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solradguy · 6 months

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hello solradguy! as someone who is interested in learning how to translate japanese, i was wondering what your approach was to learning japanese! did you go in knowing you wanted to translate writing, and focus your efforts on reading? or did you try to learn all aspects of it at once (ie audio recognition, speaking, pitch accent, etc)

I started learning it because, at the time (2015), I was still doing art in mostly analog formats and a lot of really good inking supplies came exclusively from Japan with fully Japanese packaging. It was really frustrating having to rely on machine translation to figure out things like replacing pen cartridges or pen nibs upkeep/maintenance. My focus then was reading and I never really shifted from that; I can't verbally speak it and my audio recognition is only marginally better haha

Translating Guilty Gear stuff sort of happened by accident, and improved my Japanese more than anything else I was using to study with (which was mostly Duolingo, Wanikani, and Tofugu articles 😬). I couldn't find anyone else that was actively working on getting stuff into English and there was a massive backlog of official literature that hadn't even been so much as scanned, so I was like "Well, if no one else is gonna do it..." lmao It later turned out that there was stuff that had been translated, it was just kinda stashed away on niche websites or Discord servers.

Artworks of Guilty Gear X 2000-2007 captions were my first non-Japanese workbook translation project and got me to really start taking my Japanese studies seriously. There weren't files of pretty much any of the illustrations in that book online that were in decent quality. It was actually faster/easier just scanning a page (at the time) than manually cleaning and upscaling one.

This was the very first Guilty Gear thing I ever scanned (March '22) and the caption that went with it:

They’re half-realistically drawn here. At the time, I wanted to pursue texture in my drawings and used many thick layers of Copic markers to try to achieve that. I don��t think it was pointless, but if it’s going to take too much time to do such things, acrylic paints would be better. - Cover of the August 2000 issue of Arcadia Monthly.

It's a lot clunkier than how I would translate it now haha I've improved so much since then...

I used to physically write out the captions and translate them in a notebook. Here's how the first pass of this caption went:

They were only half realistically drawn. At that time I wanted to pursue texture in my drawings, so I used a thick coat of Copic marker. I don't think it's "pointless," but if it's going to take too much time to pursue such things, I think acrylic would be better.

It's fun going through this notebook and seeing these old translations. Eventually I got good enough at doing it in my head that I stopped writing them out, but sometimes really long sentences still trip me up. Japanese word order.......

These days I get most of my practice by doing Renshuu flashcards/games and reading posts by my Japanese mutuals over on Twitter. Even though I'm still actively translating GG stuff, the projects have gotten much bigger and there isn't anything left that's like the Artworks 2007 captions that I could whip out in about an hour anymore, it's all long paragraphs or manga dialog.

I still don't have much desire to practice speaking or listening skills because I would never get any use out of them where I live in the Midwest USA—they'd get rusty fast if I didn't practice religiously. But I do handle Japanese text very often and am fine with focusing 100% of my study time on just reading/writing instead.

#asks #long post #That old saying that's like 'The best way to improve at something is to go insane for it' is 1000% honestly so super true lmfao

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hanibalistic · 3 years

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#FBB2F3 | LEE FELIX.

genre | bittersweet, nostalgic fluff

word count | 2589

warning | none

tag | @fluffyskzclub

note | very easily could have been chan, but i wanted to write about lixie!!!

the paint on the brush splattered on the classroom floor after felix playfully nudged you with his feet. you groaned before regaining your balance, carefully hoisting yourself back on your kneeling position. your glare was paired by his light-hearted snickers.

"lix, either help me or go home," you said as you pointed the colorful end of the paintbrush at him threateningly. you pouted when he stood unfazed, smiling down at you with amusement. "i really need to finish this by tomorrow. everyone is counting on me!"

he took a step back when you returned your attention to the banner-sized canvas, adding more detail to the seemingly finished product. tilting his head, he admired the decorative artwork with both intrigue and cluelessness.

it was something his non-artistic self could have never done on his own, which was why the painting looked so grand to him, but he also couldn't understand why it wasn't finished yet when there was no more blank canvas left on the surface.

you obviously wanted to add more to the painting, but he couldn't see what there was to add that would make it less or more appealing. in the end, it would just look the same to him, so why couldn't you pack everything up so you two could finally go home?

looking up at the opened windows, felix sighed as he watched the orange sun slowly fade back into the mountains. he wanted to go home, but he had no plans to leave you alone at school at this hour, nor did he want you to walk home alone, so supposed he would have to stick with you and your endeavor for now.

"what do you need help with?" he asked as he took his hands out of his pockets and knelt next to you, accessing the painting with unease. "i might mess up."

"you're not touching the painting," you said as you reached over for the plastic color wheel and handed it to felix.

his eyes followed your hands—boxes of paint, a jar of dirty water, a paper of abandoned colors, and a spiky brush. after setting them around him, you reached for your bag on the chair nearby and pulled out your notebook from the thin gap of your heavy textbooks.

felix raised his brows when you leaned over to him, flipping the pages of your notebook before stopping at a messy page. he saw circles and circles of colors, lined up together in a way that looked like detailed instructions but also a disorganized brainstorm map. his gaze moved from the notebook to the color wheel, utterly clueless.

"do you see number three, eight, and twenty-five? mix those colors for me," you instructed, pointing briefly at the paper before dropping it before his knees and turning back to the painting. "make sure they look like the ones in the notebook but a little more vibrant!"

felix nodded as a soft, confused hum of an agreement left his lips. he gripped the paintbrush in his hand, his shaky eyes glancing at the colors on your notebook and the lines of acrylic paint.

a gentle fear shook upon his ground when he was shifting through the colors. he could not tell the difference between the first red paint and the seventh one, but they had different names so they must be two kinds of red. putting his shrunken hand next to his face, felix licked his lower lip with concentration, thinking that if he stared at the colors long enough they would appear different to his eyes.

they did not.

giving up, he glanced up at you in preparation to ask for your advice, but he stopped when he saw that you were putting your utmost attention to the painting. with softened eyes, he decided to bother you at a later time—

"uh, haha, no," you interrupted the trip down memory lane with a sharp chuckle, and you looked up at felix with a sneer. "that was not how it went."

felix tossed his much longer hair away from his face with shy laughter. his short ponytail bounced slightly and his side fringes framed his sharp face. shoving his hands further down the pockets of his coat, he jutted his lower lip out and shrugged, "that was how i remembered it though."

"then you have bad memories," you scoffed, "you kept bothering me about the colors that i ended up telling you to just step aside and wait for me."

"i was not bothering you!"

