#it's their solo a star wars story review | Explore Tumblr Posts and Blogs

wits-writing · 1 year

Text

We Just Got a Letter(boxd)!: Star Wars Sundays

Back at the start of this year (as in the literal first thing I did on New Years Day) I decided to start up a weekly rewatch of all the live action Star Wars movies in release order.

Called it my “Star Wars Sundays”

It was intended to be something I did just for fun and just for myself. The further I went along into the series I found myself with more to say as my enthusiasm for this universe hit in a way it hasn’t in a long time ago in a galaxy far far away. That enthusiasm came through in what I was writing as I logged each movie into my Letterboxd profile, giving insight into whatever stood out to me (for better or worse) with each film. Mainly in the form of whatever about the movie was most immediately on my mind after watching.

Do I think anything I had to say is a particularly hot take on Star Wars? Somehow bringing something new to the discussion of one of the most thoroughly discussed film series ever made?

Not really.

But even as what I was writing about this movies got more detailed as I went along, I never lost the sense of fun I was having.

So since it’s The Day the Internet Drives a Star Wars Pun Into the Ground, I figured I may as well compile everything I wrote about those movies over those eleven weeks in one place.

Let’s get this started

Star Wars (Watched: 1/1/2023)

Starting a weekly release order rewatch of these movies, my first full look back at them in a while.

There’s an argument to be made that this original is still the weirdest of all the movies in a wonderful way!

[Note from the present: If I’d known I’d be posting these all together here, probably would’ve had more to say about this one]

The Empire Strikes Back (Watched: 1/8/2023)

The willful denial of closure by making the followup to one of the greatest crowd-pleasers of all time a story where the bad guys win and the heroes are stuck with their backs to the wall set a precedent that all "darker sequels" since have been trying to emulate.

Though the imitators often miss how character focused everything leading up to the downer ending of this movie. All the big spectacle action here is front loaded into the battle on Hoth before the scope focuses down for the rest of the movie on Luke's training with Yoda and Leia/Han's romantic back and forth.

Return of the Jedi (Watched 1/15/2023)

As a kid this one was always my favorite and the parts that made it that still hold up; escaping Jabba's clutches, the speeder bike chase, Luke's final confrontation with Vader, and plenty others.

But you can feel this one stretching out at the seams in a way the previous two did not. The narrative momentum those movie's benefited from is conspicuously absent here until the story's final third. Plus the ways Lucas was exhausted from managing these massive productions at this point shows in certain story decisions, like the hasty retcon to turn Leia into Luke's sister as a way to pay off the "No, there is another" tease from Empire. Thus closing off the original outline for the sequel trilogy, which would've focused on Luke's non-Leia twin sister.

All that said, by the time this movie is over and everyone's celebrating their victory together I can't help but feel my spirits being lifted as a smile winds up on my face.

The Phantom Menace (Watched 1/22/2023)

To say a few nice things; when the storytelling in this movie is purely done through the visuals, it's actually pretty great. That's probably the reason the Duel of the Fates sequence is so fondly remembered, no bit of story telling is stronger in this movie than the body languages of Qui Gon, Obi Wan, and Maul while the three are trapped between force fields.

The thematic groundwork this lays out for the rest of the prequels is also fairly interesting. Presenting the pristine style of the systems under the Republic in contrast to an Outer Rim territory like Tatooine. Which also speak to the misplaced confidence the Republic has in its own operation with hints laid that this is more a Gilded Age than a golden one, with corruption and greed laying just below the surface.

The problem is that everything around those elements of the story and even some of those used to communicate it are so stiffly delivered. Either through the pacing or the delivery from the actors. Plus this movie sucks at communicating its stakes, we hear so much about how Naboo is suffering under the Trade Federation's occupation but are shown no evidence of it even once. We spend so much time among aristocrats, politicians, and Jedi that this movie forgets to consider portraying the common people in any form besides the occasional line here or there.

This was the Star Wars movie I always felt like revisiting the least when I was a kid. While there are ones I dislike more now (we'll get there in the coming weeks), this rewatch made me remember why that was.

Attack of the Clones (Watched: 1/29/2023)

There's definitely something to be said for how this movie chooses to be about the birth of the Galactic Empire. Obi-Wan's plot following the machinations and conspiracies that are literally manufacturing the armed forces for both sides of the upcoming Clone War drives our view into that aspect of the story. Genuinely love the way it culminates in Dooku flatout telling Kenobi what's happening with the Republic in the lead up to this war. Whether the Jedi believes him or not, it strikes a division between the Jedi Order and those they serve regardless.

Anakin's side of the story, on the other hand, has to rest a lot of its substance on George Lucas' (self-admitted) lackluster dialogue. Since the Prequels started with Anakin so young and innocent, this movie needs to sell us on Anakin both as a noble Jedi Apprentice in his own right and as someone on the edge of falling to the Dark Side. It winds up in a place where his journey to evil feel rushed and underdeveloped as it gets left off in this entry.

Revenge of the Sith (Watched: 2/5/2023)

The Prequel Trilogy's central trio of characters is clearly meant to be Anakin, Obi-Wan, and Padme. A big problem this movie has is that one member of that trio is given no agency or story to speak of for themselves. Padme's entire character gets reduced to "worried about Anakin" and her utility in the plot down to "gives birth to Luke and Leia." I can't argue with the fact that she gets the best line in the movie with "So this is how liberty dies... with thunderous applause." But one good line does not make up for every other misstep this movie makes with her.

Those problems with the part Padme plays in this movie are in line with the problems Revenge of the Sith has in its overall plotting. It's in a rush to get everything to where the audience remembers it being at the beginning of the 1977 original film. Which gets in the way of the good things this movie does have going for it.

