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#i know i havent done comics in a while. but ive been trying to plan one for the longest time so hopefully i can get to it soon HAHAHA
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To the owner of this blog can I just say- you’re legitimately one of my favorite artists like. Ever. I follow a lot of artists but your art style just vibes really hard and I don’t know why but it’s very very good and you are Improving Good and ah. Yes. The good shit. Like other then da vinky and shit you’re one of the best. Rant over aaa
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Sobs thank you so so much,,,,, I’ll seriously never get used to hearing that I’m someone’s favourite artist cos there’s so many others out there who have. better artist stats in my humble opinion ldahfljhdgjlasdhg
I’m really glad to hear that I’m improving!! I’m getting busier (and more tired aha) so I don’t exactly have a lot of energy to spare in terms of experimentations and studies, so I kinda thought that my style might stagnate which I know I will eventually hate. But I guess I’ve found ways to make small but significant adjustments to my style within my energy boundaries so that won’t be a problem in the near future XD
Thank you once again, I’m truly very grateful for this message and your support!!! I hope you guys can continue enjoying the blog as much as I do!! <3
#its me the mun#mun rambles#i seriously. will never get used to that lahflhdsflkjashgk#there are some times when i feel like my art style is very meh. theres nothing special about it. n ppl talk about same face syndrome#which i probably have. n lack of body types. which i also probably lack#like. i have a lot of artists that inspire me n each of them have something very specific to their style which makes it Good#sometimes its just the way they stylize stuff in such a distinct and elegant way. other times its the way they use colours#since i hate using colours. i am actually struggling in my watercolour class cos of this reason HAHAHAHA#some artists have very good sense of composition and flow#personally i think my composition sucks cos its too static. but i also know its cos my first draft is always the final one#so unless i spend more energy to add dynamic to it it aint happening HAHAHAHA#considering my energy levels im content with this actually. especially since im leaning more towards comics. which require a lot of energy#i dont ever think i can do illustrations very well with my thiccccc lines n very bad colour sense aha#i never really found anything special in my art so its always a surprise when ppl tell me they really like it. honestly aha#i think a bit of it also comes to ppl hating on conventionally aesthetic styles. which i guess mine falls under#having said all that. all these critiques fly out the window when im actually having fun drawing HAHAHAHA#its usually when i do comics or really self indulgent doodles#so bottom line is that i am aware of all the places i might want to work on. but i shouldnt stress so much on it#cos im having fun with my art right now. its just really heartening to know that others are enjoying my stuff as much as i am#i know i havent done comics in a while. but ive been trying to plan one for the longest time so hopefully i can get to it soon HAHAHA
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plane pillow
where peter planned to play video games with ned through the whole flight but fate decided to take another turn....
*A/N: this isnt related to far from home nor the ending of endgame, just pretend infinity and all the movies after didnt exist since i imagine pete 16 in here. i dont know why 16 i just like that age on him lmao, enjoy reading!*
pairing: peter x reader
status: strangerz (well sort of since they haven't talked to eachother but they're in the same school)
NOT PROOF READ BTW SO SORRY IF THERE ARE ANY MISTAKES
peter's POV
"the flight will be amazing! i heard they'd installed the new game we were talking about" i gushed to ned, excited for the whole flight to be filled with video games.
"im excited" ned stated practically jumping from excitement and i shook my head laughing
"OK CLASS!" Mr Harrington clapped his hands getting our attention "we're boarding the plane in a few minutes so pack your stuff and lets goooo" he pointed at our gate dramatically.
we walked to the gate, scanned our ticket and sat on our assigned seats, ned and i sat on the three seater, he took the window seat by winning a 3 round match of rock, paper, scissors *sighs angrily* and i obvious got the middle, kinda scared of who'll sit beside me though.
we had to wait for a few minutes, since we boarded the flight early. ned and i obviously started playing video games, too entranced by the small glowing screen infront of me i haven't realized a girl.
she hadn't really acknowledged me either because she looked tired, i cursed at the screen for losing the game too quickly and my dumb ass still didnt realize a GIRL, MY AGE, looking PRETTY FUCKING ADORABLE was sitting next to me. oh dear god.
after a couple more games and me being the most idiotic teenager known today for not looking at my right to see her  the flight attendant alerted us that the plane will take off so we the screen will freeze any moment. ned and i decided to sleep, it was very early in the morning and we need to rest if we plan on gaming most of the flight.
i closed my eyes and shifted a bit in my seat, and slept. the plain was moving at the time trying to find the best place to take off. i guess i was really tired that i havent felt someone sleeping on my shoulder.
i was peacefully sleeping still agitated from the uncomfortable seat but i heard a loud noise that frightened the life out of me and due to my spidey senses i sensed a hand on my right, so what did i do? i fucking held the hand. hard, may i add, from the fright.
i opened my eyes quickly and jumped a bit, turning around to see who's the stranger that i held hands with, startled as well. i sighed in relief knowing our plane was safe and it was just about to take off. but then i took a good look on the perso- her, took a good look on her, on her? OH MY GOD ITS A GIRL calm down peter and please dont scare her off. i couldnt stop looking at her and to my luck she was looking at me as well, but none of us spoke
i couldnt help but notice the small part of her y/h/c hair that was shown from her hood looked so shiny and smooth, her eyes were the most perfect shade of y/e/c. the extremely large hoodie looked so comfortable on her which made me think of her wearing one of mine, how big and long it'll look on her body sent butterflies to my stomach. she looked small, and precious so fragile yet she held her body confidently.
the voice of the flight attendant echoed through the speakers which made us both stop our trance of one another. even though the lady's voice wasnt scary it still frightened us. i mean no hate towards miss attendant she called me a cutie and gave me extra blankets
but coz we got startled again we held hands....again looking for the sources of the noise. we visibly relaxed once we realized what it was, looked at eachother and laughed, her laugh was angelic and soft, hands down the best sound ive ever head. she looked rather embarrassed from the encounter but i bet you a thousand dollars i look worse, i could practically feel the blood rush through my cheeks once she realized how long ive stared at her
"i- uhm i-im so sorry for sleeping on your shoulder, and- and holding your hand and stuff" she apologized, it only made me even more baffled by her. how could a voice match with a face so perfectly.
"no no its fine uhh i dont mind *nervous laugh* and for the hand thing i was the one who grabbed yours so i-i should be the one apologizing...im sorry" i rubbed the back of my neck. this is why i dont talk to girls, ever. well mj is an exception since shes like the closest thing i have to a friend other than my best friend obviously.
"i-im y/n, by the way" she lifted her hand properly introducing herself
"peter, peter parker" i shook her hand, it was nice feeling the warmth of her hand again. we probably held hands (for the third time today by the way) longer the we should have but who am i to say i was bothered. i definitely wasnt.
"nice to meet you peter" she smiled shaking our hands one last time then sitting it on her lap. scratch what i said about her gorgeous laugh, hearing her say my name was the best thing ive heard in my 16 year of existence. (her laugh is obviously the second best)
before i could ask anything else, the plane decided to finally take off. i adjusted myself to the seat, not turning to my right side anymore and closed my eyes trying to think of smiling puppies. ive been on a plane before, in fact a private one last year but that was it. this is my second time flying away from new york and i was a bit nervous.
y/n somehow noticed my sudden tense form, who am i kidding i looked like i was about to die coz of my nerves. and held my hand. and i immediately opened my eyes again, the feeling of her skin coming in contact with mine brought chills down my spine, good ones obviously
"you looked rather tense, is this ok?" she leaned into my ear so i could hear her. i looked at her confused on why she would want to help me but nodded as a reply. a smile crept on my face and i couldnt seem to take it off.  the take off went smoothly thank god. and ive occasionally squeezed her hand, usually when the plane made very loud sounds. but i made it! woohoo
i didnt know if i should stop holding her hand or not, even though i didnt want to. will she think im a creep? and if i did, will she think im rude? but i guess it didnt seem to bother her if she went back to sleeping. so i figured i should do the same
i shifted in my seat a couple of times trying to get the perfect comfy spot....nothing. this seat will be the death of m-
"you can sleep on my shoulder if you want" she whispered. "i figured since you let me sleep on yours which im very sorry about, you could sleep on mine" she smiled
"thanks, but i dont wanna bother you or make you uncomfortable"
"oh nonsense! my body is screaming right now cheering for me, well partially scolding at me for saying something risky like that to a good looking guy, its ok" she laughed, her eyes widened in shock from what she confessed. i smiled at her and rested my head on her shoulder
"you think im good looking?" i whispered playing with our fingers, i dont know when i got the sudden confidence but hearing someone like her think a loser like me is cute did something to me.
