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pavspatch · 3 years

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Ewen Fields Timeline

1885

According to North Cheshire Herald reporter Austin Lloyd in the Hyde United programme of September 13, 1958 (v Stafford Rangers) “Hyde United was established in 1885 and played on Walker Lane, now a school playing field".

1897

The Rev John Bonafous Jelly Dudley, vicar of Old St George’s, Stalybridge, sells land containing Ewen Fields (originally Owen Field) to Thomas Brownson. Total area: 8 acres 3 roods 22 perches.

1900

Ewenfield farmhouse demolished around this time. Elm Grove built in 1910. The house stood across what is now the passageway leading to Grange Road North.

1906

Hyde FC moves to Ewen Fields from Townend Street after amalgamation with Hyde St George’s.

1908

Turnstiles installed.

1910

Ewen Fields football ground appears on an Ordnance Survey map for the first time. Elm Grove built.

1912

Damage caused by great storm. Small wooden stand on Leigh Street side badly damaged.

1919

Hyde United Supporters' Club founded.

1925

New Leigh Street stand opened on September 19. It provided cover for 500 people.

1928

Main stand opened by Cllr Edward Hibbert (Stockport) on August 28.

1931

Thomas Brownson of Bowlfield, Gee Cross, sells ground to John Bramall Snr of 112 Great Norbury Street; William Morton of Broadmeadow, Bowlacre Lane, Gee Cross; and Henry Firth (grocer) of 6 Union Street; for £2,100. 3½ acres.

1932

Walker Lane stand opened by the Mayor of Hyde, Amos Winterbotham, on October 9. It cost £270 and accommodated 1,500 spectators. On November 5, an extension to the main stand was opened.

1935

Ewen Fields hosts a season of baseball as home to the Hyde Grasshoppers.

1936

Failed attempt to float Hyde United as limited company.

1939

Hut measuring 60ft by 21ft bought from Edward Hibbert cotton spinning company, Manchester Road (Hibbert and Aspland?). Converted into Hyde United Social and Recreation Club. Extension quickly added for sale of refreshments.

1945

Hyde United AFC Ltd formed with £2,000 capital in 4,000 shares of ten shillings (50p) each. First board was: Joseph Rhodes (chairman), William Bradley, J Bramall Snr, J Bridgehouse, Harry Garside, Andrew Ollerenshaw, Owen Parrott, Cllr Sam Redfern, J Swinnerton (supporters representative), George H Wood.

1946

John Bramall and Henry Firth sell Ewen Fields to Hyde United AFC Ltd.

1950

Ewen Fields held by George Harry Wood as security for loan. Visit of Lancashire Combination champions Nelson in the fourth qualifying round of the FA Cup watched by crowd of 7,200.

1953

25,000 shilling appeal launched in November (£1,250).

1954

August: 25,000 shilling appeal realises 14,720 shillings — £736. Total comprised donations £64, outside efforts £110, collections £205, supporters’ club £357. All money given to Hyde United AFC Ltd.

1955

February: Supporters’ club launches appeal to put rails around the pitch. Fans asked to contribute 13s 6d (67½p) per post. Posts were removed in 1987.

1956

North Cheshire Herald says crowd of 8,000 watched FA Cup third qualifying round tie with Macclesfield Town.

1957

Ground sold to George Harry Wood, Sunnyside, Pinfold Lane, Romiley; Harold White, 66 Corona Avenue, Hyde; George Roland Walkden, 18 Glossop Road, Marple Bridge; Eric Catlow, 1 Balmoral Avenue, Hyde; for £1,462. Trust document drawn up and ground put in ownership of the supporters’ club. Hyde United charged annual rent of one shilling (5p).

1958

Construction of Tinker’s Passage stand begins. In October a telephone and electric light were provided in a new press box.

1959

Plaque commemorating Jimmy Walker placed on side of main stand. Jimmy served the club for more than 50 years from its days as Hyde FC.

1961

Scrattin’ Shed built at a cost of £3,000. (Sept 16 programme says £6,000).

1966

Social Club opened on February 12 by former Lancashire cricket captain Ken Grieves.

1968

November 11: Manchester City manager Joe Mercer switches on floodlights before a friendly against a Manchester City XI.

1981

Walker Lane stand demolished. Replacement of wooden fencing with concrete panels begins.

1986

Supporters’ Club sells Ewen Fields to Tameside Council. Over the following two years a Baspograss pitch is laid and a new main stand built. Dug-outs moved to Leigh Street side. Changing rooms put in Leigh Street School. Old tea bar and secretary's office demolished. New turnstiles built. Ewen Fields renamed Tameside Leisure Park.

1988

Official opening of Tameside Leisure Park marked by a pre-season game between Hyde United and Preston North End. Plaque unveiled by Tom Pendry MP. Ewen Fields hosts Manchester Spartans’ American football matches.

1990

Leigh Street cover demolished.

1994

Ewen Fields hosts FA Cup first round tie against Darlington.

1995

Grass pitch reinstated. First game October 21 against Bamber Bridge. Name of ground officially reverts to Ewen Fields.

