
the audience impacts what perspective on history is regarded as “correct”, essentially choosing who the victors are that get to write history. it’s why dream and schlatt don’t stream. their character aren’t supposed to be sympathized with, aren’t supposed to have their POV be the “correct” one, so the CCs completely remove the possibility of that happening. in the l’manberg war, wilbur was seen as correct because dream didn’t stream his POV, giving wilbur storytelling victory by default. with the doomsday war, technoblade had like 800k viewers, more than the entirety of the minecraft category viewers on twitch. more people saw his POV, more people could sympathize with his side of the story. 
in the story, c!technoblade, c!philza, and c!dream won that war by a landslide. while the citizens of l’manberg were trying to rebuild homes and lives, the anarchists could easily push the narrative that they were destroying a corrupt government and teaching the evil citizens a lesson. c!dream won c!niki and c!jack’s opinion over c!tommy, therefore getting to paint him as a villain who destroyed l’manberg and the community house when it was c!dream who had the tnt. 
while i acknowledge that some of the evidence for these themes comes simply from the fact that this is an improv roleplay in minecraft shown through live streams from 20+ content creators, you can’t completely brush off the amount of thought that goes into this as coincidence. whether it’s through intentional lack of streaming POVs or unintentional viewer reach, the dream smp has always been about how your perspective can warp your opinions on history. 
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lucemferto · 3 years
Text
WE NEED TO TALK ABOUT PH1LZA (or Why Philza is a Victim of Narrative Circumstance)
Heyo! Per request I am posting the script to my video of the same name here on tumblr. I must warn you that just reading the script will probably not give you the full experience, so I would encourage you to watch the video (linked above).
There might also still be a lot of grammatical errors in the text, because I don’t proofread.
Intro
LAST TIME ON LUCEM FERTO
Okay, so! I don’t want this to turn into a reaction channel OR a Dream SMP channel for that matter! [echo]
Well, I lied.
[Intro to “Luc is pretentious about the funny blockmen. Episode 2”]
I swear, I’m working on other stuff. It’s just that my dumb lizard brain has only capacity for one interest at a time!
So, something you might not know about me, is that I am on tumblr – who am I kidding, most of you will know me from tumblr. Before starting this whole YouTube thing, I thought that website died years ago – but as per usual reality proves me wrong. I’m also on Twitter and Reddit, but I get the most engagement on tumblr – by far! – and I need those sweet, sweet numbers for the serotonin!
Anyways, one of my favourite past-times on tumblr is to razz Philza Hardcore Minecraft – that’s his full name – for being a frankly awful father [clicking away] – wait, wait, no! Philza fans, this isn’t a hit piece on him, I promise! Please come back!
This is video is meant to be a companion piece to my previous video about Technoblade and the Doomsday event – you can tell by the shared nomenclature – so you should probably watch that one before you proceed. Unless you don’t want to, which is also perfectly understandable.
DISCLAIMER: This video is mostly about the character Philza plays on the Dream SMP. Whenever I talk about the content creator Philza, I will say so properly. Also, Spoiler Warning for Dream SMP Season 2.
… What is that? You’re wondering what the Dream SMP is? Well, if you had just watched the other video like I told you to do, you would know, because I explained it pretty well there. But in case you don’t know, here’s the cliff notes.
Dream SMP is the hottest New Media Series on Twitch right now! It has it all: gaslighting, child soldiers, Machiavellian political intrigue, Hamilton roleplay, desecration of the dead, shounen protagonists, SO! MUCH! AMNESIA! Filicide, furries, a red egg that’s definitely homophobic and teenagers inventing nuclear warfare. And it’s all done in Minecraft – yes, the funny block game where the only way to emote is to crouch.
And you say the perfect brief doesn’t exist!
Now, you might be wondering, why do I want to talk about this? Well, it’s because Content Creator Philza is one of least controversial internet personalities that I can think of. That man exudes pure comfort. So, it’s just very, very amusing to me that his character became one of the most controversial figures on the SMP, only outshone by Tommy and Technoblade.
And it’s not just amusing, it’s also extremely interesting! I want to dig deep to uncover and discuss the dynamics behind why that is. How did it come to this point? How did a man who appears genuinely so pleasant create a character that inspires so much discourse!
Now, if you watched that Technoblade video – like I told you to twice now! – you might know, that I am the resident character analyses hater of fandom! And that impression is false and slanderous! Don’t tell other people that I hate character analyses! I love them!
It’s just that, in the Dream SMP in particular, there is an abundance of character analyses! Every streamer has at least two very good essays written about them, exploring every possible angle to view their characters and backgrounds and everything. All I’m saying is: I don’t have anything to add on that front.
So, instead I want to pursue a different approach – something, that I feel is a bit underrepresented in the fandom! And I’m not just talking narrative analysis – that’s right, this episode we’re going even more pretentious! – I’m talking Transtextual Analysis!
Now, what is Transtextuality? Well, unfortunately it has very little to do with actual Trans people – #transrights, just in case that wasn’t obvious – but instead describes a mode of analysis with which to put – to quote French literary theorist Gérard Genette – “the text in a relationship, whether obvious or concealed, with other texts”.
Basically, you know how the L’Manburg War of Independence heavily quotes and borrows from the hit musical Hamilton? That’s transtextuality! A lot of the analyses surrounding how Tommy mirrors the Greek hero Theseus, who was invoked by Technoblade multiple times in the series, are already doing transtextual analysis! So, it’s really not something that’s new to the Dream SMP fandom.
But how does this apply to Philza and how he is looked at and judged by his parental skills? Well, there are multiple forms of transtextuality, two of which we will discuss today.
But before we continue, I gotta do that annoying YouTuber thing. I know these videos don’t look like much, but I spend a really long time making them. I work fulltime and I try my best to keep up, but sometimes I can’t. So please, like, subscribe, comment to give me some algorithm juice – I really need it – and most importantly share it! Share it with your friends, share it with your family – I’m sure Grandma is very interested in what I have to say about Philza Minecraft.
And I’m trying to be better! If I sound at all different for this video, it’s because I finally bought a new pop filter, so I can hit my plosives without it sounding like there’s a thunderstorm in my room. I hope it makes a difference; it was a very cheap pop filter, so maybe it doesn’t. Maybe it sounds worse – that would be bad!
What was I talking about? Oh yeah, CHILD NEGLEGT!
 Intertextuality: Why is Dadza?
