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aisaariel · 11 months

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How does jungkook perceive his fs the more he gets to know her? Like his first impression of her to when they know each other more deeply?

How does JK perceive his FS?

Since we already had a long post on how people perceive FS, I was thinking that I can just do this reading since we have a lot of people that are interested in these two on this blog! Enjoy because I'm getting the sense that this is going to be one hell of a ride on my part lol.

So I come back here after the reading, and I can most definitely say that that was one hell of a ride for me lol. Let me hand you all some virtual tissues. Here *tosses* Have fun! =v= Oh happy day~ Oh happy daaaaay~

Thank you, Aisa 🌸

First Impression: As always, JK is ultra fast with the cards, my gosh. Anyway, the first impression he has of them will be fairly straightforward and simple it seems. By the time JK gets to meet the FS (keep getting the sense that he will travel to the location where the FS is for whatever reason it may be), the FS will be someone successful in their field or at least someone pretty well off. As someone who admires those who are dedicated and passionate to their work and their crafts, this will catch his eye, and I think it'll start off as a sort of admiration from his part? But he will also feel that this person went through lots of heartbreak in their life to reach where they are during the time they meet. Maybe he'll overhear a conversation about something that happened in FS' life that makes him aware of the FS' life. He will again think that this person worked really hard to be where they are during that time. The FS, in his eyes for his first impression of them, is someone who may be a bit hard to approach and maybe even intimidating. Someone who is very good at reading people, and he'll know right off the bat that the FS is not someone who will take any load of bullsh*t from people because they know better. They can see through lies. Something about this first impression of the FS will make JK want to get to know them more. He'll feel attracted to this person upon first meeting.

Acquaintances: Okay so um, this is getting highly detailed and in-depth that I'm actually getting really surprised by the extent to which he's telling me what happens. But anyway, let's continue. This is when they're just acquaintances, so they know of one another but aren't exactly too close. So during this time period, it seems like JK might experience some form of heartbreak for whatever reason. It'll be a Tower moment for him, so it'll really shake him up. It also seems to affect his career as well. I feel that this is when the FS steps in. It seems like whatever happened, the FS figures out a way to help him in a way. I don't know when or how (seems like we aren't allowed to know), but this FS will help JK see the world in a different way. In the past and up until this point, he may have been a bit afraid to go against what was expected of him. He did things that didn't align with his values and thoughts. But through this Tower moment and experience, as well as meeting with FS during this time, it will help him reevaluate what he wants in his life, his future, his surroundings, and more. It's the Knight of Wands (JK) meeting the Queen of Wands (FS), so the FS will be a guiding figure for JK during this situation since they're more developed in the wands energy than JK (Knight vs Queen). So actually, I had to reorganize and redraw cards because he was saying too much and the energies started getting all messy and tangled up, but I remember that he said FS was "The Star" card and there was also a "Queen of Cups" card. This shows me that FS may have provided with lots of emotional support during his difficult moment. Remember in the other reading, I said that FS is someone who is easy to approach in the eye of others and also a quiet listener? I think FS wanted to help JK out even though they might not have been too close, and this in turn helped the two of them become closer. Now back to the point, how does JK perceive FS during this time? He thinks of them as "Four of Wands" and "The Lovers." Four of Wands represents pure happiness, joy, bliss, and celebration. "The Lovers," in the context of this situation, represents a relationship in which there is great communication and emotional understanding between two lovers. So I'm guessing that after they get close, their develop their relationship into a romantic one. This is also confirmed by "The Moon" card hidden at the back of the deck, and a bunch of other cards (emotions) associated with it. "The Moon" signifies secrets, keeping things hidden. There's also the "Two of Pentacles" which signifies the need to balance priorities, which in this case is his career and his new relationship with FS.

Lovers: So JK keeps explaining the situation rather than what he thinks about the FS, but it's okay. I think I understand what he's trying to say. When they are lovers, JK is represented as someone who is a true romantic. I see him being as supportive to FS as possible, trying to match their lifestyle and schedule (while of course keeping his own priorities straight; don't think that he's going to let the relationship affect how he does for his career; he takes his job very seriously). But anyway, in the course of getting to know the FS better through the relationship, he may realize some of the internal issues that FS has been dealing with one their own. This is absolutely mind-blowing because remember in the other post I said that the very inner circle is just the FS by themself and then there were the pair cards and I explained that they envision a future spouse/partner who is going to be just for them and know them even to their deepest core? This is exactly what JK is doing. JK will notice things that FS is going through. I see that FS may be having a hard time due to a "King of Swords" figure in their life. I see a "King of Wands" figure and then the "Queen of Wands" figure to the right. So essentially, this "King of Wands" figure is protecting the "Queen of Wands" figure from the "King of Swords" figure. It's crazy because the "King of Swords" is looking straight forward (at you), the "King of Wands" is looking straight to the left (you get the left view), and then the "Queen of Wands" has her body faced forward but with face turned to the right. The imagery confirms this. Whatever it is, I see JK protecting this FS very well. JK will help this person go against aspects of their life that they were trying to escape from or avoid for a long time. He will help them deal with their emotional issues. He will help FS achieve a sense of justice and also bring FS a sense of fulfillment. His emotions are overflowing for this FS and he really does truly care about their well-being. To him, the FS is his resting place, his home. He will feel grateful for the FS' presence during his hardest moments, for helping him become more in tune with who he truly is and who he truly wanted to be. For helping him walk forward into a future that he had wished for. This FS is represented by "The Empress," the maternal figure of the deck and the caregiver. I also see that behind the Empress is a Page of Cups that is hidden and protected. So this is making me feel that JK ultimately feels that even his more underdeveloped and childish sides, the hidden innocence that he had tucked away due to his reality - he feels safe showing all of his vulnerable sides to FS. I feel so much gratitude, appreciation, and love coming through here.

Spouses: Holy sh*t guys. This is absolutely stunning! So when they're spouses, FS is represented as the King of Swords rx. This speaks to me that FS is someone who doesn't outright aggressively speak their mind out, but they rather quietly express their thoughts and opinions. JK may also think that FS is someone who can be pretty indecisive and they need to time to work out their thoughts and to process different situations. Hidden under this card is THE WORLD and THE LOVERS guys. My gosh. "The World" card is the last card of the major arcana in the tarot deck guys. It's the ending. It's fulfillment, completion. And in a literal way, FS will mean the world to him. With "The Lovers" card coming out, he will see FS as his true love. Someone who he can communicate with at deep and genuine level. Someone who walked with him through his thick and thin, and someone whom he walked with through their thick and thin. There is also the TEN OF CUPS. My gosh. Can you hear me screaming? He regards FS as his ultimate happiness and fulfillment in life. The imagery of this card is also two spouses with children, so FS is someone that he would settle down with for the rest of his life, and he also envisions a future where he can create a family and live happily. Again, there is a repetition of the idea of "resilience.' Standing together despite hardships. He has lots of love and affection for his FS, and it seems like he looks forward to going on new adventures with this FS as well. And this last set of cards made me absolutely emotional. It came through real strong. "나의 힘듦과 아픔을 다 지나고, 이제는 우리의 행복한 새 출발." After passing my hardships and pain, it's our blissful new start. Holy. I'm going to cry guys. Cry with me *hands tissues*

#aisanakismet #aisanakismet-bts #aisa jk #bts tarot #jungkook tarot #jungkook future spouse

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munkiey · 10 months

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Hey I saw some Macaque fanart that looked eerily similar to yours and just wanted to let you know (I might be making a deal of nothing but yeah I'll include a screenshot of the art):

Alright so.

1: This is likely someone who is doing screenshot redraws from the same images I did that came from a published show that is accessible to millions.

2: Tracing is actually a great way to learn.

Now, credit should be given obviously but there is a huge stigma from folks online about tracing. I can almost promise you that some of your favorite artists out there will look at a work they like and go 'how did they do this?'

Best way to get into the head of another artist? Trace it.

I've done traces of other artists that I admired and honestly I learned a lot from doing so. Did I post these or ever claim them as my own? Absolutely not, that is when you're stealing.

Thousands of professional comic artists, or almost every skilled artist you can think of has traced. This little waltz is like a baby bird taking its first haphazardly drunk steps across a ice pit. We call them screenshot redraws today, but in the fine arts spectrum, they're called Master Studies.

Because you're looking at someone who has already accomplished something and you want to see how they did it, how you can apply it, and how you as an artist can grow.

The beauty of art is that we can take aspects of things we like and add onto our own work. Its an amalgamation of influences that compound together to create the concept we call an artist. I love seeing where people draw their inspiration from.

3: Personally, I think that it's good that this person is taking some steps into digital and learning. Looking at the line weight and the way they use their tools it seems that they're still learning how they want to navigate the digital platform. This is a great way for them to improve an if they had, allegedly, used my images at reference then I'm honored they saw something to admire in it!