"yes, yes you were."

"i was–ack! i was being thorough!" he retorted, throwing his arm out and waving his finger at you. there was a flustered smile on his face; he was looking like he could remember everything but was purposefully making things up. your chest felt light seeing it.

"remember how you told me your entire class depended on you to win the class board contest? how, like, they will literally kill you if you mess up?" he exclaimed.

you furrowed your brows in exaggerated horror, placing a hand on your chest and leaning back slightly to further state your surprise. "i never said that!"

"you never?"

"no!"

"was it just me?" felix questioned himself with a scratch of his head, taking shallow breathes of thoughts as he turned away to look around the classroom he once studied in. taking notice of a familiar corner, he raised his hand and pointed at the broken end of the door. "oh, they painted over the wall jisung scrubbed on."

you looked over instinctively and pouted.

of course they would. jisung had written profanities on that corner, after all. you weren't sure why he had done it then, but you remembered watching him get dragged by the ear to the principal's office and grimacing when you met eyes with him. who would have thought he became such an introverted and well-behaved boy now?

"i'm sure they changed a lot of things around these years," you said quietly as you walked through the narrow rows of the wooden desks.

the words jisung left on the wall, the rack of art supplies hyunjin always kept on the top cabinet shelf where the homework was stored, seungmin's neat handwriting being the first thing everyone sees on the blackboard whenever they walk into the classroom, and felix's school jacket he always dumped near the locker for easier access.

they were all gone. the presence of your youth has been erased.

"it has been a while since we came back," you finished off when you came across your old seat and you sat down.

it has been a while since you both came back to your high school, and it has been a while since you two went separate ways to pursue your careers. nothing physical has changed in these classrooms, but they no longer hold the scent of your old friends or the sights of your old classmates.

other people study here now, these classrooms are a foreign home now. as much as that irked you, you had to accept growing up.

felix pulled up the chair in front of you—the desk that belonged to him—and sat down facing the back of the chair. he propped his arms on the top rail and leaned his chin on his intertwined hands, staring at you.

the golden sun glossed over your faces, reflecting a younger light that made you gasp as it deceived your eyes with a newfound nostalgia, manually turning the gears in your head to make you see what you haven't seen in a long time.

felix's hair was black—black, short, and messy. you used to run your hands through them, especially when he was pouting from having trouble with finishing his literature homework. the teacher was the worst, he got unlucky to be stuck with them for a full year. it was thanks to your help, and the longevity of the lunch breaks, that he managed to survive.

instead of the turtleneck and coat, he wore the loose tie he never learned to properly tighten and his wrinkled uniform. his shirt was untucked because he couldn't be bothered. he would eventually fix it up, though, because he was scared of the discipline teacher. but, this was between him and himself only, compared to the discipline teacher he was more scared of you scolding him about his untidy uniform.

(funnily, there was nothing more he would purposefully chase after than your gentle nags back in the days.)

the freckles across his cheeks would be less visible. hyunjin used to have to cover it up for him because he wasn't confident about the way they looked on his face, but you remembered—you remembered how he had told you he loved it when you counted them, touched them, and kissed them as you sat on his lap.

he had told you he loved it.

he had told you he loved you back in high school, and you had said it back.

you remembered. under this blazing sun, the sun that never changed, the sun that only showed you the truth and what you secretly longed for, you remembered that you and felix were once in love.

"ah, this really brings back old memories," felix sighed dramatically with a smile. "we used to talk like this a lot. i remember being so uncomfortable sitting like this, but i wanted to talk to you so i kept sitting like this until the bell rings."

"what?" you scoffed, leaning back on your seat and raising a brow. "you should have just told me."

"i didn't want the ruin the flow of our conversations!" he said, then he propped his face on his fists like a flower. "besides, i used to think i look cool sitting like this, so i always sat like this when we chatted."

you gave him a faint eye-roll. you thought it was lame now, but back then having him turn as soon as the lunch bell rings and hearing your classmates coo teasingly at you two was the one thing you looked forward to in school, that was besides seeing felix, of course.

"well, it worked, didn't it?" you said. "you snatched me."

"i totally did." he laughed.

both of you didn't want to verbally acknowledge the fact that you two had been so madly in love back then that you would rather let silence fall over. it would have been awkward to talk about it after so long, even though you two had been very mature about the break-up and remained as loose friends afterward.

in an attempt to break the silence, you kicked your feet, reached out, and playfully ruffled his hair. felix was taken back by your sudden movement, his eyes widening in panic that you were messing up his hair as his hand immediately flew from his pocket to stop you.

"hey! i spent a long time on this ponytail!" he complained, frowning at your loud giggles at his misery.

"i'm sorry! it's just–" your eyes caught sight of a single run sitting on his fourth finger and you paused. there was a gentle pang in your chest as you tore your eyes away.

regaining your senses quickly, you removed your hand from his hair and sat back down, then you nudged your head over at his hand. "i see you got a promise ring there?"

felix hummed questioningly. he looked up at his hand, still trying to recover from the initial shock of your action, and he sighed with recognition when he realized what you meant. a smile blossomed over his face, a smile so bright and familiar that it made all your forbidden hope dissipate into the hole of your heart.

"yeah, i have a girlfriend," he said, wiggling his fingers. "we have been dating for a year now. i got it for our anniversary!"

you kept the smile on your face. you had gotten over the break-up a long time ago, but when the reality of moving on slapped you across the face like this, your heart churned in distaste anyway. felix was no longer yours, and you were not his—you accept that, you were just a tad bit upset.

"that's good! i'm still waiting for this boy to confess," you muttered with a glare of your eyes as you shifted on your seat. seeing the curious glint in felix's eyes, your thoughts swirled and suddenly your fondness for him faded to the back of your head. you sighed with a defeated smile at the new name in your head. "there is this boy at work–new guy, just a little younger than me–yang jeongin. he is so, so shy."

"i thought you don't like boys younger than you."

"he's an exception."

felix rolled his eyes and waved his hand. "alright. just don't scare him off, you can be intimidating. remember that time when a junior tried to ask you out and he chickened out the last minute–"

"uh, that was because i was dating you back then."

"no, he said it was because you looked like–"

"i know what he said, shut up!" you kicked him under the desk, bubbling a burst of laughter out of him as he stumbled.

after adjusting his position, felix patted his head to fix his hair before he crossed his arms and propped it on the top rail again. he looked at you seriously this time, but his eyes were caring and lovely. after all this time, he looked at you the same way—always, and you loved it all the same.

"does he treat you well?" he asked.

you pursed your lips into a thin smile and nodded. "mhm."