You know what’s really interesting about the Dream SMP – aside from, you know, most things about it? Very few of the characters have concrete, fleshed-out backstories – and that’s pretty weird! In no other medium or genre could you get away with something like that – at least for long-form storytelling!
So, how does Dream SMP get away with this? Well, it’s because every character on the Dream SMP is basically a self-insert – and I don’t mean that in the “This character is based on me”-kinda way, but in the “This character, for all intents and purposes, is me!”-way. This, like many things that are fascinating about the Dream SMP, is owed to the fact that this series didn’t start off as a continuous drama – it started off as a Let’s Play.
And while we can talk about how someone’s on-camera/on-mic persona is in some ways a character, it’s still miles off of being an actual, fully-realized, separate character in a storyline.
This is where Intertextuality comes in.
Intertextuality is a subset of Transtextuality. It describes how the hypertext, which is the text, you’re currently engaged with, uses another text, the hypotext, to supplement itself. The interconnection the hypertext establishes with the hypotext, through stuff like allusion for example, uh-hum [Hamilton], can colour how an audience interprets the hypertext. Basically, Hamilton and Theseus are the hypotexts; the Dream SMP is the hypertext.
So, what does this have to do with backstory? Simple: The backstories of the characters in the Dream SMP consist basically of nothing but intertextual references. Through intertextuality their content effectively substitutes their character’s backstory.
You can see it everywhere. Wilbur’s and Schlatt’s relationship and rivalry is hugely enriched, if you are aware of their shared history like SMPLive, for example – I think anyway. I haven’t watched SMPLive, because … there’s only so many hours in the day and I cannot keep up with the Dream SMP and catch up on SMPLive and live a healthy life – which I already don’t do, so…
BadBoyHalo’s and Skeppy’s relationship, which has become the crux of the Crimson-Storyline of Seasons 2 and 3, is hugely supplemented if you know that they’re also very close as streamers and in real life.
Another great example of intertextuality is basically Technoblade’s entire deal. If you just look at him completely within the text of the Dream SMP and try to transplant his entrance to any other medium: It would be extremely weird! Like, he’s just this guy that comes in in the middle of a very climatic arc, no build-up, no explanation what his deal is, and he’s treated like he has always been there. In any other medium that just wouldn’t work – at least not without a flashback or some sort of exposition!
But because of stuff like Minecraft Mondays, the Potato Wars, his Duel against Dream and SMPEarth, we understand that he is a Big Deal!
Anyways, to bring all of this back to Philza Minecraft: What kind of hypotext informs how the audience sees his character? Well, this is where I will have to talk about SBI.
SBI is an acronym that stand for State Bank of India, the 43rd largest bank in the world and…
It also stands for Sleepy Bois Incorporated. Sleepy Bois Incorporated is a loose assembly of content creators, consisting of Philza, Wilbur Soot, TommyInnit and Technoblade. It is most well-known for its very endearing family dynamic – a dynamic that is frequently acknowledged and played up by the creators involved. Tommy is the youngest brother, Wilbur and Techno are the two older brothers and Philza is of course the dad. And when I say, it’s played up, I really mean it! Wilbur seems to be especially enamoured with the idea and leaves no opportunity untaken to bring it up – which we will come back to.
And I’m not saying that they’re faking this and this is somehow an act. While I know none of these people personally, it appears to me, that this is genuinely how they interact – if a little exaggerated for the streaming experience. Even when they’re not consciously playing into the family dynamic, their interactions still very much lend themselves to that interpretation by the viewers.
Philza especially just radiates Dad-Friend energy – so much so that it has become a huge part of his brand identity – yay, I can bring that back (check out my Christmas video if you want to hear me ramble about that). The nickname Dadza stuck even before SBI was a thing.
So, even if we completely disregard SBI – which we shouldn’t for reasons I’ll get back to – Philza has cultivated an image of strong paternal guidance. He is, in my opinion completely deservedly, regarded very positively. He is highly respected and in turn seen as a voice of reason.
All of this would eventually inform the hypotext of the character Philza within Dream SMP.
 Interlude: Before Dadza & November 16th
Okay, so now we have established that a) Dream SMP heavily hinges on intertextual readings by the audience to supplement character backstory and b) that Philza’s entire deal is that he’s the dad-friend – more specifically that he’s the dad of SBI (not the bank). I think you know where this is going.
So, yeah, ever since it was on the table that Philza could join the Dream SMP, it was immediately assumed that he would take on the paternal guardian role all these traumatized people on that server so desperately needed – and with good reason! Like I said before, the audience at this point was trained to take intertextual interpretations as basically canon or at the very least canon-adjacent.
I want to emphasize that this is most likely not done deliberately. I’m sure content creators Wilbur and Philza didn’t sit there and said: “Yes! We will rely entirely on the audience’s inclination to interpret our characters intertextually to define character Philza!”. Like, obviously that did not happen.
But it’s also important to remember that unlike with traditional media and the fanbases cultivated there, the separation between the Dream SMP and its audience is almost non-existent – and purposely so. The story events are streamed live, Chats are acknowledged in canon and even outside of livestreams creators are extremely involved with the fandom. So, the weight of fan-expectations is equally amplified and will more likely be incorporated into the writing process. Case in point:
[Wilbur “I miss Philza”/Philza about Wilbur]
During Wilbur’s villain arc, even before his official involvement, Philza became a prevalent point of discussion. The hope that he would be the one to snap Wilbur out of his downward spiral was not only wish-fulfilment on behalf of the fans; it also very much played off of the intertextual reading of the SBI-dynamic in relation to the Dream SMP.
Of course, this still doesn’t make Philza and Wilbur canonically blood-related – but it definitely used the “paternal”-dynamic of SBI to build-up tension and drama.
And that ultimately brings us to November 16th. The Grand Finale of Season 1 and Philza’s first canonical appearance on the SMP.
Now, for this I want to pull back from the transtextual analysis and talk about simply narrative analysis: What is Philza’s narrative purpose on November 16th?
Philza serves as the last threshold on Wilbur’s Villain’s Journey – to appropriate Vogler’s version of the monomyth for a minute here – he is what Vogler calls the “Threshold Guardian”. He is the last enemy the Hero faces before completing his quest – in this particular case Wilbur’s quest is to blow up L’Manberg. Multiple people have at this point tried to dissuade him from this course of action: Tommy, Quackity, Niki and others. So how come this Philza moment is not redundant in terms of dynamics compared to these prior scenes?