2000

Main stand extended. Includes dressing rooms and Peter O’Brien Lounge. In following years terracing and cover erected on Leigh Street side and at Walker Lane end.

2009

Club enters into agreement allowing Manchester City elite development squad to use Ewen Fields. Colour scheme of ground changed to blue.

2012

Promotion to National League National Division (Conference). New press accommodation opened at back of main stand.

2016

Grass pitch replaced with Fifa 2* 3G surface.

2017

Ewen Fields hosts FA Cup first round tie against Milton Keynes Dons. Match televised live by BBC.

2020

Colour scheme of ground reverts to red thanks to volunteers. Seats donated by Manchester United installed in main stand.

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transnames · 6 years

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Some two-syllable neutral names

(One-syllable names)

You can also combine initials, e.g. AJ, although this does not work for all initials and it can be gendered masculine.

A: Aaren, Abbott, Adair, Addi, Adren, Aerie, Afon, Aiden, Aiken, Ainsley, Alder, Alex, Ali, Alix, Alpha, Altair, Alto, Alton, Alva, Amal, Amore, Andy, Angel, Angie, Anise, Arbor, Ari, Ariel, Arlen, Arley, Arrow, Arya, Asa, Asher, Ashlen, Ashley, Ashton, Aspen, Aster, Aston, Aubrey, Auburn, Auden, August, Aura, Austin, Avery, Avis, Aviv, Avon, Aya, Ayan, Aza, Aze, Azure

B: Bailey, Baldwin, Banner, Barrett, Basil, Bauer, Baylor, Benson, Bentley, Berkley, Berry, Beryl, Billie, Birdie, Blakely, Bobbie, Booker, Bradley, Brady, Brayden, Brennan, Brewer, Briar, Brighton, Brinsley, Bronte, Brooklyn, Bryant

C: Cadence, Caelum, Calder, Camden, Cameron, Camille, Campbell, Canyon, Carey, Carlyle, Carmen, Carol, Carter, Cartwright, Carson, Casey, Cedar, Chandler, Chandra, Channing, Charlie, Charlton, Chatham, Cheyenne, Citron, Clancy, Claudie, Clover, Cobalt, Coby, Cohen, Coleson, Collins, Colver, Comet, Condor, Connell, Connie, Cooper, Coral, Corbin, Corin, Corey, Corley, Cortney, Cricket, Cyan, Cypress, Cyrille

D: Dallas, Dana, Dani, Darby, Darcy, Darrell, Darren, Denver, Devon, Diamond, Diaz, Dillon, Douglas, Dustin, Dusty, Dylan

E: Eagle, Early, Easton, Ebon, Echo, Eddie, Eden, Efe, Eiffel, Eissa, Elli, Ellis, Ellwood, Ember, Emer, Emerald, Emlyn, Emmett, Emry, Emryn, Enfys, Ennis, Eren, Errel, Essence, Esme, Evan, Ever, Everett, Eyrie, Ezra

F: Fable, Falco, Falcon, Fallon, Farah, Fargo, Farley, Farrell, Faulkner, Feldspar, Fennel, Fifer, Finley, Finney, Fiore, Fischer, Fletcher, Floren, Florence, Forest, Francis, Frankie, Freedom, Friday, Fulton

G: Gabi, Galen, Galway, Gannet, Garden, Gardner, Garey, Garland, Garnet, Gavi, Germaine, Gerry, Glenwood, Golden, Grady, Granite, Guthrie

H: Hadley, Halcyon, Hallow, Halo, Happy, Harbor, Harley, Harlow, Harper, Hartley, Haven, Hawking, Hayden, Henley, Heron, Hollis, Honor, Hopper, Hudson, Hunter

I: Iman, Imory, Indi, Innis, Io, Ira, Isa, Isha, Islet, Iver, Ivor, Ivory, Ivy, Izzy

J: Jacinth, Jackie, Jaden, Jael, Jalen, Jamie, Janis, Jarrah, Jarrell, Jasper, Jensen, Jessie, Joey, Jody, Jonquil, Jordan, Journey, July, Juneau, Junior, Juno, Justice

K: Kali, Kameron, Karey, Karson, Kasey, Kato, Keaton, Keegan, Keelan, Keenan, Kelby, Kellan, Keller, Kelly, Kelsey, Kendall, Kenyon, Kenzie, Kerry, Kestrel, Kevyn, Kieran, Kingsley, Kirby, Klaudie, Koby, Kody, Korbin, Korin, Korey, Krishna, Kyler

L: Laker, Lakyle, Lander, Landry, Laney, Langley, Larkin, Larkspur, Lashawn, Laurel, Laurence, Leighton, Lennox, Leopard, Leslie, Lethe, Lexie, Lexis, Linden, Lindsay, Lindy, Linnet, Logan, London, Loren, Luca, Lucky, Lyric

M: Maddox, Magic, Major, Malloy, Manu, Marley, Marlow, Martell, Marty, Mattie, Maury, Maurice, Maxie, Maxwell, Meadow, Mercer, Merlyn, Merritt, Merry, Micah, Mika, Miller, Misha, Monday, Morgan, Murphy, Murray, Myers