The fact that they practiced at all is way more than I can say for others that say they want to improve but don't put the effort in.

4: Now, final point here.

In the future, please do not come to me like this.

I appreciate you trying to give me a heads up, but I'm not going to sit here and reprimand or police people. This kind of message to me feels like a rather deliberate attempt to stir up drama, which if it was not your intention and you genuinely were just looking out for me, I appreciate you trying. The way I see it though, reporting people like this or going after what may very well be kids trying to learn creates a toxic mentality that I don't want anything to do with. I've been there, done that, and been on the receiving end of that nastiness.

I've learned a lot through my time online and the big lesson sometimes is just to let people do what they're gonna do.

Seriously though, who ever did this has a very cute style. I like the smile headshot there in the middle.

Stay wild <3

#rant #tracing #ask #munkiey

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w1f1n1ghtm4r3 · 10 months

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so i like the april fools shuffle units a normal amount. i have done redesigns for almost all of them and i draw them A Lot.

rambling additional notes on all of the redesigns below

a couple notes if you ever want to draw any of these redesigns for yourself at any point: i'd appreciate being credited for these redesigns (obviously anyone not redesigned i don't need credit for lol) and you don't need to follow my specific skin tone + hair/eye color schemes i have laid out. those are how i personally like to draw the characters and i've included them for anyone who might want to stay completely accurate to my redesigns, but you're welcome to use your own preferred color schemes for the cast when drawing them with these outfits!

now onto the fun(?) stuff

aoharu is pretty straightforward with redesigns, its basically just leoni but with a sun theme instead of stars. adding the image for the color palettes for the unchanged designs just because it has the notes for ichisaki too (their changes were too minor to completely redraw them, in my opinion).

ichika remains entirely unchanged design-wise other than adding a sun pin to her suspenders. saki stays mostly the same too, other than changing the design on her armband and switching her pigtails for a ponytail (in an attempt to seem a little more mature/imitate airi's hairstyle/move on from her childhood self since she's started to believe that honami and shiho want nothing to do with her and ichika anymore).

not too much to say about airi and ena's outfits either, i wanted to go a little more cute with airi and cool with ena, but there's minor changes with both of their hairstyles, with airi switching her pigtails for a ponytail as well (moving on from her idol days but still maintaining her usual sort of style) and ena's hair being a bit longer/messier.

yyj is definitely the most drastic, they're the only unit where i changed every single character... i have a lot of trouble drawing the mmj outfits, but also the lighter color scheme and clover theme just didn't really make sense for yyj to me? so instead i went with a mainly black and character color combo for their color schemes, alongside gold and white to accent it and a more spacey/dreamlike theme. everyone's black and white are slightly tinted with their character colors too!

they're split into pairs for matching accessories, but it doesn't mean much otherwise. kanade and an both have the dangling star charms and a single larger wristband (with those being on opposite sides from each other) as well as no buttons on the front of their outfits, while both hinomoris have the large bows on the backs of their outfits, smaller wristbands on both arms, a legband, and star shaped clips (like the other pair, the clips and legbands are on opposite sides from each other) and they do have buttons. they're split differently for the same style outfits though, with kanade/shizuku and shiho/an being the matching pairs this way.

kanade has the most obvious design changes. i swapped her character color to a medium-light blue rather than red, because tbh she kind of stood out too much if she was still red. she's not meant to be the leader of the unit, she doesn't want to stand out. her hair is a lot shorter than canon and she usually keeps it braided for practice and performances (and leaves it loose otherwise) (both the haircut and style were initially suggestions from shizuku). shes the only member of the unit to wear tights and to lack any star shaped hair accessories.

shizuku i don't have that much to say about, i had designed kanade first and then shizuku to match. its pretty straight forward i think? she's got the tallest socks not counting kanade's tights though.

for both an and shiho i wanted to go a slightly cooler/less feminine direction, while still sticking to the general theme i had going. which lead to the shorts and vest combo! otherwise the only notable change with either of them is that an's changed her clips to two regular gold ones and she's got a ponytail now when they practice/perform, much like kanade's braid.

fts was both very fun and an absolute pain to redesign because on one hand, i can do whatever i want, on the other hand, it's like vbs there's really no consistent theme to carry through everything. except a lot of layers i guess. so my goal was to kind of merge their casual aesthetics with something more vbs-like.

tsukasa wearing his jacket incorrectly was inspired by my own tendency to do so whenever i get too warm. i think he just does it because he thinks it looks cool though (its a little silly and a pain to keep it on but he's committed to the look). also leaving his middle layer as his fish jacket from his casual sprite was a funny little thing i thought worked for him.

with rui my goal was just pockets. lots of pockets. they're probably hiding little robots and tools in those pockets. i should have put more pockets on their pants too but oh well. combine that with wanting some obnoxious bright greens and blues and at least one item that kind of clashed color-wise with the rest (their pants in this case) and this is the result. the sketch doesn't convey it well but their black jacket and pants are both kind of loose, while the green hoodie and tshirt underneath fit okay. also their hair is kind of long if they ever untied it, but no one ever sees that.

hapisen for the most part sticks to their canon sprites, just simplified slightly for my sanity. mafuyu's costume still drives me insane to draw though, that's so many layers to think about.

other than questioning my sanity every time i draw mafuyu, there's only one change from her sprite, which is making her hairtie one decorated with pompoms much like a lot of other parts of her costume. i just thought it tied things together a little more.

the upper half of haruka's outfit is more or less completely unchanged (other than making it fit in a way that looks slightly more masculine), but then i replaced his skirt with pants and gave him boots (wxs meiko, who is the sprite haruka's outfit is originally just a recolor of, wears heels). i figured if i was going for a more princely sort of design for haruka then changing those felt fitting. beyond that he's obviously got shorter hair (a choice he makes after seeing kohane decide to change herself, wanting to embrace the genuine person he wants to be beyond the idol people knew him as) and that's about it. hits this guy with the transgender beam.

kohane's outfit is really just a bit simplified from the original with sizing/proportions of elements adjusted to (in my opinion) suit her better. the ribbons in her hair felt like a cute addition (and i like to give kohane ribbons in general), while her hair length is an in between of her two standard canon ones, longer than the usual one we see but shorter than pre-canon/early mainstory. her glasses are optional, she changes between them and contacts with how she's feeling for the day and what kind of shows hapisen is planning. the more intense the show, the less likely she is to wear her glasses.

kyushumi was kind of intended as niigo but without one member in a mostly white outfit since they don't have someone like kanade who is intentionally trying to save people. although they're also a little happier off anyway, so they don't need someone like that. they're my most drawn shuffle unit, so also probably my most thought-through redesigns.

each design takes slight inspiration from a member of niigo (nene/kanade, minori/ena, honami/mafuyu), but that was just kind of as a personal guide for what kind of vibes to go with for the outfits. they've all got personal touches to them.

nene's hoodie is very loose on her body and arms, but a normal fit in the length, and her shorts are actually long enough to be seen. she just wants to be comfy, she's tired a lot, very low energy girl. glasses because i think nene should wear glasses anyway, so as opposed to canon nene who i like to believe just favors contacts, this nene does not.

minori is pretty obviously similar to ena's outfit, but there's a few nods to mmj in here. she's got clover shaped earrings, the pattern along the bottom of her dress is meant to resemble the tips of the clover leaves from mmj's symbol, and her shoes are just the mmj unit outfit shoes in different colors.

the goal with honami's outfit was simply "how little skin can she have exposed" because i imagine her being more worried about that than usual here. so long sleeves, long skirt, high collar, etc. her hair is longer (for no particular reason tbh, i simply liked how it looks) but still styled the same, and she's got a solid red scrunchie now. the four buttons on her outfit are all meant to look like the moon, two full moons and two opposite facing crescents. also i will never stop joking about the fact that she's naturally the second tallest girl in the cast (not counting vs, then she's third tallest) and i gave her tall heels on top of that. she is towering over all of her unitmates here.

while you're welcome to use these designs for any (non-incest) ships you'd like, i do have a personal list of ships that are canon to my own au with the shuffle units, which is what i originally designed these for. the "canon" ships are

ichika/saki

ena/airi

honami/kanade

akito/touya

mafuyu/rui (qpr)

haruka/kohane

mizuki/nene

however you are not by any means required to follow these specific ships! i have no desire to enforce the ships that go with these, so draw whatever ships you might prefer with these designs. i'm happy to see anything!

anyway if you made it this far congrats on surviving i know this is a lot of text o7 i hope you've enjoy my silly little character design insanities ^^;

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amerricanartwork · 7 months

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Current digital art process!

Acting on @shkika 's request because making my redraw for this post actually ended up giving me more confidence in my digital art process! As such, I'm gonna use it as a reference. And if this walkthrough of sorts turns out nice, I might do it again as my process evolves!

