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#not even the book just the movie
sugarcoatednightshade · 5 months
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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tending-the-hearth · 7 months
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watched "the lightning thief" movie for the first time in forever tonight and i think i've finally figured out the main reason the movie rubs me the wrong way.
percabeth.
they completely misunderstood percy and annabeth's relationship.
the movie shows them as an enemies to lovers, with a romantic tension and shoving them towards a romantic plot within literally five seconds of them meeting.
part of it's probably because they picked older actors, but it's just completely wrong.
the wonderful thing about percy and annabeth is their friendship. the friendship that's built from the very start of their meeting, where they dislike each other for all of three seconds before becoming best friends.
a friendship that we don't see any real romance blossoming from until percy's thoughts about annabeth in "sea of monsters" at cc's island, and a friendship we really don't see any real progress in until their kiss in "battle of the labyrinth" at the volcano. (you could definitely argue everything about percy's thoughts in "titan's curse", which is what i view as percy's real turning point towards seeing annabeth in a romantic light)
percabeth doesn't work if they're just automatically pushed into a romantic plot together. it's their friendship that makes us root for them, the way that we know how much they care about each other, but also know that they wouldn't feel so strongly about each other if they didn't start off as such strong friends
anyone who paints percabeth as enemies to lovers and not childhood best friends to lovers i'm sorry but it's just not them
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(source, 11/30/22)
KING
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arialebenthal · 1 year
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everything everywhere all at once really said that you can be a million different people in a million different universes but in every one the thing you desire most will be companionship and in every single one you will have to fight for that companionship and in every single one you will realize that the fight has to be made of kindness and love or you will despair and lose all hope. and then they said that the only thing that can save every universe is reaching out your hand when someone offers it to you, and that you have to offer your hand to someone, even when they tell you to give up. and also they named their villain joy and the villain wasn't trying to destory anything she was just looking for her mom and she changed her name but across every universe her mom realized that in the middle of all the despair and destruction her greatest joy was still her daughter. i'm unwell
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roseworth · 8 months
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i love this one. btw. if you even care.
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postmail · 27 days
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reading moby dick:
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starliteonearth · 1 month
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Based on the discussion on whether or not Paul is actually the Messiah for the Freemen and/or the Bene Gesserit, I would like to put forth the idea that the Kwisazt Haderach isn't necessarily a fated person but a higher state that can be obtained, through the specific combination of the right genetics and the right circumstances. It's an evolutionary step (albeit an engineered one). This is why the Reverend Mother mentioned in the first movie that they had other prospects at play if Paul were to fail his promise/potential. Their centuries of careful breeding was only one part of the process. The male candidate(s) would also have to go through certain circumstances and be tested, with surviving the Water of Life being the final and most important test/step. And since no man has ever been able to do so, the survivor would prove that he has "evolved" and has become what they for so long sought. So, it wasn't that Paul was necessarily the fated one but that everything around him and within him worked to make him become the Kwisazt Haderach.
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astrobei · 4 months
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more jurassic park au !! (inspired by me and my friends clearing out the jurassic park section at universal this week)
+ also:
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OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵
one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.
one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.
and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.
another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.
additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.
ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!
to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.
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br-disaster · 2 months
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Nie Mingjue's Fatal Journey crying scenes appreciation post
There's no way I wouldn't make this post, but it ended up way longer than I intended.
Fighting with Huaisang
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When is this man not tearing up?
This fight is so important for Huaisang's character development and the movie's themes, with Huaisang being ready to challenge and question the Nie ways and Mingjue doing his best to uphold those traditions and keep the peace through the only way he knows how.
But it's still hard to be challenged like this and to face the possibility that everything you've ever known might not be right, actually.
And this gif specifically is from the moment Huaisang questions if Mingjue even knows what they're there to fight and what this supposed great evil that will come to Qinghe if they fail to balance their blades even is. Mingjue has no answer, of course, I suppose he was only taught this and never had reason to question it.
But Huaisang is also talking about the disciples they already 'lost' at this point of the movie, and he says something along the lines of " You don't know anything, you only know how to bring them here to die" and that does it. Because it's both "you can't follow these rules blindly when they rely on sacrificing people" and "you've changed and I don't trust your judgement on these matters anymore".
And as he says it, Mingjue looks at their disciples and he sees the puppets for a moment. And Huaisang just questioned if the other disciples were really attacked by puppets.