N: Narcisse, Nasim, Navdeep, Navy, Neal, Neptune, Neo, Nicky, Nico, Nika, Nike, Nimbus, Noam, Noel, Nori, Norris, Nouvel, Nova

O: Oakley, Oberon, Ocean, Odell, Ollie, Olive, Onyx, Opal, Ori, Oriole, Orion, Orrin, Osborne, Owen, Ozzie

P: Paisley, Paris, Parker, Pasco, Patience, Patrice, Paxton, Penrose, Pepper, Peregrine, Perrin, Perry, Peyton, Phelan, Phoenix, Piper, Placid, Porter, Prairie, Presley, Prosper

Q: Qaisar, Quarry, Quasar, Quetzal, Quila, Quincy, Quentin, Quillan

R: Raleigh, Rainbow, Rainer, Randy, Raven, Redmond, Regal, Regan, Reggie, Reynold, Rhythm, Ricki, Ridley, Riley, Rio, Rishi, River, Robbie, Robin, Ronnie, Rory, Roscoe, Rowan, Royal, Rudy, Ryder, Ryen, Rylen

S: Sabah, Sadler, Saffron, Salem, Samar, Sandy, Satchel, Saturn, Sasha, Sawyer, Saylor, Season, Selby, Seren, Seven, Sevy, Shale, Shannon, Shelby, Shelly, Shiloh, Sidney, Silver, Sinclair, Skylar, Skylark, Skyler, Snowdrop, Snowy, Soren, Sorrel, Sparrow, Spencer, Spirit, Springer, Stanley, Starling, Sterling, Summer, Sunday, Sunny, Sunshine, Sunset, Sutton

T: Taffy, Tali, Talon, Tanner, Tarian, Taylor, Teagan, Teddy, Tempest, Temple, Terry, Thursday, Tibby, Tiernan, Tiger, Timber, Tobin, Toby, Topaz, Torrey, Tracy, Trenton, Tristen, Tucker, Turner, Tuesday, Tully, Tyler, Tyson

U: Ulfie, Ulli, Ulri, Ulysse, Umber, Umbra, Upton, Urban, Uri, Ursa, Usher, Uta

V: Valen, Vega, Verdi, Vernon, Verrill, Vesper, Vivi, Vivien, Volta, Voltaire

W: Walker, Wallace, Waylan, Webster, Wednesday, Weston, Whimsy, Whitley, Whitney, Wilder, Willow, Wilson, Windsor, Windy, Winslow, Winter, Wisdom, Wolfram, Woody, Wylie

X: Xander, Xavie

Y: Yael, Yaven, Yannick, Yarrow, Yven

Z: Zailey, Zaki, Zander, Zandy, Zavi, Zelig, Zeno, Zephyr, Zero, Zevi, Zion, Zohar, Zola, Zorey, Zuri

#names #neutral #two syllable #resource #op

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midlandofficial · 7 years

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Wide Open Country: The Truth About Midland

By Jeremy Burchard | September 29, 2017

Editor’s note: Jeremy Burchard is a Senior Music Writer for Wide Open Country and Associate Editor of Texas Music. The following op-ed is a response to articles by the blog Saving Country Music that question the legitimacy and authenticity of rising country trio Midland.

Kyle Coroneos, the author and founder of Saving Country Music, is wrong about Midland. Also known as “Trigger,” he is a talented writer with strong convictions and a passionate readership.

But he’s wrong about that band. He’s wrong when he calls them “bullshitters.” He’s wrong when he calls two-thirds of them “Hollywood elite,” and he’s very wrong when he claims they didn’t write their music, but are instead the product of Shane McAnally and Music Row machinations.

And it matters that he’s wrong. Because over the past week, Coroneos’ articles have been making their way across important spheres of influence. People within the music industry, whom I know and respect, are reading these articles and sharing them, taking them at face value. People who work in radio, other artists, venue owners, publicists and writers see this narrative. And because those articles seem compelling (if not dramatic), a lot of them believe it, which is both unfair and potentially damaging to a band that, despite their recent success, is still new to a lot of people.

The “Authenticity” Argument

I authored a spotlight article on Midland for the new issue of Texas Music magazine, spending hours researching the band and listening to both their new and old music. I interviewed them, songwriter/producer Shane McAnally and producer Dan Huff. And I watched them perform at the Springwater Supper Club & Lounge in Nashville. They served mini hamburgers and mini hot dogs. I was tempted, but refrained.

“Authenticity” is a slippery slope and a pointless argument. About 95% of George Strait’s music came from other writers. Brad Paisley doesn’t drink alcohol but one of his most popular songs ever is called “Alcohol.” Robert Johnson never sold his soul to the devil, and the Beatles intentionally fed false stories to New Musical Express. It goes on and on.

But Coroneos seems to create his own benchmarks of authenticity and then peddles accusations to meet them. He never spoke to the band or anybody associated with them. He intentionally does this, he tells me, because he believes interviews can “erode objectivity.”

“I’m not against others interviewing artists,” Coroneos explained to me over email. “But since I specialize in criticism and commentary, it generally behooves me to stay once removed from interacting with artists beyond cordial, brief exchanges that may happen in the course of business.” I get the sentiment there.

