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derinwrites · 21 hours

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The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

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chocokayke · 2 days

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Here's Alkaloid for my Splatoon/Enstars AU! All weapons are referring to their Splatoon 3 kits, because that's what I'm most familiar with. I wanna give a shout out to @mdkm444 for making this fanart that inspired this whole AU in the first place. : )

More info on each character below the cut.⬇️

Hiiro

I'm giving him the highest honor I could bestow on a character... My main.

I think Splatana Deco fits him, and how he sees himself at the beginning. It's a very mobile weapon and aggro with a supportive kit. He can easily strife with opponents to draw fire from his teammates, while also setting up beacons, and setting of tentamissles to displace enemies.

The idea is that he mostly sees himself as his brother's "shield" at the beginning, and I feel like having a weapon that supports and takes fire suits that role.

As he grows and gets more comfortable with his place in Alkaloid, he would pick up more aggressive weapons. I just really like the idea of him with dualies. I think he has a lot of fun zipping around with dodge rolls. : )

He runs a lot of Quick Respawn abilities.

I think his backstory would stay mostly the same, actually.

Aira

He's 100% that guy who draws hearts in the enemy base.

He strikes me as the type of person who would play weapons that are meta without fully understanding WHY they're so good.

He started out playing vanilla Splash-o-matic, but he sucks so bad at Crab Tank. Mayoi thought something more mobile would suit Aira, so he recommended Inkbrush and Carbon Roller to him.

Hiyori wears his eye makeup the same way. This is a very important piece of Aira lore.

Mayoi

Mayoi has the biggest change to his backstory out of Alkaloid. He was originally an Octarian Soldier under DJ Octavio.

He was there for the Splat1 final boss and the Calamari Inkantation. He is NOT Agent 8, to be clear. He escaped after Marina, but before Agent 8. He wasn't in the subway. (But the idea of him in the subway is very fun, and that might be something to explore in an AU of this AU.)

He's a huge Squid Sisters fan.

He first escaped to Inkopolis, but it was too overwhelming for him, and he ended up traveling a lot before settling down in ES.

He plays a lot of weapons, and at knows a lot about the weapons he doesn't play. He's extremely skilled and knowledgeable. He's a fantastic coach, and everyone wants them to coach their teams! (Help him.)

Unfortunately, he is still Mayoi and still has severe anxiety! Despite how skilled he is, he's too scared to play alone and is pretty low ranked. That's why he got his status as an "underachiever."

Generally plays a lot of long ranged weapons to stay as far away from the action as he can. Snipewriter is his main, but E-Liter deserves an honorable mention.

Any closer ranged weapons he plays are more supportive than aggressive. This bad boy can pop out so many Inkstorms and Tacticoolers.

I probably should have added Hydra Splatling to his list instead of Heavy Edit tbh? But, eh, he can play both.

I think Snipewriter fits his main really well due to the fact that it has super long range, paints well, and has a supportive kit. At the time I'm writing this, it's also the best competitive weapon in Splatoon 3.

Tatsumi

His backstory is also similar to his canon one.

His leg got damaged and wouldn't repair itself when he respawned, so he had to get it removed it let it regrow naturally. Squids can do that, don't worry about it. : )

The guy who makes sure your base is 100% inked during Turf War.

Me and my friend both agreed it is extremely funny for Tatsumi to run around with his beginner weapon going like ^_^: so that's what he mains.

Then my other friend recommended me what they call "noob trap" weapons, which is mostly short ranged shooters (Sploosh and Aerospray) so I immediately added those to the list. I feel like they suit Tatsumi, and kind of mirror how inept he is with technology in canon.

Despite that, he's actually quite skilled! He does pretty well with short ranged shooters and has fun playing with them. They're his go to choice, but he's experienced in a lot of different weapon classes.

Anyway, you know how the Sunken Scrolls in Splatoon 3 introduced Squid Jesus--

#splatoon #enstars #ensemble stars #alkaloid #mayoi ayase #hiiro amagi #aira shiratori #tatsumi kazehaya #2024 art #au #splatstars au

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sometimes-love-is-enough · 3 days

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Syzygy: Some Closing Thoughts

I'm writing this at 8pm on my backyard porch, under the wavering light of a distant full moon. Hello, moon! Please don't kidnap me. I just wanted to hang out with you for a while as I collect my final thoughts. It's a pretty cloudy night tonight, so it's not properly visible, which I suppose is the cloud cover shielding me from a terrible lunar fate. It gives a deliciously hazy atmosphere for the absolute essay I'm about to write.

Apparently, the Farmer's Almanac says that tonight's full moon is a 'Pink Moon', which sounds like it'd be a very pleasant viewing experience. I imagine pastel frangipanis spontaneously sprouting all over the moon's surface, covering every inch of its rocks and crags until the soft pink glow is visible from all the way down here on Earth. Unfortunately it's not named 'Pink Moon' because of that; there's some American environmental factors, etc.

