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purplesurveys · 3 years

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1102

survey by joybucket

What color are your eyes? They are dark brown. They’re actually really more of black because of how dark they are, but that sounds creepy so let’s just go with really really dark brown.

What's your favorite type of milk? I don’t take a lot of milk and am not familiar with most of them.

What's your passion? What a deep, introspective question three questions into this survey lmao. My interests are always changing so I don’t really give much thought into this. I don’t let myself be bound to just one thing.

What's your favorite color? I really like the way baby pink looks on everything.

Are you shy? Sure, but I’m trying to break out of that shell. Based from hundreds of past experiences, being shy is the easiest way to be forgettable and I’m tired of people never remembering my name or anything about me.

What is/was your favorite school subject? History. Anything about it I will surely enjoy.

Do you celebrate Christmas? Yes.

What's your favorite quote? I don’t keep track of quotes.

What is your natural hair color? It’s black.

Do you like it? There’s nothing to complain about. I’d love to have it dyed just to try out something new with my look, because it’s been black and untouched for 23 years; I guess it’s just a matter of when I’ll push through with it.

Are you happy with the way you look? I wish some aspects were different, like my hair to be less frizzy, my front teeth to be straight, my eyesight to be clearer, etc. But it’s also whatever; I don’t really focus on these things too much as I’ve never been the type of person to concentrate on my physical looks.

What would you change about your appearance if you could? ^ Well, those things I listed. Also, to have boobs?? Puberty never did anything for me in that department.

What would you change about your bedroom if you could? I’d move the bed up against the wall because that’s always been more my vibe. If I had the energy, I’d buy a storage container and place all Gab-related stuff in there so I can finally hide away those things (but not entirely throw them out). I would also fix my closet, all three sections of it. I’d also love to get a homey and soothing night lamp and be able to regularly buy scented candles to de-stress at the end of the day. In other news, my room has remained stale for so long and needs a revamp HAHAHA.

Are you rich or poor? I’d say we are in the middle, but our financial situation throughout Covid has been making me increasingly worry.

Are you double jointed? Nope.

What's the most physically painful thing you've ever experienced? The time I ripped my ear piercing, and my foot infection from snorkeling. Also getting my blood drawn, but that’s only because I’m a big baby when it comes to sharp things.

Do you like shots? See above.

Are you afraid of spiders? Our spiders are never too large or look menacing where I live, so not really. I’m aware of how big they can get in other places though so I totally understand the widespread hatred for spiders lol.

Have you ever had an allergic reaction to something? Not sure if it’s an allergy, but my legs quickly get irritated if they’re exposed in a grassy area for too long. My face also doesn’t seem to appreciate face masks, (the skincare kind), but I’m not sure if that’s an allergic reaction or if face masks are meant to do that.

Name a food that you like that's green. Green curry, or broccoli.

Do you like to read? Yes. More of non-fiction, though. I haven’t read a fiction book since I wasssss probably in middle school or early high school.

Do you know what your purpose in life is? No. I don’t stress out over stuff like this lol, I just make sure I’m happy where I am and at the same time, still feel fulfilled with the things I’m doing.

Are you lonely? I can be, but I guess it’s just meant to happen sometimes.

What's something you are good at? Reading people. Sometimes to my benefit, sometimes otherwise.

What's a color that looks great on you? Olive green and maroon are my favorite shades.

What's something you would like to improve at? Being creative. My work requires a lot of it and I end up being a shitty teammate whenever we have to do brainstorming, because I literally just stay to the side, unable to think of anything.

Do you believe you have great potential? Yes.

What's one word to describe you? Right now? Tired.

Are you spiritual? Nope.

What's one thing that you get a lot of compliments on? My writing.

What's one hidden talent that you have? I dunno if it counts as a talent but I memorize a great deal of songs from Jay-Z and Kanye’s Watch the Throne album, which has always been a fun ‘talent’ to whip out and surprise friends with when we’re partying at a club/bar and a song from the album is suddenly played.

What are three girls' names that you really like? I love Olivia, Mia, and Harper. I’ve probably listed those names a thousand times on these surveys by now.

What are three boys' names that you really like? I like Liam, Mason, and Lucas.

What is the most beautiful scenery you have ever beheld? The prettiest place I’ve been to was probably Palawan.

What is your favorite pizza topping? Just cheese is fine with me. If that doesn’t count, bell peppers come second. I can definitely live without the other usual toppings like pepperoni, beef, etc.

Name a food that you like that's red. I said green curry in the green foods question, and I’ll answer red curry here, haha.

Are you color blind? Nope.

Have you ever had a crush? Yes.

Can you type fast? I can and I do on a daily basis.

What's your favorite type of cereal? Erm, I’ve never tried them before but I’m drawn to cereals that are rather sweet lol, like Reese’s Puffs or Hershey’s Kisses cereal line. The thing is, they’re classified as one of the luxury imported brands over here so their prices are very unreasonable for a box of cereal, and I never get to have them as a result. Otherwise I don’t enjoy cereal too much.

What is one of your dreams? I would love to have a family.

What are your top three favorite colors? Baby pink, white, and mustard yellow.

What is your favorite book? I don’t have one.

What is your favorite amusement park ride? Ones that would provide enough thrill but won’t make me pass out, like the octopus.

What are three middle names you wouldn't mind having? Idk, I’m fine with my second name. I actually really like the name Isabelle and at one point I unsuccessfully tried to make it my main name, back when I still hated Robyn.

Are you flexible? Not really anymore. I used to be, kind of.

Do you consider yourself religious? Not at all. I haven’t been in around five years. I’ve been atheist since I was in the 4th grade, then I had this very sudden (but very brief) change of heart back in senior year when I started praying a lot. I went back to atheism as soon as I started university.

Are you bold? I can be, but it’s not one of my principal traits.

Are you spontaneous? It’s nice to be every once in a while, but I’m not always.

Do you have a significant other? No.

What's your pet peeve? Lateness.

How tall are you? Just a little over 5 feet, which does not classify me as tall at all.

What's your sexual orientation? Demi. I’ve also been increasingly self-identifying as asexual, so let’s go with that too.

Can you sing? Nope.

Can you dance? Nope, but I still do it when I’m alone.

Can you draw? No.

Do you play an instrument? I mean, just the recorder, but I don’t know if that counts.

What school subject do you hate the most? Chemistry. I struggled with it both in high school and in college. I hated physics and geometry too, but at least I got better at them as I got older. Chemistry is just far too complicated for me to appreciate.

What's your least favorite color? Most shades of yellow and neon green.

Do you eat healthy? I wouldn’t say I exclusively eat healthily, but I do keep a good balance in the food I consume. I enjoy my junk food as much as I like eating vegetables.

Do you think you look better with short or long hair? I’d say short.

What's a color that doesn't look good on you? White.

Are you passionate? Sure.

Are you doing the most you can with your life? Right now, with the world falling apart around me? I definitely try to. I have a great job, I spoil myself and try out new things for myself every now and then, I’ve pulled myself out from the rut I used to be in a few months ago, etc. I guess I can say I like where I am.

Are you proud of yourself for the way you are living? See above.

Do you love yourself? I've started taking a couple of steps down that path.

Do you have regrets? Sure.

Do you have wishes and dreams? Of course.

Do you have a huge secret you are keeping from the world? I suppose so.

Do you have neat handwriting? Yeah, I get quite a lot of compliments on my penmanship in general. I liked practicing my writing as soon as I learned how to properly hold a pencil, so I guess all those times served as good training.

Name a current favorite song. I dunno but Hayley is set to release a new album by tomorrow so a couple of songs from there will most definitely end up being a favorite.

List a song lyric that you like. “Can you live with what you know about yourself when you're all alone, behind closed doors?”

Are you happy? I think so. I’m definitely not as sad as I used to be.

Are you a generally optimistic person? I try to be, but I allow myself to be negative or realistic sometimes.

Have you ever had something horrible happen to you? Between deaths in the family, depression and other mental health issues, and personal life events that were less than nice, absolutely.

Have you ever been abused? Sure.

Have you ever been harassed and/or bullied? I was bullied as a kid because of my name, and as a result it was difficult to make friends for years. I’ve never been harassed though.

Do you love nature? Yes, I love being around nature when I get the chance.

Are you free-spirited? I wouldn’t consider myself that. I like being on the careful side when it comes to many things.

Are you carefree? Not really.

Would you say you are an overcomer? Yup.

Are you a good friend? I hope I am.

Do you like animals? Love them, except insects.

Do you meditate? No. I actually tried yoga for the first time yesterday because that’s what my workout app had planned for me, but I quickly learned that I am way too impatient for it, lmao. The whole session was meant to be I think 30 minutes? but I quit by like the 14-minute mark and did another program. Idk, I guess it’s just not for me.

Do you pray? No.

What month were you born in? April.

What's your favorite season? We don’t have the usual four seasons but I’m gonna go ahead and say winter because it’s what appeals to me most.

What's one place you've been to that you want to visit again? I want to keep coming back to Sagada.

What's one place you want to go that you've never visited before? Thailand.

What's your favorite type of tree? I don’t have one.

Are you laid-back? I tend to be uptight most of the time, actually.

Are you hard on yourself? Yes.

How's your self-esteem? It’s been getting better, but sometimes I still can’t help but feel insecure.

What medical conditions do you/have you had? Scoliosis.

What are you allergic to? I have had itchy, irritable reactions to face masks and grass before, but not sure if they’re allergies.

Do you like to try new things? For sure, as long as it’s not a crime or if it involves my fears lmfao. Like I would be willing to skydive or dye my hair a strange color, but I’d never scheme a burglary or jump in a tub of cockroaches.

What's one word to describe your style? Chic.

What's one word to describe your bedroom? Plain. I definitely need to mix it up so that it can feel more like who I am.

What's one thing you like about yourself? I like that I’ve always been able to surpass difficulties and come out a better person from them, instead of letting them consume me.

What's one thing you dislike about yourself? I need to stop blaming myself for things out of my control.

Are you competitive? To a fault.

Are you faithful? Sure.

Can you cook? Hell no.

What's your favorite restaurant? Ramen Nagi.

#survey #surveys #kinda basic-ish but not really which works out v well for me

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kyoupann · 3 years

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Please do more of the writing head canons. It’s really interesting to see other people’s ideas on the topic, so if you can be bothered, I would highly appreciate more, thanks bye <3

Y’all don’t know how happy I am to talk about these headcanons, they are my babies and I love them so much :’) thanks for asking g <3

Handwriting Headcanons

Same dynamic as before, try to guess whose handwriting it is before reading and tell me how many you got right! <3

You can find the first post here (no need to check it tho)

Quick disclaimer: halfway through making my initial notes, I remembered I had one (1) single lesson of graphology in my applied linguistics class, but that was a year ago and some information might be off. I just thought it was neat to include.

Another quick disclaimer: I don’t know much about Hylian, but I like to think it has a similar stroke system to Japanese, so the pressure and accuracy of your strokes play a major role in your handwriting (among other things, ofc.) so there are some parts where I focus more on that

(First Row, from left to right)

Sky

Our first boy is mother hen! Believe it or not, he has the prettiest handwriting out of all of them! Sky: probably has nice, even elegant handwriting because Sun forced him to practice when they were little. In the end, that paid off because his handwriting is the prettiest one. There’s no pressure, but he is confident in what he writes that his lines aren’t thin. Mistakes? what is that? this boy has impeccable grammar and spelling. No mechanic errors to be found in his letters! I’d like to think that many of Hyrule’s classic/staple poems were originally written by the firt king aka sky child. Like, imagine, after a retiring from being a Person of Power (as the first ruler), Sky finds comfort in the arts: revisits his old woodcarvings and starts writing poetry about the world he still doesn’t fully understand. wowie. tldr: sky writes poetry and you can pry it from my cold dead hands.

This is what one of his letters would look like:

Next one is the one and only, our Hero of Time

2. Time

I’ll die on the “Time didn’t know how to read and write” hill. His handwriting is simple, not pretty but not messy. It has some grammar and spelling mistakes here and there. Can become unreadable if writing in a hurry, he sorts of forgets spaces between words are a thing/letters have different sizes and lowercase letters end up the same size as capital letters. I’m not saying he sometimes forgets to write articles: he just doesn’t want to. Honestly, he just has this dad-neat handwriting. He is a gentle dad and writes like a dad, if he puts too much pressure onto the paper, his handwriting become too sharp/angle-ish and ends up looking ugly. And as much as he would like to not care about it, in the end he does (:

Malon taught him how to write and it was quite the experience. At first he didn’t want to because he was ‘too old’ to learn and it was torture at first, but now look at him devouring his cowboy novels.

A chunk of his handwriting:

*sniff* such a dad quote.

3. my mansss, your 4x1 deal at Target: Four

Look, my boy is patient! He could do some nice and fancy lettering if he wanted to. He was taught that handwriting and spelling said a whole lot about him as a person, you know, like a first impression kinda thing; so he always proof reads more than twice before sending a letter. Super rare grammar mistakes.

The faster he writes, the more slant his writing becomes. Under stress/ when not sure how to write things down, run-on sentences are everywhere and his handwriting is inconsistent in general (I don’t headcanon each part of him having completely different handwriting because handwriting becomes muscle memory over time. It’s just slightly different variations of the same, like idk Vio’s handwriting is neater than Green’s and Red writes hearts instead of any dot/circle and no, I do not take constructive criticism on that, jk i do.) Adding on to each of the colours’ handwriting, I’d think Red and Green write with words slanted to the right( inclined), Vio is a mix of the opposite, so reclined and straight, and my mans blue a true neutral writes straight (kinda like Time’s).

The logic behind this is that inclined writing supposedly means honesty and need for giving (and getting) affection; reclined means, as you can probably imagine, defensiveness and repression of true feelings, but also shows great concentration; straight handwriting means self-control, observation and reflection as well as distrust and indifference. But as complete being (tm), Four just writes as in the image example which is not too straight and not too inclined, and I believe that’s a good middle for him

HOWEVER, if I’m feeling in the mood for crack, I totally accept this boy to have the ugliest, chicken scratches-looking handwriting! :’D It’s just funny to think that someone like him, who has to be precise and careful in his work, can't write neatly to save his life.

One of his letters would look like this:

Also I just LOVE how his hero titles look in this font ksksks

and that’s

(Middle row, from left to right)

4.- Mister Bunny Boy - Legend

His uncle taught him how to write. I’d call his handwriting pretty and neat at a first glance, but he presses too hard on the paper, most of the time staining the back or the following page. Sometimes will retrace some words if he doesn’t like how it looks (which only makes it messier). According to my notes, a thick or strong handwriting represents determination/commitment.

As I also headcanon him to know many languages, mechanical errors are more present than grammar ones; that is, weird capitalisation of words. Punctuation is somewhere in between; uses too many commas when he should just cut the sentence. he mixes punctuation from two languages or more in writing when too distracted (or too focused, because, well, pressure.); when he writes for himself, he has almost no problem following said language’s punctuation rules. Also, this is just polyglot culture, and I’m projecting a bit, but when he forgets a word in the language he’s writing, he just replaces it with its equivalent in another language because we don’t care about fluency, but rather functionality. in this household (more on that in my language hc, ksksks).

An example of his writing:

so powerful

4.- Mr. Wolfman, howl me a song - Twilight

I don’t have much for him because 1) I don’t think he writes a lot and 2) he is a hands-on/visual learner, I’ll die by that. He only learnt how to write because Ulli insisted it was important and he was not about to disrespect his momma; he IS That Guy, but doesn’t really write enough to have neat handwriting.

Many people seem to overlook the fact that his house is filled with books and write him as completely illiterate (which if not explored properly, ends up feeling a bit disrespectful and full of prejudice, but go off I guess; and that’s on my core Headcanons for Twi); however, he sticks to simple sentences. Knowing how to read and understanding a text is different from knowing how to write them. Like, when we would see a semicolon and understand its position in the text, but didn’t understand the nature of it. Is this clear? idk i’m sorry. So yeah, boy reads a lot, writes very little.

As for his Actual Handwriting, as opposed to Legend, his handwriting is thiccc but not because he presses into the paper; he is just that messy, he has no sense of ink-flow-control, he does what he can with what he has. To the untrained eye, his handwriting illegible letters like v, n, u are very similar; when he makes notes for himself he does it in the form of doodles or small ‘icons’. But! He reads a lot, so he rarely makes spelling mistakes (: he is your go-to guy when you don’t know how to write a word.

An example of his writing:

He keeps a journal, sue me.

3. My first born- Warrior

Okay, first off... I accept this is completely biased. I saw the idea and said “That’s True”. If you haven’t, please read Effective Communication; or The Lack of Thereof by htruona, a fic where the boys reflect on the language barriers between them. It’s incredibly funny and probably what made me start making these silly notes. So, if you’ve read that fic, you know where I’m going.

My man, Warrior, can’t fucking write. I mean, he physically can, but it’s very bad. Here’s the reason for it, tho, and it’s not his fault: Technically, he knew how to write alright but he joined the military and whatever note he had to write had to be concise or in the worst case coded. He mixes capital and lowercase letters. If we consider that he joined the military at around 15, his handwriting and grammar had yet to continue developing. Just think about how after summer break, your handwriting was always slightly worse than before because you didn’t write for an entire month. Now think what 2 years can do to that. Hmm, not cool, dude. He makes quick notes, when writing he’s all gotta go fast. he is the lighting mcqueen of writing; good for emergency messages, not ideal for love letters. His punctuation also suffered a lot, he only know full stops and commas and hardly uses them. A sentence for him is either one word or fifty without a single comma, no inbetween.

His hero title and an example of his writing.

(Bottom row, or what I like to call “fuck cursive” row)

7.- Magic man - Hyrule

I’m basic and I do agree with the popular headcanon of he not knowing how to write because well, y’all know his Hyrule. He only knows how to write his name because that’s important, same with numbers. I don’t see why would he write/read except checking the roadsigns. (he can even use this as an excuse for getting lost frequently; he thought it said something different.) But I do think that because his habitual reading consists of roadsigns, his ‘punctuation’ is weird af and places full stops/points/periods at the same level of his words and his commas/question/exclamation marks below them. Yk, creative license. Sadly, I don’t have much about my magic hands man so here’s what his writing would look like if he actually wrote a paragraph:

Man, I love Hyrule.