But interviews are the cornerstone of journalism. Combined with independent fact-checking and cross-referencing, they form the very basis of what we do. As uncomfortable as it may be, our job is to do what we can to get facts first-hand, even if they point towards a warranted lambasting of people we know personally.

As a writer who specializes in criticism — and Coroneos is a very gifted writer — he relies heavily on other journalists to lay the groundwork for him. In his case, he hasn’t seen Midland perform live (though he wants to when the opportunity presents itself). Which, to his point, he doesn’t need to see them live to critique their record. But it’s the least you could do if you’re going to call a band bullshitting elitists who don’t even write their own music.

“Hollywood Elite”

So let’s correct a few talking points used to de-legitimize the band. Like Mark Wystrach’s modeling and acting roles and Cameron Duddy directing music videos. Coroneos says this makes the pair “part of the power elite of the entertainment world.” Who knew underwear models held so much power?

In reality, Wystrach lived in a trailer by the beach. He tended bar way more than he modeled or acted. Those gigs are low paying, hard to come by and hardly “elite.” Directing music videos is just as volatile. And a great way to go gray in the hair before you’re thirty.

All of Duddy’s videography gigs supported his music habit, including his early band with Jess Carson Major Gray. Anybody who really believes that being the son of the second camera operator on 1999’s Mystery Men lands you a job with Bruno Mars is either a great comedian or woefully uninformed.

Duddy explained in an earlier interview, “I couldn’t get any job through my parents. I had rock, folk, Americana bands. I just started doing videos for my friends.” And eventually it grew, Duddy made friends, one gig led to another. Just like every person hustling.

Coroneos’ “Hollywood elite” jab backs artists into a corner and makes them defensive, so they talk about living hand to mouth and borrowing money from their manager to stay afloat. Both of those applied to Duddy, and it’s *embarrassing* the band feels they have to defend themselves so much that they’re revealing personal financial details instead of talking about music. Because it shouldn’t matter.

Yes, Duddy used connections to get a foot in the door. His friend, who manages pop acts and has no experience in country, liked their 2014 Sonic Ranch demos (helmed by Austin mainstay David Garza) so much that he took it upon himself to manage them and find out how to get them in front of people. They met manager Jason Owen and told him, “We’re going to do this one way or another.” Owen liked them, their music and their hustle, so called up Shane McAnally and got them in a room together.

But once you get in front of people, it’s your job as an artist to blow them away. Which they did, because they have years of performing, including in those talked-about tiny bars, where they played the much-loathed three and four-hour sets, testing out original songs and covers.

“Four Shows At Poodies”

Coroneos also references the band’s performances in Texas frequently. He makes it seem as if they only played four shows at Poodie’s before signing a deal with Big Machine.

Even just a cursory search of Midland’s Facebook page reveals an incomplete list of past dates full of Texas mainstays. Mercer Street, The Broken Spoke (the dinner happy hour two or three times before they got the main stage), Scholz, Shiner’s Saloon, The Saxon Pub, Threadgills, The White Horse, Easy Tiger, The Continental Club.

Which makes sense, because Midland had a small booking arrangement with Lisa at boutique agency Moxie Booking, who got them a lot of those weekend warrior shows. They secured that by booking their own shows and promoting themselves. Hell, they’re still listed on the Moxie website alongside acts like Tessy Lou and The Warhorses.

Poodie’s is a part of their narrative because that was their first show together in Texas. A 5:30 p.m. slot on a Tuesday afternoon to a handful of barflies. They eventually worked their way up to an opening gig with Gary P. Nunn and, yes, that residency. Between decades before Texas and a few years after, “They put their time in just like the rest of us,” McAnally says.

“Midland Was Manifested”

Coroneos claims Midland didn’t write their own music, which is a huge accusation. Despite some or all of the band being writers on every track, he uses a quote from McAnally to justify this claim. In the quote, McAnally says it felt like he and co-writer Josh Osborne “manifested” the band as a vehicle for the 1970s-era country tunes they love to write. Coroneos calls McAnally a “puppet master” insinuating that he was responsible for creating Sam Hunt, Old Dominion and now Midland.

“He’s giving me far too much credit,” McAnally laughs. “But you can’t just call it his opinion. That’s not an opinion. That’s just lying.”

When McAnally says they “manifested” their relationship, he means that he and Osborne kept wishing a band would come along that shared their vision. And on the other side, Midland wished somebody wanted to take their sound to new commercial highs. “It’s like both sides dreamed each other up,” he says. “We were inviting our paths to cross.” And he uses the Weird Science reference because Midland seemed like their version of the “perfect girl” that walked into the room, songs, talent and style in hand.

To suggest that every writer on those songs willingly have up more than 50% of their writer’s share to perpetuate a narrative is beyond far-fetched.

Why Does It Matter?