I think it's kind of charming that there's a list of names for every possible full moon, as if the moon's putting on different masks or incarnations every time it tilts just enough that we can see its full face. I'm looking at a list of them now instead of writing these final notes like I probably should. The names are so delightful. Strawberry Moon. Sturgeon Moon. Apparently last month's full moon was Worm Moon. WORM MOON. I could go on. I won't. Let's talk about Syzygy instead.

Syzygy is... Man, where do I even start with this? Let's try the beginning. I started writing Syzygy in February of 2021, after ruminating on it for probably a few months before that, as I often do. That's three years ago, so my memories of the reasons why are a bit fuzzy, but I think I did it for two reasons: one, a desire to have a long-form meaty slowburn fic for a beloved rarepair in the tag so other people could enjoy it, and two, a fascination with the idea of fractured identity, what it means to be a Side without a Centre. The whole thing with the alternate-history steampunk swapped-around Earth came about naturally from that.

Except that's actually kind of a lie, because that's not the beginning, this began in 2020, when I wrote a pitch for a local station that was accepting radio play submissions (rejected, of course) featuring a hardboiled noir detective in a starlit city whose latest client was a tiny shiny girl asking him to solve her father's murder. And that's also a lie, because I think it really began when I tried to write an original novel in high school where the protagonist's name was Avery Allen, because I liked the way the name tripped off my lips.

My stories are always built on each other, especially stories I never get to write. They all recycle into each other in a weird blend of concepts and characters. 2021 was when I sat down and told myself I was going to write the Thomceit time loop fic, and I dove into it with aplomb. I can't recall the exact timeline of events, but at some point I underwent some truly gnarly health problems that left me unable to use my hands for extended periods of time, and so the fic that was meant to be for a Big Bang ended up... Just sitting in a folder for a while. But me and my beta managed to pull it the fuck together, and after adding some extra bits and pieces (the cutaways were a LAST MINUTE ADDITION even though I think they're some of my favorite bits in the whole thing) I started putting it all up.

Okay, there we go, that's enough of an abridged history of this thing. Let's just say: I never expected as many people to like it as it turned out, I thought that it would be a niche little fic for a rarepair, and I was honestly pretty content with that. So it was delightful to see so many people getting so into it, I have enjoyed the FUCK out of all of your comments and theories and predictions. It's been delightful when people predicted a plot point correctly, and honestly even more delightful when they predicted incorrectly. I've had such a blast.

As for the writing... Suffice to say I have many notebooks full of notes and thoughts, more than one spreadsheet to keep track of time loops and lore, and a semi-complete list of all of Virgil's tarot cards, which one day I'll probably polish and share properly, because I think the concept is neat. But that's kind of how it always goes with my writing.

Naming every inspiration for this would take forever and I'd still miss a few, but I'll just throw out a key few ones, because I gotta:

17776: What Will Football Look Like In The Future, because when I first read it I got the wrong idea and thought that Juice (Jupiter Icy Moons Explorer) was short for Betelgeuse (the star), and that sparked a whole thing about living stars in my brain. Also, just the general way that the worldbuilding and absurdity is handled in that world, it scratches my brain just right.

Welcome To Night Vale. I don't think I need to explain this one.

Madeleine L'Engle's writing, particularly A Wind In The Door, particularly-particularly the bit of it where Proginoskes explains why, precisely, he has to remember and Name every star in the universe. Fucking beautiful book.

A particular Untamed/Mo Dao Zu Shi fic I read years ago and haven't been able to track down again, which also features two people stuck in a time loop who are initially unaware that they're in it together AND dying at the same time. I believe they also meet on a bus? The details are fuzzy. The worldbuilding and descriptions of that fic were so stunning to me, it had me unable to read anything for a solid few weeks, it is definitely a superior work to mine in every respect. If anyone finds it, let me know, I don't think I finished reading it and want to know how it ends.

An unpublished fic that I had the privilege to read while it was being written, that changed my brain chemistry re: the Sides unknowingly existing without Thomas. The Flowerwall Cafe originally hails from this one, too, graciously borrowed and greatly beloved.

Both Ghibli films in general AND Dianna Wynne Jones books in general, and obviously the intersection between the two, Howl's Moving Castle, which is fascinating in how both mediums handle the setting.

The Doctor Who audio drama Scherzo, which is a wild ride, and there's a major plot point revolving around the two main characters holding hands and fusing gruesomely into each other - and another involving an in-story fairy tale.

There was no huge inspiration for the clockwork city and weird steampunk carriages, apart from (perhaps) Fallen London. Certainly, the idea of a background organization that wants to kill the sun, who also happens to be a sentient being, is cribbed from the Liberation of Night.