8.- Man, I don’t understand this boy - Wild

Cursive? ain’t nobody have the time for that. He woke up and had to save the world in his underwear while not knowing how to read nor write. He learnt during his journey and was taught by multiple people from different regions, that explains his inconsistent spelling of things and names for them. So Wild knows language variations for many items and uses them interchangeably (even if they aren’t exactly the same). Another headcanon related to writing/language skills that I’ve been thinking about is that if the shrine was able to cause amnesia, I’m sure there were other areas in the brain affected which leads us to language disorders such as agraphia and aphasia. But that’s a story for another day ksksksk

An example of his writing (after relearning)

9.- The best of sons - Wind

I don’t have much for him and that makes me sad. Look, he’s a kid, doing kid things like stabbing dudes on the head. This boy was taught cursive by his grandma, but could never do it and no one needs it anyway. His handwriting is good enough for his pirate life, Tetra is the one to handle Official stuff, he just gotta sign. Spelling and grammar mistakes abound. He is still relatively young and can correct his handwriting if he desires. But same as Wild, with how many times he’s been thrown out and hit his head, I’m starting to consider some language disorder for him as well.

An example of his writing:

aaand that’s it.

Thanks, y’all for showing interest in this silly thing uwu it was fun to finally talk about this. If you ever want to discuss ideas/headcanons(especially if they are related to language and culture), I’m your person (: I’m always happy to hear new headcanons. Feel free to add anything to this post either in a reply or in a reblog, I’d love to hear from y’all <3<3

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secret-engima · 3 years

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Lunafreya Nox Fleuret DoTF Characterization Rant

OKAY, ME RANT RAMBLING ON LUNA’S CHARACTERIZATION IN DAWN OF THE FUTURE IS A GO.

This is … likely going to get messy, but I’ll try to keep it at least moderately coherent. Lemme start by saying that- for the most part- I did actually enjoy Luna’s chap. I’ve been enjoying the book (kinda-sorta-mostly, I really liked Aranea’s chap at least) and I don’t think it’s like- a BAD book? Necessarily? But I feel like it is extremely telling in regards to how the characterization/lore is treated that my brain is automatically filing this thing under “fanfic that’s not my HC but is okay-ish” rather than “canon I will be gleefully tweaking as I please”. My brain is literally looking at this officially licensed book and equating it to fanfic. To fanfic that NEEDS EDITING.

With that out of the way, lemme attempt to summarize my (main) issues with Luna’s Characterization and then I’ll expand on them from there. Get ready for the salt.

1. Luna’s backstory is inconsistent. She herself states multiple times that Oracle training is grueling and involves both physical and mental trials as well as things like fasting for long periods of time WHILE doing said training, yet she is mostly treated like a well-meaning but overall pampered, naive princess who is only now being forced into hard circumstances and has to adapt accordingly. She is also treated like she doesn’t know “common people” that well and doesn’t know how to interact or pick up things like lies (????). A common example is how she treats Sol as trustworthy but reserved when according to Sol’s POV she is literally debating shooting Luna as a possible threat. And Luna supposedly doesn’t pick up on this danger. But we’ll get back to that.

2. Luna is characterized as being oblivious to how people outside Rich Oracle Circles live. That despite traveling all over the world she has never really seen it’s “ugly” sides because she’s always traveled in fancy guarded processions with the sick brought to her. Pretty sure the book specifically mentions at one point that she’s never “considered” what it would be like to be anything other than an Oracle. Admittedly this issue could go under number 1 or 3a but I’m putting it here because I’m salty.

3a. This and the next problem are heavily intertwined and, not going to lie, I could make an entire rant just about these two issues all by themselves, not just in Luna’s context. The first is that Luna is portrayed as not being able to make her own decisions, not even wanting to make her own decisions, until she is forced to or has her “eyes opened” by Sol, our jaded Long Night survivor character. The author treats Luna’s sense of duty as some form of social brainwashing she needs to “get over” and spoiler alert I hate it with every fiber of my being.

3b. Playing right off the whole “Luna is incapable of making her own decisions and that’s why she does her freaking job until someone ‘opens her eyes’” is the idea that Luna’s faith is a character flaw. Lemme reiterate. The story treats Luna’s faith. As a character flaw. Rather than the entire cornerstone to her character and one of the big reasons she’s as amazing as she is. Her faith is treated as foolish and shortsighted, something that has only survived for this long because it has never been challenged and, heads up, the rant I am going to go into on this one specific thing is going to be long and extremely salty.

Alright I think I’ve covered the basics. Starting from the top, BRING ON THE SALT.

…

1. Luna is pampered, well-meaning but naive and bad at reading ulterior motives of people.

….*slow, deep breath* Luna. The Oracle. Who became the youngest Oracle in history. Because her mother was murdered in front of her while her home was burned down and conquered by the people who then proceeded to rule her country, subvert her brother to their cause, and generally control and monitor every aspect of her life that they could. Luna, who was fully prepared to take a single suitcase and escape her own home and run off alone to get to Altissia and had to be stopped by her own brother (who you’ll note brought a bunch of soldiers with him, which indicates he did not expect a submissive response if he came alone).

This girl who was canonically physically abused as a child by a Niflheim officer (https://www.youtube.com/watch?v=iZHzBtIfpdg slow this down if you need to confirm, but she is grabbed and manhandled and hit by an adult man when she only looks to be twelve, around the age Tenebrae first fell), who has spent twelve years living under the rule of a nation that is not only aggressively atheist but has willfully attempted to kill one of the very beings she serves and openly plans to do so again. The woman who successfully survived the fall of Insomnia with only one magic-less glaive as her backup for most of the event, then evaded the search efforts of an entire empire with only her own wits, a dog, a Messenger who has only ever been shown to talk rather than fight, and the extremely grudging on-off help of her brother who works for said empire. All while waking up the Astrals and forging covenants that were slowly killing her from the strain, which is the exact thing the empire was trying to prevent her from doing. Then, when it became necessary to complete the last covenant, turned herself in to the very same empire that has imprisoned her since she was a child and has been actively hunting/trying to stop or kill her since Insomnia’s fall.

That girl. Is pampered. Is naive. Is bad at reading people and telling when they have ulterior motives or are lying.

Pull the other one. I’ll kick you.

But seriously, how are we supposed to believe this? Luna’s life post Tenebrae’s fall to Niflheim is only pampered in the sense that she was given fancy clothes and fed regularly (outside the grueling fasting periods mentioned in this same book). She had no freedom, no privacy, her guards were all either men who wore the same uniform as those who killed her mother or were monsters infected with the very scourge she is sworn to purify. The Oracle is famous, is revered by the people. To keep the people on their side, the Empire would have flaunted her, would have taken her to all the shiny events. Luna would have had to dine with, converse with, even dance with the very same people who ordered and condoned the murder of her mother, her own imprisonment, and the brainwashing of her own brother to the enemy side. She would have been the epitome of a bird in a gilded cage or a dog on a silk leash and humans are not meant to live like that.

Am I really expected to think she survived a situation that oppressive, that toxic, that actively hurtful, for years by being naive and bad at reading people? Am I really expected to believe that she cannot tell when people are out to use her or hurt her or are lying to her? Am I really expected to believe that she is pampered and doesn’t have, at the very least, PTSD from seeing her mother murdered and her brother join the very people who did it, let alone everything else that would have followed over those years?

Really?

Luna didn’t have a pampered life. She suffered abuse. Longterm emotional abuse, likely sporadic physical abuse until she learned to play along well enough to escape such punishments, and almost certainly gaslighting (again: religious leader being held captive by an aggressively atheist nation that wants to kill the pantheon this religious leader communes with).

Luna would have learned to navigate the canonically cutthroat politics of Niflheim while being at best an outsider and at worst a target because of her beliefs, her nationality, and her loyalties to the Lucians (nobody was surprised when Luna went on the run. Nobody. Her continued devotion and loyalty to the Lucians -Niflheim’s enemy- was absolutely a well known factor). She would have learned to pick truth from lie and when to pretend she hadn’t noticed in order to survive. She would have lived twelve years knowing that any mistakes or misplaced moments of trust would be paid for in either her suffering of the suffering of the people close to her like her servants, or just the citizens of Tenebrae in general.

And none of this is taking into account her Oracle training, which the book does not elaborate on but repeatedly states was hard and grueling and she completed it years earlier than any Oracle in history.

There are a lot of words I would use to describe Luna, but pampered and naive are not among them.

…

2. Luna is oblivious to how people outside her rich circles live and has never considered being anything else but an Oracle until Sol specifically points it out.

The book states that she mostly travels in procession (ie, with tons of servants to serve her every need and bodyguards to keep the masses at bay) so clearly she can’t go anywhere too dangerous, otherwise her servants wouldn’t be able to come. Right? Oh boy where do I start with this.

I know! Let’s start with the fact that Luna canonically maintains the blessings on Havens! You know those things. They’re your only safe place to camp at night and they can be found in all sorts of nifty locations like the middle of the wilderness where cars can’t go, chocobos won’t go, packs of wild animals will literally leap out of the bushes to eat you (Voretooth packs can get up to twelve or more members all trying to eat you at once, fun fact), and poor choice in clothes will lead to broken ankles at best? The ones that can be found in the depths of locations so dangerous that even the Hunters are leary of going inside and are actively forbidden from approaching unless they are a very high rank?

Off the top of my head some of the Havens that come to mind is the one in the middle of Malmalam thicket, the top of an active volcano, multiple spots in the middle of the voretooth and coeurl infested desert, two up in Vesperpool aka the home of all demon crocodiles and flocks of cockatrice that are bigger than the average car and can literally turn you into stone if you aren’t careful.

Yeah those places. She maintains those. Depending on how often Havens need to be maintained and if the weather/nature shortens that time then she might also have to periodically enter the dungeons Noctis explores in game that also have Havens hidden inside where it is always dark all the time and infested with daemons.

The book also states that the sick (who are highly infectious and not supposed to be touched by people who can’t heal the scourge and in the later stages of sickness become extremely violent and prone to biting in order to infect other people) are … brought to her…

By whom? Exactly?

Moving on from that giant and obvious plot hole to the “never seen or considered other lifestyles” bit: Luna has traveled literally all over the world. In her duties of healing the otherwise incurable she has gone all over Niflheim, Tenebrae, and Lucis. She has walked through the streets of cities filled with lights and glamor and stood on the dirt roads of towns so small they have to go to the next town an hour or more away to buy groceries or check their mailbox and who’s royal hotel suite is just a caravan with a new coat of paint and “welcome Oracle!” sign. Luna’s work is to cure the Starscourge, which is a disease that I can almost promise the rich don’t get. Because the rich and fancy do not risk their lives by going into daemon territory (Prompto, a middle class Insomnian, didn’t even know what wild animals would be like, you expect the rich and famous to be any better?).

The vast majority of Luna’s patients would be people like Dave the Hunter, or Sania the scientist who wades into the wilds. The truck drivers and the farmers and the electricians risking their lives to repair power lines in the middle of nowhere. She wouldn’t be going to cities except to talk to the refugees who fled there from the outside and thus picked up the Scourge. Her only two social circles would be Niflheim’s cutthroat nobility and the “unwashed masses” who come to her for healing. Guess which ones she’ll be more invested in getting to know on a personal/friendly basis and interacting with.

Of course Luna has interacted with and understands “common folk”. Luna is a caregiver, not just physically, but emotionally. She is beloved by the people because she is kind. That means she talks to them. More importantly, she listens. She has held the hands of the farmer as he begs her to heal him, because the harvest season is so close, and if he can’t work, if he dies, then what will become of his wife or the people his farm feeds? She has embraced the sobbing refugee mother as the other breaks down in gratitude for a child who’s skin is a healthy shade and who’s veins no longer bulge a sickly purple. She has met people who are not rich, but who are content. Who have lives that do not hinge on the razor thin dance of staying true to self and not exposing weakness to those who want to eat her alive. Who can laugh with their neighbors and kiss that nice boy down the street just for the fun of it, who can defy curfew to dance in the rain with the person they love and risk, at most, a lecture and a weekend grounding.

And no, they aren’t rich, no, they aren’t influential or powerful, but they are peaceful. They are happy.

Am I really expected to believe that Luna has not looked on these people’s lives from afar, listened to their rambles as they try to distract themselves from the sickness she is drawing from their veins, and not yearned to be the same? That she hasn’t thought over and over again about running away and being free from her gilded cage? That she doesn’t know anything about the lives of the people she heals even as she walks down their streets and steps into their houses so she can heal those who are too sick or too violent to be safely taken out of their room? That she has never thought about what life could be like if she wasn’t an Oracle as she watches the landscape roll by and walks through the wilderness to find the lonely farmsteads that the townsfolk tell her has sick children that cannot be let out of the shed for fear they will bite?

Setting all of that to one side, what human hasn’t thought of being someone else? What person on this planet, hasn’t looked at another person’s life that is so very different from their own and gone “huh, I wonder what that would be like” even if only for a moment before moving on and forgetting about it? Humans are creatures that dream by nature, that are curious by nature. To assume that Luna is not just because she gets to have the fancy dresses and servants is stupid.

…

3a: Luna is unable to make her own decisions and is only the dutiful Oracle because she doesn’t know any better and needs a “wiser” rebellious character to “open her eyes”.

Okay buckle up. I have tried to suppress the salt until now but over these last two points I don’t care. I will be salty. I will be sarcastic. I will be mean. I will reference Real World faiths (tho I’ll try to keep that to a minimum).

Both 3a and 3b are actually systemic issues in storytelling (particularly noticeable in movies/shows but maybe that’s because I’m pretty lucky with my book choices) that I despise with a passion. Specifically 3a relates to the chronic issue writers seem to have with characters not being allowed to be happy with their role in life. There’s this persistent thought, this narrative push, that if a character is following in the footsteps of their family, is entering the “traditional” profession that their parents (or grandparents, or entire generations of predecessors) have been in before them then they must be unhappy with their lot in life. That this is clearly the character being “repressed” and that if they are content then they are either a bad guy (see: every antagonist from a proud military family or every ruler who thinks they are better than everyone because of bloodline ever) or they are just blind to their own unhappiness.

Now, the basic idea of “character discovers they are unhappy in current role and seeks a new one” can actually be done really well. But those stories that do it well have a lot of internal conflict, a lot of self-reflection and searching and choosing to take a new path after really giving it some thought. Maybe they have help along the way, or encouragement, or another character to show that it’s possible by example and that’s okay.

What is not okay is infantilizing a strong, intelligent character by saying “oh it just never occurred to them until they are told that they are unhappy by this much more worldly wise character and then they went and did it”. That is not okay. It not only trivializes the efforts of every real person who has proudly followed in a parent’s footsteps to become something (a doctor, a missionary, a soldier, an actor, even an electrician, pick a life goal and I promise someone has been inspired to do that by their parent being one before them) but it also takes an otherwise strong, dedicated character and implies that they are too stupid to think for themselves or have any free will until the plot and a Shinier Character demands it.

Lunafreya Nox Fleuret is an Oracle, as her mother was before her, and her mother before her, and all the way back two thousand years to the very first Oracle we see in canon. Possibly back even farther, depending on if any of Aera’s ancestors were Oracles too. That isn’t a suffocating tradition, that is a heritage, that is a culture, that is a necessary, life-saving service that canon proves literally kept the world from falling into eternal darkness (Luna was the last Oracle, the day after she dies is literally the last time we players see sunlight until the end of the game when Noctis dies to restore it). Luna is not stupid or repressed for following in those footsteps, she is breathtakingly strong for shouldering her heritage as the Last Oracle with pride even when the forces controlling every other aspect of her life want her to be ashamed of it and give it up.

The empire that took over her home when she was twelve are actively anti-magic and anti-Astral. Luna is someone who speaks to the Astrals and is born with a magic that can heal the very sickness they want to weaponize. They couldn’t outright forbid her from training to be the next Oracle because that would cause the people to riot, but they could and absolutely would try to make her give up in any way they could. They would have insulted her, demeaned her, hurt her, and imprisoned her. They wouldn’t have wanted a “real” Oracle, they would have wanted a puppet who said pretty promises and then did nothing to stop them.

It would have been so easy for Luna to go down the same path her brother did. To give in to the empire and it’s propaganda that she would have been forced to listen to every single day of her life for twelve whole years. It would have made her life so much easier to be a puppet Oracle who didn’t have to walk miles through the wilderness to maintain Havens, or defy the empire by maintaining loyalty to Lucis, or leave her manor home to heal the sick that could not come to her themselves. As a puppet Oracle she could have stayed in the Manor and only treated cases that could reach her doors and were vetted by the empire. She could have eaten the finest foods and worn the best dresses and never had to worry about a pack of hungry Voretooths or a rogue Behemoth tearing her apart. Most of all, Niflheim wouldn’t have been nearly as oppressive or violent. They would have gladly given her the illusion of freedom and control as long as she played along rather than been fully willing and prepared to run into the jungle with a suitcase just to escape as seen in the movie.

Luna was not blindly fitting into a mold and she was not and has never been incapable of making a decision. The fact that she shows up in canon as a strong, dedicated woman who is in control of her emotions and not afraid to face down a giant sea monster with the power to summon tidal waves with just her words and a glorified pointy stick proves that. The idea that she needs a “wiser” character to come alongside her and “free her” from her own duties is not only stupid, it undermines one of the key things that makes Luna such a strong character despite her relative lack of screentime.

Furthermore, canonically, one of Luna’s main reasons for sticking with her duty as Oracle isn’t because it’s tradition, it’s because of what Niflheim did. In the Kingsglaive movie, when Nyx Ulric is getting angry at Luna for doing really reckless, life-threatening things, she tells him quote:

“I do not fear death. What I fear is doing nothing and losing everything.”

That’s not a woman who is blindly following a path laid out for her. That is a woman who is desperately, furiously fighting against the people who killed her mother in front of her the best way she can: by being the Oracle they cannot stand for her to be.

But sure. Luna is only the Oracle because she doesn’t know better and it never occurred to her to be anything else until some jaded kid with a shotgun made a snide comment about it.

3b: Luna’s faith is a character flaw that has only survived this long because it wasn’t challenged by a worldly wise character who knows better.

Not going to lie but words cannot express how much I hate this trope. This is another thing that shows up a lot in television/movies but also in books too, and that is that a character is not allowed to have a faith in something/religion unless they are 1. Foolish, 2. Brainwashed/tricked into it, 3. A crazy fanatic, or 4. It’s a character flaw they have to overcome by becoming more jaded and atheist and hateful.

Because … that’s not how it works. There are- millions (billions) of people all over the real world who are intelligent, well educated, thoughtful, kind, and religious. And no I’m not just talking about Christianity (tho I am Christian so you can see why this trope grinds my gears so hard). There’s Hinduism, there’s Islam, there’s Buddhism, there’s Judaism, there’s so many faiths and belief systems okay. And no we don’t tend to play well with each other or accept the validity of the others but that doesn’t mean we’re fanatics or brainwashed or stupid. And no we really don’t appreciate it when media introduces a character who follows a religion (even fictional ones!) only to make them an antagonist or rip it away from them in the name of “improving their character”. Just like every other cultural group ever who really doesn’t like their heritage and culture being used as a butt of jokes or is turned into a caricature or used as the basis for the antagonist being Evil™.

