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#rambling but make it incoherent
chiricat · 1 month
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ryomina demons are winning
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chronicowboy · 1 month
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obsessed with the return of buddie's fucked up, unknowing jealousy. i think that locker room scene does it incredibly well especially for the first episode because both of them are keeping pretty big things from each other that i guarantee they would have told each other about immediately minus marisol and natalia. but eddie doesn't tell buck about christopher's first date, for long enough that it's been planned and he's asked his girlfriend to help chaperone, because a subconscious part of him wants to punish buck for dating natalia. and buck doesn't tell eddie anout breaking up with natalia, which seems like it happened at least a little while ago, because he doesn't want to be single in the face of eddie's new relationship and if there's a little hidden part of him that wants eddie to think he's taken by the death doula just a little while longer well.
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glitterghost · 8 months
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Correct me if I'm wrong, but I feel like there is a particular kind of sadness (or loneliness, if you will) that ace/aro folk feel.
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momentomori24 · 3 months
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Surprisingly, hearing Vox and Val technically (I love how technically needed to be added) aren't dating didn't upset me as much as I thought it would. It did... for like a minute until I thought about how painfully much it fits them.
Val throws tantrums and is ready go out and kill people to let off steam, but decides to stay put in his room and sulk instead while he waits for his flat-faced prince to come and comfort him before he does anything drastic. He's killed and abused people for the slightest hint of non-compliance, which he sees as giving him an attitude or questioning his authority, but he doesn't so much as flinch when Vox raises his voice and starts shaking him in frustration more than once. He doesn't lash out or get angry when Vox tries to talk him out of marching towards the hotel, but instead listens to his points and takes his words to heart even when they weren't what he wanted to hear. He's not interested in Alastor, but is willing to sit through watching the extermination broadcast because Vox is a passionate football dad about his one-sided rival getting dunked on. He doesn't even act jealous towards Vox's obsession, just weirdly amused and supportive even tho he hates not being the center of attention any other times. And then there's Vox, who acts like he's annoyed to have to put up with Valentino but still does it anyway. He acts disinterested about Val's ranting over Angel until he hears that Angel might've quit because he's an jealous, insecure loser that wants that mf's attention to himself. He lights his cigarette and decides to call up their lowest earners for him to terrorize without being asked just to lighten his mood a little (unrelated but i feel for their employees). He keeps his eyes on him both in his room and when he's at the pub through the cameras he's got everywhere. He takes his hand like one would with a princess and smiles fondly at him before disappearing when noticing they're being watched. He's the only person that Val trusts enough to calm him down when his temper gets the better of him. And Val-- despite his volatile temper and obnoxious quirks-- is someone he respects and cares about, both as his business associate and romantic partner.
And they aren't dating. Val and Vox clearly have a connection and understanding and attraction yet are unable to confront those feelings in fear of being vulnerable. So they aren't dating. Val obsesses over Angel and Vox obsesses over Alastor to distract themselves of the other only to fall back into each other's arms at the end of the day. Even tho they aren't dating. They celebrate, dance, sing, support and shamelessly make out with each other. They're the only ones that would put up with each other's bullshit no matter what-- but for some reason, they're still not dating. They are two of the worst Overlords in Hell, capable of committing so many despicable acts and jumping to immoral tactics for their own gain without any regrets, but opening that door into genuine emotional vulnerability? Acknowledging their softness for each other? That's where they draw the line. They're clearly made for each other, but neither of them dare to step over that line to commit to something more.
Which means that we could get to actually see these changes take place. We could get to see more sides to these two we still haven't seen before. We could get to see them actually start dating and the complicated journey it took to get there. We could get to scream and kick and seeth as these two morons continue to dance around admitting their very much requited romantic feelings for every stupid reason under the sun episode after episode. We could get to see these two fix each other and make each other worse simultaneously. Mostly make each other worse. We could get to see them have a romantic duet. We could get to see them be happy together-- officially together-- while they make life worse for everyone around them.
All this mumbo-jumbo, sleep-deprived ranting will likely not happen, but the potential character growth, the dynamic development, the resolved romantic tension, the SONGS we could get??? I'm clinging onto this hope for dear life until it's ripped from my cold, dead hands.
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i don't know what order to start Dissecting, so i'll just start with:
it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head
see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.
but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.
(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)
and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.
(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.
of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)
in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!
maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.
but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!
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sualne · 5 months
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having a normal one with poems again.
