Pariah Dark. Ghost King. Master of War. Tyrant. The Breaker of Worlds.
Currently found himself... perplexed and at a loss.
He had assumed he would never be free once more, the one-time his punishment was cut short he wrote it off as the mistake it was. A pitiful fool who believed he could claim his crown from his prison without consequences.
The second time.
Well.
He would not have thought himself to be so lucky, assuming that no other would be foolish enough to free him once more.
He most likely should have learned not to assume a lot of things, when one is more than acquainted with the Master of Time. There was a lot he would do and did for the other before his eternal rest, and a lot of things he could've wrapped his mind around, found out the reason for, even so long as he had the clues no doubt left by Time.
But this.
This.
He was not exactly sure what his expression was, he could not even decide what exactly he was feeling, even. "Dearly belo-" Pariah Dark hid his mistake by clearing his throat. "Master of Time, what exactly do you intend for me to do with... these."
'These' referred to the small beasts currently amusing themselves on his body. A pitch-black chick with red eyes currently nesting in his hair, a snake trying to loop itself-and failing at looping- itself around his neck, a puppy currently resting on his arm and a cub currenting trying to get said puppy's attention only to be zapped away by the pup's foot.
Yes.
Zapped.
Despite this utterly befuddling situation, he was amused by it nonetheless.
"Your parole," The Master of Time said, all-knowing smile on his face. "Surely you would know what to do with children, would you not?"
Pariah Dark blinked. "What in the infinite is a parole?" Pariah tasted the word on his tongue, as if it was foreign to him. And, well. It was. "And what, exactly, would that have to do with children?"
The Master of Time's smile eased into faint amusement, as if aware of some joke the king himself was not.
Which happened more often than not, actually.
"Take good care of these children, and you shall be released from eternal sleep." He said, as if that explained everything. But Pariah Dark was staring at him in clear and undisguised puzzlement.
He then raised an eyebrow. "You would leave me alone with children? Truly? With no qualms?"
The personification of Time nodded, and Pariah could blink slowly, as if he had trouble wrapping his head around this. "Dearly beloved, surely you would not think that this-" If Clockwork noticed his slip of the tongue, then he didn't point it out as Pariah Dark continued. "Would be the best of ideas, no? Surely, you should be worrying for their safety."
Clockwork's eyes filled with mirth as he inclined his head slightly. "Well, do you currently hold any thoughts of harming these children?"
Pariah Dark's face gave away his faint confusion. "Not particularly, no."
"Then that is that." The ancient ghost nodded, as if everything was already decided and done as Pariah could only stare at him in unsurprised exasperation before shaking his head.
Perhaps, he should have expected this.
"The one currently making a nest of your hair goes by Vlad, the Pheonix King." Clockwork pointed his staff to the chick in question, who squinted open an eye before nestling further into the king's hair. He then pointed to the snake. "The one currently trying to strangle you, is Danny. Our prince as well as what humans would call an eastern dragon."
The way Clockwork pronounced our had Pariah feeling like it held another meaning and not just him being known as the prince.
Was there something he was not aware of...?
The staff then pointed to the pup dozing off in his arms. "That one," Clockwork said with faint amusement. "Goes by Dan, a fusion between the phoenix and dragon resulted in his creation and he soon became his own entity after becoming secluded from his timeline after its erasure." He said this casually, as if it weren't something that would cause questions. "He is also a Raiju."
How a bird and snake gave way to dog, Pariah does not know.
The staff then pointed to the last child in his arms, trying to bother Dan and being kicked away and zapped for its efforts. "That is Dani, formally Danielle. She is a Mishipeshu who is the only successful clone of the phoenix and dragon, making her our technical princess."
Again, the emphasis of our left Pariah feeling like there was something he should know. A missing piece to a puzzle he didn't even know he had started.
"You said this one was a king, correct?" Pariah asked, shifting around his arms to better support the pup and cub. "Would the phoenix's not take offense to me of all people being the one to raise their ruler?" As soon as the words left his tongue did he remember who exactly he was talking to.
He was met with a vicious smile, one that he did not see until the days of yore. His non-existent heart skipped a beat.
"Well, if they would like to voice their... displeasure." The Master of Time practically purred that sentence out, and Pariah felt something odd shift inside him. "Then they are surely allowed to do so."
Pariah grunted, silent for a few moments. Clockwork moved towards him in that time, and Pariah stood still, only tracking the ghost with his eyes. "I am quite certain you would make a wonderful father, dear-"
Excuse him, dear..?
"-So why not prove me right as you always have, hm?" Pariah Dark blinked, opening his mouth to speak before his mind screeched to a halt as he felt a pair of lips upon his own before they moved away in the next moment.
A ghost of a kiss.