But no. We can’t possibly have a character who’s faith makes them strong or gives them comfort in times of hardship unless they are deluded. We can’t possibly have a character who is both intelligent and faithful. We can’t possibly show a character who is breathtakingly courageous and selfless as well as religious unless we point at their faith and go oh look a horrible character flaw to overcome by having non-believer characters open their eyes via sarcastic commentary.

And look. Look. I am well aware that the plot of Dawn of the Future has Bahamut as the Bad Guy™. I am fully aware of that. But if you want to be purely honest and technical, that doesn’t invalidate Luna’s faith because (spoilers) the other Astrals fight Bahamut to save the world. They hear her cries and the come to fight on behalf of Lucis and Noctis and all of Eos and they kill Bahamut even when that ensures their own destruction.

But we’re not actually here to talk about whether the Astrals deserve Luna’s faith in them, we’re here to talk about why insisting Luna’s faith is, by nature of being a faith, treated like a flaw and why it is treated like something so weak it only survived to this point because Luna didn’t face anything “bad” enough to “snap her out of it”.

Spoiler alert, it’s not a flaw and it’s not weak.

Going back to something I have mentioned several times already: Niflheim is an empire run by people who actively want to kill the very beings most of the planetary population worships. The very same people in charge of Luna’s life for twelve years, starting from when she was twelve and very emotionally vulnerable and traumatized, hate the Astrals. I repeat: They hate the Astrals. They have devised weapons to try (and spectacularly fail) to kill them. Half their continent is a winter nightmare-land because they tried to kill Shiva the Glacian and she went “haha, nice try, lemme leave a fake corpse here that constantly pumps out freezing temperatures and blizzards”.

Am I seriously, honestly, supposed to believe that these people didn’t try to tear down her faith at every single opportunity? That Ravus wouldn’t have tried to bully and cajole and harass her into abandoning her faith because he knew that her faith was what kept her walking her chosen path as Oracle and that said path was destined to kill her? Am I seriously supposed to believe that Luna didn’t spend those twelve years having to sit there and bite her tongue to keep from raging at these cutthroat nobles as they gloated and sneered and spat on the names of the Astrals who gave Luna the very magic she uses to heal those in need?

Luna never needed Sol to come along and say “what have the Astrals ever done for you?” because I promise that she’s heard some variation of that exact phrase from everyone in her life. From her own brother to the Emperor himself she has heard some form of this question, this taunt. In the Kingsglaive movie, General Glauca even says something to the order of, “To what god do you pray? The gods do not listen.” Right before he kidnaps her.

Luna’s faith isn’t something blind, and it is not a flaw. It is a cornerstone of her character. Luna’s faith is a bloody, stubborn, tenacious thing that she has nurtured and shored up and been steadied by through twelve years of emotional abuse and physical imprisonment. Luna’s faith is an unshakeable thing that can only come from long nights spent crying into the silent dark of the room and asking “is this real? Am I right? Should I give up? This hurts so much, what do I do?” and finding the answer to be “yes this is real. Yes I am right. No, I won’t give up even though it kills me. Yes it hurts, but what I believe in is stronger than this pain.”

Faith is not optimism and it is not fanaticism. Optimism can be broken by hardship and fanaticism has no room for selfless kindness or acceptance of other people not being as devoted as they are. Faith is personal. Faith is a bedrock, and maybe it’s a bedrock that makes no sense to people on the outside, but it is a bedrock and it can make mountains move.

Just as Luna proves when she runs rings around an Empire to win the respect and cooperation of Titan and of Ramuh, to stand amid the rain and tell an enraged TideMother that “it is in mercy that men offer praise, and in shedding grace that the gods solicit worship” and not flinch because she knows she is right.

Luna’s faith is a fierce, scarred thing that has taken every kind of suppression and propaganda and poison the empire could throw at it and kept on going.

Furthermore. Luna’s faith is treated by Sol as something empty. Because when did the Astrals ever help her or comfort her or save her?

I can answer that. They helped her when they gave her Umbra and Pryna, who kept her company through her life and gave her a way to talk to Noctis. A way to reach out to a person who was not either imperial, warped by imperial propaganda, or too afraid to speak out against the empire for fear of dying. They comforted her when Gentiana became a second mother for Luna after the death of Queen Sylva. A physical shoulder to cry on, a sounding board to bounce fears off of, a well of advice when it was asked of her, a rock to retreat to when Ravus turned away from her and the empire continued to control as much of her life as they could.

Gentiana, who is really Shiva in disguise, has been with Luna since she was a small child.

One of the Astrals themselves has been with Luna for almost her entire life. Has guided her, has comforted her, has led her to safety as she fled Insomnia’s ruins.

Shiva had no reason to do that. The Oracles have done their duty since the time of Aera without her help or company. Shiva didn’t have to stay. She didn’t have to linger and offer comfort and become Luna’s friend. She didn’t have to listen to the last words of a scared young woman who wanted only to see her fiancé one last time and promise to carry them to Noctis in the event of her death. Shiva didn’t have to cry on behalf of Luna. Shiva didn’t have to help Luna remember what it was like to be an ordinary woman (“Yet others need not hide their grief. Is she [Luna] so different from them?”), and in fact, if Shiva had played up to most of the stereotypes, she would have done the opposite and done her hardest to suppress any part of Luna’s personality that wasn’t her Oracle duties.

But she did. Shiva was there, and she remembered. Shiva loved and we as a fandom may yell at the Astrals a lot for not doing more to take care of the Starscourge, but of all of them Shiva gave the most because she came down and she lived, and walked, and loved this Oracle, this scared child, this frightened, weary woman who couldn’t even turn to her own family for comfort. Shiva’s husband Ifrit was betrayed by humankind and yet Shiva still defended them, she kills Ifrit to protect the man (the king) that Luna loved.

And at the end of the game, in those final moments outside the Citadel, when it’s just Noctis and his Retinue against all of Ardyn’s armies of daemons, when Luna calls out to these Astrals whom she has remained faithful to her entire life, even unto her death…

They answer.

Every. Last. Astral. Who is not corrupted like Ifrit, comes down at her prayer and fights. Even Leviathan who’s only voiced lines are screaming wrath against the humanity that forgot her, even Bahamut who otherwise remains aloof in his plane of magic beyond the concerns of the mortal world. Luna calls, and they answer her.

“What have the Astrals ever done for her” indeed.

Luna’s faith is a driving force of her character, it is irrevocably intertwined with her duty, with her choices, with her desire to help people and save the world even if it costs her own life, and in the end her faith is rewarded. Not in the way we want for her, because we love the ultimate happy endings where everyone lives and nobody dies. But Final Fantasy XV was never a story about happy endings. It was a story about coming of age, and tragedy, and sacrifice. Of holding onto hope against all opposition, and of having faith that someday the dawn will return, even if bringing about that dawn requires personal sacrifice.

…

Okay this is over 5k words, I’m tired, and I’m extremely salty so I can’t really figure out how to wrap this up but there we go, my salty personal rant about why I think Dawn of the Future messed up some really critical parts of Luna’s characterization and why it’s Really Bad that they messed up those specific things.

Also I kinda despise them making Bahamut the bad guy in DotF because yes he’s a jerk and yes he really could have done the whole Prophecy thing a ton better, but in the original FFXV one of the things that made the game so heartbreakingly tragic to me is that most of the characters involved weren’t pure evil. They could be greedy, and flawed, and crazy, but in the end the source of the problem was too big to pin on one character.

Do you pin the entire thing on the god of war for his mistakes in trying to bring about peace, or the god of fire for trying to destroy humanity and no longer being there to do his job and purify the plague? Do you blame the Astrals for their hubris or humanity for theirs, because Ifrit loved humanity until they betrayed him so deeply he went mad? Do you hate Ardyn for causing the Long Night or pity him for being a victim of Somnus’s greed? Can you blame Somnus for everything even though the Scourge was going on long before him and kept spreading long after he sealed Ardyn away? The whole thing is a tragedy because at this point it’s a problem too big to fix without someone paying a price too heavy and we hate that because the characters who pay that price are the ones we grow to love over the game.

But that is an entirely different rant for an entirely different day when I am not so tired and my hands no longer hurt from writing this much in one sitting. Thank you and good night.

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hollowisthyname · 3 years

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Hello, Icarus! Please infodump to me about Danganronpa?

okay so! I had written out a whole thing but then tumblr deleted it! so that was fun! /s but now that I know what I'm going to write it's much easier, so that's good 😌

n e ways, I'm gonna do like a basic timeline w explanations and some other stuff that hopefully I'll remember once I start writing!! so let's go :D

a list of everything danganronpa in chronological order (not the order that you should play/watch the stuff in, I'll put that in the explanations)

Danganronpa 3: The End of Hope's Peak High School - Despair Arc (DR3) - second anime, watch along with the Future and Hope arcs after playing the first two games (and UDG if you want to). backstory for the cast of the second game.

Danganronpa: Trigger Happy Havoc (THH) - first main game, play first. also has an anime that's basically the same as the game, but since there's not enough time to put everything from the game into the anime I definitely recommend playing the game. high school students from a prestigious school trapped in said school are forced to play a killing game, hijinks ensue.

Danganronpa Another Episode: Ultra Despair Girls (UDG) - third game, not main. play after playing the first two games. very different game mechanics from the main three, and widely considered not cannon by the fandom. I like it though, and it introduces a lot of really interesting characters along with giving a v underdeveloped character from the first game a lot more character development. it's not necessary to play it (though one of the characters plays a pretty big part in the third anime, so that would make more sense if you already knew her), but I think it's interesting and fun. there are also robot fights.

Danganronpa 2: Goodbye Despair (DR2 or SDR2) - second main game, play after playing the first game. same basic premise as the first game, except it's a different class (same school though) and this time they're on an island. even more hijinks and plot twists than the first game.

Super Danganronpa 2.5: Komaeda Nagito to Sekai no Hakaimono - (I could only find the Japanese title for this one, sorry 😔) kinda also part of the second anime? watch after playing the first two games (and UDG if you want) and watching DR3. character is woken up from a coma via overdramatic and overpowered other character.

Danganronpa 3: The End of Hope's Peak High School - Future and Hope Arcs (DR3) - second anime, watch along with the Despair arc after playing the first two games (and UDG if you want to). aftermath of the first two games.

Danganronpa V3: Killing Harmony (DRV3) - third main game, fourth game in total. I don't actually know when it happens bc they're v secretive about everything, so I'm just putting it last. play last. same premise as the first two, the class is trapped in a school with a courtyard and a huge sort of dome around everything. peak hijinks, too many plot twists to count.

woo!! that's the timeline as I know it, hopefully I didn't miss anything. and I have managed to remember what else I was going to say, so let's move on to section two:

the mechanics of the games

danganronpa is, at its core, a glorified visual novel. every character has a certain amount of sprites for when they talk, as well as voice lines that aren't usually the exact text on the screen but fit the vibe of whatever they're saying. and as I've said before, there's quite a lot of talking. these games have more plot than should really be possible and most or all of it is done through dialogue. cutscenes and class trials are the only parts that are reliably fully voice acted, but there are a lot of those.

as for the parts that are less visual novel-y: you can walk around, and the settings are pretty much as 3d as the 2d-ish style of the game allows. you can also click on things, and sometimes clicking on stuff will get you monocoins, the currency of the game, which means you'll be able to buy presents for the characters!!

"now why do I need presents for the characters?" you ask. well, that's because you're given a certain amount of free time each game to hang out with characters you want to get to know better! the game's ending is fixed, so you won't change the course of the game by who you do or don't hang out with, but you can learn more about characters and become closer to them! giving them presents they like makes them like you more :D

and the most exciting part of danganronpa, what a lot of people play the games for, the true lure of the game.... the class trials!!

so these characters are in a killing game, right? basically, they're faced with a sort of lose-lose predicament: stay trapped in the school forever, or kill one of your classmates to "graduate". but it's not as simple as that, because in order to graduate, you can't be caught. and how do you determine whether or not a criminal has been found out? well, a trial of course!

enter the class trials. every student (barring dead or severely wounded ones) is required to participate in a kind of mock trial- except someone's really dead, and they need to find the murderer or they'll all die too.

(right, did I forget to mention that? only one person can graduate. getting out alive insures that none of your classmates get the luxury of doing the same.)

so, yeah. the class trials are a true fight for life on both sides, because who ever loses will be executed.

and they're really, really fun.

entirely voice acted! enough minigames that the list of them is probably longer than this entire post! the joy of solving the mystery! the... execution, right in front of everyone.

hey, it's a dark game. not like they're trying to hide that. and the executions aren't actually all that gory most of the time, but they're still very much there and onscreen. also as close to fully animated as the games ever get, which is pretty cool.

so how the class trials work is this:

there's a murder. dun dun duuuun. you investigate everywhere related to the murder to get "truth bullets", which are the reason you don't immediately fail at the trials. you don't have to remember all of them, they're all written down in your e-handbook. plus, the protagonists all seem to have really good memories.

time for the actual class trial!! Monokuma (asshole bear running the killing game) introduces everything, explains the rules. and everyone starts talking.

there are a lot of different parts to the class trial, but most of it is "nonstop debates". everyone talks one after the other, and you have to find inconsistencies and shoot the right "weak spot" with the right truth bullet. you refute the lie or mistake and everyone goes back to arguing normally.

there's also hangman's gambit (weird hangman to find a key word), multiple choice things (self-explanatory), and plenty of others.

near the end of the trial (or sometimes only a little over halfway in, it varies), the killer will.... kind of become obvious. there's a specific kind of change in behavior that's the mark of the murderer in these games, but I'm not sure how to describe it exactly. a lot of times there's an accent change, and in general they start acting much more erratic. since it's a trial, though, even after this presents itself you still have to prove your case beyond reasonable doubt.

and once it's become clear to the killer that they're backed into a corner, you have to do the "bullet time battle". it goes by different names in different games, but the basic mechanics are the same: you battle against a student (usually the killer, but not always) in a rhythm-based battle where you have to click to the rhythm to refute your opponent's statements. once you've dealt enough damage, you shoot the final piece of evidence, and that's the end of it.

the murderers react differently different times. sometimes they break down and confess. sometimes they keep denying it. sometimes, they're just calm. however they act, though, the end is the same. they are caught and punished accordingly.

but before that, there's one more thing to do. the closing argument.

your final task is to explain how the murder was committed, from idea to execution (look, a pun! see I can be funny too 😌). and you have to do it... as a manga.

you don't have to draw the whole thing yourself ofc- you just have to fill in the missing panels and then watch as the protagonist narrates it to the rest of the class.

and that's all for the class trial, not counting the long talks after every execution while still in the courtroom.

wow, this is getting...... really, really long. there's only one more thing I'm gonna add, and I promise it will be much shorter than the other two bc it is late and I am officially Incredibly Fucking Tired.

with no further ado, a very short part three:

my general impression of the game. its vibes or smth, I dunno this is just what i think about it

when I first heard of danganronpa, I thought it was a horror game. I can now assure you that it is not. thriller? maybe. debatable. but definitely not horror.

and despite its extremely dark premise, this game is not all doom and gloom. there's so much stuff about hope, and overcoming despair even when it seems impossible... it's not exactly a happy game, but there's a lot more of that in there than you'd probably expect.

all in all, I love this game. so much. it means a lot to me, and I think it's a really good game. thanks for letting me talk about it so much asdhfd :D

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morwensteelsheen · 3 years

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@tinacharles replied to your post:

where would the kings of rohan essentially having to hold together the east and west fold fit in do you think? makes it seem even more precarious than gondor which despite the provinces etc feels a bit more centralized?

Yes!!!! I’ve been thinking about this a lot lately (and holy shit I am NOT a military historian so please forgive however many inaccuracies I'm about to include here, BUT…), and one of the things I’ve been wondering about is if this popular vision of Gondor as structured as a Western European feudal state is a little misleading. Insofar as I can see it now, the fanon take on Gondor’s governance is a little bit like England post-Magna Carta, which is to say it looks like this:

You have a King/Steward at the top, who is imbued with some element of divine justification for his rule. The land of the kingdom is his (in essence--and I mean that definitionally, the essence of the land is his), and is rented out to various other actors, namely...

The aristocracy beneath him. Though the land is technically the king’s and leased to them, in practicality the land (and the peasants attached to it!) is theirs, and because of that, they have an immense amount of power. The bigger and the more resource-rich the land, the more important and wealthier the lord who maintains it. The landed aristocrats (because it is possible to have non-landed aristocrats!) have enough power to effectively “check” the King—and a big part of that power comes from their ability to raise armies. As far as raising armies are concerned, they are led by the aristocrats who raise them, and those aristocrats are in turn loyal to the King (but can just as easily not be, hence the somewhat weakened power of the central authority).

Then you have the non-landed aristocrats, so these are mostly perfunctory titles given to make people feel good.

And lastly the soldiers, the peasantry, the urban poor, etc.

I think that that take is wrong for Gondor—if it’s not technically canonically wrong, then it’s certainly less interesting—but right for Rohan. Importantly, that level of inequity engendered between the power of the aristos and the power of the King would explain, for example, why Éomer (as heir to the Lordship of Aldburg, according to the UT) could be leveraged so effectively by Gríma as a threat to Théoden and Théodred’s power, and it would explain why (at least in part) all of Théoden’s family were so hesitant to do anything public with getting Gríma the fuck out: admitting the King had shown any weakness at all could be seriously risky business. Plus, as you point out, it fits in nicely with the Eastfold and Westfold pulling away from one another—different areas, different interests, and less overall allegiance to a central authority (and a weakened “national” narrative to boot) meaning the King himself really needs to have a vise grip on the regions to keep it all together.

The one place where this falls down somewhat is the decentrality of the army (sorry I'm just making up words every five seconds here lol)—we know Rohan’s army is at least somewhat centralised based on, well, every description of it that we get. We can account for it in this model by saying that while the army is centralised, the economics (grain production, taxation, etc.) are not, so the Kings are still fairly beholden to their vassal lords, AND, we can point to Folcwine having substantially reorganised the Éoherë and say that while he split it into roughly three-ish columns of riders, all he actually did was shift around the numbers for the regional lords to muster and institute an unlanded title (the Marshals of the Mark) to take up the task of administering the army, without substantially rebalancing power within the kingdom. So the bulk of the power to raise the Éoreds still rests with the regional lords, meaning keeping them happy and in line is a major part of the work of the king.

