Favourite KPOP Songs of 2023
So I am 3 days late posting this but I wanted to do it to keep up the tradition. It's fun looking back at old lists. My criteria isn't so much based on technical merit but rather the songs that I wanted to listen to over and over again for whatever reason.
Cupid by Fifty Fifty. No doubt, this is social media's song of the year. I have never seen a song that is actually good become so organically viral, only to be reduced to absolutely nothing because of abysmal management. Not even New Jeans was this widespread this year (to me). Cupid was playing at my local supermarket and even people who know nothing about kpop loved this song. It ranks low for me because I'm definitely sick of hearing it by now. Regardless, it is still a very well written pop song.
Ayo by NCT 127. Okay, hear me out: NCT is like durian. You either completely understand why it is called the King of Fruits or you think I should be put in jail for saying that. If you are a brave connoisseur who refuses to be confined by societal pressure, then know what it's like to open your third eye and consume NCT for what they are: completely weird but never boring. It's an experience. If you don't get it, I don't know what to tell you.
Tinnitus by TXT. Temptation is my least favourite TXT album from the last 3 years but I think that is mostly due to how much I hated Sugar Rush Ride. I've been re-listening to a lot of their material again and okay, I'll give this one a pass: it's a mood. Thanks Kang Taehyun. I don't know if it was very intentional but his voice is all I hear on the final version. Man, that dude's voice always gets me somehow, I don't know how he does it.
Rover by Kai. It's not even that good of a song and yet, it was everywhere and I was gaslit into liking it. The viral dance made it the hit it became but to be fair, much of this was really down to his star power and ability to make really good choices that suit his strengths (dance first, vocals second). This is EXO Kai we are talking about after all; when he delivers, he really delivers. New Gen boys can take some notes.
Drama by Aespa. This is like Asian Junk Food. It's objectively so terrible, full of empty calories, no nutritional value but they took the Terrible and sprinkled MSG on it, so now it's TastyTerrible. As someone who wants to learn film editing, the MV is excellent and an example of top tier editing without choppy cuts. I have not noticed editing this neat and time consuming since Seventeen's 'HOT'.
Back To Me by The Rose. A group with solid talent and well written songs. I wish every success for them to be honest. I am posting the live video because they are one of those groups who are better live and won't give you The Fear watching it. I wish I could've seen them because I genuinely just love their voices and sound. They've filled the void left behind by Day 6.
Hard by Shinee. It's just your typical weird and perfect Shinee pop song but with a distinctly 90s flavour in my opinion. They are just all so talented that it's virtually impossible to ignore them. SM production is always so slick but with Shinee it is something to gild the lily rather than hard carry the entire song and group. Onew vocals never takes a day off, he was flawless even in the raw recordings.
Kitsch by IVE. It's just so cute and comforting in the way a harmless little pop song can be. It's like a fresh breeze. There's no pressure to do anything but enjoy it. In the absence of Blackpink, they are definitely my favourite girl group at the moment.
This World by Ateez. I do actually prefer it to Bouncy because it has that dystopian and almost gothic feel to it. I don't think it would've made a good title track because it's not as explosive as Bouncy but it 100% would fit into a movie or montage sequence. It absolutely goes so hard in the car, especially at night.
Flower by Jisoo. I think this was just a very smart choice for her and her team. It did not have anything too complex or overly dramatic. It suits her elegance and brand perfectly. It was also very pleasant and kinda of prettily boring? The dance was very popular and cute without being obnoxious. She is very much a Great Gowns Beautiful Gowns and "Go on girl, give us nothing!" idol but I have a soft spot for her. I can't believe we live in a world where Jisoo has the best Blackpink solo song.
3D (Alternate Version) by Jungkook. I did not like it when it was released (with that awful rap feature) but the purely Jungkook and performance versions of it really improved everything. I am really happy that Golden is as good as it is, because I think most Jungkook stans from 2013 lived in fear he would only release Mid Tier pop songs. I think most features on the album are unnecessary. Jungkook has presence and star power on his own. Everything else diluted what we all came for.
Blue Blood by IVE. It's an unexpectedly more mature sound from them and I loved it. I think the driving backing track makes this one of the best driving songs. It has this dark eloquence to it, which I always vibe with. One of their best B sides for sure.
Off The Record by IVE. This was the best track off their album this year. That title track was heinous. OTR was so calm and comforting and there is something about it that reminded me of Gfriend and OhMyGirl where it's just a good song with any histrionics. I do not think IVE suit that bad girl crush concept at all. They always had this expensive High Teen aura and it really took at hit with Baddie imo.
Ring (Unplugged/Acoustic Version) by TXT. This isn't cheating, they released this one on a July 2023 album. Even if it was cheating, I would've still put it on here. It's well written, well produced, well paced and suits everyone in the group. But personally, I always saw this as a Kang Taehyun song (even though he didn't even write it). His aura is all over it. Controversial opinion but I think this has one of Yeonjun's best rap verses because the slower tempo works so much better for his voice and flow.
Crazy Form by Ateez. Ah the Male version of Junk Food with MSG. I don't think it's anywhere near their best song but it's a good fun time and after the tough year(s) we have all had, it's nice to jam to something silly. It's very SKZ adjacent but in my opinion, with much better production and editing because the team behind Ateez are better at it. I'm also including this because it made me really see Jeong Yunho. If you know you know.