I started off with a quick sketch of sorts, trying to focus both on movement and volume, and get the general idea of where each element is located. I edit the image dimensions and placement of things a lot in this phase, as my ideas often tend to change once I actually begin drawing them. In this case, as I got it down, I decided I wanted it to look like some cheesy animal motivational poster, so that influenced where the text was.

From there, I began to clean and sometimes edit the sketch, mainly by thickening the lines to make the shapes more definite, and erasing what wasn't necessary and interfered with other parts. Volume is one of my biggest focuses in my drawings, so I try my best to get the volume of each character at least hinted at with the lines. This is something that will probably remain in my process for a while, as I quite dislike doing separate lineart and like the messy, sketchy feel anyway.

I also wanna mention, in addition to having references and such in other windows, I've recently begun having a second mini window of my current drawing off to the side so I can see what it looks like overall more easily, regardless of how much I zoom in on and flip the main window. It's quite helpful!

For reference, this is what the final sketch looked like:

Then, I went on to add the flat colors. Another tip: I almost always set my sketch layer to "Lumi & Shade" because I think it makes the line colors a lot richer, but since it's based on what colors are underneath, it colors the lines a lot more individually than changing the sketch color as a whole. Here's some comparison to a version without the effect (left):

Then, I add some shading using a (really nice) marker brush. This is honestly one of my favorite parts of the process, just trying to carve out all the volumes, especially since I usually use a pretty blue color for shadows!

Sometimes, I honestly just leave drawings finished at this step, because I adore the sketchy look so much, and because I really don't like the tediousness of more realistic rendering in the painting process; from what I've seen/experienced, it often involves having to basically paint the entire image over again, which I've realized I find REALLY boring (and is also why I clean the sketch instead of making a new lineart layer). As such, one of my hopes is to reach a point where I could almost completely avoid having to clean up the image in a traditional painting method, instead being able to lay down lines and colors so well that they convey nearly all the volume necessary on their own, still have that sketchy appeal, yet also look finished and professional.

Alas, I did do a bit of clean up on this image, but I think it still turned out alright!

Here's the finished drawing! I'll have to practice with this process a bit more to truly solidify it as my digital go-to, but nonetheless, I think this came out adorable! Thanks again shkika for the ask, and thanks to @mintscampi for the sweet prompt! I hope you guys like it!

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roodles03 · 19 days

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Fuck You, *Genderbends your Alastor*

(Screenshot Edits)

First off, DO NOT REPOST ANY OF THESE. I left out my signature and watermark for the sake of the authenticity of the edits. Basically meaning I want them to look as real as possible. However, I will be forced to add these to future edits if people start reposting them, especially without my permission. (The Hellaverse fandoms are very bad with this) Due to previous bad experiences, I deal with reposting (especially on insta) very harshly. Especially if reposted without credit. I am not afraid to file reports and get uncredited reposts taken down. This is your ONLY warning, and the ONLY time I will say this, so please heed it.

However, you CAN use my Genderbent designs in fanart or your own edits. All I request is credit for the design!

Okay, papa Roo is done yapping. ANYWAY-

I have been having so much fun with these and they're actually really good for learning to draw in the HH style!

Btw I've changed her name from Alastrina to Alice since I got a comment suggesting that Alice would be a better name. Despite that comment's phrasing being a bit on the rude side, I do agree that, yeah, Alice is a better name. So I do genuinely appreciate the critique despite the fact it could've been a bit nicer said. Tbh I just looked up "Female version of Alastor," when I made the edit of Alastor's render and Alastrina was what I got.

I also made a slight edit to Alice's design where I gave her lipstick since I noticed in Viv's OG drawing she probably did have lipstick.

How many people am I gonna make gay/bi/pan/omni/hetero/etc panic over these edits. Like despite these being my own edits, I am one of the people gay panicking-

Disclaimer: These are EDITS. NOT REDRAWS. I did not draw these from 100% scratch, because the point of an edit is to EDIT. Obviously it is going to be traced in some areas (mainly the face and the limbs) because that's what editing is.

Side note: Imo, good screenshot editing actually still requires heavy drawing experience to pull off well. Obviously your tracing in some areas but you're still changing some things, (the entire point) and if you don't know how to draw well, or draw in the show style well, the edit will either look fake or just bad. Edits still require good drawing experience to pull off well, just the same as regular drawing. You just have a templete to go off of. It's basically the same situation as art bases. They might be infamous for often being done poorly, but they can be still be used to make incredible art if the artist is experienced. And this is not to dunk on beginner artists, because I support the practice of edits and bases (as long as proper credit is given and its stated that they used a base or it is an edit) because bases and editing can be used as training wheels for beginner artists, or even profressional artists like me who are learning a new style, (which is what I'm doing rn actually) it's just at some point, if you're someone who does want to improve your art rather then just have fun, you gotta take the training wheels at some point.

Anyway, rant over. I just wanted to talk about my silly thoughts on bases and editing.

Og screenshots

#hazbin hotel #hazbin hotel fanart #hazbin hotel fan art #hh alastor #hazbin hotel alastor #alastor hazbin hotel #alastor #alastor hh #alastor fanart #alastor fan art #screenshot edit #alice hazbin hotel #hazbin hotel alice #hh alice #alice hh

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littledudeholland · 9 months

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How i make my drawings

Hello! Since @wolfsune09 asked how i make my shading and all that i decided to make a little tutorial on my shading style! (I draw in Clip Studio Paint)

Also english is not my fist language so i'm sorry if i make any mistakes or say weird sentences!

So let's start with brushes:

The brushes i mainly use are The Calliflakes brush, Soft square brush, and the regular Turnip pen and Design pencil from Clip studio

These brushes are like, MY LIFE i love them so much dfjsdbfhbsdb

Anyway, the drawing i'm making is a screenshot redraw of a homestuck panel because i can

Get homestucked lol

Anyway after the sketch i make the shading plans, they are really important and will basically dictate if the drawing will be good or not

always make sure the light direction is the same throughout or else it will look lackluster, think about the character in they're primary forms(head is a square, torso is also a square, nose is a piramid etc.)

Now is the real kicker, plan the reflective light (i can't explain it really well so researching it is a better option)

I like to see the light sources with their correct blending modes before drawing to check if the colors look ok

In the end, the objective is to make it so the drawing still holds up without the sketch, if the light makes the pose readable, it's all good to go

Finally, it's time for the lineart, i made the Calliflakes's brush change in size depending on the tilt, this is great for a dynamic lineart and a crunchy look

I usually use three sizes in the lineart, the main size, a medium size to make more detailed parts, and a smaller one for when i need even smaller details, tho it's good to use it sparingly since it might make the drawing look unbalanced

Also, i usually don't use black in my drawings, mostly because of the shading process

Looking good!

Now it's time for the flats! This part is pretty simple, this ios also the part where i paint the lineart, i ONLY paint parts that are INSIDE the silhouette, mostly to make everything blend more and also becuase i like it :)

What a handsome fellow!

Alright now for the part you came here for, the shading! Alright, remember the shading plan? Use that as a base for the actual shading.

First, since this drawing is in a dark place, i grouped the whole drawing in a folder, then made a multiply layer with the color closest to the original image, then i clipped it to the folder(this is a very common thing here)

(I didn't shade the eye since it is the main point of focus of the drawing)

Now let's see it with the lighting plan

nice

Now let's talk soft squares and design pencils

The way i shade with the soft square is that i make it mostly cell shaded, then i come with the same brush but transparent, and i VERY CAREFULLY make circular motions to erase part where i want the shading to make a gradient effect, the key to a good shading job is balancing the sharp shadows with the soft ones

Now with hair, i use the design pencil, i basically just make a bunch of close streaks, almost like painting with a paint brush, after that i make streaks with the same pencil but transparent, making variations in lenght so it looks natural and organic

Alright time for the first shade pass, this one is for the more general shadows, so it won't look that dynamic

Now you can see where the shadows are lacking and make the second pass to deepen the shapes

(P.S: all these layers are the same color, they are in multiply mode)

Alright time for the star of the show! The lights!!!

Using the shading plan i refined the shapes and put it on the add(glow) mode, a good tip i have for this stage is to make shapes shapes shapes! Also remembering that the farther the thing is, the least bright it will be.

Oh my! That changes the whole vibe!

Now i saw the hair was a little boring looking, so i added an extra layer of airbrush to make it more dynamic

Actually fuck it, time for some finger tip smudge

Now we're talking.

Alright, now it's time for the reflected light, make sure it's not too bright unless it looks like a second light source, also this layer is in glow dodge mode!

We could say it's done as it is...

BUT NOT BEFORE THE COLOR DODGE

It looks so muck better now! But that's not all!

Now that we have this beautiful boi, it's time for the finishing touches! These make ALL the difference in the drawing

There we go!

Well now it's my favorite part... the FUCK AROUND AND FIND OUT part!