So that set-up works for Rohan, but not for Gondor. Gondor, I think, is probably best organised around [byzantine gondor klaxon] the Eastern Roman themata system. After the 600s-ish, the Byzantine Empire began to make more extensive use of a system put in place by Diocletian that is, as far as I can tell, basically a variation on the US Homestead Acts with a military component. It goes something like this:

Land is granted to soldiers (and it’s important here to note that they start as soldiers first, not farmers), to farm. The soldiers’ pay was docked for having the land, but the farming land was typically more valuable anyway, so it was a good deal. As long as the soldiers agreed that their descendants would continue to farm the land AND serve in the military, all was good. And this descendant stuff is important because it means even the people on the lowest rung of the power structure have some sort of emotional tie to the state—they grow up expecting to be part of it in some small way, and so generally feel a greater sense of allegiance to Gondor™ than, for example, in Rohan where they’re tied to the land that’s owned by, say, Lord Erkenbrand of the Deeping Coomb, who is broadly loyal to the Kings but could at any moment flip, leaving the peasantry functionally disconnected from the King and the Riddermark generally.

The theme system is also important because it means you don’t need to do conscription (which is kinda sucky and unpopular) and you have guarantees on both farmers and soldiers, which is an excellent way to occupy your able-bodied population pretty much round the clock, reducing both the likelihood of rebellions and maximising your population’s general efficiency—sounds to me sort of like what Faramir’s on about in Window on the West! It’s also great because it means you can settle conquered lands quickly and easily.

Above these farmer-soldiers in the power schema was something like a regional governor, who was in charge both civilly and militarily. This looks a lot like your classical Western European feudal lord, and is functionally pretty similar, except in that they don’t own ALL of the lands the peasants work, most of that actually belongs to the central authority and is leased directly to the peasantry. This sort of explains how Faramir can credit the expansion/maintenance of Gondor explicitly to the Stewards (“but the Stewards were wiser…” in TTT) instead of having to acknowledge the underling lords—and assuming he’s not just being a blowhard about it—because that leasing of the land would actually be the prerogative of the Steward (in the name of the King) and not the Lords of the Pinnath Gelin or the Prince of Dol Amroth or whoever.

Then there’s an ENORMOUS bureaucracy and administrative wing to the central state. Genuinely enormous, filled with lots of vanity titles (Warden of the Keys, anyone?) and basically helps to keep the administrative state running, reducing the amount of actual clerical work both the central authority and the outlying lords/governors have to do. This makes the bureaucracy quite powerful, but makes the central authority (King/Steward/whoever) even more powerful because he leads it.

Then there’s the interesting pseudo-democratic element inherited from the Roman Empire, which actually goes some of the way to explaining some of the subtext to my initial question about Faramir’s behaviour at the coronation; there's the remnants of the Senate, which technically elected the emperors of the Byzantine Empire (though had waning influence as the centuries wore on). A senate, obviously, is quite different to whatever the fuck it is that Faramir does, but that sort of popular approval for the king is nonetheless interesting and notable, and we can probably assume Tolks knew something of it when he was writing.

Sorry I wrote... way too much here, I am procrastinating v hard from work lol. Anyways yeah I think this is basically where I'm at vis a vis their relative governmental structures. I'm having a bit of a moment as well because Dante Alighieri has this whole take on the Empire and Catholicism, and I think that's actually probably influencing Tolkien somewhere along the line (and is definitely relevant, if nothing else, for how I think about the governments in LOTR), but I haven't had the brain energy to try to incorporate that yet lol

#lotr #gondor #rohan #meta #i think?#i can never remember what the definition rules are lmao #long post

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inventors-fair · 3 years

Text

Three Cheese Commentary: An exercise in utility

I really shouldn’t complain about contests being popular with people.

Still, what a way for the year’s contests to start. A heckuva lot of entries for a very hard prompt makes me feel good, in an odd way. I have a hypothesis that the clarity of directions and the examples provided were enough to make it feel as though there was a low barrier to entry. It’s interesting and kind of my fault that a lot of mythic legendary creatures found their way in. Ah well. Lessons learned.

If you’re reading this, I want to give you a little hint: we love hard decisions. If your cards really are brilliant, if you do your best to improve with each and every entry, if you listen to the commentary and submit the best possible card, then our jobs as judges would be nail-bitingly hard. And I love that. I love having to sigh wistfully and move a card from “winners” to “runners-up.” I love praising cards that contest for coolness in their spaces. In short: you don’t have to listen to us specifically because, well, we’re not professionals, but if you tweak the tweaks and polish on your polish, then—well, the goal is that you grow as designers and in your understanding of the game. And that you’ll have fun along the way.

For every card, I’m going to converse with the intent, talk about where improvements can be made and what might have gone wrong, and then go through wording nitpicks (another part of what makes cards hard, heh. You gotta do design AND cost AND flavor without committee). Cards with JUDGE PICK are personal favorites that for whatever reason either didn’t meet the criteria for winners or just tickled my fancy despite being some kind of not-there-in-certain-ways. Or maybe they just got pushed out of runners-up because of space. See? Hard decisions.

Let’s talk about some cards:

@aethernalstars — Anurid Matriarch

Intent: The Matriarch feels like a casual build-around-me keyword card with some connection to the Anurids of Dominaria. There are only two frogs with reach (and none with first strike) to date but this isn’t supposed to be a tribal card, is it. Not like that, anyway. Giving keywords those ups makes sense. Token generation is pretty solidly GW, giving them flying is WU, sure. First strike to double feels distinctly white. I imagine this card as a casual build-around-me or a token generator. Five mana for a 1/1 token ain’t bad.

Improvement: I have no idea what this card really wants to be. First strike doesn’t see anything outside of white, and reach doesn’t see much inside white. Or blue, for that matter. The flying makes sense for blue but this whole card doesn’t feel cohesive in terms of colors or identity. I did my Anurid research and I don’t see any precedent for this. Frog beasts are cool but… Well, this card answers the question of “why” with “just because.” I don’t fully understand the niche it’s trying to fill or the environment in which it wants to exist. If you’re gonna make a Frog build-around-me, lean into that. If you’re gonna make a keyword tribal card, focus on just one. If you want to make it color-balanced, look at what everything could do together for a flavorful feel.

Nitpicks: Flying comes before double strike.

Amarinthe — Rashmi, Enlivened Artificer

Intent: Temur has a pseudo-foothold in Kaladesh mechanically, so I’m not surprised that Rashmi’s here doing her thing. Giving your cards Jump-start is interesting, as UR has a sort of flashback mechanic, plus the lands from the graveyard work into green quite well. What I really like is the way that the Crucible effect interacts with jump-start. That’s pretty cool design chops. I can see this in a supplemental Commander sphere or even as a Standard mythic for a three-color archetype. It doesn’t seem exceptionally broken on either front. From a purely mechanical perspective, I think you made an awesome card.

Improvement: This card perhaps feels RUG, but it 100% doesn’t feel like Rashmi or a druid. Elves can be artificers on Kaladesh, and that’s not an issue, but you call her an artificer, you type her as a druid (which yes, was her original type when she was more druidic), and you give her a primary ability that’s got basically nothing to do with artifacts or druidic principles. The lands work great with the druid part, but the flavor could be sorted out. I would take out “jump-start” as a keyword and just work in the wording “you may cast from your graveyard” etc., make a new character, and flavor them appropriately. The flavor text should complement the mechanics; as it is, I’m not certain.

Nitpicks: “jump-start” should be lowercase, but it doesn’t really matter if you do end up taking it out.

@arashisann — Yurlok’s Conflux

Intent: With Yurlok being a new commander hotness, I can see the intent of this card as a Jundian standard/supplemental addendum. The lava flow makes mountains, then the second ability...represents something predatory? And the last is Jund destruction. The R>B>G makes sense there.

Improvement: I don’t know if this card is necessary salvageable as-is; you might be better off making two or three separate cards if you want to show this character. When making a saga, you have to tell a story in a limited form, and it’s hard, absolutely! You represented the lava flow in the first ability quite well, and I do like that a lot. The creature and artifact sacrifice isn’t indicative of anything that I can follow story-wise. Reading the wiki I understand the way that you might want to represent the Thrash dying or Esper being invaded. I don’t believe this is the way to do it. With the very last sentence not doing anything when you’re sacrificing anyway, I don’t believe the best card for you is a saga at all. How could you tell this in an instant or sorcery card, perhaps? The moment that Yurlok comes over the Esper border?

Nitpicks: “non-Mountain;” the land type should be capitalized in both parts, see Quicksilver Fountain. The ability should also be one word. As I mentioned, removing the counters doesn’t do anything mechanically because it’s sacrificed after resolution. Check the MSE Discord if you want to get your text fixed, BTW. I know how frustrating that can be.

@askkrenko — Etherium Restoration

Intent: You know, even without Ed being there, I’m getting a Bruna-ish feel. That’s not a bad thing, it’s just that UW expensive returning stuff kinda has those associations. The fact that the creature is being restored with etherium though is pretty awesome, and you know what, that alone (the return plus the re-artifacting) is a great way to convey what Esper does and wants to do.

Improvement: The aura and equipment stuff doesn’t grab me, honestly. What do auras have to do with Esper? And the only equipment that I could find that fit was Mask of Riddles. So I’m going to stop here because the obvious answer is that you’re exploring new story design space for what Esper might be. I respect that. With the information we have now, it’s middle-of-the-road. My vote would be to make this (3)(B/W)(U) and make an argument for UW reanimation to artifice overall, then completely drop the aura/equipment part. Plus, gotta say, I know the flavor text is a pop culture thing but you’re messin’ with my favorite plane! Show some respect! /j

Nitpicks: If you do keep that second part, “Aura” and “Equipment” should be capitalized.

@bread-into-toast — Krofor, Corpse Hauler

Intent: It’s a nightmare insect? I’m down. Even without that particular piece of art I can see how people might be afraid of a giant bug. This is pretty evidently a Commander-geared card although I can see how casual brewers might want to throw it down in a combo match and do some graveyard hate. GW graveyard exile and black ability scavaging is pretty cool, so I can see where your intent was with that. Good catch putting “Nightmare” first, too. I almost suggested mixing it around. I like how aggressive this card can be.

Improvement: Firstly, Corpse Hauler is literally another card which already had a self-evident mechanical ability to get creatures back to the hand. Even if it’s an homage, I would distinguish it; besides, it’s not so much “hauling” corpses as it is eating them. Presumably. “All abilities” is a bit of a slippery slope, too. Activated abilities is one thing, but all abilities whatsoever? I’m uncertain if that’s design space you want to tap into, but don’t pull the trigger. My main issue is that you have the activated ability cost “X and W, B or G.” I understand what you were trying to do but that that point you might as well just have it be “1X.” There wouldn’t be anything stopping you from making that mana already. In short, rectify the name to fit flavor, change the ability cost, and be wary of weird interactions with abilities.

Nitpicks: “Lifelink” and “Vigilance” should be lowercase ‘l’ and ‘v’ respectively. The X in the rules text of the activated ability should also be spelled out and not a mana symbol. You can change this in MSE by highlighting, then going to the star next to the bold/italic toggle and turning it off.

@col-seaker-of-the-memiest-legion — Sevala, Exiled Naturalist

Intent: I read up on what happened with Selvala after the events of the first Conspiracy set, and I see how you set off to mimic that, but then I saw the note about the Timeshifting, and yeah, I guess that works.. The green landfall, the red flashback and the white Path come across well. I suppose this is more of an eternal-themed card, although I could be wrong.

Improvement: Yeah, technically there’s nothing stopping you from having a noncreature card as a partnerable card. I’m trying to be diplomatic about the implications, though. Okay. So Selvala’s white aspect was introduced in the first Conspiracy set as she was heavily connected to the citizens of Paliano and worked as a community diplomat against the establishment. She forged a stronger connection to nature and thus became more green in her overhaul of the city. Path to Exile is not in her wheelhouse. She does not exile; she parlays, communes with creatures, seeks out new futures. What exiling magic does she have? What judgement? It doesn’t exist in her character, nor does the redness. Frankly landfall doesn’t really fit her character as well. The point is that even if a character could have a partner that’s a concept (which is antithetical to the mechanic as a whole), the spell you have chosen contrasts with Selvala instead of complementing her. And what does she have to do with flashback anyway? To improve this card, completely restart the conceptual process.

Nitpicks: The character’s name is misspelled.

@deafeningsandwichpeach — Ilharg, the Craze-Boar

Intent: Ha, I get it. I’m going to go out on a huge limb here, because I mean as much as I like all of this I get the feeling that either the name or art came before the full concept. Nothing wrong with that, because ultimately the card is good. SO. Either this is designed for a Timeshifted set where something really awful happens to our poor Boar God, or, well, something really bad DID happen to him somehow. I’m not sure what the land return represents flavorfully but it’s fine mechanically. The creature return as well is BR and I’m down for that, strong as it is. This card evokes the colors in a way that makes it slightly different than Jund; maybe it’s the art but I’m getting Innistrad vibes from him, the madness returning, the pain going on inside his head. It’s neat. Again, massive stretch though, let’s be real.

Improvement: And with that in mind, I wouldn’t have made him Ilharg. Honestly, this should’ve been a new character, and I would have been a lot more generous. I don’t really get what Ilharg as a whole even in an alternate timeline has to do with lands returning considering that he’s a big ol’ nasty city destroyer. Mechanically, this card needs to cost like EIGHT mana. The card you return from your graveyard to the battlefield stays there, and with a big enough graveyard you don’t have to worry about getting things from your hand anymore. Turns 1-4 dump all your creatures, turn five get the best of them if not earlier? Pretty busted in any format. For eight mana I wouldn’t complain.

Nitpicks: “up to two land cards,” not “lands.” Question: why isn’t he a God?

@deg99 — Radiant Return (JUDGE PICK)

Intent: Black reanimation, white attachment, red hastiness. All the colors are definitely there! There’s something Mardu-not-Mardu about this RWB card, and I think I like it. I could see it as a standard card, definitely, or as a commander staple for a really interesting commander. I’m honestly not sure exactly what kind of deck would really appreciate this card right now! Keskit/Akiri? The Auras part is a little more interesting. Ardenn/Vial...Smasher? The fact that it defies current archetypes but still makes sense is very cool to me. I also wonder what a standard expansion in which RWB auraquipment is an archetype would look like now.

Improvement: A little flavor text could make this work one degree better. It’s really on me that you went into the future with this card, isn’t it. There’s no major improvement to be made besides that. Consider contextualizing for future contests, perhaps? When necessary, anyway.

Nitpicks: “Return target...to the battlefield, then attach any number of Auras and/or Equipment you control to it...etc.” Don’t need the trigger.

@demimonde-semigoddess — Seaglide Whaler

Intent: A pirate’s life for me! So we got an aggressive tempo-y pirate person with a decent couple of sharpshooter abilities. Blue sirens are certainly reasonable, as are Grixis pirates. I like the notion that it has to attack to “survey” and then take whatever shots it makes. I don’t think Ixalan could have had this card but honestly the future is a place where anything could happen.

Improvement: The problem with these colors is that in practical terms, the second mode is strictly black and yet can be played in an Izzet deck. Hybrid is a weird mistress. As much as these abilities might neatly tie into the three colors, hybrid makes deck construction nearly impossible. You can have a pinger in UB or a Fatal Blow in UR, both of which are either severe bends or breaks. Making this a straight UBR 3/1 flier could have been okay, perhaps, or having on-color activations, but as it is now, hybrid makes things hard. Consider looking at a Venn diagram between UB and UR to consider more appropriate abilities?

Nitpicks: Kathari Bomber implies the second mode to be “...damage this turn and sacrifice Seaglide Whaler.”

@dimestoretajic — The Dark Tendril

Intent: Sultai skulk-lord could be a fun card to open and build around in limited, and a BUG defender-y deck could have some fun application. I like how you’ve made the new character and sort of done another take on treefolk.

Improvement: For this contest, I don’t feel a strong color balance in this card. Skulk was a weird black/blue centered mechanic, sure, and green assigns the toughness, but… This feels like it’s trying to make skulk look cool rather than address the issue that skulk was just plain not a good mechanic. I get where the color weight is supposed to be but the whole thing is shadowed by that underlying desire. If this card had just been “Creatures you control can’t be blocked by creatures with greater power” and the other stuff, on a name/type that was more resonant, then I think it could have been a stronger contender. I don’t understand the world in which “The Dark Tendril” lives. I don’t understand why it’s a treefolk. I would get rid of naming skulk, make the type more apparent, and give the character some character.

Nitpicks: Three-colored cards really should have a gold border, not a hybrid one. Also, promo frames tend not to have flavor text (with exceptions for cards with no rules text like Memnite).

@driftingthruthecosmos — Ulti, Sudden Conjurer

Intent: I like that triggered ability because it’s got some smooth flow over it. GU has its flash aspect, but black also likes destructive instants, and then the Disentomb-effect fits nicely into a payoff that feels black for sure. I also like how you’re using the three colors to push the card into a really neat 3/3 aggressive creature. Flash and deathtouch literally only show up together in these three colors but not together—and here you are changing that on a powerful legend!

Improvement: But the fact that she can only return creatures with flash is kind of a bummer. Sure there are plenty of cards that could work with her, and having some Ambush Viper casual tribal wouldn’t be too bad, but it’s still limiting. I would have implied that she works with flash, or let players work with flash, without being so specific about it, and I feel that the card would be improved with implied flash tribal over explicit in this case. Additionally, what on earth is that last ability doing? Each end step, you have to sacrifice a creature or lose one of your potential targets for her trigger? I have the feeling that you may have been too cautious to push power levels here. If you want to limit her, have it be “Whenever you cast your first spell during each opponent’s turn…” or something, and axe that last part.

Nitpicks: “unless you sacrifice a nontoken creature.” Full stop, you can never sacrifice creatures you don’t control so adding “you control” is redundant.

@dumbellsndragons — Gorvax, Lich of the Horde

Intent: It’s a Mardu zombie orc wizard. At this point, you’re already doing something right for the Timmies out there. The first ability has Tainted Remedy plus some crazy draw after that, and oh man, it’s begging to be punishing. “I’m gonna Heliod’s Intervention you. Deck yourself. Runeflare Trap. Molten Psyche.” But also, that second ability? You can Bolt during an opponent’s turn and turn it into a one-red-mana Ancient Craving. For mythic, to build around? I honestly think that that’s perfectly fine. And insanely powerful.

Improvement: There’s weird stuff going on, but the hard part is that I don’t know if there’s things to improve. Giving your spells lifelink has Jeskai precedent, but it’s not NOT black. Doing a little digging, I can see that there are indeed zombies and even liches on Tarkir, but only in Sultai… But there’s no reason that the Mardu wouldn’t have them, right? Hm, maybe “Victory or Death” gets muddled here. Wizard, though, that’s a sticking point. And frankly, the whole “Lich” thing. I don’t see the lichiness in the abilities or the wizardry in the Mardu. You know what would be dumb fun? Ditching the Mardu aspect and making this WUBR. Wouldn’t fit the contest but what a friggin’ commander.

Nitpicks: None!