"shut up" she playfully shoved me and i laughed.
"are you from midtown?" i asked her
"no im from queens" she joked
"oh you're definitely from midtown" i chuckled, next thing i know i was having a normal conversation with me laying my head on a girl i just met like we knew eachother for years, it was nice to talk to a girl i potentially thought was cute instead of talking gibberish
she was very understanding and looked like interested into what i was saying, i was gonna skip my geeky side when she asked about what i like but to my surprise, she mentioned it when i asked her the same, she said she loves comics and likes watching sci fi movies. i asked her if she watched star wars and she said she didnt...yet.
"wanna uhm watch it together?" i played with her fingers absentmindedly nervous if she'd reject me.
"yeah sure" her eyes lit up like she was waiting for me to ask her that. we watched the movie in bliss, thankfully she liked it! and immediately said to put the second one. and surprise surprise, we finished it.
when the credits rolled in, i saw her yawning, shifting in her seat again, i decided to be bold so i lifted her head off my shoulder pulled the arm rest away from us, took a pillow and patted my lap. immediately after doing it i regretted it, she barely knows me, what the fuck peter.
"you sure?" she asked smiling a bit, she looked like she felt something giddy inside which made me feel at peace again and i nodded.
"good night" she whispered snuggling her head on my lap, i hesitantly put my arm over
"good night, y/n" and we fell asleep like how ned slept the whooole time i was talking to her, wow we have a lot to catch up on
bonus:
peters pov
i didnt know the whole plane (our class) practically gushed over my interaction with y/n, i know its been a while since i liked a girl but betty and the rest (including Mr Harrington) practically begged mj to take photos of us since she was the closest, not that she wouldnt have done it without them asking her....
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*A/N: idk what this bonus was lmao but i had to add the school feeling happy for our boy pete*
have a wonderful morning/afternoon/evening/night!
-quacksonlover
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junebuggeryy · 2 years
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ask game: 9, 15, 23 and 24? (GOD your art is cool. I'm always blown away by it ^^ )
THANK Y OU i am handing you a bottle of my tears (affectionate)
9. Any new art mediums youve tried (or overall styles if you havent tried new mediums)
oh uhhhhhhhhhhhh h hhh hhhhh;hhhhhhhhhhhh i sculpt sometimes
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mostly tiny things. a while ago i went mad with power trying to create a subatomic scalemate. i dont really post about it much because i prefer to keep it a low stress activity for when im not feeling the drawing juices? also i super dont know how to take good photos but it is, like, an area of constant backscenes experimentation
in terms of style, i feel like definitely have zoned in on some "retro" aesthetics this year? mostly the funkiest parts of mid-century-mod, and some 90s radical cheese
15. any upcoming planned drawings
oh god perpetually
mostly its tryling to emulate other art styles through OCs? i want to do a pulpy horror novel cover based around lorna. i want to make a hanna barbera xeno. i want to do an archie comic cover about a stupid love triangle between stupid idiots that keep being stupid. roxanne exists. when its not me trying to emulate an art style, its "i want to introduce this OC concept" and "i havent done [insert OC]'s design justice, time to redraw"
also comics. holy shit comics.
ive got dialog thats been circling me on loop for weeks on end. theres scenes that have me in a vice grip. i have a? a script? thats been slowly building??? i dont really believe in the power of new years resolutions but if im manifesting girbossing empathing anything, its that more comics make it up here
23. Favorite pose you've drawn
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i dont. know how to draw a skeleton over this
24. what do you like most about your art style
neons go brrr
ok fine ill elaborate. i think ive got a good sense of shape language and color, and have managed to put together some character designs that manage to be pretty versatile yet distinct?
but also, yes, neons go brrr. i have long enjoyed art that is, what some might call, Bad and Wrong. i think digital art gives me a lot of freedom to be Bad and Wrong in the color department, because- like little timmy on the playground with a laser pointer- the more able i am to wield the forces of light and directly beam eye searing colors directly into peoples eyeballs, the more my acidic soul is satisfied* *to the degree that i also understand people may have medical need to not engage with flashing lights and harsh eyestrain
i could probably talk more about violent and alienating art? i think it ties back into my appreciation of surreal gore and the grotesque, the need to make something that... almost hurts to look at. despite my roots in gore and body horror, my current art style has definitely slid over into something pretty cute and cartooney? which isnt really a bad thing! but it is something i think about sometimes
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emybain · 4 years
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Settling In
this is the first time ive ever written a sequel to an ask fic so i hope yall are happy. this is a sequel to I’m Nova. Nova Artino if you havent read that. 
ao3
Simon watched the children play in the backyard from the kitchen window. At the stove, Hugh was making dinner. The kids were taking turns pushing one another on the swing set, Adrian letting Nova have longer turns before she insisted on switching. The sentiment brought a smile to Simon’s face. 
It had been a couple weeks since Simon found the girl, only eight years old, in the hands of the Anarchists. After spending a few days in the hospital wing at headquarters, Simon and his husband decided it was best to take her home with them. That way, she would be safe from the hungry eyes of the media. It was frustrating getting her to bed every night, as she refused to set a foot in the guest room until she was alone, but Hugh and Simon were afraid of her running away and wanted to keep an eye on her. At least Adrian loved the idea, having already grown fond of the girl in the short time they had known one another. Their friendship was ironic, in a sad way, but Simon didn’t like to think about it. Georgia had died two years ago, yet her death was still a knife to the side. 
“What are we going to do about her?” Simon turned from the window to Hugh, who was pushing around sausage in a pan. 
“Hm?” Hugh shifted his body so he faced Simon a bit more.
“What are we going to do about Nova?” He pushed his glasses up and crossed his arms. 
The look Simon got was almost comical. “Aren’t we going to keep her? She has nowhere else to go.”
Simon released a soft sigh. “You know we can’t do that, Hugh. Taking on Adrian was one thing. We’re his godparents and we’re financially stable to handle one prodigy child. But two?” He shook his head. 
Hugh turned the stove off. “She’s a prodigy? How did you find that out?”
There was a screech from outside, and they both peered out to see Nova stand up from the bottom of the slide, covered in mud and a grin on her face. Adrian stood at the top, laughing. 
“Why else would the Anarchists be hiding her?” Simon lowered his voice, although they were the only two in the house. “Ace killed her family because David came to us. Why didn’t he kill her, too?” 
Hugh removed his apron and began getting out bowls and silverware. “You’re right. I hadn’t thought about that. But, Love,” he paused, closing the cabinets, “where is she going to go? I mean, don’t you feel as responsible for her as with Adrian?” 
A pang hit Simon’s chest. Hugh had a point; they had failed to protect the Artinos the same night Georgia died. It was only right for them to make sure she stayed safe. They owed that much to David and his wife. 
“I know.” Simon looked down at the checkered tile. “But will she trust us? Wouldn’t she be better off with a non-Renegade family? You’ve seen the looks she gives us. How she refuses to sleep at night if we’re in the room with her. There’s no telling what kind of bullshit the Anarchists have been feeding her. What’s to say she won’t run away or try to murder us in our sleep in the future?”
Hugh narrowed his eyes at him. “Your paranoia is showing again.” He walked forward and kissed Simon lightly. Simon closed his eyes, welcoming his husband’s hold. “We’ll figure it out,” Hugh said once he pulled away. “In the meantime,” he turned toward the cracked open window, “Kids, dinner!”
“I was afraid you were going to say that,” Simon murmured under his breath as the children entered the kitchen, sweaty and caked in mud from head to toe. 
 ___________
 Nova waited for Adrian in his bedroom, spending her time looking at his collection of comic books on his bookshelves. She missed her home a lot, but at least Adrian was nice. He understood what it was like to be uprooted, at least that’s what Nova could figure out based on their conversations. Still, what would Uncle Ace think about her being with the enemy? They let her family die instead of coming to save them. Surely, Ace was coming up with a rescue plan. At eight years old, there wasn’t much she could do to fight back anyway . Leroy refused for Ingrid to start training her until she was at least ten, so she had useless skills. There was her power, but she was still working on making it stronger. And down in the subway tunnels, it wasn’t like she could practice on the other Anarchists. Before she was kidnapped, Nova had plans to be just like her uncle, to be a powerful prodigy that defends all prodigies from discrimination and annihilates any offenders of equality. 
Her hands fell upon a comic different from the others. This one was just on plain printer paper and appeared to be homemade. She flipped through it, admiring the designs. They were a bit amateur, but good nonetheless. It was incomplete, clear from the half drawn characters on one of the pages. 