Syzygy also happens to be packed full of many obscure references to... like... personal projects of mine, some published and some unpublished, as well as a lot of my friends and co-writers, and some really REALLY niche stuff that only I will ever properly understand. I buried a lot of myself into this story, is what I'm saying. Juice hails from a completely different project (a TTRPG with my friends, of which she is a beloved and cherished NPC), the in-universe author for Avery Allen (and Mallory Wynn too) are named for a fictional TV author I created when the writing discord was making a nonexistent fandom, Logan's dumpling recipe is my favorite recipe of all time.

I have an apartment ghost, too. I talk to it regularly.

Final thank-yous, because I want to post this very very soon, I've been typing for too long and the mosquitoes are starting to get to me. Thank you to:

Everyone on the TSS writing server who listened to me complain while I was writing it the first time round, and has subsequently listened to me complain while editing it these past two years. So many people in there are responsible for little bits and pieces - phrasings, words, nicknames, jokes - and I couldn't begin to name everyone who helped.

Saphira and the rest of the people who are currently working on making a full-cast audio drama out of this fic (???) (???!!!!??) (!!!!). It is SO baffling to me that it's happening, I'm in complete disbelief whenever we talk about it or I see the script or I get asked logistics questions, I'm terrified and thrilled to see how it turns out, what the fuck! The very existence of that project has ended up influencing a few things about this fic's endgame, too.

Everyone who's commented extensively, commented entire academic analyses, commented numbered lists, commented laconically, left a single emoji in the comments, left kudos, bookmarked it, sent me asks on Tumblr, given me thumbs-ups on Discord, or even just silently read the fic without interacting at all. Your witness brings my words to existence. Love you love you love you.

And Len, who lives in my brain and my body and my heart and my throat, and who is honestly singlehandedly responsible for dragging this fic out of the depths of Google Docs and into the arms of AO3. They've already said I don't need to thank them, but come on, I totally do. Len is the best beta, and puts up with all sorts of deranged nonsense from me, because I have an unhinged writing process where I don't think about anything before I put it down on the page, and I use way too many connecting-dashes and not enough semicolons. Kisses kisses kisses. Thanks for doing this with me, and I can't wait to do it again.

Myself. I managed to write this and I managed to finish it. That makes me a pretty cool person, all things considered. I'm glad I did this.

What next? I've got to rest. Well, I need to get some things done... and then rest. I've been juggling a hellish amount of projects for a while now, and now Syzygy's finally cleared from my plate, I'm going to try to let the others get cleared too so I can take some time and be less stressed. The Locked Tomb AU will be ongoing, as I get through final edits of chapters, so keep an eye out for that - if you're interested in a fic that's rather less starry and shiny, but very much Thomceit and death themes, check it out - and then....... Well, whatever comes next, whenever I have the energy to do it. I adore writing in this fandom. I'll be back with something weird soon enough.

Ad astra, baby! It's been a blast.

- Min (2024)

#Syzygy #author's note

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gabatronnie · 1 day

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I feel ya sis, with that said can you do "it" with crush!chaggie(Charlie and Vaggie). Reader and them aren't dating yet.

Reader is a strong overlord but suffer from depression, their insanely strong. (This part is my personal headcanon) reader has no limits shapeshifting, like they could shift into anything, lost an arm? Make a new one. Want different hair style? Just change it, something like that.

This takes place after ep 8. The hotel has been rebuilt and everything has settled down, and reader was still overwhelming stressed.

Reader resides in the hotel in one of the many new rooms, they had a anglic dagger(ordered from Carmine herself) and they just had the urge to do "it", and so they did it. But Charlie and vaggie had went to get them for an activity, and saw them do "it".

Basically i just want them to comfort me🥲

No need to do it if it makes you uncomfortable, and sorry if it's too long just thought you might want some extra details. The rest you can do as you please.

Thanks if you can do it, and no probs if you can't do it

chaggie comforting reader after they relapse (hcs)

this piece includes the following: self harm, blood, depressive (possibly suicidal) thoughts

it was vaggie who initially walked in on you whilst in the act, with charlie following soon after, and it’s safe to say that well… they were shocked.

charlie was confused more than anything, you seemed perfectly happy inside and out, and to say she was shocked was an understatement, and even if you weren’t all those things, she couldn’t understand why someone so amazing would do something so awful, especially if it’s to themselves

vaggie was more so personally upset with herself, as we see throughout the course of the show, vaggie can get hard on herself when she feels as if she didn't fufill some kind of quota on how much she's supposed to do for you

but aside from all that, vaggie will softly but sternly tell you to put the dagger down, as charlie softly mutters “what happened..?”