@emmypupcake — Knight of Summer’s Vigor

Intent: I was surprised to see that there are actually quite a few green Knights. It makes sense, of course, considering both Eldraine and Bant and Selesnya. So yeah, an elf knight who makes more knights? This is a powerful card with some crazy abilities if it gets out of control at all, but the color restrictions and the lack of substantial evasion ensure that it’s not busted out of the gate. The name’s pretty good, too! Oh, Knight of New Alara...

Improvement: For this contest, I don’t feel color blending as much. Tokens with GW and knights with R(W) are fine, yeah, but aside from that, the colors of the tokens and the general feeling of the card isn’t enough to really excite me. I do want to see a set in which this card could exist, perhaps, with multicolored knights and elves and whatnot. I don’t have any real improvements for this card; I just don’t think it stands out against some of the weirdness. Keep it around and add some flavor text. Consider: what would you like for this set to be? In what world would these knights exist? Why is summer important?

Nitpicks: “Whenever,” not “when.” See Pollenbright Wings

@evscfa1 — Estrid, the Unmasker

Intent: The Commander sets with shard Planeswalkers did give us a lot to work with but not a lot of extra stuff, so it makes sense that people might pick up on them for the contest. White auras, exile, and taxing all make sense mechanically. I feel that this is more standard than supplemental, a little weirdness for the way that the specific tokens and all would want to work. I don’t mind that part, honestly. Bringing Estrid back would be fine by me, even as monocolored.

Improvement: Because, well, this is a mono-white card. The +1 creates white Auras (that don’t do anything, so that’s an issue), the -2 is close to Generous Gift, and the -8 is an enchantment-oriented Hum of the Radix, like a twist between Sphere of Safety and Aura of Silence. None of these abilities feel anything but white. The emblem is arguably UW, but not by much. With Auras that don’t do anything and a color identity that doesn’t mechanically contribute to the card, I feel that you can either keep her and buff some of the abilities or try to make her feel more in line with the contest, which you don’t really have to do at this point. I’m also worried about the name and the ability tie-ins. Estrid doesn’t “unmask” at all, does she? She’s a mask user, not a revealer of truth or any of the things “unmasking” would imply. Why would she make a False Mask? Is this some alternate storyline? If so, I don’t really understand what changed, or why.

Nitpicks: “*Its controller” in the -2, “*get an emblem” in the -8.

@fractured-infinity — Rhythm of Death (rare)

Intent: Red (/black) gains first strike, black (/green) has deathtouch, green (/red kind of) has lure. Everything’s coming together in a kind of keyword soup, so that’s all well and good! In limited someone who opens this will be very, very happy to make people cry. In casual Commander, it’s sure to help make negotiations.

Improvement: In terms of this contest, yeah, this isn’t really buttering my radishes. It’s there, it’s pretty standard, and it makes sense. There are two cards that have first strike and deathtouch and four more that can gain it naturally and all but one are in those colors. And that wouldn’t be a problem if this card was presented differently. I’m ignoring the art for now because it’s actually distracting here. What is the “rhythm?” Is something being given the rhythm? What’s repeating, cycled, constant? What about a rhythm gives the creature these abilities? Change the name, flavor it up, get some text in there, and use blank art.

Nitpicks: “Enchant creature (lowercase) >> Enchanted creature has first strike and deathtouch, and must be blocked if able.” Take that with a grain of salt, though. Protective Bubble might have it say “Enchanted creature must be blocked if able and has first strike and deathtouch.” Or you can cut the middleman and make it two lines: “Enchanted creature has first strike and deathtouch. // Enchanted creature must be blocked if able.”

@gollumni — Exotic Wings

Intent: It’s interesting that we have two back-to-back “must be blocked” cards (hm, no shorthand?) in a row, both Auras no less, but very different. I like your flavor use with the wings being a status symbol, bright and glittery, and therefore turning the creature into irresistible prey of sorts. Aura colors are good, and the solid green effect is in there as well. The mechanics fit a pretty standard-ly powerful draft uncommon that can be used for beating down when necessary.

Improvement: I’m 90% sure that right now GW doesn’t get flying by itself anymore, or at least very rarely. Pollenbright Wings and Shield of the Oversoul exist, so I’m on the fence. Maybe I’m biased with recent printings, but for two mana I’m not sure it’s what GW would need. That said, I’m sure there’s dissent and arguments to be made, and yes, I know its full color identity includes blue; this is pragmatic. I think this could have been solidly WUG with another buff, perhaps, but that just would have made it favorable for this contest and honestly it’s up to playtesting to see if those colors need a cheap flying aura. But the wings. The flavor. I… So these wings belong to birds, naturally? Who is summing this enchantment for mating? This is some kind of buff or boon that most any creature could have so in what world is some enchant-o-mancer giving “do me” wings to Mx. Passerby?? But, this may be just a quirk of the game, yeh?

Nitpicks: None!

@hiygamer — Etherium Replicator (JUDGE PICK)

Intent: Major kudos for making my look up Prototype Portal and seeing that my gut was wrong and that you DID use the right wording! This is a super-Esper card, more than any of the imprinted cards and honestly a great use of the art. Thopter Foundry is a great card but this one isn’t a bad use and would kind of make sense. Now, I’m not going to put this in improvements, because I want to ask a question: could this card be just plain UW? Possibly, but also consider: this card could be just a straight-up artifact as well, and it feels better how it is now. Why? Because the black invokes a different feeling. It invokes consumption, recycling, progress, larceny, calculation. It’s a very blue side of black. And it also feels, well, Esper! Its an established use of theme!... Honestly it’s probably more that. But I like it anyway. I’d say my bias was showing but none of the winners necessarily invoked Alara straight-up so thpt.

Improvement: There are mostly just wording errors. To be honest, if you’re getting something big, could this card be three mana? That’s probably pushing it, but worth testing. Multicolor custom cube time.

Nitpicks: “enterS the battlefield” (tense), “artifact or creature” (instead of the other way around), and most importantly: “Create a token that’s a copy of A CARD exiled with Etherium Replicator” etc. Because you can copy the ETB trigger and/or use shenanigans to exile other cards.

@hypexion — Ferrari, Sharp Scrapper

Intent: Well if my eyes don’t deceive me, it’s another Esper card! And an artifact-y card? Hm, artifact-enchant-y card. It’s easy to see the designation between colors, with self-mill and the lifegain going into black but leaning towards all three colors, the second ability being straight Disenchant, and the last one being an interesting UB pseudo-reanimation on the cheap, which is super interesting and aggressive. I can see this card intended as either a standard staple or being used as a supplemental planeswalker face card. There’d be a heavy amount of artifacts and enchantments for sure, probably artifact creatures.

Improvement: Did I miss something? When did WUB start caring about enchantments as a multicolor wedge identity? Alela and Zur have their thing, sure, but are those the baseline now? I’m more head-scratching and 0% mad, honestly. As a flavorful card, though, I’m not sure what you’re conveying exactly. So they get rid of stuff and they’re happy when they find garbage, but sometimes they want to scrap things they don’t like, but then they can recreate some of your garbage? Let’s back up and say that this card isn’t a Scrapper and that they’re an artifact/enchantment person. In the most general sense, I don’t really feel a harmony of ideas. The card feels one-note, like there’s very little to do besides abuse the -2 ability and maybe the -1 to get rid of some big thing on the table. The +1 exists to serve the -2, and the -1 feels like it’s trying to be protective for protection’s sake. I don’t know why this character does the things they do through the card. As utility planeswalkers become more abundant, the things they do have to be more resonant; imagine a fully-built world and put your card in the middle. No card is a metaphorical island.

Nitpicks: I think (maybe) that the +1 could be: “Mill up to three cards, then you gain 3 life for each artifact and/or enchantment card milled this way.”

@i-am-the-one-who-wololoes — Corpse Spell

Intent: I think you made this very apparent. As a counterspell, it does the job well, and then it lets you get an idea for free! The choice of casting a noncreature spell is particularly interesting, as it plays into this weird and not-really-that-common theme of transfiguration. Obviously polymorphing appears in blue and red but it feels black because of the flavor you’ve chosen to convey. That’s a great job.

Improvement: The big mechanical thing is that I would 100% make this let you case an instant, sorcery or creature instead of just a “noncreature spell.” These colors don’t really feel like they could transmute a creature into something that’s not an idea or, well, a corpse, and it really seems as though that’s the idea you’re going for. The big flavor thing, though, is the name. I really and truly don’t know what you’re trying to convey. Now, I’m aware that English isn’t your first language, and that’s a barrier that I’m not sure how to cross for this kind of criticism. “Corpse Spell” seems like a playtest name. As a concept, this card is great. As a submission, I’m still having to extrapolate a lot; most importantly, it doesn’t tell me how the caster is using the magic to turn a creature into something else. Work on telling that story, and when possible, use native speakers to help get ideas across.

Nitpicks: I think the wording would be: “Counter target creature spell. You may cast target noncreature card with converted mana cost less than or equal to that spell’s converted mana cost from your graveyard without paying its mana cost, and if that card would be put into your graveyard this turn, exile it instead.” Because if you exile it as it resolves and it’s, like, an artifact or planeswalker, what’s the point? Hence my note about instants/sorceries and maybe other creatures.

@ignorantturtlegaming — Draxys, Scourge Eternal

Intent: This card absolutely fits the elemental shell. It feels to me like a standard or CMR-style bomb mythic that hits the table and kinda goes nuts. I mean, it wouldn’t be your commander probably, but in Conspiracy-style? Man. Multiplayer draft, that’s what I mean. It gets cards, it gets counters, it deals damage, then Blitz Hellion-s away. It does indeed feel like a blend of all the crazy things that come in these colors, and you did that much very well. It’s not broken, but it’s powerful, and it’s repeatedly monstrous (not the mechanic, lol) with the fear that it’ll return (until someone Doom Blades it, but that’s the game for ya). Great feeling of a massive beautiful monster.

Improvement: Really, the one thing I would do to improve it would be to consolidate the second and third triggers into “When Draxys enters the battlefield, draw four cards, put four +1/+1 counters on it, then it deals 4 damage divided as you choose among any number of creatures and/or planeswalkers.” No, wait—why not make it an 8/8 and just have it draw cards and deal damage? Because of its massive cost, you’re not gonna play it and then activate Wheel of Fortune in the same turn unless you’re playing some crazy massive game, and then it just shuffles away anyway! So, my suggestion would be to make this one massive bomb when it hits and really get the Timmy out of it.

Nitpicks: None!

@jsands84 — Quarrel, Tariff Enforcer

Intent: The colors are obvious enough, right? A sphinx (blue) based on taxing and punishing (white) to make your opponents lose life (black). Couldn’t be simpler. The color weight is reminiscent of standard cards like Ultimatum cycles but heck, we’ve seen weirder commander cards in the past. I like the fact that even though the color weight is really heavy, the keywords support that kind of aggression without being too overbearing like we’ve seen in other chase rares and mythics.

Improvement: That said, I don’t think it needs that weight at all. 3WUB would have done the exact same and it wouldn’t have looked awkward. Why would it need that weight in the first place? Well, perhaps if it entered the battlefield with an amazing immediate effect. And this card, well, it doesn’t. You have a great eye for flavor and the fact that a legendary (read:uniquely adept) sphinx is enforcing the tax laws of the universe? 10/10. But it doesn’t need that kind of punishment, especially considering, like, the effect really doesn’t come up outside of vintage. So yeah, reduce the weight.

Nitpicks: In the flavor text, “their” referring to the universe is kind of an odd pronoun. With most cases IIRC the concept is objectified instead of personalized, see Aether Adept. (Also there aren’t many cards with ‘universe’ in the flavor text, surprisingly.)

@justincase-1012 — Startling Wisp

Intent: Illusions are almost entirely blue (and one of only two illusions with zero blue in its box is Esper-centric, funnily enough) so that’s all interesting, but this is definitely breaking from the artifact theme and going for color flavor. The fact that it is the one doing the startling is somewhat black, but the discard definitely is. Because of the narrowness of this ability, I feel that it’s intended to be a draft/standard oriented card as opposed to eternal breadth. A 1/1 flying indestructible spirit in these colors is honestly pretty fair and ghostly!

Improvement: This card is too narrow to be common but definitely too specific to be rare, and that narrowness really is...weird. It doesn’t just require noncombat damage, but it requires noncombat damage from creatures. Why? “The next time a source would deal noncombat damage to you or another creature you control this turn” would be perfectly reasonable. Also, why the next phase? Just have it say “Then, if ~ is on the battlefield, return it to its owner’s hand.” The timing doesn’t feel necessary. And honestly, I don’t find this card “startling” much. It’s alluring, certainly, but not startling. Consider renaming and tightening the focus. Too narrow and things just get ugly.

Nitpicks: So you do need “this turn” as I said above, and then looking at other printed oracle text: “that damage is dealt to ~ instead” etc. etc.

@kytheon4-4 — Surrak of New Atarka

Intent: Surrak was a three-color monster the last time we saw him, and he’s back in action now and reclaiming his colors. This is definitely meant to be a commander of sorts, hyper-aggressive with some awesome combat to boot. The first ability’s Gleam of Battle is really aggressively costed here but it makes sense in a timeline when he’s reclaimed some kind of new unity. And of course, the callbacks to both Tarkir timelines is there and well and good. Color-wise, your choice to then go ahead and make a future new timeline is really interesting and I can feel that sort of “new ‘Naya’” blood pumping in Surrak’s veins.

Improvement: The first damage trigger is great, if pretty pushed for Naya colors. The second clause is… Well, call it a “winmore” if you want, but it really is a winmore. Big creatures are big and that’s okay, but if they’re that big and dealing damage, then an indestructible counter is kind of adding insult to injury. And frankly, why not combine these all into one trigger, so that the Gleam ability is just a little less pushed? Whenever the creature deals damage, THEN it gets a counter, and IF it’s four or greater THEN you draw a card, and THEN if it’s eight or greater, something weird happens.

Nitpicks: None!

@mardu-lesbian — Contentious Pair

Intent: A white Soldier, a red Goblin, and a deathtouch counter, and yep, the gang’s all here. Token-making in red and white is pretty standard, a little less for BR and more heavily in the white part of WB, but all the same there’s nothing wrong with that appearing in the three-color combo. It’s interesting you went for a post-Conflux kind of deal with Alara...wedges? Really unique. This is most definitely designed to be a common card for a standard expansion, meant to be drafted and whatnot. It implies a lot about the potential future!

Improvement: I’m unsure how you came up with these colors and creature types. Bant, the shard of soldiers, and Jund, of Goblins, do have one shared color: green. But then this card would have been what, white-green-red? And that’s problematic in another way, and I get that. As it stands, though, this feels heavily weighted towards BR and less towards white, and honestly, this feels definitely uncommon. You get two bodies at instant speed, one of which will most likely destroy an attacking creature. Instant deathtouch isn’t necessarily a bad thing, and it’s been in standard for a bit. The bodies and potential permanent deathtouch when you have an empty board is what raises the complexity. My flavor question: why are they contentious? Makes me feel like we’re seeing the start of the story more than a split-second moment; this card might feel better as an uncommon sorcery.

(Also, I’m just imagining them coming over a mountain at instant-speed during combat, and the soldier and the goblin are just talking about their differences and the goblin is showing off their poison dagger when a beast just WHAMS into them and they both instantly die as the soldier looks on in shock and horror. I do love it when cards tell weird stories.)

Nitpicks: None, I don’t think.

@misterstingyjack — Galtiber, Segovian Titan

Intent: Ah, the memes. Well, still, 1/1 tribal is an interesting take on the whole build-around-me dealio. I can honestly say I’m unsure where this card would fit, but that’s not a bad thing. It feels build-around me, but could it work in a limited environment? You’d need a higher as-fan of 1/1s or tokens, and that’s not a bad thing. Honestly, this card doesn’t feel too bad. He’s a protector and he makes them all work together. It’s a neat little design that captures the diligence, unity and edification of these citizens.

Improvement: I really can’t think of a place where this card would see play, though, and the issue is? There’s no real way to improve that past putting this in a pretty bonkers set where it can either go nuts or be mediocre. There are a lot of cool things you can do with this card, but where does he fit? Segovia is a weird plane and designing for it is hard. I love this card and would love to build with it but the fact is that it’s just going to be weird. I’ll put this in nitpicks, but there’s wording issues. Additionally, talking about the character by name in the flavor text is a little off-putting to me. I’m sure it’s happened before but the story feels like a moment being described more than a character.

Nitpicks: “Creatures you control with base power and toughness 1/1” is the correct way to word these things, Iiii think.

@morbidlyqueerious — Ricantha, Ribbon-Dancer (mythic) (JUDGE PICK)

Intent: As much as this technically could be someone’s general, I like this card as a standard-legal mythic, like Kethis or Yarok. It’s surprisingly easy to understand while being quite powerful in its own way. I wouldn’t call it a Voltron card so much as I would call it a control bomb, certainly for limited. The white-blue deals with the tapping, more the blue with the freezing, and the alluring aspect and keywords fill in the green. It brings a lot of the multicolored feel even with a monocolor activated ability.

Improvement: You know, the flavor almost outshines the color aspect. Looking back I do see the intent, but I’m also mostly seeing an interesting take on the dancing and the enchanting aspect. They’re vigilant, they ‘tie down’ the creatures, and they make other creatures follow them. Honestly, this is a case of “right card wrong contest,” where you made a great card to convey the specific act of ribbon-dancing and a dance leader so much that it overtakes the intent of color. The jokingly biting way of saying this is that you didn’t pander to me as a judge enough (/s). I don’t know about reach; first strike, maybe, to show their agility?

Nitpicks: The combat trigger should be one sentence, see the oracle on Kamigawa snakes.

@mtg-ds — Majak, Revival Instigator (JUDGE PICK)

Intent: Now I wouldn’t call this a gimmick card but I would say that there’s a lot going on here, again, with the flavor. Sacrificing each other creature actually feels white in a Cataclysmic way but with a black edge of making all the zombies. Hasty zombies fills in the red and plays into the instigative aspect, and man, getting everyone out onto the dance floor? I’ll admit that this card is kind of silly with the art, but there’s something unusually cathartic about it. He enters, turns them all into zombies, makes them dance, then whenever someone else dies they join the dance, and when he leaves the music stops. Like, it’s kind of brilliant, how the zombies can’t dance without him. As a flavorful card for a supplemental set I think that you did a fantastic job.

Improvement: My first small note is that the art is again really distracting, and like, I understand that that might’ve been the purpose but “zombie dance party” out of context feels a little unusual, and the name “Revival Instigator” is a touch on the nose. But those are small concerns next to the fact that this card really could have been black/red and wouldn’t have made that much of a difference. Could’ve even kept the Cleric typing. Again, I need to also say that this card is downright fantastic mechanically, but just not quite white there for the purposes of this contest. Keep this card as-is, maybe make him a Human IMO. I don’t have any significant improvements.