The door creaked and she whipped around, only to be met with a slightly startled Adrian. He had fresh pajamas on and held a towel in his hands. 
“Did you make this?” Nova held the comic up, unfazed. “It’s really good. I didn’t know you were an artist.”
Adrian pushed the towel into a basket and came forward, gently snatching the comic out of her hands. Nova noticed how his cheeks lit up. “It’s just something I’ve been working on,” he explained, shrugging and putting it back on the shelf. “Just a story.”
“Can I read it?” 
“No!” Adrian’s eyes widened. “I mean, it’s not done yet, is all. I wouldn’t want you seeing something unfinished.” 
She shot him a weird look and opened her mouth to respond, but Hugh poked his head in.
“Bed time, kids.” He stepped in all the way and started ushering Adrian to his bed. Nova watched as the man sat on the edge of his son’s bed and waited for him to get situated before tucking him in. She averted her eyes when Hugh bent over to plant a kiss on Adrian’s head, while Adrian protested and swatted him away. She quitted the room quietly and made her way down the hall to where they made her sleep, even though she never slept anymore. Not since she was six. Images of Mom and Papà flitted through her head, and she longed to be back in their arms in the safety of their apartment. It hadn’t been much, but it was home. Sometimes, especially recently, Nova thought about running away to the apartment and holing herself inside, but she knew the place would bring back too many bad memories. 
The bedroom was dark and cold when she entered. The upstairs of the house gave her the creeps. Adrian was convinced it was haunted, and said so the first night she came home with them. She had laughed at him then, but night after night of wandering around the room and hallways led to her slowly believing him. It wouldn’t surprise her; Ace was responsible for the murders of the mayor and his family. Any ghosts surely didn’t want Nova there. Well, it wouldn’t be the first time she wasn’t wanted. 
There was a soft knock on the door, and it opened a bit after Nova refused to respond, She didn’t even acknowledge Hugh as she started pulling back the covers, already in the set of pajamas they gave her. 
Nova enjoyed Adrian’s company. She had never had friends her age, or friends at all really, if she didn’t count her family. The Anarchists...weren’t exactly friends either. She knew that they only watched her because Ace ordered them to. Adrian was like her, though. He was nine, but she had a birthday coming up in less than eight months so they were practically the same age. She knew she should hate him for his parents and affiliations, but it wasn’t his fault. That was all he knew. She could tell he was a good person, not like his Renegade parents. Being around them was different than being with Adrian. 
“How are you liking the Everhart-Westwood residence, Nova?” His voice was cheerful. Nova didn’t care. 
She shrugged, playing with the covers. 
Hugh sighed. “Listen, Nova, there are things that you should know about your family, okay?” She glanced at him. He sat on the edge of the bed like he did with Adrian and reached over to pat her shin. “But...I’m afraid you’re going to have to be a little older to fully understand. Just know that...that your father would want you here instead of in the subway tunnels, okay? He was a good man and a good friend, unlike his brother who was narcissistic and hotheaded.” Nova deflated, and had to bite back arguing over what he believed was best for her. He was just saying these things to get her to open up and to turn against the Anarchists and her uncle. He didn’t care about her. If he did, her family would still be alive. 
But still…”You knew Papà?”
Hugh smiled, though it was sad. “Yes. And there hasn’t been a day that has passed that I haven’t felt guilt for failing him. For failing you. But that’s a story for another day.”  He paused and stood then, shaking his head. “Do you want to be tucked in? Adrian won’t admit it, but I’ve gotten pretty good at it since we adopted him.”
Nova shook her head, wanting to ask more questions but knowing they would lead to nowhere. 
Hugh left and closed the door behind him softly, leaving her to a dark room and racing thoughts. 
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slylock-syl · 4 years
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I dont know if u are the proper person to ask this, but Ive been trying to avoid reading ur comicForAwhile, so I can see someOf ur comic for the1st time in dub format. But not many people dub ur comic, only EchoDubs and EnderKingDubs so far, & they have only got to Ch2 so far. &I just wanted to ask do you think I should ask Vade & Sans Comic TV to dub ur comic, I havent done so, because I didnt want to step on EnderKingDubs toes since I know they are making a S1remaster &S2, but its been awhile?
I highly doubt either of them would be interested in dubbing such a long series, especially an incomplete one, for one reason or another. As for the current running dubs, it might be a while on both sides. EKD's current plans are up in the air, and Echo's pacing themselves.
Either way, I doubt you'll be seeing much of the current story in dub format for a good while. ^_^;
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Update: Sprucing up the tumblr blog with better navigation tags.
I got a new code for this tumblr blog and since I have alot of ocs , i decided to make a page into the blog as a “My MLP OC List” so that way if i have no room to get every MLP OC along with my Next Gen characters as well, it’ll be all in there.
Thankfully for this blog design theres 4 Navigation sections with 4 link buttons, one of the 4 will have thats Next Gen focused. I am working on my Next gens, just lately for the past 3-4 years its been very slow going but i feel its cause of mix of depression, and dealing with a shitty toxic friend that i wish i never was friends with to begin with. so me and my friends wouldnt have to deal with their pathetic toxic attitude and actions they have done.whats done is done though.
I am planning to do fan art of MLP as well, even though G4 is over but it only is over if you let it be over. know what im saying? MLP has been apart of my life since i was a kid, 8 year old me was introduced to MLP Gen 3 and my dad introduced me to the first MLP animation episodes of Gen 1. it only made me love the MLP series as a whole even more. 
MLP will never die nor will i ever tire from the franchise and the shows. i will love it all to pieces and will never let it go. I am sad that my ponysonas have changed over a while from one pony to another and another and another...but i feel its because i was struggling so badly at what would my ponysona be.
this is coming from me who hates herself to a big degree, and i am trying to find myself. i did manage to FINALLY settle on one oc i designed completely which is now my forever main ponysona Rainbow doodledrops. 
I do have a fanfiction idea that she’ll be a focus in that the mane 6 ends up being involved and I really do hope it goes well, because i plan to make a comic of it one day. Im no professional writer but- hopefully it’ll go well. i may need some help of proof reading. hopefully i get some help with it.
I do have another fanfiction idea which for the Next Gens. alot of people have named their Next gens like pandoraverse and much more. Im not sure what the name should be but maybe harmony verse or something. theres probably so many next gen names im not even sure which isnt even taken. maybe do harmony rain or something. if anyone has any ideas you guys can let me know. ;w;
thought i update you guys on this. plus looking at the ask arts ive done as responses god THE ART IS BAD. BLEH. especially with rose/sweet delight. yeah thats a huge ass confusion and im so sorry XD im still working with it. i do have a interesting story with sweet delight and rose which will be a fanfiction in itself which we journey together with sweet to find out the mysteries behind her and rose. especially why is rose even in sweets body to begin with.
I also have been updating most of my ocs designs up and hopefully you guys will like it. right now just sprucing up the tumblr blogs profile down and get everything set up. i’ll show you guys the blog once its finished :3
All the asks i havent answered THOSE WILL BE ANSWERED I PROMISE. I havent touched them- nor deleted them. i planned on responding them for sure. im so sorry for the wait and i thank you guys for your patience. i wanted to at least give you guys good quality stuff here. ^^
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sulevinblade · 5 years
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(Talesfromthefade) things you said when you were drunk, for the DWC?
OH MY GOD this was a little idea that got away from me in a big big way but I’m still pretty happy with it. For this and for “cafune - the act of running your fingers through the hair of someone you love,” from @contreparry! For @dadrunkwriting!!
Alistair/Leohta Aeducan, T for language, dumb suggestive jokes, and alcohol use, 4k+ words (awaaaay from me, I wish I had time to edit it but uh I spent the entire time writing it instead). 
On the cusp of the party’s visit to Orzammar, Alistair learns what kind of drunk Leohta can be, and shares a little lesson of his own. Light angst, serious fluff.
He finds her standing on the rocky beach, well away from the dim glow provided by the Spoiled Princess’s small windows. It takes a moment for Alistair’s eyes to adjust to the complete dark–the night watch Templar doused all the torches at the dock, as clear an indication as anything that no one else would cross Lake Calenhad tonight–but even if he’d had to follow her blind he could’ve found her by the sound.
Bloop.
Normally finding Leohta by sound means the clank or grind of armour, the grunts or barks of Leon, or even her rare laughter at something Zevran said (it was always Zevran making her laugh), but tonight the sound is completely unfamiliar. It’s still enough to guide him, though.
Bloop.