I enjoy the opening 20 minute long set piece's role in this narrative as a last "just for fun" adventure for Anakin and Obi-Wan. It create the necessary dramatic contrast to how they end the movie on opposite sides. This movie is also dramatically playing on what I said about Attack of the Clones, the Republic was already the Galactic Empire in all but name by the time that movie ended. What we see here are simply the last steps Palpatine has to take to make sure there are no more obstacles in his way.

Purely from a broad plotting standpoint this is a perfectly tragic finale to a trilogy that was always building to tragedy. But the rush it's in to make sure that tragedy can happen within its runtime ends up failing several key elements that could've made this a stronger movie.

The Force Awakens (Watched: 2/12/2023)

I love how effectively this movie sets up its two leads in Rey and Finn. The first chunk of this movie dedicated to setting up each of them as fundamentally lost people, but in inverse ways.

Through the village massacre by the First Order that opens the movie and helping Poe escape, we see Finn realize he wants no place in the fascist idea of "order" he's been raised/trained in. He decides to start running and that brings him right into the path of the people that are going to start changing his life for the better, Poe and Rey.

While Finn's defined by how he's running from danger, Rey's established as someone determined to stay put despite dreaming of adventures like those in the legends she's heard. A character trait acutely visualized when she takes time out from eating her dinner to put on an old Rebellion pilot helmet as she watches starships leave Jakku. Coming across BB-8 puts her on a path that winds up crossing with Finn's and winds up forcing her out of her desolate situation as a scavenger gathering scraps of tech in exchange for scraps of food. Waiting for people that are never going to come back for her.

The journey this movie takes them on together culminates when they reunite. Finn chooses to run towards the First Order for the sake of his friend after spending the whole movie determined to run away. In doing that, he winds up proving to Rey that she now has people in her life that care enough to come back for her.

Rogue One (Watched: 2/19/2023)

(Note: I haven't watched Andor yet and fully intend to at some point)

I deeply wish this entire movie was as well executed as its final act.

Up until the mission on Scarif, Rogue One is fairly scattershot in terms of how it executes on the ideas it presents. A nature reflected in the narrative structure provided by the films editing. A problem that starts early on as we quickly jump from Jyn as a child in the prologue to her as an imprisoned adult for all of thirty seconds before jumping directly into Cassian's introduction. We don't get to know how Jyn is living with her current situation and only get told about it later when she meets with Saw Gerrera.

The majority of the titular squadron don't really get much breathing room for us to get to know them. Their personalities mostly communicated through quick inferences. Ones that all make me want to know and see more of them, but still simply inferences.

One character who is incredibly well developed that I've loved since the first time I saw this movie is Ben Mendelsohn as Imperial Director Orson Krennic. A figure who wields what limited power he has in the Galactic Empire's structure with great pride and takes it incredibly personal when that power doesn't grant him more reward than his superiors are willing to deal out (or even actively deny.) A perfect balancing act between menacing and pathetic.

Which brings us back to this movie's final act on Scarif, because Krennic's position within the Empire plays in parallel to the position of the rebel soldiers that make up the unit of Rogue One. While Krennic longs for recognition at any cost short of himself, Rogue One fight to make the Galaxy a better place even if they're never recognized for it. The ideological division, mixed with some of the best on screen action in a Star Wars film makes this movie's bittersweet conclusion strong enough to make up for the messy way the movie gets there.

The Last Jedi (Watched: 2/26/2023)

Despite the hell of modern Star Wars discourse, despite what followed in this trilogy, despite everything...

This is still my absolute favorite Star Wars movie!

A movie that says hope isn't just something to believe in, but something you can create for yourself and others

A movie that says it's never too late to learn from your failures and that those failures don't define you

A movie that says our place in the world and among those we love are not preordained but the product of our choices

A movie that to this day reminds me of why I fell in love with Star Wars to begin with!

I wish I could be more elaborate and articulate about this, but in the immediate aftermath of this rewatch, the fact that it still has the effect it did on me when I first saw it in the theater is overwhelming.

All coming down to the great action, fun characters, spectacular visuals, and the perfect final shot!

Solo (Watched: 3/5/2023)

I'll take this over a hundred deep-faked Luke Skywalkers!

Alden Ehrenreich plays a character I can believe grows into the smug scoundrel we all remember from the original trilogy. Trying to act like he's not flying by the seat of his pants at any given moment, improvising his way around every new dangerous scenario.

The action set pieces here are a nice, varied series of heists across the various parts of the criminal underworld of A Galaxy Far Far Away. My absolute favorite being the chaos that gets unleashed on Kessel.

Feel like some people never gave this one a fair shot, but I still find it a pretty damn delightful space adventure.

The Rise of Skywalker (Watched: 3/12/2023)

A large part of why this movie still rubs me the wrong way is that I can tell it is trying so hard to be a satisfying, high-energy, action-adventure that also brings some form of thematic closure to the "Skywalker Saga." (A term for the nine "Episode" movies in the film series that was invented for the sake of marketing this movie.)

But I would've been fine with a movie that just brought a satisfying conclusion to this trilogy as its own thing. The only story line that does feel like it's prioritizing the weight of this trilogy's themes in this movie is Poe's character arc, picking up right from where we left him in The Last Jedi. An arc that asks whether the spark of rebellion will in fact come through to light the fire that will burn the First Order to the ground.

Culminating in a moment that I should, in theory, absolutely love, where those ordinary people gather up to join the final battle and turn the tide in The Resistance's favor. All the while the villains are baffled that the ones out maneuvering them are "just people" rather than an organized fleet.

But I can't feel what that moment's going for because it gets buried in The Palpatine of It All, which drags everything this movie could've had going for it down. The presence of the classic Star Wars' biggest Big Bad winds up being the main thing to override what the previous movies in this trilogy built up, especially with Rey. Her arc in this movie requires her to push away the very bonds she spent the previous two movies building after a life in isolation, but it feels so... forced (for lack of a better term.) To the very last minute this movie doesn't actually seem to care about those bonds, because where we could've ended on the shot of Rey, Finn, and Poe hugging in relief in celebration, we instead tack on a lazy callback to A New Hope where Rey is back where we first found her, alone on a desert planet.