Nitpicks: None!

@naban-dean-of-irritation — Tamakoma, Spectral Shiver (JUDGE PICK)

Intent: Clever clogs, I looked up that name and it is indeed fitting! Very clever you are, just as clever as giving the UB flash ninja ETB feeling that strikes fear into the heart of those who don’t know she’s coming. White’s got the spirit flash and indestructible, black’s got deathtouch, flash, AND indestructible, and blue’s got the ninja feeling. Something tells me this would totally be a supplemental card unless Kamigawa goes three-colors, but to be honest I get a MH1 vibe more, and that’s okay too. Major kudos for making me double-check cards like Ambuscade Shaman for this weird wording.

Improvement: I can see how this card would be white flavorfully; I think its just precedent working against you. Because of the way that black has been encroaching upon indestructible in the past couple years, this card could just be blue-black and fit into the ninja feeling just as well. I personally like the white spirit aspect. It’s just not as present here as I would have liked for this contest. Great card, no mechanical improvements.

Nitpicks: I don’t know if “the hollows of the night” are, like, a thing? I don’t know, just as a writer it reads weird to me. One day I’ll be accredited and that won’t seem like such a jackass comment too.

@nine-effing-hells — Llanlaia Rywh, the Inmost Eye

Intent: I like your take on elves here, using the focus and mood to turn the ordinarily green elves into some warrior monastery funky stuff. I’m getting the sense of a cave world, or some kind of twisted plane where expectations are thwarted and the different races of Magic have to find their own kind of way around. Definitely a face card for the tribe in whatever set it’s based in.

Improvement: There’s no blue and black here, or at least I’m not feeling it mechanically, and for this contest that’s the most important thing. Giving a Runed Halo effect on a pump is really darn powerful, and to have this dismiss any damage or removal at instant speed is definitely powerful and definitely white. The concept of looking within for meditation is a bit blue, sure, but I don’t see that expressed on this card as much. I do have some major presentation issues. The name is almost completely unpronounceable, so consider shortening it and cleaning it significantly. The flavor text is also in need of shortening and edits. “Look within to look around.” With a hint that the elves are blind, boom, you’re golden. So: name change, flavor paring, and consider that this card feels overall white. That said, for flavor and balance reasons for this card, keeping those colors is fine. Also consider that this is a really damn powerful beater.

Nitpicks: None that I can tell.

@partlycloudy-partlyfuckoff — Everlasting Forefather

Intent: Here’s the thing: I’ll get to stuff in the ‘improvements’ section but mechanically, this card is really interesting for a number of flavorful reasons. Three-mana 4/3 with mentor is perfectly powerful in these colors, that’s great, flavorfully fine as a forefather. Creating two spirits upon death, awesome, those are the embodiments of his students and ideals, and most importantly, play into the embalm, where his zombie can teach the spirits after death and makes for great flying beaters, AND that Zombie token will make more spirits in remembrance. The use of flavorful mechanics gives it an interesting edge even if all these individual mechanics could be in mono-white.

Improvement: One, I would personally make this a warrior, but that’s super minor. Two… I can’t think of any reason outside a custom set where you’d have three non-evergreen mechanics from three different sets and two different planes on the same card. It feels like a custom card, not in the sense that it’s at all thoughtless or amateurish, because it’s not, but because there’s no way of making these pieces come together in a meaningful way; it feels like you’re removing the restrictions on what can go together for the sake of it. MH1 did have some mechanical mashups and we’ve explored that before. This feels like a bit too much for what we’re looking for. Honestly, for a custom multicolor cube or w/e, keep this card. But you might also want to consider MSE or having someone render for you, because with the VERY necessary rules text, this one takes up a lot of text; no room for flavor, and no need, ‘cause you do it all naturally anyway.

Nitpicks: Mm, none, I don’t think!

@reaperfromtheabyss — Glorified Minddrinker (JUDGE PICK)

Intent: This is definitely asking to be in a standard/draftable set as a tribal beater. You give it evasion, you use other vampires/warlocks to mess stuff up, you get in, and you drink. BW vampire lifegain meets the milling, and there you have it. What I really like is the fact that it’s “any card,” like Bloodchief Ascension, but that feels blue, because they’re drinking from the mind and not just the body, and I dunno, I REALLY like that kind of neat flavor niche. I also love how this makes a really roundabout already-exploited infinite combo with Sanguine Bond and Mindcrank, both of which are halves of other better combos.

Improvement: Mechanically, there’s nothing to improve here, except you might want to consider some kind of evasion. I think there’s just the nitpick of having “Glorified” in there without any understanding of what makes this creature glorified or why. A snippet of flavor could have helped with that, and with only two abilities. I don’t know, this one just didn’t pop to me for some reason. It’s a perfectly fine submission, and it just needs a little more pop.

Nitpicks: None! Nice and clear.

@shootingstarhunter — Storm Key

Intent: I find it interesting that the mana made from sacrificing is red but the abilities have a central Riku-like fascination. This feels like a supplemental card for sure, although I’m sure there are standard shenanigans. It would require a set in which RUG/Temur has an artifact theme and in which giving things storm is on the table. I have the feeling that in a genuinely competitive Maelstrom Wanderer deck that this card could turn a possible win into a guaranteed win. It’s there to help big things be bigger, but without a win-more feel, and I like that.

Improvement: In terms of this contest, it lacks elegance in its cohesion. The flavors don’t necessarily blend as well as they could. There’s a lot of rules text that emphasizes the separation rather than blending it together. My suggestions: Make it just cost RUG, no generic, reword the first ability to be: “When ~ is put into a graveyard from the battlefield, add R for each spell you’ve cast this turn,” and the second ability to “5, T, Sacrifice ~: When you cast your next instant, sorcery or creature spell this turn, copy it for each spell you’ve cast before it this turn.” And then add reminder text about targets and permanents. A tiny bit more flexible and less text, and you can add in some flavor. Personally I don’t really get the “Key” aspect. It feels more like a big machine of sorts.

Nitpicks: Remember to capitalize “Sacrifice” in the ability costs. Second reminder text should be “You don’t choose new targets for the copies.” I think, there’s not much precedent. Check the MSE Discord for tech help in getting your name/type text straightened out if you’d like.

@snugz — Erratic Polymorph (JUDGE PICK)

Intent: This does feel very wild, more of the Temur frontier or even the Ketria triome. Either one of those sets getting a return could have this, or a supplemental draft set on that world, or a commander product aimed at those timelines. This card’s pretty flexible in that sense! The red lack of control over twisty magic is definitely evident, with the green bear and the blue otters as representative of those sides of the wild. I like how you took blue’s natural sense and made it river/forest oriented. Big boys and little boys do different kinds of cool damage. I can dig it! (Although I’m more inclined to bears than otters myself…)

Improvement: I wouldn’t call this “elegant” as a primary adjective for its color balance, even though it’s very neat still overall. The obviousness of green being bears and blue being otters doesn’t take away from the fact that both of them make sense. The long and short is that I don’t have card improvements, and this card’s just for a different contest.

Nitpicks: None-zo

@starch255 — Dopplicant

Intent: Very clever, I see. You used white’s enchantment base for the card type even though it’s a strictly red and blue ability. Copying any spells is on the table now with Lithoform Engine so that makes sense. This could be in just about any set with these colors, and you know what, that’s perfectly fine. Jeskai, Raugrin (ugh), or otherwise, there’s cool stuff happening.

Improvement: With a vague name and flavor, it’s easy to have this card be a thumbs-up mechanically, but what...exactly is it? It’s name makes me think of the creature Duplicant, which is fine, makes sense, although it’s not a creature here like any of the other “-cant” cards. I just can’t place it, which is obviously a presentation thing over a mechanical issue. For the Fair, presentation is somewhat important, and also contextualizes your cards. It might just be a “me” thing to keep in mind for when I’m judging, so don’t take it personally at all. I think the idea is sound and all we need is polish.

Nitpicks: None~

@stormtide-leviathan — Jeskai Confluence

Intent: Like the confluences of C15, this is a charm-like modal spell with three pretty standard modes for the colors: blue draw, red damage, white erase. I can see this being part of either a standard return to that other timeline or as part of a “clan clash” supplemental set for sure.

Improvement: In the main post, there were examples like Shattergang Brothers that were posted as technically fine but not elegant. Totally separating your colors and abilities was part of that, breaking the cohesion. Unfortunately, charm effects were most definitely part of that area. I know that Magic design space isn’t eternally open, and I hate to say this, but because this card uses 2/3 abilities already found on the printed confluences and only minorly changes the damage, this feels somewhat derivative. I would go back to the drawing board and look at overlap rather than individualization, what the colors could have done together to make a card that creates something unique.

Nitpicks: There should be a period after “once” instead of an emdash.

@thedirtside — Twisted Design

Intent: I think that with Tezzeret being who he is and with the cool trend of colored artifacts, this card could absolutely find play in a variety of places. It feels almost like a story card, someone’s terrible (well, twisted) creation. That much is absolutely apparent. The counter/exile is definitely blue and black-ish but I like how the theft kind of ends up being red as well and the artifact typing helps with that. Flavor text is pretty okay too. Short, simple.

Improvement: That...second ability. Are you choose a card as part of a cost? I’m no rules guru but I’m almost certain that you can’t do that. And it doesn’t specify the speed, so you can basically pay the (very fair) cost to exile the spell, but then very unfairly get it back anytime you want. Why random, too? What if that spell has other random restrictions or no legal targets? There’s a lot to unpack from that with no printed precedent because, to put it bluntly, it doesn’t work within the rules. I really like the idea of having a card where you can somehow steal, twist, or morph their spells into new nightmares or futures. Work with that idea to make something URBy that, well, works rules-wise.

Nitpicks: It took me a bit to find your source photo with your source link (X), and I don’t even think that blog’s using proper permission. Here’s the gist: if you can’t find the original photographer, either go stock or don’t use art, OR find a source that’s more easily traceable. Pretend that you’re someone who has to find the source working backwards.

@walker-of-the-yellow-path — Ziziphus, the Lotus Eater

Intent: I could never be like him, I could never talk like that. Also, thank you for making this explicitly commander-based, heh. Food tokens are interesting, and I can see the token art already as well as the kind of person you might imagine Ziziphus to be. Oddly enough, they feel Therosian, considering the “lotus eaters” in the Odyssey, and that’s not a bad thing I suppose. Food’s sort of in the green area, with blue-white profiteering, and the general combat lull sort of encapsulating the whole GWU-ish control feeling. Turbo-fog ahoy.

Improvement: Competitive commander gets shut down pretty easily and casual commander becomes almost instantly unfun. It’s an instant-speed everyone-gets-it nigh-uncounterable Pacifism array that’s flavorfully understandable but puts a target on you as the one person to kill if anyone wants this game to ever end. I understand the top-down design but it’s impractical and I don’t see a game where this being your commander would make the gameplay better. So like Gwafa Hazid, consider your design: what would entice people to take the food? What’s the payoff? How often do you want this to happen to improve gameplay without causing staleness? Is food where you want to go, using lifegain to then further prolong the game?... Oh. Oh, someone can also just lorus-ify Ziziphus itself and then nothing happens in this version. That’s something to consider.

Nitpicks: The name’s really similar to “Sisyphus” in pronunciation. I was distracted.

@whuh-oh — Tainted Lightninghorn

Intent: Some day, I think we’re gonna get a five-color Lightning Blankemental kind of card, and I can’t wait for it. So yeah, it’s an aggressive predatory insect elemental with nasty sauce, and I feel this in a supplemental set for sure.

Improvement: So as an uncommon, it’s already pretty pushed, too much so. Ball Lightning set a precedent, and it’s a rare for a reason, honestly. That much power even for four mana with the abilities you’ve given it is a but much. For this card, most importantly, I need to be as clear as I can: The interaction between deathtouch and trample is an unintuitive quirk of the game. They do not belong on the same card with zero restrictions, especially not on an uncommon. Sometimes it’s okay to just make a cool card because it’s cool. I like my weird cards, I like my weird interactions. Forcing them feels like choosing indulgence over good design. I’m not feeling the uniqueness of the colors, I’m not feeling the flavor (why does lightning leave decay?), and I’m not feeling the gameplay. Where do we go from here? I think this general concept is fine for a personal set or a supplemental concept. Contextualize it for that area, look at environmental answers, and then see if you want to play with what the colors do.

Nitpicks: I’m 90% sure it’d go “Deathtouch, haste, menace, trample.” Also, I’m sure someone pointed out the whole flying-without-flying thing for the art, that’s very mildly distracting.

@wolkemesser — Murmurs of the Bosk

Intent: Yeah, this is very much a Lorwyn-inspired card, and I’m happy for that. Both the treefolk flavor and the permanent return are green, returning to the battlefield is white and black, and the white enchantment plus toughness matters (also in green) gives this card a magnificent flow of feeling, the trees returning. I can see this in any set, but especially a standard return to Lorwyn, and yet it could have a home in several cool recursion decks! It’s a nice little addition for both lovers of slow return and for treefolk fans.

Improvement: This card was going to be a runner-up or even a judge pick, but the severity of nitpicks grew until I realized that there were just too many problems to give it full commendation. I’ll put the revised wording in the ‘nitpicks’ bar and get to the big ones: the name, and the flavor text. The name is obviously an homage to Murmuring Bosk, right? That’s understandable, but the name is literally so close that I can’t think of anything else. The difference between being honoring and being derivative is enigmatic at times. This particular case is more evident. And the flavor text is almost completely ripped off from Doran’s card itself. Literally, it keeps the order and adds four words that don’t add sense or depth to the character. For future submissions, keep that in mind. As a mechanical suggestion, you could just have it be the greatest toughness without targeting, and it does need to target the card in the graveyard.

Nitpicks: “At the beginning of your upkeep, you may return target permanent card with converted mana cost X or less from your graveyard to the battlefield, where X is the greatest toughness among creatures you control.”

Join us tomorrow, for a new contest, and a brush...with DEATH.

- @abelzumi

#mtg #magic the gathering #custom magic card #commentary #three cheese blend #inventor's fair #long post

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eremiie · 3 years

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okay and for the matchup!!! im gonna try and make this as descriptive as possible but if u want more info pls lmk :)) also it would be cool if it was a guy and it would be REALLY cool if it wasn’t zeke (him and i just don’t click idk i hope that doesn’t mess u up:()

for physical i use she/her pronouns, i’m a about 5’6 and a little on the thicker/curvier side! idk if this is tmi or not but i’m pretty hefty in terms of 🍒 but i got NOTHING for 🍑 :(( breaks my heart aNYWAY i have long light brown hair and my two front pieces are dyed blonde/silver ish, i have blue eyes and wear glasses!! in terms of makeup i tend to do more natural stuff like basic foundation and mascara and that stuff but that’s mostly bc i suck at everything else 😭

my zodiac sign is sagittarius (november sag if that helps) and i’m an enfp!! i tend to be a little shy when i first meet people but once i warm up it’s hard to make me shut up lmao i loooooooove meeting new people and getting to know them and ngl i do tend to over share a little bit so that can be a little overwhelming but i’m pretty good at reading ppl so i know when it’s too much you know ?? i also think i’m one of the funniest ppl i know LMAO i’m always laughing at my own jokes and i love to make other ppl laugh it makes me so happy!! in terms of my type of humor it’s pretty sarcastic but i will literally laugh at anything (except things that are messed up i’m not down for DARK humor). also i’m like hella nice tbh i’m probably overly nice to a lot of ppl BUT i also stand up for myself when need be and i’m not afraid to be honest and blunt!

as for bad personality traits i can definitely be a little jealous and i tend to overthink things a lot. i am NOT a morning person if i wake up any earlier before like 10am i’m usually pretty cranky for the rest of the day which is pretty annoying lmao. i’m pretty forgetful so if someone tells me to do something they usually have to do it a few more times before it hits me. also i’m the absolute worst at math and i was pretty careless in school :/ i didn’t like get into trouble or anything but i definitely slacked off in terms of grades and caring about things like that.

i’m p sure my love languages are quality time and physical touch bc i’m a HUUUUGE sucker for hugs and hand holding and stuff like that 🥺 i also really think 1 on 1 time with a s/o is important but i for sure think it’s good to have time apart or time with like a group of friends too!!

for hobbies i love to play video games, hang out with friends, listen to music, watch movies and tv and write!! i spend way too much time playing games like minecraft and legend of zelda and i can pretty much listen to anything except for country lol i love comedy and horror movies and tbh i’m kinda a sucker for romance movies 😳 i go to target like every day and just kinda walk around and before covid i loved going out to eat with friends and going to the arcade!!! i’m for sure more of a city person than a country girl and i love spending time downtown just walking around or going to baseball games or whatever!!

for future goals tbh i’m not really sure yet ?? i’m interested in maybe being a therapist or a teacher when i’m older but like i said i don’t have any like set goals career wise. i do want to get married but i don’t really want kids unless i maybe adopt ?? (fun fact i’m TERRIFIED of pregnancy for some reason lmao is that weird). i would L O V E to travel the world someday and see all of the different cultures and places i think that would be so unbelievably fun :))

turn ons include bondage, degradation, wax, dirty talk, and idk if this has a name but having to be quiet 😳😳😳 tbh pretty much everything except for feet, blood, p!ss, and pet (those are the turn offs) but idk besides those id probably be willing to try anything at least once

i hope this wasn’t too long or not descriptive enough!!! again if u need more info pls don’t hesitate to message me and ask i’m an open book :))) thank u sm for doing this muah ur an angel <33333

i match you up with...

connie springer.

i match you up because...

connie could care less how shy you were at first because he definitely opened you up, but not by his own will, you just felt so comfortable around him to open up in the first place. he just listens to what you have to say, it might seem like he doesn’t care but he’s really listening. you think you’re real funny? when you’re with connie you guys are both hilarious together and crack up at the stupidest stuff but it’s literally so funny because it’s with him. he appreciates that you can stand up for yourself and you’re straight forward so he doesn’t really have to jump in when you’re getting in it with other people— not that he won’t if you ask, he just isn’t a fan of drama if he isn’t watching it. connie isn’t great at reassuring you when you get jealous and start overthinking but i think there aren’t many moments when you do with him because you guys are always spending immense quality time together that is such a vibe it leaves no room for any thinking. connie doesn’t wake up early and neither do you so you don’t have to worry about waking up early when you live with him. you and connie are forgetful but you’re forgetful together— that’s not really a positive but it’s funny. you guys also both slack off in school work, which you probably both tried to fix but it didn’t work out. he enjoys that your love language is quality time becayse like i said, y’all spend a lot of it together. he doesn’t mind your affectionate but don’t expect much back in return.

you guys play video games together all the time, in the same house but different rooms, or sitting on the floor in front of the couch together

both of you once slept in together until 3pm and decided it was too late to even start your day, so got up and then went back to bed together

you and connie constantly go places together, and always try to go new places at that as well

you guys go out to eat at fast food chains really late at night

both of you tried to study together but y’all literally laughed like the whole entire time and got no progress done

you like watching movies with him but he always falls asleep like 15 minutes in so you take pictures of him sleeping

you guys go to walmart & target all the time to literally just look around

your runner up was eren, hope you enjoyed your matchup!

