Tumgik
#kiyoshi warrior sokka
captaindelighte · 2 months
Text
Tumblr media
SokkaxSuki
22 notes · View notes
jessfandrawer · 1 year
Text
I just finished rewatching Avatar: the Last Airbender (again) and I had this idea that since there was a beach episode, the Gaang should also go on vacation to a ski resort. I want to make original drawings for this in the future, but I'm quite backed up on artwork plans. I was feeling disappointed by this and lo, I found this adorable winter Picrew to tide me over.
Tumblr media Tumblr media Tumblr media
Sokka has his hair down because there wasn’t a good way to represent his wolf tail, and Maiko doesn't have the heart snowman because, c'mon they needed the top hat one to complete their emo vibe. And yes, I snuck Jinko in there because it's my (slightly) preferred Zuko ship.
68 notes · View notes
Video
youtube
Avatar: The Last Airbender | Official Teaser | Netflix
It doesn't look bad... but I hesitate about what to expect from a series where the creators of the original show decided to pull out of the project due to creative differences 😅 I don't completely like the look of Sokka and Azula (she looks very childish) 😕 but bonus points for bringing in the Kiyoshi warriors 👍
PS: Why don't they ever show Toph? I want to see my girl crushing himbos 😊
4 notes · View notes
jasontoddssuper · 2 years
Text
Tumblr media Tumblr media
7 notes · View notes
fy-maryzhang · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
1 note · View note
justthoughts1310 · 2 months
Text
Sokka may not be a misogynist, but the Netflix live action ATLA is:
There really is no cartoon/anime for female empowerment like the OG ATLA and LOK cartoons.
The creators of ATLA wrote the manifesto on how to create a masterful series on female empowerment and equality that is not cheesy or hocky.
In this show, women and girls are not a monolith but immensely diverse. There's no correct way to be a powerful, talented and bold woman or girl within the avatar universe.
You can be hyper-feminine like Ty Lee and Asami.
You can embody more traditionally masculine qualities like Korra and Toph.
Or you could just be a typical woman or girl falling more in between like Azula, Mai, or Suki.
You see the exact same thing for the male characters. There's no right way to be a man. There's many ways to be a man, and this idea flies in the face of patriarchy.
I say that the Netflix version is misogynist, because it's not enough to be a powerful woman. One must be allowed to be unapologetically, unabashedly and boldy powerful.
Which is what happens in the OG ATLA. Sokka's misogyny was actually a part of his character arc, because every time he was misogynist his misogyny was met with the answer that women and girls are phenomenal, that women and girls are living their lives and largely unconcerned with the opinions of men.
If you read the Kiyoshi novels, you learn that surprisingly enough, the least patriarchal amd misogynist nation in all of Avatar is the fire nation, and the misogynistic nation in all of Avatar is the northern water tribe.
The reason I say that the women in these shows are unabashedly powerful is because aside from Sokka and the master from the Northern Water tribe, no one ever questions why or how they are powerful. They expect it.
Zuko is Ozai's first born son, yet Azula is his pride. When Ozai imagines the future, he imagines it with Azula as the fire lord. He names her after his father. He trusts her to go find the avatar once he knows the avatar has returned.
Sokka and Katara effectively lost both of their parents, but Katara the youngest steps up as the mother and becomes the glue of the group. She's the one who becomes both an immensely powerful bender and healer.
Suki loves Sokka, but when we are introduced to her. She is unconcerned with him. Her and the other Kiyoshi warriors are the protectors of the village who go out into the world to do good into the world.
We see the revseral of all of these tenants in the Netflix show.
Ozai has hope for Zuko at the expense of Azula who he sees as a nuisance. She is no longer am obvious prodigy.
Katara is seen as a child who will not grow up by her brother who is now behaving as a father figure.
Suki is infatuated with Sokka and she follows him around Kiyoshi island when he arrives.
These woman are powerful but restrained and undermined in this power. Suki becomes concerned with the opinions of a man, and a random man at that.
What the OG ATLA taught to all women, girls, boys and men is that you never have to apologize for being powerful, intelligent, kind empathetic.
This is a very critical point that cuts to the heart of the OG ATLA that Netflix has missed.
