Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:
I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.
IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.
I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.
Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).
Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.
At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).
Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.
So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.
Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.
Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).
Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.
The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.
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Vaggie's Past
I've seen tons of fics and tumblr posts with 2 different ideas about Vaggie's past. 1 being that she had a human life before she became an exorcist angel, and the other being that she grew up in heaven and was raised by Adam and Lute and the other exorcists. Idk which 1 I like better, but I have headcanons for both. And I've sort of imagined conversations for how the other characters would find out?
1:Vaggie had a human life:
Charlie: Hey Vaggie? Are you heavenborn, or a human soul?
Vaggie: it's complicated? When a human soul becomes an exorcist, the first part of their training involves magic induced amnesia. They're forced to forget everything about their lives including their own name, and they're given a new 1. I know I was a human at some point, but I don't remember anything. Some things stick, like languages, and some strong feelings about certain things even if there's a lack of context for it, but I don't remember who I was or any of the people I might've known. Every earthborn exorcist has maybe 1 vivid memory from their life, but it never actually tells them anything about who they used to be or who they know. I think that's to make it easier to erase any individuality more quickly and make us forget if any of our morals didn't originally align with what exorcists do. Turns us into perfect soldiers quicker. If I remembered my real name, I probably wouldn't be going by the 1 that Adam gave me. He literally named me after a vagina.
Chalie: *hugging Vaggie*
Anyone else who heard this: ...
2: Heavenborn Vaggie:
Vaggie: I was never a child.
Angel Dust: What did you just come into existence fully grown or something?
Vaggie: No, I still had to grow and develop like anyone else would.
Husk: Then you were a child.
Vaggie: I was raised to be the perfect soldier since the moment I was born. A soldier isn't allowed to be a child.
Everyone: WHAT?!
Charlie: Why didn't your parents protect your from that?
Vaggie: A lot of exorcist angels are born from flowers instead of other angels. I was 1 of them. I was raised by exorcists and grew up with exorcists.
Alastor or Angel Dust: You were born from a flower? Like Thumbilina?
Husk: They took away your childhood?!
Vaggie: Yeah. I had to be a gown up almost as soon as I could start walking and talking.
Nifty: What was it like being raised by exorcists? Other than the fact that you weren't allowed to be a kid?
Vaggie: I was surrounded by high standards and expectations I had to meet and not allowed to have much if any individuality. Exorcists aren't even given names until after their 1st extermination. They have numbers until then. Also, you know how exorcists have those black stipes on their wings? Those don't appear until their 1st extermination either. Also I was taught to value loyalty and strength more than anything else. Loyalty goes above strength, but not by much. And the second I showed even the slightest hesitation to follow an order, I was cast out of heaven in probably 1 of the most brutal and painful ways possible by 1 of the people I trusted the most. So there's that.
Everyone: *ready to throw hands with some exorcists again*
Charlie: *crying*
Nifty: ... Wanna build a pillow fort and watch cartoons?
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tethered.
544 words, a short little oneshot about the chaos heart and luigi, and his unfortunate amnesia of it.
---
Exhaustion seeps through his bones when he finally falls unto his mattress, darkness of sleep quickly swimming behind his eyelids.
It’s the kind of exhaustion that’s clung to him since he awoke from that strange blacking out at Dimentio’s- and how the name sends shivers to his spine- beck and call. An attempt to weaken the good guys and give himself a winning chance, Luigi assumes.
But he dwells on that no longer- a smile graces his lips as he succumbs to sleep, never more grateful for a bed and a moon to shine through the window than ever.
Tomorrow he and his brother will go to Peach’s castle, enjoy a celebratory cake, and enjoy the lovely, lovely calm after such a storm.
But for now, tonight, he lets himself dream- a treat after being left unconscious so many times through their journey.
His blanket softer than ever, his pillow plush and comfy, Luigi easily falls into a deep sleep.
…
..
.
Luigi opens his eyes to a darkness that seeps into his veins, wraps around his lungs and whispers around his frantically beating heart.
The once-comforting pull of a deep sleep now heavy in his bones makes him panic, weighing him down to the frightening presence.
What he sees around him are hues of blacks and grays, pulsing about his vision- alive. It dances about, smooth as water and heavy as rain.