So that's a big moment and Huaisang is right, of course, but he doesn't have a confirmation that this is the result of Mingjue's health deterioration yet, so he keeps pushing. And Mingjue doesn't really have a counter argument because he knows what's going on with him, but it must be very scary to hear it from the person you care about the most and realize just how much you're being affected.
(Actually, Mingjue has one counter argument and that is "Well, I am at least trying to do something while you're painting and living a carefree life", and he's not wrong either. Huaisang is right and rightfully harsh, but this is the first time he's being confronted with these difficult choices and all their family history. He can reflect on and question it, but his brother has been meking those hard decisions since he was 14, when did he ever had a break to question and change things?)
Which leads us to
The Talk
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After seeing his brother sacrifice himself for him at the bridge, and then seeing Mingjue be so vulnerable and lost, that anger from their fight is gone. They can meet in the middle with "You are right, I wasn't thinking straight, this is not a long term solution and I've failed at changing our ways" and "It's not your fault, you did everything you could but you're not responsible for this situation" and it's very beautiful and heartbreaking.
Mingjue is so remorseful, both because he has condemned Huaisang to die with him and because he feels like he failed everyone and everything (even if he doesn't seem to know what he could have done differently to avoid all this).
And Huaisang's reaction in this scene is so calm it made me think this Huaisang is somewhat used to his brother displaying vulnerability around him. This isn't book NMJ with all his victories, this isn't a man who never let the Unclean Realm be conquered and who could afford to keep Huaisang far away from the war. This is a man who was attacked and subdued in his own home, who had to send Huaisang to the hands of the people who killed their father.
This Huaisang doesn't have reasons to see Mingjue as this unmovable force, he has seen Mingjue hurt and threatened and fearful; and he's now seeing him remorseful and defeated.
(I'm sure Mingjue telling Huaisang about the fact that he's dying and admiting his mistakes and insecurities is something new, especially considering their previous fight, but this Huaisang doesn't take it as a shock, because he knows his brother is only human and there's only so much he can handle. He even, like, explicitly says this)
And so he assumes this calm, reassuring and empathetic posture, because that's what his brother is asking for. And it's the most beautiful thing, Huaisang has so much love for him, so much empathy. And this is Mingjue's reaction to his brother's reassurance that it's okay if they have to die there:
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I'm sure Huaisang is still processing Mingjue's "I only forced you to practice because I'll die soon", but he's so good at reassuring his brother.
Because Mingjue just told him "I am dying and I'll go as a failure" and Huaisang insisted "None of this is your fault and you did everything you could and more, and if I have to die here with you today, I don't regret a thing, and you shouldn't either".
There's no despair or anger that his brother is only telling him this now, there's only understanding and acceptance and so much love and they really knew what they were doing with this movie.
His people love him
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Mingjue is so moved. He just admitted to Huaisang that he's not in peace with his accomplishments, or lack thereof; that he feels ashamed to face his ancestors, having done so little.
So I truly believe Mingjue doesn't consider himself worthy of this much trust and support. (And I can't ignore how this is tied to the Nightless City situation, where he led the men who trusted him with their lives to a dangerous situation and couldn't save any of them).
As we see in the confrontation at Jinlintai, that technically happens after this movie, that is still a very sensitive topic.
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And here he has his loyal disciples saying they will follow him yet again, despite his previous 'failures'; just like Huaisang was ready to die with him. They have so much trust in him, and the way he's nodding a little here, just like he was nodding when Huaisang reminded him of everything he's done for their sect since their father died, is like he's convincing himself of it. That he can do this and he can do this right this time.
And yet
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He fails again. And I don't even think he knows it was him who killed those disciples, like some people say. He doesn't need to because it doesn't matter. His men, who followed him till the end of the world, are dead again. And so is the hope he had of doing this one right thing before he dies.
Yes, he supressed the saber spirit like he had to, but they're still dead, all of them.
He falls apart, how could he not?
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At some point I'm sure Huaisang his holding all his weight because he just gives up. There's only so much loss one can handle and that's way too much.
And look at the way Huaisang is watching him as he realizes something inside Mingjue shattered forever.
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There's so much pain in this scene, it looks physically taxing and I hope people gave Wang Yizhou a break after he shot this. I know it's his job and he's phenomenal at it, but this has to mess with your head a little.