2K notes · View notes
doyouevenshipbr0 · 2 months
Text
examples of atla live action’s attempts to be more feminist and how they actually had the opposite effect and/or hurt the integrity of the show
already talked about katara and pakku. does not make sense that she did not have a master. point blank. just because something sounds empowering (ie katara saying “yes. and ur looking at her.” after zuko asked if she found a master) doesn’t mean it automatically is. there still needs to be logic and katara “being her own master” defies logic imo im sorry!
katara in general. she has no ferocity here which to be very honest i dont think is fully the writers’ fault. some of the blame goes on them but the actress for katara just delivered alllllll of her lines w the same exact mild tone. katara is overly motherly. she is bossy. she is passionate. she is nurturing. she is emotional. THERE IS POWER IN THESE THINGS!!!!! why would we take away her spark?!?!?!
i loved live action suki. however, i LOVE the line in the original when her and sokka part ways and sokka says “i treated u like a girl when i should’ve treated u like a warrior.” and suki says “i am a warrior” *kisses sokka on the cheek* “but im a girl too.” THAT LINE WAS SO PERFECT like lemme say it again there is POWER IN FEMININITY! there is no shame in that!!!!! why does this show wanna take that away so badly. at one point live action suki says something like “im not just a warrior, im a kiyoshi warrior” and before she parts ways w sokka she thanks him for showing her some of the world or something like that. which was fine but i just love the simplicity of the original. a girl can be a warrior and have a crush. why do we have to change that?
this is a small one and it doesnt REALLY matter, but i cant help but think they changed this to be more “feminist” which is just dumb. yue isnt betrothed? well she was but she broke it off? and hahn (her ex) isnt a huge dick? i mean it wasn’t the worst thing and i didnt really mind it but i was just kinda like ?????. feel like yue being betrothed tied into her sense of responsibility and foreshadowed the sacrifices she will make for her people. so. feels rly weird that they changed it. i think it was to show more women agency which is always cool. but in the original, yue finally gets her agency by becoming the moon spirit. that should be the end of her character arc. idk. a weird change that seemed unnecessary.
sokka not being sexist. honestly i think the live action did a good job at omitting this while not REALLY making it feel like something was missing. with that being said, something was still missing lol. once again, its apart of sokka’s character. i feel like everyone has already expressed their hate for this so ill just leave it at that.
i am a TAD indifferent on the women of the northern tribe joining the forces during the fight. on one hand i cant lie i smiled bc obviously i love water bending and i love women so there was definitely apart of me that was happy to see that moment. however. it was kind of giving like in endgame when theres that random shot of all the women superheroes in one frame so the movie could have a “slay queen. we are girlbosses:)” moment. like it just felt a little empty and it wasnt the feminist battlecry they thought it was. these women have been healing their whole lives. why would they be any good on the frontlines of a fight? they never learned combat skills! HOWEVER, when we see them, its mainly just them reinforcing the walls so like. that makes enough sense. im cool w that.
i know im dwelling but as we know i hold atla in the highest regards. it does a lot of things perfectly imo. and one of the things i think it does PERFECTLY is its treatment of female characters. literally the only thing i can think of that i dont like is when team azula beats the kiyoshi warriors and ty lee says something like “u are NOT prettier than us” NDBSKSJDJ like ok that was weird. but anyways. it irritates me how the live action kind of seems to have this pov that says “the original was good, but there were some ideas and plots that were outdated so we changed them to keep with the times” like they’re fixing something that was broken if that makes sense. when in actuality, i think atla’s representation of women is perfect and timeless. it was relevant and powerful in 2005, and it is equally as relevant and powerful in 2024. there was nothing about its feminist themes that needed to be “fixed” or “updated”.
