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#it doesnt fit in with the timeline or whatever but they dont really have many other intense songs
does a spin
hi lark i warned you
i love josh so much,, so have yet anohter poem about him,,,,,,,,,,,, symbolism 👍👍
yeah im just making stuff up now (WHEN ADELE COMES HOME AFTER MEETING JANETTE FOR THE FIRST TIME, SHE BRINGS HIM FLOWERS. I DONT KNOW WHY, BUT IT JSUT FITS EVEN THO SHE WOULDNT APOLOGISE, EVER, EVEN IN A ROUNDABOUT WAY LIKE THIS SO?? IMAGINE A UNIVERSE WHERE ADELE FEELS SLIGHTLY BAD ABOUT IT??? BUT KEEPS CHEATING??? or like, she doesnt want him to find out so its like,, lovebombing??? dont fucking know, whatever, SHE JUST GIVES HIM FLOWERS ONE TIME. OKAY? THANK YOU.). like, flatout making stuff up lmao. barely any of this poem is canon but its okay, its character-accurate (in my mind)
im so fucking normal about josh i swear, i SWEARRRRRR
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You came home early today. The smile on your face is stretched thin, but you press a bouquet of yellow flowers into my hands. “What for?” I ask you. You don’t reply.
I put the flowers into a vase, place them on the dining table. ‘They’re beautiful,’ I think. I try to ignore the feeling that they wilt every single time I look at them.
You tell me, “Take them down, It's been weeks.” I feel bad for them. for their wilting and falling petals.
I take them and press them in between the pages of a book, leave it up on a shelf. The vase goes in the sink. You don’t notice its absence.
You find the petals inside the book by their yellow. “Why did you keep them?” I explain, “I felt bad for them, they didn’t deserve to be thrown out.” You laugh and toss them in the trash.
I rescue as many of the petals as I can, when you’re not looking. They’re dry and falling apart by now, but I hold them together as best I can. I put them in the back of my phone case.
You never really see me in the first place, so you never learn about my small act of defiance. They’re still pretty to me, even in their brokenness. My mind never lingers on why you brought them in the first place; an apology for something that I never knew about.
(I’m pouring them out into your (her) grave before long, wishing that it were enough to cover the crisp blue flowers.)
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LIME WHEN. LIMEEEEE I’M. I CAN’T OUGHHHH
NO BUT YOU’RE RIGHT SHE WOULD BUY HIM FLOWERS. Since she stayed over at Janette’s- she would return home early OH MY GOD!!! LIME YOU GET THEM LIKE NOBODY ELSE FRFR ALSO THE LAST PART. SHAKING YOU BY THE SHOULDERS AUDGDJFHKS
like. the timeline. her getting the flowers-and then him pressing them in a book and putting them in his phone casesrjehdjsgdofhfhd LIMEEEE
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hearts4juzi · 7 months
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wait I forgor that the reason I was in your ask box was bc I wanted to say that your art is rlly cool and reminded me why I liked fnaf in the first place!! :]
(Also if you don't mind id love to hear some headcanons you have for the aftons ehe)
DSJDSFKJD TYYY OUHFUH Thats so sweet omg :(((
OOH BOY HEADCANONS FOR THE AFTONS (Not gonna include mrs.afton aside from vague mentions simply bc i dont care about the implied existence of a wife for william lmaoo)
Elizabeth
-8 years old
-audhd
-I am an intense ginger hair lizzie truther. SHE IS NOT BLONDE!!!! I REFUSE!!!
-She looooves circuses and would dress herself and her friends up as clowns a lot. her love for makeup sparked it and then it went on from there
-music stims galore!! humming, patting her legs, bouncing to the sound of music
-likes first person shooters!! not an a "cute girl likes edgy games" way but in the way that she genuinely enjoys them! shed rlly love shooting games. shed also likes games liek stardew and animal crossing bc shed like getting to know the villagers. (ik these games dont fit the timeline of the 80's but whatever idc) she'd like those gun games at amusement parks too
-lots of energy!!! you cannot stop her!!!!!
-her fav ice cream is mint chocolate chip
-shes not close with her brothers, much closer with her father. because of her fathers distance, however, this results in her feeling lonely a lot, but shes not willing to get involved in whatever her brothers are doing
-LOVES SPRING!!! LOVES IT!!! ITS HER FAVORITE!!!
-really likes animals and especially colorful birds. she has a collection of many things, one of them being colorful and pretty feathers (she has a peacock feather and its her pride)
-really likes bunnies just like her dad!
-likes to braid hair and do makeup. she used to do it with michael whenever he let her. him cutting that off kinda fucked their relationshipt. (and ofc then came the bite)
-She has a very orange room. orange red and pink r her favorite colors.
-thinks her eyes are super pretty
-if she's curious about an item, she'll sniff it and inspect it and feel it but not put it in her mouth bc thats gross ><
-sleeps on her side like a normal person
-likes dolls n stuff :333
Evan
-10 years old
-anxiety and autism
-very good at sewing (bc michael would break his plushies a lot)
-never let lizzie do his makeup bc it overstimulated him
-anxious stims. hand shakes, biting his nails, wringing his hands, shifting side to side, ect.
-enjoys crocheting but almost never has yarn. lizzie gave him an unused yarn ball once and he used it to make a bunch of stuff
-very picky eater, but he wont say it out loud.
-likes webkinz
-HATES HORROR MOVIES!! like this is a given but he will stay up all night thinking about it. its the one thing he stands up for himself on is not being forced to wathc horror movies (mostly because its the only thing both william and lizzie will back him up on)
-he likes yellow a lot. his room isnt hyellow but he wishes it was.
-doesn't have friends and is regarded as weird, but kids avoid him for the most part. most of his bullying comes from ppl who know michael.
-hed like racing games a lot
-scared of his dad and by association he was scared of henry too
-not super close with charlie but he knows her to be a good person. wishes he was closer with her
-ofc easily startled, freaked out, and made uncomfortable
-does NOT like being talked over
-gets frustrated rlly easily and often rants to his fredbear plush
-liked to draw!! he picked it up from mike when he was younger and continues to do it as an outlet
-wishes he had a bigger family
-definitely not flexible at all, but doesnt hurt himself much (hes not dumb, he learns what makes his bones break)
-will feel things over if hes curious about them. maybe sniff them too but he gets scared they'll kill him 😭
-dislikes amusement parks bc overstim but does enjoy the games and prizes
-he likes rice. idk. he just likes rice a lot.
-if he grew up, hed be taller than mike AND lizzie idc idc
-he tries his best to smile in family photos but he just looks so goddamn uncomfortable that eventually william just let him sit them out.
-definitely a peacemaker between lizzie amd mike
-if hes thinking hard he looks PISSED. RESTING BITCH FACE. He is GLARING AT HIS PLATE. "Evan? What's wrong?" and he just immediately is like 😠😯🙁
-he cares about michael a lot more than he should. he tells him to stop when hes fighting someone, he tries to calm him down when hes angry, he tries to talk to him. it makes him so frustrated, it makes him so mad when michael refuses him rudely, but he keeps doing it. its who he is.
-he got a golden freddy mask that creeped michael out and he jumpscared him with it once.
-cuts his own hair
-not a hugger but if EITHER of his siblings offer a hug he will NOT deny them (does not apply to william tho)
-i dont think he cared about william tbh lol
-sleeps on his back like a corpse.
Michael
-14
-audhd
-nonbinary he/they but doesnt realize it til hes 18
-gets mad when overstimulated
-Likes pirates a lot, watches lots of pirate shows.
-INTERNALIZED HOMOPHOBIA it kicked in in like 2nd grade when someone made fun of him for letting lizzie do his makeup. (jeremy helps him get over it)
-forgets to eat a lot. not intentionally. hes just dumb.
-argues with his dad the most, and drives william nuts
-if hes curious about something, hes gonna bite it. what is it? idk. CHOMP
-loves skirts bc sensory issues are worse in his ankles. he compromises by wearing basketball shorts.
-canNOT wear things near his neck. hates things near his neck.
-close-ish with charlie. likes talking to her.
-favorite color is red. he puts it everywhere.
-likes pokemon.
-watches anime
-BIG HORROR FAN BUT THAT SHIT KEEPS HIM UP AT NIIIIGHT
-halloween is his fav holiday. ud think its bc he liked scaring evan (and it kinda is) but mostly he jsut likes dressing up and going trick or treating. he'll use his costume to scare evan later tho. william takes them away because of that, just bc he doesnt want michael ruining the costume (they reuse them sometimes)
-likes growing his hair out
-looks very soft when thinking. evan only talks to him when he looks calm and collected.
-stims by humming, tapping, slamming his fists, and making loud sounds (shouting, whining, UGH AAAGH ect.) which tend to overstimulate evan
-him and evan are adhd vs autism but if the adhd also had autism
-scared of the ocean but he'll never admit it (got bit by some small fish once and it freaked him out)
-mouth moves faster than his brain
-NOT A MORNING PERSON (except on halloween) DO NOT TALK TO HIM IN THE MORNING!!! HE BITES!!!
-messy room with very little in it.
-punches holes in his walls as a stim :(
-likes sweaters in fall
-for someone who jumpscares his little brother, he gets jumpscared easily
-giggles a lot during hide and seek but thru hiding from evan he learned how to stop it. if he does giggle it means hes genuinely happy
-faints when SUPER freaked out. but it takes a lot
-probably gets queasy around blood
-lactose intolerant but he'll be damned if he doesnt eat that mac n cheese
-has SO MUCH FOXY MERCH. he convinces his dad to give him EVERYTHING HE LOVES FOXY SO MUCH
-would do awesome in school if he could get himself to try
-probably felt rlly hurt when he heard foxy was confined to a small area and not onstage. not because it mattered to him, but because the way william looks at foxy makes him think of the way he looks at him.
-gators r his second fav animal
-draws as a way of venting, but it rarely works. he likes it tho
-SINGS ALL THE TIME. WALKS INTO THE HOUSE DANCING AND SINGING AND TAPPING THINGS
-moves in his sleep
-TIGHT HUGS.
-AFFECTIONATE SHOULDER PUNCH GO!!!
-AGGRESSIVE SHOULDER PUNCH GO!!!
-NEUTRAL "I'm uncomfortable and idk what to do rn" SHOULDER PUNCH GO!!!
-giggles evilly
-like evan hes not very flexible but hes much more likely to hurt himsel fand sprains his ankles a lot
William
-Do not misspell his last name he will get unbelievably pissed
-probably nd too bc all his kids are but he doesnt gaf abt that 😭
-has kissed a man before as an experiment. did not get anything from it unfortunately
-met henry in college for robotics and became friends
-when his wife left/died he was just like "oh. i have three kids now. fuck." and then avoided them
-doesnt care about his kids but them dying causes problems for him so he tries his best to keep them alive (unsuccessfully. this is the afton family after all)
-just like mike, he sings and taps a lot, but its more humming and tapping.
-also lactose intolerant but he actually cares about it
-likes bunnies a lot.
-allergic to pollen. severely. he walks outside in spring and is already sneezing and rubbing his eyes
-Frustrated easily
-Looks pissed when hes not, looks pissed when he is. looks pissed when hes sad. looks pissed when hes thinking. the only time he doesnt looks pissed is when he looks happy and that is very rare (and never happens around his kids, only henry)
-TIGHT HUGS.
-Buys his kids gifts but its always stuff they either dont like anymore or didnt like int he first place. he doesnt care
-secretly likes thanksgiving a lot. hes a foodie what can i say
-lizzie is his favorite but that only means he is occasionally gentle with her in a way he'll never be with his sons
-likes dressing up fancy but als freaky he just likes dressing up
-poses in the mirror to check his outfit. michael walked in on him once and william has never yelled at him so muhc in his life. michael acted upset but he was giggling to himself
-does not and will never care about whatever michael and evan have goin on. he does NOT have time for them.
-drops and breaks his phone ALL THE TIME.
-likes stress balls a lot.
-springbonnie is his BABY. he LOVES HER.
-grabs his kids by their heads a lot. like if michael is in his way he'll just put a hand on his head and move him off to the side. the only one he cant do it to is evan because he just moves out of the way
-has a bunch of tiny robots of his own. he likes to make silly bunny robots taht r tiny
-thinks hes smooth wiht flirting and could grab a girl (he cant henry knows he cant)
-sticks his tongue out like a cartoon character when hes thinking SUPER hard
-pats michael on the back a lot to lighten a tense situation but it just makes michael tense up and makes it worse
-giggles evilly
-used to be queasy with blood and spent an hour in front of a mirror post-killing charlie telling himself to man up and somehow that worked
-not a hugger. only hugs his kids in public to lighten the mood. except mike. mike u get awkward back pats
-doesnt like being touched (he WILL smack your hand)
I THINK THATS ALL LMAOOO I HAVE SO MANY
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the-kipsabian · 4 months
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Kip Sabian.