But something about the way his vision swims, the manner of this heaviness he feels, the crawling of the darkness around him… It’s familiar, in a way, and he cannot shake the feeling he’s had this dream before.
And he is dreaming, he knows this to be true, just as he knows he cannot breathe here, nor can he move.
The presence does not speak. It cannot, for it has no shape, no form to mouth words- but it feels. And Luigi feels it too, bleeding into him, solid enough that he could hold it in his hands. It sings of return, ripples through the darkness that echo within his own heart.
You are limitless, it muses through him, incomprehensible. As am I.
“Nightmare,” Luigi tries to whisper out, reminding himself. His voice reaches no one's ears but his own.
I am no nightmare, it denies. I have ceased to exist. All but for one tether.
The darkness stretches, the infinite space Luigi’s found himself in feeling cramped, as if held tightly together in a little box.
A flicker of white sprints through the darkness, and as his eyes follow it, he takes sight of his hands, laid against his sides. His body is swallowed by shadow, but one thing stands out starkly in the nothingness.
His hands are gloved in black, white stitching its edges and little stars dangling from the sleeves of them.
A ringing sound burns through his head, the creeping imagery of a plant of all things itching at his skull.
The image fades as quickly as it sprouts, the emptiness around him filling that block. He wrenches his gaze upwards, the dark curiously watching all around him, calculating.
This dream will pass, as all dreams do. He just has to wake up.
Wake up, the emptiness echoes, almost mockingly. Its swaying hues of night almost emulate familiar laughter.
---
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It is late when Missa returns home. Philza is half-awake, determined to stay up but exhausted from the day. He tries to call out that there is food still on the side for his husband, but the laughed reply implies it came out of garbled nonsense instead. He listens to Missa shuffling around the house, getting ready for bed, and has little to do to prepare himself for sleep.
Maybe five or ten minutes pass before Missa slips into bed. Philza reaches up and takes his hand, twining their fingers together.
Or he would, but something is wrong.
The bones of Missa's hand are jagged and uneven, sharp and he can feel coarse string around them.
All sleep fleeing, Philza shoots up. He does not bother faffing about with the lamp, instead grabbing a torch from beside him. Quickly it is lit and on the wall.
"Phil? What's wrong?"
Missa's head is tilted to the side in genuine confusion.
Philza looks down at their hands, still intertwined. It is worse than he had thought; two of the joints are missing entirely, while the other bones are crooked and splintered. Even the bones of Missa's palm are broken, snapped in half and seemingly hurriedly tied together. The carpals are mostly intact, at least, one with a massive crack running through it but structurally sound.
"Missa," Philza whines ever so slightly on the name. "What happened?"
"It's nothing! It's nothing!" Missa waves his free hand about. "Roier will fix it in the morning, yes? You sleep."
"You hand is broken, Missa, I'm not just leaving that," Philza runs his fingers over the breaks, assessing them. "Doesn't it hurt?"
"Feels funny, but I don't have, um, nervios. In my hand. It cannot hurt."
Philza thinks the tone is supposed to be reassuring, as is the news. It absolutely is anything but - who knows how bad the damage could possibly be, if Missa no longer had nerves to feel it?
"Sit there," Philza squeezes the hand, then Missa's shoulder. "Do you have the missing pieces? We can sort this out tonight. I'm not leaving you with a broken hand overnight."
"Are you sure it's not-? I just dropped a block, it doesn't hurt, it's okay!"
A little too tired to work out if Missa is starting to panic or not, Philza shuts him up with a forehead kiss. Seeing the blush turn his husband into a stuttering mess, he squeezes his shoulder again, "I'm not going to sleep if I know you're hurt. What do you need?"
"... Bone soup?"
Missa looks a little hopeful at the question. Philza, knowing some from Chayanne is still warm on the stove, smiles, "bone soup, bandages, tape, and you are taking a health potion after."
When Missa tries to object, Philza puts a finger on his lips and raises an eyebrow. Once he is sure the message is received he removes it, before darting off to find everything.
Nothing is difficult to find - Philza makes sure emergency supplies are always to hand - but it is still in the bunker. One of their many first aid kits is tucked under his usual chair - he grabs it, and also a roll of reinforced tape kept atop the pile of chests for when furniture inevitably breaks. Considering Missa's fingers like furniture is an awful thing, but Philza does not trust anyone in the family to ever keep still.