When it comes to being called second in line for the “Country Music Antichrist” (as well as the biggest producer in the world), McAnally laughs. “It hasn’t hurt my feelings,” McAnally says. “And I’m not just saying that. I’m very sensitive and I want people to like what I do. But when I read [these articles] I literally laugh and I know the way I feel about it. I can gauge myself and ask, ‘Is this hurting me?’ It’s not. But this Midland thing could hurt them. Because it’s taken off.”

He’s right. Coroneos’ false narrative is more responsible for never-ending quotes about their origin than anybody. And if you read something he writes without knowing the truth, you should question Midland. And then it becomes all anybody talks about.

Because people are looking to poke holes, especially if they’re already jaded by the industry. They don’t want to believe those three guys write the music they write and dress the way they dress because they want to, and got successful doing it.

“Midland are the same people who walked into the studio two and a half years ago when I met them,” McAnally says. “They had an aspiration to take the songs they were playing in bars and take them to the next level without compromising their music.”

And judging by the overwhelmingly positive reaction to their record, they did just that. And Coroneos, to his credit, wants the band to succeed. “Of all the negative things I’ve said about Midland, I want them to succeed because I want traditional country music in the mainstream to succeed,” he says.

The good news is the negative things he says just aren’t based in reality. So don’t do yourself a disservice and let the misinformed musings of an otherwise passionate writer convince you Midland is anything less than what they are.

#midland #jess carson #mark wystrach #cameron duddy #article

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reverseflashes · 3 years

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this person on rco keeps disagreeing with me on owen being barry’s grandson and while i never try to change people’s opinions i’m this close to taking out the swords

#when have the flashfam ever been about blood #it's all about found family #owen mercer #owen deserves a family #p

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nickmaniwa · 6 years

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Tonight! It all begins! IWA Mid-South Wrestling presents “The 2018 Ted Petty Invitational Tournament” FRIDAY & SATURDAY SEPTEMBER 21 & 22 2018 German Park Turner Building 8600 South Meridian Street Indianapolis Indiana 46217 TICKETS Front Row for both nights - $70 Second Row for both nights - $60 General Admission for both nights - $50 Doors Open - 6:45 Bell Time - 7:35 First round matches for #TPI2k18 JAKE LANDER vs LARRY D CHASE OWENS vs JAKE OMEN JOE ALONZO vs JOHNATHAN WOLF EDDIE KINGSTON vs ANTHONY HENRY SHANE MERCER vs MICHAEL ELGIN TYLER BATEMAN vs TRIPP CASSIDY MYRON REED vs DEVON MOORE AARON WILLIAMS vs JAKE CRIST CALVIN TANKMAN vs KONGO KONG GARY JAY vs MANCE WARNER JIMMY JACOBS vs SHANE STRICKLAND LOGAN JAMES vs PAT MONIX #IWAMS #WhereProWrestlingLives  #IWA #IWAMidsouth #IndieWrestling #IndyWrestling #memphisindiana #ROH #PWG #CZW #ecw #xpw #TNA #Kentuckiana #prowrestling #TPI #TedPettyInvitational #jcw #juggalochampionshipwrestling #tpi2k18 #weareiwa https://www.instagram.com/p/Bn_QTUkg0ur/?utm_source=ig_tumblr_share&igshid=1m0njrild9vup

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mrjeremydylan · 7 years

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My Favorite Album #203 - Veronica Milson (triple j) on the Shins ‘Wincing the Night Away’ (2007)

Comic, actor and triple j host Veronica Milsom is a rare guest who knew exactly what her favorite album is straight away - the seminal decade young record from The Shins 'Wincing the Night Away'.

We talk about how Veronica's older brother's mixtapes introduced her to the Shins, how frontman's James Mercer's insomnia fuelled the creation of the album, the intimacy of his singing, the Zach Braff driven high expectations and backlash toward this album, and whether any contemporary music has hit her as hard as this record did ten years ago.

Plus, we discuss Veronica's legendary "thing" for Bernard Fanning, how the events of your life change how you perceive time, why her perspective as a radio DJ has made her hate certain songs, her own self-induced bout with insomnia in Perth and the questions she feels guilty for asking bands during interviews.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast in iTunes here or in other podcasting apps by copying/pasting our RSS feed - http://myfavoritealbum.libsyn.com/rss My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album’s influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at [email protected].

LINKS

- Veronica Milsom on Facebook, Twitter and Instagram. Listen to Veronica and Lewis on triple J.

- Buy ‘Wincing the Night Away’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

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DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

#podcast #veronica and lewis #veronica milsom #triple j #the shins #james mercer #garden state #zach braff #bernard fanning #music

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if-you-fan-a-fire · 9 years

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“Eight Years’ Sentence Meted Out to N. Ryan,” Toronto Globe. June 16, 1915. Page 05. --- Fellow Burglar, J. W. Turner, Gets Two Years - Miss O’Donahue One Year. --- (Special Despatch to The Globe.) Owen Sound, June 16. - Norman Ryan was sentenced to eight years in Kingston Penitentiary by Police Magistrate A. D. Creasor this morning on two charges of burglary. Ryan’s partner in crime, John William Turner, was given two years in Kingston. Miss Kate O’Donahue, arrested for receiving stolen goods, was sentenced to one year in the Mercer Reformatory.