"Now, run along now why don't you." Clockwork had a mischievous glint in his eyes, before Pariah found himself surrounded by a wide pasture, spanning as far as his eyes could see (and he could see very far) and at the end a forest with a house behind him.
But he could not react, even as he felt pecks upon his head, a bite at his ear and most surely the scratching of claws against his form.
His hair burst into green flames as he stood stalk still.
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In my opinion, the reason the reunion scene was skipped was because the author couldn’t figure out a way to write it non-romantically and gave up after a while
honestly. i kinda agree with you nonnie.
it just. the set up to the scene is sooooo romantic. you have lloyd being absolutely devastated at the thought he's not going to see any of his loved ones ever again and that he's been dropped back into his terrible life, to the place he admitted he'd rather die than go back to,,, and then someone knocks at the door and when he opens it this is the sight that greets him:
his best friend, the person he's closest to, the one he's spent years with, the one he promised a peaceful life at his side, the one he wanted to grow old with, the one he sacrificed everything for, the one he effectively gave his life to save, the one he thought he'd never see again, standing at his door, having crossed literal dimensional barriers to get to him, a soft and teary smile on his face as he tells him "i missed you"
like. c'mon.
i'm all for platonic interpretations, i'm aroace, i love me a good best friendship as much as the next guy, but,,,, isn't this,,, like,,, really fucking romantic??? extremely so??? am i??? reading too much into it?? because it feels really, really romantic to me.
and like you say. where do you go from there. what response could lloyd give that doesn't involve throwing himself at javier and clinging to him with all of his strength. what conversation could these two have that doesn't involve them seeing how truly devoted they are to each other. what resolution does their arc together have that isn't them spending the rest of their lives together, at each other's side, like they so dearly wanted to.
but. alas. that wasn't the story bk moon wanted to tell. and that's very much his right. i just think that if he didn't want me to assume there's no in-character and narratively satisfying version of that conversation that doesn't end with them kissing he should've at least tried to give us something. and not completely skipped it lol
but that's just my opinion too :]
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Hi I'm suddenly Emotional thinking about this one tiny part of Kerry's quest...
Seems like a generic video game thing of "oh wow, look at his unique weapon for your collection", but to me, it's anything but.
Because this is the same firearm Kerry walks out of the shower with. And sure, you can write that off as something less if you want but... the implications are harrowing.
Especially when you think about the moments in Holdin' On—when Johnny tells V about Kerry's past attempts on his own life, when Kerry evades all the questions about the tabloids and then lets slip how everyone in his employ has that very day off. When you think about how he doesn't need to readily arm himself for defense because he has numerous bots patrolling the villa at all times.
When you think about the implication that if V did not show up that day, there would've been catastrophic consequences.
And now, we fast-forward to this moment in A Like Supreme, when Kerry hands V the very pistol that could've resulted in that awful result.
The trust he puts into V in this very moment is astronomical, brings me to tears every damn time. Kerry is basically saying without words to V "hey, you saved my damn life", and he takes the first step toward a new lease on life, feeling more invigorated—and even a smidgen more positive.
Essentially, this is just a small yet powerful moment that tugs at my soul every time, and I wanted to talk about it. :')
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On my fetch quest to retrieve Xander's assigned color from the DRDT Demo Video, I noticed something interesting-- where everybody stands in the Class Trial totally changed between the demo video and now???
Here's where everybody stood in the Class Trial during the demo:
(ignore the colors, they have no meaning) And here's where everybody canonically stands:
Like I said, almost completely different. Here are a couple of my observations that I thought were most interesting:
Teruko and Eden are the only characters who stayed in the same location. Teruko always stood in front of MonoTV, and Eden was always to her right.
Arei and Hu always stood next to each other.
Veronika and Levi always stood next to each other, although they flipped which order they were standing in.
Originally, Xander was in the position opposite the circle from Teruko. Now, that's where David stands.
I have no idea what any of this might mean, and it might be completely arbitrary. Still, it's interesting what might have been going through the creator's head when they originally chose the demo placements, and then when those placements changed.
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oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-
oh. I made a blog for that exact purpose ! OKAY—!
fuck. fuck me, dude holy-
FUCK.
the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,
ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.
the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.
The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.
Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->
POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).
I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-
I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—
BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)
Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father
holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.
HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."
LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.
YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:
the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care to something else immediately after dealing with the guy (perhaps smth related to the children Snezhevna wanted to save). But regardless it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god
it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.
and ofc it acts as a representation of Snezhevna dying...
because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.
And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.
"Once I'm better I'll start my next mission.."
THIS. THIS!! IN SO MANY WAYS THIS!
OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:
There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trailed to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???
So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..
and ofc the funeral scene. I can't say much more than what's already shown right on the screen.
and am I bugging? Or is the location of the grave....
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