"good."

you glanced at him, wanting to ask your fair share of questions. is he happy? is he loved? is he being held? are his freckles being kissed, or is his hair being combed? is he nagged to take a rest, told that he is pretty? you kept your mouth shut.

the sun was setting into the mountains and the day was changing. the youthful light faded that your current-self once again resurfaced to sight, but just before the last trace of the sun died out in your classroom, you two gazed at each other, and it all went back to the wrinkled uniforms, the tousled hair, the old textbooks, and the shy intertwined hands.

back when felix was the only boy you kept in your heart.

the sun set, the light of his promise ring reflected in your eyes, and you felt a drop in your stomach that you ignored.

"i'm gonna go back and make sure jisung isn't causing a ruckus in the hall," you said as you stood up. "you coming back? dinner is about to start."

felix looked up at you and shook his head. "not yet, you can go first."

you shrugged and left the room with no questions asked. felix returned to the front when you left and he sighed at the worn-out desk before him.

he refused to think about the fluttering feeling in his tummy when you ruffled his hair and when he saw the younger version of you seated in front of him, but he knew for a moment there when he felt it, it was kind and warm, and he knew he missed it somehow.

he missed you, he used to, the only person he had kept in his heart.

tapping his finger, felix rolled his eyes.

"yang jeongin," he clicked his tongue, "pff." and he scoffed.

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tsubaki3192 · 4 years

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250+ Followers HC! Artist!MC Draws a Portrait of Nobunaga, Ieyasu, Kenshin, Mitsuhide

Requested by: @puffpuff300

Note: Thank you so much! Haha this sounds like so much fun… So here we go!

Haha… Not all of these are portraits or are they drawn, but…

Edit: I’m so sorry it took so long! But now I think I’m back in business!

Please let me know if you’d like to be (un)tagged!

--------------------------------------------

Nobunaga:

Honestly? You just loved the way the paint seems to splatter itself on the page.

No, before I properly begin, you don’t necessarily do traditional painting. You like the abstract ones. Like Piccasso… but not quite his style xD

Piccasso’s style… Would confused the shit out of NObunaga if you drew him in that style- I swear if you don’t paint him like that at least once, I’ll smack you xD

Anyway, your paints are precious to you. You know that Nobunaga might be able to get some oil paints for you, but acrylic paint has always seemed to be better for you. That, and you’ve gotten used to it.

On the night you arrive at Honnoji, you’re carrying your art satchel, filled with paint, a couple of canvases, and your beloved brushes. You were in Japan to paint some of the blooming cherry blossoms and scenery at the time.

Dragged into this mess of a Princess and chatelaine duties made you miss painting so badly. Even picking up a calligraphy brush reminded you of the calligraphy-brush style paintings you had been studying before you had arrived.

So you grab the a4-sized canvas and wander the hallways for days, as you search for the best thing to draw. Honestly? You’ve had to white the canvas multiple times simply because nothing seemed right.

That sakura tree in the corner of the castle gardens? Nope.

The bustling streets of Azuchi town in the middle of the day? Hm...

The Ghost of Mitsuhide, smirking wildly as he wanders down the hallways? Not that either.

Not even the pretty Mitsunari seemed to capture your attention for long.

Ironically though, you didn’t even think of paining the lord of the castle at first, perhaps because his ego didn’t need to be brushed up further?

At the end of the day, you’ve decided to retire to your room, having wasted the whole day wandering the town and castle, listlessly, tirelessly and unsuccessfully seeking the perfect scene to paint.

Weirdly enough, just after dinner, you somehow end up outside the tenshu, peering through the gap the raven-haired lord left in the doorway.

What a sight, though, to see Nobunaga hard at work, that frown finally focused on something other than yourself. You’re suddenly filled with inspiration, and you set down opposite the gap, sketching the outline of exactly what you’re seeing: the gap between the doorway, and Nobunaga seated at his desk.

You know he can see you: You’ve spotted that all-knowing smirk of his. But he doesn’t speak or move until you begin to leave, having finally marked out the correct colours in pencil.

“Fireball, you may enter the room if you wish-?”

Unsurprisingly, you had jolted at the sound of his voice and bolted from the opening of his door, leaving a baffled Nobunaga staring at your empty postion.

2 days later, you leave the completed painting on his desk, covered by a square of leftover fabric you had used to make the kimono you wore that day.

He unveils it curiously, only because you didn’t leave a note of any kind.

Honestly? He just kinda stares at it- curiously- since the painting seemed even more realistic than the ones circling at that time.

And he just laughs, leaving it hanging against the wall beside the Kimono you had made for him.

Mitsuhide:

Okay… So catching this one somewhere paintable is simply impossible. Believe yourself- You’ve tried.

In fact the only reason why you’re trying to paint Mitsuhide is: 1. You don’t have a camera, and 2, He’s just so ethereally beautiful and 3. He’s never lingered in somewhere pretty or ‘nice’ enough for a sufficient amount of time to even sketch him.

As for Mitsuhide, he, without a doubt, is teasing you. He’s seen the paint tubes you brought with you on that night you had first arrived in the Sengoku Era, and he’s seen that sketchbook- or rather paint-book- of yours, filled with random practice paintings of flowers you’ve spotted in the Azuchi gardens-

or Kyubei, which you had admittedly sketched multiple times. Why were both Lord and Vassal so pretty?

and has figured out their uses after stealing a blank page from your book and a couple of paint tubes.

You’ve found that same torn page tucked within the pile of paperwork when he requested your assistance once.

It was kinda cute too: fingerprints and finger painting galore xD

You’ve also spotted paint residues of blue beneath his fingernails, much to your amusement.

Anyway… So you’ve been trying to paint an image of Mitsuhide with a parasol beneath a willow tree for awhile now… And it’s to the point where you’re tempted to just use your imagination bc he’s simply not letting you.

But you just snap at him, one day, after having had a VERY bad day. And he just… relents, standing statue-still despite you still grumbling beneath your breath with every glance towards him.

You stuff Kyubae into the image too bc he deserves to be immortalised in a painting with his lord….

It takes a week, on top of all your other duties, to complete the painting, and if that’s not the best painting you’ve ever painted, you’d be lying to yourself.

Honestly, even though he’s curious and teasing about it, Mitsuhide only finds out once you’ve completed the painting. Yes, he could’ve seen the painting at any time, but a part of him wanted to keep that as a reward for all his hard work.

He makes that adorable blushy pout when he later realises he simply could’ve asked you to see the painting: Kyubei’s seen it before he has.