#eremiie aot matchups

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deltastorm101 · 3 years

Text

So, I tried to calculate Control...

... and its Epic Games deal, with the help of my certified smooth brain™ and probably incorrect sources. I started this last night hella tired and with a headache, I have finished it up today hella tired and with a headache, and this is what I produced: bullshit! :D But hey, at least double checked bullshit that’s open for discussion and contribution and expansion. Also, I probably won’t list the sources because a) I’m lazy and b) I didn’t have to dig thaaat deep down to find all this so if you really wanna know you could probably hit google with it as well. Anyhow here we go lol So, the initial thought which got all of this rolling was the 2020-wrap-up-post Remedy linked on their twitter, and Epic’s linked publishing announcement in it: studios Remedy, Playdead and GenDesign will release their next next-gen games with Epic. Now, we all know Remedy are working on some sort of Alan Wake-ish thing as we speak (right? right?? god I hope so), which meanssss our boy will most likely be an Epic exclusive. Which makes me kinda sad because, well. I’m deep in Steam’s ass. Hell, I waited for Control for a full year before I played it because they can pry the Steam version from my cold dead hands. So I asked myself... was it worth it for them? How much money did they throw at Remedy (and 505 Games) to have them play along? Would they have reached more people from the get-go if they had released it on Steam right away? Did the individual programmer, designer, writer, artist, person behind it profit from this at all? (Also, like, about the rights and copyright thing,,,,, you’d think they could have learned from Alan Wake and its IP belonging to Microsoft and so not really being able to do anything more with it because they don’t ‘own’ it and shit) buuut anyway that’s not the point of this post, now it’s time to do some MATH BABEY

Ok, let’s start with some things we know. Facts. Figures. Data. Turns out my initial question, how much money was involved, could be answered by doing one (1) google search: according to Wikipedia, Epic gave Remedy and 505 Games €9.49mio. The total budget for the game was €26.9mio over the course of 3 years of development. We know that as of December 2020, over 2mio copies of the game were sold, with November 2020 being the best-selling month ever since its initial release in August 2019. This is where question 1) comes into play: how many of those 2 million copies were sold in 2019 and how many in 2020? Stay tuned, I think I found out.

We know that Remedy gets to keep 45% of the revenue, which, I assumed, means that 505 keeps the remaining 55% (probably a lot more going on there but shhh). We know that Control’s sales cooked up €17.84mio in 2019 (so months September – December), €17.7mio of those in the first month alone (O.O). Side note: because it came out at the very end of August, I’ll ignore that month and declare September the first sales month.

We know that 60% of sales in 2019 were digital ones (aka Epic Store, mostly), 40% physical ones (consoles PS4 and XB1), while in 2020, only 10% of sales were physical and a whopping 90% digital; which is people on Epic who wanted to get their hands on the first DLC and – you guessed it – the Steam release of the Ultimate Edition in August 2020.

Which begs question 2): what’s bigger, 60% of 2019 sales because ‘ooh shiny new game’, or 90% of 2020 sales because ‘yay steam release’? The answer may look obvious, but you have to take into account the dropping price, which I also researched for your pleasure and enjoyment.

For this I used a German website called idealo.de, which focuses on looking for the best deals for basically anything you can buy on the internet, and it also gives you diagrams that describe at which point in time the product was at which exact price. This is what it gave me: - release price: €60 - December 2019: €41 (PS4)/€44 (XB1) - mid-2020: €30 - Ultimate Edition release: €30 - December 2020: €14 (PS4)/€18 (XB1)/€30 (Ultimate Editions) At this point I was like “lol hold on i need chocolate for this cuz i’ll be here for some time *sweating*”

To continue this mess™, I see more questions: 3) How many employees does Remedy have, which positions do they work in and what are their salaries? 4) How many employees does 505 have, which positions and salaries do they have? 5) What’s the total revenue that Control has generated so far?

And also some more stuff like, are my numbers accurate, am I even grasping these concepts correctly, are there even more people involved or am I just trying to explain complete crap (yes) but let’s just ignore all of that shall we. At that point I went “oh shit what have i gotten myself into, this screen does not get my point across, i need pen and paper” and you know shit is gonna go DOWN when I do math on paper.

My paper math birthed the following calculation:

Following this up, we can calculate the end-of-2019 sales, if we set the price for September and October to €60, for November and December to approx. €45:

Now, you might notice that one of those numbers is big and the other is HUGE. Why might that be? Well...

- Covid19: everyone stayed at home and needed video games to play - More sale months of the year, naturally - dropping price: why get it for €60 when you can get it for 20 - Ultimate Edition: why buy it in June when you get more content in August aaaand... - it comes out on Steam.

With this in mind, let’s see what questions we can answer: 1) 661,110 copies in 2019; 1,338,889 copies in 2020 2) 60% digital sales in 2019 means 396,666 Epic copies; 90% digital sales in 2020 means 1,205,000 copies – most of it from Steam? Some of it? A good chunk? The bigger chunk? There’s no way of really knowing for sure but... you could read this into it. I definitely am. 3) Google told me Remedy had a little over 250 employees at the end of 2019... 4) ... and 505 has less than 100. I found no good sources for this, I think linkedin said 37, someone else said 50. I’ll just use the 50 figure, idk. No idea man. and for 5) I’ll contradict my point that the Steam release is what knocked the sales out of the park and assume that the number of sold copies stayed the same across all 12 months of 2020, which gives us this:

Ok and now we’re getting into the most dangerous of danger zones because I have no idea how companies or capitalism work, so for educated people™, the remaining calculations might read like a toddler wrote them; I apologize profusely and hereby present last night’s brain vomit:

As stated earlier, development took 3 years, but everyone wanted to get paid in 2020 as well so let’s use 4 years to find out the salaries, which is 48 months. Let’s assume the utopian idea that every employee on the line here gets the exact same amount of money (LOL ikr but shhhh, let’s live out our dirtiest equality fantasies for a second ( ͡° ͜ʖ ͡°)). Which would mean...

And now without the Epic Deal™:

Quod erat demonstrandum. Remedy has been selling their souls to Epic for €350 a month since 2017. (I don’t mean this as maliciously as I’m making it sound, don’t worry xD)

OKAY SO, O B V I O U S L Y, I have not the slightest idea what on earth I’m talking about so read this like you’d read a good fanfiction. We don’t know the different salaries across the different positions (and genders HAH), we don’t know if other parties were involved, I’ve completely ignored the sum that Epic themselves get, I have ignored taxes, I don’t know if my numbers are accurate (they’re definitely not I mean 505 must have more employees than 50), if I made mistakes (yes), and also somewhere along the way I forgot to use the €26.9mio budget figure because, uuh, I have no idea where to use it, what it means, where did it come from, where did it go, cotton eye joe - but oh well, I’m not starting over, take it or leave it.

So... I can now officially say I have written hot steamy economics fic xD Man I put waaay too much time into this but damn was it fun. Good three-hour-deep-dive (two of them spent munching on chocolate half-asleep listening to psytrance to keep my brain twitchy). Real-life-theorizing. Fuck capitalism. Don’t do drugs. Pet a cat. Wear your mask. Call your grandparents.

If there’s typos in this I’m sorry but also I’m not, I can’t be bothered to proofread again lol. Goodnight imma catch up on the sleep I lost. Gotta love full moons

#this is the first post in ages in which i used punctuation and capitalization are you proud of me xD #dw it won’t stay like this #control #control remedy #alan wake #ok now go yell at me how stupidly wrong and dumb this is i’m ready #do you think my old math teacher would be proud #i think so #my economics teacher... not so much

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izukult · 3 years

Text

sorry i can’t have you? one up me? so this playlist isn’t part of the matchups i’m sorry😞🤝

here you go IDIOT CHILD ( @rat-bastar ) being your friend is so hard 😁

choke - i don’t know how but they found me

ok absolutely your vibes. if you got the chance you would bitch slap me, we both know it. you big ol bully. this is the vibey pop ish version of a villain song and it’s such a hype song in my opinion idk

love me dead - ludo

we’ve established its a good song ok🤝. idk lmao play this while you’re thinking ab your friend OR her ex gf ;) as of my knowledge those the mfs you simp for or whateva LMAO

lemons (demo)

please. PLEASE THIS ONE IS SO OBVIOUS. you vibes. absolute you vibes. you @ me. you @ everyone. you play this on full volume while you try to convince yourself you hate everyone. you play this while judging every violin player ever. you play this glaring at maliek or whagever his name is. this song is you

piano man - billy joel

i saw this on one of your playlists lol BUT i feel like this is something you would blare on the bus or on your way to a fucking debate tournament you fucking loser

hesitation - hot flash heat wave

such a good song. this also feels like something you would listen to while you think ab other people. i dunno it’s got that sweet, sweet ‘condescending to hide real emotions’ energy and it’s vibey and it’s kinda sad yea

waltz #2 (xo) - elliott smith

don’t even get me started on how big of an elliott smith can i was. you def give him vibes but i mean that as a compliment?? i can imagine you with ur head down hands in ur pockets being all bummed out and angry walking up the hill to ur house idk that’s very niche oddly specific? i never really realized this song had BIG BIG BIG you vibes until i started typing this but i’m listening to the lyrics and it’s like describing you go off ig

everyone hates his parents - falsettos

i know you love falsettos and we both know we love to shit talk our parents so. it just seems to make sense. ALSO i feel like we would argue like marvin and trina or marvin and whizzer or marvin and anyone LOL

colorful penguins - we shore is dedicated

ok i know iM the one working, but this song please. listen to it. listen to the music. to the tone of voice. to the certain old tavern rustic vibe. that’s you. i cant rly describe it but the vibe of this song is your vibe

beachboy - mccafferty

well we have the shared mother’s name in the beginning there and that’s fun for me. also we know that i be smoking and yada yada and i know your friends do too and i feel like this song is just you dealing w ur friends dummy habits and angry fast sing

hannah - swmrs

something about this song just feels like a convo we’d have?? like in my head i can tell what you would say and what i would say IDK LMAO maybe that’s just me but it’s also a good song

problems - mother mother

this song. LMAOOOO. the way you constantly BULLY me i feel like this song is how you present urself to other ppl v some deep shit like how you feel ab urself idk i’m not ur therapist ur apparently mine w how much you be psychoanalyzing me🤨. ALSO you’d scream this dont argue w me

i love you like an alcoholic - the taxpayers

multiple things here. again those crusty cobblestone streets at night after it rains where someone’s getting murdered in an alleyway vibes that you give. and i feel like if u were ever like <3 at someone, this is how you’d feel idc bitch

seashore - the regrettes

i love this band sm pls i want to kiss her. ANYWAY feels again like a you @ the world song. you just feel like someone who would shove someone in a trash can if they said one wrong word about you & i rly appreciate it

gooey - glass animals

this song feels like something that would be on a playlist with “i know this:” and i thought you’d like those vibes. sorry for the peanut butter reference

chicago - flipturn

you feel like someone who would let me play flipturn and pretend to hate it cos you pretend to hate everything i do but actually vibe w it so

everybody loves raymond (except for me) - mookamay

this is the girl i was tellin u ab who wrote the songs ab me YEA THIS IS ONE OF THE SONGS AB ME SO I FIGURED YOU WOULD APPRECIATE A SONG THAT WAS KIND OF A SLIGHT TO ME SO LMAO I PUT IT ON THERE. basically this is a song ab someone literally getting tired of ME so yknow felt fitting 😁‼️ (this one is mostly a joke and i will probably take it off the playlist but it still stands)

power over me - dermot kennedy

you seem like someone who would listen to dermot kennedy which is fair bc i used to scream this shit in the shower i would just have a lil concert and you give me the same vibe this one isn’t that deep

ghost duet - louie zong

lol some serotonin. just this playin in the background while u game

iris - the goo goo dolls

just a rly good song. just a rly good song that fits ur vibe. also if u were ever in love i also stand by saying you would listen to this & think ab them

dream sweet in sea major - miracle musical

if you were ever listen to “soft music🥺✊” this would be your version of it

bs - still woozy

I TOLD U TO LISTEN TO THIS AND I DONT THINK YOU DID YOU BITCH SO NOW I WILL FORCE YOU. also i have brown eyes so basically this is everyone including u @ me it’s ok ur human u can’t be blamed for acknowledging my charm ;) 😁🤝

paper thin hotel - matt maltese

you just seem like someone who would listen to him during a depressive episode

troubled mind - cannibal kids

cant find the right words for this one but like gives me you trying to be there for someone and coming off as apathetic and someone not knowing how to be a proper friend to you and yall just space vibes yknow what i mean?? Idk

bloom (bonus track) - the paper kites

if you and a girl (strictly a girl idc that this was written by a dude no fucking guy gets this song) were in love. like in any way. romantic love, platonic love, competitive love idgaf i just feel like THIS has the vibe for u

kill the director - the wombats

i don’t care THIS IS YOU IN LOVE. I THINK YOUD HATE HAVING REAL FEELINGS FOR SOMEONE. YOUD DEF BE THE PERSON TO IGNORE IT AND YOU BULLY THEM JUST A L I L EXTRA AND YOU DO LIL THINGS THAT SHOW U LIKE EM LIKE IF YOU RLY PAY ATTENTION YOU CAN PICK IT UP but no way you’re gonna express that shit LMAO

i got the blues - big bill broonzy

i dunno this ones just a banger

dirty imbecile - the happy first

this is you having a breakdown. that’s all! thanks queen!

under my skin - jukebox the ghost

very similar to lemons but also different?? you getting pissed at everyone but having a select couple ppl you cherish 👍

song for me - greer

where do i START? you not properly voicing emotions ? preppy pessimism ? dissociation ? vibing ? teen angst ? good vibes ? in love w ideas ?

my explanations aren’t as good as urs but also i’m cool so 👍 ur welcome you’ve been blessed by a personalized playlist from ME 🙄🙌 not from no bitchass capitalist anime character 😐

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dolphin-enthusiast · 4 years

Note

Headcanons for La Squadra with a s/o that is the living embodiment of the lethal chef trope.

Me and you both anon

- Risotto won’t really mind this since he himself isn’t that great of a cook. All that he can do is make some basic ass sandwiches and fry some eggs, but thats about it really. If anything you being a total disaster in the kitchen would only motivate him further to get better at cooking (even though he’d keep failing miserably) and to also try to teach you stuff in the process. Way too often the both of you would try cooking something only to either almost set the damn kitchen on fire or just...make a whole m e s s, so it’s no surprise that Risotto would almost go bankrupt since you’d keep ordering takeout again and again on a daily basis.

- Formaggio is actually way fucking worse than Risotto. Whilst Riso can manage to not set the ENTIRE kitchen on fire whilst attempting to cook, this man is both reckless AND stubborn to top it off. Formaggio will get absolutely l i v i d once someone insults his cooking and will then attempt to prepare something only to destroy everything within a 10 mile radius. That being said, you’d both go fucking bankrupt due to always ordering takeout after failing to cook actual edible meals. This is another reason why Formaggio is going to be hella touched if you ever try cooking something for him, even if it’s absolutely unedible. He acknowledges the thought and work put into it and will gladly chomp it down even if he ends up throwing up 1 hour later.

- Melone is most likely the worst when it comes to cooking in the entire group. Sure Riso and Formaggio ain’t skilled at all, but M e l o n e? God forbid. This bitch not only sets the kitchen on fire but the ENTIRE HOUSE as well, so don’t even think about inviting him over to help you prepare dinner. If anything, you’d both be living off of whatever Prosciutto cooks since Melone is both unskilled AND broke, so it’s not like he can afford ordering takeout too often. Worst part is, Melone gets overly excited when it comes to cooking and thinks he doesn’t suck at all only to trip over his own feet the next second and drop everything he was holding on the floor, later on heating up the oven for too long and making it almost fucking combust. But hey he doesn’t mind that you can’t cook at all, if anything he feels better about his own chaotic lack of skill.

- Ghiaccio is kinda hit or miss with cooking. Contrary to popular belief he can actually produce actual edible meals sometimes....that is if he doesn’t end up smashing something to bits out of sheer anger in the process. His anger issues are mainly the sole cause of his meals not turning out ok because he just doesn’t have enough patience most of the times to actually finish what we started. But on another note, he doesn’t mind that you’re a kitchen disaster and actually feels lowkey touched if you decide to surprise him with a meal one evening, even if it’s not that good. Of course that he won’t ever admit shit and will only blush and act like his usual tsundere self, but he really does appreciate the gesture. Hell, most likely he’ll end up trying to teach you to cook stuff and you’d most likely be able to tame his feral ass in the process too. He’s especially a fan of foreign traditional dishes.

- Illuso is actually pretty damn decent with cooking himself, so he wouldn’t be THAT worried about your lack of cooking skills....unless you end up setting fire to the kitchen or something. From simple things such as french fries, fried/grilled meat to more complicated Italian dishes, the man has a surprisingly immense amount of patience for cooking and will gladly keep preparing food on a daily basis for the both of you. He actually finds your kitchen disaster self to be quite adorable, double that if you try so hard to surprise him with a meal one day. He’ll eat that up even if it doesn’t taste amazing. Don’t be afraid to ask him to teach you stuff either, he’s a pretty decent teacher too although he has a tendency to not take things seriously and he may or may not try to start food fights every fucking 5 minutes.

- Prosciutto is the goddamn Gordon Ramsay of La Squadra and you cannot change my mind. This man has an absolute t a l e n t in the kitchen and is able to not only cook all sorts of traditional and intricate Italian dishes, but also plenty of other foreign foods and he does a goddamn splendid job too. He’d often be the one cooking for both himself and his brother ever since he was young, so let’s just say that he has alot of experience around the kitchen. Mans can even bake and he has a special way of making cannoli and tiramisu. That being said, at first your lack of skill would REALLY throw him off guard and all that he’d do is s i g h upon seeing you fail again and again. But he knows better than to make fun of people, therefore he’d quite literally take you under his wing and teach you how to properly cook which would turn out to be quite pleasant...aside from the fact that he can get v e r y Gordon Ramsay-ish at times.