Going through these movies on a weekly basis throughout the year so far, I've tried to find stuff to like in each of them no matter what my preexisting opinions of them were. Even in the ones I don't necessarily like, I managed that. But with The Rise of Skywalker, even finding those things (I genuinely think the fight between Rey and Kylo on the Death Star wreckage is the most interestingly choreographed fight in this trilogy) didn't make up for what it lacks.

If you like what you’ve read here, please like/reblog or share elsewhere online, follow me on Twitter (@WC_WIT), and consider throwing some support my way at either Ko-Fi.com or Patreon.com at the extension “/witswriting”

#star wars #movie review #wit's writing #We Just Got a Letter(boxd)#a new hope #the empire strikes back #return of the jedi #the phantom menace #attack of the clones #revenge of the sith #the force awakens #rogue one #the last jedi #solo: a star wars story #the rise of skywalker

9 notes · View notes

guywithbeer · 8 months

Text

Check out my review of the Star Wars SOLO movie here and subscribe for daily uploads.

#SoloAStarWarsStory #review #starwars #scifi #sciencefiction #action #adventure #hansolo #wookie #chewbacca #ronhoward

#solo #star wars #solo a star wars story #action #adventure #review #disney #han solo #chewbacca #millenium falcon

0 notes

moviecriticseanpatrick-blog · 1 year

Text

0 notes

andy121019 · 1 year

Text

My @letterboxd review of Solo: A @starwars Story.

This is a film that if you had asked my thoughts on previous to this viewing I would have said “I hate it”, well thankfully I’ve grown somewhat to appreciate it for what it is.

#film #letterboxd #film review #star wars #solo: a star wars story #alden ehrenreich #han solo

0 notes

thedetectivesteve · 1 year

Text

Casual Reviews #103 - Solo: A Star Wars Story

youtube

(Due to the low views I was getting on Casual Reviews, this would be the last episode I would post on my channel.)

#solo: a star wars story #han solo #star wars #movie review #film noir #detective steve #casual reviews #alden ehrenreich #woody harrelson #joonas suotamo #emilia clarke #prequel #origin story

0 notes

from-a-legends-pov · 2 months

Text

From a Legends (Legend’s) Point of View 2024

Background

From a Legends Point of View (or From a Legend’s Point of View, see what we did there?) is a Star Wars fandom fic event dedicated to celebrating the characters and stories of the Star Wars Legends continuity during and around the time of the Original Trilogy (OT).

Building from the talents of the many writers in the Star Wars fandom, we hope to develop and share a diverse collection of approximately 40 stories of pilots, smugglers, spies, scoundrels, and other characters from the original Star Wars Extended Universe in mid-September 2024.

How It Works

At signup, writers will each pitch at least three (up to five) different ideas for a fic of 5k-10k words to write for the collection. The pitches should focus on Legends characters or situations during the Original Trilogy and must fit the other story and pitch guidelines listed below.

Mods will review signups and assign one pitch from each writer to be written for the collection, with a goal of creating a collection with stories covering a variety of OT-era time periods, characters, and events.

Writers will submit their fics to a collection on Archive of Our Own (AO3), which will then be shared with the fandom.

Schedule

Sunday, April 28: Signups are now open - Use the From a Legends POV - Pitches form here to sign up. (Step-by-step Signup Guidelines available here.)

Sunday, June 2: Signups close

Saturday-Sunday, June 8-9: Writers receive their assignments

Week of July 7-13: First check-in with writers

Week of August 4-10: Second check-in with writers

Sunday, August 11: Final drop out deadline

Sunday, September 8: Assignments due

Sunday, September 15: Collection revealed

(More details under the cut…)

Story and Pitch Guidelines

All stories should be set during or within six months of the events depicted in the Star Wars Original Trilogy films (0 BBY - 4ABY), and set within the main Star Wars galaxy (aka the Galaxy Far Far Away/GFFA).

Stories should focus on characters and/or events in the Star Wars Legends continuity, which can include any characters who appear in the three Original Trilogy films as well as characters from the Legends novels, comics, video games, or other materials.

Shipping guidelines: Stories should not be focused on romance or shipping and should not include smut. References to ships among characters in the story or among other characters are fine, but please limit these to mentions (for ships that do not include the point of view character) or subtext (for ships that do include the point of view character). Within these restrictions, any ships are allowed, regardless of whether they are considered canon in the Legends continuity.

Ratings and archive warnings: Any ratings or tags are allowed, as long as stories are appropriately tagged and follow the other story guidelines (e.g., no smut).

Each writer will submit at least three and up to five pitches for stories they would be willing to write for the collection. Across all the pitches, stories should feature a minimum of at least three different characters and a minimum of at least two different time periods during the OT. To ensure that we include a wide range of characters and stories in the collection, at least two pitches should feature a point of view character who is not one of the Original Trilogy main trio (Luke Skywalker, Leia Organa, Han Solo), and at least one pitch should feature a point of view character who is not another prominent OT character (Lando Calrissian, Chewbacca, R2D2, C3PO, Darth Vader), nor a member of the Rogue Squadron “Fab Four” (Wedge Antilles, Wes Janson, Tycho Celchu, Hobbie Klivian).

Stories for this collection are intended to add to the universe of fic we have for Legends; please do not submit pitches for stories you have already written and shared elsewhere, even if they fit the other guidelines.

Signup and Submission Details

Signups are now live! Use this Signup Form to share each of your pitches and provide contact information, including your Archive Of Our Own (AO3) username. Step-by-step Signup Guidelines are available here.