You leave the painting on his desk under all the paperwork there is, knowing full well that his curiousity would get the better of him and he’d stop working-

It works, but only at the expense of your blush from his tease when he finds you in the kitchen with Masamune, rewarding yourself with Mochi.

He’s secretly proud of it, and it’s the only one he’ll willingly hang in his room.

Ieyasu:

Ehhhh…. This one’s kinda easy, okay?

So you’ve always wanted to paint Ieyasu with Wasabi. It’s been on your agenda ever since you first caught him playing with the baby deer 3 nights after your arrival in Sengoku Japan.

The only thing is, you’ll have to resort to using Traditional watercolour techniques, since you: 1. Had no paints on you, and 2, canvases didn’t exist back then. You could try to make one, but you swore it wouldn’t turn out as good as the store-bought ones.

So you do paint it. From your memory, and from whatever scenery you could draw from the Azuchi garden.

It’s pretty funny, actually: You know most of the Azuchi warlords are aware of what you’re up to. And by that, you mean all but Ieyasu, who claimed he couldn’t care less, and Mitsunari, that oblivious genius.

Nobunaga and Mitsuhide knows because they’ve been watching you, and Masamune and Ranmaru only knows because Hideyoshi found out.

Long story short, you’ve been neglecting yourself: forgetting meals and overall becoming a Mitsunari 2.0…. Hence the whole “Hideyoshi” thing.

Honestly, it’s a surprise the receiver of the painting doesn’t know. Usually Ieyasu would be the type to scold you with harsh words before you even get to painting him.

But not this time.

Actually, you’re certain he’s been avoiding you. For what reason? Who knows. But painting from memory was always a good mental exercise….

Ieyasu does find out eventually, but that’s simply because you purposely drag him out to the garden where you’ve hung the painted scene on a branch to allow it to dry.

He just sort of stands there surprised, before averting his gaze.

“This is what you’ve been doing the entire time?”

You don’t blame him for the blunt question since you rushed off to the location at any given time to continue the painting, pretty much neglecting anything but your sleep, chores and-

Honestly, being that tsundere-contrarian he is, he flicks you on the forehead while muttering a quiet “It’s good” with averted eyes.

You honestly should never have grinned that widely at his words, bc now he’s walking off while blushing… and taking the painting with him :3

Kenshin:

You know better than to go behind Kenshin’s back. And by that, you mean “Oh-god-he’s-etherally-beautiful-but-also-a-yandere-so-I-must-gain-permission-to-paint-him-otherwise-he-might-kill-me-help”.

But honestly, it takes you awhile, simply because you’re not sure how to approach him- He’s always given you that sensation of “don’t-touch-me” xD

If it weren’t for Sasuke, who you had known for years, given you went to the same university and assisted him with some artist renditions of the night sky, you honestly would never have had the courage.

The question comes off as awkward. Very much so, since you had been, well, stalking him for days on end before he calls you out and you reply to him, nervously stuttering in response.

Kenshin doesn’t disagree with your request, however, choosing to just call for you whenever he suddenly feels bored.

It’s honestly chaotic and stressful, since he keeps changing position every few minutes…. ^-^’’

In the end you enlist the help of Shingen, who was only willing to pose for you so he could stare at your expression~ xD

The rest of the time you spend painting is holed up in your room, which, by the way, confuses Kenshin since usually artists would force him to sit agonising hours of stillness just to capture his appearance.

So he goes looking for you.

It’s at a pretty ironic time too, considering you were just adding the finishing touches to the painting. Just some background colouring and details….

But Kenshin’s hovering over your shoulder and-

He compliments you with some VERY sugary words, while you’re wrapped up in his arms. Honestly it puts Shingen’s flirting to shame xD

You’re warm, but to be fair you’ve left him pretty much unattended for the past week thanks to your want to paint.

Just cross your fingers he never asks you how exactly you managed to accurately paint the position he, in the painting, sat in.

Shingen would most certainly die from spending hours with Kenshin’s princess and love of his life-

Tagging: @tsukiiiyo @unstoppablelinda @zavannahmj @nad-zeta @thesirenwashere @ikemenoliver @jiyuu-chan @nuttytani <3

#Ikemen Sengoku #My Writing #250+ Followers Celebration #Sorry for the wait everyone!#I'm back in business!#Watch out for a Cat!MC Ikevamp HC too :3

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christinaengela · 4 years

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Hello friends and fans!

Welcome to my 46th newsletter – October 2020!

On A Personal Note

September was a fairly quiet, uneventful month… actually, no… who am I kidding? There were a few things that made September an interesting and busy month! Aside from the editing work I’ve been doing on the sideline, I also had to undertake the Herculean task of migrating my website from WordPress.com’s hosting to a new home. The newly migrated site is pretty much sorted out now, but if you find any glitches, like broken links or missing images etc. please do let me know! I also added a ecommerce functionality to the site – now that I’m able to use plugins – and visitors can buy eBooks direct from the shop page now without having to go to other online shops – isn’t that nice? 🙂

On the social side, I had a brilliant email interview with fellow South African author Simon Corn this past month, you can read that from the link further along!

Further afield, I indulged my love for woodworking this past few weeks, and finally got round to building that bookshelf I longed for to complete the feel of the ‘study’ corner of our lounge! As you can see in the photo, it’s in the corner (which makes it stronger – a must to hold all that weight haha) and it’s filled with an array of some of my favorite books – fiction and non-fiction! Our Star Wars collection of memorabilia fills the gaps quite nicely too! The shelf above the window is home to the bulk of my collection of antique telephones, and beneath the shelf – on a cupboard you can barely see in the photo – are two antique typewriters, a 1939 Remington, and a 1952 Olivetti, both in good working order!

This year’s almost over – and with the entirety of the last week of September being taken up by my website migration, I’m looking at the remainder of 2020 a little bleary-eyed! I still have some work left in the writing department for this year – aside from the editing projects I’m doing for clients – and as always, I’ll keep you posted on my progress!

Moving on, let’s take a look at the usual list of goodies!

Art

I also indulge in painting from time to time – and no, I don’t mean walls! The following paintings are in my portfolio:

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2017_Human Nature A4 acrylic canvas

20200620_Balancier A2 acrylic canvas

20200628_Rescuer A2 acrylic canvas

20200705_The Awakening A2 acrylic canvas

20200712 The Earth Wept 40x40cm acrylic canvas

You can read more about my art projects on the Art page.

What do you think of them? Feel free to let me know!

Music

Yes – I also make music from time to time!

A selection of music tracks I made using eJay and other similar apps between 1999 – 2008 are available on my YouTube channel.