Please go off.
anon i respect you so much for this but i hope you know what you have just done LMAO
tl;dr - hes absolutely perfect in every way possible. love of my life
hes just.. so innovative. his character work is absolutely fucking masterful, no matter which one it is. all of them are so delightfully different from one another but you can still see the same man behind all of them and thats just talking about the range of the character work and the clear work and effort he puts into everything he does, be it just the characters themselves, the promos, in-ring work, anything. he always goes all out, hes creative as hell with them (name me one other person that gets over with a box on their head i dare you) and it truly shows how loving and passionate he is about this whole wrestling thing and that he just absolutely gets it. also he just has fun with it and it shows. anything from cocky indie superbad to coward best husband superbad to boxman to whatever the cringe failure era was lmao and now the sex idol. he just does it all and he does it flawlessly and i will throw hands with tk if he doesnt capitalize on this man soon i sWEAR TO GODDAMN
his in-ring work is incredibly good. watch literally any sequence hes ever had with orange cassidy and you see what i mean. hes improved from that too (since the last one of those was a quite long while ago now), he can hang with pretty much anyone. i like it the way he says it himself, he can literally make anyone look good and no one has ever complained about having to work with him in the ring. which says a lot about how good and talented he is imo. he can do it all, be it more grounded moves or recently hes been doing a lot more jumps and top rope moves which! exciting!! cause it just adds to his arsenal and shows off that flexibility even more and its just so insanely good. like fuck man if you can get someone who can hang one-on-one with someone like vikingo like he did a few weeks back, thats a fucking keeper. dont you dare forget that
im not gonna take this moment to talk about his promo stuff cause i will literally be here forever. watch this and get back to me later about why im right that hes incredible at this shit with the tone and again character work and just overall presentation. even if its now a bit more comedic with the sex idol, its still an absolute delight. also i could listen to him talk forever, he has my favorite voice in the entire world and his accent is delicious and good fucking lord
PRESENTATION. hes just really fucking hot okay. i thought he was cute before but my god. the hair, no matter the version, on point. the eyeliner, gorgeous. nail polish, good lord (he needs to bring it back tbh its been a while). the outfits, holy shit i cant say words. i have done an extensive gear study to show how truly insane he makes me about his looks, not to mention the goddamn casual fits/suit game. jesus take the wheel. his smile is fucking out of his world and the laugh lines he gets are maybe my favorite feature on any human ever. hes fucking delicious and what of it
also arms. i dont think i need to say anything more i have also turned into a back admirer girlie (gn) because of him so like. uuuuuh
AND THEN. hes just a fucking delightful human being in general. is he stupid and cringey? yes, but arent we all. it just shows how human he is. just like us. ive so many times wondered how if we lived on slightly different timelines, we might have genuinely been friends cause he reminds me so much of guys of the same age that i know and im friends with. like we would have meshed pretty well together if circumstances were different lmao. that just shows me how genuine he is tbh. hes just fucking nice, hes very supportive, tries his best to be a good ally (i have both seen this and have first hand experience on it so dont @ me saying im wrong or its performative, i have way too many cases to prove that hes fr fr) and.. yeah. ive never heard anyone that actually knows him say anything bad about him. he has his flaws, obviously, cause nobodys perfect, but he makes up for it with what ridiculously good he has in him. this is a man with so much potential and love to give to the world both in his personal and professional lives and hes just needs his chance to shine so fucking badly, in all areas of life
im gonna stop now before i get too emotional but. yeah. he means fucking everything to me 💜💜
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crunchchute · 4 months
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need to know when exactly hw2 is taking place so that i can work it into my headcanons cause right now its just not fitting at all. a lot of "..unless?" but i wont know until i get the timeline (more under cut i guess. spoiler territory ahead 🚨🚨)
also i had 6 hours of copium for my sleeptime. if youre a hater just take this as if i was pulling this out of my ass, unless you agree, in which case youre welcome to comment or. nod in agreement.
so how does this help wanted economy affect the fazcoin?
but no for real now. to preface im very forgetful when it comes to fnaf lore and i sometimes miss some plot points and many times they affect my headcanons (once i remember them) but i cant check everything. im just forming my own little timeline with my own ideas i guess, but i still want it to be canon adjacent So!
i believed that its taking place post SB, pre Ruin. which i was super happy with as i was worried it would be pre-SB and not give enough lore that i crave. however, just as ive seen some people say, this didnt help with the lore much, and it just got more confusing for me. still a fantastic game but from a lore point it doesnt give us anything too big or a conclusion (well. maybe one) i also saw people say its post ruin, which i dont agree with but i would agree with during ruin. (when ppl say cassie is the player, i dont think so, need more arguments) its unclear once people bring in other arguments than the obvious roxy's mask or the state of the pizzaplex. but basically as an afton believer its hard for me to work around this, but i will try. never back down never what?
so my hc is iykyk, scraptrap->man in the room->ghost/amalgamation->latching onto tech and the mimic in the form of glitch and burntrap->mimic "shedding" him->wills ghost forming mxes; it also works without the frights books but the afton amalgamation and everything around it is too cool to not use. i fucking love ruinborn afton graaaaah *tears shirt apart* i also liked the idea of his spirit shattering and a piece of it forming glitchtrap for years, and i believe it can coexist with mimic, i think burntrap was real and is both mimic and afton.
now. this game. really messing it up for me as glitchtrap existing post or during burntrap just doesnt make sense, i dont want -trap multiples or something (sounds like the years old 2-3 purple guys theory lmao) but i will look into it as glitchtrap and mxes connection..? honestly, i really expected getting to see burntrap here (or at least mimic shown). was burntrap like retconned or something for real??? also still dont understand when people say burntrap isnt the mimic or whatever. no, it is, just with something a little extra on. and that extra is again, wills ghost or remnant or whatever you wanna call it, symbolized by the bonnie parts on his endo, but theres also flesh so yeah, as funny as it sounds i fuck with the afton homunculus growing over mimic theory. its stupid enough, he would do it.
but i wanna focus on mxes, i knew we wouldnt see the entity in the game, didnt expect it. but i also didnt expect the system to show up, which it did, but obviously not the entity yet as i believe they were formed only after burntrap has been "scooped" by tangle (comparing the scooper mimic ending and the burntrap one as a parallel) i just dont understand how glitchtrap is in here. thats the thing i cant figure out! this is 100% post SB so at that point glitchtrap is just gone. how did we get him back now? only ends up with me reaching with like MEGA SPOILERS the vanny ending crushing glitchtrap being a metaphor of her locking away or deleting the code. extreme reaching would be stuffing it into the mxes system where glitch would turn into the entity. but thats way too loose, but ive seen many people call the mxes entity glitchtrap, which doesnt even work with their theory that glitchtrap is mimic, because the entity is obviously not the mimic. like you have to consider this too, not just mimicmimicmimic but then agree that a glitchy rabbit is similar to another glitchy rabbit
lost my thread of thought. and thought of how this all is just, an end to glitchtrap era and only mimic in the future. well.. without an evil rabbit, fnaf will lose its charm for me, i dont know if vanny!cassie would save it for me, i only want wiwi. more wiwi, no mimi *starts glowing red and then explodes* anyway its not that bad. as long as i get to see the mxes entity again i will be good. and as long as im right about the clickteam game, i will be happy :D
also im intrigued by the fallfest showing up again, i really want to see how the maps look and look at all the details.. but in general the area is either underneath or next to the pizzaplex, the body of water in curse of dreadbear imo is the same as the underground water in ruin and hw2 to me confirmed that it truly is all in one place (goes nowhere with this). i love how the hw2 hub is in the pizzasim building. also, another thing, need to check it out again but i want to see if scrap baby is in a vr level or reality so i can theorize about scraptrap, as in, if at least tangle and scrap baby are still around and real in the plex, it would make sense for scraptrap to not show up because he has gone through digitization /j you know the whole pipeline. and so on and so forth
anyway im gonna pet my dogs and maybe read tse and then get back to hw2 in the afternoon. just getting this out of the system and my brain
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gin-juice-tonic · 4 years
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i come up with a new idea for another ghost train video like twice a month
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words-for-holland · 3 years
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Always Yours
Pairing: Tom Holland x Reader
Summary: Sometimes dating a celebrity is hard...but Tom & Y/N have always said no matter what happens they could get through anything. Some angst but a lot of fluff.
A/N: So sorry for leaving yall hanging! Life is just crazy right now and this blog needs a lot of TLC tbh!! Also ehh I def dont think this was my best work but enjoy?
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“Oof” Y/N lets out as she plops on to her boyfriend who was lying comfortable on the couch. Tom groaned at the impact with a cheeky smile on his face, his arms instantly wrapping around Y/N’s frame.
“Y’know..there are empty seats right there.” The soft brown-eyed boy gestured with the flick of his thick head as Y/N raises her eyes looking down at him, pretending to be slightly offended.
“Oh I see how it is then. It’s cool...Ill just cuddle with Tessa instead. I know she would welcome me with open arms instead of—” As she slowly starts getting off his chest, Tom is quick to pull her back in, securing her with his strong arms. “No baby, I was just kidding. I want you right here, and Im never letting you go.” he pleas.
The only thing Y/N could manage was letting out a fit of giggles into his chest, a sound that Tom adored and would do absolutely anything to hear every minute of every day. They stay like this for a while enjoying the feeling of each other as they both run their hands into each others hair, the feeling of their chests moving up and down, the subtle thumps of their heartbeats, and the little slips of adoration that came out of their mouths. It was peaceful. A moment that nobody could really take a way because it was theirs.
Y/N casually pulls up her phone, and scrolls through Twitter when she noticed a particular tweet on her timeline. Her eyebrows furrow, as she read the 160 character message.
Why Tom Holland Should Be With Aaliyah Cole and Dump Y/N: A Thread.
She knew it wasnt a good idea to open up the thread. She knew very well that everything within the shallow string of tweets would be a complete waste of her time because it was made up by fans who just wanted to satisfy their fantasy of shipping Tom with his co-star. Who can blame them? They always had great chemistry, but it was part of the job and thats all it would ever be.
“You’re awfully quiet.” Tom murmurs, as he places soft kisses at the crown of her head. “Whats going on?” She was lucky her phone was facing away from Tom, quickly closing the app and pretending to be on one of her many tabs in Safari.
“Mmm..nothing.” Y/N lies softly, a tight-lipped smiled plastered on her face.
“Absolute bullocks. Youre not a very good liar.” He chuckles. “Tell me darling. Whats on your mind?”
Y/N rolls her eyes in response. She’s heard that comment one too many times in her life from everyone shes known. After not giving it much thought, she gives in, sighing heavily. “Dont judge me for what Im about to say.”
“Mmm...I think it might depend on wha— Ow” Tom reacts as he playfully rubs the side of his chest that Y/N hit. “Okay too soon for jokes. Go on.”
Again, Y/N sighs as she props herself up. “Its just ... well a lot of your fans keeps talking about wanting you to get with Aaliyah.” She looks down trying not to make eye contact with Tom, who she’d imagine was looking at her with annoyance.
Tom rolls his eyes at the ridiculousness. Not so much at Y/N but the fact that some of his fans just didnt want to accept the fact that he was happy with Y/N. If it had to come from his mouth to stop the stupid rumors and give his girlfriend peace, then hed gladly yell it from the rooftops for everyone to hear. “Thats it Im making a statement about it.”
Y/N’s eyes widen in fear, scrambling to prevent him from grabbing his phone on the table next him. “No no no no.” She repeatedly declines. “You’ll only make it worse.”
“Darling, Im not going to stand here and watch you get all insecure because of their delusional ship.”
“Yeah well Im not gonna be the reason your fans hate me because Im getting in the way of your friendship with Aaliyah Cole.” She fires back.
Tom was ready to open his mouth only to be cut off once again. “And you know better. That is how your fans will always see it.”
“Okay, are you done?” He calmly asked, cautiously observing her. Rarely did Y/N ever get worked up about anything, but when she had her tangents, Tom always made sure she got off everything she needed to say before he becomes her voice of reason.
“Yeah, I guess.” she says feeling defeated. “Look its whatever and Im tired, can we just let this go and forget this whole conversation even happened?”
Tom was unconvinced, but didnt want to push her further. So reluctantly, he gave in and wrapped his arms around Y/N as they both tried to lull themselves to sleep.
***
Y/N wasnt sure how she ended up in the Tube. It was strange how the lights flickered off the rusted tile floor. The train was no where to be seen, but off to the side of the railroads was pitch black, she could hardly see beyond. To her right she noticed herself standing in the corner of the room, and to her surprise Aaliyah was there. Her milk chocolate kissed skin, and fashionably long frizzy hair dropped down past her shoulders. Her figure long and poised, as she wore a rain jacket and sweats. An outfit only she could pull off and make it look like she was a model for Vogue. Aasliyah smiles brightly at Y/N.
“Hey Y/N.” She says cheerfully as a genuine friend would.
To Y/N’s surprise she greeted her back in the same tone. “Hey Aaliyah...uhh whats going on?” Y/N wasnt sure if she wanted the answer of how they both ended up in the Tube or if she truly wanted to know how her day went.
“Well Im getting ready to present at the Oscars.” She replies, a smile plastered as if she was so excited about it, almost too excited like she was keeping a secret.
“Really? Oh my god, that’s amazing! Im so proud of you Aaliyah! Who are you taking?”
Aaliyah pauses for a few moment looking back and forth, making sure no one else was around. “Okay can you keep a secret?” She whispered.
Y/N nods her head slowly, not having the slightest clue of what was going on. “Im taking Tom. I think he really likes me, and well...I like him too! Do you think maybe I should ask him when we go?” Aaliyah asked genuinely. It was almost like she had no recollection of Y/N and Tom being a couple. “I think we would look good together. Everyone is already making rumors and ships about us.”
Y/N backs aways lowly only to bump into a broad figure. As she turns around she sees Tom, emotionless and almost sad. “Y/N.” He speaks out. “I dont think this is going to work out. Im leaving you.”
Y/N’s heart quickens, and her breaths become shorter as she tries to find a way to run. Running and running into the darkness, until all she could hear was Tom’s faint voice calling out her name.
***
“Y/N! Y/N! Baby wake up please.” Tom cries as he gently shakes his girlfriend from her disturbed sleep.
Quickly Y/N opens her eyes and clutches on to Toms hoodie firmly. Back home, and in Toms arms. It was a dream was all she thought. A sigh of relief escaping from her mouth.
“Darling...” he speaks softly, worried about his girlfriend. “Are you okay?”
Y/N looks up at him and nods frantically. “Mmm..bad dream.”
“Yeah it seemed like it. You were so frightened...I was scared. What happened?” He’s looking at her, trying to read her saddened eyes, wanting to desperately understand what scared her so he could make it all go away for her.
Y/N looks down at her fiddling hands, as she sits on the couch. “I uhh...” she lets out a chuckle, thinking of the ridiculousness of it all. “I uhh...dreamed about Aaliyah going to the oscars and saying how she loved you and how you two are perfect for each other. When I turned around I saw you but you werent happy and said you were leaving me.”