Last he’d seen her, she was swapping some of the coin they’d made selling things to the Templar quartermaster for three large bottles of deep pink liquid. It seemed a bit of a racket to Alistair, that they should collect the mages’ items as they cleared the Tower only to sell them to the Templars who would then in turn sell them back to the Mages, but surely if that wasn’t how the economy of the Circle usually worked, Wynne would’ve said something. That was Alistair’s hope, anyway, as he’d watched Leohta count the coins before they left, then again at the tavern’s bar. She’d tossed the bag back to him before collecting the bottles and heading outside, and he in turn had left it with Zevran.
Bloop.
“You have known our illustrious leader the longest among any of us. Has this always been a habit of hers?” Alistair squinted across the table, trying to determine Zevran’s game, but succeeded only in giving up his own. “You think I see this as a weakness I can exploit, but I would think even you would see that if I were going to do so, I would have done it by now and certainly would not draw attention to my plans by involving you.” His eyes only narrowed further–how does Zevran make talking down to him still seem so seductive?–but Alistair did sit back in his chair.
“I haven’t known her all that long, really, but I don’t think so. Why d'you ask?”
“My Antiva makes the finest wines in Thedas, so it is not uncommon to see those there who overindulge, but there are many types. Leohta, she is young and exploring her limits, yes, but she is also trying to drown things she does not want to feel. Her limits are low and the things she seeks to kill are very large. It is a dangerous combination.”
Alistair glanced again toward the door. Of course she hadn’t come back inside, that’d be too much to ask for, but what was he supposed to do?
“If it is too much for you, I will go after her, but she should not be alone.” Both of their chairs scraped back at the same time but Alistair was the first to stand, something that for some reason brought a sad smile to Zevran’s face. Alistair could only look at it for a moment before looking away.  "I know you do not think much of me, Alistair, and while that is entirely your loss, I do know that one thing we have in common is how much we care for her. Go see to her, my friend, before her sorrows are not all she drowns. It is probably for the best; I am not much of a swimmer myself.“
Bloop.
So now here he is, approaching carefully, pretending to be taking in the constellations while Leohta hurls rocks at the water like she’s trying to knock the waves down before they can reach the shore. The night is perfectly clear; Kinloch Hold is merely a dark space in the sky where the stars are missing, but everything else is black sky and white twinkles. He clears his throat in case she somehow hasn’t noticed since he doesn’t fancy getting one of those stones thrown at him, but she only pauses for a moment before bending to search the area around her feet for another suitable candidate. One bottle is already empty, stuffed mouth down among the pebbles and into the sand underneath them, and as Alistair finishes closing the distance Leohta gives up her search and instead tips to land on her backside, legs out in front of her and a second bottle in her hand. He knows they’re not small but her stature makes them seem even larger; it makes the sight of her lifting one to her lips almost comical but the effect is spoiled by how long it stays there. Maker’s breath, Zevran was right when he talked about drowning.
"You planning on coming up for air any time soon?”
There’s a pop as she breaks the vacuum she’s created, then a dry laugh. She still isn’t looking at him. It makes his chest hurt, how badly he wants her to turn her head. “Breathe through your nose and you can use your mouth for whatever you want.”
“You’re spending too much time with Zevran, saying things like that.” Sighing, Alistair drops down crosslegged at her side and extends a hand. “What are you even drinking? I’ve never seen anything that color in a tavern before.”
“One of the Templars told me about it. I guess–” there’s a pause and she bunches up her eyebrows, apparently trying to put the pieces back together, “I guess the mother started making it as a tribute to her daughter and now of course it’s all very sad but the owner still makes it as a specialty. Sweet mead made with roses.” She passes over the open bottle, not bothering to wipe the top, and the expression on her face, like she’s sharing a secret, distracts him so much he can’t be bothered either. She wasn’t kidding when she said it was sweet but the roses are strong too, floral and delicate. He passes the bottle back after just one mouthful.
“I’ve never had a mead like that before. It’s very… different.” Leohta seems to accept that answer, nodding before lifting the bottle to her lips again.
“There’s nothing like this in Orzammar. Not even in the palace. Not even to make it. No honey, no roses, and when there is if you said you wanted to make something like this with it, you’d be laughed out of the kitchen.” She holds the bottle in front of her contemplatively, swishing the contents back and forth gently and tilting her head in time with the motion. Alistair’d almost think it was a contented sort of gesture but then she sighs and drops her head back, hair falling over her shoulders as she lifts the bottle skyward. “Nothing like that, either. No stars, no sky. Some of the caverns are so high the ceilings are invisible, but you still know they’re up there.” Slowly, she lowers the bottle but keeps her gaze fixed upward.
“Do you miss that?” It’s not something he’s given a lot of thought to but it’s hard to imagine. Even within the walls of the Chantry there were windows. The sky was always there, or not-there maybe, when compared to a ceiling of stone. Trying to imagine life without it or everything it held–the sun, the moons, the clouds and stars and birds–was virtually impossible, but here was Leohta not just imagining the opposite but living it.
“Dunno. I still don’t understand all this. What keeps it up there?” Her hand waves up at the stars but only briefly; even sitting down she’s unsteady without both hands to support her. “With the stone, you know that even if you can’t see the ceiling, it’s still held there by the stone. Nothing floats, nothing rises or sets.” Watching her profile, he can see the way it hardens as her train of thought jumps the track. “Nothing changes.”
He shifts a little, the pebbles grinding softly underneath him as he leans to try to catch her eye. “You changed.”
This time when she looks over at him, it gives him a chill. The stone she’s been so contemplative about has found a home in her eyes, the set of her mouth. They seem cold and stiff and almost lifeless, soft evening blue turned to lapis lazuli. Still beautiful but hard. “I left, and not by choice. You wouldn’t know how much I’ve changed, Alistair. You have no idea what I was like before we met.”
“I suppose not, but I do know you’ve changed in the time I’ve known you.” He keeps his voice softer now, speaking carefully to avoid that stony shift becoming somehow permanent. He hasn’t seen her look like that since before Ostagar, and to lose all the little ways she’s softened since then would be the greatest waste. “Do you miss that? Or her, I guess. Do you miss who you were before?”
Her laugh is a single humorless sound that moves her entire body, shaking her shoulders and flexing her stomach. “What does that matter? She’s dead. Worse than dead.” There’s venom in her voice but Alistair doesn’t flinch since for once he’s certain it’s not directed at him. He watches as Leohta stands, a wobbly process that involves repeated planting of hands and feet before she can push herself vertical. There’s a powerful temptation to offer her help but the set of her jaw makes him stay his hand, even if whatever effect she might be going for is already ruined by her own unsteadiness. “Nobody mourned her, nobody misses her, but it doesn’t change the fact that she’s dead. Bhelen killed her as sure as he killed Trian. The prince is dead, the princess is dead. Princess Aeducan is dead.” Her voice is raising, getting louder and more raw the longer she speaks, until finally she’s yelling out at the water. “Princess Leohta Aeducan, second born and best beloved daughter of House Aeducan, is dead!” She punctuates the last word by throwing the empty bottle into the water but it’s a bad throw, short and shallow. The bottle makes only a small splash then floats, reflecting the moonlight as it bobs its way back toward the shore.
Alistair rises, brushing at the back of his breeches, and makes his way up to stand beside her. He’s well within punching range, possibly a dangerous gamble, but if the way she’s carrying herself is any indication, it wouldn’t hurt very much right now. Plus, if she punched him, at least it’d prove she was feeling something. “I’d mourn her but like you said, I never did get to meet her. I’ve met Warden Aeducan, though, and I think she’s pretty great. Accomplished a lot, too.”
She’s bent back down and is sorting through the stones at her feet, tucking some in the bend of her other arm. Standing back up is a careful process but she’s shaking her head the entire time. “They’re not gonna think so.” Her voice is normal again but her profile is still stony.
Bloop.
Was this was he was like heading into Redcliffe? Of course, he hadn’t gotten drunk on sickly sweet mead to deal with it, but he’d had his turn as the prodigal royal-but-not-really. The main difference was he never wanted it, but she spoke so little of her life before the Grey Wardens. Was the crown of Orzammar what she’d really wanted? Not that it really mattered now. “Seems to me they had their chance to appreciate you and they blew it.”
“Oh, no. That’s the thing. Up until the end, they loved Princess Aeducan. That was the whole problem. She was too well-loved. Luckily, I’m not.” Leohta stares out at the ripples from her last throw but the fight’s going out of her. It ought to be a comfort, less risk of being punched, but instead it just hurts more. He curls his hands into fists at his sides to keep from reaching out, swallows the words that’d tell her just how deeply loved she is and not only by him, as much as he might wish it were so.
