This man is not the one she saw on her first visit.
Maybe it’s the fact that he’s barely taller than her now, maybe it’s the fact that standing next to him doesn’t feel so oppressive, maybe it’s the fact that he’s currently poking at the very pink road like he’s never seen the color in his life.
Dorothy can’t help but feel a bit of pity for the Wizard.
Or “Oscar”.
Whatever, she doesn’t really care. She’d just like to get back to her little visit home, thank-you-very-much.
Coming back to Oz was not a planned detour.
“Dorothy!” ‘Oscar’ shouts, and she turns to look at him, then her eyes widen. “Look!”
Oh, she’s looking.
The bubblegum pink road they’d been standing on has slowly started to turn emerald green under the press of ‘Oscar’s hands.
Oh.
‘Oscar’ is practically beaming at her. “Well! Looks like some of that power’s left after all!”
Dorothy does not share his excitement. Instead, she has a suspicion that all this just got a lot more complicated.
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The Wizard Is Wrong (Wonderful)
Across the story of Wicked, the audience has been introduced to characters with varying relationships to the concept of truth. From Elphaba’s unwavering honesty, to Glinda’s dissonant worldview, to the Wizard, who is an idiot and a liar.
I don’t think either of the observations about the Wizard are particularly groundbreaking. What I think is interesting, is how these two cancel each other out. As in, when the wizard tries to lie, he ends up saying things that are true. But this isn’t as obvious for most of the musical because the Wizard spends the entirety of it lying through his teeth.
But what happens when the Wizard tries to be honest? Well, then you get Wonderful.
Let me explain.
SPOILERS AHEAD: (Wicked)
The context around this song is that Oscar Zoroaster Phadrig Isaac Norman Henkle Emmannuel Ambroise Diggs (The Wizard) is trying to convince Elphaba to join him. He has tried deceit and bargaining, but Elphaba is clever, and has called his bluff. So now he is trying a different tactic, honesty. Unfortunately for him, that's not something he's good at.
“Then suddenly I'm here
Respected, worshipped, even
Just because the folks in Oz
Needed someone to believe in
Does it surprise you
I got hooked, and all too soon?
What can I say? I got carried away
And not just by balloon”
In other words, Oz was like this when I got here, I can’t possibly be to blame, right? And if we were to use his version of events, things are simple.
But as it happens, the audience has already been told that this is false. It isn’t an accident that Doctor Dillamond taught history, and that provides some more information. Diggs came to Oz after a drought, and people were looking for people to blame.
The Wizard then stepped into this world, and because he fell from the sky, he was handed everything on a platter. Essentially, Diggs is living a power fantasy.
But on an even more basic level, the people looked to the Wizard for help, and he used that need for personal gain and to oppress a specific group. Even from what he said, he is fully culpable for the current state of Oz, because he actively made the problem worse.
“So you lied to them”
“Elphaba, where I'm from
We believe all sorts of things that aren't true
We call it ‘history’”
This is… complicated. It’s a half-truth misremembered and twisted to fit Diggs’ beliefs. The real idea that this is inspired by is historical bias. By which I mean, if you are being pedantic, it is impossible to be 100% accurate about historical events. You can get really close, but because of biases and contexts that weren’t written down and fragmentary evidence, being entirely accurate is impossible.
There is a difference between “not having all the information”, and “believing a lie”.
Voiceplay is an Accapella Band who gave their take on the musical as a whole that I highly recommend, and Geoff Castelucci's bass during Wonderful is really good.
The Wizard exists under the effects of a pretty strong Bandwagon Fallacy. Everyone else is doing it, so that makes it ok. But he’s wrong about everyone else, and he’s wrong about whether other people’s actions justify his. In that way, he is an equal opposite to Elphaba, who seeks to do the right thing despite nobody else wanting to make that choice, while Diggs uses those around him as an excuse.
"A man's called a traitor or liberator
A rich man's a thief or philanthropist
Is one a crusader or ruthless invader?
It's all in which label is able to persist"
This is, again, a misremembered half-truth. Because yes, historical bias does exist. There are historical figures who were less than perfect. But that doesn't mean reality changes to match modern biases.
Also, this doesn't actually answer the question he was asked. Diggs was told to justify his decision to become a cult of personality, and his answer was: "history is made of lies". Again, there is a difference between historians simplifying thigs and a person making up a persona for themself. But again, the Wizard suffers from a Bandwagon Fallacy, and so he thinks that this makes him right.
That there is the key, the Wizard is convinced that he is in the right here. But he isn't. The world doesn't work the way he thinks it does. So when he finally leads into his offering, it is already dubious.
"At long, long last receive your due long overdue
Elphaba, the most celebrated are the rehabilitated
There'll be such a whoop-de-doo
A celebration throughout Oz
That's all to do with you"
The Wizard is offering Elphaba what he thinks she wants, because it's what he wants; praise. The Wizard covets attention and is convinced that everyone else is the same, so Elphaba must want that same praise, right?
Not anymore. In The Wizard And I, this is explicitly one of the things Elphaba dreamed of, but now she has learned too much. Diggs is ok with Oz's flaws because they benefit him, Elphaba can't be.
I'm sure The Wizard believes that second bit, but I don't agree. Based just on Oz itself, in what parallel timeline will the people just accept Elphaba after the metric ton of trite that has been talked up about her. The Wizard thinks that prejudice will just go away if you conform, but that isn't how it works at all, and Elphaba knows it.
"If that's love, it comes at much too higher cost."
Different song, but it's a perfect putdown to the entirety of the Wizard's antics. He may believe what he is saying, but he is wrong. The acceptance he offers is fake and means that Elphaba must sacrifice everything she wants to achieve it. That isn't worth it.
Final Thoughts
For all of his posturing, the Wizard is a remarkably simple character. He wants power, and he lies to get it. But if you combine that with his utterly scuffed worldview, you get some really interesting side effects.
He is also narcissistic, which doesn't exactly help his position. The world has bent over backwards to service his needs, and he has never truly known hardship. He is the stereotypical Iseki protagonist that gives the rest of the genre a bad name, the true Mary Sue.
The problem is, he's also bloody charismatic and fun to watch, which means people listen to him. I've heard people in real life agreeing with his line about labels, and it drives me up the wall.
Next week, I will be looking at the reprise of I'm not that girl, and Glinda's self reflection, as well as As Long As You're Mine. So, stick around if that interests you.
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