Ryan was given the heaviest sentence because the evidence given showed that he had been the leader of the gang. Turner got an easy sentence partly bceause County Crown Attorney Dyre had received many letters from Toronto people giving him a good character, several of those writing stating that they would give him employment if he returned to the city.

Ryan and Turner were taken to Toronto this afternoon in charge of P. C. Carson. They are alleged to be the men who held up employees and robbed the offices in several Toronto institutions recently.

#kingston penitentiary #sentenced to the penitentiary #young delinquents #hold-ups #owen sound #shoot-up #toronto history #wanted fugitives #world war 1 canada #parole violator #youth delinquency #police manhunt #county court #stealing a motorcycle #crime and punishment #crime and punishment in canada #history of crime and punishment in canada #norman ryan #william turner

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delspanda · 4 years

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Kentucky Bid Bonds

The listed below short article is a good introduction to bid bonds. Quote bonds, as you are conscious, are bonds utilized in the building market. These bonds guarantee that if somebody bids on a project, and is granted the contract, then they will go forward with carrying out under the terms of the agreement.

See the below short article for more great information. You can see the initial post here: https://swiftbonds.com/bid-bond/kentucky-2/

Kentucky Bid Bonds

What is a Bid Bond in Kentucky?

A bid bond is one of the types of surety bonds, that guarantees that the bidder will accept the contract and complete the contract according to its terms. It provides assurance to the project owner that the bidder has the expertise and capability to complete the job once the bidder is selected after winning the bidding process. The basic reason is that you need one in order to get the work. But the bigger question is why are more owners/developers requiring a surety bid bond? The simple answer is risk. Given the uncertainty of the marketplace, which includes experienced contractors closing shop, to municipalities filing bankruptcy (or just slow paying), has led to owners being afraid that their contractors will be unable to complete the job. Accordingly, they require a some protection.

Just fill out our bond application here and email it to [email protected] – click here to get our Kentucky Bid Bond Application

A bid bond is issued as part of a bid by a surety bond company to the project owner. The owner is then assures that the winning bidder will take on the contract under the terms at which they bid.

Most bid bonds contain a bid percentage (usually five or ten percent, is forfeited if you don’t accept the job).

How much does a Bid Bond Cost in Kentucky?

Swiftbonds does not charge for a surety bid bond (with two exceptions, see below). The reason that we don’t charge for a bid bond is that we will charge for the P&P bond if you get the job. The cost of a P&P bond can vary widely depending on the amount of coverage that is required (see below).

Two exceptions for bid bond charges: 1) We do charge for Overnight fees 2) We will charge you if there is NOT going to be a bond on the contract.

How much do bonds cost in KY?

Bond prices fluctuate based on the job size (that is, it’s based on the cost of the underlying contract). The cost of a bond is estimated through a couple of back-of-the-envelope calculations. In general, the cost is approximately three percent (3%) for jobs under $800,000 and then the percentage is lower as the contract amount increases. We work diligently to find the lowest premiums possible in the state of Kentucky. Please call us today at (913) 286-6501. We’ll find you the very best rate possible for your maintenance bond or completion bond. Things that can affect this pricing are the perceived risk of the job, the financial position of the entity being bonded, plus other factors.

Bond Amount Needed Fee 2-3% >$800,000 1.5-3% >$1.500,000 1-3%

These rates are for Merit clients, Standard rates are higher

How do I get a Bid Bond in Kentucky?

We make it easy to get a contract bid bond. Just click here to get our Kentucky Bid Bond Application. Fill it out and then email it and the Kentucky bid specs/contract documents to [email protected] or fax to 855-433-4192.

You can also call us at (913) 286-6501. We fully review each and every application for surety bid bonds and then submit it to the surety that we believe will provide the best bid and P&P bond for your company. We have a high success rate in getting our clients surety bid bonds at the best rates possible.

What is a Kentucky Bid Bond?

A bid bond is a bond that guarantees that you will accept the work if you win the contract. The bid fee (usually five (5%) or ten (10%) percent) is a forfeiture that is paid when you win the bid, but then decide not to take the work.

Find a Bid Bond near Me

Typically, a bid bond and payment and performance bond are done together in the same contract by the surety. This way, the owner of the project is assured that the project can be completed pursuant to the terms of the contract and that it will not be liened by any contractor. This is security for the owner of the project.

Who Gets the Bond?

The general contractor is the corporation that obtains the bond. It is for the benefit of the owner (or in the case of government contract work, the governmental entity). It’s the general contractor that has to apply for the bond and be underwritten before the bid bond is written by the surety. This is also known as bonding a business.