240 notes · View notes
abcjxyzyeo · 2 months
Note
haiii!! i have a request for you! could you maybe do a Sokka x Kiyoshi Warrior reader who watches over Sokkas trainings with Suki and he becomes embarrassed or wtvr because of how much hes failing? it can go any way you want, idm really. thanks sweets!<33
-🦢
Tumblr media
Heart of a Warrior
AN; Request by 🦢 !!! Omg I absolutely love this idea sm, I had a little field day w this one 😘😘 But tbh I didn't know how to end this too the ending is kinda rushed and bad !!! Also for this js imagine Sokka and Suki r 20 and reader is 18 !!(It doesn't matter but Katara and Aang r still 12/14 !!) AND ONE MORE THING OMFG anyways just imagine that the gaang stayed at kyoshi for a little bit longer like 2 weeks before the fire nation came. (why does it feel so weird writing a fic for Sukis' sister x Sokka like dam she rlly stole her sisters man 😭😭)
Pairing; Sokka x afab!reader(romantic), Suki x afab!reader(family)
summary; When the gaang visits Kyoshi Island to ride some Koi fish, Sokka seems too distracted too even try to figure out whatever is going on with Katara and Aang. And distracted by a certain younger Kyoshi Warrior
warnings; not proof read!!, angst(?), sumwhat sfw ? semi one sided enemies to lovers
You sighed, wiping off the lengthy make up you wear to be a warrior. You loved being a Kyoshi Warrior more than anything, but it was tiring. You were two+ years younger than everyone else so Suki, your older sister and the leader, let you take breaks every so often. Luckily she said you can take the day off. You started to lay down to take a nap when you heard running and yelled outside, in your pjs you ran to grab your fan and went quickly outside. Staring at the trio that was tied to the podium you were star struck. Their clothes were so different than anything you have ever seen. You had honestly(but luckily) been sheltered to only have to know clothing from the earth kingdom and Kyoshi island. After debating between the three and your sister, the young bald monk was revealed to be the avatar. Something about it irked you and you rolled your eyes. When you looked back you had caught the attention of a water tribe boy who seemed to be your sisters age. he started to walk over and talk to you, but nothing peaked your interest. Mostly just him giving back handed sexist compliments.
"Your sister is pretty strong for a girl!" He chuckled, obviously annoyed he was ambushed by girls.
"Uh huh" not giving him common curtesy to look him in the eyes.
After a few more comments you simply zoned him out. Well until he asked something that you were actually interested in.
"Sooo.. are you one of the painted fighters too?"
"Um. A Kyoshi warrior? Yea I am" and he gave an interesting look so with that you walked off sighing to yourself. The first outsiders to visit during this 100 year war had to be the most uninteresting people ever. (Cuz honestly you weren't completely convinced the Avatar was here on good terms, he'd probably just lead the fire nation here.)
For the next few days you saw Sokka try and learn how to fight like a Kyoshi Warrior. It kind of disgusted you, you know he just wanted to be better than Suki, but luckily she was the best of the best so you had nothing to fear.
Suddenly you found your feet moving towards the duo practicing, against your will. You knew you disliked Sokka, you avoided him as much as possible. It was baffling to you how different he is from his sister, at least you could stand her. Once you reached the two you sat on a near-by tree stump. Sokka looked over mid attack and absolutely fumbled falling straight on his face. You rolled your eyes and his face went bright red. For the hour that you watched them, Sokka missed every hit and took every hit thrown at him. By this time you were annoyed, instead of finding it humorous. It was like he was trying to be funny and mess with a sacred art form. Frustrated, you loudly groaned and walked away. Sokka knew he had messed up, he wanted to be good, he wasn't sure if it was for him or for you. He thanked Suki and ran off to find you.
Practicing all your moves you had learned over the course of your young teenage life, you left someone creep behind you. Stopping what you're doing you turn around, expecting Suki, but finding Sokka. You simply crossed your arms expecting him to speak.
"You saw me practice today" he uttered embarrassed
"Indeed I did," rolling your eyes
"I didn't mean to mess up, I was just nervous with you watching!"
"Whatever you say water boy, just stay out of my way and stop making a fool out of yourself." you turned back around and tried expanding your fan, but suddenly a hand was on your wrist and your hip, spinning you around instantaneously. Sokka's face was mere inches from yours, he looked down at your lips and back up to your eyes making the hair on the back of your neck stand up.
"Why won't you give me a chance?" he whispered low
Your mind whirred, 'chance for what? Why does he want a chance? Why is he so close?'
"Um what do you mean?" you gulped loudly
He let go of you lightly, "Why don't you give me a chance to show you I'm not who you think I am, I'm strong and a warrior."
You immediately scoffed "Yea right, what I saw today really showed that." this obviously pissed Sokka off, and he lowered his head down to stare at you in the eyes. Suddenly you could smell him, taking a moment to appreciate how clean he kept himself, you gathered and studied every inch of his face. Pausing to look at how nice his lips looked in the light. A moment of silence was suddenly broke.
"Like what you see?" He said smirking, leaning in to close the distance between yours and his lips.
You yelped loudly before throwing him over your shoulder and running away.