Tom doesnt say a word, all he could think about was how sorry he felt to put Y/N in this position. Though both of them knew, It wasnt Toms fault, or anyone’s for that matter. Feelings are feelings and that was okay. No human being was ever born perfect and without insecurities.
Y/N always tried to be a good sport with situations like this knowing every shippers theory and evidence were hardly ever true, but at some point there was only so much she could take before it all came out like an oil spill. Maybe it was a sign that she wasnt good enough to be with Tom if half of his fanbase thought this way as well.
Tom cradled her into his arms again, holding her tightly and kissing the top of her head. “Darling, I know youre still doubting yourself about all of this, but please believe me when I tell you that I love you so so much and no matter what happens...Im always yours.” He whispers gently in her ear. “It was only a dream and these ridiculous rumors and theories are just that. No one woman in the world could ever make me feel the way I feel for you.”
Y/N blinks softly, as she stares into space. Afraid and in a weird way ashamed, its funny how something so small and so minimal could affect her self-esteem so greatly. Tom gently brings her head up, so her eyes can meet his. He rolls his thumb on the bottom of her soft lips. “Hey, I love you.” Tom smiles.
Time stopped for the both of them the moment Y/N looked into his eyes, she felt safe. All the bad words and thoughts slowly disappear. Tom was right, none of the things that anyone said about their relationship mattered. She knew Tom loved her, and how much she truly loved him. Isnt that enough? Of course not. It was more than enough. A smile slowly forming on Y/N’s face. “Theres that smile I love so much.” He comments.
“Im sorry, for being such a —”
“No. Its okay. You have a right to feel the way you did.” He picks up her hand and leaves a gentle kiss.
“I love you so much Tom.” She says pressing her lips to his. “I dont deserve you.”
“Darling, its me that doesnt deserve you. Im always yours.” Tom proclaims as he kisses her back.
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bean-pole-art · 3 years
Text
Ed’s Borderlands Fics Masterpost
well finally
here is the masterpost of all of my Borderlands fics posted. most of them are Rhysothy focused to various AUs. I’m gonna update it as I post more but here it is, along with some of my commentary
right from the start big big BIG shoutout to @spoks-illogical-art​, my partner in crime, my biggest inspo, without them honestly most of these fics wouldn’t exist, please check out their amazing art <3
(latest edit - 21/02/2021)
Atlas AU - our main timeline, follows events of Moxxi’s Heist. lots of different concepts and ideas but the core really is Tim moving to Promethea to get help from Rhys. gonna sort em here with posting date, check the ao3 series for the “timeline”
Hypothetically - 2240 words summary: Rhys talks a lot, but usually thinks about it too little.
coffee, cats & monographs - 2880 words summary: “Hey hey, easy. You don’t want to repeat the accident from last week, do you?” Rhys cooed towards the cat and picked her up, just as Timothy instructed him to. Hearing these words, Felicity meowed. “Oh, don’t say that. This is my office and I have the power here,” he answered, carrying her back to his personal space.
Or Timothy's cat pays a visit to Rhys' office in the morning. note: I am a stupid mofo and at this point Tim would also have Loader Bot fkjbfd just imagine hes not mentioned cause hes wandering off, typical LB
Have Faith - 1470 words summary: During the 7 year lockdown at the Handsome Jackpot, Timothy couldn't really have any hope for himself. But maybe on Promethea it could be different. note: sudden feelings while watching JoltzDude139′s stream
Warm Cheeks, Cold Hands - 1170 words summary: Rhys comes home early and wants to say hi to his husband. With no ulterior motive. None at all. note: first fic Ive ever posted where characters are married, actually. fuck it, Rhysothy Real, his name is Rhys Lawrence
the battle (and the aftermath) of the ages - 2970 words summary: In a situation like this everything was possible, they could pull any punches they could think of. Four beasts playing against each other, every single one of them thinking of striking the winning blow.
Or Promethea Squad plays UNO. And then watches a movie. note: I love Promethea Squad with my whole heart
okurimono (贈り物) - 4/4, 17170 words summary: “Not a bomb. Just a device with a message for Rhys. Trust me on that,” this time an emoji of both winking and showing off a tongue [;P] appeared on the surface of Zer0’s helmet. Ah. So they were definitely trying to mess him up. In a way. Unfortunately, he really didn’t have any other options. Almost with a defeat, Timothy took the ECHOrecorder right from their hands and looked around it again. Or Zer0 gives Timothy a peculiar mission. note: my first ever multichapter fic. took me legit abt 8 months to finish but I am absolutely satisfied with this. also the bonus ending. yes
(there is) something I see in you - 8690 words summary: How one Rhys Strongfork met one Timothy Lawrence and how they fell for each other. More or less. note: best to go into this one blind, I swear. dumbest fic Ive ever written and please take this as a recommendation
this world is gonna pull through - 14380 words summary: Timothy really hoped it wasn’t anything important. He had that tendency to forget things easily, even if he tried to fight it. But Rhys kept on smiling and went by his side. So it couldn’t have been that bad. Still dumbfounded, he felt Rhys leaving a kiss right on his cheek.“November 11th? 
That- That seriously doesn’t ring any bells?” Rhys continued, brushing his hands against his shoulders. Or how Timothy spent one of his birthdays. note: also a love letter for Tim but a nicer one I guess kdjfnb dont ask how old is he i have no gdamn idea man
Strawberry Sweet - 3560 words summary: Rhys surprises Timothy with a gift for their date night in.
Happy Mercenary Day, Mr. Lawrence - 4670 words summary: How Timothy spent his first Mercenary Day on Promethea. note: I swear this is the best writer night Ive ever had. Ive written this whole thing in one night on Christmas day, solely on the inspo of that song I linked
Don’t Go Wasting Your Emotion - 4/4, 17080 words summary:  Afterwards, he went around with his usual duties. Getting a quick roundabout from his PA, checking several sectors himself and looking through the thousands of messages already sent to him via ECHOs. Rhys was ready to finally take on the day, yet when he made his way to the office, he saw the unusual envelope right by the edge of his desk. “For Rhys” was written on it. Straightforward enough. Or Rhys gets a letter from a secret admirer. note: another multichapter fic!! this one also took some time and well. its inspired by ABBA songs. cause only I would write a Rhysothy fic inspired by ABBA
Ratchet Effect - 7130 words summary: Knowing just how much overworked Rhys has been, Timothy wants to let them have a nice getaway in Lazy River Land. There's only one problem to overcome - ratch infestation. note: first fic of 2021!! Ive been playing a lot of bl3 suring the writing of it so it has a lot of stuff I had observed both on Promethea and on Jackpot
Reflections - 2250 words summary: Sometimes, Timothy needs a reminder.
Tales AU - second most important timeline. it’s Tales but Tim is a part of the group. sorted chronologically
A Story For Another Day - ongoing, for now -  2/25, 15280 words Tales AU main fic. it’s gonna be a big one
Connection Interrupted - 3240 words summary: With his driving shift finished, Timothy checks up on Rhys and Vaughn's plans.
Completely Hopeless - 1040 words summary: In which Fiona notices that Rhys behaves differently in front of a certain doppelganger.
infinity times infinity times infinity - 3460 words summary: Rhys and Timothy share some dreams and secrets underneath the stars. note: the beautiful combination of Sleeping At Last and Minecraft parodies. I promise it makes sense
reality can be whatever I want - 11420 words summary: “Hey, Tim?” Timothy didn’t even spare him a look, “Are we alone, or is he there with you?” Oh, this definitely won’t be pretty.
After the confession of Handsome Jack's AI in his head and his plan to infiltrate Helios, Rhys needs to set things right with Timothy. Somehow. note: thanosdancing.gif to Backstreet Boys’ “I Want It That Way” 80′s remix and a guest appearance from Ferocity but I cant legally say her name here
still here - 2820 words summary: It all had to go down, after Helios crashed. note: I have...a love/hate relationship with this one kjdfbfg I like it but it’s honestly an alternate ending and doesnt fit within our usual bad ending, so take it with a grain of salt. i ten jebany błąd językowy w summary, kiedy ja go poprawię
together at last - 5590 words summary: It all struck him down in an instant, in this one minute. They were all safe. And they were all alive. Nothing was threatening neither him, nor Timothy, nor Fiona. He could finally breathe out.
They all found each other again. note: I am multitasking most time of my life but I dont relate any other fic to multitasking more than this one. I was honestly doing 10 things at once while writing this dfkjbndf
David AU - this one is a sub AU to Tales AU and the plot is kind of complicated dfjkbfb please check the fic for further explanation
building in curved lines - 22490 words summary: “To be fair, you look terrible. You’re barely standing in one piece and none of your coffees will hold you together for that long,” Lilith paused, seemingly weighing the correct words in her head. “You haven’t really been holding on since… We rescued The Double.” Rhys sighed heavily. Why did she have to be so right about everything. Or how Rhys and Timothy adjust to the reality after the Handsome Jack AI. note: bday gift for Spok, EASILY one of my absolute faves and the longest fic Ive written thus far
outside of AUs - some concepts I play with that are honestly outside any of our concrete timelines/concepts + fics not focused on Rhysothy
Real - 770 words summary: Reconciling with your past is a little easier, when you have someone you love right in your arms. note: first blands fic I’ve ever written. the characterization isn’t really there yet but as a first shot at the game and my kind of “introduction”, I am still satisfied of it
(Un)Familiar Faces - 9620 words summary: Timothy pursed his lips and leaned over the wall a little. He’s had enough of this solitude of closed doppelganger cabinet. Today wasn’t the day for another self-loathing session. Today, he should go off on Helios and do something for himself.
Or Timothy spends the night at a Helios bar. But not as Handsome Jack. And not as Timothy Lawrence either. note: personal favorite of mine, tough love letter to Timothy Lawrence. I have so many fond memories of writing this, including getting drunk out of my mind just like Tim and Rhys here
basics of survival - 2010 words summary: Athena taught Timothy everything he needed to know about survival. Now, it was time to put these skills into use. note: wrote this right before rona outbreak on last day in my dorms. thats all
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juni-ravenhall · 3 years
Text
my opinions on mistfall!
under a cut bc spoilers and/or not everyone wants to read :D 
overall experience: 
its fun that there IS a sso cartoon now even if its not exactly amazing quality, and im happy to see if there will be more series or movies after this. it was fun to watch and see sso things in cartoon form too and i wish that we had more already (of sso animation in general). imagine if there had been a ssl cartoon? i also kept thinking throughout this, that it wouldn’t be hard for me myself to make an animated series with around the same length episodes and in a similar quality to this (aside from voice acting and music production), which made me feel a little inspired.
favourite scene:
skye taking photos of blaze and hanging out
positive points: 
i like the background art a lot, i think the style of it, and the colour schemes, helps give the series a specific vibe that fits for an sso series in my opinion. 
i like the concept art (i assume) illustrations which we saw in the recipes and other posts on sso ig, i think it looks a lot better than the characters in the series, but thats normal for concept art!!
the music is really good quality (whether or not its your taste, the quality is good) which is ofc bc its sso - theres already good music and not something they only did for the cartoon but something they care about in all of the starstable media. 
i think skye is a nice character (despite the series’ overall low quality writing) and i like her design. i also think rania’s cartoon design (visually) is cute.
skye and rania being a teensy bit gay (minus points for sso if they dont end up really gay in later canon)
i like that blaze wasnt actually like... mean or anything to skye, and i like that shes a mare since typical stories like this usually have stallions. but i just like that there wasnt really any “ooh difficult horse” things between skye and blaze in the current time of the story, blaze actually was sweet to her most the time. blaze seemed pretty charming whenever there wasnt “omg fire” drama. 
the animation itself (not meaning the details of the drawings or scene timing, just the actual frame by frame / puppet movements) was fine! not amazing, but absolutely fine.
points i have constructive criticism for, which doesn’t mean that i expected more from the series, but that we’re all allowed to discuss the quality and our opinions of media regardless of the target audience, budget, etc:
the writing was childish and rushed - this is not to be rude, but a matter that affects a lot of “media for girls / kids”, and a topic talked a lot about by Lauren Faust (creator of the FiM reboot of MLP) who wanted to show that a show about rainbow ponies “for little girls” didn’t have to be badly written, and could be engaging and interesting. if you watch the older MLP cartoons and compare to the first season of FiM (where Faust was still on the team) you can see a huge difference in quality of the storytelling, characterisation, etc. Mistfall, so far, did not subvert any expectation in the quality of what typical “cartoons for girls” are like, and is reminiscent of stuff like “The Ranch” (french horse cartoon) which imo is so bad that its hard to watch. (and ofc... that goes for a lot of “cartoons for girls / kids”, but doesn’t have to be like that.) in order to improve on this, the writer has to study more on storytelling and study from better writers.
on the topic of being rushed: no, it’s not an excuse that the episodes are short: - you have to ADAPT your storytelling and writing to the length of the episodes, not do a bad job and blame the episode length. being able to adapt to different types of media is a necessary skill if that’s what you work with. this comes down to proper planning and structuring the story and writing in a way that works for the length of the episodes. i don’t think that was overall done well here (at times it was okay), and bc of that, it feels rushed and has exposition thrown in your face instead of being shown through better storytelling. the classic thing with exposition is “show, don’t tell”. this is what the writers/directors should study, or pay more attention to. 
the timing (length of shots, length of scenes, or parts of shots, etc) was rly bad at times and overall unimpressive - this comes down to the skill of directors and editors. to improve this they have to study more on the topic. bad timing and pacing can really ruin a good scene or a good story and make it feel disconnected and hard to immerse in for the audience.
the artstyle of characters and horses is fine at times, but appears very low quality at others (skye’s childhood scene really bothered me bc her kid-self had really badly drawn eyes in my opinion). this, like everything else on this list, is ofc something that appears in almost every single “cartoon for girls” that ever existed. to improve on this, most likely it’s not a problem with the artists but with the budget and the production timeline (allowing the artists more time to produce better quality art and animation), and it can also be a problem with the art direction, if the art directors aren’t very skilled or experienced (i don’t say that they aren’t, im just giving examples of what could cause these problems.)
the character design for all characters that aren’t skye, rania, or blaze was very lacking. none of the not-main-3 characters looked interesting or fun to look at, they looked very dull and like the most boring NPCs you could think of. even though its understandable that the mainest-main characters would have the most interesting designs, that doesn’t mean everyone else has to look that boring. this is an issue with art direction or character design. i think most likely there was just very little time (equals money) put into designing the other characters.
the horse design could be improved for a cartoon that focuses on horses this much. like, horses are a big part of the selling point here, so make sure that their designs and art/animation is good. at times even blaze looked awkward and uninteresting, as did the other horses.