Well, it’s through our intertextual understanding of Wilbur’s and Phil’s relationship. Because Philza does not just occupy the role of the Threshold Guardian – he is also implicitly the Mentor. Before Phil there was no character in the storyline that held a higher position of moral authority than Wilbur – Dream and Schlatt, while at points more powerful in terms of actual authority, were never positioned by the narrative as Wilbur’s superiors in the same way as Wilbur was to Tommy, Tubbo or even Niki.
Before November 16th all challenges Wilbur faced were from people narratively subordinated to him. But that trend is broken with Phil. That is why he is the Threshold Guardian, why this confrontation is at the climax of Wilbur’s arc. Because Phil is the last thing tethering Wilbur to whatever morality he held before his villain arc; Phil is the last, moral obstacle Wilbur has to discard before gaining his reward.
And, just a quick sidenote, because I’ve seen it around the fandom a bunch: When I’m referring to Wilbur denouncing his morality, I’m using that in terms of narrative analysis. I’m mentioning it, because Wilbur’s character can very easily be read as mentally ill or neurodivergent and some people have – rightly! – pointed out that the excessive vilifying when talking about his character is … problematic, to say the least.
So, I just want to make clear, this isn’t a character analysis, I’m being purposely broad when talking about Wilbur and Phil.
In the end, Wilbur takes that final step and gets his “reward”: As his final request his mentor takes his life and vanquishes the evil – the dragon of Wilbur’s story slays the dragon of L’Manburg. It’s very Shakespearean in its tragedy – but beyond the larger theatrics it’s not really used to further characterize Phil – at least in the context of Season 1. There’s not a lot of focus on his characters internal conflict during November 16th.
Phil, like Techno, is very utilitarian in how content creator Wilbur writes him: He serves as a moment of hype; an obstacle Wilbur has to face; a participant in the tragic climax of Wilbur’s character and ultimately takes on his implicit and expected role of mentor and guiding figure to the rest of L’Manburg.
I think not a lot of people talk about how Philza does not join Technoblade during November 16th. He takes the side of L’Manburg – he fights against the withers and he joins Tommy, Tubbo and the others at the L’Mantree, thus framing him as loyal to the L’Manburg administration – even though Season 2 would make his loyalty to Techno central to his character. But more on that later.
What’s also important about November 16th is that this is the day when the general intertextual interpretation became canonized text.
[You’re my son!]
Wilbur is made Phil’s canonical, biological son. The intertextual interpretation of SBI as it pertains to these two characters on the SMP was completely reinforced by the narrative. Or to put it in Fandom terms: The headcanon became actual canon. At least when it came to Wilbur … but what about Philza’s “other” children?
Well, that leads to our second form of transtextual analysis:
 Paratextuality: Is Dadza?
These titles are just getting better and better.
The Paratext is defined as all those things in a published work that accompany the text. It comes in two forms: One of them is the Peritext, which are non-diegetic elements directly surrounding the text – like chapter titles, author’s notes, and stuff like that. Translated to the medium of the Dream SMP, it would be stuff like this:
[Examples]
And, trust me, I could make a whole separate video about how people on the SMP use their peritext as a tool for storytelling – I’m looking at you, Ranboo – but that’s not what we will talk about in the context of Dadza.
Instead, we will focus on the second form of Paratext, the Epitext, which consists of all authorial and editorial discussions taking place outside of the text. That’s stuff like interviews, private letters or J. K. Rowling’s Twitter Account – you know, before she decided to become a full-time asshole.
[Wilbur: Transrights]
After Season 1 ended, Wilbur indulged pretty heavily in providing epitext for the Dream SMP, something he had not done prior to November 16th. His paratextual additions ranged from the playful, like assigning DnD alignments to various SMP members, to the extremely impactful, like the whole three lives system!
You probably think, you know where this is going. Wilbur provided some epitext about how Tommy and Techno either are or are not biologically related to him … and I have to be honest I thought that too. But then I began looking into the impenetrable web that is the SBI-canon on the Dream SMP and found this!
[Ghostbur explains family]
So, it wasn’t paratext, it was just straight text. Said in character, in canon, without any implication that we the viewers should question this. The text of the SBI family dynamic was explicitly linked to Dream SMP-exclusive lore, namely Fundy being Wilbur’s and Sally the Salmon���s son. This is as clear as Philza’s anguished declaration on November 16th in establishing the intertext as text. And because Wilbur also had a very heavy hand in the discussion of paratext around that time, it gave his character’s words even more “canonical” weight. Metatextually speaking, this very much read like the author giving exposition through his character – exposition that we should understand as reliable.
And, by the way, before I continue, I need to give a huge, huge shoutout to kateis-cakeis on tumblr, I hope I pronounced that right, who was just so quick in providing me with these crucial clips. Without him I would have looked for days because these people don’t archive their shit! And the Dream SMP Wiki was NO help, by the way! I love what you guys do, but stuff like this belongs in the Trivia section on characters’ pages!
Anyways, basically during the entirety of early Season 2 the SBI family dynamic was basically canon to the SMP. Sometimes it was only alluded implicitly, again letting the intertext fill out the rest.
[Philza clips]
But just as often it was just explicitly talked about – both in the text and in the paratext.
[Fundy clip/Wilbur “Twins” clip/Tommy clip]
So, I know what you’re thinking: “Why is this part called paratext, if the entire family tree is just textual”. Well, that last clip might give you a hint, as to what I will talk about. Notice how Tommy, one of the people most directly impacted by the canonization of SBI lore, is both unaware of and seems generally unenthused about it, to put it nicely? Well, that would soon turn out to be a much bigger deal than anyone could have imagined as he wasn’t the only one.
[Technoblade decanonizes SBI]
Yeah …
This happened on 20th of December. Regular viewers of this channel will remember that I put out a 90-second joke video, where I complain about this very development. And while I was mostly kidding around, the core idea is still true. The paratext provided by Technoblade and established text were in direct contradiction with one another – and that brought a lot of confusion into the fandom. Confusion, that would soon be followed by frustration.
Because Techno only decanonized himself as part of the SBI family dynamic – but what about Tommy and Tubbo, the latter of which was incorporated into the dynamic exclusively within the lore of the Dream SMP. Was this still canon or wasn’t it?
What followed was a muddled mess of contradictions, intertextual implications, text and paratext in conflict with each another. It was for the most part inscrutable to figure out how Tommy and Philza related to one another. I’ll spare you every comment made about this – mostly because I want to spare myself from looking for all of them.