After what happened it was easy to ignore him and his practices. But your heart didn't want to, some how that stupid pony tail boy made you yearn for him. But your brain knew it wasn't a good idea to fall for a strange boy, let alone let him know that. But fate was against the organ in your head and as you turned the corner you saw, once again, your sister practicing with the water tribe boy. You walked up to them to watch but this time when Sokka noticed you, he gave it his all. Easily overpowering Suki, her face turning bright red that you could see through the makeup. Sokka crossing his eyes and giving a smug look. Your jaw dropped and you felt something inside your stomach, a tight knot that wouldn't untie. Sokka walked over to you after thanking Suki and bowing to her.
"How was that?"
you just stared at him, shellshocked. Causing him to laugh he rolled his eyes at you, he wrapped one hand around your waist and one around the back of your neck pulling you in for a kiss.
You eased yourself into it, kissing back. Your brain knew it was wrong but what was so bad with letting your heart win?
"Well Sokka, you do have the heard of a warrior." you laughed before leaning in for another kiss.
161 notes · View notes
sokkas-therapist · 3 months
Text
Ok so I decided I am going to post that “atla live action hot take” I mentioned
Click below the cut if you’re interested in hearing my take on the whole “taking away sokka’s sexism” thing
1) nobody is glorifying sokka’s sexism by saying it should be kept in the show. It’s quite literally the opposite. The original series did a great job using his sexism as a lesson; any time sokka made a sexist remark in the first 4 episodes it was made abundantly clear that he was wrong, and as soon as Sokka was proven wrong he admitted that he was misguided, apologized, quite literally bowed down on his knees to ask for forgiveness, and even asked to learn from the kiyoshi warriors, and excepted wearing their traditional uniforms, further surrendering his flawed perspective of societal gender roles. A wonderfully executed example of writers using their characters to teach viewers a lesson: which was, in this case, that sexism is wrong. Sokka’s sexism was not left unresolved, so why take away a valuable lesson in the show??
2) if you take away a character’s flaws…then they don’t have development. A character can’t learn and grow from their mistakes if they never make mistakes.
If a charecter starts off perfect and unflawed then they are surface level and lack depth or the ability for an arc.
And no, this is not saying that Sokka didn’t have many other admirable qualities like his intelligence and adaptability etc.. He 100% had those qualities. But one of the coolest things about the original atla series was their ability to flesh out side charecters and give them depth. A charecter who is simply smart then becomes smarter, or adaptable then becomes even more adaptable, lacks depth and internal conflict.
Sokka’s sexism was the starting point for his internal conflict. Sokka wasn’t just sexist to be sexist, or because the entire southern water tribe was misogynistic (and we know for a fact they weren’t, because if they were misogynistic, then Katara wouldn’t have been shocked when the North denied her waterbending training). He was misogynistic because being seen/accepted as a “man” and a strong warrior was all Sokka wanted after his father left him behind. In reality, we know his father was only trying to protect his son from the horrors of war. But to a young and impressionable child, Sokka internalized this as him not being “man” enough, so he dedicated himself to becoming the person he thought would make his father proud. He was always reaching for this unattainable standard he set for himself, which lead to him having a skewed and toxic view of masculinity that he took out on the women around him. He associated being a worthy warrior with being a traditionally masculine man, and leaned way too far into fulfilling the gender roles men and women are told to play in society in hopes of gaining his father’s approval. We see him do this by suppressing his feelings of inferiority as a nonbender, along with all the aspects of himself that he thought could be seen as “weak” or “feminine” (ex: his love for shopping and poetry and art that we see develop up until the literal end of the series).
So clearly, the vast majority of sokka’s charecter development that deals with internal conflict stems from the toxic view of masculinity and gender roles that he adopted after being left behind by his father, which caused him to outwardly lash out toward katara and Suki with misogynist comments. So taking away the sexism we see in the first few episodes eliminates important context that makes sokka’s character development throughout the entire series significant, not just an “iffy unnecessarily bigoted message”, because it was quite literally used to show that sexism was wrong.
I wasn’t going to say anything about this at first but seeing so many people display a fundamental lack of understanding for the premise of character development and the usage of charecter flaws to promote positive messages in media set me off. Just…WTF????