You can read more on the Music page on my website!

Activism

For those of you interested in my activism-related posts and activities, you can follow them at “Sour Grapes: The Fruit Of Ignorance“.

Current Writing Projects

For the past few weeks, I’ve been dividing my time between performing editing and formatting work for Moon Books Publishing, and writing new material for Galaxii Book 4, which I haven’t formally named just yet! Operating under the working title of “Dreams of Innocence” – from an old draft I’d worked on a long time ago and which set the background foundation of this otherwise entirely new story – this book will once again be looking at the Corsair menace.

Set a short time after the collapse of the Corsair home world Meradinis, the story focuses on the starship I.S.S. Munray – a ship crewed by ill-disciplined misfits barely one step away from court-martial and dismissal, filled with bitterness, resentment and axes to grind with anyone in authority – and the Captain’s the worst of the lot! His career has soured and he ‘works the system’ to get himself removed from command and assigned to an easy desk job at a starbase – but the powers that be have other plans…

A new Captain is assigned in place of the malingering Captain Polluk – a young, ambitious up-and-coming and capable officer – and Sonia LaBelle is the literal new broom! She manages to overcome all the obstacles in her path; a ship in a poor state of repair, an uncooperative senior staff, negative hopeless crewmembers – in time to meet the deadline set by Vice-Admiral Beens.

Meanwhile, a couple of extremely dangerous high profile Corsair convicts escape from an isolated, virtually escape-proof prison complex, which sets the cat among the pigeons! The Munray is diverted from a routine space patrol to pursue the escaped Corsairs, an exercise which will push the already strained interpersonal relations among the crew – and between the crew and its new Captain – to the limit!

At least, that’s more or less the broad overview of the fourth book in the Galaxii series! I’m quite excited about it, since I haven’t really worked on that series since I last revised all the titles back in 2018! Book 4 doesn’t feature any of the characters of the previous books (at least not as yet) but I might still be looking at drawing in one or two later, I’ll see how the story progresses and where it takes me!

Editing

I recently completed editing “Avenging Aranis” by UK writer Steve McElhenny – a sci-fi tale for Moon Books – and the first part of a trilogy! Currently I’m editing “The Darkness Within Me”, a dark fantasy novel by South African author Anya Louw, also for Moon Books.

I’ve also recently started offering my editing services on a freelance basis to interested parties. More about that here.

Marketing – The Dreaded “M” Word!

Portfolio 2020!

I thought it would be nice if I could produce a neat, organized catalog of all my books that interested parties could download and browse – a free, distributable and shareable catalog, and so I created “Portfolio 2020!” – a listing of all my currently available titles!

Portfolio is more than that though, because it also contains a biography as well as synopses for most of my titles – and I have a plan to update it regularly, perhaps on an annual basis! Portfolio 2020 is available as a free download from my website.

Videos

I’ve nothing new to show you here this time, but feel free to browse through the videos on my YouTube video channel!

Sales

Sales for September have been holding a constant trend, with figures for 2020 indicating that I’ve already doubled the total for 2019! Things have been slow in progressing, but at least they’ve been consistent, with a gradual improvements across the board – accompanied by an increase in distribution as well as with the addition of external marketing on the part of my publisher, Moon Books Publishing, who’ve been doing their own marketing of my titles! That tells me things will get better!

Additionally, having migrated my website to a new hosting service (where I can actually install plugins!!!) I’ve installed ecommerce and set up direct purchasing options for interested visitors, so I’ll let you know how that goes next time!

Publishing

These are the books I’ve released so far this year!

Between January and September 2020 I released eight new titles! Of these, two – “Duck Blind” and “The Next Room” have been replaced by one combined title, “Mirror, Mirror” which includes both of them. Of course, this reduces my count back to 30 again – but when you already have 30 or so books to your name, what’s one here or there?

New Releases:

I’ve nothing new to show you here this time!

Audiobooks

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“Malice” (2020)

On September 11, 2020, “Malice!” was released as an audiobook, narrated by Michelle Innes!

“Malice!” is a collection of my horror tales. Read more about the book.

Details:

Published: June 25, 2019, audiobook September 11, 2020.

Words: 21770

Pages: (6×9 Paperback)

Duration: 02:10min (audiobook narrated by Michelle Innes)

Book Trailer Video:

Buy now: eBook Paperback Audiobook

Coming Soon

In the meantime, here’s a look at the covers for hot new audiobooks currently in the pipeline:

Stay tuned for updates!

Reviews

You can see all my previous reviews here.

Currently Available Titles

I now have 30 unique titles available in 4 series (not including books I’ve been the editor for, and my 16 free promotional items)! My books are available in three different formats: EBooks, Paperbacks and Audiobooks. Click the links or images below to view titles available in these formats.

Communication

Below are links to a few of my most recent posts and articles since my last newsletter:

Now You Can Buy EBooks Direct From Christina Engela Dot Com!

The Last Post! Please Subscribe To My New Website! 🙂

New Website For Christina Engela Dot Com!

New Release: “Malice!” – The Audiobook!

Indie Copy Editing Services Offered!

Another Round At The Crow Bar #45 September 2020

If you want to see more articles, just click on the category links below:

Elements of Horror

FAQ Answered

Fun Facts

LGBT Heroes

The Tech Side

Secret Weapons of the Resistance

Writing Advice

Guest Writers

Newsletters

Interactions

Fan Mail, Reader Reviews & Honorable Mentions

I have the following awesome items to show you this month!

I found this share of one of my articles “A Treatise On The Psychic Abilities Of The Common House Fly” on Odd Mag from February 02, 2020.

“Christina Engela is an excellent editor. She helped me open my mind to a different perspective, to see my work through the eyes of the reader. Most importantly she taught me more about writing than any teacher in my entire 12 years of education! I’d rate her at 100 out of 10!” – Anya Louw, author of “The Darkness Within Me” and “Normanwood” (Aug 28, 2020).

“I recently had the pleasure of an editorial experience with Ms. Engela. As an entry level author and with some trepidation, I submitted work to Ms. Engela for editing, uncertain of what to expect from the process. Ms. Engela read and corrected my work. Her approach is professional, encouraging yet precisely on point. There was not ever a need to query the work she did on my script. I was also particularly impressed with her turn around time. I would strongly recommend her editorial services and I look forward to a time when I can work with her again.” – Cedar J. Lockheart, author of “Skinwalker” (Aug 28, 2020).