In the end, the current status is that their familial relationship is … unclear. Philza said, again in paratext, that it’s ultimately up to the writers to decide, whether or not Tommy is his son … which, I personally think he and Tommy should be the ones to establish that, but I’ll come back to that later.
But why is all of this important anyway? Why would this ambiguity create such an uproar, such controversy – especially when it comes to Tommy’s character? What makes Tommy’s and Philza’s relationship such a target for discussion in the fandom?
Well … this is where we will have to talk about the storyline of Season 2.
Interlude II: Tommy’s Exile and Dadza in Season 2
Okay, Season 2. This is where the spoilers are, so I will just sneakily drop this again. It took me five seconds to google this gif and I will milk it for every penny it’s worth!
At the beginning of Season 2, Philza’s narrative role has not changed much from where Season 1 ended. He is in L’Manburg dispensing earthly wisdom, being a paternal figure to Fundy, Ghostbur and Tubbo, helping with the nation’s rebuilding efforts; just generally occupying the role of the mentor.
[clips]
And then came … the Exile. The Exile Arc took place between December 3rd and December 15th during Season 2 of the Dream SMP. It revolves around TommyInnit getting exiled from L’Manburg and slowly getting psychologically tortured and broken down by Dream. It’s a really great arc, at least in my opinion, that explores and deepens a lot of Tommy’s character relationships, whether that be Tommy and Dream, Tommy and Tubbo or Tommy and Ranboo. One relationship, however, is noticeably missing.
So, yeah, Philza spends basically the entirety of the exile doing pretty much nothing of consequence. And that’s not a problem specific to him – One big criticism I would levy against the Exile Arc is that a lot of characters are left spinning their wheels. Which is why we get zany stuff like El Rapids, Drywaters, Eret’s Knights of the Roundtable, Boomerville – anyone remember Boomerville, that was a thing for 5 seconds, wasn’t it? – basically a lot of storylines are started and then unceremoniously dropped. Now, I will talk more about this, when I make a video about Season 2 of the Dream SMP … in ten years, look forward to it.
In the case of Philza, this inaction was especially damning, because at this point it was still a considered canon that he was Tommy’s dad. So, the fans were left with a situation, where just a few weeks prior Philza was occupying a paternal role for Fundy and Ghostbur … but now, that his youngest son was in a very concerning predicament – to put it lightly – he was nowhere to be found.
So why is that?
Well, the most obvious answer is that Dream and Tommy didn’t write him into the storyline. We’ve seen that Tommy wasn’t particularly interested in exploring a familial relationship to Philza, at least at the time. And it would just not fit in with what Dream and Tommy tried to do with the Exile Arc: they wanted to tell the story of Tommy being isolated, completely under Dream’s mercy, slowly worn down and manipulated. If Philza had been constant presence for Tommy during that time, it would have definitely shifted the narrative focus. That doesn’t mean that they couldn’t have done that, it’s just a matter of fact that they didn’t.
This also reveals another truth about content creator Philza’s character work, that I think is extremely crucial: He takes what the writers give him. Outside of a few choice moments, he doesn’t seem particularly interested in expanding or even solidifying his character on the SMP.
What I’m saying is that he is very go-with-the-flow: Wilbur wants to enact a Shakespearean tragedy? Philza’s up for it. Fundy wants him as a parental figure and mentor? Philza’s here for him. Tommy, conversely, doesn’t want him as a paternal presence, even though it would make sense for Philza’s character, as it was established so far, to be there? Philza will oblige.
The reason I’m mentioning this is because, while Tommy and Dream were unwilling to utilise Philza in their storyline, someone else was more than happy to. Which leads us back, like it always does, to everyone’s favourite Porky Pig-kinnie in a crown: Technoblade.
Technoblade and Philza, from everything I’ve seen of them, seem to be very good friends – and they share a lot of history even outside SBI. So, it’s commendable that they would collaborate on a storyline together.
A consequence of that, however, is that Philza’s narrative purpose shifts completely with very little transition. His entire character changes from being the Mentor-figure of L’Manberg to being pretty much exclusively defined as Technoblade’s ally; his man on the inside. It is a very sharp turn from the end of Season 1. Their relationship is once again informed via intertext – this time the Antarctic Empire on SMPEarth serves as the hypotext – but there isn’t a huge effort made to smoothly integrate that aspect of Philza’s character into the larger narrative framing around him.
How much the narrative utilisation of Philza has shifted can be very easily observed through the Butcher Army event on December 16th, a story event that I like less and less the more I think about. Here Philza is used to show just how corrupt and violent Tubbo’s administration has becomes. He is no longer the respected mentor, he is now the stand-in for the oppressed populace, similar to Niki’s role in Season 1. On a narrative level, he is here to prove a point.
If you’ve seen my Technoblade video, you know how I feel about … just that entire storyline, so I will not reiterate too much on it. I just want to make clear that I’m not principally against this development – if they wanted to truly explore Tubbo going down a dark path and getting corrupted by power, so much so that he would even treat the person who effectively raised him like a prisoner, I would be extremely here for it, I cannot stress that enough.
The problem I have is that it’s just so sloppily done. It is not coherent with how these characters behaved and, more importantly, how they were narratively framed prior to the Butcher Army event. Fundy gets one token line about Phil being his Grandfather – a far cry from the very emotionally complex relationship they had established at the beginning of Season 2 – and Phil then callously disowns him.
The major problem simply is that we don’t see how Philza changes from Mentor-figure to embittered, oppressed citizen. And there was enough time to build to that. During the entirety of Tommy’s exile Tubbo was pretty much spinning his wheels and Quackity and Fundy were opening up plot cul-de-sacs that didn’t end up going anywhere. This is time they could have spent on developing their relationship to Philza and the dark path they were going down – but again, Season 2 video.
There is not much to say on Philza’s narrative purpose and framing beyond the Butcher Army event. He remains pretty much exclusively Techno’s consigliere with his role as Mentor to L’Manburg a distant memory. He has some cute character moments with Ranboo, because content creator Philza is just big dad-energy whether he wants to or not, and whenever he and Ghostbur share a scene suddenly the narrative remembers that there are people other than Technoblade that should exist in Philza’s inner world. But aside from that, Philza’s storyline in Season 2 remains … pretty definitive is the nicest way I can put it.
Most importantly his relationship with Tommy continues to be completely unexplored – whether by chance or choice – and that combined with ever vaguer paratext leaves “Dadza” in a very peculiar situation.
 Conclusion: Is Dadza a Good Dadza?