(Also I know I wrote a summarized version of this in the tags for another post but I wanted to expand upon it more and make this a separate post)
144 notes · View notes
luitennentsunshine · 2 months
Text
SPOILERS YALL FOR LIVE ACTION AVATAR EPISODE 2:
I mean I for one also didn’t like that they didn’t make Sokka wear the kiyoshi warrior outfit but watching it I warmed up to it
Like basically in the live action they really are emphasizing the loss of connection and unity that the world had, Sokka and Suki wearing different outfits, fighting together, they’re different and have different cultures but they’re both warriors and they can still find connection
53 notes · View notes
sarnai4 · 23 days
Text
Cake and Eat It
I really like Avatar the Last Airbender. That said, I'm not under the belief that it's perfect and has no hopes of every being improved. So, I wasn't opposed to it getting another live action remake in show form to explore some areas more. Unfortunately, the changes that were made (in my opinion) were often to the detriment of the story. Ultimately, my main issue was that the Netflix show wanted to have its cake and eat it too. On one hand, you need to separate it from the original to accept it. You're not supposed to think, "Azula's fire isn't blue like it's supposed to be. I hate this." It's its own thing and wants to be that; however, it wants you to say, "Oh no, Momo! I don't want you to get hurt because I remember all of the fun moments in the cartoon!" It contradicts itself.
In the Kiyoshi Island episode, we're supposed to laugh at Sokka for getting shown up by Suki. Why? Because he was being sexist? He wasn't really. We're meant to remember what he did in the cartoon and use that to influence us. Before, Sokka basically mocked the warriors and was rightfully shown that he should respect them. Here, he acknowledged both Suki and himself as warriors. At worst, he was pumping himself up for no reason, but he never put them down. Suki showing up the person who clearly isn't as skilled makes her seem a little harsh and then having him slink off with his tail between his legs doesn't make it as impactful like when Sokka in the original went back, apologized sincerely, and asked to be taught.
Later in the same episode, I didn't really buy that Aang gave them hope either. We saw him running with some younger kids once, then spend time with Kyoshi. The cartoon had him spend days basking in all his Avatar glory with his fan base. It makes sense that they'd be happy to have him there because their island was named after one of his past lives. This one doesn't have that happen, yet we're still expected to believe that the kid they didn't want who caused them as much danger as they expected would somehow make them happy and hopeful.
For Omashu, we're supposed to believe that Sokka and Katara have this sibling tension, but they haven't. I remember listening to their argument, wondering what they were talking about. Sokka was saying how Katara is constantly naive, but we didn't see that. We saw them argue in the cartoon because Katara took on the mother role despite being his little sister and Sokka took the protector role despite being a child. It put them at odds at times, but they still loved the heck out of each other. I don't believe it simply because they say to.
We're supposed to feel bad for Aang when Bumi is angry with him since he ran away...but he didn't. This scene was impactful in "The Storm" because Aang knowingly left, scared of the responsibilities. How can I be mad at this child for trying to clear his head and just having bad timing? It makes Bumi look cruel for no reason and doesn't give Aang the appropriate amount of guilt he reasonably would have felt in the cartoon.
So, going forward, I hope that they don't rely so much on the original. There are changes I did like, but when they try to cut out scenes and act like they exist because they did in the cartoon, I feel like that's cheating. Don't ask me to remember character moments from the cartoon in order to feel something here. If they didn't bond here, I won't use their bonds from before to color my perception.
30 notes · View notes
confused-much · 2 months
Text
I'm on the 5th episode of live action ATLA and so far I enjoy watching it. Is it the perfect copy of the original cartoon? No. Does this make it bad? Also no!
There are changes to the story and characters but for me it doesn't make it that bad. I don't treat this show as the perfect retelling of the cartoon, just a different version of the story. And honestly? With that mindset watching the show is better.
Of course, this show is not without flaws. Zuko's scar is tiny, Aang doesn't really get to be kid that much, Sokka lost his misogyny, Katara lost her anger.
But at the same time, I feel like the change of their character traits works. Aang isn't thinking only about fun because he feels guilty for abandoning the world. From the first episode people tell him that because he was absent, the war went on. Of course Aang will want to help others now. Of course he will think of going to North Pole, especially since Kiyoshi told him to go there.