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flowercrowngods · 1 year
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✨🤍 some steddie softness for @thefreakandthehair's birthday, i hope it's the very best so far! 🤍✨(please please your day comes first, read this whenever you have time and space to breathe 🤍)
Eddie is not a religious man — far from it, actually. But there are a few things that make him believe in higher powers. In angels. In destiny and luck and a love so strong it could conquer everything. 
This very moment is one of them. 
Stevie, soft and sleepy beside him in the back of the car as Nancy is driving, the dim light of the passing street lamps painting his face in hues of gold like the light itself favours Steve Harrington, caressing his features with the softest of shadows. 
He’s beautiful. Ethereal. Perfectly angelic with his eyes closed, his whole body turned towards Eddie in the warmth of the car.
It takes Eddie’s breath away, his heart taking up space where before there were his lungs and ribcage, growing in size until he feels like he is about to burst. And even then he keeps looking, staring at that pretty face that looks so at peace with the whole world right now. Eddie has never seen Steve like this, but now he understands why people start wars. Why people defy gods and death itself to be with their one true love. Why Orpheus looked back. 
He understands. Because Steve, his Stevie, warm and safe and perfectly fine in the backseat of a car? That is everything. He doesn’t even need to kiss or touch so long as he just gets to look. And be. Oh, to be at the same time that Steve is. 
That might just be life’s greatest gift to him. 
A tiny sigh falls from Steve’s lips and Eddie really, really might be about to burst. 
“Hey, angel,” he whispers, because moments like this aren’t made for anything but hushed words, their truths too heavy, too sincere for the world to hear and keep on spinning. He doesn’t need the world to spin as long as there is Steve. 
“Hi,” Steve whispers back, his eyes still closed but the smile lighting up, luring Eddie in like he is but a moth drawn to the flame. 
Eddie leans in and rests his forehead against Steve’s, his hand coming up to cradle a light-kissed cheek. Steve leans into it, following Eddie’s hand like maybe they are twin stars pulling each other closer until there will be an explosion of light and creation. Steve nuzzles against his palm and leans further into Eddie’s body until they share the same breath — but still it’s not enough. 
Eddie wants to say so many things now that their hands are entangled, their soft exhales mixing. But after a while he notices that Steve is humming before gently singing along to the song coming quietly from the speakers. 
“Take it easy with me, please. Touch me gently like a summer evening breeze. Take your time, make it slow. Andante, Andante. Just let the feeling grow.”
Eddie knows the song, recognises it instantly, and his breath gets stuck in his throat once more. Because he has a secret. He loves it. He has imagined for the longest time that one day, someone would make it his song. Sing it for him, to him. 
He’s never told anyone because he has a reputation to uphold and more than enough metal music to listen to, but of course Steve wouldn’t care about his secrets being secret, and just oh so casually make his deepest, most private of dreams come true. 
He’s an angel, that one. A hero. Myths and fairy tales should be woven around that heart of his, folklore speaking of his name until history itself wouldn’t dare to forget. No one can convince Eddie otherwise. Not in that moment, not with Steve singing so quietly, so gently, so adoringly. 
I think I love you. I think I can’t ever stop, not when I’ve seen you like this. Not when you’ve just shown me what life can be about, what it should be about. Gods, I love you and love you and love you. 
That’s what he wants to say. 
But all that comes out is a marvelled, “Shit, Stevie.”
It has the desired effect of a huffed breath, an even wider smile, and Steve cuddling further into Eddie’s side, eyes still closed. Eddie brushes a kiss to Steve’s forehead and feels like maybe his love can make it into the fairy tale, too. 
It will. Oh, it will, when Steve finally lifts his head from Eddie’s shoulder and looks at him through hooded eyes, all soft and sleepy and safe. A moment passes like this and Eddie can’t breathe, maybe he can never breathe again — but it only lasts until Steve slowly, so very slowly begins to lean in to claim Eddie’s lips with a kiss so gentle it could bring him back from the dead. 
Eddie kisses Steve back just as slowly, because in moments like this there is no rush, no hurry. There’s only them, there’s only this. Only a kiss until there is another. 
And with Steve, there is always another. 
Nancy smiles as she is taking the long way to Steve’s house, rounding Loch Nora twice because she knows how comfy Steve gets in cars at night when he doesn’t have to drive and there is soft music playing. 