charlie and vaggie approach you slowly, a bit hesitant to push anything, but vaggie takes the dagger from you and softly places it somewhere safe before the three of you have a conversation

it may seem like your being scolded or lectured by these two, but you’re not, they just want to be safe and happy, that’s really all that matters to them

charlie will probably shed a few tears, she feels awful, and feels like she’s failed you in a way - like she hasn’t properly down her job

you three go over that your girls want you to be safe and happy and they understand life gets hard and people make mistakes, but that this isn’t the way to do it

once you three address the main issues and go over a few ground rules, they just wanna hug you, especially charlie

it’s safe to say that after this, charlie and vaggie both try their best to be more aware of your behaviors and emotions, charlie makes sure to include more mental health themed activities for the hotel residents, and vaggie ensures that you aren’t alone for an extended period of time on a regular basis

a/n: originally this was gonna be a oneshot but it didn’t save so i spent like almost all day writing this but as headcanons 😔 either way i hope it’s still enjoyable

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buckleyblueyes · 2 days

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But like. Imagine. You work on a show for years and you come to really love the character you play. And one day they tell you that that character is going to get a cool new storyline that will open up avenues of all kinds of emotional growth. And you think, finally, no more of these love interests that go nowhere. Finally, this character I love will get to find that missing piece of himself and become more self-actualized.

And then the network pulls the plug. Your character ends up in one of his worst relationships to date, which at best stagnates his character, and at worst actively regresses his development. And you have to deal with that relationship and all the writing choices that happen as a result of it, for over a year. All the while knowing what could’ve been.

And on top of all that, you’re keenly aware of all the fans who want that original storyline to happen, and you can’t even say you agree with them because as far as you know now, it’s not happening, and the last thing you want to do is get people’s hopes up and/or give them a new reason to harass you on social media. So you just have to sit and stew in your private frustration for like two years.

Oliver babygirl I’m so sorry

#911 #Evan Buck Buckley #anti bucktaylor #I didn’t name her but you can’t be too careful #Oliver Stark

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thevulturesquadron · 3 days

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Hello! 👋 Could you list some of the best comic books that explore the Rogue/ Magneto relationship?

Hey there!!! 👩‍🚀 Oh gosh! With pleasure! I might be a bit rusty because I haven’t gone through older Marvel comic books in a while and also because I am not up to date with the recent years of X-Men comics BUT there are still a couple of issues that are very dear to me when it comes to Rogue & Magneto, so happy to share:

It all started in the year 1981:

1. Uncanny X-Men #269 ; Uncanny X-Men #274 & Uncanny X-Men #275 (1981, Written by Chris Claremont) [The story is pretty self-contained to these 3 issues and it all starts with Rogue realising that her Ms. Marvel powers are gone and Carol Danvers somehow has her own body now. (a very simplified context of what was going on in that era with the X-Men) I absolutely love Rogue in these issues. She has sass and personality, and she still carries a lot of her energy from the 80s.]

2. X -Men Volume 2 (Issues #1 - #3) - (1991, Chris Claremont) [They meet again after the events in the Savage Land, now on opposite sides.]

3. Magneto Rex: Issues #1- #3 - (1999, Joe Pruett) [This miniseries… is a bit weird and needs some context. It’s at a time where Marvel really wanted to have Magneto return to his evil ways and be a villain for the X-Men (regardless if it made sense or not). Not one of my favourites and generally can live without but it’s a ‘next stop’ in their interactions, so adding it to the list.]

4. Then we have X-Men Legacy! ( 2008, Mike Carey) [This one is a chonker, and to make things worse it is connected with other series running at the same time. It has pieces of Rogue and Magneto through the entire run but all in all, the story sees them reunite under the same team in Utopia (starting with Legacy #231). The full run of Legacy can be difficult to follow up on but if you have the time, it’s really worth it. It’s also the first story in YEARS where Rogue is allowed to shine and do her own thing. If you need a more detailed list of what issues are really worth reading, in what order and what is happening in between them let me know and will be happy to write down a breakdown!]

5. Memorable mentions in the main series: There are quite a few tiny bits about them in the comic books but here’s a list of issues that give more context to how they interact and how they feel about each other:

a. Marvel Fanfare #33 - (1982, Chris Claremont. I love Rogue in this one and it’s such a nice example of what a good and powerful duo they can make. Something that is later explored in Legacy as well. b. Legacy #223 (during Rogue’s journey to control her powers) we have a glimpse of how she remembers and sees Magneto’s presence in her life. c. Magneto #10 (2014, Cullen Bunn) - Similarly, a glimpse into Magneto’s mind on how he remembers Rogue and the impact their connection in the Savage Land had on him. d. Mr & Mrs X #6 (2019) - there is a page between Rogue and Magneto where, in all that mess, at least Magneto’s honest feelings for her and his care for her happiness shine through.