So, the question to end all questions. The big, obnoxious text, that I will probably have put in the thumbnail – I haven’t made it yet, but I know myself. The honest answer is: I couldn’t tell you.
I have, in the past, been expounding the virtues of narrative analysis. That is because I feel that Narrative Analysis and Textual Analysis, like in this video, can provide certain tools that Character Analysis lacks. Often times I see people trying to get at a writing problem or query and getting frustrated because they’re not using the toolset, they need to figure out what they want to figure out.
But I’d be a hypocrite if I pretended like everything could be solved through the modes of analysis I prefer. And I think the Dadza-issue is exactly such a case.
I set out to explore why the Philza-Tommy-“Dadza”-relationship has become so controversial. It’s a combination of expectations build up through intertextual readings, that were partly canonized – something that is very common for the Dream SMP – conflicting pieces of paratext, which only serve to muddle the issue further and a text that is not only completely uninterested in actually exploring Tommy’s and Philza’s relationship – as it stands right now they might as well be strangers, narratively speaking – but also completely changes Philza’s narrative purpose as it relates to characters like Fundy or Tubbo about half-way through with little to no transition.
That is why I say, that Philza’s character is a victim of narrative circumstance. Because unwittingly, through all of these factors and decisions, there is not coherent reading of Philza that frames his parental skills in a particularly kind light.
The question of how we can judge Phil as a paternal figure ultimately falls within the purview of the character analysis – and that’s a very multifaceted issue, highly dependent on which POV you focus on and how you interpret the other characters in that POV’s periphery.
To put my cards on the table, I think that Philza is a very flawed father/father-figure – and I find that absolutely okay. Flaws are the spice of character building. He is not Cinderella’s Evil Stepmother – but he’s also definitely not Mufasa. If we were to read Philza as a paternal figure, then he would have made a lot of mistakes and decisions to the detriment of his “children” – least of all everything that happened on Doomsday.
But I also have sympathies for Philza fans who are tired of the Dad-Debate and would like to have his character judged independent from his relationship to Ghostbur, Fundy, Tubbo and Tommy.
Ultimately, to bring it all to a point, I’d like to end with saying, that I think that Philza, out of all the characters on the SMP, has the potential to be on of the most intriguing, multifaceted ones. There are all of these different patches of story, character moments and narrative and transtextual implications, that, if brought together, could create a beautiful tapestry of the character Philza.
You have his relationship with Techno, which holds the potential for so much emotional conflict and vulnerabilities, you have his time as mentor of L’Manburg, which is just criminally underused; the complex relationship between him and Ghostbur/Wilbur; and – for me, personally – most intriguingly this weird, almost uncomfortably distant non-relationship with Tommy. That last one is intriguing to me, because it contrasts just so much with our intertextual understanding of the characters and streaming personas – and it just holds the potential for so much conflict, so much drama, so much angst. Which I live for!
And, yes, I do believe that most of this is narrative happenstance, that this was largely not intended by Philza or really any of the writers. It’s just what happens when hybrid-roleplay-improv a long-running, livestreamed storyline in Minecraft.
But I want them to realize the potential they have on their hands, because it could – with barely any adjustments – turn Philza from a victim of narrative circumstance to a champion of it!
 Outro
Thank you so much for watching this video. Usually, I don’t record outros this standard, but after this beast of a video I felt it necessary. I hope that whether you’re a Philza fan or a Philza critical or just completely uninvolved in the whole thing, there is at least a little entertainment you could get from this.
I want to take this opportunity to say that my next few videos will probably not be Dream SMP related – a sentence which undoubtedly lost me a bunch of subs – simply because I don’t want to burn out on it. I genuinely enjoy watching the SMP and being exhausted by it would be something I wouldn’t want to force on myself.
But who knows what will happen? The Karl Jacobs video was something I did spur of the moment because the idea just came to me – so I can’t guarantee that the next video won’t be a three-minute joke about Purpled or whatever.
Anyway, my concrete plans for future Dream SMP videos are essays on Season 1 and Season 2 as well as one for Tales from the SMP.
Before that I have a longer video in the works, which I’ve already teased a bunch, so I hope it will finally be finished sometime. And I also may be working on something … eboys-related? Maybe. I’m not making any promises!
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irishlads-quotes · 4 years
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Self Centred Improv: A Brief Analysis of Wilbur’s RP Style, And How It Limits The Dream SMP
okay first of all this is not an attack on Wilbur’s character! these are all mistakes that are very common for amateur improvers/role players, and absolutely do not make him selfish or anything like that. it’s also something that could honestly be fixed so easily, so if you could share this around it would be much appreciated
anyway, my thesis is basically that Wilbur is a very self centred role player and that is severely limiting the potential of the Dream SMP and putting other content creators in awkward positions. what do I mean by that? well, there are two main aspects:
1) The ‘yes and’ rule. if you’ve ever even dabbled in rp or improv before, you would have heard this rule. it basically goes like this: if someone else in the game suggests something? you never, ever say no. never cut it down, never save it for later. instead, you embrace it and try to figure out how you can build on it: “Yes, and-“. Wilbur doesn’t always do this, and that’s a very unfortunate mistake because it often happens at the expense of other creators.
for example, let’s look at the Eret redemption arc. once Wilbur and Tommy were kicked out, Eret practically immediately approached them with an offer of support. it was his redemption arc. Wilbur and Tommy, though, refused him because they didn’t feel it was the right time in the narrative for that. as a result, Eret’s now in...limbo. we all know the redemption arc is coming, so when it does happen it won’t be nearly as impactful, but even until then Eret is just sorta...waiting. waiting for Wilbur to decide that he can fit into the story again. a similar thing happened to Techno, where Wilbur spent a while being reluctant to accept his support. it was only with Tommy’s prodding that he finally agreed, and Techno could join the server. luckily Techno’s limbo was a lot shorter than Eret’s was, but it still let the hype from his tweet die down a little, and that’s a big shame.
again, please do not take this as Wilbur being selfish. that’s absolutely not the case. he’s just falling victim to a very common trap for amateur improvers, and as a result inadvertently throwing his fellow creators under the bus. to go back to the Eret example, if he’d accepted Eret’s immediate offer then Eret would have the opportunity to expand on his character, while Pogtopia would have a completely unexpected dynamic thrown into it that they could use to build their own narratives. it’s so much more interesting. but unfortunately, that’s not happening, and that’s because of the second aspect:
2) Pre-planning the plot. it is very tempting for new role players to have certain plot beats pre-prepared, but this is actually heavily discouraged among the community. because your plot beats are always going to be centred around your own character and their arc, and so you’ll turn down opportunities from other creators that could enrich the storyline and make for a more unexpected, more high stakes experience.
