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Quietly He Went
It is a good day when the love of God wins. Precious Bridegroom Cafe Readers, thank you for taking the time to listen up to God's Voice. He may have been silent on Good Friday, but He has a lot to say today. God bless you. Happy Resurrection Day!
Silent Before His Accusers
Accusations…. So many false accusations, angry words with no truth to back it up and then a grossly exaggerated punishment, for a crime not committed. How did you do it Lord? How did you endure? What made you go to the cross for us. We beat you, wounded you, yet You loved us even though You had been hurt by us. Condemned To Die, You Loved Us As If We Never Falsely…
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Olive Oil Presses in the Ancient Mediterranean: A Book List
Greece
Hadjisavvas, Sophocles and Chaniotis, Angelos. "Wine and olive oil in Crete and Cyprus: socio-economic aspects." British School at Athens Studies, Vol. 20 (2012), pp. 157–173.
Maniatis, George C. "The Byzantine Olive Oil Press Industry: Organization, Technology, Pricing Strategies." Byzantion, Vol. 82 (2012), pp. 259–277.
Margaritis, Evi and Jones, Martin. "Olive oil production in Hellenistic Greece: the interpretation of charred olive remains from the site of Tria Platania, Macedonia, Greece (fourth--second century B.C.)." Vegetation History and Archaeobotany, Vol. 17, No. 4 (July, 2008), pp. 393–401.
Italy
Frezzotti, G. and Manni, M. Olive Oil Processing in Rural Mills. Rome: Food and Agriculture Organization of the United Nations, 1956.
Hitchner, Robert Bruce. "Olive Production and the Roman Economy: The Case for Intensive Growth in the Roman Empire." In The Ancient Economy, edited by Walter Scheidel and Sitta von Reden. Edinburgh: Edinburgh University Press, 2002, pp. 71–84.
Tyree, E. Loeta and Stefanoudaki, Evangelia. "The Olive Pit and Roman Oil Making." The Biblical Archaeologist, Vol. 59, No. 3 (Sep., 1996), pp. 171–178.
Levant
Kogan-Zehavi, Elena and Hadad, Shulamit. "A Building and an Olive Press from the Byzantine-Abbasid Periods at Khirbat el-Thahiriya." 'Atiqot, Vol. 71 (2012), pp. 118*–120*.
Lewit, Tamara and Burton, Paul. "Wine and oil presses in the Roman to Late Antique Near East and Mediterranean: Balancing textual and archaeological evidence." In Stone Tools in the Ancient Near East and Egypt: Ground stone tools, rock-cut installations and stone vessels from Prehistory to Antiquity, edited by Andrea Squitieri and David Eitam. Summertown: Archaeopress, 2019, pp. 97–110.
Siegelmann, Azriel. "An Oil Press of the Byzantine Period in Qiryat Ata." 'Atiqot, Vol. 34 (1998), p. 8*.
Syon, Danny. "A Late Byzantine Oil Press at Kefar Barukh." 'Atiqot, Vol. 47 (2004), pp. 155–168.
Mediterranean
ed. Amouretti, Marie-Claire and Brun, Jean-Pierre. La Production du vin et de l'huile en Méditerranée/Oil and Wine Production in the Mediterranean Area. Paris: De Boccard, 1993.
Rowan, Erica. "Olive Oil Pressing Waste as a Fuel Source in Antiquity." American Journal of Archaeology, Vol. 119, No. 4 (October 2015), pp. 465–482.
North Africa
Bigi, Leonardo. "Oil Production at Dionysias and in Fayum: Tradition and Technological Innovation Across the Ptolemaic and Roman Periods." In De Africa Romaque: Merging cultures across North Africa, edited by Niccolò Mugnai et al. London: Society for Libyan Studies, 2016, pp. 145–156.
Gómez, Jose M. Alba. "Oil press installations and oil production in ancient Egypt." In Current Research in Egyptology 2016: Proceedings of the Seventeenth Annual Symposium, edited by Julia M. Chyld et al. Philadelphia: Oxbow Books, 2017, pp. 186–208.
Turkey
Ahmet, K. "A middle Byzantine olive press room at Aphrodisias." Anatolian Studies, Vol. 51 (2001), pp. 159–167.
Vermoere, M. et al. "Modern and ancient olive stands near Sagalassos (south-west Turkey) and reconstruction of the ancient agricultural landscape in two valleys." Global Ecology and Biogeography, Vol. 12, No. 3 (May, 2003), pp. 217–236.
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shoves this message into a bottle and sends it back in time to every person in charge of every single one of jr ntr’s outfits in every dance he did in every one of the movies he filmed back when he was chubby:
your movie’s spent all this time building his character up to be so cool and so badass and so sexy and you change your mind at the last second? ‘they’ll only believe he’s sexy until they find out he’s chubby, got to hide it!’ no. incorrect. his outfits are being designed by cowards and fools. if his love interest gets to dance in cute little form fitting outfits so does he. stop putting him in potato sacks like we don’t want to see him. you tell me I should be into him and then you cockblock me like this
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