Eddie kisses her goodbye on the forehead, fully aware of what she’s done. He doesn't tell her about the sun and the myths and all the wars he would start for Steve.
Nights like this are not meant for telling anyone about them. They can hardly be believed as it is. They can only be lived, hand in loving hand.
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adobe-outdesign · 11 months
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Nigel: The Muppets' Most Interesting Uninteresting Character
(This was supposed to be a fun little post about an obscure Muppet character but now I fell down a hole doing too much research and sunk cost fallacy won't let me live it down unless I include all of the useless information I've learned so enjoy knowing more about this character than you ever have or ever will want to know)
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Nigel was created to be the host of the Muppet Show's Sex and Violence pilot instead of Kermit (who only appears in the pilot for like 30 seconds)
He was originally puppeteered by Jim Henson himself, giving him a vaguely Kermit-esq voice initially
Nigel Voice Count: 1
Nigel is a yellow... something. You’d assume he’s just a stylized human Muppet but in S4E18 Sam refers to him as a “thing”
He actually looks near-identical to a Fraggle minus the tail. I don’t know what to do with this information
Nigel was diagnosed with terminal Boring Personality disease due to the following attributes:
He’s very meek. Unlike Kermit, who will freak out and tell people they suck to their faces, Nigel raises his voice one (1) time and mostly relies on Sam the Eagle and Crazy Harry to deal with the assorted chaos
His face is flexible like Kermit’s, but he has permanently partially-lidded eyes that leave him looking exhausted in every scene he’s in
He’s generally unenthusiastic and seems like he wants to go home constantly
Jim Henson: The Works describes him as "lacking in spunk and charisma," which is hilariously cruel yet 100% accurate
What’s surprising at this point is that instead of scrapping him, he instead took on the role of orchestra conductor on the show proper, where he proceeds to do almost nothing for five seasons
The Muppets Character Encyclopedia actually provides a canon reason for this: Nigel lost the job of host due to his “shy manner”, and Kermit, feeling bad for replacing him, gave him his new job
He can technically be seen in basically every episode during the theme song, but aside from that, he often pops up in the chorus during songs
Which is funny when you consider he should be in the pit Doing His Job during those sequences
A quick list of his more important (if you can even call them that) appearances:
S1E2: He has Zoot play a song called “Sax and Violence” b/c pilot references
It’s actually implied the Mayhem falls under his jurisdiction as he threatens to fire Zoot, but this never comes up again
S1E24: Playing the part of a library patron noisily chewing gum (despite not having teeth. idk you figure it out). This one’s only notable because he’s wearing the same outfit from the pilot
S3E16: Nigel’s eyelids are not connected to the rest of his body and he’s facing backwards through the entire backstage segment so you’re uncomfortably aware of this
S1E23 has Floyd complaining that the theme song is cringe(TM), at which point it’s casually revealed that Nigel wrote it?? how is this character so important and unimportant at the exact same time
If you’ve seen this episode and aren’t deaf you might have noticed he has a completely different voice here. This is because John Lovelady has taken over as his puppeteer, presumably because Jim was busy Running The Entire Show
Nigel Voice Count: 2
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Nigel has a talent for whistling, which is shown off in S2E18 during a performance with Floyd (this is the only time he comes on stage to perform that isn’t with a crowd)
He shows this off again in S4E18 to participate in the age-old sport of Annoying Sam the Eagle backstage
As of the 2011 movie Walter takes over as the show’s resident whistler because Nigel isn’t allowed to have character traits
He briefly shows up during the credits of The Muppet Movie (now puppeteered by Dave Goelz). Because of this, in the UK version of the end credits, he has another completely different voice
Nigel Voice Count: 3
After a brief background appearance in The Jim Henson Hour (S1E12), Nigel proceeded to completely disappear for 20 years
I’m guessing the reason was that his puppet was becoming unusable. The foam used for the muppets disintegrates over time, and his puppet was ~15 years old at this point
Things were particularly bleak for him in the 90s because Muppets Tonight came out with a new unrelated TV director character named... Nigel. Because Jim had passed away at this point and I think everyone working on the show literally Forgot they already had a character named that
Not that it would be that big of a problem, seeing as the chances of yellow Nigel returning were bleak. who was gonna spend time and money rebuilding an incredibly minor background character like him
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TRICK QUESTION because he was rebuilt for The Muppets (2011), which is pretty amazing when you consider that he does Nothing during this movie
The new puppet looks pretty similar to the old one. I think the face is a bit rounder/more structured but I could also be losing my mind
(Side note: shoutout to whoever decided to give him a scarf in this scene. that’s such an unnecessary detail)
What’s great is that now that the puppet’s been rebuilt he’s shown up in a lot of stuff because they have no reason not to include him. Some of the more notable examples include:
The music video for OK Go’s cover of the theme song (which I certainly hope he would show up in I mean. it’s his song)
In the live shows (The Muppets Take the Bowl and The Muppets Take the O2) there’s a parade of overlooked characters, which includes Nigel. I just find it funny that:
A) The writers fully acknowledge that he’s King of the Background Characters
B) The in-universe implication that Kermit was like “no one knows who you are, wanna be in a parade celebrating that fact” and Nigel was like “okay”
His most recent appearance was in Muppets Haunted Mansion, where he’s dead (don’t worry about it). More importantly, he gets an entire shot to himself conducting some skulls, which I think is the first time the camera’s been focused solely on him in literally 40 years. Good job, buddy!