for example: currently, Wilbur has mentioned that he will only allow one other creator per stream to join Pogtopia, and when Tommy tried to suggest otherwise Wilbur broke character to say that Tommy was making the story move too fast. the problem with that is, the story shouldn’t be able to move too fast because the story shouldn’t be set in stone right now. Wilbur, i presume, sees the storyline being other creators gradually joining Pogtopia over time until there’s one big, grand finale. which is a great story!! but predictable, and small scale, and centred around Wilbur and Tommy’s characters. it’s predictable because all the audience knows about it, so there will be very little hype when Niki and Eret etc join the gang. it’s small scale because it’s from the mind of one creator, and leaves very limited opportunities for unexpected factors to change up the plot or challenge the characters. and it’s centred around Tommy and Wilbur because, until they decide otherwise, all the others just have to wait. and their audiences have to wait too.
one of the best parts about minecraft RP and the Dream SMP is just how random everything is. how stupid it is to have such dramatic occurrences and massive stakes in a minecraft game. if Wilbur keeps saying “not yet” instead of “yes, and-“ then these unexpected and dramatic happenings will be a lot less common. some of the best moments on the server are those that Wilbur didn’t plan for (Eret’s betrayal, Schlatt’s victory etc) but they went along with it and used it as a stepping stone to develop the storyline. i feel like, if we want the Dream SMP to not get stale, that will have to become the common response to all contributions from other creators as well.
anyway, i don’t claim to be an expert in the area. i’ve been role playing for about 5 years now, but have no formal education in it and am going purely off of what i’ve observed and been advised of throughout the years. i also apologise if these seemed harsh or condescending, because i’m honestly just trying to offer a different perspective. i very much doubt any of this will actually reach anyone on the SMP, but if it does i hope they take it into consideration ^-^
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thoughts-on-bangtan · 3 years
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“Let’s BTS” asks about “I like you the most” and Jin’s reaction
by Admin 2
First of all, I want to wish you all, far away in the world of Vmin and BTS, a healthy and peaceful Easter, if you celebrate it, and a nice weekend for those who don’t! Since Admin 1 is quite busy right now and currently also participating in Camp NaNoWriMo, I (Admin 2) will take over our blog for a little while though Admin 1 will still be lurking and checking comments etc. I want to emphasize right away (you will probably notice it anyway) that I have no literary talent compared to Admin 1. I'll try to worthily “replace” Admin 1 for the time being and talk to you about Vmin and more.
Unlike Admin 1, I am not so careful with shipping discussions (and I even like them) as long as everything is done respectfully and we’re all sticking to the truth about the BTS members. I don't like criticizing other shippers because I understand that other fans may love their favorite members and ships just as much as we love Vmin or Namjin, but sometimes it’s inevitable that I have to say something.
So, I invite you to a discussion. I am open to discussion.
We got two interesting questions about “Let’s BTS” and specifically Jin’s reaction to vmin and I want to discuss them.
From anon: Hi, just wanted to see what you made of Jin’s reaction to Tae’s message to Jimin on the Let’s BTS show. I’ve seen some people say he looks so done and even annoyed with it. I can understand him looking apprehensive at first because Tae is a bit of a loose canon, but everyone’s reaction after is to laugh and smile and shout but Jin is very stoic. I’m kinda new and wondering whether he isn’t a fan of Vmin’s brand of declaring their love on national TV. Although when I think of how he behaves with Joon - I’d struggle to wonder why he doesn’t like it. Any thoughts?
From anon: Hi, I cannot believe what I’m reading about Tae on some platforms. What is wrong with people? Anyways I wanted to ask you what you thought of Jin’s reaction to Tae’s message for Jimin? I’ve started seeing people saying that Jin hates the fact they’re close that’s why his reaction was weird. I’m a vmin shipper but Jin is my bias and I can’t get my head around the fact that Jin doesn’t love them both dearly. He did look “apprehensive” perhaps but I’d say with Tae being Tae; that isn’t surprising.
In order to answer these two questions and to form my opinion on the matter, I’ve looked at the situation with regard to Jin and other members several times.
I admit that I’m surprised myself that Taehyung went this far. Actually, it's not even about the content of his words, but about the whole circumstance and the atmosphere that he created around his "confession". I don't know who added the music, whether it was a Taehyung hint or simply something the editors and PD thought of, but the whole situation and phrase gained even more "meaning" and "seriousness" through it.
I seemed as though the background music was supposed to make the moment remind everyone almost of a scene from a K-Drama (or one of vmin’s playful roleplays), but it only added to the effect of this being a serious, sincere and weighty moment instead.
Taehyung joked around by turning the table and pretending the envelope was not intended for Jimin, but this just led to an increase in the tension displayed by the members and the moment itself, and yet still Jimin was immediately convinced that he was the one for whom the envelope would be. Everyone was acting (which makes it sound like they were faking it which isn’t what I mean) like they were curious, but you could clearly see everyone's tension and nervousness, especially when looking at Jimin. Taehyung added that the contents of the card within the envelope were for Jimin's eyes only, emphasizing the seriousness and intimacy of what he was about to say. As a result, Jimin’s reaction led to uncertainty, nervousness, and at the same time an awareness of the sincerity and seriousness of Taehyung's words.
The words "I like you the most" are (on a superficial surface level) nothing big when compared to "I love you", but they still had the biggest reaction. Jimin wrote "I love you" to Suga and absolutely no one reacted nervously, everyone joined in on the declaration, and the situation was relaxed and even funny. Why did Taehyung’s words cause such reactions then? Why?
My thought is this: When the envelope was revealed to be for Jimin, it was met with tension by both members and Jimin. We all know that Taehyung can be a bit of a loose cannon sometimes, even on national television, when it comes to Jimin.
Jungkook immediately commented that "it’s about friendship", Suga laughed nervously and loudly, as if he wanted to end the situation quickly, and Jin had a serious face that didn’t seem all too positive or eager about what would happen next.I'm not going to go into Jimin's reaction here, but rather Jin’s, since that’s what the anons were wondering about.