“We could go back to Denerim without going to Orzammar.” Aaaaaaaalistair, what’re you doooooooing? He ignores the voice in the back of his head, prepared to make an argument for mounting their assault without the help of the dwarves, but Leohta shakes her head. She’s drunk and she’s still got better sense than you.
“Just because I don’t want to go back doesn’t mean we don’t have to. Being a Grey Warden isn’t supposed to be fun, hasn’t been so far, why start now?” She seems to consider the matter closed as she turns her attention back to the rocks she’s holding, sorting through them as though looking for a particular one. They start to slip away and clack into the pebbles below and with a frustrated sigh she picks one, letting the remainder drop. “This is supposed to be, though. How the fuck do you do this?” Another windup, another bloop.
“Wait. What are you trying to do?”
“Make it…” She shakes her head, the word apparently lost, and instead makes a bouncing motion with her hand.
“You’re trying to skip stones… by heaving them at the surface of the water with all your might?” And there’s the punch he was waiting for, exactly as painless as expected. It’s not even hard enough to stop him laughing.
“I saw you and Zevran do it in Redcliffe before we left and it seemed to calm you down so I thought I’d try. You made it look easy, but if you’re just gonna laugh then forg–”
Alistair intercepts her before she can start to walk away. “I’m sorry, I’m sorry. It’s just that I never would have guessed that’s what you were trying to do. I thought you were mad at the lake or something.” She’s looking up at him, wary, so he holds his hands up in innocence. “If you still want to try, I can show you.”
“No more laughing?”
“No more laughing. Warden’s honor.” When Leohta seems satisfied with his intentions, Alistair finally looks away from her, crouching down. “The first thing you need is the right kind of rock. It needs to be pretty flat and you want a triangle shape if you can find one, but flat will do for now.”
She’s crouching as well. “I thought it would be better with a round rock, like a ball.” She’s quiet, almost chastized, and Alistair has to duck his head and cough into his fist to hide the grin it conjures.
“No, that’ll break through the water and sink. A flat rock will bounce better. Something like these.” He shows her the three he’s found, all rounder still than he’d like but they should do the trick. She holds up a couple of her own and really, they’re no better, but they’re only for learning. “Yes, those will do. Now.” Alistair drops to his knees and crooks his fingers around one of the stones. “You have to hold it like this, because the important part is that you get it to spin. That’s what makes it skip.”
Leohta’s squinting at his hand, then she tries it out herself. Her hands are smaller so she can’t quite circle it the way he does, but Alistair hopes it’ll work out. “Like this?”
“Just like that. Now, the other trick is not to throw it up but to flick it. You want it to stay flat so you have to kind of–” He turns his arm out at the elbow and flicks the rock out onto the water. Four hops, not his best work but not bad.
When he looks back at Leohta, though, she’s entranced. She watches the ripples so long he has to clear his throat to get her attention back, but this time every trace of the stone is gone from her face. She looks eager, determined, but also a little embarrassed. Surprised to have been caught, probably, but it’s a charming expression nonetheless. She turns to face the water again, weighing the rock in her hand, then moves her arm and throws.
It splashes and sinks just like all her other attempts. Leohta curses softly and starts to turn away but Alistair catches her wrist.
“Hey, no way. You’re not giving up after one attempt. C'mon. We’ve got two more rocks, so two more tries, then I guess I can let you give up.” He starts to move before she can start to argue.
“It’s not giving up, Alistair, it’s accepting the inedible. Inedibibble. Ined… remind me to compliment the tavernkeeper tomorrow. His stuff is good.” Her voice gradually gets softer, a delayed reaction to where Alistair has taken up a position just behind her. It’s extremely convenient for him: she can’t see how his face is burning up from the presumptuousness of being so close to her, but it’s also the best position to show her how to move her arm. He wraps his hand around hers and lifts her arm into position.
“From here, you have to flick your hand out. Try to imagine the rock spinning out from the inside of your thumb and taking all that energy with it. The harder you can flick it, the more it’ll bounce and the more hops you’ll–all right, that’s it, you and Zevran are officially being separated because that’s not even dirty and now you’ve made it dirty. I hope you’re happy.” The woman in front of him is struggling to contain her laughter, he can tell, and as much as he wants to keep her focus on him, it’s hard to be genuinely upset. She doesn’t laugh nearly enough and especially not around him. The fact that whatever is so funny is lost on him is a far distant concern.
Alistair waits for her to compose herself then takes a moment to compose himself in turn when she settles back into a proper posture that puts her in contact with him from shoulder to hip. She’s nearly as tall as he is when he’s on his knees like this, a fact he’s thought about many times but never quite in this situation. Leohta gives herself a little shake, tossing her hair in his face as she does. He tries to blow it out of the way but there’s just too much. All right then, one thing at a time.
“Now. Just remember, angle your hand back and then flick. That word is ruined for me now, I think. You’ve ruined flicking.” In front of him Leohta snorts and Alistair make a private vow to forbid Zevran from using that word. He wants it to be their joke even if he doesn’t understand it. “Do you think you can manage?”
“To flick? I’ve done all right for the last few years anyway.” She giggles and clears her throat. “All right. Angle my hand back,” and her hand is moving inside of his so he loosens his grip, “then forward and flick!”
Alistair peers over her shoulder and sure enough. Blip, blip. One hop, but it’s one more than she’d managed before. He puts his hands on her shoulders and squeezes. “There you go! Well done, Warden Aeducan.” She lifts one hand to pat his but he can tell she’s still looking at the ripples.
After a moment, he releases her shoulders and, feeling a little bolder by the fact that she hasn’t elbowed him away yet, reaches forward to comb his fingers through her hair. It’s a practical gesture–even as he’s speaking, her hair is getting in his mouth–but hardly exclusively practical. Her hair is thick and her scalp surprisingly warm underneath it. In front of him she’s gone very still; he thinks she might even be holding her breath but then again, so is he. He focuses on his own hands until he’s gathered her hair at the back of her neck, but then the tension in it changes and oh.
Alistair looks up and she’s right there, her head turned to look at him. Maker’s breath but she’s close, her mouth gently open and her eyes searching his face. Her breath smells like honey and roses and his hand is still in her hair, it’d be so easy and it might be perfect but she’s been drinking and that’s not right. Or might it be OK, with her looking at him like that? The motion of her lips is so mesmerizing that it takes him a moment to realize she’s speaking to him.
“Alistair.” And like that, the moment is over, or at least set aside. “Would you do that again?”
“Of course.” She could ask him to fetch the moons from the sky right now and he’d say yes, but… “Wait, do what?” He didn’t do anything other than have a whole lot of thoughts in a very short span of time.
“Touch my hair. That was nice.” She’s leaning more of her weight against him now and it’s nice but also just starting to make him concerned. Still, he already said yes, so Alistair releases her hair from where he’s holding it and threads his fingers through it again, starting at her temple, mindful of and parallel to the little braid she’s so meticulous about. As he does it, her eyes drift closed but her face is relaxed. It’s not quite a smile but he’ll take it. “Again,” she murmurs as his hand comes to rest on the back of her neck.
Alistair laughs softly but he complies with her request, stroking his fingers through her hair again. And again, and once more, until she leans forward completely and drops her head onto his shoulder. Her breath is warm on his neck as he gives her one last stroke, then stops to reach out away from her. She grumbles softly in protest but he hushes her. “I’m just getting your other bottle. It’s bought and paid for, no sense leaving it here.”
“Why, where’re we going?”
“I don’t know yet about myself but you are doing to bed. Sleeping standing up is only good for horses and probably Sten, and sleeping on your knees is good for no one. Now, come on, up you get.” He hooks the hand holding the unopened bottle of rhodomel under Leohta’s knees, his other arm coming up behind her shoulders. She grumbles again as he starts to stand and he pauses before beginning to walk.
“You’re carrying me like a princess.” The humor in her voice warms him but now he feels a little more confident about deflecting it.
“I’m a Warden carrying another Warden like a Warden. No princesses here. Well, except for the tavern but I’m certainly not trying to pick that up. I could throw you over my shoulder if you wanted, but you have to promise not to throw up on my back.”
“No promises.” She slumps against his shoulder as he starts to walk. It’s only a few steps from the beach to the door but he takes his time. Who knows what Orzammar will do to her, or what she might do to Orzammar? The answer is liable to be complicated but this, for as unexpected as it is, feels strangely simple. She might not even remember it in the morning, but it’s not a feeling Alistair’s going to forget any time soon. “Alistair.”