This is where you add all the textures and special effects! I like mostly using a noise filter (so AI can't steal my stuff) and achromatic aberration, also adding some ashes and a nice metal texture in the background to make it nicer looking

Now, this is technically finished, but if you want to go the extra mile, you can do some color correction, i like doing it to give more contrast, also to make the piece more balanced, i also added some extra details on the eye and a blur last minute

And it's done!

As you can see my process is a little all over the place, but that's the fun part of drawing for me! It's always an adventure where you never know how it's going to end!

Anyway hope this helped at least a little!

#art tutorial #art advice #? kinda #homestuck #homestuck 2 #commander karkat #shading tutorial #rendering #long post

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wasyago · 8 months

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Dear Wasyago,

Strange, I have always thought it was spelled as Wasayago. But recently I've realized, I can't read very well.

I want to send appreciation today, to you.

You've taught me a lot about art. You've taught me a lot how to draw certain things, and you have opened my eyes to new perspective of art, ever since I started following you. Colours are brighter, I experiment more, I can see a specter of visuals that was previously hidden from me. It's like gaining shrimp colors.

Your art feels like an art classroom. There's sun pouring in from the windows, and there's tree leaves in front of them. Every time you come in you see different art projects. Paints add on to the tables, that will never scrub off again. There's dirty cups with paint water, and brushes, in the sink. It's lunch break, and there's people here. Some are just doing their math homework right before class, some are working on their sculpture, some are picking out paints, some are working on their new piece, on a fresh canvas. And it is so alive.

Your art feels so alive. Like the leaves, the people, the stains. It's really nice to see, every single time you post, how lovingly you bring a character into the world (My favorite so far is that one doodle of Modern au Gillion eating noodles, I have it in my favorites gallery).

I would like to see some unfinished, maybe forever to be so, doodles that you weren't especially proud of. We'll love it all.

Respectfully,

Marcus Bloodsmith

oh, thank you so much, this is so sweet qwq

im happy to know that you feel this way about my art, and im glad i could help you with some advice! it feels a bit weird to show unfinished or scrapped art under such a nice message, but yeah why not. and its funny that you mentioned the gillion eating noodles one, because its also one of the pieces that i really didn't like and didn't want to post hdgsh. i dont have that many unfinished drawings left because i delete or redraw most of them, but i have a couple that might be fun to share... and i guess it's gonna be a long post bc i wanna tell a little about each one or at least name them.

there's this art of chip, the first time i properly tried to figure out a way to draw him back when i just started listening. redrew this piece later, kept the sketch on the left, but the right one i changed completely because i didn't like the vibe this one has.

there's this attempt at redesigning caspian after i found out he was a water genasi, plus the first version of that art of caspian, pretzel and gill. this design didn't feel "caspian" enough, it looked too soft and kind where i wanted him to be more layed back and chill and sarcastic and with a bit of an edge. redrew both pieces later. the underwater drawing also has an unfinished background in this version, i added some fishies later so it didn't feel that empty.

some random sketch of gillion to show off how the lightning scars look on his face and neck. i quite like it, but it didn't really fit in the post with three proper drawings and one sketch so i decided to scrap it.

there's this drawing where i tried to figure out how the capital of the undersea looked like. i really didn't know where i was going with it and didn't have a good idea when i started drawing, so its a mess of things with nothing to really focus on. i tried to add a character on it later to breathe some life into it, but it didn't work out since i didn't focus it on the character from the beginning. plus i don't like how the colors turned out, and the entire concept of the environment feels weak and boring to me. i still want to draw more concepts of the undersea and try a couple other ideas, but probably at a later date...

the first version of whatever try it was to design gill's armor. (fun fact, i have more armor designs scheduled for tomorrow). this one i redrew almost immediately, i really didn't like how it turned out and how the legs were cut off and it looked so messy with no real accent point or personality. plus the smaller copy of the drawing in the corner just didn't look good. im not exactly proud of the redrawn version either (that's why i did another one yesterday lol), but im glad i redrew it anyway, it looks a lot better than this one.

the first sketch of that one gillion drawing. i couldn't figure out the colors for it for so long and wanted to drop the idea entirely. but i left it to sit for a couple hours and eventually got the motivation to come back to it and finish it. for most of the illustration pieces i did for jrwi there were multiple versions, where i just didn't like the first one and redrew the whole thing with a different composition and colors. didn't save any of those drawings tho...

this drawing of jay but with green wings and a slightly different color shirt. it was actually the first version of this drawing, and i changed the colors to blue later. wanted to post both of them side by side but then decided against it. that's why this drawing survived and was properly saved and not just deleted.

more recent attempts at designing the chaingel. i like the concept, and the pose in the second sketch is pretty badass, but the execution is just not there. it doesn't feel right, doesn't have the right kind of vibe that this character gives off. so im sure i will try and draw her later when i figure out what's missing and how to show her personality in the way it feels in my head. but these two sketches were never going to see the light of day, so now they're here.

aand this is it, this is everything that wasn't deleted in the past month for one or another reason. i feel like im more chill with deleting and redrawing things, so a lot of initial sketches and concepts never get saved or seen by anyone. im also on mobile so i can attach only ten files lol. not that it matters, the last two were just random figure drawings for warm up, not much to talk about.

#very sorry to the tagging anon but im not tagging this as jrwi. this is just nothing.#yagotalk

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forfluxsake · 3 months

Text

a personal slash solitary blog where i publish my doodles, have hobbies, and do anything typical of the average person

utmv server ad

before i write anything else, i’m promoting my utmv (undertale multiverse) server. JOIN PARTYCHROMA TODAY! FOREVER LINK: https://discord.gg/sATaZ8WZDh

if you aren’t sensitive to bold text, fonts, weird symbols, and eyestrainy gradient rainbow themes, join partychroma. it’s a neverending party for people who’re into undertale or deltarune aus and the like. it’s quiet for the time being, which is why i’m hoping people find this post

we are welcoming of anybody who’s willing to have a good time. the server provides funny roleplay channels, a place to showcase your creations, roles, incredible people, and more. i put effort into it and stuff so that’s great

…a better, less half-hearted advertisement can be found on disboard. hope to see you there!

about me

if you’re wondering who i am, hi

i’m flux.

i am a male and i use he/him/she/her pronouns. that’s all you need to know to respect my existence. if you have any questions direct them to the asks feature i just enabled

what do i like doing? doodling, writing, listening to some funky tunes; learning… i’m not picky about creative activities, but i do tend to procrastinate. my hyperfixations are seasonal and i suffer from being unable to let go of past phases. the list of my interests is infinite. if you care, i enjoy a variety of indie rpgs, object shows, args slash creepypastas, webcomics, and television shows.

cartoon series pique my interest the most.

boundaries

(be my friend)

i’m a minor. this much information is self explanatory as to how you should approach me. obviously don’t interact with me if you are a nsfw age-restricted page, but also don’t attempt to send me weird asks

i don’t talk about politics.

i think being friends with me requires a lot of patience. sure, you may friend me on my discord, o5fo, but understand that i’m terrible at one on one conversation. if you don’t get straight to the point, i will most likely not respond.

preferably keep contact with me through our shared communities or mutual servers and not direct messages.

if i’ve crossed a line, i encourage people to express their discomfort. nothing is gained from radio silence. (it’s not like i’m not anxious as well LOL don’t be shy to contact me [on dis] if it’s important)

what to expect

this blog is sfw, though it’s prone to having violent and dangerous content, mostly because i’ve drawn a fair amount of works with blood or upsetting themes. be wary of who you follow, always, and take steps to protect yourself online. take advantage of the filter tool to block tags that trigger you.

i will occasionally open art requests. but i won’t do too many at a time.

i might touch on some uncomfortable topics while i’m maintaining this nostalgia-seeking blog, especially about past controversies in the communities i was in since i was a child. and depending on the post, i will treat the flaws in said communities seriously or jokingly. please do not take it the wrong way if i redraw those memories.

assume everything i say is light-hearted for the sake of everybody; spare yourself the trouble of thinking i’m trying to invalidate people’s experiences. i never want to come off that way

fanart. expect a handful of art in general. uncolored/whiteboard doodles are abundant. i have ocs- but i’m anything but organized.

that’s a wrap

i wasn’t prepared to end this post

#utmv #undertale #deltarune #sans au #undertale au #undertale multiverse #underverse #filename2 #baldi’s basics #baldis basics #bbieal #multifandom

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winterwhisperz-blog · 10 months

Note

Hi, I really like your blog. I recently just found it, and I was wondering if you could do a part 2 of TouchStarved Characters reacting to MC, drawing themselves. Especially with Vere. Skip if you want to, anyway. Have a nice day. And make sure to eat, sleep, and drink some water.

HI HI !!! I am, so sorry for taking forever, I’ve still been in a huge writing slump )): BUT

I HAVE finally triumphed !! Thank you so much for the ask <333 I’m rlly happy u like my blog !! And I hope you have a nice day too !

