I think the thing that feels really revolutionary about Gideon Nav's lesbianism is that she's not a lesbian in opposition to anything. She doesn't like women instead of men. It's just that her entire sexual world is female.
A lot of time having a gay character seems to necessitate a scene in which they confirm emphatically that they do not like the opposite gender. Gideon doesn't need to do that. She just talks about women all the time (and, lesbian character who is openly and unashamedly horny and actively pursuing women in general outside of once-in-a-lifetime romance, that's its own post entirely) and the absence of any mention of men makes it obvious that she's not interested in them.
And, as a queer person constantly having to explain WHY I don't want this or that, it's really refreshing to see a queer character who is so totally focused on what they DO want and not what they don't.
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you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.
and we should keep doing that, obviously. death and destruction and tragedy kick total ass.
however. can we please spare a thought for the clowns trapped in that same (burning) room?
after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?
how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?
and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?
well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.
if you're not - well. it's a good thing clown makeup is waterproof, isn't it?
anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3
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So I was asked to expand on the whole Jamil having a trauma response to Leona comment on my last post, aaand here's that.
(This pertains to chapter 6 btw, so spoiler warning)
(also it's very much sleep deprived rambling so sorry if it's, well, rambly)
First off, I'm operating under the assumption that he has cPTSD. Jamil has clearly been programmed since birth to always obey the Asims and act in their best interests, even at the expense of his own life. This is a boy who has been forced to eat poison to protect them and their assets, who's family was forced to let that happen, and who has been so desperate his entire life to escape that situation that he was willing to resort to murder and doom not just himself but his whole family which he is implied to care about. Which means if simply quitting was an option, he would have done so. So, you kinda have to infer that he and his family don't have a choice in this role, and there are severe enough consequences for disobedience that fucking up or refusing is a worse option than risking a slow painful death every time Kalim wants to eat something. And this is all stuff that's been depicted blatantly in canon, not even touching on the assumptions that could be made from there.
So that's the position Jamil is in. That is a traumatic situation. This is a guy who has been groomed for servitude and obedience since he was old enough to talk. These kinds of circumstances absolutely can lead someone to be triggered into subservience or other trained behaviors. That's just, a thing with trauma.
Now, with the Asims being one of if not THE most powerful merchant families in their country, one of the expectations of Jamil as their servant and especially as the attendant to their heir is to ensure good relationships with other rich and powerful families, especially royalty. This was shown in the fireworks event, where he states that as a prince, if Malleus came to any harm under his watch while a guest of the Asims, it could start an international conflict. These are incredibly high stakes, a misstep on Jamil's part could ruin the Asim family and potentially even endanger his country, and it's pretty strongly implied that he and his family would take the blame and suffer the consequences. Now, much like how wearing a company logo while at work makes your actions representative of your employer, Jamil serving the Asims 24/7 (and especially as the chaperone of their heir) means that he is representing their family At All Times. This is why he is forced to defer to Kalim in all aspects of life even outside of their country, part of his job is to make his employers look good, and there are consequences for not doing so. This means that anyone of high enough status to be significant to the Asims is someone who Jamil is required to be subordinate to.
Then, enter Leona. As a wealthy prince, he would be someone who Jamil is expected maintain good relations with at any cost to himself. With his position Leona could literally destroy Jamil's (and probably his family's) entire life with a single complaint to the Asims about his conduct. Like, he could do that with no actual cause just for fun, because the Asims are 100% going to take the side of a prince over an expendable servant. This means that one misstep or any backtalk from Jamil puts him at massive risk, it is entirely up to Leona whether or not he suffers for any of these actions, and while the audience knows Leona's personal morals would prevent him from actually doing that, Jamil does not.
THEREFORE (sorry this ended up so long), once Jamil was in a life threatening situation with Leona, it seems likely that all this programming and fear would manifest in desperately trying to protect him and follow orders the way he's always done for Kalim. To me, the way he snapped into bodyguard mode, and immediately complied with every one of Leona's bitchy commands (like giving him a hair ornament to throw away without question, and barely saying anything about it after), even while being humiliated and knowing he was less trained in magic, just comes off more like a trigger response than anything. Especially because I can't imagine that situation not being triggering, and I can't imagine him knowing any other way to respond.
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List of Shen Qiao’s incredible violence that lives in my head
(spoilers throughout the entire Qian Qiu/Thousand Autumns novel)
I've seen people complain that Shen Qiao should go apeshit or that he's too soft and forgiving, so I've compiled an (incomplete) list of the times Shen Qiao canonically goes apeshit/shows absolutely no forgiveness.
Beating up a gang of thugs while blind and threatening to poke their eyes out so they become just like him.
Castrating a serial r*pist.
Stabbing a man through the heart with a branch.
Taking a group of people hostage and forcing them (with threats of grievous bodily harm) to eat all the food they dumped on the ground because hello, people are starving to death literally one city wall away, assholes.
Pushing an opponent he just killed to the ground because he decided the guy doesn’t deserve a dignified death.
Threatening to cut people into smithereens and demonstrating how he would do it.
Straight up killing two would-be child-murderers in the span of 10 seconds.
Condemning a man to a fate worse than death as punishment (twice).
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iskall is so funny to me because like. we joke about how none of the hermits are the normal one. but i think iskall is actually the normal one. like, no he's not, he's quite intentionally silly, but he's like. a silly goofy jester of a man. he does silly goofy things and laughs at his own jokes as he does. and then one of the hermits will do something BIG bizarre, like whatever ren and bdubs have going on right now. and iskall will be like in his head. what the fuck are you doing. are we... we're doing this now? we're taking this seriously? isn't that kind of - aren't you being a bit dramatic right now? and then instead of saying any of that out loud and trying to actually like, get the context, he just sort of baffledly goes along with it, assuming that somewhere, at some point, this made sense. and also he makes more silly goofy jokes about it in the process. do you understand what i'm getting at,
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just started listening to the latest tmagp episode and... do people (by which i mean, ppl in this fandom) generally know about the pillowman? (this is a genuine question -- i was a theater major in college and they did the show while i was there so i really don't know the general public's familiarity with the play)
if you don't know the pillowman i am begging you to look up the summary and understand how much sam truly whiffed it in his choice of "play for second date to distract from our literal horror show of a workplace"
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Nameless
Part Eleven - Boy
Page 8/8
Tion Medon intends to offer comforting words; hits a nerve instead.
The comic is also available here on AO3.
🡨 Previous Next 🡪
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Part X Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9
Part XI Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8
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hiii re: your most recent post, im pretty sure i remember the voice actor of spanish dub dean confirming that y yo a ti was not scripted? there was a panel a while ago where either he or the spanish dub director said it was not scripted/part of the translation but was a choice made by the team on the day based on the rest of the work they had done on the series. sort of along the lines of like, they decided to add y yo a ti bc they knew the show well and knew that's the right response for dean? i would have to dig through 2 years of my blog to find a source for this but I do remember it
ah yes! i honestly forgot about that one ksjshs. i've dug out a couple of posts: [one], [two], [three], and yes, it looks like it would've been the team's/director's choice based on that. some of the posts i linked here aren't 'official' sources, but neither are the recent posts about the translator's confirmations. though it's been almost three years and different people involved so i'm not too surpised about discrepancies
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