Roll With Me by Hyungwon/Shownu. Technically The H/S version of Wildfire is my favourite from them this year but since it wasn't official, I'll go with my second favourite release. It once again proves that Hyungwon is my favourite man (musically) in Monsta X. I like his style, tastes and instincts. It's true that he is my overall favourite in MX but I'm mature now! It's not just the visuals, I truly put his musical output as the number 1 reason I like him.
Standing Next To You by Jungkook. Listen, listen, listen.....I have been following this dude since 2013. I always KNEW he could give more and be more. Even though SNTY isn't even 100% of what I think he can do, it was enough for me to feel all these 10 years were not wasted lol. This deserved this stop purely for the instrumentation and production value alone. Granted, it is very westernised but good music is good music. This is the only time where a feature (remix) actually added something.
Silver Light by Ateez. The sister to Cyberpunk. It is really like its title: a sparkling God Ray of light that cuts through the darkness. It's mysterious but also so hopeful and comforting. They just scraped in with this at the last minute but it is already one of my absolutely favourite Ateez songs. Instant love from 1st listen. The type of song I wish I was more conscious and present for so I could go back to experience it again for the first time. Park Seonghwa supremacy because this is now a song I associate with him. He's not even my Ateez bias but he is my favourite and the most important Ateez member to me. How that works, I do not know.
My favourite song of 2023:
Chasing That Feeling by TXT. They achieved the trifecta in 2023 for me: favourite song, favourite lyric, favourite choreography. I'm not even going to link to the official MV because the choreography needs to be seen unobstructed and undiluted. This is the type of song that I barely have any critiques on (and if I did, they would all be minor). The type of song that I would put as my bio. The type of song I want my best friend to play at my funeral. This era was also the one that pushed Choi Soobin into my life when he knew damm well that my heart has been closed for business for the last 12 months. The power this song had on me was all consuming and cannot be overstated, ok?
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White French people hate it when they get a taste of their own medicine.
I was discussing with one of my colleagues and she told me how she was planning to go to Senegal for the holidays because she thought it was a good way for her kids to see more diversity and people who don’t look like them (ie Black People).
So I told her it was a good idea because I was 4 the 1st time I saw a White person (and I cried btw...) And she was so shocked, like she couldn’t understand that some Black kids have never seen White people in their lives but somehow doesn’t think twice about the fact that her kids are in a similar situation.
Another time, I was talking to someone else about how I arrived in France when I was young but had lived in many African countries growing up (RDC, Kenya , Gabon, Center African Republic...).
And then that person proceeded to go on a tirade about how I must have felt so lucky to arrive in France, and how I should have been relieved to arrive in a developed country like France, blablaba. I just told him “not really”, because growing up I was told that France was amazing and so wealthy, but the first time I saw homeless people was when I arrived in Europe, so I didn’t really understand why people always talked about Europe like that. And again, the guy was shocked, just because I didn’t say my life in Africa was miserable and sad, and because I said that Europe was from what I had heard as a child.
If you’re going to bring your assumptions without knowing, I’ll retort with mine ( the view of an 8-9 year old). I don’t understand how someone can feel so entitled and assume something about your situation without asking first. I’m sorry the only thing you know about Africa is that one documentary you watched in middle school but leave me alone.
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You know, for a show with so many female characters that so many of us love given how they all get time in the spotlight one way or another and they fill that time up rather wonderfully since they are deeper and more developed than what we're used to seeing in general media, it is peculiar (to say the least) to see so few "alternative" ships to the main one.
I'm not saying the canon ship doesn't deserve its attention -- I'm wondering instead why the canon ship and it alone seem to guide the WN fans who just so happen to enjoy writing/reading fic or fanart or whatever.
You'd think all these cool women would inspire more ships or combinations thereof, but those of us who aren't invested in avatrice just... Float along, around one another, ignored (and, yes, mostly undisturbed too; being unpopular does have its advantages and that includes a lot less weirdos leaving you strange or awkward messages -- it does not, however, shield us from people flooding our goddamn tags on AO3 with fic that has nothing to do with our little ships and I do wish such negligence of the pairing itself meant we didn't have to deal with this spam...)
I am also not saying that fandom activity should be based solely on shipping (and recently someone on Reddit was rather confused by the fact that a lot of it is, which is quite an interesting topic to discuss in itself -- after all, there is more to fan creativity than shippy fic... Or there used to be), merely that, here, it appears that a canon relationship can outshine interest in the other, non-canon ones. It's already there and it was doubtless well-done by the show, so it's natural that it should claim people's attention, sure. It's just that being canon was never the parameter for whether people were interested in these or those two (or more) characters maybe being involved and trying to explore what that could mean through fanwork.
There has always been a complaint haunting fandom spaces concerning the minuscule amounts of f/f fic, art, discussion, w/e based on how few (interesting or sympathetic or relatable) female characters there are in media at large. So what I'm curious about is why fan creations made around WN -- a show that finally gives us a whole cast of female characters that are what we have been craving for decades -- don't also reflect its diversity.
There are alternative ships (I'm here, all happy in my tiny Doctor Superion bubble, and I know there are Camila/Lilith, Ava/Lilith, Mary/Shannon, Mary/Lilith shippers out there, so a warm hello to you if you're reading this), but go on AO3 and compare the numbers of things tagged with these proper pairings to the grand total of WN stories. Better (or worse) still, do so with the "otp: true" trick or simply by excluding avatrice from the search to see how many are left.
It's... A considerable difference. And a mystery, at least to me.
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