Now les get into it !!

Leander, Mhin, And Vere Reacting to Mc Drawing them (a Sequel)

Warnings: Vere is flirty, a person gets snatched away in Vere’s too, (it’s played in comedic effect but just in case) maybe OOC

Notes: GN Mc, Fluff

Vere

ALR ALR ALR so, as we know, Vere draws. So having you two be like, drawing pals/couple ??? Muah muah

But I think it’d be really really funny, if he didn’t find out until you guys walk by a wanted poster—you both know who the subject is, but OMG THEY DO N O T look like that 🤨 also the lines??? So messy— effort ??? None

Determined to correct them, you stomp away, on the lookout to find the Wanted.

You find them waltzing out of a brothel, which is where you and Vere jump em.

Letting out a screech, (either that screech being from you or the Wanted that’s up to you. Could be a battle cry idk) you stuff them in a bag before quickly running off.

Vere of course, has no idea why you WANTED this random person, but he definitely wasn’t going to object to doing a crime with you <33

Plopping the Wanted into your room, you dramatically whisk off the bag, revealing a very frightened, and now hostile fellow.

“MC?? I thought we were FRIENDS, why the hell are you turning me in?”

You shush them, settling down in front, butter-fly legs as you slam open your sketchbook.

“I’m not turning you in, I’m redrawing your wanted poster.”

….

…..

“….What?”

“Vere, keep ‘em still!”

“Yes, darling~”

Your partner in crime does just that, and with your combined efforts, you successfully redraw the wanted poster. Now, it being far more accurate.

Which uhhh, did result in the fellow being captured, BUT— that’s not the point.

The point is, Vere now knows you can draw. And very well he might add!! Despite if your style is realistic or not, the wanted poster was STELLAR

And now as you’re back in your room, duty done, Vere droops himself seductively across the floor, any remaining sunlight catching the pink of his eyes and red of his hair.

“…what are you doing?”

“It’s my turn now,”

You raise a brow, “You want me to draw you a wanted poster?”

He rolls his eyes, running a hand through his long hair. “No, dummy. You can’t keep a secret like this from me and not use me as your new muse.”

“I wasn’t keeping it a secret—“

“Go on, i can’t stay in this position all day.”

Sighing, you kneel down, getting to work. “What am I going to do with you?”

Vere hums, and you know a flirt is coming before he says it. “Oh, MC, I have a list of things you can do with me~”

“Hopefully starting with throwing you in horny jail.”

“Rude.”

You snicker, returning to delicately sketching the details of Vere into the paper.

You draw the playful lift of his lips, the needle like pupils, and the deeper, maybe even rare soft side that he hides beneath flirts and cool remarks.

Once you’re done, Vere leans over your shoulder, humming his approval. A part of him, is both touched and uncomfortable how you managed to capture a side of him he didn’t commonly show.

After this, the two of you would often take turns drawing each other.

Leander

ALR ALR SO, WE ALL KNOW Eridia is like, dreary and cloudy all the time—and to set the scene—it’s storming—walls of rain slash against the roof of the Wet Wick (dang-it rlly be wet now. UHHH pls don’t hate me for that joke 😚)

The bloodhounds had been out doing jobs, leaving you with far less people to greet when walking downstairs.

Leander sits by the counter, large figure shadowed by the darkness cast by the storm. His eyes glowing eerily green in the shade, especially since he looks so deep in thought. His brows lightly furrow, his lips hinting at a frown.

You feel awfully like you’ve spotted something you weren’t supposed to. Especially since…there’s actually no one else around. You hear the faint snores of any other none-bloodhounds occupants still in their rooms, but otherwise it’s hushed against the drum of thunder.

Afraid of breaking some kind of spell, you stay where you are—though, you do tilt your head, taking in every angle of the scene in front of you.

…dang this would make a pretty cool sketch

Like a hesitant deer, you take quiet steps back up the stairs before returning, just as quietly with your sketchbook and pencils.

Though uhhh, Leander is no longer where you left him.

Curious, you take the rest of the steps down before searching the dark. Your only company being the crashing and howling of the outside storm—

“Good morning, MC!”

Out of pure terror, you scream and swing the sketchbook at the voice.

You’re greeted with low laughter and glittering green eyes as Leander reaches for the book, gently taking it from your hands.

“I’m sorry, I didn’t mean to startle you. Are you alright, MC? Did the storm wake you?”

You shake your head, a little thrown by the shift in tone—from laughter to genuine concern. You take your sketchbook back, but not until he’s caught interest.

“You draw?”

“How did you know it was a sketchbook?”

“I caught a glimpse when you whacked me.”

He laughs again, the deep sound nearly matching the thunder above. You feel oddly light when hearing it, though it sends a chill down your back.

For a distraction, you glance outside, the flash of lightning sparking worry into your chest.

“Will the bloodhounds be okay out there?”

Leander frowns, looking a bit confused, perhaps a little irritated before his smile quickly returns to his face. “Oh, they’ll be fine. You can’t live in Eridia without expecting storms.”

And before you can say more, he gestures to the sketchbook.

“What were you thinking of drawing?”

Ah, right. You shift on your feet, feeling a little awkward. You’ve asked to draw people before, and uhhh, with a few different reactions. Some thought it was weird, others annoyingly prodded at you to draw them before you even asked, (then changed your mind) and others kept whatever drawings you did like treasure.

You can’t guess how Leander will react to the question, but you end up asking anyway.

He receives the request with a bit of fluster, a flirt or two, before asking how you want him to pose. You decide you want to capture the moment you saw before—him standing in the dark like some kind of gothic statue, hoping you can somehow sketch in the magic and eerie wonder he had emitted.

Once you were finished, he definitely showed the picture to everyone he could—boasting at how talented you were…and how you chose him for a muse.

Mhin

ALR ALR, to balance out how kinda creepy Leander’s was 🧍🏻‍♀️ like man was just standing there in the dark like a WEIRDO—I wanted to do something cuter with Mhin’s.

So so so, this is for Mhin’s birthday. You know they like sweets, but wonder if they would appreciate a portrait instead

You’ve sketched them before, when they’ve taken care of the stray cats, when they’ve sat beside you in silence, just enjoying your company—but you wanted to make this special

So, after finding them after a little merry soulless hunt, you two get started on your little birthday plan. Mhin, to actually convince them to join you, Is completely unaware of said plan.

You just give excuse after excuse, like how starving you are and how you’re only craving their favorite type of cookies, how you want to explore the city and conveniently wind up where the stars are most visible, and you have NO idea how this romantically set table even came from?? 😮

Eventually, they do understand what’s going on, and look away, arms folded.

“I told you we didn’t have to celebrate.”

“We didn’t have to, but I wanted to~”

They roll their eyes, but like always, you can spot that flush of pink coating their cheeks.

After dinner, you pat a spot next to you, and when Mhin sits down, you stare up at the stars above. Millions blinking down at the pair of you between thin, grey clouds.

Mhin gets absorbed in the sight soon enough, occasionally pointing out constellations and then rambling about them.

Giving you just enough time to get out your sketchbook and get to work. While ofc still listening, because you always do. Hearing Mhin nerd out about stars is one of your favorite things.

The night is cold, biting at your nose, but it doesn’t bother you. Especially when you feel a warm cloak wrapped around your shoulders.

You look up from your book to see Mhin settling back down, ponytail and white shirt now exposed to the night air. They raise a knee and shrug. “Don’t look at me like that, you looked cold.”

Smiling, you pull them closer, reaching out the cloak so it covers you both. “Thank you, you big softy.”

You hear them grumble, but also don’t ignore how they lean into your side. After awhile, they glance at what you’re sketching, face growing confused as they start to recognize the person in the drawing.

“What is—“

You let them take the book, their eyes wandering over every detail so carefully thought out and drawn in with every pencil stroke.

Them in the portrait sit, gaze watching the sky with a wonder you’ve had the honor to see. Their mouth is open, talking about things that are more beautiful thanks to how they explained them. A little beauty mark seated by their lips.

After a few moments of silence, you lean your head on their shoulder(or head if ur tall), finding comfort in the warmth of the shared cloak.

“Happy birthday, Mhin.”

They didn’t say much, but you can see the appreciation in their eyes. How they look at your drawing with the same amazement as they looked at the sky.

Forever wondering why you’d use this talent to draw them.

Maybe celebrating their birthday wasn’t so bad after all. (Especially if they get to spend it with you <3333)

ALR ALR WE HAVE REACHED THE END

Tysm for the ask!! Again, I’m so sorry for the wait.

Anyway, I hope you have an amazing day, stay cool and hydrated, see three heart shaped things in nature, and watch/read your favorite show/movie/book !!

