Something I was thinking about lately is Tsuna's daddy issues. Specifically this frame.
Like that's such a loaded thing to think about. He's got so much resentment built up. Obviously, there's no direct connection to any of Tsuna's issues made but I think a few fun things can be said from this. In general, Tsuna clearly didn't have a father figure in his life which sorta results in him leaning on Reborn pretty often. Tsuna doesn't have a very stable self-esteem with him going from confident to "Aah, Gokuderas going to become disillusioned with me now that all my flaws have been pointed out." GOKUDERA. His FIRST SUBORDINATE. The guy who literally has been LOYAL FROM DAY ONE. Not that we consider them canon, but this happens also during the filler arcs where Daemon points out that Tsuna's not worth following to Gokudera and it seems to make Tsuna a little antsy. He DOES NOT THINK THE PEOPLE HE LOVES ARE GOING TO STAY WITH HIM, THIS IS LITERALLY RUINING MY LIFE. What Daddy Issues DO TO A MF. But that's a post for another day. But okay, back to Reborn, Reborn proves himself to be immovable from Tsuna's life. The story points out that Tsuna very much has two fathers. The one who won't leave and the one who is always gone. Tsuna really leans on Reborn throughout the series. "Reborn, what do I do?" Is a common thing he says, until Reborn is literally swept away from him against his will in Future arc where he's forced to think that he's half a person in Reborns absence. Meanwhile, we have Iemitsu who Tsuna has resentment built up towards, does not respect, and is forced to acknowledge in order to win his fight. Throughout the rainbow arc battle, they try to point out that Iemitsu is trying to teach Tsuna something here and unless I'm confused (someone feel free to tell me?) it's not really clear WHAT that is. And I've always thought that was neat, because it's obviously coming from Tsuna's inability to respect Iemitsu enough to want to learn anything from him. Yet when Reborn comes in, hell he doesn't even recognize him in his Adult form, but he politely listens and takes his advice seriously. In the grand scheme of the series, Reborn is a good teacher and father figure in his life. When Tsuna is made to feel like that he can't do anything in Reborn's absence during Future, Reborn takes a step back in that arc and lets him learn to survive without his guidance. (Notice how the training almost entirely disappears after Future.) He lets him learn how to be a person without him, only stepping in to help when Tsuna really needs it. When he's unable to light his flame, with Spanner, or when he's freaking out about the Irie reveal, the list really goes on. There's a scene I recall I believe when Yuni asks to join their group, Tsuna still turns to ask Reborn what to do, and Reborn redirects him by asking him what he wants to do. That it was his call as a boss. And Tsuna ends up making the decision to help her off his own accord.
It's with Reborn's guidance that Tsuna ends up learning to be his own person, it's this guidance that allows him to make the decision and gather everyone on his own accord when it was Reborn's turn to be shaky and give up. Where Tsuna tells him that he's got this under control, without his guidance. To just watch him. "you've always knew I could win before." It's this arc where Reborn's pride in Tsuna shines. Multiple times. "Surprise me again, Tsuna." And he does. It's in Reborn's second absence where Tsuna feels himself get shaky again, feels the old feelings of poor self image crop up, that Reborn comes back. Because Reborn is not Iemitsu, and he wasn't someone who left him in that house alone forever. Because he's still young and has much to learn before he's ready to do this on his own. It's at this he feels a little embarrassed about how glad he is that Reborn came back, but then recalls the "mean words" that Reborn said before leaving. It's here that Reborn tells him it's a good thing he hasn't changed much. Another sliver of guidance that Tsuna takes in from the figure in his life that won't leave him alone in that house.
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Ghost's attention almost had a weight of it's own, dark eyes sharp when they locked on the object of his interest, his focus absolute and unwavering.
Most of the time it was cold, clinical, assessing; analyzing the risks and the possible benefits.
Sometimes it was predatory.
Possessive.
Dangerous.
It was always heavy.
It was always there.
A physical touch, blade pressed to skin, cold air on the back of the neck.
Most people found it unnerving, but Soap felt almost naked without it; the weight of Ghost's attention was as familiar as the shape of a knife in the palm of his hand, the scent of smoke, the burn of good scotch at the back of his throat.
With Ghost next to him, or knowing he's watching from afar, following him with a scope - it was grounding.
It felt right.
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I feel a deep sense of anger and grief for Palestine. I’m angry at God, at the world powers donating to those who are killing civilians, angry at people looking away and encouraging you to worry about yourself when people can’t even walk down their streets without being attacked. I’m angry that my friend donated, only for it to be stolen and taken by the soldiers abusing Palestine. I’m angry that I can’t do much of anything but tell you to at least CARE about the people being bombed and slaughtered. Please, if you can’t do anything please just CARE about these people and listen to their stories. Hold them in your hearts at the very least. Don’t pretend they don’t exist or just brush it off as “its been going on for centuries, there’s no point in stopping it.” I want to do more, I want to make people care and love those who need it, rather than continue spreading anger and hate.
These are real people I’ve drawn. Keep the people of Palestine in your heart at the very least please.
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The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.
I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.
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[Blows the dust off this blog] Long time no see...
Back in the Danganronpa pits... have some silly doodles for an...AU? or like, slight canon divergence/missing scene? I got to chapter 5 in my THH replay and was thinking about the part where these four are alone in the gym dismantling Monokuma all night.
I know realistically it's supposed to be because they were paranoid and extra careful about taking it slow so nothing went wrong... but like... their alibi is from 10pm to 7am? In my heart of hearts it actually took the whole night because they kept getting distracted and chit-chatting and got into a bunch of shenanigans once the actual dismantling part was done. Like Byakuya says they went to the bathroom in pairs?? Not to mention you'd totally expect him to make a comment about how insufferable it was being stuck together for like nine hours. And Hina says they played rock paper scissors to decide who brought back breakfast???
You can't tell me they didn't bond at least a little bit. A friend pointed out it'd have the vibes of a 4am discord call and that's exactly it. Emotional confessions about personal fears and insecurities to dumb physiological debates that become inside jokes forever. Etc.
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