“alonso” looks nothing like sso alonso and i don’t like that they used his character if it’s not going to have anything to do with him. they should have given this character a different name if they wouldn’t make him seem like he had anything to do with the sso character aside from being a male ranger. (also in the game he’s like 22 or something, skye is 15...?)
why did they add a “he’s cute” dumbass fucking stupid hetero comment for literally no reason other than adding a dumbass fucking stupid hetero comment?
considering that they “can’t confirm whether a sequel is happening or not”, it seemed very meh to throw in druid cult magic stuff and not really connect to it and now the series ended? you would have expected to find out more about the cloaked people, the runes, the magic that the ranger guy did, and blaze’s magic in general, and skye herself, why her mom is “a witch”.... thats a lot to throw in while saying that you can’t say if there’s a sequel coming to answer all those questions. (it wouldn’t have been a criticism from me if they said “we’re working on season 2″ or “there will be a comic book that continues the story” or anything that told us that these questions, in this particular iteration of a story in jorvik, will actually be answered. - and i assume they ARE working on the continuation of the story, but i dont agree with that they’re not upfront about it, when they left so many questions unanswered.)
at times rania’s blindness was handled stupidly and i think they should have gotten more consultation from actual people with visual impairment, but i think its still good to HAVE a blind character in the main cast and that it’s not a big dramatic story thing but just an everyday thing. at some points it was fine though; and i personally don’t think the scene with rania being able to see blaze was necessarily a problem - because - a lot of blind ppl can see sharp contrasts in light and dark, and this seemed relatively realistic to me when blaze is on fire. (however, the way it was drawn as if she could see the whole shape of blaze and skye could be criticised for sure, and makes it feel more like “i can see because of magic” and not “i can see bc THIS MARE IS ON FIRE”). 
personal opinion which i said before, but i don’t think rania’s voice fits her at all, and it’s not the voice actor’s fault (i’m sure they’re lovely) but the casting and the directors. from the sso character, rania would seem a lot more lively, quick and adventurous, and not as calm and gentle as she appeared here. she seemed a lot too sort of motherly or just adult, instead of an adventurous teen who runs off on her own to do whatever she feels like. compare in-game rania going “MC, thats a jorvik wild!!!” and alonso going “stop talking nonsense” (paraphrased), to Mistfall rania going “jorvik wilds are really rare...” (calm, sort of disinterested, doesnt seem like she cares that much about adventures)
the voice acting overall was meh. i see this as a direction problem, not an individual voice actor problem (and the writing didnt help - it’s hard to provide good quality acting with a poor script unless you can just toss the script aside and improv, if you have good actors). it felt childish and uninteresting at most points and generic low quality for “cartoons for girls”. from a voice acting perspective i think skye had the best result. anyway, the way to improve this is for the director in charge of voice acting to not direct the actors to perform in this childish manner. (again, refer to cartoons with better writing and better voice acting, that have a very similar target audience.)
ok, i think that was everything that i wanted to write about for now, might think of more later lol
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voidselfshipp · 3 years
Text
The Forgotten Revolutionary
Cw: food, alcohol, dysphoria.
Ok to rb
Part 1 here
Tumblr media
The week passed, jerico sighed looking at herself in the mirror, the beautiful yellow dress with the tight fitted jacket made her look absolutely beautiful, the Neighing of horses meant that the carriage sent by Alexander had arrived.
During the ride there she stares at the passing buildings, she wondered how Many of her there were out there.
Attracted to both (or more) genders,feeling different every day, what was the chance that there were other people like her?.
The stable boy pulled the horses in the stable and jerico Walked to the entrance of the Hamilton residence.
The music played softly, jer made her way across the crowd Spotting Hamilton in the distance.
She quickens her pace-- jerico! Glad you could come!--Hamilton hugged her tightly, a little more tighter than a normal guest-- was the ride here smooth?
She nodded-- yes it was, thank you for inviting me
Before he could say anything, laurens,lafayette and hercules walk in bolting to their friend.
-- bonjour madame-- lafayette said kissing jeris knuckles-- nice to see you here
She nodded --Its nice to see you all here too
Alexander scowled-- im sure you must be hungry, the buffet is over there in the diningroom,if you dont know the way ill go with you
--Look at Alex wanting jerico for himself-- laurens teased.
Jer rolled her eyes with baby Pink cheeks-- if youll excuse me gentlemen
She bowed and Walked over to the dining room, she spun around admiring all of the little details in the building.
She could spend hours admiring the place, If only she brought her art supplies.
Jerico grabs something to eat sitting on one of the Chairs.
The people around her mind their bussines, her leg bounces drinking from her wine.
As she finished her food the familiar yet unpleasant feeling in her stomach,she stands up running outside with her breath quickening.
SHe hides behind some bushes and holds his head.
Jer tries to take deep breaths wanting to rip this dress appart.
No, this wasnt his clothes, his body.
-- jerico...are you okay? -- hercules sat with him.
--Y yeah im fine
Her raised a brow-- uh-huh...whats up-- he takes his hand.
-- Its nothing!-- he tells him, he couldnt know!, no what would he think.
The tailor grabs him by the arms, he stands up and runs away jerico quickens his pace trying to get home before the sun fully sets.
-- wheres jerico?--Hamilton asked.
--She went running away, she seemed upset...
Alexander sighed-- ill write her in the morning, I hope shes okay...
Jer crashed his bed with tears running down his bed, he took off the dress hiding it between his other clothes.
-- this body doesnt feel right
clutching my bones tight
smash the mirror into pieces
this is not me either
i cant scape it
This feeling in my belly
this is not what my bones tell me-- jer peeked his head from his window-- i left her there just as I arrived to that ball
and left him with uncertainty
and confusion Among them Will spread
tomorrow Will tell me how bad I set the stage last night
i dont want to be awake right now
the covers call my name
tomorrow Will be another day... -- jer blows out the candle and curls up in bed, the only thing visible was his head.
The Next day they drag themself out of bed, making breakfast feeling miserable.
After eating they Open up their closet, looking away from the yellow dress.
He grabs his shirt and pants, pulling his hair up hiding it in a beanie.
On his way to work he munches on a toast, feet dragging on the stone-y roads.
For most of the day he does nothing, he didnt feel like painting today.
The bell rings as none other than hercules walks over to jerico.
He panics, thanking god he didnt recognize him like this.
--Good afternoon gentleman-- herc said-- im looking for this New set of paints, they are for fabric, im working on a dress for a friend
"Lucky gal"he thought-- I think we have some paints like that, let me check the storage
He walks towards said storage rumminshing through the boxes.
Hercules freezes, his eyes had wandered down to jericos butt, for a Man he had a very big one, his cheeks turn Darker for a moment.
What...what was this New feeling he had? He couldnt be...
--There we go!, okay this arrived yesterday-- jer said plscing the box infront of him-- twenty dollars
Herc almost melts when he saw him smile, he fumbled with his money handing it to him-- Will I...see you tomorrow? Because im tight on time and I need some other stuff too
He nodded-- maybe, depende really, tomorrow my twin could come, shes very nice, Whatever you need tell her tomorrow
Herc nodded and grabbed his paints walking away.
Jer giggled at his clumsiness and went into his art studio, wanting to paint something.
At night hercules went out drinking with his Friends,he downs his second glass of sam Adams-- I need to tell yall something...-- herc said gaining the attention of his Friends.
-- yeah Man what is it?-- laurens asked.
-- yknow the cute guy that works with jerico at the art shop?
-- yeah, thats her twin isnt he?-- Hamilton said-- his name was...lafayette! Yeah just like our french friend over here
-- well I...I might find him attractive!-- hercules slurred quickly-- please dont judge me!
Lafayette out of the nothing took out a flag,a magenta, purple and blue one-- we all Bisexual in this bitch-- he said.
Laurens tilted his head-- dude youll break the timeline, put that back
-- hey! Im just telling herc we all are bi -- the frenchman shoved back the flag into the nothingness.
Hercules lets out a sigh of relief-- thank god
For them the night ended happily as jerico kept on working on their painting
A Man pulling his clothes away revealing a woman who was trying to do the same with her dress while inside a box.
They closed up shop after that and went to bed.
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queenlokibeth · 4 years
Text
Alright so that audio resurfaced again. It's really old and it was sort of debunked and whatever. It's very suspicious that it shows up again right before louis' album drops; larries are a huge part of his fanbase, if they feel insulted they won't support him - this sounds like sabotage. Combine that with LTHQ suddenly not doing their job. There are many postd about what's possibly going on with his label, but i want to talk about something else.
First of, here's the audio: https://twitter.com/lwtkissies/status/1214036794066513925?s=20
So assuming the whole thing is real and what not, apparently this happened in late 2017. He only talks about larries and being annoyed that larry appears on his timeline. He doesn't actually mention harry. He has the perfect opportunity to deny larry but yet again he doesn't. It's weird how adamant he is about whether they are recording or not and never gets to say the "real shit" that happened.
Now, what's relevant here? The date. If you read my analysis here [queenlokibeth.tumblr.com/post/189660238311/alright-dont-punch-me-ill-start-by-clarifying ] (i wrote that a while ago, i didn't know the audio existed until 10 minutes ago. Also i cant actually link it bc then the post doesnt show in the tags sorry) late 2017 would overlap with a larry breakup. This also fits with the audio.
Imagine you just broke up for the second time with your long-term partner but since you always hid the relationship, you hide the breakup, so no one knows. And because of that you see your entire timeline covered in people shipping you... with your now ex. Yep that would be in fact annoying. He never actually discredited larry, he just said basically that people larrying was getting on his nerves. Which, in that scenario, understsandable.
Plus, what could the "real shit" have been, which he never got go say? Idk maybe "yo i'm annoyed because to be honest yes we were a thing but we broke up and seeing it on my tl everyday is unbearing".
Thank you for coming to my TED talk. Go buy Walls and stream the shit out of it.
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thegeminisage · 4 years
Note
hey liz i've been thinking a lot about story structure lately and i wanted your take on how you decide what structure your stories will have? i know there's that "you have to do what your story needs and tells you to do" thing but these bitches dont ever tell me anything they just multiply so. thoughts? - bma
(as an aside, i don't know whether involving medium would change many things but it may be worth considering. mainly i think medium is just a matter of arrangement and that the story would be for most intents and purposes the same no matter how you choose to tell it. i guess you could argue that structure is arrangement in itself and intrinsically tied to medium but i sort of feel like it is secondary arrangement, if at all? like if you consider time as an element to outline -- the time IN the story (how things happen to your characters) is not necessarily the time you’re telling the story IN (how you are telling your reader that things are happening) aka internal chronology doesnt equal your work’s pacing? or should it??? does this make sense? i dont think so. i am sorry.) - bma :|
NOOO dont be sorry ur making total sense
i think there’s 3 thots to unpack here (medium, structure, & chronology) & i’m gonna start with medium bc it’s easier. im also putting it behind a cut bc it’s gonna get just stupidly long and rambly. i’m sorry in advance if it’s not helpful to you, i have a lot to say for someone who has never taken even one single class on writing and as a result doesn’t know jack shit (there’s a tl;dr at the end dont worry)
about MEDIUM: 
so like ok i’m just some goof-off with a HS degree who writes fanfiction but In My Very Super Qualified Personal Opinion, i don’t think that most of the time medium is intrinsically tied to STRUCTURE of the main storytelling arc...i think the art of storytelling itself is distinct from the medium you choose to tell the story IN. this post puts it better than i ever could but basically for me, i feel like the story itself is sort of the raw, malleable concept, and the medium you choose to tell it in is how you convey the information??
like in a book, you can say “she forgot her keys” and in a film you have to show her smacking her forehead, heading back into the house, and swiping her keeps off the counter. you can’t TELL in film, you have to show. similarly i regret every day i cannot perfectly describe a facial expression with words when i see it so clearly in my head. for audio-only podcasts that are dialogue heavy out of necessity you have different limitations than you would for, say, animated music videos with no dialogue at all. games allow for more interactivity and exploration while sacrificing accessibility, tv shows allow for more length while sacrificing, uh, a big hollywood budget...medium affects the kind of story you can reasonably tell which is why some stories are better suited to one medium than another. i think trying things in other mediums is a good way to stretch your storytelling muscles but with enough skill nearly any story could be told in any medium. i think when trying to decide on a medium you just gotta weigh the pros & cons and what you feel comfortable with/what you think would be most effective/what would evoke the strongest reaction
re: structure:
firstly “do what the story tells u to do” is a little silly like...the story isn’t sentient. come on. that’s like “i can only write when the writing gods inspire me” there are no writing gods! inspire yourself! it’s all in our weird messed up brains! ok anyway.
this is, again, just how i do things, and i am 700% self-taught so take it with a grain of salt, but when i sit down and start blocking out a story from scratch i don’t...actually consider the big structure at all! sorry if that’s not helpful to you. i like to make a list of everything i want to happen, and then put it together in a few different orders to see what looks best. and when i’m finished, whatever i have just like...IS the structure i go with, with perhaps minor tinkering to make it flow more smoothly. (i think this might be in the same spirit as “do what the story tells you” with less bullshit and more Agency Of The Writer.)
