THE FACEBOOK MUSIC GROUP LIVING ROOM "ALWAYS WAKE" FOR PEOPLE WHO APPRECIATE GOOD MUSIC, IS LOOKING FOR NEW MEMBERS AND USERS WHO WANT TO LIKE ELECTRONIC MUSIC AND WANT TO LISTEN TO COOL DJ SETS. BUT ALSO DJs, RADIOs AND RECORD LABELS, AS WELL AS CHANNELS AND STREAMERS AND MUSICIANS ARE WANTED WHO WANT TO PROMOTE THEMSELVES AND THEIR MUSIC AND THEIR TALENT AND WANT TO SHARE THEIR DJ SETS, CONCERTS, STREAMS, GIGS AND PERFORMANCES IN THE FB LIVING ROOM "ALWAYS WAKE" MUSIC GROUP VIA FB AND SO MUCH MORE BECOME A FOLLOWER AND KNOWLEDGE.POST WHAT YOU TELL AND ADVERTISE YOURSELF AND YOUR MUSIC…! PREFERRED GENRES ARE#TECHNO #DUBTECHNO #INDUSTRIETECHNO #MELODICTECHNO #TECHHOUSE #HOUSE #CHICAGOHOUSE #TROPICALHOUSE #DEEPHOUSE #DETROIDHOUSE #ACIDHOUSE #HAPPYHOUSE #HARDHOUSE #BEACHHOUSE #ORGANICHOUSE #TRIBALHOUSE #AFROHOUSE #INDIHOUSE #DOWNTEMPO #MINDTEMPO #SLOWBEAT #RE GGAEHOUSE #REGGAE # PROGRESSIVEHOUSE #PROGRESSIVEROCK #ALERNATIVE #ELECTRONIC and much more.
YOU ALSO BECOME PART OF IT ALL AND BECOME A MEMBER IN THE FB-LIVING ROOM "ALWAYS WAKE" MUSIC GROUP FOR PEOPLE WHO APPRECIATE GOOD MUSIC. I, THE ADMIN SASCHA (SASHMASTER) AND MY MEMBERS ARE LOOKING FORWARD TO WELCOME YOU AND WAITING FOR YOUR PARTICIPATION …JUST FOLLOW LINK!!! https://www.facebook.com/groups/378032607773251/
Oho!What’s good Fam. Put forward your best foot and stay in your lane.For a lot of people are under pressure these days,and are ready to use every tactic to make you the scapegoat. #mukimunah #musician #blogger #musicmaker #hit #musicnews #radio #recordingartist #radiostation #party #musicgroup #band #showbiz #solo #socialmediamarketing #networking #hiphop #afrobeats #playlist #song #backstage #festival #partypeople #newmusic #dancemusic https://www.instagram.com/p/CpJVmtOtZEL/?igshid=NGJjMDIxMWI=
(via Getting Creative: Beginner Tips for Learning Guitar)
Learning to play an instrument takes a lifetime of effort, no matter what type of music you’re interested in. Let these beginner tips for learning guitar guide your creative musical style.
Thanks again @shadowmaneofficial for not passing out on this brutal knee cap tat! The art was designed by the man himself and is the logo for the music group @blxckmxssgxng_ BMG 4 eva! 🤘🔥💯 . . . #brutalblack #blackwork #tattoos #tattooing #tats #art #artist #bandtattoo #band #grantspass #southcarolina #photography #musicgroup #music #tattooshop #walkins #musictattoo #raptattoo (at Grants Pass, Oregon) https://www.instagram.com/p/CosGSiirhkz/?igshid=NGJjMDIxMWI=
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2014 with Project ELO, Mogorosi has been in the vanguard of the South African creative music scene’s burgeoning outernational dimension, taking the drummer’s chair in both Shabaka Hutchings’ Shabaka and The Ancestors formation and with avant-garde noiseniks The Wretched.
As Mogorosi’s first project as leader since 2014, Group Theory: Black Music marks a return to the drummer’s musical roots. The sound is anchored in the transnational tradition of Great Black Music, with the core of the group comprising a quintet of newcomers Tumi Pheko (trumpet) and Dalisu Ndlazi (bass) alongside the experienced guitarist Reza Khota, with Mogorosi himself and altoist Mthunzi Mvubu, another Ancestors member, representing the current generation of South Africa’s creative music torchbearers. Motivated by Mogorosi’s driving dynamism, the group create deep-hued modal grooves that burn with a contemporary urgency, while established pianist Andile Yenana brings an elder voice to three of the tracks. Featured vocalists Gabi Motuba (Project ELO, The Wretched) and Siyabonga Mthembu (The Brother Moves On) take differing approaches to the spiritual standard ‘Sometimes I Feel Like a Motherless Child’, while poet Lesego Rampolokeng pours out lyrical fire on ‘Where Are The Keys?’, creating a bridge back to the Black Consciousness movement and figures such as Lefifi Tladi and Wally Mongane Serote.