Quietly, making sure not to wake his children, he then slips into the kitchen. Sure enough, Missa had missed the food left out for him - Philza quickly plates it up, turns off the stove, and leaves cleaning the pans for the morning.
With a whispered "good night Chayanne, good night Tallulah", he heads back upstairs and to his shared bed. Missa is still exactly where he was left, looking only slightly nervous.
"Chayanne left it out for you."
Philza passes the soup to Missa's good hand, and puts the other supplies on the bed, before dragging himself over.
"He is a good child," Missa agrees.
Philza's smile is his agreement, though it falls into a frown as he remembers why he is awake. "You eat and explain, I'll sort this out. Do you just need them stabalised, or is there anything else I should do?"
Missa shakes his head, balancing the soup on his lap while he digs the missing bones from his pocket, "you don't need to! But, the magic will fix it in a few days."
"And with a potion?"
"It doesn't hurt?"
Philza tries not to scream at how just because there isn't pain doesn't mean this isn't serious. Like the adult he is he takes a deep breath, and nods, "I'll be gentle."
"I won't feel it if you aren't."
He will be anyway.
As Missa describes working on his theme park - the cause of the injury is simple enough, Missa having simply slipped and dropped one of the iron support beams over, landing on the hand he caught himself with - Philza gets to work. He tests the tape on his own skin - uncomfortable, but not painful either to leave there or remove - before applying it to Missa's bones.
First, he tapes over where bones are simply cracked, hopefully preventing things from getting worse. Then, he starts undoing the ties Missa had clearly made one handed, and without aligning things first.
As he cracks a piece of splintered bone back into place, Missa yelps. Philza immediately stops, checking on him.
"It's okay, it's okay," Missa waves the spoon this time. "Doesn't hurt, just the noise."
Philza doesn't quite believe him, but nods anyway, "definitely sounds worse without flesh to muffle it. Am I good to continue?"
Missa looks a little surprised to be asked, but nods. "It's good soup. I'll try be awake to thank Chayanne."
"If he manages to wake up," Philza tries to joke, but his focus on the bones is intense. A small chip is missing from one, seemingly having slipped out of the tie. It really is only a tiny chip, but he pours a little of the splash potion directly on that break before taping it up. He doesn't know if it will help, but he'd rather try than not.
Reattaching the two joints that had been entirely removed proves both easiest and hardest. He has to line everything up correctly - at one point he borrows Missa's other hand to compare - but once that is done the magic tethers them into place. The connections are still much weaker than the ones between the other bones in Missa's bands, but it is enough to hold them still and in place.
Philza tapes them both in place, just to be sure.
Then, he glances up. Missa is done with the soup and now watching him, the bowl set aside. Seeing that there is no longer a threat of burns, and finding no more injuries, Philza brings up Missa's hand, and kisses one of the breaks.
Immediately Missa pulls his hand away, eyes blinking rapidly, "Philza! What are you doing?"
"Kissing them better."
"Oh..." there's a pause before Missa offers back his hand, shyly this time. "This is so much, too much, you don't need to. This is enough."
"Do you want me to stop?" Philza asks, voice dropping quieter.
"... No."
Missa's reply is but a whisper hidden in a blush.
Carefully, Philza kisses each of the other injuries in turn, before taking the potion. He pours the rest of it over Missa's hand, catching the excess on a bandage he then wraps it with.
And then, wraps a dry bandage around, cushioning the fragile bones from any further knocks.
"There," he says. "All safe, now. I'll change the bandages in the morning and see how its doing."
Missa leans forward, resting his forehead on Philza's shoulder, "I don't deserve you."
Philza reaches up and holds him, "there's nobody I'd rather raise my children with."
Missa doesn't reply, but Philza can hear the doubt in the silence, and remembers the mutterings of 'clumsy, idiot, stupid' he sees on the translator from time to time. He holds his husband a little tighter and says, "why don't we get some sleep?"
There's a hesitation before Missa nods.
"... Do you want me to tell you a story instead?" It's half a joke, but Philza is perfectly willing. Without waiting for an answer he begins. "Back in the days of the Empire, there was a dragon who lived on the moon..."
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