“In running Moon Books Publishing I know the value of a good proofreader and editor. Christina is a proven author who has released over 30 books, so she knows the ins and outs of writing. I’ve discovered that not only is she witty, bright and verbose in her writing, but she is also meticulous and professional in her proofreading and editing skills. You won’t find a more professional proofreader and editor than Christina. That is why I will ALWAYS choose her to handle proofreading and editing at Moon Books Publishing.” – Brandon Mullins, publisher, CEO Moon Books Publishing (Aug 29, 2020).

A fantastic, swashbuckle through space. “While Fantasy is my primary love in literature, I have always enjoyed a good science fiction yarn and when this one came to me via the narrator I figured it may just satisfy an itch I’d been having of late.

Sheesh, where to start with this book? Simply put, it has everything! There’s adventure, space battles, fistfights, pirates and, of course. romance.

The story revolves around Mykl, ex-combat pilot turned down-on-his-luck cargo captain who begins the book afloat in space after most of his crew, for reasons unknown, mutiny and fly off in the ships sole shuttle. Shortly afterwards the starships drive explodes, killing his two remaining crew and leaving him marooned in deep space with no hope of survival. That is, until a ship full of marines rescues him from certain death only to then get into a battle with a ship full of space pirates, Mykl has to rely on his military training to survive and capture the dreaded Blackhart!

It’s only now that things really start to get bad when his military contract is reactivated and he’s tasked with a critical, possibly suicidal mission into enemy territory.

Every primary character in the book, from Mykl to Ripley and Blackhart himself are extremely well fleshed out, interesting and fantastically voiced by Nigel Peever, each given a real sense of identity and more than a little snark. In addition to the reading, there is the addition of sound effects and some incidental music which is just enough to add atmosphere without distracting from the reading like often can happen with this in audiobooks.

There’s so much in this story that I could talk about but I don’t want to spoil anything but do strongly suggest that, if you like Buck Rogers, Firefly or Pirate stories you give this book a go as I thoroughly enjoyed everything it had to offer.” – Ryan Pascal review “Blachart” Audible UK, August 29, 2020.

“Christina performed a fantastic editing service for my novel. I was blown away by the pace she worked at, her accuracy, and the improvements she made. It would be no understatement to say she went above and beyond what I expected and was incredible value for the more than reasonable cost for her services. I look forward to using Christina again in the future as I know I’ll be in safe hands.” – Steve McElhenny, author of “Avenging Aranis” (Sept 07, 2020).

“Blachart. A good read. Well written good story line. Well narrated. All in all a good listen.” – Richard Davis, Audible UK, “Blachart”, September 09, 2020.

Spotted on the internets… Brandon Mullins of Moon Books Publishing made and shared this awesome meme to market my audiobooks:

Quotefancy shared a quote by me, found on September 22:

I display my Fan Mail, Reviews & Compliments with pride, gratitude and humility. You’re always welcome to have a look.

Hate Mail & Horrible Mentions

I’m rather proud of my hate mail, and you can review my collection here – but be forewarned, don’t do it while eating or drinking, or you might choke while laughing!

Apparently I’m unhinged and need help? LMAO… Oh, won’t someone please help me?

Interviews

A Moment With Christina Engela – I had an interview with Simon Corn on his author blog – it went live on September 28.

All my interviews are linked to from this page. If you would like to do an interview with me about my work, please do get in touch!

In Closing

Well, that’s all for this time, folks! 🙂

Thanks again for all your support, friendship and interaction!

Feel free to email or message me via Facebook, Twitter or LinkedIn if you have any comments or questions!

Until next time, keep reading!

Cheers! 🙂

Catch me on social media!

If you would like to know more about Christina Engela and her writing, please feel free to browse her website.

If you’d like to send Christina Engela a question about her life as a writer or transactivist, please send an email to [email protected] or use the Contact form.

Show your appreciation for Christina’s work!

Another Round At The Crow Bar #46 October 2020 Hello friends and fans! Welcome to my 46th newsletter - October 2020!

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ohmy-omaha-blog · 4 years

Text

7 Answers To The Most Frequently Asked Questions About Acid Stained Concrete Floors Pros And Cons

Furthermore, epoxy as well as other resinous flooring can be utilized to repair service and refurbish current slabs, incorporating just as much as a quarter inch or more to your surface if needed. Whilst stained or polished flooring call for the slab area be in Great to superb affliction just before treatment method, epoxy flooring is eye-catching and very effectively even on concrete that is uneven, cracked or or else harmed.

When you've got the encounter, acid staining concrete is basically pretty simple. If This can be your initial time, I would suggest examining through the data on This page, seeing some you-tube video clips about how to acid stain concrete, and/or just take a class or seminar in your town Should they be provided. The time and cash you commit Studying about acid staining concrete are going to be properly worth it.

Staining a concrete floor could be a dangerous and challenging method. If you end up picking to do it oneself, you might spend less, but without the need of practical experience you run the risk of acid burns and/or forever ruining your floor.

Many thanks Ariel! That’s me putting on the jorts. I guess I have boyish great appears. And that i also phone them jorts. And in many cases accusing reported partner of thieving my function jorts recently. Haha. My Youngsters blame him for every thing, so I was just next suit, so they might see how dumb it really is accountable father.

Sealers also address the extremely-violet light-weight hurt. Just as paint fades on siding, colour in sealants as well as surfaces they protect may be changed by light-weight-publicity. An experienced Skilled can advise you concerning which approach makes probably the most sense for sealing concrete on the assets and supply info on how frequently your alternative of sealer will require renewal. Cheaper acrylic sealers may have reapplication each individual number of a long time, when epoxy or polyurea sealers may perhaps very last as much as a decade amongst apps.

Testing the stain on the dried sample on the patching substance that will be made use of can assist better estimate the ultimate look. If you discover heaving of the floor (a person cracked Section of the slab climbing over another), or can visibly see bowing with the basement walls, it'd be a smart idea to examine the situation further. These may be indicative of a bigger challenge with the inspiration of the house. Issues with basement walls on their own might be a make a difference of structural integrity.

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I like rinsing the concrete not less than 3 occasions right after neutralizing the acid. You do not need a concrete sealer failure because of any residue left at the rear of.

To obtain wonderful outcomes, there are a few issues I have acquired over time that only includes expertise.

It's also imperative that you Be aware that the search on the stained concrete will not be really easy to breed, preventing a seamless overall look if you select down the road to maneuver a wall, for instance, and try to acid stain the freshly uncovered concrete floor, from the hope that it'll match up with the very first.

Spray the stain around the floor starting off on the farthest end of the room and dealing your way toward the doorway. Spray still left to appropriate in extended, even strokes till you address your complete place.