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In my opinion, Jin doesn't like situations that slip into seemingly too private matters. He is definitely the kind of person who gives up the least private information. The situation with Vmin clearly didn't suit him. And not because Jin doesn't like Vmin (because that’s simply not true), but because he knew this program would be broadcast nationally and streamed worldwide, that it would be debated, that every word would be analyzed, and most importantly, because the team that recorded the show wasn’t their own but one that belonged to KBS. Jin doesn't want anyone to have access to BTS's private life, after all he even asked the You Quiz editors to cut what he saw as too sad/depressing about his answers so clearly he thinks about and considers many such things. I think Taehyung didn't care all that much, but Jin did care.
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Perhaps I will go too far in my analysis and imagination here, but let's not forget that in the near future Jin is going to have to leave for his military enlistment in the highly conservative Korean army, which holds very homophobic views. Any shadow cast on any of the BTS members (even if some of them are already suspected to be queer) can endanger Jin or make it even more difficult for him to perform his service well and safely. The suspicion that two of the members might be in a relationship with each other would make Jin an accomplice, since they belong to the same group and would lead to him also being suspected of being queer, guilty by associating basically. This is my opinion at least.
Jin is the oldest and feels responsible for BTS, much the way Namjoon does as leader, for everyone including Taehyung, because Jin is aware of the wave of hatred that will be/is poured onto Taehyung across sns after such a public statement. According to Jin, in my humble opinion, this is neither the time nor the place to take such a step in such serious manner. As long as everything was done in form of jokes and witty answers, Jin was joining in and having fun, but when it was Tae's turn his face became serious, as if to warn Taehyung. Jin knew that "Taehyung's atmosphere" could/would fluster Jimin and the entire team, and could become the subject of rumors spread by the staff that isn’t their own.
So no, Jin’s reaction wasn’t because he hates vmin or anything like that, because that’s not true on any level, but because Taehyung’s words about liking Jimin the most were perhaps too sincere for the setting they were in, raising too many brows, and that’s potentially why he reacted the way he did. After all, if you watch the 5th Muster concerts, and especially the one in Seoul, when vmin stand at the very end together, Jin approaches them and throws water at them as though to pull them out of their bubble and back into reality. All in good fun and because he simply cares a lot about them.
Also, an alternative and even more simple answer could be that Jin’s face has no relation to anything I just said and doesn’t tell us anything about what he thought about Taehyung’s words. After all in some interviews he also just sits there quietly and watches/listens to the other members and that doesn’t mean anything at all, or at least nothing negative. But since you asked for my thoughts, here they are, though they don’t have to be right.
I actually have no idea what the reactions are to this show in Korea and among the general public, but I've seen the reactions to Tae’s words across various sns, which one of the anons also mentioned so I’d like to talk about those for a moment as well.
My hair stood on end when I read some of the responses/posts about Taehyung. I never thought that people who call themselves ARMY or fans of BTS would have such opinions about any of the members. A wave of hatred literally flooded Taehyung, like Admin 1 previously mentioned in their answer to an ask.
I just wanted to cry. It shocked me how far shipping can go (literally playing with actual, living people with no regard to their own words and thoughts) that it can cause such extreme emotions in "fans". It's hard to say which is more negative and alarming for some, Taehyung potentially really having (romantic and reciprocated) feelings for Jimin, Taehyung's feelings not being for the “right” person, or the mere fact that Taehyung's feelings are for a person of the same gender.
It’s also interesting to see how deceptive some are. I don’t even mean that “Taehyung and Jimin like each other most” is ignored, which it is, but rather that those mutual feelings were manipulated to twist them into a completely different direction and to another person, or turned into mere jokes or sarcasm. As if all of this simply never happened.
On the other hand, the fact that Jungkook unbuttoned his shirt before going on stage for “My Time”, as opposed to him not doing so during rehearsals, has become very important and an example of J*k*ok being in a relationship, how that’s now even clearer than ever before and is an indisputable fact, according to shippers. Apparently, J*k*ok were flirting with each other throughout the entire segment and show and only had eyes for each other. Somehow Jungkook imitating Jimin is the final piece of evidence to prove everything shippers ever claimed and thus, according to them, everyone must now see that they love each other romantically.
I've carefully watched this show three times, this particular segment and everything else too, and frankly I haven't seen anything that could be called anything even close to flirting when it comes to the two main ML ships. I'm mature and I think I know what flirting is and I can “read” the simplest human behavior, but I really couldn’t see any of it. In my opinion, Jungkook imitating Jimin is clear and open and not a secret. I fully understand Jungkook, I would also follow Jimin in his place :-) Jimin's dancing and looks, as well as his professional work ethic, are truly breathtaking, inspiring and worth imitating. However, this has absolutely nothing to do with romantic affection or a romantic relationship between them, in my opinion.
Hence, I fail to understand these behaviors which in turn lead to a wave of hatred against Taehyung and the, repeated, disregard, belittlement and erasure of Jimin’s and Taehyung’s friendship and relationship bond, and even some going as far as pretending anything vmin was simply not there at all just to make their ship seem more real, booo.
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that-shamrock-vibe · 3 years
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Movie Review: Cinderella (Spoilers)
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Disclaimer: I am posting this review the day after the movie airs on Amazon Prime, so if you haven't yet seen it don't read on until you do.
General Reaction:
It is slightly weird to think of another movie studio taking on one of the classic fairy-tales that isn't Disney, because, as I am sure is the case for a large portion of the mainstream audience, Disney have almost claimed fairytale adaptations as their own.
However, as identified, Cinderella, is a fairy tale and one created long before Disney came about. As such, other studios are allowed to put across their own interpretation of these classic stories that we have seen a lot of times adapted at this point.
That being said, we have seen many different adaptations of Cinderella at this point from the classis Disney Animation version and it's live-action counterpart, to modern-day reworkings like A Cinderella Story of the mid-noughties starring Hilary Duff.
It's quite an easy story to tell and adapt to a variety of different settings, and what this 2021 retelling does with the story blends the old-fashioned with the modern. Does that mean it is set apart from the others? Well in my opinion yes and no.
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While this is a Sony movie, it plays a lot like a Disney Channel Original Movie. From the comedy to the settings to the costuming and the music, it plays like the best of those types of movies. I'm talking the High School Musical franchise and the Descendants franchise. It is by no means bad or corny, but it isn't even on the level of the 2016 live-action Cinderella.
While that version was pretty much a straightforward live-action version of the original animated version, the style of the movie outweighed the substance.
Here however, there is a great blend of both style and substance. The story takes the classic elements of the original Cinderella fairy tale but tries to inject a modern and feministic twist that the recent live-action Beauty and the Beast tried to do.