for long and more complex projects, i actually usually have several lists - one list of stuff that is, for example, the Action Plot (the kingdom has been cursed, i’m tracking down my serial killer sister to bring her to justice, i’m running from djinn who wanna kill my dad, i’m trying to bring my dead not-boyfriend back to life). then i have another list for Character A & Character B’s romance or whatever. and maybe a even another one for solo character development (magicphobic prince learns to love magic, former werewolf hunter figures out his family is a cult, half-demon learns to embrace his own nature). and as many lists as we need for however many Main Characters and or Plots/Sideplots
how i order the lists: individually first. don’t mix them together to start with. when deciding the order of an individual list i like to, for example in a romance arc, use escalating intimacy. “A and B have dinner together” is naturally gonna go way sooner than “A and B kiss” or “A and B talk about A’s angsty backstory” because that’s more satisfying. draw it out, good/important stuff last, dangle that carrot so we have a reason to keep reading! for singular character development, it’s basically a straightforward point A to point B...if i want my guy to start hating magic with everything he is and end up being very comfortable with it, i have to put “reluctantly uses magic to save his own life” WAYYY before “casually using magic to light torches and reheat his cold stew.” 
the tricky part for me is when i’m done with these lists and then i need to mix them together To Pace My Whole Story. (this is usually why i wind up with a rainbow colored spreadsheet.) i don’t like to put too many things too close together because then the pace feels uneven. even if my Action Plot is only a thinly veiled excuse for romance and character development, i still don’t want to focus on a romance for 30,000 words and then go “and oh yeah in case you forgot Serial Killing Sister is still coming for your asses.” the more sideplots and major character arcs you’re juggling the harder it is to get an even distribution, which is my main concern always
and like, generally, whatever i have when i’m finished...is my structure. (sorry.) 
i don’t know much about the classic 3-act or anything like that, but i usually can divide them up into 3-5 big arcs based on story turning points. sometimes i take a scene out of one arc and put it in another because it fits better and i like for my shit to be organized, but usually by the time i’m finished with all that, that’s what the final story is mostly gonna look like. (there have been a few exceptions when i realized i needed extra scenes/changes while i was MID-DRAFT and let me tell you that murders me EVERY time. it happened on the merlin fic i’m currently posting and that was like my own personal hell.)
this is also where thots about chronology come in:
i think time CAN be an element of this if you WANT it to be, but it doesn’t HAVE to be. if you want it to be, i would consider it just another “list” like character development or the romance arc. 
i usually plot without considering Time very much...to me, it’s all down to the events you want to show, and however much time it takes is the byproduct. if you want to show something from a character’s chilhood but then tell the bulk of it when they’re adults, that’s one thing. if you want to show a scene from their childhood, teenhood, young adulthood, etc, that’s a different kind of pacing?? i usually do it this way so i can regard time like wordcount: it takes as long as it takes. 3 days or 3 years, a 1.5k drabble or a 100k epic...overall, my LARGEST CONCERN is that even distribution. in the same way that i don’t want one chapter to be 30,000 words when the rest are 10,000 words, i personally am not a fan of huge timeskips offscreen
(because this where i think someone’s own internal chronology DOES matter...this is just a personal preference, as a reader i have a hard time really comprehending, say, a year timeskip or a 10yr timeskip when all i did was turn one page. like, a year is such a long time. i can’t even begin to describe how different i am now to how i was a year ago. it’s the same for character development. time IS development and as a writer i’m not really comfortable having that take place offscreen - for main characters, at least. it’s just too jarring. a little prologue with something happening 10 or 20 years ago is usually fine, but for the most part, i’m not a fan. ...i can do one chapter per year a lot easier than i can do two chapters in childhood and the other 8 in adulthood. of course you can play with this a LOT with nonlinear storytelling, which is a whole other very cool thing, and someone skilled in their work can keep me sucked in no matter what, but imo if you don’t want to risk throwing your reader out of your work it’s better to keep things steady)
HOWEVER sometimes time IS an element u wanna consider outside of just making sure your shit is evenly distributed...if your heart is moved to tell a story in a specific timeframe, over a year, or from solstice to solstice (this was almost the timeline for my merlin fic and then i changed it), for the first six months of a friendship, or even a huge journey in the span of a single day (toby fox had a lot of success with this one lol).
i think it can help to choose a start and end point for your chronology the same way you do for character development (prince goes from hating magic to being ok with it, story takes place from ages 8 to 25, or from new year’s eve 2038 to 2039, whatever) - that way you can keep your distribution even, if that’s a thing you want to do...even if you have a lot of skips you can still note what happens offscreen to make it work better in your head? like, if you just make it another List, another column on your spreadsheet, when you’re in the early stages of organizing you can be conscious of it and make sure it’s playing into the story the way you want it to
anyway these r my thots im SOOOO SORRY this is so long lmao. brain machine broke today which is why i had to ramble more to explain myself. the tl;dr in case ur brain is melting out of ur ears & u didn’t sign up for an essay:
imo medium is totally distinct from storytelling tho ofc some stories are better suited to some mediums
structure? i don’t know her. i plot w/o regard to structure and then if it looks funny i mush it into a more structurally sound shape
my main concern when structuring anything, including time, is an even distribution of Events and a steady rate of escalation
structure to me is just what i have when i’m finished plotting. i’m sorry one day i’m gonna take a writing class
internal chronology matters to me personally because i have a little bit of time blindness but maybe not to everyone, i know many very successful stories where they disregarded that entirely to no ill effect
writer’s block isn’t real! everyone just needs more rainbow spreadsheets
thank u for asking I HOPE i didn’t make you regret it too badly lmao and that at least a little of it was helpful!! 
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bigskydreaming · 5 years
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A lot of the discussions about AoX and the stuff said about the X-Tremists has altered my view of some elements of all that, I’m not gonna lie. The X-Tremists definitely isn’t what I initially thought it was, and in the context of all the X-Men being heavily brainwashed and operating based on a selectively altered sense of self and reality, even if I still don’t agree with it, I GET the intention behind picking gay and bi characters to be the cast of this particular book. 
Like, I can understand how when focused on the end goal rather than the set up, there’s a satisfying payoff to it being gay and bi characters pissed at being shoved back into the closet who are the ones best positioned to figure out what’s really going on and fight back against it once they do. I can connect those dots, see how that story choice makes sense and has the sense of catharsis Williams talked about getting from writing it. From the angle of gay/bi characters fuck shit up because they’re not gonna take society or some higher authority determining who they can and can’t love, that fits.
In a lot of ways, its the compulsory sexuality story I’ve ranted for months about wanting to see in regards to Bobby’s situation and the fact that Jean’s actions are ultimately the reason he spent so long in the closet.
BUT. At the same time....that’s kinda the problem?
Because that story I talked about wanting to see with Bobby, it didn’t come from nowhere, I didn’t just go ‘oh hey what if.’ It came from just putting together the pieces that were already there. Everything needed to tell this particular story about being pissed at someone overriding your own sense of self and telling you who you needed to be for the sake of society, the timeline, whatever....it was already there. In the main universe. Already written. Every single element needed to tell that specific narrative was already in place.
Completely unacknowledged.
And I think that’s a big part of where my cynicism comes from, beyond just not trusting Marvel as a whole. Because the fact that this specific narrative was already laid out, already in play, hell, already the fallout of a Grey’s choices and mucking around with Bobby’s head.....without it ever being addressed, its hard to see how a five issue mini (that needs at least an issue or two to set up the revelations to the characters) can do for that narrative spread out among three gay/bi characters what nobody bothered to do with just one character in three years worth of opportunities.
(And if in the end it turns out by the time all of this is over NOBODY in-story has drawn the parallel between this and Bobby’s own narrative even before all this, like.....that’s gonna bug.)
But anyway. When you look at it from that perspective, as essentially the same narrative that was already set up and put in place and then completely overlooked for Bobby already.....then its hard to see this as anything other than gratuitous. Because that was already this same narrative, WITHOUT the fascist imagery and associations. Bobby already had every reason to be pissed - just needed those reasons to be raised and acknowledged - WITHOUT needing the trauma of being made unwillingly complicit in storm trooper actions heaped on top of how much he would already be fucked up from just the forced closeting. The painful catharsis of watching a gay hero push back against forces trying to make him something other than he is and wants to be, it was already locked and loaded ready to go - WITHOUT the trauma part of that narrative needing to be added to two other characters’ narratives additionally.
It just feels...unnecessary.
Like, I can’t stop fixating on that damn armband, is one of the things. I understand the in-story logic, that its ultimately one of the clues that makes them wake up to the realization something is very wrong, for Bobby to be wearing that. I understand that the intention there is for it to be a motivating factor for Bobby’s anger, making him intensely furious that this was done to him, put on him. But the thing I can’t understand is what makes the armband necessary to do all that?
Its not needed in order to leave bread crumbs for them to see how things are messed up and where. There are other options available, other ways to portray how things are different or wrong. I’ll never agree its necessary for THAT to be the thing that makes Bobby enraged. Like look at everything I was saying about his main universe storyline. Why not just use this to allow Bobby to have a different perspective on his lack of agency in all that and the how and why of his staying repressed for so long, have this second instance of telepathic meddling with his sense of self make the first more clearly obvious to him. Isn’t that already more than enough to make Bobby furious and intent on beating the fucking shit out of Nate Grey because he’s sick of not knowing how much of his sense of self is actually HIM and how much of it is the result of telepaths sticking their nose where they don’t belong, without any hint of remorse?
When its your perspective that the more offensive elements of this story aren’t necessary, its all but impossible to look at anything else. They’re the elephant in the room. The things your eye can’t stray from in those ‘what in this picture doesn’t belong’ games once you find them, because its so painfully obvious then that they don’t belong.
And the other thing, the big thing that I’m really upset at seeing so many other white LGBTQ+ readers dismiss or just trivialize....personally, I find it impossible to find empowerment in three white gay/bi characters who are used to police the romantic and sexual relationships of characters of color and especially LGBTQ+ characters of color. I get that this isn’t on Williams, that it wasn’t her choice to have the X-Tremists arrest Bishop and Bling specifically, that those happened in other books. But this is an area where editorial oversight - used properly - would not only be useful, but I honestly believe was NECESSARY. If you’re gonna tell a story like this, do an event like this, play with these themes specifically and talk about how its meant to explore intersectionality, about how intersections of power affect how an individual interacts with society and its institutions....you need to bring your fucking A game, and this event just didn’t. At all. 
You need to be conscious of the fact that Marvel has given its readers, particularly its most marginalized ones, NO reason to have any faith in them, give them any benefit of the doubt, after they’ve spent the better part of 20 years deliberately driving this franchise into the ground because they didn’t get any of the X-Men movie profits. Editorial absolutely NEEDED to be aware of the nuances of this story and be prepared to step in where necessary to prevent things like what happened with Bishop and Bling interfering with the intended point of the X-Tremists mini and costing it more readers. There should have been someone watching all the pieces, someone whose JOB it was to look at the script for NextGen and hand it back and say no, Ed, you can’t have the X-Tremists arrest Bling, you need to pick someone else, pick a straight white character. We’re not having three white gay/bi cops arrest a black lesbian teen for impure thoughts. Nuh uh, no way. Not happening. Same with Bishop. If he absolutely had to be imprisoned in order for the events of Prisoner X to unfold, there should have been a different reason, rather than a random out of the blue pairing with Jean Grey that gets him locked up and her a slap on the wrist. Like, how about the fact that Nate Grey - being from the Age of Apocalypse - is aware that Bishop being a time traveler enabled him to know the AoA wasn’t how events were supposed to happen, and preemptively locked him away because he was afraid Bishop would be similarly able to see through this altered reality and warn people?
Like, when you have a character LITERALLY playing God, as in that’s the entire narrative....deus ex machina isn’t a problem. It’s your actual story engine. You can set the stage however the hell you want and Bishop can be wherever the hell you need him to be with the only reason being Nate Grey arranged for him to be there because that’s where he wanted him to be, fearing he could be a threat.
But seriously, white LGBTQ+ fans need to shut the absolute fuck up about the instances with Bishop and Bling and stop talking over fans of color when they bring them up. Stop trying to minimize it or handwave it away as no big deal, like, that is ugly. That is just, plain UGLY. Stop telling fans of color and LGBTQ+ fans of color any issues they have with white characters arresting black characters for ‘impure’ and ‘barbaric’ thoughts and relationships...like, stop acting like these things are no big deal or that they’re not big ENOUGH of a deal to take away from the empowerment you get from three white gay/bi characters’ narratives. Stop saying the latter is what they should be focusing on, as if its the only variable here that matters, and that they’re just blowing things out of proportion.  Some readers developing a dislike for Bobby because they have to read and see him being depicted the way he is at the expense of characters of color - even if its not ‘his fault’ - like, some readers not wanting to read or see Bobby in stories for awhile or ever because they just can’t get that image out of their head, that’s a valid and understandable reaction to what’s on the page, what they can’t avoid if they want to take in this story on any level at all. Its a reaction EARNED by the narrative choices made overall, and if its not a reaction the narrative wanted to earn, different narrative choices needed to be made.
Honestly, the more I think about it, if this event was going to happen like it or not, if writers had to just make the best of it as much as they could, knowing editorial wasn’t going to be interfering on their behalf when other writers used their characters in ways detrimental to the first writer’s intentions....Bobby, Jean-Paul and Betsy should have been in the cast of Prisoner X, I think. Like, they shouldn’t have been the secret police, the guilty parties motivated by outrage at being used to hurt others like them, they should have been part of the ones who already had plenty of motivational outrage based entirely on experience with being told their love was impure and wrong.
LGBTQ+ characters IMO were already a natural fit for seeing through Nate Grey’s changes to reality, to be arrested for engaging in romantic and sexual relationships in defiance of society’s laws and arbitrary morals. It could have easily been built into the event itself that Nate Grey (who has never identified as anything other than straight) viewed the world through a heteronormative lens. And thus when ‘eliminating’ love and memories of it and things like that, he did so according to a straight person’s perception of what that looked like...and thus potentially overlooked where LGBTQ+ peoples’ experiences had taught them how to keep a secret part of themselves hidden away at the core of their being, their mind, where no one would stumble across any truths they weren’t ready to reveal. LGBTQ+ characters were already a natural fit to be caught breaking the rules of this society instead of keeping it to themselves and staying safe if they started to suspect something was wrong with the way things were....because they were the ones who had already defiantly pushed back against unjust rules and restrictions the first time they realized something wasn’t right with the way society told them they should feel.