#answered asks #thanks for the ask!#leander #mhin #vere #touchstarved game #touchstarved x reader #touchstarved #virtual novel

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myrmica · 24 days

Note

do you have any tips for getting better at drawing anatomy? your poses are always so fluid and realistic

first of all THANK YOU!!! that makes me happy to hear!

under the cut because i got long winded... i hope something in here is useful! some of it may stray from the point, and i have no idea what stuff you already know.

in my experience a lot of it is about paying attention to form/volume. at one point or another i realized i vastly prefer art that emphasizes this, as opposed to flatter more stylized anatomy, as far as things i want to emulate in my own work go (flat styles can be cool when other people do it; this is a huge thing with art i think, developing a sense of discernment when it comes to the art you Want To Make versus the art you like but wouldn't want to mimic...)

so i add contour lines to everything i draw as i sketch because it helps me figure out where the object is in space, in relation to the viewer. doing this immediately establishes where the subject is in relation to the "camera" because lines curving one way mean you're looking up at something, and vice versa. if you've ever seen the coil method of foreshortening before, it's the same principle.

while construction lines won't always be there in a finished piece, you can communicate form in the curves of your lines. the round end of a sleeve is a countour line, so are fabric folds (although they have their own volume too), etc.

the feeling of looking up at someone, or their arm moving towards you, or their back turned away from you, that's where a lot of tension and dynamism comes from--some of the "fluidity."

another thing is to focus on weight, and how things interact when they touch... if you grip someone's arm, how does the skin fold/warp under pressure? can you actually draw it doing that, instead of leaving the arm being grabbed unaffected? stuff like that. a huge inspiration for this (and i think it shows in some of the artistic choices i've been making lately) is margot maison's work. like, check out this panel from bora the brain:

or this one of mine, where i just grabbed my own arm like that to see how it felt and what the skin did...

these are both examples of smaller details but the same principle applies any time you're drawing two people touching, or even a bent leg where the thigh and calf meet. i'm more interested in how skin/fat moves around than i am in getting the nitty gritty details of muscle groups and bones right. knowing the muscles and bones certainly HELPS; my personal favorite bones are the radius and ulna in the forearm, and keeping the way they move in mind Is useful because it reminds you that the arm isn't a uniform tube shape, it's a flat rectangle type thing, and it'll look wider or narrower depending on the angle... etc. see pronation/supination gif below:

they get recomended all the time but the morpho books are my favorite reference for doing actual intentional anatomy practice & in redrawing stuff from them a ton of tricks for constructing bodies have stuck in my head. like, here i was focusing on how they simplify the shoulder/armpit in relation to the ribcage:

(you can download most of 'em for free off of libgen btw.)

you can also get something kinda special drawing bodies from life. if you don't have other people to draw, your own hands/legs work too, and it's good for foreshortening and perspective because you're always seeing them in relation to your own viewpoint:

granted both this and the morpho studies are things i find fun to do. on the off chance that you're someone who finds studies tedious or boring, rather than pushing through it you might want to paint a character you like onto the pose you're practicing or something like that to keep yourself invested?

i also use references gratuitously. usually many pictures at once, where i'm combining them to get the pose i want. either just referencing different photos as i draw different things or literally editing them together depending on what it is. over time, i've gotten better at coming up with dynamic and interesting poses without a ref, because using them has built up my understanding of the body (it's actually way easier IMO to draw a dynamic pose without a ref than it is to draw a dude just standing there without one ?!)

there's sort of a push and pull for me between accuracy/realism ("can the arm Actually bend that way???") and exageration/stylistic liscense ("if it doesn't, does it look cooler like that?") where it helps to KNOW if you're drawing something that isn't technically "anatomically correct."

there's also a lot to be said for tracing over photos for practice!

thank you for the question, i love to talk about these things ^_^

#m #asks

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carnis-insanis · 2 months

Photo

Got inspired after I saw that drawing you did of my guys and decided to make a new guy! So here’s Webber, his name is Webpaw now, Ft. A meme redraw from Maxwell/Hareshadow’s pov. he’s an ex-kittypet who’s twolegs dumped him on the side of the road where Hareshadow found him, might do a comic abt it at some point. Idk if I’m gonna keep him as Hareshadow’s apprentice like he is in the meme, I just don’t have any better ideas atm, and I thought since Wendy’s gonna be a med apprentice(on account of the ghost stuff) under Wilson, i thought it’d be funny to basically have them train each others kids. I think Webpaw’s warrior name will be Webnose :]

-Rexcake

IVE BEEN TRYING TO RESPOND 3 TIMES ALREADY. TUMBLR IS NOT LETTING ME. fourth time the charm.

Webpaw is SO cute omg...i cant believe anyone would abandon him hes so so so adorable.......i love how you replaced his spider-leg-things with 4 ears!! its very creative and charming.. hes so tiny too......i love love loooove him smm...

Hareshadow being a mentor is such a funny concept to me, like that guy is FAR too gloomy for kids lol, its okay tho, webpaw loves training with him anyway, even tho he keeps getting yelled at and called a mousebrain 24/7

Acidfuzz would have to monitor their training sessions, at first it was to make sure that Hareshadow isnt being too rough on Webpaw, but then it turned into Acidfuzz just making sure that Hareshadow wont become cocky again and do something dangerous, and since he has paper skin and glass bones, he falls apart into a million pieces on impact with the lego crumbling sound effect playing while webpaw is left to drag him back to camp by the tail

his warrior name being webnose??? top tier, it makes me picture him snooping around in WIlsons den and getting a web stuck on his snout lol, hes forced to confess in exchange for assistance, he probably got bit by a spider too

Wendy being a medicine cat apprentice has SOO much potential

first of all, parent swap lol

second of all, the implications of her being able to see abigail bring out to soo many possibilities, like imagine if she was the only one able to see abigail and hareshadow is like “hmm....my grieving niece is seeing visions of her late sister? surely this isnt a concerning sign of a mental decline, its just starclan communicating with her!”

shed be the type of medicine cat that experiments on roadkill lol, dw tho, acidfuzz does the same

bonus -

#from rexcake #wc au #dst au

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thebrightestlodge · 9 months

Note

I'm currently watching Mandy because I recall you really liked it, and it's so cool to recognize so many details I find in your art and Godcleaver! It makes it even more interesting! If you feel inspired to say some things that you found particularly inspiring, I do want to hear! But you don't have to! I just wanted to thank you for making me discover this movie!

I must warn, it isn't even a "I really like it". It's a "rewired me on a level to the point of it's jsut my world". I'm glad it can be recognized as a huge influence! It's my fav movie so it's very near and dear to me, I have two old art pieces for it I did even (I might recolour the first pic and redraw the second). I'm glad you discovered it! It's really underrated for sure.

As for inspiration? Putting it under a read more because it will be insanely rambling and spoilers but know this is like ...a movie that is so important to me and IS me

There's a lot to the film that really speaks to what you see in my art. Music being it's own breathing heaving beast, a silent participant in the plot. The use of violent visceral colours like I'm staring at a bruise under blacklight that scratches such specific parts of the brain that frames this in an alien way, even if it's "the real world". Characters not being bad got being rightously angry and it drives them to the point of frenzy.

Dead wife/sad man stories are incredibly boring but something about this really spins the framing to the point I wouldn't even say it's one of those movies. Mandy is so fleshed out and important. We know who she is, we know she's had an incredibly horrible life before we met her/she met Red, but even with it, we see the sort of quiet cool person she is. She's someone we want to know. Dead partners in movies are so bland that we really in a way can't figure why we want to avenge them. We FEEL for her, we know who she is so the weight of her dead hits harder than anything. The death scene is incredible too, where it's jsut the throbbing synth, no sounds beyond that. We the the sleeping bag shaking and thrashing and we know what's happening, but nothing is ever exploitative on her part. We view the scene through the spectators and all their winding emotions, from Red's horror, the cultist's glee, the young girl, and Jeremiah's silent anguish and hate.

Mandy's dream sequence and the scene of ehr and Red talking of the starlings, another visit into these characters worlds, says so much without forcing a backstory. Red is almost an interesting foil here. We have just enought to figure what sort of character he is. He maybe was military/para-military and he has a drinking issue (by the scenes of him refusing a beer and him looking in the bathroom for a secret vodka bottle). He's a blank enough slate though that it let's us get to be the ones to experience Mandy. He truly loves and cares for her and we get to feel it because in how he is written and how scenes between them are shot, we ARE Red, with our own issues brought in.

Now to the meat of this situation. Mandy's death really is what makes the movie special because in how it's written and even stated by Panos Cosmatos himself, she IS the film. When Mandy dies, we no longer exist in our world. Mandy has moved into a another plane. She is Galactus and has devoured our world and we live in hers. The movie's sharp grinding as we start to peak into the phantasmagorical horror shifts because Mandy is being affected. When she gets high, everything is warped. When she dies, plots are set in motion.