This process took a great deal more time to dry. We Permit it dry right away and many of the following day. The stain pooled in small spots to the floor, so Individuals places wound up lots additional vibrant.

When it’s time for new flooring, epoxy techniques along with stained and polished concrete are often Element of the discussion. Exactly what are the differences?

Acid staining concrete is best remaining to get a experienced contractor to setup, but is usually a (diy) get it done yourself task should you go through by the data on this Website-web site and abide by a number of the suggestions I will share along with you down below.

two. Decide on at least 3 colors which have been near to the color you prefer. Rely on me, the color of your acid stain on your own concrete floor will glance distinct than the color on the colour chart.

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houseofvans · 7 years

Photo

ART SCHOOL | JONNY ALEXANDER (Detroit, MI)

Inspired by his love of the outdoors, artist and Head Screen Printer Jonny Alexander’s work incorporates Nature, landscapes, and its objects/processes, creating large open landscapes to cross sectional terrestrial islands sometimes floating in space, surrounded by oceans, or inhabiting surreal terrains. Devoid of humans and human interactions, his visual narratives do, however, reflect his own “existential quandaries” or spotlight the human consequences to the environment as in a 2016 mural he created with the Pangeaseed: SeaWalls Murals in New Zealand. We’re super excited to chat with Jonny about his art school experiences, his love of the outdoors, as well as his work ethic and tenacious attitude, all in this session of Art School.

Photographs courtesy of the artist

Introduce yourself. Jonny Alexander / Currently in Detroit, Lived all previous years in California. I’m a painter, muralist, printmaker and Head Screen Printer for 1XRUN in Detroit

If you weren’t a painter, what do you think you would have ended up doing professionally?

Well, I kind of am doing something else professionally besides / as well as painting. I work full time as the Master Printer for the publishing company and gallery 1XRUN / Inner State in Detroit. I am also a full time painter… so I guess that means two full time jobs haha. The Screen Printing is consistent and structured employment and the painting is sporadic in payment but constant in development.

We’re glad you’re a painter and an artist though, can you tell us about your journey? What was art school like for you? What were some of the best things you took away from that experience? What were you glad to get away from, once you graduated? How was life after school for you at the time?

I’ll do a quick rundown of pre-college art. 9-13 years old I got introduced and started writing graffiti with neighborhood skateboarding friends. With high school friends we also skated, we weren’t doing graffiti but drawing weird shit in sketchbooks and starting to screen print t-shirts in the garage. Cut to college I moved from San Diego to Northern California and went to CSU, Chico, which is about 3 hours northeast of San Francisco. I went into college thinking I didn’t want to study art cause it might kill the enjoyment of making it, but I was wrong about that. I took courses regardless though and was introduced to the world of Printmaking. I only knew screen printing, but I took an intro course that had me doing etching, woodblock printing, screen printing, monotypes etc. I was pretty intrigued with the process. I realized that being in other classes was just taking time away from working on art. So I went full on into a Bachelor or Fine Arts with an emphasis in printmaking.I recognized from going through school studying art that the experience is honestly what you make of it. No one is going to teach you style, no one is going to teach you really how or what to paint or draw or make. But they will give you the fundamentals and above all the time and deadlines to produce as much art as you can. That was really what I got most from it. It gave me a really strong work ethic; it pushed me to form a strong studio practice and to produce work. It also, if you are lucky, gives you a strong community of peers to bounce ideas off of and pushes you with healthy competition to get better. What I did like getting away from was some of the real intense academic push to defend everything you make. I don’t want that to come off the wrong way. I genuinely cherish conceptual art and having meaning and depth to what you make, understanding what and why you are doing something and the context in which it lies in the grand narrative or art history. But I found myself chasing ideas into weird places that didn’t even feel like art to me. I would think myself out of a painting or print because I couldn’t conceptualize it, instead of just making it and moving on. I enjoyed the freedom when I finished school of just making a painting to make it. If only for its aesthetic, color or composition without heavy weighted conceptual arguments attached. It helped me to work faster and really push forward in developing my style.

Life after school was fruitful and painful. Lots of uncertainty with the newfound freedom, lack of structure and lack of employment but also a lot of fun. My girlfriend of 4 years broke up with me shortly after we finished school. Shortly after that I quite my crap job at a pizza place, took all the left over house paint I had and went into the rural hills of Northern California and started practicing painting murals. I painted 4 murals in 4 weeks on abandon structures. I was heartbroken the whole time but working my ass off, using my tears to wash my brushes after a long day painting. Haha But really that was the bootcamp I put myself through to break ground on painting murals. Less than a year later I was an assistant to my friend Tavar Zawacki who is a longtime artist who goes by the name ABOVE. He took me out to Detroit to help him with a Solo Exhibition with Inner State Gallery / 1XRUN. About 8 months after that I was moving from California to Detroit to be 1XRUNS Head Screen Printer. It has been almost two years now that I have been here. Side note: The girlfriend of 4 years that broke up with me after school, we got back together a little later on….Hey Bertha I love you

Having acquired a degree in printmaking, what aspects of that particular skill set proved to be super helpful or maybe gave you a different approach to painting as an art form? Or how have you used your printmaking skills to inform what you do as a painter?

One thing that was helpful, as I had kind of mentioned earlier is that it led me into the job I hold with 1XRUN today. It is a pretty useful trade to have and I see myself being a print maker and screen printer for years to come. But in terms of my art practice printmaking definitely helped develop my drawing style. Printmaking also broke down layers for me as well. To make a screen print you have to lay down colors in a specific order. It is a pretty methodic and regimented order of operations. This method of a layering process has come into my painting practice and really into my mural practice. It has helped me to think about how colors “stack” if you think of them as layers. I think it helped me to be able to translate my smaller more time consuming paintings into larger murals by way of simplifying the approach.

In terms of your paintings the landscapes, the natural environments, and the colors of nature – are heightened in a way. As if the viewer is often experiencing a different type of hyper landscape. Could you tells us a little more about these “psychedelic landscapes” and how these visuals came about?

Psychedelic Landscapes was a joke between my friend Ian Roffe and myself in school. Haha I think the real root of it is from my upbringing as a child. Growing up in San Diego my parents could have taken us to Disneyland or something like that but instead we spent all of our family road trips going up to the Eastern Sierras. Going to National Parks or almost every other weekend spent up in the local mountains in San Diego fishing, hiking and camping. I was always picking up rocks and sticks and looking at the patterns in them, collecting them, doing some “organic hoarding” that I still do to this day. I also grew up surfing by myself. None of my close friends picked up surfing so again I spent a lot of time roaming the cliffs and rock formations of some of San Diego’s coastline. I think all that naturally filtered into my paintings. I was really into some of the surrealist painters like Dali and Max Ernst in my younger years so that love of large open landscapes was really appealing. I think it has been a common thread throughout my art making and has just evolved and transformed over the years.