In terms of whether this version of Cinderella stands out in the crowd of Cinderella movies, I would say it does. Not only is the titular character race-bent and the setting she is in seemingly plays into that, but the reworking of the Fairy Godmother as the Fab G as well as giving the Stepmother a more humanised backstory allows for a more compelling take on a classic.
Cast:
Because this is just the one all-in review I'm not going to do an in-depth character analysis and instead group the characters as who were my favourites, who did a passable job, who was bad and who were for some reason just there.
Favourites:
I have a top 3/4 favourite characters in this movie. Idina Menzel's Stepmother Vivian, Billy Porter's Fab G, Minnie Driver's Queen Beatrice and additionally Beverly Knight's Queen Tatiana.
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Idina Menzel was always going to be fantastic in this movie, but to see her portray what is traditionally the villain character in the movie as a sympathetic character as part of the movie's feminist agenda was an interesting twist. No cat for a start, I don't know if Lucifer was a part of the original fairy tale but of course in the Disney adaptations Lady Tremaine is always accompanied by her faithful feline, but also the fact that her backstory parallels Ella's current story and the fact Vivian was so willing to have Ella reject her passion to do what is expected of her just as was forced on her was actually great motivation.
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In truth I have only ever seen Billy Porter in one other thing aside from this movie and that was American Horror Story: Apocalypse. I have never seen Pose though I have heard good things, but from what I understand, Billy Porter only really has one speed. However, as the character's name states, that speed is fabulous. I loved Fab G in this movie, the fairy godmother is usually one of my favourite characters in the movie and every interpretation I have seen has brought something different and memorable. If this version of Cinderella is remembered for anything it will be for this very modernised take on the Fairy Godmother, not only gender-bending and race-bending a traditionally white female character, but with Porter choosing to make the character non-binary and that outfit speaks for itself, Fab G was simply a fabulous character.
In both Disney adaptations, I have never heard mention or reference to Prince Charming having a living mother...or a dead one for that matter. So to not only have the Queen being in a chunk of this movie, but also having her own story branch tying into the feminist agenda running through the movie and being portrayed by Minnie Driver, I was in love with this character.
Pretty much similar to the Fab G, if you've seen Beverly Knight's one second in the trailers you've pretty much seen her in the movie. She contributes to Ella's story in the movie and only appears in the latter half of the movie in 2 maybe 3 scenes but she makes an impact because she's Beverly Knight. My only gripe with her is she does not sing in the movie, you have Beverly Knight with not even a solo in a group number?
Passable:
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Unfortunately the star of the movie Camilla Cabello is just passable in this movie as Cinderella. She does have some humour about her and her singing is great despite maybe being autotuned because I know how she can sing, but she doesn't feel like Cinderella to me, it actually feels more like a version of what Emma Watson was doing with Belle in the live-action Beauty and the Beast rather than Cinderella but at least she tried.
As for Nicholas Galitzine, he's definitely more engaging as a modern-day Prince Charming, Robert is definitely more engaging a character than Ella unfortunately, which to be fair is still good as the 2015 Cinderella is the only other adaptation to really make the Prince interesting, but I can't quite put my finger on exactly which movie it is but there is another movie I have seen where the Prince Regent doesn't want to be king but the Princess does and has to fight for her right to be it...that's pretty much this story for them.
Also Pierce Brosnan as the King, despite jokingly singing towards the end, did a great job at being the archetype of old-fashioned values with his on-screen wife Minnie Driver's queen pushing him into a modern-day thinking.
Bad:
As for who's bad, I have to say it pains but the British comic relief characters really let the side down in this movie.
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In the three mice defence, Romesh Ranganathan and James Acaster are somewhat funny but unnecessary. James Corden however is abismal in this movie. I get he produces it, but particularly after Cats I do not understand 1) Why he'd want to portray another CG animal or 2) Ever think that one shot of him changing back from human to mouse with his head on a mouse body was funny...it was terrifying.
Also this movie is supposedly a family-audience movie...so why include a crass joke of Corden's character talking about peeing out of his front tail?
Additionally to the three mice, Rob Beckett has a surprising role in this movie as a potential suitor for Vivian's daughters, but he simply portrays such a creepy, cringe-worthy character it's almost uncomfortable to watch.
New Additions:
So as well as the two queens and the British comic relief there is also the addition of Princess Gwen to the movie who is the sister of the Prince and the one who wants to be ruler. It's kind of the same story as Jasmine's in the live-action Aladdin as wanting to be Sultan but being a woman isn't taken seriously, however here it is treated more comedically as every time there is a serious moment with the King trying to force Robert to grow up and be King, she always tries to interject with "Would this be a bad time to tell you about an actual real reason why I would be a good ruler" and they make sense but she's always dismissed until the very end.
Then there's a town crier, who is also inserted as a musical number while he's reading his proclamations but as a rap. Honestly I don't know Doc Brown as an artist but I did happen to enjoy what he contributed.
Music:
Which brings us on nicely to the music of the movie as this is a musical and I usually break down the songs. Again this time I will be doing groupings of best to worse.
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Honestly my favourite number is probably "Shining Star" mostly performed by Billy Porter with verses by Camilla Cabello and, unfortunately, James Corden.
I also enjoyed the two original songs of the movie, "Million to One" which is Cabello's "I Want" song of the movie and used a lot through the movie, and then also "Dream Girl" which is Idina's main other song but also sung by basically the women of the movie, it's Idina Menzel if you don't give her an original song it's an insult.
Idina's other song is a cover of "Material Girl" and honestly it is a lot of fun, Nicholas Galitzine's rendition of "Somebody to Love" was also fun and surprising as I did not think this guy could sing that well.
The group numbers were fun and well choreographed but they are also somewhat forgettable. The song at the ball of "Whatta Man/Seven Nation Army" was probably the most memorable but still just mediocre.
Recommendation:
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So with all that said, would I recommend watching Sony's Cinderella? Honestly I would say it is worth at least one viewing, and I do recommend watching all the way through just to get the full experience. I do think it will do better as a streaming movie than it would have done as a theatrical release, but I cannot pinpoint a market for this movie.
I don't think this will go down as one of the great adaptations, but there are moments and aspects of the movie that sets it apart from the crowd.
Overall I rate this movie a 7/10, it's not as fantastic as I feel the trailers were making it out to be, but having seen the movie twice there are definitely elements of the movie I looked forward to watching the second time around.
So that's my review of Sony's Cinderella, what did you guys think? Post your comments and check out more Movie Reviews as well as other posts.
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