And last but not least, Age of Apocalypse. [This is a completely separate timeline that the comic books liked to visit from time to time. In this universe Rogue and Magneto are pretty much in love and married but… it’s a very tragic universe. Original series started in 1995; then it got revisited in 2005 and again in 2015… I think? The series… is far from perfect, there are so many things that can be described as unhinged (dialogue included) but, there is so much love for these two characters and I absolutely recommend it if you are ok with investing some time into reading it, and most of all if you are ready for a real heart break (again and again).]

Hope this helps! Happy to go into more details or put aside a cleaner list if interested! 💜

There are a couple other mentions in the comics so in case I missed something important I will summon one of the gods of endless knowledge when it comes to X-Men to correct or add to the list: @maedelin

#rogue #magneto #erik lehnsherr #x men #anna marie #rogneto #rogueneto #mavel #comics!!!#yes!#hope the list doesn't look like a mess #anna marie adler #textpost

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callisteios · 4 months

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I have a new uquiz for you, go on a pilgrimage with me. discover who you are.

#don't you want to go on a nice medieval pilgrimage?#don't you want to rest a little? answer some questions? learn something about yourself?#this was originally a pentiment medieval quiz and now it's this #it's pretty good imo though. i had a lot of fun researching it #yes there really is a biblio. ill write it up soon but its parts of the pentiment biblio plus some stuff i found myself #really thank you to everyone who made pentiment. you know how sometimes you find a piece of art at exactly the right time?#well i discovered pentiment just as my interests perfectly intersected with it. (those interests being history historiography and grief)#have fun etc. tag your results #that's always great #quiz #uquiz #pentiment #medieval #mine #sorry for being absent for a bit. holidays kind of suck #sorry abbie i couldnt fit the saw bathroom in thisone. i couldn't think of a way to do it naturally #i listened to SAVED! and SINNER GET READY the entire time i was writing this so yeah there's a ref. sue me

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andthebeanstalk · 1 year

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One of the things I love about Glass Onion is the way that the camera and music work together to tell nonverbal jokes.

Like when Benoit basically has to hold Miles' hand to get him to the conclusion that someone reset the puzzle box Benoit lies about receiving:

Benoit asks if it's possible that someone reset the box, and Miles then declares that someone must have reset the box like it is this huge reveal - and the camera zooms out while the music subtly swells as though he really has figured out something smart, when actually he literally restated what Benoit just said.

#original #I love the reveal that he's not even a smart con artist he's just a piece of shit #he's just a shameless copycat that people keep enabling to do bad things bc they assume he knows what he's talking about bc he's rich #like that line in Fiddler on the Roof - 'it won't matter if I'm wrong or if I'm right cuz you're rich they think you really know!'#glass onion #knives out glass onion #benoit blanc #Daniel Craig #ed norton #I hope the YouTuber sideways does a video about this because he does incredible music theory videos about movie scores #and I bet there are a bunch of hidden meanings within the music that I have no idea how to pick out #that man is like a wizard to me I don't understand how someone can understand music that much!#So cool!#I started this movie like 2 hours ago and I'm barely half an hour in cuz I keep stopping to write film theory essays on Tumblr #oh Adderall you cad!#I have no regrets I feel like this is helping me understand film better. i care a lot about the language of Storytelling #and I must say my favorite medium is film. I am writing a graphic novel right now but if I knew I could just skip that part and make it #into a show. I would do that. I don't wanna draw that much! I like drawing! but I want to see it as a show!!#this is too many drawings!!!!!#but for various reasons the film industry is not really a great place for me - or even possible as a physically disabled person #hard to work yourself up to the director's chair when all the entry positions involve standing for 14 hours at a time #I hope that if I ever do manage to make my graphic novel into a TV show that I will maintain enough control over the project to ensure #accessible hiring practices and workplaces #but in the meantime I guess I have to make waaaay too many drawings #no I can't shorten the story I don't have that kind of control it is an epic saga and the world's longest Slow Burn and that is that

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orcelito · 2 months

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I think I cried harder today over my dad's jackets than I did at his deathbed. That was a miserable time of course, a memory that will likely be seared into my brain until I die, but I cried... I think a normal amount, all things considered. More than I ever usually do of course, but I typically don't cry At All. All this free crying is certainly surreal.

The jackets, though. I was put in charge of doing his laundry, because we don't want to pack up dirty clothes. I was expecting it to be unpleasant bc my dad's dirty clothes - gross. But really, it was much more unpleasant in that... those were his. It felt wrong to touch them. Felt wrong to treat his jackets as gross. Because they were just his jackets. They weren't even in the hamper. And then I was remembering him wearing them, and then I was crying. Again. And again. Weeping over these damn jackets.

Then I found a shirt on his bed that still smelled like him. It smelled like a Hug From Dad. And that set me off crying even harder.

In total, I think I cried like 6 times within 40 minutes. It took me that long to finish sorting the damn clothes bc I just. Was a wreck. Like, what are you supposed to do when you're living life like normal, vaguely hopeful bc you're taking steps to secure your own happiness, and then 4 days later you're sorting your dad's laundry because he fucking died. Suddenly. Without a goodbye.