The same is true of characters of color of any sexual orientation, given past laws against interracial relationships - I’m not expanding on that not to exclude them, but just because imprisonment narratives have a different context and history with characters of color and that’s not my lane.
But like, if the event was structured to remove the variable of mutant oppression and thus explore intersections of power when everyone was on the same field in that respect, its disingenuous to make up forms of oppression to highlight the flaws in a dystopian society when existing marginalizations already exist once the mutant metaphor is removed. Those already marginalized in our society should be the ones marginalized in that society, else you end up with a ‘what if straight white people were the oppressed and sympathetic’ narrative that nobody asked for. And I do suspect that part of the way AoX is structured IS intended to reflect that, to have LGBTQ+ characters like the X-Tremists and characters of color like Bishop play key roles in toppling Nate Grey’s dystopian vision....I just don’t believe making any of them the secret police works in FAVOR of that rather than against. If your marginalized characters are united by common experiences of being oppressed by straight white mutants once they in turn are no longer oppressed by humans, then you also eliminate the stuff I was talking about earlier, the issue of having an oppressed group fight to put things back to where they were more oppressed. Instead of SPLITTING your characters’ identities along different axes, with the world according to Nate Grey being better for them in the sense that they’re no longer persecuted for being mutants but worse for them because it tries to restrain their sexualities...they don’t need to prioritize between their marginalizations at all. These characters don’t have to ‘sacrifice’ a world in which they aren’t oppressed for one where they are, if they’re still oppressed by that society as gay and bi individuals even though they’re no longer persecuted for being mutants. That’s still messy as hell for a variety of reasons this long fucking post doesn’t need to see their unpacking added to it, but like....
Sigh. Thing is, I know I have a tendency to go off and running in some AU direction like “this is what I would do if I were writing this story” every time I’m critical of shit. Its honestly not because I think I’m the greatest writer ever or oh my ideas are so much better than everything else. 
Its just....I don’t know how else to say it, even though it fails to sink in every damn time I have a variation of this argument...I’m not critical so I can hate things, I’m critical cuz I want them to be better. I don’t come up with different ideas for how else to tell a story BECAUSE I’m critical of it and hate it as is. Its the reverse. I’m critical of stuff BECAUSE I can’t turn off my writer brain and I can see where things could be better or at least fail in new and different ways than the same old repeated mistakes (and thus at least get us closer to better, by eliminating more of what doesn’t work).
Like, I’m just so fucking tired of being talked about like I’m this bitter angry dude who just hates everything and is never happy with any content ever. I’m not angry and loud when I criticize shit because I’m thinking like “This thing you like offended these three people and thus its fucking terrible and you should feel bad!” I’m angry and loud when I criticize shit because I’m thinking “This thing you like offended these three people AND IT DIDN’T FUCKING HAVE TO. THAT CAN BE AVOIDED.”
I don’t posit all these alternative scenarios when I criticize shit because I’m thinking that doing it any way other than my way is bad, and I’m just an egotistical jackass who will never be satisfied with any work other than his own. (LMAO, hell no, I’m insecure as hellllllll about my work, like lolol. How critical I am of other shit is nothing compared to how critical I am of my own).
Point is, when I do that, I’m only doing it to say like....see, look. Here are alternatives. If I can find some, other writers can too.
But other writers have to LOOK for alternatives in order to find them. They have to have a REASON to write things differently than what they already wrote. THAT’S WHAT CRITICISM IS FOR. TO GIVE THEM THAT REASON. TO TELL THEM THIS DOESN’T WORK THE WAY IT IS, BUT IT COULD WORK IF YOU DO SOME OF THESE THINGS DIFFERENTLY.
And when people say “lmao some of you just need to go the fuck outside, like calm down and let people enjoy shit for a change,” what that ACTUALLY sounds like to some of us is “well this thing works for me as is, and thus I see no reason to care about it being better for the people it doesn’t work for or actively offends.”
It’s honestly depressing as hell how many people on this site smugly reblog that “I don’t know how to explain to you that you should care about other people” post, only to turn around and five posts later complain about criticisms of a show they like and are perfectly comfortable with as is.
Its not about telling you that you should never enjoy anything ever. Its not about saying well this thing offends us, and if we can’t enjoy it, nobody should.
Its just like.....its great that you enjoy this thing but wouldn’t it be better if you could still enjoy it and all these people who AREN’T able to enjoy it because of these reasons could now enjoy it more too?
People shutting up about the ways content offends or hurts them or people just settling for sucking it up and dealing with the microaggressions in a creative work, like those things shouldn’t be necessary in order for you to enjoy content or be comfortable with what you’re reading or watching. 
And if it is, that’s a you problem and if you could PLEASE stop projecting it on to people who just want things to be better and more enjoyable across the board - like that’d be great kthxbai.
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eight8yearslater · 4 years
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My first post. Kind of put this off for so long cos i was scared i would get judged or blocked or attacked if i stated my opinion. But since i dont really have followers, I figured, might as well do it. Also I believe im respectful enough not to attract heat and be blocked by people I follow so yeahp.
First, in case someone else does chance upon this post, I’d like to make it clear that I believe Louis and Harry were together at one point. Dont know if it’s official or serious or they were just fooling around and acting on their curiousity but there is NO way that was all platonic. Do I believe theyre together still? I cant say for certain. Im the type of fan who takes in things as they come. Some days im so convinced they are still together but stunts makes me doubt it. Which I think is why exactly the stunts are there for anyway so 🤷🏻‍♀️ though to be honest, im leaning towards, yes. I do think they broke up for a brief period in 2015, but even that, im still open to be desuaded.
Second, I have no definite opinion on babygate. Again i take things as they come but I feel like Freddie can be Louis’ and still be with Harry now. Kind of fits the timeline im sort of buying into. But theres also so much that doesnt add up with regard to Briana and Freddie that i would not be surprised if larries were right all along.
That said, I just want to put down into words what I think about Fine Line and the story it tells. This is my blog anyway and I feel like im entitled to write down what I think it might be about.
I think Fine Line tells a story of Harry from the time he joined XFactor and met Louis. The songs, I believe are arranged chronologically and again fits the timeline im leaning towards believing.
GOLDEN
Harry meets Louis. Hes too bright for him. Baby Larry was something else really. Its so fascinating to watch them and kind of heartbreaking when you compare to how they are now in public. Louis was so full of life, so energetic that Harry was more often than not, left in awe.
Despite how Louis was, though, I believe Harry was the braver one and was the one who was more accpeting of his sexuality and feelings. If the rumors are anything to go by, Harry always knew he wasnt straight as opposed to Louis who, until Harry, appears to have been with girls exclusively. His “fear” or feelings of being scared must have come from this or from just maybe, letting other people in, generally.
Watermelon Sugar/Adore You
The Honeymoon stage of the relationship. Watermelon sugar so obviously refers to intimacy (okay fine, SEX) and just being obsessed with the other person. Spending as much time as you want. Makes sense that this was written about the early part of their relationship.
Same with Adore You. Thematically, both songs are about the happy times and promises of adoration, love and commitment.
Lights Up
I’ve always interpretted Lights Up to be about self discovery on the one hand but also a narration of how Harry must have felt while he was in the band. Lights literally meant stage lights which have exposed and caged him at the same time.
The line “lights up and they know who you are”, i believe refers to the public and how they think They know Harry simply because they get to watch him on stage or on television. But despite all of it, the fame etc. couldnt stop the darkness or emptiness Harry feels. No matter what they say, being in a boyband must have put tremendous pressure on all of them. And if Harry is indeed not straight then absolutely not having freedom to express himself or be himself (eve just a little bit) must have been very difficult.
Thus the line “be so sweet if things just stayed the same” must refer to staying in the band. But he can no longer do it and must “step into the light” to more freedom or freedom to express more. And that he’s never going back to a set up where he was so constricted or so controlled as when he was in 1D.
Now here goes my unpopular opinion, but I believe Harry was the cause of the hiatus and must have demanded to get out of the band. Ergo, straining his relationship with Louis. Which could (or could have not) led to a break of some sort or some very difficult trying times in their relationship.
Thus, the breakup/heartbreaking/sad songs.
CHERRY/ FALLING
Now im well aware of the narrative behind Cherry. And it could be true but it could also have been dressed up a bit to fit said narrative. Cherry, could also be about Louis and the time they may have been apart.
I read somewhere, an Anon believes Cherry to be about Camille but that the rest of the album about Louis after Harry realized it was still him. Still makes sense if we believe that H and L have broken up a bit in 2015.
But it could also be a purely stunt song. Cherry seems to be out of place because in it, it is suggested that Harry’s love interest is already gone/broke up with him and “moved on”. Yet Falling which comes after Cherry, and Falling appears to be about couple who just broke up or on the brink of it.
Falling also is about heartbreak and could again be about the time H and L were apart.
To Be So Lonely
...appears to be a transition song of some sort. Could be about reconciliation as Harry slowly admits to being in the wrong and fixing things slowly.
She
i subscribe to the interpretation that its about H’s identity. Still chronological as self discovery is an ever on going process and never really stops. Somewhere between leaving the band and now during HOLO it makes sense that H is still discovering things abt himself.
Sunflower Vol 6/ Canyon Moon
Now this i believe are songs abt Louis. Its happy cos they (depends if you subscribe to the timeline) were able to fix it, they made it. And are in a better place now. Too many lines seemto have been lifted from fandom beliefs and headcanons for it not to be related to L at all.
Treat People With Kindness
simple straight forward song about how Harry must have felt during tour.
Fine Line
Believe this song is for the present. Like a promise and vow that they will be alright despite everything still surrounding them and put upon them.
The song calls to me as very loaded, somber but hopeful. Resigned but full of promises. The instruments/instrumental gives you that nostalgic feeling like “i know who I am now. Ive accepted me. And we’ll be alright”
As said even prior to HS2, i have a general belief/leaning towards the fact that H and L may have broken up for a time. Couldnt really say how long or how short, or if it was an actual break up or merely a rough patch, no one can anyway. But if my interpretation and opinion are a tiny bit accurate then that makes sense right?
Whatever it is, the way H writes abt L matches Louis’ songs too. Too Young, Habit and Defenceless appears to be abt a difficult time in a relationship or even a break up of some sort. But really, when Louis sang these songs in CCME I didnt feel sad or felt like they have indeed broken up. To me, it felt like a declaration that “hey we havent had it easy but even during the times were not together, its you. Youre it”. Theres too much love there not to think or interpret it that way. A person who has been left behind or have left someone wont write abt heartbreak and at the same time declare “YOURE THE ONE”.
Id like to end this first post, by saying that we cant really know the real score between H and L. And at the end of the day we are all speculating. But regardless of their status now, you cant deny how inspiring their love is (or was, depends what your beliefs are).
Hope i can now post more things as they come. I promise, really, not to be a problematic fan.
Please dont fight me??!