Once all signups have been reviewed, one of the mods will contact you via the information provided to let you know which one of your story pitches has been accepted (your assignment), and will provide instructions on how to submit your assignment to the collection.

We will also provide a signup form for people who would be willing to serve as a beta reader or cheerleader for other writers. Writers can request a beta reader when they sign up, or at any time before the beta request deadline (approximately two weeks before assignments are due). Betas may be available on a more limited basis after that deadline, but cannot be guaranteed.

Mods will check in with all writers twice over the course of the writing portion of the event to see how they are doing and connect them with a beta reader, cheerleader, or other assistance as needed. Please be sure to check your messages regularly and respond promptly to messages from the mods.

If you realize you will be unable to complete your assignment in time, please let the mods know as soon as possible, but definitely prior to the August 11 dropout deadline. That will enable us to reach out to find potential pinch hitters as needed.

Assignments are due Sunday, September 8 at any time. You will submit your fic via AO3, mods will confirm that it follows story and tagging guidelines, and it will be approved for the collection. The collection will be open for submissions a few weeks ahead of the deadline if you wish to submit early.

Because we intend to reveal these stories as a collection, please hold off on sharing or promoting your story until the full collection is released on September 15. After that time, please promote your story and others in the collection as much as possible!

Questions?

We’ll be posting more information as we go, but here are a few ways to find out more:

Check out our FAQ post HERE.

Follow @from-a-legends-pov for more updates and occasional Legends-related content

Send an ask to @from-a-legends-pov or contact Tumblr mods @ewokshootsfirst or @lajulie24

Reach out the event mods by email: [email protected]

We’re excited to share this event with you — please help us out by spreading the word!

#mod post #fromalegendspov2024 #event overview #star wars #star wars legends #star wars extended universe #star wars fanfiction #star wars fandom events

119 notes · View notes

walkawaytall · 1 month

Note

Now that I finished reading (and reviewing) Collateral, I thought I'd come with some questions, if you haven't answered them before! This was the first fic you posted, but was it the first HxL fic idea you had? How did you come up with this particular take on the Ord Mantell mission? Are there any subtle Easter eggs that you had fun including?

Ooh, thank you for asking! Other than a vague idea I started to write down as a preteen that essentially amounted to “Han proposes to Leia the night after the Battle of Endor and I’m sure I’ll come up with an actual plot later”, this was the first fic idea I had. I had written for another much, much smaller fandom in high school, but hadn’t written or read fanfic in probably 15 years or more. I was in severe professional burnout toward the end of 2022, had just sort of re-embraced Star Wars after avoiding it a lot post-TROS, and decided to start reading for my original OTP. I had also been working on a novel for quite a long time and it was driving me insane, so after blazing my way through a ton of Han/Leia fics on FFN, and later on AO3, I thought I might try writing some fanfic just to have fun with writing again since the novel was making me miserable.

I remember coming up with the idea for the Committee first — the intent with at least part of the fic was to suggest that a lot of the stuff Leia and Han say to piss each other off in ESB are kind of low-blow-type callbacks to private jokes or things they had discussed previously. I also remember reflecting a bit on their relationship and how it’s portrayed at the beginning of ESB — how some people have interpreted that to mean that they spent three dang years griping at one another, but somehow fell in love in between verbal jabs. I think I mentioned this in an early author’s note on Collateral — I had a friendship that was mostly verbal sparring and stupid arguments about things neither of us cared about and it stops being fun after awhile. Eventually, we both just kind of started acting normal around one another. And I just kind of figured that, even if Han and Leia started out picking each other apart, there’s no way they’d go from that to romance in a few words, so I felt like they had to have a friendlier history than what we’re shown. (Plus, I may be reading too much into it, but the way Carrie and Harrison play those parts in that movie, it doesn’t seem like two people who just hate each other to me; it seems like two people who’ve been deeply wounded by one another and aren’t sure what they’re supposed to do. And you have to care about each other somewhat to be wounded by one another, ya know?)

I wanted a fic that was limited in scope for my first fic so I wouldn’t get too carried away with trying to add to a meandering plot or whatever, so I decided on the couple of weeks before ESB starts. I had read a handful of fics about Ord Mantell or referencing Ord Mantell and decided I wanted to do my own take on it. I didn’t know a ton of Star Wars lore, so I remember having to research on Wookieepedia a ton. I do believe my initial intent was for Han and Leia to start their romantic relationship on the trip, but the characters misbehaved while I was writing and Leia kissed Han in her room instead, and I ended up going with that.

Even though I knew most H/L fans would be expecting Ord Mantell to go poorly, I wanted to repeatedly put people at ease, at least in theory. The gang isn’t even worried about Ord Mantell, so why should we be? Everything’s going so well! Han and Leia go on a cute date and everything is fine! Basically, if someone went into the story not knowing about the infamy that Ord Mantell has gained in H/L circles, I wanted them to wonder if anything was actually going to go wrong.

As far as Easter eggs go…I wrote Han with the “Han Solo is mildly Force-sensitive” fan theory in mind. It’s not blatant, but it’s there. Some of the conversations they have reference Leia, Princess of Alderaan and From a Certain Point of View (Leia knowing Huttese comes to mind), and I do assume people catch this, but just in case someone didn’t, the final big conversation that Leia and Han have in her office occurs the afternoon before ESB picks up. The sensors she talks about are the same ones he and Luke are placing at the beginning of the movie.

Oh! Wait! I forgot my favorite one. I never come out and say it, and I don’t know if I even ever implied it, but in my mind, the reason the Falcon is in such rough shape at the beginning of ESB is because, after Leia and Han’s interactions go entirely sour, she stops helping with background repairs, which means Han and Chewie have more to do with just the two of them.