And you have to worry about his lack of a will (even under an ideal situation, only 2 heirs and no conflicts between us, probate's a fucking Bitch), and arranging the funeral, and prepping his obituary, and picking out pictures, and writing a speech bc you want to talk at his funeral, of Course you want to talk at his funeral, but even just thinking about anecdotes you could share has you crying yet again.

I've cried more times in the past 3 days than likely the entirety of last YEAR. And that's WITH my cat, and uncle, and family friend dying. Those all hurt, my uncle most of all, & I was real fucked up over it. But this? This was my Dad. Likely the person I'd have named 2nd closest to me in my life, second only to my sister. He wasn't perfect, but he did so much for me throughout my entire life. All he wanted was to raise us to be happy and independent. And he accomplished it, we're getting by without him, but we still wanted several more decades with him. He was only 57. We should've gotten several more decades with him.

But here we are now. Playing investigators to his life, digging into all his shit, trying to find documents and take inventory of all his things, and learning Many things about him in the process. In his lockbox of sensitive documents, like his SSN and birth certificate and all that stuff, we found an old letter. About a decade old now, written in my hand. Right at the very top, we found that he'd kept the letter I wrote to him telling him frankly about my struggles and the things I wanted him to do better. He kept it. He tried to take it to heart. He looked at it again, sometime more recently than all the rest of the documents. That was on top.

His love for us is evident everywhere. The pictures he has hanging up all over the place, majority of them with us in them. The old fathers day cards placed on display in his bedroom bookshelf. The gifts we gave him, even stupid little knick knacks, placed around his apartment with pride. I wish we'd taken more videos of him. I don't want to forget the sound of his voice. I don't want to forget his smell either, the smell of a Hug From Dad, but I still tossed that shirt into the wash even though it felt like saying yet another goodbye.

It's the suddenness that hurts the most, I think. We were planning on having him help me finally get my license this year. My final words to him, the last thing he would've seen from me, were messages asking up on whether he'd called his car insurance company to make sure there wouldn't be problems. I should've called him more. I don't know if I'm going to learn from this.

I cut my 2 weeks off early to have time to grieve and to work on things for the funeral and settling the estate. The last thing I'd wanna do right now is selling fucking bubble tea in a job I already decided to leave. So here I am without a job, though with potentially two life insurance policy payouts to come. Inheriting half his 401k. Inheriting couches, knickknacks, keepsakes, paintings, art pieces, maybe even his guitar and other furniture if we can figure out what to do about space (I don't have room for this furniture, I don't know if I even have room for the couches, but God do I want to keep so much of this furniture). It has me even considering keeping one of his guns, just one. A tiny little revolver, it sits so comfortably in my hand. I don't even want to use it for anything. I just want to have it, keep it stored in a drawer with its ammo kept separate. I don't like guns, but this is a part of him. He loved collecting guns. He was about as responsible with them as someone can be, keeping them locked in a lockbox and impressing upon his children the importance of gun safety (I've known the basic gun safety rules ever since I was a little kid. Of course, of course, of course.) It reminds me of him. It's horrifically easy to have a gun in Indiana. I apparently don't even need a permit to carry anymore. (I have no intention to ever carry this in public.)

It's all a cycle. Business, grief, thoughts about my future. Round and round, like the most nauseating carousel in existence. I don't know how I'm still so functional. My skills with compartmentalization have been my lifesaver.

And im just thinking about the story my dad's best friend shared today. About a friend of theirs who lost her father. She reached out after hearing about my dad to share his words with her: "it's okay to grieve, but don't make his death your life".

He explicitly referenced himself in this, saying if he were to die suddenly that he wouldn't want us to define ourselves by it. Grief is expected, but he wants us to be able to move on. He's always wanted us to establish ourselves and make ourselves happy. He wouldn't want to be a weight holding us back from that.

So every time I start to feel guilty for thinking about having nicer furniture or using his life insurance payout to fund the rest of my college, I remind myself of that. Thinking about the material isn't a bad thing. I'm only human. And in the end, he'd Want me to be thinking about it. He never intended to die, certainly not without warning like this, so he would've only encouraged me being pragmatic about it all.

He only ever wanted us to be happy. So I need to do what I can to live up to that.

I love him. I miss him already.