“I don’t have a free hand to pet you, but if you can stay awake until we get inside, maybe I’ll give you scritches once I get you upstairs.” He’s trying to figure out how he’s going to open the door when she shakes her head and answers.
“Thank you for coming out tonight. I’m sorry I’m–”
“None of that now. You have nothing to be sorry for, and if anything I should say thank you for having me.” Alistair manages to hook the latch with his pinkie then wedge his foot into the gap, kicking the door open as he maneuvers her inside. “You may not have found it so, but I think being a Warden can be a little bit fun, if you’re with the right person. Or people,” he continues, scrambling to cover for himself while trying to ease the door’s closing with his foot. Once he’s got both feet back on the ground, he looks down at the woman in his arms. Fast asleep, looking as young as he’s ever seen her and more peaceful than she has possibly the entire time he’s known her. The inn’s main room is empty, the fire doused, and he’s almost loathe to speak again and interrupt the silence, but he does.
“Or person. Just the right person.”
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kosmicdream · 6 years
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hey!!! i just read to the most recent update of ffak (my favorite webcomic ive ever read tbh) and i kinda wanna try making my own. did you have the whole story planned out before you started or is it an ongoing thing? also how did you make the website for it? thank you for making such a cool comic!
Thank you so much!! And let me try to figure out a way to answer this properly. My process is a bit complicated to explain because it is very organic. Its almost like I am never done writing it, because I am always letting it grow/stretch and explore as I think about ffak every day, and every night before sleeping I’ll try to brainstorm things I havent thought of. So spending that much mental energy on something, you never really get ‘done’ with writing a story. Even when i eventually finish ffak, im sure i will be still working on it (or things I would have wanted to do.)
However!! Before i started working on ffak, when it was just called HELP! i established many things narratively that I stuck to and have not changed about the story. So I think the process of this comic, in a simple way, could have been broken down like this in.. stages?
1) I laid down the basic framework of the world, such as the functions of king worms specifically, the aiguille family, helpers, several characters (some havent even appeared in the comic yet!), king leadman, as well as antony/rome’s narrative arc/dynamic. that way their character arc was already figured out before the comic started and I knew it would be the central ‘root’ of the story. I knew how i wanted Rome to be introduced, and how he would meet canary, not knowing the connection between canary and his brother. I had a rough idea, even from here, how their character arc would come to a point (and basically what sorts of things the story would likely eventually close on) I also knew the general setting was on moons and how the humans got there, and how advanced society was, and what the red lights “really" were and what they meant..i figured out what ‘vein’ was here.. ect.. many worldbuilding things!!!It might sound intimidating, but this process happened very quickly. I basically figured this out in the.. day? before i started working. I have had a lot of experience with roleplaying so i think that helps with me making quick decisions. I knew i had enough to work with that I didn’t feel intimidated to start actually drawing it out-- especially because i had the rome/antony thing already set down. 2) Then when I actually started to work, things started to develop very quickly. I knew basically all i needed to for Hekatons before i got to introduce knife (their origins, history, involvement in present day politics) and before ch6 i also wrote all of the “supporting cast” (at the time) which included dylan, fork/spoon/knife, paper/scissor/rock. So i ws able to write Thumb and Heel, and set up the overall dynamic of what the world was like in the present day. (also Spoon/Scissor’s connection.) Cash was actually written in the first batch of characters oops, but her design really became more detailed during this stage because of scissor. 3) then things got more complicated as i dug deeper into the past, and wanted to include crimson. So!! I fleshed out the origin and true history of this world. basically as soon as crimson appeared I had everything in place and felt comfortable enough to include crimson, who borrowed many things narratively from a character i roleplayed for years. Anyway, i figured out all of the deep past of the world and decided to draw it out since it was so interesting in ch 9/10. I think this was around in the 2nd chapter when i figured this out, but my memory is fuzzy. I know by the time i did the flash forward scene in ch2 i had decided many things and so all i had to do was get to them in the comic to cement it in. 4) I forget when exactly (maybe around in chapter 5 or 6) , but i decided to bring in a very old story i wrote in 2009 for good leadman’s origin story-- as i thought it would be cool to make good leadman the protagonist for this old comic i wanted to do, and that helped make the background for heel and thumb more “believable” to me because they were already symbolizing this old story i had written the entire thing of. Oh that’s something else to mention, because that world was part of a collection of stories- i was able to develop DMTIA that way because i already had this cast and just decided to merge the stories into the FFAK setting. I think when i did this, it pretty much was the final big thing to make me understand everything i needed to know about this world. All the story arcs felt pretty realized and I could see how the ending could go at this point.
I guess to summarize, is that i let things grow but also had things planned from the start and once i commit to an idea, it doesnt change. Even if it might appear somewhat frustrating to work with, i like to use them to make my next decision. sometimes that means i dont get to do all i want to do, but i still have a lot of flexibility in this setting like i wanted to have from the beginning.
Even now when i feel like pretty confident that I’ve explored every nook and cranny, I’ll decide to revisit a older storyline or facet of the world and strengthen or build on that. That’s why i ended up with so many fucking side characters because I’ll brainstorm for them for a day or two and suddenly have a lot of material i know wont even “technically” go into the story even though its there. (like, Spot for example was not meant to be so interesting, but i wrote a huge fucking story for him that obviously wont get really any attention.)
So.. its ongoing and it is also not ongoing and hasnt been for quite a long time now? (after two years of constant work it felt.. really complete and done in a lot of ways. we are now currently on year three, moving to year four!) I think the best thing to do is to keep in mind what kinds of methods for writing make you feel comfortable and is your natural brain-pace. I like working with an aspect of fluidity and room for growth and flexibility because i don’t like being boxed in or “outgrowing” my project too fast. So keeping that in mind, i designed ffak to be a comic where it could grow with me and change. that’s pretty much why i decided worms would be a great subject and theme to work with because they are characters that naturally, evolve and change based on what they eat and absorb. plus the themes in ffak just are so fun to work with i will never be bored of it. structuring a project with these things in mind for when i run into walls or feel unmotivated have kept me engaged. I think that is part of why i cannot let it go because I still feel really excited to write and contribute ideas to it.
However, Chapter 12 really feels like I’m settling back down to my original plans and taking my time and patience to communicating all the structured planning ive put into it. I’m not letting it grow the same way anymore because it doesnt need to. I feel comfortable with understanding its voice/style and pacing and im no longer recovering from the uhh.. shock of it existing? I promise that once you actually start making a comic, its a wholly different experience than just it being in your head. and it will sound, look, and feel different than what you thought it would be-- that in itself has influenced a lot of change in ffak because honestly at first i was not expecting to draw it so explicit. that was difficult to get used to but im happy to have embraced that aspect of my work.
So HMM.. I made a strong spine or foundational backbone in the beginning before i started, then fleshed it out as i was in the process of making it, and i always continue to leave room for it to grow. just not grow in EVERY aspect anymore. i also dont chop down branches, but i try to hone in on specific things to make them more clear. i think chopping stuff down and removing things is generally not the best to do because its easier to build up and work with what you have than make big retcons after youve already started or established. also the challenge of working with limitations makes you feel that needed bit of pressure to really commit to your work in the moment of making it and i feel like its helped make me more serious and confident about what i write about. I never feel lost on what to do because if I cover and figure out something, that’s how it is. I make it work regardless! 
everything is done with careful consciousness to the overall balance and product of the story, while also not suffocating it in a box of limitations of what it could be. i treat it like a living thing in my mind and heart and that means i work to have thoughtful conversations with it and myself about what its needs are, what my needs are, what i want to do with it and what it wants to be.. ect. its almost a spiritual thing really. i feel like its important to always reflect and engage with your art and art process to feel a stronger connection and purpose behind what you are deciding to do and what it means to you. i am probably repeating myself a little here but!!!!!! its worth saying!!!!!!!!! 
I also really think it adds to the interesting and fun “layers” to the story, as there has been different stages to its development and it brings in different feelings with each layer. But then the older or more ‘’foundational’’ ones pop in and they seem to give off a different atmosphere (antony and rome) vrs some of the newer additions (like jacket) who are more for shallow, fun decoration or an interesting potential to explore in the future. Like, Jacket is not a character that has a lot of foundational plot connected to him, but he’s an interesting development in terms of the potential of a worm and symbolizes that early-ffak-mindset of growth and experimentation. so i think it makes him a really unique and fun character because he embodies a lot of new and old aspects of ffak’s narrative and my journey with working on the comic.