This was incredibly long! Hope that’s okay 😂

#it me #title: collateral #star wars fanfiction #star wars fanfic #hanleia fanfic #wat answers

8 notes · View notes

piglet26 · 4 months

Text

Rey Solo... Rey from Jakku.... Rey No one... anything but Rey Skywalker.

The Last Jedi simply revealed that Rey was a "nobody" – perhaps the most shocking and least expected outcome for the Rey lineage debate. It was a perfect twist in our heroine story despite people seeming desperate for her to be connected to some man already in the franchise.

Daisy Ridley has even expressed her frustration with the Rey’s lineage debate multiple times, “I love that Rey is such a great character, they’re like: ‘No, no, she has to be… she has to be-’She’s her own person! Let her be her guys, let her live."

Exactly! Why did people care so much? Maybe initially, it was fun to hypothesize. However, once the reveal came out people actually liked that she was fresh, a brand new start instead of just nostalgia, or, a way to continue on a males legacy. We have Ben Solo for that, or, at least we did.

More than a shocking twist created just to subvert expectations, the Rey “no one” reveal encapsulated The Last Jedi’s perfect message – anyone could be the hero of their own story. Rey’s realization was that her heritage don’t matter ... all that matters is who she chooses to be now. Rey’s legacy didn't need to be defined by Luke or Leia, which would leave her free to start her own story - hell, Star Wars to have a future. On the other end was Ben/Kylo Ren, who did come from the mighty Skywalker family and hailed as the son of heroes and wanted to escape that legacy.

Then here comes JJ "Nostalgia Kind" Abrams and Chris Terrio. Terrio here “We also thought that Rey’s arc cannot be finished after Episode VIII. You can leave Episode VIII and say, “Well, now, Rey is content. She’s discovered her parents aren’t Skywalkers, or whatever, and that’s fine.” But so much of her personal story was about where she came from, what kept her on Jakku all those years and the trauma that shaped her. We see quite strongly in Episode VII that something mysterious and troubling happened to her. Although she did get some answers in Episode VIII, we didn’t feel that that story was over. We felt that there were still more questions in Rey’s head about where she came from and where she was going. So, that was the other big idea that we had to address in this film. Rian’s answer to, “What’s the worst news that Rey could receive?” was that she comes from junk traders, and that’s true. She does come from junk traders; we didn’t contradict that.” No, you just went back to what you wanted in the beginning.

By the end Rey takes on not only the Skywalker name but she looks over two suns which brings me to the point of this essay...... if Ben wasn't going to be there, then she should have taken last name. Rey Solo.

What's irritating about LucasFilm/Disney is their desire to appease everyone. I don't give a damn about the antis, nor should they. Reylos were a big support group for the films and mightily invested. TROS came off as trying to please everyone. If we really think about, with the exception of the end of Exegol, the Rey and Kylo interactions lacked depth and intimacy. Perhaps it's just not the style of JJ Abrams and Chris Terrio, who did support the pairing.

While I'm 100% convinced Reylo was planned, all the creators seemed very open to adjusting if it wasn't working. Hence why Finn and Poe were both open considerations, especially Finn. I don’t think Adam or Daisy intentionally played up any sexual tension in their scenes together to give us an impression about something in TFA. I think it just happened. Early bird Reylos picked up on it. Some critics, including the one who wrote the TFA review for Time magazine, picked up on it. Rian Johnson picked up on it too and the rest is history.

Leia’s behavior's is odd for entire decades. Being a trained Jedi herself, she could have taught her son - instead she sent him to his uncle( Oh wait, that was a retcon). Han was either helping with the Resistance or off doing something shady. From the novels we learn that Ben heard his parents arguing and talking about him like he was a monster ever since he was a child, and that when he was sent away this seemed to confirm to him that something was wrong with him and had to be fixed. (From the novels we also learn that he actually had no ambition to become a Jedi and wanted to be a pilot - true Skywalker and also Solo that he is -, but he had no say in the matter.)

For both Ben and Rey, their journey is about letting go of childhood trauma and discovering their own independence. Ultimately it's about their pairing being both emotionally healing AND a balance in the force. They are a DYAD after all. I saw all this to say, he is her closest personal connection and impact through the 3 films. Leia is her master but we don't see that, it happened off camera.

Terrio says that the decision to have Rey take on the name “Skywalker” was a way to show that “you can choose your ancestry.” Which is not true and also a strange thing to say considering.

Which brings me to the correction of this tricky trail. Pay Adam Driver want he wants and reunite the dyad.

#reylo #star wars #ben solo #rey star wars #kylo x rey #rey skywalker #finnrey #kylo ren #ben solo deserved better #ben solo x rey

19 notes · View notes

wonderfulworldofmichaelford · 10 months

Text

I did promise the next one would be on some more popular and obvious movies to talk about on a show like this, and combined with my Disney month, there is a genuine wealth of infamous films and bombs!

This will be my last review in July. Spice World and Syndrome will drop this weekend, whatever you vote for here will be out by next Wednesday, and then I’m off to Disney World/Universal!

1. Infamous bomb based on the classic western series, this one starring America’s Most Beloved Domestic Abuser Johnny Depp as a Native American. Very tasteful.

2. One of the biggest bombs ever, based on the sci-fi series by Edgar Rice Burroughs. Probably shouldn’t have left the “of Mars” out of the title.

3. This is gonna be my third time reviewing this movie if you pick it lmao. It’s been a few years since I talked about this weird jukebox musical fantasy romance from the mind of George Lucas, though.

4. Robin Williams portrays the spinach-eating sailor in this live action cartoonish musical. Also Shelley Duvall proves she was born to be Olive Oyl.

5. The most infamous of all of Disney’s DTV sequels. One of those sequels you wonder why it even exists.

6. Perhaps the most infamous Disney animated movie of them all.

7. Ralph breaks the canon of the first film and tests my fucking patience.

8. The Marvel movie about immortals that has the most mixed reception of all.

9. Han Solo origin movie that fucked the future of Star Wars movies by falling flat.

10. This is a movie that isn’t necessarily considered outright bad, but it definitely is controversial and contentious, with its existence causing much debate.