Sokka lost his misogyny but he still has different traits. He's struggling to be a warrior, he doesn't think that his engineering skills are worthy pursuing. His scenes with Suki are for me at least adorable to watch. They are both awkward in different ways because this is the first time they see someone from their opposite sex from a different nation. Of course Sokka would want to flex. Of course Suki would try to show off her fighting skills - she's a god damned Kiyoshi warrior and a daughter of the ruler of the village, of course skills in a fight will be her major focus.
Katara lost her anger, true. I think the scene with discovering Aang is weak. But she still gets a mini arc about her emotions and grief/PTSD from the night her mother died. She still is shown as brave when she decides to go against Zuko and his crew alone while Aang was talking to Kiyoshi. And she still has her morals during Omashu.
So for every disappointment, I feel we get something in exchange. At least in the first 4 episodes.
I really like how they empathize the war and how cruel it is. And also that even in Fire Nation there are rebels who oppose Ozai. Sozin's attack at Air Nomads was heartbreaking, seeing how the Air Nomads fought but ultimately lost due to comet was chilling. I feel that people blaming Aang and accusing him of running away and disappearing is also well done because that's something that would happen. People would lost hope, people would try to test Aang or accuse him.
Also, as a Kataang disliker, I am SO glad that so far, I don't see any romantic/cute scenes with Katara and Aang. The secret tunnel is great because we don't have implied kiss between Katara and Aang, instead we are shown a sibling love. I hope this trend continues and that Katara and Aang won't have any romantic scenes. I mean, the kid is 12, Katara is 14 and she had to grow up really fast. She's more like an older sister to him than a potential crush.
Overall, so far I like this show. It's not as awesome and true to the source material as One Piece live action (because OPLA IS the best live action adaptation, go watch it!) but it's still a nice watch. I feel like some people just don't want to give this show a chance simply because it's not the original. Like, why we can't have both?
27 notes · View notes
fy-maryzhang · 11 months
Text
Tumblr media
1 note · View note
justthoughts1310 · 2 months
Text
If you have not watched Netflix's live action ATLA yet, let me stop you right now. It is not good and it's score on rotten tomatoes is honestly too high.
However, it's far better than the 2010 Live Action movie.
I'm on episode 6 now, and as I watch, I've been trying to find the words that best describe the series.
I've struggled, but the first thing I've noticed is how all of the actors seem to walk their parts and miss the meaning and motivations of their characters all together. The only one who comes close to embodying their character is Iroh, and the only one who looks like they came from straight out of the avatar universe is the Bounty Hunter.
However, now that I'm in episode 6, I've found the word.
The series is Rushed. It's rushed. It feels that they are trying to pack as much avatar lore into the storyline as possible and they don't care what storylines or arcs they have to mangle in order to do it. It's like a really badly written fanficition or a bad spark notes recap of the OG show. I feel comfortable saying that because I've read the Kiyoshi novels (which are like fanfics) and they are EXCELLENT.
You notice this when the show starts. Aang can fly unassisted. Let me repeat. He can fly unassisted. Only two Airbenders in all of Avatar history can fly unassisted, and one hasn't even been born yet during the time Aang was trying to stop the 100 year war. This boy can fly, but we're 6 episodes in and he has not water bent once. If he hadn't turned into Kiyoshi, I wouldn't believe that he's actually the avatar.
As to not provide any spoilers, they've taken multiple storylines and mashed them together. For example, the spirt of wisdom that we meet in the library in the arc where Appa goes missing. Yeah, we meet the guy in the forest with the Panda Bear Forest spirit and then we meet Kah shortly after. As if that's not all terrible, then we are introduced to the Mother of Faces.
The mother of freaking faces! If you don't know who she is, she is not in the show. She is introduced in the graphic novel trilogy "The Search" when Zuko and Azula try to find their long lost mother.
It is my feeling that if you want to revisit a beloved show that you should work to make it better. Deepen it. Add color to it and help the audience better understand the characters insights. Take your time with it.
Netflix tries to do a little of this by providing some additional backstories, but it does this by running rough shot through literally everything else.
It even changes the characters relational dynamics with one another. For example you know how even though Sokka is the oldest, Katara very much has adopted the place of their mother? Yeah... throw that notion right out the window. Now, instead of Katara being the practical one who keeps everything on track, she's painted as the rash kid who needs to grow up and Sokka is the father figure.
Now, Zuko is kind of the beloved child even though he's been banished and Azula is seen as a nuisance to her father. Like what??????
It's actually ironic that the show removes Sokka's misogynistic nature because the show is kind of misogynistic in and of itself.