I could go on and on, but I hope this sort of gives some insight to my process and how I write/work. because in a lot of ways, it isn’t linear. just like how my comic is! sometimes this makes ffak very disorienting for people to read, but if you keep in mind that ffak is very organic and personally tailored to my mannerisms  and with that in mind, it makes a lot more sense why it is how it is and the patterns in it become much more apparent. Anyway! thank you for reading and good luck working on your own stories! it can be challenging but i think it is absolutely worth the effort. 
Also i did not make the website, my good friend Tegan did. :3 i do not know anything about websites.
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itdisneymatter · 7 years
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Day 02 - Epcot
TLDR: Epcot. A slightly later start today though a pretty full and non stop day once we began. Spaceship Earth up first, squeezed into the Ellen's Energy Adventure, then Test Track with a touch of competitive spirit. Living with the Land, Circle of Life and then Soarin’ in quick succession. Finished off with the new ride - Frozen Ever After and decided to skip out on World Showcase in favour of heading straight to Miller's Alehouse for my first proper meal of the trip. Walmart, then home, early (earlier).
The future is what you make it!
Sooo Robert had been unimpressed by the shops we had visited to far, mainly because they didn’t stock Pokemon cards. With the thunderstorms last night, we promised we visit Walmart first thing, which we did prior to picking up my Mum & Dad for Epcot. That meant skipping breakfast. Again. Picked up a wee rucksack so we could carry around all our rain jackets and little extras. Robert got his Pokemon cards and Gracie managed to find yet another collectable in the form of Hatchimal miniatures. Patrick and I had been speaking prior to the holiday about another card collection called Magic: The Gathering, but neither me nor him knew much about them. He picked up a starter pack to have a look. As someone who like his RPG and Fantasy things, I was a little intrigued. I dont think it will take Patrick long to become an expert.
Swung back around to pick up my Mum and Dad who were waiting for us at their Hotel with coffee in hand - result! The other party (which I'll cover in just a sec), were heading to Mass first and planned to catch us up at Epcot when they were done. So let me backtrack a little and explain who is actually all here as I havent yet done so and were already two days in - thats just impolite, so sorry.
Fifeteen of us in total. First off we have our wee family of five, Me, Ann, Patrick, Robert & Grace - Ive went on at length about all of us at some point in the past - yeah, you know who we are. Then its my mum and dad, Sadie & Wullie, Orlando veterans and all round great parents. My brother Michael is up next, with Sarah Jane, Corrie, Alessio and their wee baby who recently had her first birthday - Isabella. And finally we have my sister Pauline with Kevin & Emily. Both Emily and Isabella are first timers to Orlando and all things Disney, so makes it an extra special visit. Ourselves and my parents share the first car, My brother, sister and their families share the second. I'll refer to the latter as 'the other party' at times but this is entirely for brevity. Now, back to the story...
We ended up getting to Epcot around 10:30 which was right in time for our first Fast Pass - Spaceship Earth. A big slow moving train through the anals of Civilization, located in the big multi-faceted ball that Epcot is renowned for. Y'know its a fairly simple ride and I've done this it a fair few times now, but this like many others, never ceases to amaze me. If you've ever seen Inside Out, I imagine this whole place to be a core memory and have its own wee island somewhere in the depths of my brain, churning out little orbs of Joy. If you haven't seen Inside Out, then all of what I've just said will sound really really weird, but trust me - go watch it. Good start to the day!
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Hey You Guys! 
Next we checked out Test Track but it was down for some unknown reason, so grabbed some coffee and pastries will we waited for the other party (that being, oh wait right we did that already, didn't we?). By the wonders of Whatsapp and Feel at Home from Three (shameless plug), Kev let us know that they'd arrived and we arranged to met them back at the entrance. We'd coordinated our t-shirts today, those being our new Celtic Champions 6-in-a-row tee :) which made it real easy to spot them. On the subject of attire, zipped pockets - how amazing are they? I know I sound like I'm getting old, but they're definitely the way to go if you're on holiday!
Ann really hurt her eye over the course of the morning and it was progressively getting worse as time went on. I suggested that she patch over her eye to give it a rest, however this led me to call her One Eyed Willie, which didnt go down to well, so stopped in fear of my life (or having to walk the plank - right, sorry Ann, that was the last one, promise ;) x )
Next we headed to Ellen's Energy Adventure, a big moving cinema all about th wonders of energy hosted by the hilarious Ellen DeGeneres & Bill Nye, the science guy. Funny as well as factual too, couldnt go wrong.
Now came Test track, a ride where family loyalty went out the window as we went head to head to design the most efficient car. Super fast, fun ride and good to see the competitive spirit from everyone - even Gracie was doing a little trash talking (well she was in my team, otherwise I wouldn't have encouraged it ; ). In the end, we failed to hit top spot, but our car was easily the best looking one out the lot (all designed by my lovely co-pilot Gracie).
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Scores on the doors were as follows:
Ann, Kevin & Pauline - 208 Michael, SJ & Emily- 205 Me, Dad & Grace - 204 Patrick, Robert & Corrie - 156 (who intially claimed 226 - what a bunch 'a chancers!)
All  in all great fun and everyone loved it (especially Gracie who wanted go back on it straight away).
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Living With The Land Fast Pass (on the other side of the park) up next, which we made it with 5 minutes to spare. Nice boat ride about farming and such (seriously) with Patrick even enquiring about the Behind The Scenes tour (or Behind The Seeds as they called it) - he just loves learning new things! He also managed to spot 2 hidden Mickeys on the ride (thats disguised Mickey symbols all over the Disney parks) -  so well done PG!
Quick stop at The Circle Of life, a wee environmental film featuring The Lion King's Simba, Timon & Pumba, which began with the song of the same name. That song gives me goosebumps every single time! *shudder*
After that was Soarin', which we had passes for, but everyone wanted to ride so meant we had to split up into two groups, one to watch Isabella while the other went on the ride. While we were waiting to ride (with views of an cool looking India Jones-esque style journey being mapped out on the screen before us), Robert asked the attendant out of the blue if we could get in the first row - good ole Ro! :)
This ride was Epic - its the only word to describe it. Flying through the air, over different landmarks of the world aking in hugs vistas, they even had different smells. Everyone loved it and even my Dad rearked it was the best ride yet as we walked off the ride.
Do you wanna build a snowman?
During the wait and switch-over of groups we came to the decision that the five of us and my mum and dad would head home after the last ride and try getting a proper bite to eat when it was a little quieter, whilst, Pauline, Michael & Co would remain in the park and finish off the remaining rides.
So onward it was to Frozen Ever After, Epcot's newest ride based on the extremely popular Disney movie and set in Norway (well Epcot's mini representation of Norway on their World Showcase). On our way, we bumped into Pluto (the dog, not the planet-oid-y thing), so used the opportunity to grab our first character autograph! Kids were really excited! There was a Disney Photo-pass photographer there too so managed to get some nice groups shots (except for ours, so had to use one of my own photos here as a backup).
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The ride was a great little boat trip through the Kingdom of Arendelle with Anna and Elsa (who is my favourite princess without red hair, ok ok, she isnt really a princess, yeah I know, but still). Even the Snow-gies made an appearance! And with the ride came another ride photo from the Memory Maker - excellent! :D The kids loved it and Emily was skipping out of the ride singing Let It Go at the top of her voice! :)
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So we said our goodbyes and left the other party then, who planned to continue their travels around the World Showcase and possibly grab Spaceship Earth, which they missed, on the way out. The World Showcase is an awesome thing, but I think the allure of a hearty meal after a long day was far too tempting for us.
We headed straight to Miller's Alehouse from the park in an attempt to avoid the queues and wait times... which we did! However once we were seated and after a quick scan of the menu - the Snow Crab that Gracie had set her heart on to share with me was no longer on the menu - she was more gutted than me! :( In its place I opted for a nice wee Flat Iron Steak & Coconut Shrimp combo, which was awesome. Grace and Ann chose to share the 35 Shrimp menu item (which was 35 shrimps funnily enough) and Grace inhaled about 18 of them. Man, that girl loves her seafood! The Nacho starter that Ann thought she might need however was an absolute mountain and in the end, defeated all of us (its really big enough for two peeps to share as a main meal if Im being honest). The food and menu options in the place are second to none so were definitely planning a return visit in the next few days with our entire group!
A second trip to Walmart rounded off the day in order that we could take a slightly more relaxed look at what they had to offer. The last time I was here I picked up some amazing Cinnamon Pecan coffee, but alas they appeared to no longer stock it or any equivalent. The boys picked up more trading cards, Grace picked up more Hatchimals and we got a variety of non-essential items including a Star Wars decal for the car, a Pecan pie (obviously I have a thing for Pecans) and some Harley Quinn Comics (and I have a thing for her too ; ). Had a look at the laptops too, which were ridiculously cheap, so toying with the idea of picking one up, but Ill need to do some in-depth investigations first.