We provide bid bonds in each of the following counties:

Adair Allen Anderson Ballard Barren Bath Bell Boone Bourbon Boyd Boyle Bracken Breathitt Breckinridge Bullitt Butler Caldwell Calloway Campbell Carlisle Carroll Carter Casey Christian Clark Clay Clinton Crittenden Cumberland Daviess Edmonson Elliott Estill Fayette Fleming Floyd Franklin Fulton Gallatin Garrard Grant Graves Grayson Green Greenup Hancock Hardin Harlan Harrison Hart Henderson Henry Hickman Hopkins Jackson Jefferson Jessamine Johnson Kenton Knott Knox Larue Laurel Lawrence Lee Leslie Letcher Lewis Lincoln Livingston Logan Lyon McCracken McCreary McLean Madison Magoffin Marion Marshall Martin Mason Meade Menifee Mercer Metcalfe Monroe Montgomery Morgan Muhlenberg Nelson Nicholas Ohio Oldham Owen Owsley Pendleton Perry Pike Powell Pulaski Robertson Rockcastle Rowan Russell Scott Shelby Simpson Spencer Taylor Todd Trigg Trimble Union Warren Washington Wayne Webster Whitley Wolfe Woodford

And Cities: Louisville Lexington Bowling Green Paducah Frankfort Owensboro Elizabethtown Hopkinsville Covington Pikeville Bardstown

See our Louisiana Bid Bond page here.

More on Bid Bonds https://swiftbonds.com/bid-bond/.

Learning More About Applying and Finding The Right Bid Bonds For Your Needs

Bid Bonds can be complicated to apply for, especially if you don’t understand how they work. Most individuals consider this as insurance, but it’s actually a type of guarantee that the principal will perform their work properly for the obliged. Insurance companies usually offer a Surety Bid Bond, but you cannot call it insurance because its function is different. Most individuals will require you to get a bid bond before they consider your services as it is a form of guarantee to them.

If you’d like to consider applying for a bid bond or other bonds, you must understand how they work. We will provide you information on the importance of Bid Bonds and how they actually work.

The Importance Of A Surety Bid Bond

Bid Bonds will always be in demand to protect the public because it is a kind of assurance that your obligations and duties will be completed. Most states require you to get a license surety bond to ensure that your company will adhere to state code and laws and you get a contract bond to guarantee that a public project will be completed. A Surety Bid Bond is meant for the obliged since they are the ones that are being protected, but it will also benefit you because the clients will trust you and your work. There are thousands of bonds right now and the type of bond that you are trying to find will depend upon your situation.

The Primary Purpose Of A Surety Bid Bond

Bid Bonds are a three-party agreement between the principal, the obliged and the surety company. The principal is the employer or company which will perform the work and the obliged is known as the project owner. Construction companies will almost always be required by law to acquire Bid Bonds if they’re chosen for a public project. The government will require a construction company to get a host of bonds before they work on a certain project. The bond will ensure that the sub-contractors and the other workers will be paid even if the contractor defaults. The contractor will cover the losses, but when they reach their limit, the duty will fall to the surety company.

How To Apply For A Surety Bid Bond

Bid Bonds are provided by insurance providers, but there are standalone surety businesses that focus on these products. A surety company must be licensed by a state Department of Insurance.

It won’t be easy to apply for a bond since the applicants will have to go through a process that is comparable to applying for a loan. The bond underwriters will look into the credit profile of the applicant, their financial history and other key factors.

It means that there is a chance that you won’t be approved for a bid bond, particularly if the bond underwriters see something from your credit rating that makes them think you will be a risk.

How Much Will You Spend?

You cannot put an exact cost on a Surety Bid Bond because the cost is affected by numerous factors like the bond type, bond amount, where it will likely be issued, contractual risk, credit history of the applicant and more. There are thousands of different bonds available today and the cost will depend on the bond that you want to get. The amount of the bond will be a factor because you could select a $10,000 bond or a $25,000 bond or higher.

If you already have a credit history of 700 and above or very near this number, you can be eligible for the standard bonding market and you will need to pay 1 to 4 percent of the Surety Bid Bond amount. It means that if you obtain a $10,000 bond, you only have to pay $100 to $400 for the interest.

Your Application For A Bid Bond Could Be Rejected

There is a possibility that your bid bond request will be refused by the surety company since it will depend upon the information that they can get from the background check. If the surety company thinks that it will be a risk to give you a bid bond, they will deny your application. Your credit history is one of the most important factors to be approved for a bid bond because if you have a bad credit history, it shows a risk of default on the bond.

You CAN get a bid bond even if you have a bad credit score, but most likely you will pay an interest rate upwards of 10 to 20 percent.

If you plan to get a Surety Bid Bond, make certain you understand what is required prior to deciding. It is not easy to apply for, but if you know more about them, it will be a little bit easier to be approved.

A Deeper Take A Look At Bid Bonds in Construction A Quote Bond is a type of surety bond used to guarantee that a professional bidding on a job or task will participate in the agreement with the obligee if granted.

A Bid Bond is released in the amount of the agreement quote, with the similar requirements as that of an Efficiency Bond.

Everything About Bid Bonds in Building And Construction The origins of our service was closely linked with the arrangement of efficiency bonds to the contracting market. It found that the private specialist typically was insolvent when the task was granted, or grew to become insolvent earlier than the challenge was finished.

The standing of your surety company is very important, due to the fact that it guarantees you that when you have troubles or if even worse includes worst you'll have a trustworthy partner to turn to and receive assistance from. We work just with T-listed and a-rated companies, most likely the most trustworthy corporations in the market.