But where Group Theory: Black Music moves an established format dramatically forward is in the addition of a ten-person choir. Conducted by Themba Maseko, their massed voices soar powerfully above every track as a collective instrument of human breath and body, and enter the album into the small but significant number of radical recordings to have used the voice in this way, such as Max Roach’s “It’s Time”, Andrew Hill’s “Lift Every Voice”, Billy Harper’s “Capra Black”, and Donald Byrd’s “I’m Trying To Get Home”. At the same time, the presence of this wall of voices brings an inextricable connection to the venerable tradition of South African choral music, and to the importance that the Black choir has had for South Africa’s religious, political and social cultures, including the culture of South African creative music itself. From the Manhattan Brothers and the choral compositions of Todd Matshikiza to figures such as Johnny Dyani and Victor Ndlazilwane, the collective power of voice has been one of the cornerstones of improvised creative music in the country.
Andile Yenana – piano [tracks 4,5,9 & 11]
Dalisu Ndlazi – upright bass
Gabi Motuba - vocals [track 10]
Lesego Rampolokeng – vocals [track 11]
Mthunzi Mvubu – alto saxophone
Reza Khota – electric guitar
Siya Mthembu - vocals [track 5]
Tumi Mogorosi - drums
Tumi Pheko – trumpet
Voices
Brenda Thulo
Cecilia Phetoe
Charles Shikwambana
Fortunate Jwara
Noluthando Biyana
Sibongile Mollo
Steve Mthombeni
Tebogo Magwe
Themba Maseko - conductor
Thulisile Ntetha
Photo 1 (from the arrival back in London) by Watford/Mirrorpix via Getty Images; photo 2 cross-posted at This Lovin' Time.
“First social call was to Peter Tork’s house. When we arrived Peter was wearing a string of beads and very little else, since it was far too hot to be anywhere but a swimming pool that day. Dave Crosby (Byrds) was there, too, and we had a good get-together. […] I suppose the highlight of L.A. this time for us was the session we had at Peter Tork’s place. Peter Asher joined us there — he played bass, Peter Tork was on piano, George and Dave Crosby on guitars and Ringo drumming.” - Mal Evans, The Beatles Monthly, August 1968
“Ringo Starr and George Harrison dropped by the Studio City home, Tork recalled. ‘We went swimming for a while in the pool.‘“ - The News Journal, July 16, 1989
“Just relaxed, just played what you could play. […] I played with Ringo Starr, Ringo, and George once, played with those guys. Same thing: bam, everything settles down, everything’s in order, everything is taken care of, and play what you can play.” - Peter Tork, Musicgroups, 2007
“Steve [Stills] was there [too], and he was embarrassed; he shook hands with George and kind of turned his back on him, the way shy guys will do. [...]
We all jammed, Stephen and George and Ringo, and I was on keyboards, and I don’t remember who played bass. It was fabulous to hear Ringo play. My God, what a drummer. God, he was good. He was so solid, and the authority was astounding. I learned so much just by playing with him for five minutes; it was a wonderful experience.”
Q: “It’s a bummer it didn’t get recorded.”
PT: “It is too bad, nobody thought to record it. The best we had at the time was cassettes, but even so, that would have been a wonderful jam.” - Peter Tork, Rolling Stone, 2007; published 2019 (x)
(In connection with today's post: July 1967, post 1, July 1967, post 2, and January 1968.)
Levantine Week: Day 7: Regional Psychedelic, Funk, Blues, Folk and Indie Rock Hidden Gems - Part 2
For Day 7 of Levantine Week James presents the second of a two part look at some of the finest psychedelic, funk, blues, folk and indie rock that the region has to offer. With artists from Israel, Egypt, Cyprus and Jordan, there is plenty of variety to be had. Each act brings its own unique blend of styles and influences, many drawing of the music of their country and region to create something fresh and new through fusion. So, dig in and see what the Levant has to offer.
Iam Sascha and I come from Germany! Iam a Instrumentplayer and my Favorite is TechHouse.Techno,House,Reggae and Ballads,i play Jamba,Bongo,Cjon,Blues Harp Muntermonika,Keyboard and Maultrommel and singing.And iam the Admin of Fecbook -Music Group"WOHNZIMMER"IMMER WACH"FÜR LEUTE DIE GUTE MUSIK SCHÄTZEN...! (Living room always awake for people who appreciate good music) We are looking for new music listeners and members! We are looking for exactly you!!! Come and join the music group on FB! Follow the link: https://www.facebook.com/groups/378032607773251/ And FOLLOW me on Tumblr...!
5 years ago. My first time running a music group for 23 children (there might be more children when I was running groups at the outpatient ward for children as an intern at the Royal Children’s Hospital in Brisbane), but realistically speaking, 1:8 is my maximum capacity. Anything more than that, I start to question about the quality of my deliveries. Salute to all the Preschool teachers here, you have done and are doing more than what I can manage. You are beyond awesome! #preschoolteachersofinstagram #musicgroups #conbriomusictherapy https://www.instagram.com/p/CagnYYDP0M7/?utm_medium=tumblr