12 notes · View notes

miloscat · 11 months

Text

[Review] Star Trek Prodigy: Supernova (PS5)

I love to see budget licenced games still being made.

Prodigy is one of my favourites of the (many) new Star Trek shows. It’s got some Star Wars vibes, not just from the The Clone Wars-esque art style, but also the story of a band of misfits coming together to survive in a crapsack galaxy. Now that I’ve caught up with part 2 of season 1 (which was split in half for some reason) I thought I’d check out this companion game.

Like the show, the game could be classified as “for kids”. It’s not dissimilar to the Lego games which I always enjoy: a semi-isometric perspective, puzzles and simple combat, objects to bash and collectibles to find. The two main gameplay modes of puzzle-solving (via block-pushing and logic gates) and robot-battling (via bashing and pew-pewing variations on the show’s Watcher drone) are fairly well-developed if lacking in variety, while the rest of the experience is rough around the edges. These two modes are also very discrete, with rooms basically alternating between the two.

The game is wired for co-op but is technically playable solo by swapping between the two characters. Dal has more ranged options with different kinds of phasers, and for puzzles can lift heavy boxes and “camouflage” past security cameras. Gwyn is more melee with her “fretwork” heirloom morphing between sword, fists, and spear, and can also use it as a bridge or shield against certain lasers. Rescuing the rest of the crew is the main initial objective and once found, they can open certain themed doors and periodically activate a combat effect.

While the game is set in the mid-season gap, there’s a few plot details that are more impactful coming from the show’s second part as opposed to their insertion here. For example, the antagonist is a third Drednok from the Vau N’Akat Order who has enslaved the three-world system that is Supernova’s setting. It works well as an interquel adventure, and the show’s actors all reprise their roles nicely (although the two leads only having two oft-repeated attack and dash grunts gets grating).

The lead game designer and co-creative director Pere Suau Massanet of the upstart Spanish dev studio Tessera is credited with the original story, while actual writing fell to freelance Brit Martin Korda, many of whose most recent credits centre around the Fifa games’ story modes. Some questionable tendencies seem to have snuck their way into the game script, such as Janeway at one point cloaking the ship (something the Protostar is not supposed to be able to do!) using “Bajoran magic” (???), or out of nowhere giving Dal the character trait “constantly making shallow and nonsensical references to Star Trek stuff”, along the lines of “it’s hotter than a Cardassian fire pit” or “it’s colder than a Betazoid freezer”. On the other hand, there is some fun to be had such as with the collectibles, one being a toy version of Voyager’s Salamander Janeway, and I enjoyed the running gag of the crew picking up the expression “check it” from Dal as a part of their official communications.

After rolling credits, I considered replaying levels to find more relics for the captain’s quarters or to unlock more concept art, but having to redo the busywork of puzzles I’d solved before and undertake yet more repetitive combat was a prospect that lacked appeal. But I had a decent time playing through it once. I just wish there were more than two of those attractive, stylised motion comic-style cutscenes that bookend the game. Not that the in-game graphics don’t look good and match the show (except for Dal who looks a bit weird).

Two final notes. I called this a “budget” game because it has a budget feel on the development side, but on the consumer side it’s actually quite expensive at the A$70 mark. Try to get it on sale. And I loved seeing some casual nonbinary rep in this game from Lorn’ess, one of the two oppressed natives you meet. This is in addition to the main cast’s Zero of course, who joined the ranks in new Trek alongside Discovery’s Adira and Strange New Worlds’ Captain Angel. Pride!

#star trek #star trek prodigy supernova #star trek prodigy #tessera studios #review #ps5

7 notes · View notes

paulsebert · 7 months

Text

With that said I do believe there have been instances in which I and my friends have engaged in some rather ugly fandom. My online persona first arose in the late 90s/early 00's during the heyday of Television Without Pity, an now mostly extinct fanfiction sub-genre called MSTings, and the writings of the late Chris Hyatte For those who don't remember him I consider Hyatt one of the internet’s great cautionary tales. During the waning days of the wrestling boom fans call “The Monday Night War” Hyatte was a genuine rock star of what we called The Internet Wrestling Community. (Now we just call them wrestling fans.) His fly by the seat of his pants style was truly hilarious and paved the way for a generation of wrestling writers. Alas Hyatt proved to be his own worst enemy as the guy had no off switch. His tendency at lashing out at wrestling personalities (most notably former WCW and current AEW commentator Tony Shiavone) and other fans like fellow Scott Keith resulted in him flaming out quickly. He was granted chance after chance burning bridges every time. At the time of his death in 2020 he had about 440 followers on Twitter which is two less than I have now. I was one of the last people to follow him in any capacity.

In that environment started writing comic reviews for Comics Nexus and Spider-Fan. I attained a great bit of a following for my reviews of Daniel Way's Venom, a book that I still consider one of the all-time hilariously bad comics of the era. Years later I met Daniel Way at a comic convention after he had largely redeemed his reputation with a successful run on Deadpool. As a young writer Way was in a position by Marvel management where almost ANY writer was doomed to fail. Basically Marvel signed him to write a new Venom comic only to be informed he couldn't use Eddie Brock. Way set out to write a horror comic inspired by The Thing only to be informed that it was going to be part of a PG-rated comics line aimed at Manga readers. When the series became the highest selling book in the fledgling Tsunami line by sheer virtue of being the first solo Venom comic released in several years Marvel asked him to shoehorn Wolverine (and subsequent guest stars) into the story at which point Way was like “sure why not.”