- Pesci can also surprisingly cook all sorts of meals thanks to his brother who INSISTED on teaching him how to at least be able to not fucking starve when he’s all by himself. In his younger years he was probably way more worse than you anyway, always relying on poor Prosciutto to cook meals on a daily basis 3 times a day. But as of now he’s big brain as fuck and does a pretty decent job when trying to make classic Italian food such as pasta, pizza, lasagne and arancini. He’d find it quite amusing but also oddly cute how you always end up burning shit no matter how hard you try, hence why he’d immediately go up to his brother and ask him for advice on how to properly coach you and turn you into a great chief just like Prosciutto. Or maybe not since let’s be honest no one can beat Italian Gordon Ramsay. But nonetheless, Pesci would be more than happy to help you out in the kitchen and this would actually be a common way for you two of spending quality bonding time together.

#JoJo's Bizarre Adventure #Jojo no Kimyou na Bouken #Vento Aureo #la squadra di esecuzione #jojo headcanons #headcanons #anon #feral tag

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skimblyshanks · 3 years

Text

If you want all of my problems with Sideways’ video in a more articulate-ish post, here you go

basically, he had me for a good while, then lost me when he started making some implications in Part V and falling into a trap he tends to fall into when he gets heated abt the treatment of the orchestra and that’s ultimately forgetting the time it can take actors to learn and polish numbers vocally before heading into rehearsals with live accompaniment. when you title a part Dance Rehearsal I expect some more talk abt the full range of actors’ rehearsal for a movie musical, especially when there were many new faces, wholly new choreo, and a system of on-set accompaniment that was inconsistent and meant to follow the actors more than actually provide them that accompaniment. He barely brings up the rehearsal process in this part of the video which was ???? like he raised a good point tho, which was that all the weird tempo changes could have been discussed with the orchestra in rehearsal, but then kinda seemed to blame celebrity actors for the orchestration being weird? Like I think I get what he was trying to play at, which was more in the way of Hooper not structuring things effectively? But it’s like, he effectively pits Jason and Steven against the rest of the soloists and I’m not here for that. Even if he only really meant to pit their performances against Wilson, Corden, And Sir Ian, I can’t really say I like the implications he made. I’m also quick to bristle at “They came onto se not knowing the music” when it’s rather common knowledge how little time Francesca had to learn Beautiful Ghosts, on top of oh, idk, learning how to sing, period.

Again, I don’t think the implications were intentional, but this part didn’t need to be in the video. Also, he makes a point about how long the orchestra were working on the movie which yes, absolutely it’s insane, but the thing is that everyone involved in post were working up to the deadline, especially VFX who had to keep working PAST the premiere. Everyone in the production was crunched.

Basically, part V was like. Unnecessary, lmao. It really only serves to highlight his bias towards the orchestra alone, and kind of threw most of the cast under the bus, accidental or no. The strongest aspects of the video were the parts looking at how the movie missed the mark on the show’s score; how the false attempt at what we assume Hooper thinks is whole-show rubato damages the structure of the songs; how the inserts mess up the pacing. He had a really good argument going there; one that didn’t explicitly go after the actors, and I wish he had stuck with it, and ended with the further discussion of Hooper’s on-set methods and how they’ve increased in part IV.

Other gripes:

In his breakdown of the show, he left out the Macavity fight even though there are returns of excerpts from the jellicle ball, and it shows that they need Mistoffelees to bring deut to them.

he was doing so well in looking at the show’s score and what it communicates, then essentially went “They should have gone with the upbeat M+R arrangement bc it’s what most ppl know and I think it sounds better.” And that just. That annoyed me a lot bc mate. You talk abt the instrumentation and intended atmosphere of Gus: The Theatre Cat, did you not notice the jazz influence on Macavity’s number in the stage show? There could be an argument made abt the reinstrumentation in 2019 but it’s like, it’s still a jazzy piece. You can see them clearly working for Macavity. They are meant to be more morally ambiguous in the movie. I know you watched the 98 film all the way through at least once and they are v much not working for macavity there.

What annoys me even more with the M+R overlook is that there are still issues with the re-arrangement of the version they went with. He explicitly mentions that Danny gets stuck with a lot of movement during his solo lines in the song that work against his performance, but like. He looked at the stacked harmony in Gumbie cat and how they stuck Rebel on a solo that isn’t the top voice (what some ppl hear as the melody voice for that segment), and if he looked at the OL composition for M+R he’d have seen that the first two verses are meant to be sung almost entirely in unison, and with a harmony on “Rove” which Danny had to handle alone and while moving.

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where-fading-princesses-live · 4 years

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double standards

So I was watching this very interesting video last night... https://www.youtube.com/watch?v=Di_R6Md-L80

And around 6:43, he talks about the classic Mary Sue trope and how, if you have a male character in a work of fiction who is presented as equally perfect and free of flaw (in other words, a Gary Stu), the criticism is less harsh towards him, or in some cases, nearly nonexistent. Some might even say he's a total bad-ass and how dare you find fault in someone so impossibly cool? But if they're female? Good god, it's bad writing and anti-feminist. People seem to be generally way more accepting of male archetypes who fall under this trope than the likes of their female counterparts, hence double standards. You see this all the time in action flicks for instance. Arnold Schwarzenegger films, anyone? James Bond whomst??? But suddenly you have Rey who's arguably not better or worse than the likes of those characters, and yet, the general opinion of her is... kind of unfair. Understandable, nonetheless... I'm not a fan of her either but at the same time, I don't think we should judge her harsher than male characters who have similar treatments. Male characters like that shouldn't be excused. I'm not saying Stus are NEVER pointed out or criticized, but this guy does have a point. There seems to be a much more airtight scrutiny surrounding female characters of this nature and it might be due to internalized misogyny or ''something something quantum quantum...'' Granted, I don't think Stus/Sues should be a widely accepted overused theme regardless, and that should be blamed on poor writing rather than sexism. Whether male, female, both, neither and everything in-between, characters need to be well-written, well-developed, believable and nuanced and blah blah blah. I'm not really here to talk about that. What I want to point out is double standards. And yes, this is sexism.

Take Rick and Morty for example. I'm not going to get too deep into it, but the fandom seems to praise the shit out of Rick who can easily be labelled a Stu because as we're constantly reminded, he's supposedly the ''smartest man in the universe''. Now, when you create a character who is a self-professed genius and placed on a pedestal by the writers, it can definitely come off Stu-ish. It's not that Rick unrealistically lacks flaws... no, this man is LOADED with flaws, but the fact that he's a literal badass who can get out of almost any sticky situation... well, like I said, there's more to his character than that and I'm not going to get into it, but Rick rarely, if ever, fails. Sometimes there's moments of vulnerability and the fact that he keeps trying to change but just slips back into his old ways, that makes him much more 3-dimensional than a Stu... but you know, despite his narcissism, his sarcasm, his alcoholism and mistreatment of his family and his incapability of maintaining healthy long-term relationships, he still has a limitless ability to create, a superior intelligence level even when compared to higher lifeforms on other planets, enabling him to outsmart entire government organizations and civilizations spanning galaxies, well... you can see where I'm going with this. There's no person on this planet like that who exists irl, even among the smartest of history's greatest men. Yes, it's a cartoon, it's meant to be far-fetched. Yes, it's sci-fi so we're expected to suspend our disbelief. Yes, there's a reason for it. Yes, it drives the core of the story. But even if there's times where it seems Rick will definitely fail, he never truly has an ALL IS LOST MOMENT because the writers conveniently write him out of most of his troubles, because the series has to keep going (obviously). Basically, I never feel a real sense of danger when Rick is in trouble because I know he'll get out alive (if not, there's infinite amount of Ricks and infinite amount of realities to replace him-- not to mention he can replace his family members as many times as he fucks up which became the show's laziest overused point in my opinion). Rick's not a bad character. Far from it. That's not what bothers me.

What bothers me is his daughter, Beth. Okay, no, she doesn't specifically bother me. The way the fandom sees her bothers me. Now Beth is undoubtedly cut from the same cloth. You know what they say, like father like daughter. And yet... the fandom fails to recognize her as a potentially great character, just as equally flawed and brilliant minded as Rick. She's a genius horse surgeon in a failing marriage. (I will go out on a limb and say she's more well written than Rick *ducks from flying tomatoes*.) I mean, her story is literally almost the same as her father's, her flaws are just as realistic--in fact, she's probably more realistic because she's not the ''smartest so and so of the godforsaken universe'' which is just as bad as annoyingly cringey The Chosen One trope. She's just Beth. A terribly smart woman with abandonment issues and trust issues and all other kinds of issues, but you can't blame her given her upbringing. By no means perfect or good at everything she does. Or loved (or hated) by everyone or hailed a genius by the entire flipping universe. You can't even call her a Sue. Yet some of the fandom chooses to label her a b*tch for whatever reason... even though her characterization is near identical to D*ck, er I mean Rick (e.g. she drinks just as much when she hits an all time low). She's just as awful with just as many fuck ups yet she's more sympathetic due to the way Rick raised her (or didn't raise her)... yet there's a double standard because somehow, because she's a female, she's a worse character than Rick, who's a male and apparently awesome (brownie points because he's one of the the two titular characters so you *can't* hate him, it's against the law). If Beth were Rick's son instead of his daughter, I wonder if the general opinion would be the same or not. If Rick were a woman.... he would be Rey, now would he? Don't deny it.

Then there's Ed Edd n' Eddy. As much as I love praising the hell out of this show, I also like to crap on it. There's no shame in pointing out flaws in your faves. But this isn't so much the flaw in the actual show and the actual writing, but again, I'm taking a jab at the fandom and how they perceive male characters v. female characters.

Sarah. Sarah is almost exactly like the female Eddy. She's little and bratty and loud af. She's probably the most hated character on the show (even Jimmy and Kevin are more liked than she is). I used to not like Sarah either but I never really asked myself WHY. When I compared her to Eddy, I realized that they're literally, almost the same character and I have no real reason to hate her (yeah yeah a lot of the cul-de-sac kids share eerily similar traits to the Eds and it was no accident; it makes you wonder why the kids hate the Eds so much if they ostracize them for the very same quirks they have, and it's not just the scams--it's because kids at this age are terribly insecure about themselves and tend to make fun of more vulnerable others who share their flaws to make themselves feel better. I was bullied in middle school for acne by... wait for it.... kids who had acne. GASP. Imagine that. So my point is, we often despise traits in others we despise in ourselves, not to mention we don't perceive ourselves the way others perceive us, hence, the Looking Glass Self theory. Basically, EEnE is deeper than it appears on the surface, and I've analyzed this before during those EEnE Appreciation Month things, so I won't bother repeating myself, but that's the basic idea in a nutshell.)

Ahem, before I get off on a further tangent, let me reiterate my main point. Sarah IS Eddy. No, not really, but yes, kinda really. Her voice can be irritating and grates on your nerves at times, she's bossy and controlling of her friends (I honestly love her friendship with Jimmy, and how they both defy stereotypical gender norms, and how protective she is of him, but there's times where she pushes his buttons), and though she doesn't hold Jimmy back from finding his own independence apart from her the way Eddy sometimes does to Ed and Edd who he treats them more as cronies in the first season (for instance, Sarah doesn't raise objection to Jimmy joining the Urban Rangers and finding his own identity and making other friends besides her, I mean they don't have to be glued to the hip and she damn well knows that), and yet... the way she treats Ed... well... even if Eddy stands up for Ed against Sarah and grows increasingly annoyed with the way she walks all over him... Eddy ain't much better, pumpkins. DON'T ACT LIKE HE'S BETTER THAN HER. Sure, male characters *always* get excused for this kind of behavior, but if it's a girl, she's automatically a mega beyotch with no redeeming qualities. If she's a b, he's a b, and they both have potential to redeem their flaws. They should be treated equally.

Don't get me wrong. I LOVE Eddy. He's one of my favorite characters. OPE. And there's the tea.

Most people LOVE Eddy (not everybody, and if you don't, that's fine; you don't even have to like Sarah, but I have a case). Despite the fact that he's bossy, sarcastic, rude, selfish, self-absorbed, over confident, flamboyant, vain, screams with a voice that makes your ears bleed.... well, gee, didn't I just describe Sarah? Sarah loves make-up clothes and hair just as much as Eddy loves speedos and deodorant and cheap shampoo and dressing to the nines for Jonny's Arbor Day Party. Hell, Sarah had a complete meltdown because she lost her freakin' earring! Eddy flipped the fuck out when Ed lost his porno mags. THEY'RE. THE. SAME. FUCKING. PERSON. (and it's why they butt heads but that's a topic for another day, because you know, you can't fight fire with fire... you can argue the same for Eddy and Kevin)

Yet, the fandom HATES Sarah and LOVES Eddy. Probably not cuz she's female, but aside from the Kankers, the girls (and Jimmy, poor Jimmy) seem to receive harsher judgment towards them as characters by fans, even if they have similar traits to the boys. I'm sure it's because Sarah isn't as well written or developed a character as Eddy (who's a main cast member, actually the driving force of the show, the primary lead) BUT that's not to say Sarah doesn't have her moments of vulnerability or moments of total bad-assery that makes her.... well... interesting if given the chance. (In BPS, she beats the living shit out of the Kankers and devises a plan for her and Jimmy to escape their enslavement, one of my all-time favorite scenes in the entire movie; not to mention she beats the crap out of EVERYONE on the show and it's usually, not always, well-deserved but it's entertaining nonetheless: cat fights with Nazz, even beating up Rolf who's twice her size, etc.). The fact that everyone is afraid of this little girl??? (maybe except Kevin). I mean, this chick is fearless, and yet, she still has moments of weakness. That's 3-dimensional if you ask me. She's more than just the bratty little sister. I didn't used to like her, but after studying her more, I've come to appreciate her. There's nothing about her that makes her an inherently ''bad'' female character. She plays a role, as do they all, and she plays the role perfectly.

Last but not least: Nazz. Everyone's favorite (I'm kidding). I don't know if the fandom hates Sarah or Nazz more. I can understand the hate towards Sarah, but Nazz seems even less just. Nazz is like one of the nicest people on the show and never really does anything to warrant the hate (until the infamous flanderized Season 5-- don't judge me, I love S5 regardless)... but even then she's still nice, if a bit artificially so. I mean, she becomes a bit of a Mean Girl (they all kinda do; it must be how the clique school environment changes a person), but she still goes out of her way to be inclusive towards everyone (even if she can be spotted in the background laughing at the Eds along with the others at times, but they're ALL guilty of this... ya'll out here lovin' on Rolf or Jonny or whatever, and pretending like they're saints, but they laugh at our precious Ed boys too. Also, precious Ed boys are not complete angels either and sometimes they need a good ass whooping or two. I mean, they're just kids. Kids are assholes). She's not a bad person though; she roots for all the contestants during the Spelling Bee. She personally appoints Ed to be the mascot of the football team. I can go on and on. She's just nice. Maybe that's why fans hate her. Because nice is boring. Nice is... personality-less. I don't think Nazz has as much eccentricity as the other characters, obviously, but she, too, has her moments (she yodels, for starters). She's not entirely lacking in personality. Sure, she may have as much personality as a board of wood (actually, I take that back, Plank has MORE personality than her XD) buuuut.... Idk, I like Nazz. I didn't at first either. But even if it irks me a bit that she's reduced down to the unattainable love interest and not much else, she, too, isn't an inherently ''bad'' female character. She has the least development of all the cast members, but she fills her role effectively. Without her, the show would feel like it's missing something. Even if she doesn't appear as often.

What bothers me the most is that she plays the same part as Kevin, only female. Kevin's the quintessential jock/bully popular leader of the kids, the King of the Cul-de-sac if you will (self-appointed or otherwise, just don't tell Eddy I told you). Nazz is like his Homecoming Queen, even if they're not an official couple (they spend the whole series as a ''will they or won't they Ross and Rachel'') and though not the leader of the kids collectively, she does sometimes lead the girls (or really, Sarah and Jimmy), while Kevin leads the boys (Jonny and Rolf, excluding the Eds). AND YET Kevin, though sometimes hated by fans, isn't nearly *as* hated as Nazz. Yet, he has as much personality as her (sorry, I love you, Kev). I mean, THEY'RE. ALMOST. THE. SAME. CHARACTER. Good looking, sporty, popular... He's also the least developed character of the male cast. Plank has more development than him and that's kinda sad... y'know... getting beat by a board of wood. (But Plank comes alive through Jonny, so basically Jonny is split into two separate characters; Plank reveals aspects of Jonny that he won't reveal to us, and vice versa. I can talk about Jonny all day, but let's not, because this is about Nazz.) I mean, again, Nazz and Kevin both have their moments of vulnerability and it's not like they're NEVER interesting; I beg to differ. Kevin, anyway, has two great episodes that revolve directly around his insecurities and anxieties and deep-seated fears, some deep shit I wish we got to see with Nazz. But instead we got BPS and it was hands-down the best character development we ever saw from her in the entire show's run. It's sad it had to be the end, because if they gave us more BPS Nazz throughout the series, she would have been a well rounded 3-d character.

Nazz is angry AF in BPS and I live for angry Nazz. We can kind of feel for her here because Kevin is such a dunce. She's finally reciprocating his feelings and he decides to turn the other way.... for his goddamn inanimate bike. It's something Jonny would do, but Kev always loved that bike... I guess more than Nazz, and it's one of the greatest love triangles ever. Phantom of the Opera don't interact. Ahem. My point is, Nazz finally displays more personality here-- like actual fucking emotion beyond just being nice and pretty (sure, we've seen her get angry sometimes, or freaked out other times, but never like this). Buuuuuut the fandom sees otherwise. They hated Nazz even MORE after this, despite that.... the male characters in BPS, like Rolf who punches through a tree and Edd and Eddy who go at it all piss and vinegar in an actual fist fight, are angry fucking men, and they're allowed to be angry and not Nazz because...? They have more testosterone and she doesn't? Because penises are more justified than vaginas? Oops, no, sorry, women can only be angry when they're on their periods, my bad. I mean, everybody's out in this freezing cold swamp, having a break down, at their wit's end, reaching their ''all is lost'' moment... yet, Rolf and the Eds are allowed to vent their frustrations on each other or on the surrounding environment. But not Nazz. No, Nazz is being a b*tch because.... Kevin's paying more attention to a non-living machine than to her. And he sat flat on his skinny ass and didn't help her when she needed him the most. And she didn't have to tag along with him but she did. She didn't have to put up with his cold aloofness but she did. And even if she was trying to catch his attention and flirt with him at inappropriate times she wasn't entirely useless. It was HER idea to find Eddy's brother. If she hadn't suggested it, he'd still be riding around in circles chasing his shadow. Yeah, okay, she's a total b*tch.

God forbid women have emotions. God forbid women cry or get frustrated. Then they're b*tches. But if they're pretty and nice and perfect and popular, they're Sues. Yet, male characters with the same traits.... get lighter sentences. No one even bats an eye. Boys will be boys am I right?

I can go on but yeah, don't say double standards are total BS. In this essay I will

#personal shit #eene #ed edd n eddy #rick and morty #feminism #mary sue #gary stu #nazz #sarah

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