My aggressive belief is when Red tastes the Biker's swill, Mandy takes him over. Not to say Red wasn't first motivated in revenge! He's the one to seek out his old friend and his weapon, he forges The Beast, he drives out to fight the bikers. We see though in the face of all this, he's jsut so emotional about it. His haunting response after Mandy dies, stumbling into the house and then the howling and chugging in the bathroom. When he's chained up and nailed to the floor in the house the bikers take over, he's jsut sobbing. Even fighting those two bikers, he all mania and emotion tearing them up. The moment he tastes the swill though? Something shifts. When he faces the main biker, there's no emotion, jsut quiet stalking, until the mention of "SHE'S ...STILL ...BURNING!"

Theory continues, we see Mandy in visions from Red, these nightmare shots of her rotting away, her adrift in the lake we see them in in the beginning, and extracting a jewel from an animal's corpse. It's like she speaks from whatever void she has now taken. The book Mandy reads is made for the movie, BUT I managed to track the fake cover. A story of a man stealing the power of witches stolen from a she-wyrm. A lone female warrior trudges to stop him. Fits the theory enough. When Red finds the Chemist, inferred to the the creator of the sludge, the way he speaks to Red is interesting. We don't have enough fo Red's character to know, but we have enough of Mandy's to make this scene interesting.

Chemist: Jovan Warrior, sent forth from the eye of the storm

-Mandy mentions in the beginning of her favourite planet being Jupiter, especially because of the eternal storms. Jove was one of the many names of the Roman god Jupiter.

Chemist: Oh man, they wronged you! Why they gotta be like that? You exude a cosmic darkness ...

-This is definitely inference because, as said, it's not like Red can't experience this, but it's so pointed. Mandy, destroyed by this cult that saw something in her, and the starling story, and the dream of the dead deer fetus. Something in her sits, dark and heavy, like the music tracks.

Red does not speak this whole time, but the Chemist talks as if there's conversation. The Chemist, so shot into another existence, maybe he IS talking with Mandy, on another level we can't comprehend. He sees the folding of worlds

When we go to find the cultists, another interesting thing comes up. The one cultist who never really comes off as feeling purposeful and involved is the young girl. The one who is willing to let Jeremiah blow her head off, the one he calls for after being upset about seeing Mandy. When Red kills Swan, the girl just watches. Mandy did see her there and maybe a kindred spirit of sorts, two people violently affected by events then and now in their lives. Maybe it's because she wasn't as malicious, who knows. Maybe it's Mandy who spares.

And finally, the last confrontation ...

In a way, I think Mandy killed Jeremiah first. His seduction and obsession, trying to impress her. Mandy is sent ROCKETING with how high she is and the scene where he speaks with ehr, their faces constantly melded, some sort of different thing is happening. Sure it's style for the movie and perhaps I can't put into words, but "You're a special one, Mandy" has meaning here. When he finally sheds his coat and is front of her, naked and showing her whatever he thinks passes for the divine, she laughs. It's a chuckle into a laugh into a cackling furious howl, ebcause we're seeing she's knowing she's pissing him off ow. This moment, he's crushed in front of his constant followers. He's embarrassed. In the spirit, I think he dies here, it's the first time someone tells him no and ridicules him.

In our final confrontation, it's the first time since the sludge, we hear him speak. A garbled, laid-over second voice

"The psychotic drowns ...while the mystic swims ...

You're drowning. I'm swimming."

When ahd our last Mandy dream already happen. Mandy taking a jewel from some great beast. This is the final act of revenge, killing the last monster. Jeremiah's desperation to make it up, but there's no emotion facing this, no mania or sadness. Red crushes his head, the garbling speaking

"I am your god now"

The movie ends with Red driving off. We see Mandy next to him in the Camaro and we see a vision. A shot of teh first time they met. And with all we know and all we've seen, this is finally the end. The manic iconic grin of Red looking to her as we driveoff into this alien fantasy landscape. The final bit of the film stating they are reborn into this carnal new world. They become one here finally.

And I mean, you can add your trans narratives in here, or even just state they are trans. Something about the total take of bodies, two sharing in one body, being whatever you choose to headcanon them as. I don't remember the thoughts I had on this, will edit when I remember, but I think it's a very trans film.

We're swallowed into this world of Mandy's. I know Red wears the Tiger shirt but I think Lizzie represents Mandy more. The tiger set loose into the Pacific Northwest is jsut what it is. We're watching her and Red's love become one huge angry beast, their love isn't corrupted. A frenzy and compassion and caring between two broken people that becomes so ravenous after this trauma, it takes chunks out of this world and rebuilds it, sharpens its fangs so it can devour the violators who encroached. A winding grizzled thing that pulses like the beatof the soundtrack. I jsut think it's a cool movie, sorry for any tangents or my being incoherent when talking about it.

Stream this, sound of the summer

youtube

#Long long post #ask #my art #my beloved #head trauma

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tomatoart · 1 year

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mwah your art is good and nice :>

can I ask for some advice? no worries if u don't want to answer.

do you have any tips on how exactly to practice art? everytime I ask for art advice everyone always says "practice" but idk what to practice first! do you have any strategies for learning how to draw something? do you do excercises? and if so how do they work?and are there any beginner mistakes I should look out for and change specifically?

thank you so much!! have a wonderful week :>

thank you so much! im ok w answering! i dont want to speak as if i am an expert on how to draw things in general as i am learning as well and definitely am not completely learned, so i might not be the best person to ask since im not very professional w my art as I do it as a hobby (and I can only speak on mostly digital cartoon matters) but i reallly hope to try and help u out even a lil ! im really happy that you’re eager to draw :] I wish you so much luck muwah muwah

i also hated when ppl told me “just practice” and i dont wanna inflict tht on u EITHER LOL but also thats just what i ended up doing for awhile but i tried to find some things to help ^_^

tips for practice: My number one rule is that practices should be challenging but still fun, I know it can get frustrating trying to redraw a pose over and over trying to get it perfect. And over time it rlly is all about muscle memory, the longer you draw the more your eyes will pick out specific shapes in everyday life and convert them into its own vision of them! or at least its good to look at life that way, try to pin point key shapes and stress less on details in practices. after you look at key points, THEN you can go over what you have and draw in and over it to make it more “complete.” To stop practices from getting too stressful I recommend starting out drawing what you want a little more simple looking than ur desired finished product. This helps eliminate the pressure of everything not looking “perfect” and keeps your art more loose and fun. Doing this a few times is gonna get ur brain to recognize patterns in art and how things look/flow in anatomy and such. dont get stuck in ur own head abt perfecting everything to the point you either 1) give up bc ur not at a level capable of it being 100% “perfect” or 2) focus so much on making it perfect that you end up saying the work looks “wonky” or stale in dynamics, So while I do think studies help, don’t get too lost in them. I always practice with media I enjoy too, whether it’s characters or fashion I enjoy.

Strategies learning to draw something: people get mad abt this one but I think tracing reference photos is great. its been awhile but When I tried learning to draw hands better at first I would trace them then put the traced image to the side of the canvas, then try and replicate what my mind saw as its most important angles and aspects. Same for clothing folds/hair/etc! I think it’s maybe not the best idea to trace the ref and use the tracings as is, because you learn more from tracing it then trying to replicate and simplify what u learned into the style you’re working in. Find what shapes you like from them and don’t over detail it. you may have to go by eye and think “what parts of this ref photo should i simplify to fit my style” and for me, its usually adjusting the length of the torso and then the limbs by associations. i dont recommend feeling like u need a reference for every art you make though, its ok to let ur own head try out its own sometimes too while trying to learn this, see if it remembers any call bad from the past referenced sketches! over time ull remember where everything goes more, these days i rarely kick myself to use refs but im sure they still would help to use, but figure drawing simple blobby figure in a bunch of random poses was a big thing i used to do as well to get better at full body art + overall dynamics (still does this). also paying attention to silhouettes is great

Exercises and how they work: I WANNA HELP U SO BAD BUT to be honest, all the works on my blog ARE exercises! i rarely actually do finished pieces, if u scroll thru my posts ull notice most r sketches. i usually just fill up a page and call it “warm ups” then i get attached to some of them, take a few, and just line them up pleasingly on a smaller page, then color them in (or sometimes fix the lines to be more clean too). im not rlly a person who “exercises” to practice, it more so happens from just me drawing a lot for fun as a hobby! but i really should. i will tell u this has humbled me a lil i need to start practicing too 😭 LOL but a good exercise is to look at what ur inspirations do, and study it. Make a collage and write out what you like most abt their styles/what u want to gain from them. For ref Here’s a page I did awhile ago when someone asked me abt my insps:

i also look at fashion magazines and as well as anime figures and take insps from that sometimes with learning cool poses and compositions to convert into my own things

Beginner mistakes to look out for: its hard for me to pin point “mistakes” beginners make, as sometimes we cant avoid all of them or even notice them, progress comes from growing out of old ways. some mistakes are even the foundation of ur future amazing cool style! but i think some things to look out for could be these, from my own old art experiences

Hands were the first thing I learned bc i liked drawing them. I don’t know if that is the best way to go but I think it is smart to practice sooner than later, here is a lil guide thingggyyy wingyyy from awhle ago

i see beginners shy away from drawing signs of age in people, sometimes adding too much detail on an older person in cartoon art makes it look weird, so i try and hit the key markings on ppls faces of age.