Flash forward a decade later. Once again “angry reviewers” are in vogue as The Nostalgia Critic is at peak popularity as is Red Letter Media's Mr. Plinkett character. Even CinemaSins hadn't devolved into the complete clickbait that it is today. Marvel comics debuts a book called Avengers Arena which teenage heroes from several previous books: Avengers Academy, Sentinel, and Runaways were first to duel to the death by Arcade who very abruptly went from Marvel's most fun villains to least fun villains. It was a shameless Hunger Games cash-in that was one of the most thoroughly unpleasant comics I've ever read. I started blogging on Tumblr as a way of venting and it brought me a bit of catharsis.

However with a decade of hindsight I realize that I was probably too hard on writer Dennis Hopeless. Remember Hopeless’ original pitch for the book was a new version of Excalibur consisting of teenagers mentored by Captain Britain. It simply wasn't the book he had wanted to write but the book Marvel editorial wanted. He was in a lose/lose situation. It was only a run on Spider-Woman that was generally well regarded and a WWE tie-in Comic that was much better than the actual WWE television product that I really appreciated how talented he was. Like Way before him he was just a guy doing a job in a lose-lose situation.

I stopped doing my “Worst Comics of the 2010s'' series around the time that Marvel's Secret Empire event came out. The story was largely the victim of terrible and I mean TERRIBLE timing. The people involved didn’t predict the rise of Donald Trump and just how quickly everything would go to shit. In 2015 “dude what if Captain America was like the absolute worst” villain must have seemed like a can't miss idea. In 2016 it was a heart-breaking reminder of the country's wounded psyche and in its promotion of the event Marvel basically left writer Nick Spencer to be hung out to dry. While I find Spencer's body of work to be staggeringly uneven, he was ultimately just another work for hire talent in over his head. With the benefit of hindsight I would have handled things a lot differently.

With years of hindsight I probably would have voiced my views differently. It's tempting to blame the current abysmal state of comics discussion on the endless cycle of corporate reboots and gimmicks or reprehensible movements like “Comics Gate” but the roots are much deeper. In fact in some ways it might have been worse. Over on his blog Mark Evanier talked about how Mark Robbins became one of the most controversial Batman artists of his day simply because he didn't draw like Neal Adams. As hard as it might be to believe there was a generation of comics fans who called Jack Kirby “Jack the Hack” because they didn't like his later works like Machine Man and The Eternals. Then you have the whole sad backlash to Ron Marz and the H.E.A.T fan movement.

It is too tempting to write creators off without looking at their whole body of work. Steve Englehart is simultaneously one of the most important comic creators of his era AND the writer of the hilariously clueless New Guardians. I dislike many of the comics Brian Michael Bendis has written but I respect the importance of Ultimate Spider-Man and still look back fondly on his Daredevil run. Howard Mackie who became fandom's shorthand for “Hack” because of his Spider-Man runs recently made a comeback of sorts for Marvel on a Danny Ketch: Ghost Rider-Mini series and having read the first two issues it's a lot of fun! I'm rooting for him.

I want people to know that I am monitoring the situation closely. I understand the concern but I also do not want to cut anyone off unless I absolutely have to. I am content to focus on my own conduct before pointing at others. For now I simply ask fans to treat comic creators like human beings and wish to lead by example. I'm not against a little well placed anger or even a tiny bit mean-spirited humor but I'm just going to be more careful in how I wield it. I haven't written much about comics as of late due to my work/life schedule BUT when I get around to it I'm going to try to be a lot more respectful in my own writing. I simply ask others to do the same.

#comics fandom #fandom #nerdom #state of the blog #my own stuff

4 notes · View notes

bettsfic · 2 years

Note

betts your obiwan posting makes me want to watch it, as a prequel fan. i havent looked at star wars in ages and dont have disney+ is this worth pursuing??????

i was certain, CERTAIN, i would be immune to Obi-Wan Kenobi (dir. Deborah Chow, 2022). for 17 miserable years i've been adamant that should disney exhume hayden christensen's acting career for the sake of new darth vader content, i would not be among its audience.

i've been angry most of my life about the prequels--not just that i loved them while recognizing they didn't live up to their potential and that the success of the franchise was largely because a mediocre dude had the right idea at the right time 45 years ago. but also what i loved about the prequels went totally unseen by many fans and made me feel very alone and like i was just making things up (i've since found a lot of people who love the prequels in the same way i do).

what made me angriest though was the unfair and wildly offbase criticism of hayden's acting. i can agree the dialogue is weak. the direction is weak. but hayden christiensen chews the scenery and spits it out. he's phenomenal. so i just couldn't bear the thought of even more of that in the year of our porg 2022, after the hatred for the prequels had finally died down in the wake of rise of skywalker which i think many of us can agree sunk star wars to a new low. not to mention the disneyfication of the franchise which pushes out new shiny happy content nonstop so that star wars is no longer an eagerly anticipated event, just another show on tv, fighting for attention against all the other content out there.

i can't tell you what exactly changed my mind. it wasn't like i saw any positive reviews or a ton of gifsets or anything. in fact it might have been the total absence of hype that sparked my interest. four of six episodes had aired and my feeds were still mostly ofmd and tgcf. so i gave the first episode a shot.

as expected, i was not wholly impressed. the first episode is a lot of plot setup. a little boring. i didn't end up watching the second episode that night. but for days after i kept thinking--isn't this what i've always wanted from star wars? a well-crafted character study that takes its time? a thoughtful story about the aftermath of revenge of the sith, the more intricate economic and social consequences of the clone war and the rise of the empire? ewan mcgregor being a dilf???

i guess until now i didn't believe i'd ever see live action prequel-related star wars content made by someone with more respect for the source material than shock value or high tech explosions. and that was silly of me--i loved rogue one and solo. i wasn't super into the mandalorian but i watched it and recognized it was trying to do something new. those were all different to me though. i wasn't emotionally attached to the original trilogy and its adjacent stories the way i'm attached to the prequels.