And hey, it's a Huaisang crying scene as well. CQL Huaisang only really cries twice. First he watches his brother have a mental breakdown in his arms after unknowingly killing his own disciples; and then as he watches his brother qi deviate and die, while unable to do anything to either stop or comfort him.
(And a lot of people said there's no hesitation on Huaisang's part when he rushes to his brother's aid when Mingjue is hurt on this post's notes, and that's true for book Huaisang too, because he runs towards Mingjue as he is qi deviating, gets hurt in the process, and still keeps calling for him, which makes CQL's decision to have JGY holding him back kind of cruel, tbh, there's not a Huaisang who would run from a hurting Mingjue regardless of the risks
But at least we have this scene.)
And that's it, I guess. There's nothing uplifting to say about this, really. He just went through a lot and kept shouldering everything until he couldn't anymore. I just wish book NMJ had gotten to receive the same love and comfort and acceptance from NHS before he died, I wish he had been able to tell his brother what was actually happening, but thats kind of the purpose of this movie, so I'm just very grateful that it exists.
It's like that post says, it didn't change anything but the love was there, you know? That's how this movie feels for me.
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lunamond · 1 month
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I love how Dune references Greek mythology in the name of its main characters.
When we initially meet the Atreides family, in both the original book and the new movies, they look like this very honourable, very stereotypical "good" fantasy family. We are seemingly meant to root for them like the Starks in A Song of Ice and Fire.
They visually appear much nicer and likeable than the Harkonnens whose entire aesthetic just screams evil. The Harkonnens are portrayed as violent and impulsive. They only wear black. They look inhuman. They are even shown to be cannibals.
However, the name Atreides is already a tip-off that they are just as fucked up as the Harkonnens. Because Atreides means House of Atreus, from whom the Atreides claim to be descendants.
This means they are the descendants of Tantalos, who served his own son to the gods.
Of his grandson Atreus, who was killed by his nephew born of an incestuous relationship.
Of Agamemnon, who sacrificed his own daughter Iphigenia to the gods to go fight in the Trojan war.
Of Clytemnestra, who killed her husband in revenge for her daughter's death.
And of Orestes, who in turn killed his mother to avenge his father.
So, despite their pretty faces and their nice clothes and luscious hair, the Atreides are ultimately the same as the Harkonnens (Leto and the Baron refer to each other as cousin, Jessica and Paul are literally direct descendants of the Baron).
So, even though on first impression the Atreides might look heroic, but with just a glance under the surface and you can already tell that they are as rotten to the core as the Harkonnens. They're just nicer to look at, and therefore, they dupe you into believing that they are the good guys.
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bleh1bleh2 · 9 months
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Bonus:
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firelise · 5 months
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Aristotle & Dante Discover the Secrets of the Universe (2023) He was fifteen years old. Who was this guy? He looked a little fragile but he wasn't. He was disciplined and tough and knowledgeable and he didn't pretend to be stupid and ordinary. He was neither of those things. He was funny and focused and fierce. I mean the guy could be fierce. And there wasn't anything mean about him. I didn't understand how you could live in a mean world and not have any of that meanness rub off on you. How could a guy live without some meanness? Dante became one more mystery in a universe full of mysteries.
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purpleshadow-star · 4 months
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So I went to an early screening for the first two episodes of the Percy Jackson show yesterday (Saturday), and let me just say, it is 100% the adaptation we deserve. It was amazing. Once it ended, I wanted more.
The characterizations were amazing, any changes there were made sense and made the situation more realistic and added tension, the story was straight from the book, it was just amazing.
I went with my mom and she, who doesn't know the books, really enjoyed it. I asked her how she liked it (literary just the first two episodes) compared to Harry Potter (which i had her watch a few years back), and she said there was no contest. She likes the pjo show much more. She said it was engaging and even had her wanting the next episode once it was done.
Everyone needs to watch this show. It was amazing. It lives up to the hype. We need to make sure it gets greenlit for season 2.
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lee1504 · 16 days
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hiiiii Lee if you get this list your top 5 wrbtoon (doesn't have to be in order) tag some mutuals/followers, and keep reblogging!!
hi anon
no particular order:
School Bus Graveyard
Nevermore
My Reason to Die
Operation: True Love
I'm The Grim Reaper
no pressure tags: @aceof-2510, @niredsw, @lanirawhoney, @shuutingstar, @ash375, @utterlybrainwrecked, @hereforthen
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