Your paintings often depict geological layers / structures and other aspects of the natural world. What natural structures or landscapes have influenced you the most and what about them most captivated you and percolated into your works?

Rocks man….goddamn rocks. They are so cool. There is so much variation in them. In the texture, the color the way they crack and fold. The way that erosion goes to work on them over years, it’s just some very beautiful patterning. There is also good metaphor for me in rocks and mountains. Rocks are really old material compressed together over vast amounts of time and buried deep in the earth. They have some wisdom to them for that reason. I titled a piece a number of years ago, “The Wisdom Rocks of Old are the Souls of the Past” which kind of sums up that thought. Mountains also though, they are the pushing up of these old chunks of earth and we can climb up them to see beyond what we could from the ground level maybe to get clarity or furthered vision. I think there is metaphor to see in all nature if you are looking for it. I think that is why I have continued to use it in my paintings over the years. Most of my paintings don’t have people in them so I rely on nature and objects to create narratives referring to existential quandaries I have. I read this quote years ago, which I think is pretty nice and applicable. “The finest workers in stone are not copper or steel tools, but the gentle touches of air and water working at their leisure with a liberal allowance of time”. - Henry David Thoreau

Who are some of your top 5 favorite contemporary artists? 5 favorites of all time? I would have to say… Interesni Kazki Aaron Glasson & Celeste Byers (good friends) Michael Reeder Saner Pat Perry James Turrell Salvador Dali Caravaggio Andy Goldsworthy Radiohead

What are your top 5 materials? Is there a medium you haven’t yet tried, but are looking to learn? Acrylic Gouache Micron and Radiographs Waterbased Screen Printed Gradients Wood Panels built by my friend Craig (For real if you want to buy heavy really nicely made wood panels DM this guy @chejka ) I have painted with oils a couple times but would like to start making some oil paintings and getting some real nice smooth gradients

We gotta find out - What are your favorite Vans?

Love me some Sk8-Hi’s, always been a sucker for high tops, cause they feel good on my feet and look cool with pants and can also make you look like a goofy shit when you wear them with some short shortz.

Being a lover of the outdoors, where’s a place you’d love to go for artistic inspiration and why?

That’s a tough one. There is a ton of places…so lets go for a list? Right? Never been to Zion or Bryce Canyon, plan on going there in the next year. Andes in Peru South Island of New Zealand Iceland (including small plane flights over all the crazy land formations) Yellowstone (Not in peak season maybe go in late fall) The bottom of the Grand Canyon Patagonia, Argentina Um… Probably a lot more places But mainly I’d like to go to most of those places to see some intense and awe inspiring natural beauty.

What’s a question you’d like to answer that you’ve never get asked in terms of art? How do you formulate ideas and what is their lifecycle? (It would be a really long and disjointed answer, but fun to talk about.

I read that you often love painting outside at the beach or just outdoors. What about painting in the outdoors do you enjoy? And when you can’t paint outdoors, what is your studio like? (What do you put in it for inspiration?)

I think I have to change that previous statement about liking to paint outdoors. I think I may have talked about that before I ever really had a proper studio. For most of my life my “studio” has been whatever bedroom I lived in at the time. That was very cramped and limiting. So I used to just go out somewhere and set up and work on stuff, which was really fun. But now that I have been living in my loft in Detroit for 2 years, I really love having a nice open space to work. I have a nice big table, I have panels to paint lying around, I paint upright on the wall, which is nice for my back as apposed to sitting in the sand at the beach. I love having space to sit all day and paint, cause I find I need at least 4-8 hours to really sit and have a successful session painting. My studio does have quite a few plants around, some weird organic hoarding trinkets and always music or a podcast floating through the air. I do still carry a sketchbook with me wherever I go and like to do some drawing outdoors, but I find I am usually too preoccupied with what is going on around me to just look into my book.

You’ve been doing a lot of large scale paintings and murals in the last few years. What was the your favorite large scale work, and what were the challenges (if any) and how did you overcome them? What’s the best advice you’d give to someone working large scale?

I had a lot of fun about a year ago (March 2016) with the Pangeaseed: SeaWalls Murals for Oceans project in Napier, New Zealand. The challenge as it is with murals is the weather. It rained 3 out of the 5 days we were supposed to paint. Which, when using brushes, is a big problem. You can get away with spray paint in some light rain, but liquid house paint with a brush just won’t stick. Besides that it was a really fun piece to work on, it had a definite message to it about sea level rise and the causality of it coming from us humans consumption habits. I also got a lot more comfortable using spray paint on this mural. Previously I had barely every used it, I worked mainly with brushes, but I was able to practice and get much more comfortable with cans. Advice I would give to someone is to have a plan of attack. As I had said before about thinking of it in simplified layers, that really helps. Day 1 for me is usually getting the sketch on the wall nice and proportioned how I want it. Day 2 I fill in all the large flat area of colors and then all the rest days it just tightening things up and doing all the detail and line work.

What advice if any, would you give upcoming artists or folks who want to become artists?

Don’t wait for opportunities to come to you. You’ve got to be very tenacious and dedicated to it and you have to sustain that momentum for a very long time. I have been at it for years now and I still have so much I need and want to do. Also be wise about splitting up time between creating the work and getting the work out to the world. A bunch of painting stuffed under the bed should see the light of day. You kind of have to be the artist, manager, content editor, prompter etc. I think that’s all I’ve got. Well maybe just be genuine and don’t rip off other people work or chase trends, try to be authentic and people can appreciate that. And network! Go meet people in your artist community!!

Finally, what projects or shows do you have that you’re excited about coming up? I just had a piece in the “Paint It Forward” Exhibition at Cass Contemporary in Tampa last month. I will be showing at Inner State Gallery’s LAX/DTW show curated by Thinkspace in the summer. I have some fun things coming up in my studio working with a friend who does Neon here in Detroit. I am supposed to be painting a mural in Kiev, Ukraine at some point this spring or summer with a project called Art United Us, which will be my largest mural to date. I am also looking for any murals projects the world has to throw at me! Thank you for your time!

Follow Jonny Website: http://jonnyalexander.com Instagram: @jonnyalexander

#vans #vans art #jonny alexander #painter #detroit #interview #art school

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