#speculation nation #negative/#this got really long on accident. but i think typing this out was really helpful for me.#getting the thoughts out. processing. the works.#nearly cried several times just from writing this.#...and honestly i might reference this again when i start seriously writing my eulogy.#things suck a Lot right now. and i really wish they were different.#feels like i picked a bad choice in a video game and am now seeing the Bad Ending or whatever #all i need to do is reload a previous save. it's all still there. perfectly preserved in my memories.#but... that's all gone. as suddenly and unfair as it is ive been thrust into a new chapter of my life so thoroughly.#it's not all bad though. he wasnt prepared for dying so it's been hell to prepare for him #we dont know if we'll even be able to get into his fucking iphone. stupid piece of shit.#but he had life insurance. he had a union job. and That comes with benefits #(something about a year's salary going to the family. aka half a year's salary to Me. and isnt That mind boggling.)#as much as it hurts im going to be realistic about it. im going to do what i need to finish my education.#and im going to use it as a springboard for finally becoming a 'proper adult'.#the kind who could own a nice kitchen fridge. one with an ice machine on the front of the door #and freezers in the drawers.#maybe then i could think about getting motorcyle lessons. not from my dad as i originally wanted #but i wanna keep the family biker spirit alive. i wanted it even before he died. and now i want it even more.#ive had so so many thoughts. it's only been 3 days. ive had to emotionally numb myself several times just to Get Through It.#everything is exacerbated. my mom wants to go to the funeral. we will have to fight her on this. my dad Hated her.#and i certainly dont fucking want her around either. not then. not when im talking about my dad.#(my dad. my Dad. i saw him die. i felt him cold. i do not regret it. it still hurts me.)#it's overwhelming. i loved him so fucking much. even with his flaws he was truly an amazing father.#i'll... shut up now. if you read this far. well. hug your loved ones a little tighter. you never know when youll lose them.

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camels-pen · 4 months

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(i haven't read Whole Cake in a while, and i never really watched it, so bear with me)

I'd love to write a fic with Usopp on Whole Cake. it'd be sooo fucking long and i'd need to refresh myself on the entire arc, but god i'd probably be so satisfied when it's done. specifically for having brought a single moment in my head to life, but we'll get to that.

On Zou, he insists to be taken along on the Sanji rescue team and has worked himself up with a whole bunch of very good reasons as to why he should go there instead of helping in Wano, but of course Luffy just immediately accepts with a "yeah sure"

With Whole Cake, I think he'd be flipping between having fun as part of the idiot trio/quartet (Luffy, Chopper, Carrot), and being terrified with Nami. There wouldn't be that many differences in the arc as a whole, though; some things would be easier/better and some things would be worse- I don't necessarily think Usopp's presence would be overall an advantage or disadvantage, just different. Like, major events would stay mostly the same, but little details would change and maybe those little details would build to a far more drastic change-

for example, maybe one of Big Mom's kids considers themself a great sniper and wants a match with Usopp, or is motivated to work harder because Usopp is around and they want to take him out and boast about it. Maybe it means Sunny takes more damage than canon, or maybe Usopp's help means less damage to Sunny. (idk if i'd really do smth like this, but it's just an example)

skjdhf fuck i'm really not equipped to try and figure this out when i don't remember shit from Whole Cake aaaa

I do know that, despite his penchant for talking and rambling, I'd probably have Usopp be dead silent after his initial shock when Sanji fights Luffy. Everything about that is the same, except Usopp is just watching Sanji the whole time- not panicking, not moving, and not speaking. He doesn't say a word the entire time, doesn't even make a sound, and that, along with Luffy's words and Nami's begging, stick with Sanji.

(Usopp is thinking of his own fight with Luffy in Water 7, he's partially wondering if this was what it was like- if it was this painful to watch from the sidelines- and partially knowing he doesn't have to say a word, because he knew, like he knew back then, that it didn't matter what was said. It wasn't quite the same, but he could tell in the way Sanji moved, in the way he spoke and held himself, that he was putting on a front, trying to be brave in all the wrong ways. Usopp didn't say a word to Sanji because there was nothing he could say that Sanji himself didn't already know. Should've known. And his quiet, direct stare, was more than enough.)

the singular moment i really wanna write, is a scene where Sanji is apologizing for dragging them into his mess- either during the big meeting in Bege's castle or some other time- and Usopp's like "I'll do what you can't, you do what I can't, right?" and Sanji pauses, a little confused, until he remembers Enies Lobby and a stupid mask and cape and-

and tears are gathering in his eyes now, fuck, but he laughs a little. It sounds wet and his face is itchy and they're surrounded by tentative allies, but he- he laughs again and he says, "Fuck, you remembered that?"

Usopp shrugs, a little smile on his face. "They were some wise words from a wise man."

Sanji laughs a third time. "You think I'm wise?"

And they banter a little more before Bege tells them to quit it since they're on a time constraint or something. Quietly, Usopp will ask, "It-it helps. On bad days. And I figured, 'what's a worse day than this?' Ah, not that you getting married would ever be bad per se-"

"Usopp," Sanji says, looking more relaxed and settled. He smiles fondly and grabs his friend in a one armed hug, crushing him to his side. "Thanks."