Too thin of lines. sometimes its a stylistic choice to use thin lineart, and it can look amazing ! but sometimes it can flatten an image if ur not familiar with its flow. im not saying use thick line art, but more so to keep in mind the weight of ur strokes, adding depth with a thick thin combo of line art can do SO much for the simplest of pieces. heres a visual from a while back when i talked abt my brush + more abt lines:

but if ur desired style is thin lineart that is cool too! tbh it was just harder for me as a beginner

sometimes artists think they need to do full lineart for everything and then hate how it looks compared to the sketch, do not fear i will introduce u to my bff: painting over a sketch, extractinging the lines, then calling it line art. i only do this sometimes but its a fun exercise-ish thing to do in a pinch. example:

finding what shading fits ur art. sometimes ill see ppl starting out who have a style thats very simple, but they use a very detailed rendering process on it. this is not something id ever police of course, art is each persons own choice! And it CAN work. It can be so cute! but sometimes mixing two very contrasting mediums of art can throw off the “put together” look of it. i use to abuse the airbrush tool thinking it made my simple style look super cool and detailed, but looking back on it now those pieces looked a little off, having such a simple style have somewhat more realistic shading. dont get me wrong the ability i see ppl use rendering like that is so insanely talented! but i found cellshading to be a good match for cartoony art like my own. a tip i learned way too late abt that is rather than shading each layer by color picking a darker color, instead use a clipping mask over the entire art (above line art too as I color my lineart) and lasso tool the areas u want shaded + fill it w a saturated purple then set to multiply + lower opacity. also, sometimes coloring can come out chalky looking when u meant for it to be smooth and transitional, i think this comes from overshading and overlighting pieces without reason. pay attention to where the light source is, and focus on making the shaded and lighter areas nice shapes that cover the necessary areas, then u can add additional shading to the smaller details of what should have a casted shadow/light

its good to spice up ur art now rather than later, focusing making ur art pop more w backgrounds will help ur coloring skills look better too! i dont mean detailed huge backgrounds, a small lil color pallet and design rather than a blank white bg. like this will make u feel better abt it or at least it helped me *sweats* yeah:

beginners tend to draw blank faces like “:)” but I think a good thing to do is try and get silly with expressions early on. It’s okay if the mouth hangs off the face cartoonishly with joy or shock, it’s ok if the eyebrows are super high in surprise.

tracing and pasting it as is (already said this but I’ve seen ppl do it a lot with hair styles and it makes it look alienated from the rest of the style) (final fantasy fans found critically injured) n if need a ref for a pose, using a real humans anatomy as-is doesn’t look quite right on a cartoonyish drawing. Shortening torso and legs usually comes out of this for me!

flip ur canvas i promise u it’ll be less embarrassing over time!

using guidelines for perspective and foreshortening is GREAT. Do it stylistically rather than realistically to add some groove to it...yay. Having silly perspective in art can make it look like a 10 so easily opposed to a normal front facing sketch. Look at cool poses from fashion magazines! Don’t be scared to draw something you don’t feel confident in conveying perfectly, this is why progress redraws exist :)

Drawing the hairline b4 u draw the hair is great, it helps u understand where their hair flows from, where it starts and stops, AND prepares u for drawing bald ppl. Also don’t make the head too big, the skull IS bigger up top, but sometimes I see an alien head affect.

Anatomy is an interesting mistake that beginners make a lot, but it’s one they find harder to notice! When I started out, all my art would be SO wonky, but I didn’t even realize it! It still happens today too! specifically though I see beginners struggle with the arms in this department. My advice is to try and measure them out and make sure they don’t go past the knees, and are the same length as each other when Unfolded. asking for criticism is hard but it helped me realize when i would make something bigger/longer than it should have been in my art, and stuck with me being able to go “oh... i see it LOL”

clothing wrinkles- do not over do it! Too many wrinkles and shading can look unpleasant and wirey- like a plastic table cloth all bunched up which isn’t exactly what ppl wear. pay attention to gravity too

I hope this helped even a lil im sorry tht I’m not very good at explaining or didn’t have much to sayyy! If u have any troubles no guarantee I’ll have the answer, but ur always free to ask!

#asks #faq #I hope ur week is going good n that u’ll have fun creating 💙🐠#long post #not tomaart

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seukorei · 2 months

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I love ur art so much!!!!🥹🫶🫶 how long have u been drawing for? and I was wondering if u have any tips(?) for drawing cuz im trying to learn how to ehe👉👈

thank you so much!! sorry for the late response

i honestly dont know how to answer how long i've been drawing for because i kinda just been doodling since i was a toddler but i started doing it more seriously when i was in 5th-6th grade and then digital art when i was around 12? it doesn't really matter when you start though

tips!!!!!!!!!! this might get long i hope i dont sound pretentious

in my opinion, art is 70% observation and 30% putting it into practice i.e. you first have to see the concepts and the breakdowns and the details before being able to use them at all. they're not going to appear by brute force or out of thin air unless you first observe that they exist and how they are used.

i have an entire archive on art tips and breakdowns that i store that cover basically everything like anatomy, color theory, composition, perspective etc. i also have an archive for art that i just enjoy looking at and want to emulate! that doesn't necessarily mean to copy verbatim someone else's style, but to pick up details in how they use colors or how they conduct lighting or how they paint a landscape. it's to pick out what makes their art so appealing and figure out how that can then be used to apply to your own art! I also just like looking at beautiful art to inspire me :)

general tips i think are really good for improvement vv

study the difference between cast shadows and form shadows. this is REALLY helpful in making your art look more 3 dimensional. for simplicity's sake, cast shadows are generally more hard while form shadows are generally more soft (depending on the form) and every object has a combination of the two. the way that you can see it most notably and then apply it is on clothing, where the clothing folds will cast a shadow while also being rounded and have a form shadow

color and light are deeply intertwined and something that you can use is cool shadows/warm light or vice versa! this doesn't ALWAYS apply, but it is a good starting point.

think of shadow not as an addition but the starting point while light is where you are adding. therefore, the shadows should be heavily influenced by the environment that they are in, i.e. a white box in an entirely red room is not going to have gray shadows, but red shadows. when the white light is shined on it then it becomes white.

use dynamic lighting to create the sense that something is real! this can be done in the way that either your shadows are rendered while your light has little detailed or that your light is rendered and your shadows have less detail

when referencing, use at least one or two "reference" lines that go across the entire picture horizontally or vertically so you are not trying to draw everything relative to each other but instead search for where something is relative to that line and you will be able to then capture the proportions in much more more comprehensive manner

i think this one might be overdone but break everything down into simple shapes!! it becomes a lot easier to understand something when it's not as visually complex and then after you have gotten down the basic shapes of a figure

use blank space as a guide (when referencing or otherwise). sometimes something isnt looking right when you have tried to redraw something and that might be because the blank spaces in between the lines of the figure and outside the figure arent actually matching up!

the heat of your drawing is determined by the dominant colors and when trying to make a color more cool or warm, you don't necessarily need to shift your hue over to that color. for example, if you have a predominantly warm color scheme with strong oranges/reds/yellows/pinks, if you wanted to have bluer shadows all you need to do is to make the color more desaturated. it will pop out as blue because your colors are mostly warm

make shadows a bit more lighter/saturated in the insides of them because light is being reflected onto it

this one might not apply to you, but it really helped my art when i stopped trying to force myself to do lineart. there are ways to improve at lineart but i prefer not to do it and to just create multiple layers of sketches and then at the very end after i've colored i create a layer on top of everything to clean up the messier bits

implement light fall-off! tbh i don't reallyyy know what this is i just see it a lot but it's basically a really saturated red-orange that you mostly see on skin where the shadows meet the light

pick what your brightest and darkest colors are going to be when you start coloring. i would normally stay away from pure white or pure black because by picking other colors as your brightest/darkest you can create mood and tone

fade out the hair at the edges of it because hair isn't really a block despite often being drawn like one. it's a large collection of strands and as it nears the edges those stands would begin to thin out in comparison to the cneter. in addition, add flyaways to your hair to make it more realistic because again, it's a collection of strands that is usually composed into blocks because that's how it looks most of the time

alright that's kinda all I got for now there's so much more i could talk about but i think this is getting long LOL... i hope that at least one of these is helpful in some way, shape, or form <3

#thoughts and prayers

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