[some spoilers after this but nothing you couldn't piece together from the fact hayden has been on the press tour]

i finally watched the second episode. darth vader was there. i thought, did they really bring hayden back just to be the dude in the suit? and they did. they did bring hayden back just to be the dude in the suit. and the bacta tank. and a heartbreaking mirage in the desert. i was expecting just random high-stakes plot content until the very end of the series when we'd finally get an ominous peek at vader. but no. he's like. a main character. obi-wan's love for him and his regret at the events of RotS is overt. his love for padme is there too. like Deborah Chow really said "padobikin is canon lol." it's emotionally devastating in a way i didn't think any new live action prequel content could be.

[spoilers for episode 5 here but i've also reblogged about a thousand gifsets of what i'm talking about so if you've seen those you've already been spoiled]

then in episode five we get a flashback. pre-AotC. and i don't know why this was the thing that really sealed the deal for me but it just meant a lot to me that they didn't fully de-age hayden back to 19. maybe they couldn't or maybe it was a Choice. they might have done a little polishing but but for the most part you look at him and know you're looking at a 41 year old man. it's a flashback, yeah, but i can't help but think "this is what he would have looked like."

and so there i was imprinting onto darth vader again the way i did when i was 15. but whereas back then i related to his eternal struggle to have agency in a society that only wanted to exploit his gifts while denying him any real personhood, now i relate to the abysmal feeling of regret, the long-term consequences of a million wrong choices. and i guess i'm just impressed that despite the disney backing, the show leans into the real tragedy of the whole thing and doesn't let up. it assumes that the thing we care about most isn't the fate of the galaxy but the fate of one man in it, and we already know how his story ends.

the finale airs tomorrow and i'm not nervous. it follows the canon so closely that you can easily deduce where the story is going, and even though many dudebros would have you believe predictability is bad, personally i find it exciting to see the cause and effect sequence of a story told over many generations totally out of chronological order.

and what's more, i've been watching interviews with ewan and hayden and getting the sense that they enjoyed filming the show, and that it wasn't filmed on green screen but on something called The Volume and that seemed to make a big difference. i think it was moses (reva) who said, "you get on set and you're in star wars."

on a personal note though, what i'm most excited about is that after nearly a year struggling with the motivation to write and a total lack of inspiration, somehow i managed to pound out 12k words in 3 days of a longform RotS fix-it fic i've been wanting to write for 17 years.

tl;dr Kenobi isn't a perfect show and it does fall prey to the overbloated nature of the undying big budget franchise disease, but it's thoughtfully made, entertaining for casual fans, and cathartic for diehard prequels fans.

ps i can't stop thinking about middle-aged wifeguy anakin skywalker and that will be my undoing.

#owk #meta #spoilers

37 notes · View notes

queen-beefcake-sqx · 9 months

Text

I’ve wanted to make this post for a while but headcanons on what media I’ve consumed that various characters in Disco Elysium would be insane over:

Harry — Harry would fucking love Paradise Killer. He’d love Lady Love Dies and her whole affect and the weird vaporwave aesthetic and he’d absolutely make himself puke playing it too long (based on actual experiences). Really any detective game he’d be insane over and YES he has opinions on every one of the Nancy Drew adventure games, thank you very much. He’d also watch way too many sports movies and yell at the screen constantly when people make bad calls or plays. Probably has The Waterboy memorized tbh. Not-so-secretly cries over romances — Notting Hill with Hugh Grant and Julia Roberts is his favorite.

Kim — Kim’s an original trilogy Star Wars fan and will never admit the massive crush he has on Han Solo. He’s also watched the entire Lord of the Rings saga as a marathon and will absolutely offer his opinion on how it stacks up to the books if you give him the slightest nudge. He’s read A Wrinkle in Time so many times he’s had to replace his childhood copy with a new one because pages were finally falling out.

Jean — Watches police procedurals because he likes to mock their sensationalism, particularly CSI: Miami and Law and Order: SVU. When he actually decides to love himself he watches pre-Marvel superhero movies, particularly Hellboy and Spiderman (Tobey Macguire edition).

Judit — She listens to podcasts because she’s a mom and a cop and there just aren’t enough hours in the day to sit and watch/read something. She likes funny podcasts like My Brother My Brother and Me best, for some levity in her life, but sometimes she’ll listen to Oh No! Ross and Carrie if they’re covering a topic she’s interested in.

Cuno — He likes torture porn horror he really shouldn’t be watching at his age. Him and Cunoesse binged the entire Saw series and are now afraid of jesters and clowns. Following it up with watching It didn’t help.

Garte — He doesn’t have a ton of time to consume media (three cafeterias!!!) but he’ll read novels under the counter during slow periods. He’s particularly fond of Charles Dickens and his many rags-to-riches stories like Great Expectations.

Klaasje — She likes non-American films like Let the Right One In (to which she says the book is better) and Pan’s Labryinth. All time favorite is The Cakemaker, which she regularly shows to people and when they comment on how sad it is she drags on her cigarette and smiles and says, “I know, it’s awful” and keeps watching.

Ruby — Mad Max: Fury Road is godtier in her mind and Furiosa is her hero. She listens to the podcast Alice Isn’t Dead on long drives even if she’s heard it a thousand times. She cries every time she watches Carol which is why nobody knows she likes it.

Joyce — Had a massive Game of Thrones phase and wrote scathing reviews after the series finale.

Evrart — I literally do not think me and this man would see eye to eye on any media ever but he’d probably turn on Fox News and shake his head at the state of politics.

Soona — she reads scientific and academic essays for fun and literally nothing else.

Feel free to ask about other characters I can do this all day.

#say more sadie #this is so self indulgent #I’m not even putting this in the tags if it breaks containment it’s because my followers willed it #feel free to ask about other characters #sadie writes meta

4 notes · View notes