And yeah, don't remember much beyond that, except the whole "hiding and then busting out of the cake" bit, which would mean Usopp in a cute little tuxedo or smth- maybe with a fedora aaaaaa <- loves fedoras- helping out with the fighting and eventually sailing with everyone to Wano.

He would be so distressed about fixing up Sunny now that the whole thing with Whole Cake is over. Maybe there'd be a gag about him promising Franky to take good care of Sunny while they were gone and being confident, after being Franky's tinkering partner and learning from him over time, that he could handle minor repair work much better than he did the first time around with Merry. And so when he finally takes in all the very-not-minor repairs he has to do, he's certain Franky is gonna strangle him for not keeping his promise. Probably also try to write in some nostalgic 'repairman Usopp' vibes from pre-Water 7.

Also something something, Sanji, wanting to do more for the crew bc he still feels guilty about Whole Cake, decides to take it upon himself to help Usopp not fall into a whole anxiety spiral about the ship. In turn, Usopp ends up helping Sanji not feel so guilty- usually by handing his own words back to him on a silver platter. And, yknow, having the two of them bonding and being buddies again like they so rarely get to be in canon nowadays qwq

#one piece #usopp #whole cake island #nemotime #that bit in bege's castle isn't exactly how it would go. just kinda. trying to get the vibe. also it's wayyy too short lol #the sanuso bit can be platonic or romantic. originally when i was gonna write out this idea a while ago i was thinking romantic with my #'they get engaged/married b4 dressrosa' au but tbh platonic works just as good #im- these guys man. i hate them so much (affectionate)#i'll get to rereading whole cake and finding a way to put him in there but for now. this.#if anyone's got other ideas im all ears #edit from like march 7: thinking about this again #maybe usopp being silent is an indicator for sanji that usopp's really fucking disappointed or shocked or w/e #but for usopp himself it's like being back in water 7. he doesn't even mean to be silent. he's got words built up on the tip of his tongue #but none of them come out. and despite sanji being Right There all he wants to do in that moment. is run.#at the very least he stays and watches the whole confrontation through. but afterwards he probably feels like shit #because he's the guy who's great with words right? he's the guy that can relate the most out of the group who went to WCI. he should be abl #to make a significant difference and help convince sanji to come home. but he feels like he failed. like he's going to lose another friend #and it's going to be all his fault. (again)#[not really. we all know merry wasn't his fault but we love old insecurities rearing their head in this house]#later he'd probably end up saying the words he wanted to say. and maybe it's better that way. that he ended up waiting #until luffy's had a proper shot at scolding sanji first. because then usopp can act as support and reinforcement. which. yknow.#a sniper's duty and all #anyway i got other shit to do so i'm cutting myself off here #wci usopp

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dayurno · 5 months

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Devastating that you had ten peaceful years to get into Jean and Jeremy but you only became interested in them when your headcanons got an expiration date... Like yeah Ill always keep smoker Jeremy in my heart no matter what Big Canon tries to sell me but it is a lowkey hilarious turn of events for you. Here you dropped this *hands you a cardboard L*

BAHAHA (takes the L) thank you............................... to be honest ive always liked jean and i never really cared for jeremy beyond his friendship with kevin and those opinions haven't changed so much as they have evolved. i still don't think much of jeremy beyond that he's funny and a good man, and i'm glad he's a good captain for jean, but there's not much investment here. perhaps the new book might make him more worthwhile to think upon, but truly there's very little about jeremy that makes him interesting or engaging to me beyond the amusement of his dynamics with jean and kevin. i daresay that as a protagonist for tsc he'll be the weaker end

BUT YEAH IT'S TRAGIC. it's all very tragic. i'm not looking forward to ten years of fanwork getting disproved or rendered useless, and to me, that's the most awkward part about the timing of tsc's release. i don't think there's anything anyone could do about this, or if there was any way nora sakavic could've timed it better, but i guess it's just still a little sad to think about. personally i'm not excited for the influx of post-tsc release content that suffocates the fan content made in the past ten years

#everyone can do whatever they want forever of course but you know what i mean? its a little sad #i feel like if we got tsc in 2018 or 2019 it wouldve been. not ideal but not as awkward #i dont know really fandom is not a recent phenomenum but it's still new enough that we've never dealt with things like this #in the publishing industry #if tsc is perfectly in line with all of the fandom's hcs it will feel pointless #if it isn't it'll feel like a study case in disproving the general consensus #i guess my point is just that it's delicate. it's all very delicate when it comes to stories like aftg #and i'm sure nora sakavic is more than aware of this #which again brings me to the point that if the writer has to conform the fandoms hcs to avoid harrassment or mass rejection #and it is in her best interest to do this because writing is after all her breadwinner #then what is the point of the book? and how can it be respected as an original piece of work?#anyway i dont know really. i dont know. hopefully my concerns are unfounded #lost my train of thought theres a cute fuzzy little bee buzzing around me #asks #jeremy #jean #tsc

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