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the-kipsabian · 5 years
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Pixiefeathers and/or pixietown pls
this is long cause it includes both so throwing it under a read more yay ~
pixiefeathers ~
Who offers their jacket when the other is cold?they both do this tbh? they both come from a rather cold part of the world so they are both used to the cold to some degree, and they always want the other one to be warm if they even as much as mention how cold it is, so yeah
Who giggles uncontrollably when the other playfully picks them up?mads will just scream tbh lol. but shes also so used to getting picked up and carried to places and kit does it all the time so whenever mads manages to do it to them, thats always a surprise tho. so kit
Who compliments the other in front of everyone?both do this honestly, cause they love the other one so much and everything they do and everyone else needs to hear it too so yeAH
Who is more likely to tell the other a pun and what is the other’s reaction to the pun?i feel like im gonna end up saying both to a lot of these lol, but yeah, both. and more often than not when puns are in the play, the other either just super deadpans it, or just freaking loses it. there is no in between no matter the quality or the context of the pun
When one of them has a bad day, what does the other do to help cheer them up?this works very much for both of them, but theres a Fort de Cuddle getting build in the dorm room, they watch whatever they feel like they need that day (ranging from animal videos to their favorite movies and everything in between), theres sweets and cookies and tea and just all around chill times with all their favorite things, just between the two of them
If they got to pick what one another wears for a day, what would one another wear?aaaaah honestly with this pair i dont think they’d change much of anything from what the other normally wears, tbh? their usual clothes, but the others favorite set of them i guess. like ‘oh i love how you look in this shirt pls wear it’ or ‘these pants make your butt look great PLS’ or what have you. that, and just making sure the other one is comfortable in whatever they wear ~
Who introduces their partner to their family first? How does it go?this could be either or really, but i wanna say kit does it first? knowing that their family is small and sparse, they just. kinda wanna do it before it gets even smaller, you know? plus i feel like while kit doesnt have the best relationship with their family, mads really doesnt either, and she would honestly just hold out on the introduction for as long as possible cause ‘hngg no kit you really dont wanna meet them i swear’i’d say it would. probably go as well as you’d expect. especially if anyone says anything bad about kit or dear lord deadnames them, mads WILL fist fight them. she will throw down. no you dont do that you sack of shit, family or not. so... yeah take your pick on how well this interaction goes hmm
In a coffee shop AU, who would be the coffee shop employee and who would be the customer?well i mean we have this already, it kit who works part-time in a coffee shop and mads is the customer (plus bonus fellow co-worker luke who wants these two to date already gdi)
When they sit side by side, do they touch one another? For example, does one person has their arm around the other, do they sit holding hands, or linked arms, ECT.if they are in a place with just the two of them, they cuddle tho. leaning against each others shoulders, just a pile of smol bodies tbh. arms here and there, wherever they decide to land really. around one another if one needs hugsother than that, they just. sit pretty closely by? like, shoulders-glued-together close. they both have their reasons to not be super touchy feely in the public, but for stuff like reassuring the other or just making sure everythings fine and whoever keeps making those eyes at you can fuck off, there is hand holding yay
What is a small thing that one another does to make their partner happy?i mean they do a lot of things (as in anything they can tbh), but one thing they definitely both do is give little gifts like way too often? ‘oh hey i saw this at the mall and i had to get it to you’ ‘hi i know you dont like getting gifs but i got this custom made for you’ ‘you need a break, im gonna pay that coffee for you, lets go’. just little things like that, it doesnt always even need to be anything of monetary value, its really the thought that counts like. every single time with these two
What would they do to celebrate their one year anniversary?i dont honestly think they would do anything really different from what they usually do when they are together? they are both too anxious and exhausted to really go out to celebrate in a big manner, and they want it to be more of a private thing tbh. so like. its probably gonna be a pizza party with fave movies and as many strays as luke is willing to bring to the room at once
When did they know that loved each other, and when did they first tell each other that they loved one another?i mean. as love love its. a complicated thing. but the ‘i love you’ has been honestly thrown around since a very early stage of their friendship? ofc at first as a friendly gesture, but its not like they are afraid to say it tho. as to when they first told each other, i feel like no matter the route (as in if its rival roommates or not), its after the first tournament when its first thrown around. its like a heat of the moment thing, you know?as for loving one another uuuuuuuuh. i mean as a demi mads goes through some heavier shit and kit helps her through all that and shes like ‘oh heck i like you’ which eventually turns into ‘hecK I LOVE YOU’ and well. kit is aro so mmmm
Who likes to give the other hugs from behind followed by a kiss?i wanna say they both do this? ofc after verifying with the other that its okay tho! as pda isnt comfy for everyone woo
Who would make a playlist for the other person? What would be featured on the playlist?i wanna say kit? they would probably be more confident of pulling a list together knowing that mads will love literally everything, while mads knows what kit listens to but isnt. super confident in putting together something that they would like? if she does this tho, she asks help from luke. or nate if hes involved in this timeline lol
Who would bring their partner on a romantic date under the stars?kit. mads might be the more romantic of the two, but she doesnt want to force any of that on kit cause boundaries are important. but kit knows that mads is a sucker for this stuff (also it lights up their heart when she goes ‘oh my god this is like one of my fanfictions’ whenever they do something like this) and tries to expand their horizons by doing this stuff they arent so familiar with, but they know their gf likes tho
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pixietown ~
Who offers their jacket when the other is cold?luke, definitely. first of all, mads’ jacket doesnt fit him lol, and luke is a gentleman aaaaaa
Who giggles uncontrollably when the other playfully picks them up?well i mean. the day mads manages to pick luke up is probably the day she dies tbh. tho mads doesnt giggle. she yells. she fucking yells luke put her down pls she didnt asked to be picked up
Who compliments the other in front of everyone?luke. definitely luke. mads would yell and scream about his music stuff tbh, but luke does like. ALL THE COMPLIMENTS. just look at his cute gf he aint gonna hide the love yo
Who is more likely to tell the other a pun and what is the other’s reaction to the pun?just straight up luke tbh. depending on the quality of the pun, mads either throws one back at him, or just deadpans him. most days its the second one tho
When one of them has a bad day, what does the other do to help cheer them up?its usually mads with the bad days tbh, and luke knows theres two ways to fix it - play her songs, and bring kitties
If they got to pick what one another wears for a day, what would one another wear?if mads gets to pick, luke is gonna wear his d&d gear (assuming she knows about it). luke is gonna make her dress as arielle the mermaid princess
Who introduces their partner to their family first? How does it go?luuuuuuuuke. like mentioned above, mads isnt. really comfortable with the idea tbh mmmmand yeah i’d say it goes pretty well in the end? like i have no doubt that lukes parents are nice people and luke holding mads close to a princess level in his eyes yyyeeeah thats gonna go through really well lol
In a coffee shop AU, who would be the coffee shop employee and who would be the customer?same as before, luke is the employee and mads is the customer ~
When they sit side by side, do they touch one another? For example, does one person has their arm around the other, do they sit holding hands, or linked arms, ECT.i really wanna say luke just. has restless hands lol. not in like a dirty manner, but he needs to be holding something at all times - and most of the time it happens to be mads, so his arms are constantly around her given the chance. and mads just takes it and leans into his shoulder cause hes soft and warm and yay
What is a small thing that one another does to make their partner happy?mads leaves luke little love notes wherever she can. luke sends her custom playlists and makes her mix tapes
What would they do to celebrate their one year anniversary?recreate their first date? also depending if mads knows about what lukes original plan was to woo her (with the stalker angle), hes gonna lay it all down on the table as a goof, cause hey, she kinda deserves to learn it after theyve been dating for a year, you know?
When did they know that loved each other, and when did they first tell each other that they loved one another?i feel like luke throws it out first tbh. he works out his feelings faster than mads (also cause mads is probably. more thinking it just as a stupid crush cause ugh hes a cute nice musician i love him so much on the aesthetic level, you know), and those feels make themselves very clear after he starts working on really wooing her after kit gives him an earful about his ways lol. mads comes afterwards, when luke starts building all this up to the love letter confession, and she realizes that damn i have real feels for this boio, lemme show it to him. and as the saying it. mmmm after she is officially initiated to hidden block? like ‘oh my god im so happy youre here now ily’ ‘wait luke yOU WHAT’ ‘..i love you?’ cue internal screaming cause he means it
Who likes to give the other hugs from behind followed by a kiss?luke. shouldnt be too much of a surprise lol
Who would make a playlist for the other person? What would be featured on the playlist?this isnt really a surprise either, its definitely luke. he puts together mads’ favorite songs, some of his own songs, and combination of the two aka some covers hes been recording of her fave songs
Who would bring their partner on a romantic date under the stars?luke, once again. he knows romance is a weak point for mads, and he wants to deliver with that ~
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lovelesswiki · 7 years
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Post-Moonless predictions— Septimal Moons’ endgame (10/10)
previous part<–[end]
for the last week or so, i’ve been talking about a large theory i’ve been writing. since finishing it, i’ve decided to publish it in parts, since it’s actually about 10 different theories all on one subject. since it’s all written out, i’ll try to be publishing one part of this per day.
essentially, this is a set of theories about what i believe will have to happen in order to properly lead up to a climax–the one we’ve been building up to for years and years now. so, these are what i theorize will happen after the first moonless vs beloved battle, broken up into ten different parts. each theory is explained and theres images for each one.
table of contents (bolded is the post you’re looking at):
moonless and beloved will rematch (1)
soubi will fall into a deep depression and possibly become suicidal (2)
ritsuka will arrive at seven voices, SM’s activity will be revealed (3)
SM will reveal that there was a mole in their organization (4)
kio will be the one to take ritsuka to goura (5)
ritsuka will find things out about soubi and the aoyagi family (6)
SM’s true purpose will be revealed. ritsuka will have to make a decision about good vs evil (7)
seventh SM member will be revealed (8)
nagisa will find out what really happened to sanae (9)
ritsuka will be asked to join SM to fill the aoyagi seat (10)
Theory: ritsuka will be asked to join the septimal moon council and will be faced with the choice of either leaving his childhood behind or letting the council fall apart without him. he will not make this choice by the time of the rematch.
this is the last point im making here, because everything else anything after this will be preparation for the rematch. there’s no other exposition to be had, and the story needs to lead to a climax (or at least, one of many) after this. the mysteries and loose ends need to be tied up and put to rest because anything after this has to be new information or focus on new relationship dynamics (ie seimei and ritsuka wherein ritsuka views seimei as ‘evil’, soubi and ritsuka wherein soubi is actively suicidal)
something that’s pretty heavily ignored in loveless is the fact that SM has been after ritsuka since the beginning. it actually wasn’t ritsuka who started going after them first. SM sent teams after ritsuka and didnt seem to know that he’d have soubi with him, hence why they sent breathless, a very low-level team that was not equipped in the slightest to go up against soubi and ended up getting crushed by him–twice.
in total, four teams were sent. breathless, who were battled twice, sleepless, male zero, and female zero, all increasing in difficulty. fearless was sent by seimei and nisei and beyond that, all the battles that follow are a direct result of the incident at seven voices. SM specifically sent four teams, though.
–and what’s more is that septimal moon sent those teams to retrieve ritsuka. not to kill him.
the logical conclusion is that SM wants something from ritsuka. the stipulation with the teams seems to be that if ritsuka’s team loses, then they ‘capture’ him and return him to SM, rather than killing him, sending him away, or leaving him alone. this is confirmed later on, when in wisdom resurrection, ritsuka is asked to come to goura. this is even further expanded upon when they get to goura and ritsu and the others seem to want something to do with ritsuka and how nagisa talks with seven about how ritsuka has finally arrived. this is all interrupted, though, of course, by ritsuka’s older brother barging in on the party and making everything go to shit and effectively putting off whatever it was that SM had to do with ritsuka by gorging out the eyes of a member, ‘kidnapping’ another, kidnapping soubi’s best friend, wrecking school buildings, hurting students, and stealing 30% of the data that SM had. obviously, SM had to do damage control after this instead of conducting a meeting with ritsuka about things.
in one of my previous points, i talked about how there doesnt seem to be an age limit when it comes to SM, as mikado is 14 and seimei was 17, and both seem to have been on the council for a few years. who’s to say that a 12 year-old couldn’t be on the council? it actually seems plausible to me, considering the facts.
the fact of the matter is that aoyagi is an open seat currently. even if hes not dead, seimei has been completely removed from the council.
septimal moon is an organization. a council. they vote on things. they need seven members on the board to run correctly, or else one of the sectors/branches isn’t getting run by someone. right now, theres a seat that no one has. and that seat belongs to the aoyagi family, who happens to have a son who has never sat on the council before, is alive, and is a sacrifice. he fits the requirements, and SM has been trying to meet with him since the beginning of the manga.
what im trying to say here is that the most logical course of action for septimal moon is to ask ritsuka to take the open seat on the council.
theres nothing else SM can do. seimei has a death warrant and is the cause of every single problem the council is having right now and the person who had the seat before him is either dead or retired, and i doubt you can have the seat back if you meet either of those two conditions. SM needs that first seat filled, and maybe part of their dysfunction as a group is that they dont have a full council and are missing a seventh member. regardless, theyve been trying to fill this seat for a while now, and now, in the timeline ive set up for these predictions, ritsuka is back in goura and there’s no better time to ask him to take the seat than now, when he knows about the history of the board and the purpose of the council and what the responsibilities would be.
the very last thing that needs to happen before the climax of the story (or the first of many) of ritsuka confronting his brother and soubi, is ritsuka being asked to replace his brother.
this means a lot of things for ritsuka.
first, up until now, ritsuka’s been a bit different from other sacrifices we’ve seen, but not in the same way that seimei is ‘different’ from other sacrifices. biologically and powers-wise, ritsuka seems to be the same as any other sacrifice. however, there is one caveat: ritsuka is very clearly rooted in the ‘normal’ world. he goes to normal school, partakes in normal activities, and has normal friends. up until now, hes been a total stranger to the fighter-sacrifice world. for the entirety of his life that he can remember (a whole 3 or so years), ritsuka has lived a fairly normal life (aside from the horrible abuse at home) without magical violent people in it. because of this, so far he has not functioned well in the fighter-sacrifice world and does not seem to share the same societal expectations and ideals that most people in that world do.
soubi, on the other hand, is the complete opposite. soubi knows nothing other than the fighter-sacrifice world and for as long as he can remember, aside from his foggy memory of his parents, has partook only in that world. it’s his entire life, and his entire identity. soubi has lived a life where people have always been hostile and violent towards him and hes always had to be the same for them (the source, i suspect, of soubi’s notoriously short temper). because of this, so far he has not functioned well in the normal world and does not seem to share the same societal expectations and ideals that the majority of people do. he is completely inept outside of the fighter-sacrifice world and occasionally seems frustrated or depressed that he’s not like other people and can’t be like other people. this will come into play at the end.
making this decision would mean that ritsuka has to step out of the normal world. he can still function in it a bit, but not like he used to. the council would become his life, and he would become extremely important to the fighter-sacrifice world and have a lot of responsibility on his hands. he would have to trade his identity of being a regular elementary school/middle school child in for being a government council seat holder. he would no longer be allowed to live the life he currently leads.
going along with that is the second problem: ritsuka would have to grow up.
as i stated above, ritsuka would be forced to give up his identity as a child and take on enormous responsibility. he’s a mature kid, sure, but this goes beyond that. ritsuka would have to completely trash his childhood and go right into adulthood and go to a place where he is treated like an adult all the time without having time to gradually grow up and get used to it. he’d have to do it all at once, and he’s have to learn very quickly, and he’d be throwing a huge part of his childhood away.
i want to bring this back to soubi again, because soubi didn’t have a childhood, either, and it was because he was forced to grow up fast to take on the responsibility to be a tool to be used by someone else for their own purposes. soubi did not have a childhood. his childhood ended the day his parents died.
im sure you can probably see by now where im taking this.
this is a huge decision to make, and i dont expect ritsuka to leave goura having made it. i expect him to want to seek counsel from someone who’s had a lot of experience with SM, but is not part of the counsel, as well as having been in the world their entire life. someone ritsuka actually trusts and someone hes able to actually get advice from.
hes going to try to seek advice from soubi.
this is assuming soubi is still alive at this point, which might be a 50-50 chance. if he is, soubi is going to urge against it as much as he allows himself, too. soubi wants out of this world. he’s discussed retiring. he’s discovered a family. he has people he enjoys being around. and ritsuka becoming part of SM would cause him to be wrapped right back up into everything he wanted to get away from.
and his reasons arent all selfish, either. he sees ritsuka’s everyday life. he can probably figure out that ritsuka needs a childhood and he would be miserable if he left his place in the normal world. so he’s going to urge ritsuka not to do it.
then ritsuka will be left with a choice that is his to make.
the way it is now, SM is dysfunctional enough that it’s bound to quickly fall apart. theres a chance–a good one–that regaining a seventh council member would mend the broken enough to make things work again. things could get back into working order again and the fighter-sacrifice world would remain as is.
as is, ritsuka’s normal life is good, aside from his mother. he has friends. he has a chosen family. he does well in school. hes happy.
so either ritsuka can choose to let SM fall apart, or he can choose to give up his happiness.