Rest day on the cards for tomorrow with shopping planned in the am, so should a relatively quiet one. I'm kinda looking forward to it in all honesty, following the two successful but extremely packed days we've all had.
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flightless-icarus · 4 years
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may 24, 2020
today was a busy busy busy day. i worked almost 9 and a half hours on my comic and finished chapter 1! im hoping it does better than the first draft i tried posting a few months back. tomorrow, once everything is up and posted, i plan on working on the new storyboards, to see how much i need to cut out.
my parents went to their friends house for a memorial day cookout, so i had a few hours home alone to just work in my own space and think and all that. i felt bad for not going, because my mom wanted me to, and their friend wanted me to, too. but i needed to prioritize work. they were gone for like 4 hours, and that was where i got the most of my stuff done. i wouldnt be done with chapter 1 by now, i wouldve had to work into tomorrow too, and probably not post until Tuesday.
its currently 12:19am, and im a little nauseous. im not sure why, since im hungry? but when i try to eat my throat says "no". so i guess im not eating until breakfast.
i watched a few disney movies while i worked, hunchback of notre dame and frozen 2 (again). i forgot how goot the hunchback movie was. i havent watched it in a really long time, but its definitely a favourite, now that ive seen it again. i hope i can maybe sleep in tomorrow, since i did so much today, i feel like i deserve a bit of a nice day tomorrow. easygoing. ill try to do some self care. go on a walk or a bike ride. i dunno, but im gonna try to spend some time outside tomorrow. since ive been cooped up for so many days working on this thing. i know im nowhere near done, but i need to focus on myself too sometimes.
im extra depressed today and im not sure why. i completed a whole chapter in a week. It's even 50 panels, i never expected to complete that much in a week. I always thought I'd have to do 15 to not overwork myself. But I got out 50 whole panels. I should be proud and excited, but im not.
i dont know whats wrong with me but i wish these feelings and thoughts would stop. i just want to feel and act and think normal.
i know everyone has negative emotions, and i know everyone is complex and doesnt feel normal. but i feel like, extra not normal. i dont know.
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kosmicdream · 7 years
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Flight or Fight Drawing mode
for me, i think there’s always this restless feeling that comes when working on comics. That feeling that time is running out or not being utilized to its fullest degree. You are aware of how much more there is to go in your story and can calculate the progression of your journey, but only the present. As you keep going on your story, the circumstances change, and it is always this fluid process you cannot fully accommodate and plan for.
I know in the few years since I started drawing FFAK my expectation for myself and my work has changed tremendously. Its something i reflect on a lot, since i forget how not too long ago, I felt like i was somewhat incapable of producing a comic because of the way i enjoy to write and explore stories. I still think fundamentally, FFAK reflects that raw unedited version of my writing and creative skills in a unique way that I doubt will be replicated again (in the same manner) even as i explore and work on other stories. FFAK just carries this certain kind of momentum of forwards and backwards both at once. You stretch all over the place and peek through small doors to go in strange places. Growth is difficult to gauge because of the way time is handled in the story. Goal points seem endless and bleed together from my perspective. There’s always so much more to go and so much planned that when you make accomplishments they feel sort of like a bunch of tiny small steps in many different directions. And honestly, No one is more impatient than i when it comes to waiting to share this story than me. I am always biting my nails and wanting to get it out faster SOMEHOW even though I work on it constantly as it is. FFAK is no longer just.. a random comic idea i started on a whim that I felt i would only dip my toes in and never actually attempt making. and now it really has consumed my mind like a wildfire. it is also my fireplace and my home in my heart and my peace. I don’t even think I could ever fully be prepared for and handle such a thing but I am glad to have it in my life. But as the haze.. shock? of starting this project starts to fade i find myself fully committed and trying to evaluate the steps and process i take for this comic as a whole. I think its interesting how 2ish years of planning basically gives me enough time to know what sort of story I’m doing. But I am in no eager rush to finish it because my excitement for it only grows and feels more satisfying the more i write and plan. Part of me gets upset I don’t blast pages out the “same” way anymore, even though i appreciate the exploration of ‘putting more effort’ into my drawings. Instead of drawing thru 20 pages a night I’m polishing like, 2.. or 4 a work night. Its kind of annoying!! because I’m not really one for polish and editing (or maybe I just never believed myself capable of doing it in a way i liked? lol) but.. it just feels like the right thing to do right now. it feels almost impossible to ‘rewind’ myself or go back to like, thinking things in a different way than what i try to do now. by attempting more things visually it kind of makes some things easier too. im often pretty surprised like “hey alright that came out ok. i guess i can push myself a little bit more next time to make it look better!!” I think about my early eggshells pages a lot and how i labored over like.. 15 pages over an entire year and felt miserable and in the end, often over rendered + lost clarity and energy and now i just get what i was doing ‘wrong’ to make it not fun for myself. Like, even when i was offered advice at the time I wasnt so welcome to it nor did i understand it, its like I had to suffer a bit before I was able to understand what I needed to do with myself lol. The lesson feels much more impactful after discovering it for myself too on my own pace imo. SO i am thankful for how that turned out! Then i broke down my art to its most base level (earliest ffak pages) and i’ve just been rebuilding myself back up since then and now I’m attempting things I didn’t even think I’d be able to do -- or be interested in. (like color, for example, has never been something I was too interested including with my comics but like.. blammo here i am doing it anyway now.) anyway. its really cool, this art journey thing. i kinda wonder how long ill coast on this certain part of it before i like, end up doing an unexpected detour again. Maybe I won’t..? i dont know!! FFAK is so raw and alive it makes me happy i get to make it and do whatever i want in it. I always wanted to make a comic that I could contribute to on a day to day basis rather than something you just make so you can get it done asap and move onto the next thing. When ffak does eventually finish I wonder if it will be really hard on me. I look forward to its ending because its really neat but it is not a world I want to let go of so quickly. Even tho i have several other stories I’d like to do.. (and have started a couple already LMAO) I think about that expectation with ending stories a lot and completing projects. Most of my very favorite comics have yet to end despite going on for decades.. and when i think about that too, it almost feels very strange. Readers generally want closure to reflect on their experiences reading something so endings are that important ‘release’ from that fake world and  time you participated in it. But when i ask myself what I want to do for endings to my story, i try to contemplate  my favorite endings to stories ive read/watched/experienced to figure out what i want to do with my own. Since.. its my story and my satisfaction with it is really going to be reflective of what I like. Everyone interpretes ‘good’ endings differently and like, clings into diff parts of what makes a satisfying story so its important to isolate what elements you find are important to try to replicate that in your own work. But like.. its hard to see what kind of ending you’re going to make before you make it???? And making the story is a difficult thing to let go of vrs just being funneled all the stuff. Maybe my ‘ffak reader’ half of me will be satisfied but will my ‘ffak creator’ side be happy? Will i feel fufilled on both parts? I mean an experience is going to just be an experience.. i cannot manufacture or control it to be anything than what it will be so to think about it too much is probably only going to go in circles. It certainly has changed me a lot as a person and an artist. WHich is disorienting b/c im also introducing my work to everyone while not also knowing myself completely. (not that is ever fully achievable but, its been something i get forced to confront a lot.) When I work on this project I fight so many demons of my own life, chase ghosts of my heros that i feel are so beyond my ability, and stare down the illusion of my own reflection of what kind of artist i want to be every time i draw a new page.. I’m never going to really be that reflection, and my heros will always be my heros and they’ll always do things I cannot, but I wonder what kind of creator I look like from the outside?? from a person who isnt me. I cannot experience myself as a ‘reader’ but I try to pretend I am seeing myself as one. And the most exciting thing about myself, from that outside perspective, is that I am not sure what I will attempt next or what strange journey i will write about. I am happy that despite every difficult thing I have been through, I am still excited and having fun with my art like I have only just first attempted to draw. Soon FFAK will be three years old and (likely) 4000 pages by then.. I still havent gotten to write and draw out things I planned the very first day, but now I know roughly how the story will end (without actually getting to draw it yet, of course.) And i’m just anticipating the future while knowing  that...i have no idea what it will bring!!! O_O (one thing is for certain i hope to fuck my house doesnt burn down again because, istg, that fucking SUCKED!!!!!!!!) Wooh.. well. i just felt like sharing some thoughts since i just got done re-reading some of ffak and feel a bit overwhelmed with emotion.. Thank you all for sticking around and experiencing this comic with me..! :’3 -kosmic
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