It's 6 episodes in and has already stripped three female characters of their core tenants.
1. Azula is a prodigy. She's the pride of the fire nation. Not anymore.
2. Katara is a motherly figure who is the mother of the group. She cares for everybody and keeps them on track. Not anymore.
3. Suki is a fierce and independent warrior who is not impressed by Sokka's misogyny. Now, she's a creepy woman who follows him around the entire time he's on the island until he asks to be trained by her.
When we heard that the OG creators and Netflix went different ways because of creative differences, we should have known right then and there that the live action was going to be trash.
Also, I'm going to put it out there. Considering the fact that this should be a block buster series, Netflix did not spend anywhere enough money on it, because the graphics are so cheesy and Appa looks terrible.
295 notes · View notes
i-am-mldy · 2 months
Text
Now that I've aired out my grievances I think the show does deserve praise in where they succeeded:
fight scenes and the martial arts are fucking badass. Aang and Zuko's fight in Omashu was a highlight for me
the bending looks believable and well-choreographed
costumes are good. same feel as the original but elevated to fit the live action medium
Sokka isn't insufferable anymore thank God (still should've kept his subtle chauvinism but I've already talked about that). I now understand how he pulled so many baddies.
Dallas fucking killed it. Understood Zuko to a T. You can truly feel for Zuko through his acting.
Gordon did so good. Another actor whom you could tell deeply understands his character.
Monk Gyatso made me bawl my eyes out every time he was on screen. He and Gordon did so good.
Suki and the Kiyoshi Warriors are so badass and cool. Episode 2 is my favorite for them alone (plus the chemistry between Sokka and Suki)
Daniel's Ozai has such a presence to him that I couldn't feel in the original. Kudos to the actor.
I actually like that they made Zuko fight back in his Agni Kai with Ozai. He's still trying to be an obedient son by doing what his father asks, but when it came down to it (striking Ozai down), he just couldn't. He tried to fight back his merciful nature but failed, and that for me is much more interesting.
King Bumi is genuinely a good character here for me. He masks his senile bitterness with humor. You could tell he genuinely wants to teach Aang important lessons but is also too angry at him to communicate them well.
Ty Lee's and Mai's actresses also did well in their short screentime. You know who they are even with a few lines.
Uncle Iroh is ok. I have issues with his characterization but the bond between him and Zuko is there. Their flashback scenes are some of the best in the show, like Lu Ten's funeral.
That's all I could think of off the top of my head. The show has its flaws (that I'm sure we all know by now) but it's worth acknowledging its strengths too. It still is a work made with passion by the production and the actors, and it deserves to grow into its potential so they can improve. I just hope they improve the writing ASAP and the direction of the actors (the acting often comes across as stiff and awkward).
15 notes · View notes
they-them-that · 2 months
Text
Sokka's "Sexism Arc" Isn't Worth Preserving!📢
I've been seeing a lot of complaints about the new live action Avatar and half of it seems to be about how Sokka is no longer sexist. I've seen people describe his character as flat now which I think is just pointing out a problem with the way animated Sokka was handled rather than the live action one. Not that I've seen the live action adaptation and I'm sure there are problems (such as casting a white passing actor to play him where we don't definitively know if he's indigenous due to his questionable tribe status) but I'm annoyed at how people think his sexism is an integral and worthwhile trait to preserve.
Sokka was written as a cynic for comedic relief where he'd often become the punchline for his poor attitude. His sexism was treated lightly throughout the series, unlike how prejudices are normally handled in the show, and only ONE episode where he gets schooled by the Kiyoshi Warriors does it get treated with some levity. Even after that episode, he'd still have moments of misogyny that doesn't actually get handled with much consideration.
A sexism arc is frankly not a compelling or interesting arc to want to watch. We have an array of complex and powerful girls in the series that would already confront sexism from viewers without needing an entire male character showboating juvenile misogyny just so he can be the butt of the joke. Sokka has no reason to be sexist (as nobody does) and while other characters' ignorance come from something tangible within their world and storyline, Sokka is just sexist for the sake of being sexist until it no longer serves his character. It sticks out to me and doesn't actually provide any depth because we don't even know where it comes from. He deserves a far more introspective and interesting narrative than just learning to respect women and female audiences shouldn't need to sit through the boy struggling just so he can eventually get there.
19 notes · View notes