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trendingnewsb · 6 years
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Glenn Close: You lose power if you get angry
From vengeful mistress to Agatha Christie matriarch: the actor talks about Harvey Weinstein, mental illness and growing up in a cult
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Glenn Close and I sit at the corner of a large boardroom table in an intimidatingly minimalist office on the 14th floor of a Los Angeles talent agency. Its the kind of environment in which Patty Hewes, the ruthless lawyer Close played in Damages for five seasons, would feel at home and Im almost waiting for her to stand up, slam both hands on the table and shout, Ill rip your face off or any of the other terrifying put-downs that defined her double Emmy award-winning performance.
But Close is in high spirits and radiates such warmth I barely notice the chill from the tower blocks air-con. After we fiddle with the settings on our swivel chairs, which are so high they make anyone under six foot kick their legs like a child on a swing, the 70-year-old, six-time Oscar nominee and star of stage, television and film starts telling me about her dreams. I have had a lot recently, full of this wonderful love for a younger man. The dreams just keep coming and I wake up thinking, that was wonderful! It wasnt necessarily us doing the sexual act, just the feeling of love.
With her white hair cut to a sharp crop, and wearing a relaxed navy blazer, chinos and black scarf on account of the arctic corporate temperature, she looks stylish and fit. I have never felt better in my life, and I am, like, 70, she says. Im really a late bloomer.
She says she feels a disconnect between how she sees herself and how people may view me when I walk down the street, like: Theres an old lady. You know, there is now this cult of the model. Everyone on the red carpet is made into a model. That is very hard to not play into I have a bit of podge I am trying to get rid of, but its hard. I just think, Oh fuck, Ive been doing this my whole life! But the irony is, you just get better and better with age. You dont feel less alive or less sexy.
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In Agatha Christies Crooked House. Photograph: Nick Wall
We are here to talk about Crooked House, the Agatha Christie adaptation debuting on Channel 5, before its theatrical release, in which Close plays Lady Edith, a matriarch of a very dysfunctional family. Close says, Christies grandson came to the set and he validated the fact that it was her favourite book, and the one that had never been adapted. He said when she handed it to the publisher, she was told she had to change the ending, because it was too upsetting and controversial. She refused. Its still pretty controversial.
This production, co-written by Julian Fellowes, might not be as spendy as Kenneth Branaghs $55m Murder On The Orient Express, but the ensemble cast is equally starry: joining Close are Gillian Anderson, Max Irons, Terence Stamp and Christina Hendricks. Close presides over her co-stars with gravitas and grace, in an understated performance that finds the humour in an otherwise bleak setup. But youd expect nothing less from the actor whose 40 years in the business started with star turns in Broadway productions (she won a Best Actress Tony in 1983 for Tom Stoppards The Real Thing). Her first film role, at the age of 35, was with Robin Williams in The World According To Garp, for which she received an Oscar nomination as she did for her supporting roles in The Big Chill and The Natural. Her performances in Fatal Attraction, Dangerous Liaisons and Albert Nobbs, about the life of a transgender butler in late 19th century Ireland, which she also co-wrote, racked up further Oscar nominations but still no win. This is seen by many as a travesty: Close brings a precision to her film work, honed through her years on stage. She has that rare taut quality Jack Nicholson also has it where you believe that beneath the steely control she is capable of snapping at any moment.
It was this that led Andrew Lloyd Webber to cast her in 1993 as the tragic silent movie star Norma Desmond in Sunset Boulevard on Broadway. Close reprised the role 23 years later, getting her old costumes out of storage (she has kept all her costumes and recently donated the collection to a university in Indiana) for its revival in Londons West End.
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As Alex Forrest in Fatal Attraction: Clearly she had mental health issues. Photograph: Rex/Shutterstock
But it was her Oscar-nominated turn as Alex Forrest in Fatal Attraction in 1987 that proved career-defining. Thirty years on, Close still counts Forrest as the character of whom she feels most fond; she has admitted to fighting tooth and nail against the films eventual denouement, which turned the character into a bunny-boiling psychopath and Close into the casting directors go-to woman on the verge for years afterwards. Now we have the vocabulary to talk about these things, clearly she had mental health issues, she says.
Close sits regally still as she speaks, emphasising her points by leaning forward and locking eyes. Shes comfortable with silences and often takes a theatrical beat or two before answering questions. Shes all poise and control, but does she ever lose her temper?
I express my feelings quietly. I am not afraid of confrontation, but I am not particularly good at it. If I get attacked, I am not good at attacking back. There is fight, flight and freeze and I tend to freeze. That is not a strength of mine. I love the fact that my daughter Annie [Starke, an actor] is more of a fighter than I am. She doesnt let people get away with shit. While she agrees that women have a harder time being angry, publicly, than men, she says, I have played a lot of characters, and actually anger makes you lose power. Patty Hewes [in Damages] she hardly ever lost her temper, but when she did, it was very specific. I have always felt you lose power if you get that angry.
The collective outpouring of anger among women in Hollywood right now is something of which Close is acutely aware. She says that sexism in the industry has shifted more slowly than it should have done throughout her career: It took Harvey Weinstein and someone calling him out [for real change to happen]. I know Harvey, and he has never done that to me, but people would say he was a pig. I never knew that it was that bad and I dont personally know anybody who has endured that. I would like to think that I would have done something about it.
We discuss whether its possible to separate the work from the personalities involved in it. News has just broken that House Of Cards will be back for another series without Kevin Spacey, after it was originally canned because of harassment claims brought against its leading man. Close wraps her scarf around her chest and fixes me with her electric eyes. Artists, to make a huge generality, walk on a very thin line. Sometimes, like my beloved friend Robin Williams, who was one step away from madness, whatever makes them a great artist also makes them very complicated human beings. Again, that doesnt mean they can prey on and abuse people.
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With Harvey Weinstein in 2013. Photograph: Mike Coppola/Getty Images
At the root of the problem of sexism in Hollywood right now is, Close says, biology. I think the way men have treated women, from the beginning of time, is because they have different brains to women. So I am not surprised by it at all. I say to a guy, Tell me the truth, if you see a woman walk into a room, what is the first thought that goes through your head? His answer, always, is, Would I fuck her? It doesnt mean they act on it. If you can evolve into a society where men know that they should not always act on it then there has been a positive revolution. But you cant just say that theyre not going to have the thought that is ridiculous. It also has to be the women, who are not powerful, to be OK to say no and leave the room. I think its unrealistic to say were going to change but we have to evolve.
I ask Close who she thinks is a great man today. She is silent, thinking, for what feels like a full 60 seconds in which I am so tempted to throw out some options: Barack Obama, the Pope, the friendly security guard on reception who let us in
Nelson Mandela, is her final answer, but Im not sure shes convinced. I guess for me, she says, greatness is taking your humanity and still doing the good thing. Its sad to say that there are very few men, who are leaders, who have some sort of moral code that they dont deviate from because of popular opinion.
She thinks we are undergoing a crisis of masculinity: In the public mind, yes. I was outraged when I heard that there was a war against men I was like, are you joking? What do you think has been happening against women for centuries?
Close knows all too well about the misuse of power, because her own upbringing was, as she puts it, complicated. When she was seven, her parents joined a cult. Moral Re-Armament or MRA was a modern, nondenominational movement founded by an American evangelical fundamentalist which extolled the four absolutes: honesty, purity, unselfishness and love. Her father, a physician working in the Congo, sent Close with her brother and two sisters from the family home in Greenwich, Connecticut, to live at the MRA HQ in Caux, Switzerland (Closes mother, Bettine, was a socialite).
She is vague on the details but clear on the impact this experience had on her as a teenager: I was repressed, clueless and guilt-ridden. The timeline is patchy, but Close travelled with MRA in the 60s as a member of their musical groups, and spent time back in Connecticut at an elite boarding school. I had a wonderful time at Rosemary Hall, a girls school, she says. I was in a renegade singing group called the Fingernails: A Group With Polish. But she remained, as she calls it clueless. A lot of my friends knew boys youd have these horrendous dances with boys schools and they would get the guys they wanted and I would just stay with the person I was with.
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As Patty Hewes in Damages. Photograph: Rex/Shutterstock
She was briefly married before going to university. It is a complicated story for me. I was married before college, and kind of in an arranged marriage when you look back on it, and my marriage broke up when I went to college, as it should have. I was 22. But my liberal arts school had a wonderful theatre that was my training, my acting school.
Was that where she finally learned about sex, popular culture, the ways of the world? Not really, she says. I still am learning.
Close has two sisters, Tina the eldest, and Jessie her younger sister; and two brothers, Alexander, and Tambu Misoki, who was adopted by Closes parents while living in Africa. At the age of 50, Jessie spent time in a psychiatric hospital and was diagnosed with bipolar disorder, a weight that had been hanging over the family, undiscussed, for years. Talking about mental illness just wasnt done, Close says. You dont have a vocabulary for it and youre also very aware of appearances. You dont want to appear a crazy family.
In 2010 Close founded Bring Change to Mind, a charity that aims to end the stigma around mental illness by talking openly about it and its effect on families. It was my nephew who was first diagnosed with schizoaffective disorder. This is basically schizophrenia with an ingredient of bipolar. And when that happened, it was like, What? My sister Jessie, his mother, didnt know what was wrong. He went to the hospital for two years and that saved his life. Then Jessie was, finally, correctly diagnosed herself.
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With sister Jessie in 2009. Photograph: Getty Images
Close felt a duty to her family to give them a high-profile person who is not afraid to talk about it publicly. It affects the whole family. We always knew my grandmother and mother had depression my sister does, I do to a certain extent. But I didnt know my great-uncle had schizophrenia. I knew my half-uncle died by suicide. There was a lot of alcoholism addiction, self-medication. Nobody ever talked about it. I knew my grandmother was depressed, but at first I thought she lived in a hotel, not a hospital, because she always said how good the food was.
Close says she and her siblings are of one mind politically, but admits she does have members of her family who voted for Trump. I tried to understand that. Theyre not crazy people who have been brainwashed by Fox News, but I try to understand the anger, because I think that has been building up ever since Watergate. It was watching that scandal unfold that made her realise Americans have always been naive, we just take for granted what we have, and we always thought of our leaders as good people. With Watergate, people became cynical about government.
Today, she says, Washington is a bunch of self-serving She searches for an expletive and after a second settles on men. She says, Its hard to believe that people are so out for themselves. It goes against what you would like to believe about your country. I feel eloquence is incredibly important for a leader, and we had that with Barack Obama, who made his initial impact because he gave that incredibly eloquent speech, but he lost his eloquence in his presidency. We always need someone to say, I hear you, someone who can put their words into unity and hope and we dont have that. I think the last person may have been Robert Kennedy.
And now you have Trump tweeting nonsense.
Its devastating. Social networks are now like our nervous system, and if you keep pumping that kind of crap into the nervous system, it is going to have an effect on a population.
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With Kevin Kline in The Big Chill. Photograph: Rex/Shutterstock
Close doesnt talk politics with her friends because she doesnt really have many friends. I have always forced myself into situations I am not comfortable in. I am an introvert, and I was painfully shy as a child. I think I still have a big dollop of that in my persona. I read a book called Quiet: The Power Of Introverts In A World That Cant Stop Talking and it was a real comfort to me I realised I was that person I had always been. And it was at that point I told myself to stop pushing myself into situations that I dont enjoy. I dread cocktail parties.
She tells me shes pretty reclusive and can count her closest friends on two fingers. I ask if shes still good friends with Meryl Streep.
I have never been close friends with Meryl. We have huge respect for each other, but I have only done one thing with her, The House Of The Spirits.
I apologise for assuming they were pals, being of a similar age and stature in Hollywood, and admit this negates my next question: Who would win in an arm wrestle, you or Meryl?
Close laughs. Oh, I would, because I am very strong.
***
The tightest bond Close has is with her only daughter Annie, 29. Annies father is the film producer John Starke whom Close dated for four years from 1987, but never married. Annie was never a door-slamming, difficult teenager. Close tells me: When my Annie was three, she looked at me, and said, I want you. I knew what she meant. I, at the time, was a single working parent, sometimes even when I was home, working or producing something, I was there and not there.
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With daughter Annie Starke in 2010. Photograph: Rex/Shutterstock
She doesnt think its any easier for working mothers today and acknowledges, I had it easy because I could afford to have help think of the women who cant afford it and have to put their child in some shaky childcare centre. No, I think it is incredibly hard for women. Any person, in any profession, feels that tug [of guilt]. We discuss the intimacy of the single-parent, only-child bond. Once, I went to vacuum Annies car seat as we were moving house, and a lot of life had happened there, so I was crying. She said, Mummy, are you OK? I said, Yeah, Im OK. And she said, Here I am.
She was married to businessman James Marlas from 1984 to 1987 and then, following other relationships, including that with Starke, she married again, in 2006, to venture capitalist David Evans Shaw, divorcing him nine years later.
Would she marry again?
I dont know.
Does she think marriage is important?
I think it is a positive evolutionary component that we are better with a partner. I think to have a partner that you can go through life with, creating a history with, that you can find a comfort with, have children with there is nothing better. This is an opinion I have come to very late in life, at an ironic moment, where I dont have any of that. I dont know if I will again. But I do think its a basic human need to be connected.
Despite this, shes happy on her own right now. This is a good time in life. I do think, what would it be like to have a partner again? But it would have to be very different from what I had before. Then I have that great dream and wake up happy.
Crooked House is on Channel 5 at 9pm on 17 December.
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Read more: https://www.theguardian.com/film/2017/dec/16/glenn-close-harvey-weinstein-mental-illness-cult-fatal-attraction
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