Normally no, they are separate. Quote bonds mechanically turn into efficiency bonds in case you are granted the agreement.

What Is A Construction Surety Bond? The origins of our business was carefully linked with the arrangement of performance bonds to the contracting market. Even if some jobs do not need cost and performance bonds, you will need to get bonded finally because the majority of public efforts do require the bonds. The longer a little contractor waits to get bonded, the more durable it will be because there will not be a observe report of satisfying the mandatory requirements for bonding and performing bonded work.

The only limit is the most significant bond you might get for one specific task. The aggregate limitation is the entire quantity of bonded work readily available you perhaps can have without hold-up.

The Significance Of Bid Bonds near You Arms, generators, radio towers, tree removal, computer systems, softward, emergency alarm, decorative work, scaffolding, water towers, lighting, and resurfacing of existing roads/paved areas. Bid bonds additionally work an additional assurance for job owners that a bidding specialist or subcontractor is qualified to carry out the job they're bidding on. There are 2 causes for this.

https://swiftbonds.com/bid-bond/kentucky-2/

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aestheticsharry · 4 years

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Kentucky Bid Bonds

See the below short article for more great information. You can see the initial post here: https://swiftbonds.com/bid-bond/kentucky-2/

Kentucky Bid Bonds

What is a Bid Bond in Kentucky?

Just fill out our bond application here and email it to [email protected] – click here to get our Kentucky Bid Bond Application

A bid bond is issued as part of a bid by a surety bond company to the project owner. The owner is then assures that the winning bidder will take on the contract under the terms at which they bid.

Most bid bonds contain a bid percentage (usually five or ten percent, is forfeited if you don’t accept the job).

How much does a Bid Bond Cost in Kentucky?

Two exceptions for bid bond charges: 1) We do charge for Overnight fees 2) We will charge you if there is NOT going to be a bond on the contract.

How much do bonds cost in KY?

Bond Amount Needed Fee 2-3% >$800,000 1.5-3% >$1.500,000 1-3%

These rates are for Merit clients, Standard rates are higher

How do I get a Bid Bond in Kentucky?

What is a Kentucky Bid Bond?

Find a Bid Bond near Me

Who Gets the Bond?

We provide bid bonds in each of the following counties:

And Cities: Louisville Lexington Bowling Green Paducah Frankfort Owensboro Elizabethtown Hopkinsville Covington Pikeville Bardstown

See our Louisiana Bid Bond page here.

More on Bid Bonds https://swiftbonds.com/bid-bond/.

Learning More About Applying and Finding The Right Bid Bonds For Your Needs

If you’d like to consider applying for a bid bond or other bonds, you must understand how they work. We will provide you information on the importance of Bid Bonds and how they actually work.

The Importance Of A Surety Bid Bond

The Primary Purpose Of A Surety Bid Bond

How To Apply For A Surety Bid Bond

Bid Bonds are provided by insurance providers, but there are standalone surety businesses that focus on these products. A surety company must be licensed by a state Department of Insurance.

It means that there is a chance that you won’t be approved for a bid bond, particularly if the bond underwriters see something from your credit rating that makes them think you will be a risk.

How Much Will You Spend?

Your Application For A Bid Bond Could Be Rejected

You CAN get a bid bond even if you have a bad credit score, but most likely you will pay an interest rate upwards of 10 to 20 percent.

A Bid Bond is released in the amount of the agreement quote, with the similar requirements as that of an Efficiency Bond.

Normally no, they are separate. Quote bonds mechanically turn into efficiency bonds in case you are granted the agreement.

The only limit is the most significant bond you might get for one specific task. The aggregate limitation is the entire quantity of bonded work readily available you perhaps can have without hold-up.

https://swiftbonds.com/bid-bond/kentucky-2/

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georgiapioneers · 7 years

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Buncombe Co. NC Genealogies and Histories #northcarolinapioneers

Buncombe County Wills and Estates

Buncombe county was formed in 1791 from parts of Burke County and Rutherford Counties. It was named for Edward Buncombe, a colonel in the American Revolutionary War, who was captured at the Battle of Germantown. The large county originally extended to the Tennessee line. Many of the settlers were Baptists, and in 1807 the pastors of six churches including the revivalist Sion Blythe formed the French Broad Association of Baptist churches in the area. In 1808 the western part of Buncombe County became Haywood County. In 1833 parts of Burke County and Buncombe County were combined to form Yancey County, and in 1838 the southern part of what was left of Buncombe County became Henderson County. In 1851 parts of Buncombe County and Yancey County were combined to form Madison County. Finally, in 1925 the Broad River township of McDowell County was transferred to Buncombe County. Genealogy Records available to members of North Carolina Pioneers Images of Will Book B, 1869 to 1899 Names of Testators:

Images of Buncombe County Will Book C, 1887 to 1897 Names of Testators:

Images of Will Book A, 1831 to 1868 Names of Testators:

Indexes to Probate Records

Wills 1831 to 1868; Wills 1868 to 1899; Wills 1887 to 1897

Find your Ancestors Records on North Carolina Pioneers SUBSCRIBE HERE

via Blogger http://ift.tt/2gOnCGA

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