Here’s some other misc appearances that I couldn’t fit elsewhere:
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He appears alongside Jim and a few other Muppets in a 1977 commercial for American Express (once again wearing his pilot outfit), which is particularly strange considering he’s the only character there that used to be puppeteered by Jim
In 2010 he got a somewhat important role in the first issue of Muppet Sherlock Holmes, playing the part of a butler suspected of poisoning the head of the house
He gets one whole page in The Muppets Character Encyclopedia from 2014 (right next to other Nigel). In addition to the aforementioned info bridging the gap between the pilot and the show proper, it also states that he’s susceptible to hypnosis and he trained at the Tommy Newsom Academy for Music and Charisma
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In terms of future projects: there is both a Jim Henson biopic and documentary coming in the future (side note: why???), so it’s possible he might be discussed briefly in one of those
I have no thesis statement or reason for writing this, but I guess I’ll close out by saying that I find it fascinating that a failed main character from a pilot episode is still appearing in recent Muppet productions but solely as a background character. I hope that in 2073 I can put on some Muppet media and Nigel will still be there still doing absolutely nothing
thanks for coming to my TED talk
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I love Dundy so so much but Christ, do I hate how fucking calm he seems in that Lawful Mutiny scene...!
Little is riled the fuck up. He's the most animated and impassioned we've perhaps ever seen him, using uncharacteristically expressive language too ("this coven of traitors", "that devil").
Le Vesconte, in sharp contrast, appears cool and collected, to the point of complete detachment and numbness (I say appears because of course he's suffering too). He speaks slowly and plainly, clearly having rehearsed, and chooses his words very very carefully indeed (those too ill to walk will not be left behind, for example, they'll just "stay").
It's almost like he's that arsehole in a disagreement who tries to convince you that they're right just because they're arguing in a calm, 'logical', grammatically-correct manner, and you're wrong just because you're getting passionate and emotional over the subject at hand.
Like, just imagine being Little in that situation!
You've been suppressing your emotions for god knows how long, keeping your anger and resentment simmering just below the surface for as long as you can remember for fear of what will happen if you let those emotions show, fear that it'll just make things worse.
But finally you can suppress no longer, something in you breaks. All that anger and resentment starts to boil over but you find that you were right - letting those emotions show didn't help at all, it made everything worse, just as you feared.
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fantasykiri5 · 2 months
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Fabian and Riz to me are like. They’re like the definition of “a secret third thing” to me but not like in a qpr way. Their thing is just Their Thing, like they’re inseparable they drive each other fucking bonkers they care so deeply and they’re stupid teenagers and I don’t think they would even really think about it at all. I don’t think either of them can imagine a world where they’re not at least around the other, and like whatever their thing is definitely isn’t allo but it’s definitely not regular besties shit. They just like being around each other, I don’t think either of them would really even think to put a name to whatever it is they’ve got going on, and I definitely don’t think either of them would ever put enough thought into it to even figure out what a qpr is, much less label themselves in one. They’re just Fabian and Riz. The Ball and Captain of the Owlbears. They’re just them I think. Idk man.
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celestialrealms · 8 months
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barbatos letting himself be loved and cared for. barbatos letting himself be loved and cared for!!!
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adipostsstuff · 2 months
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Thinking about how selfless Es is. Not in the sense that they care about helping others more than themselves, but as in they literally do not care about themself. They do not have any will or desires of their own, and if they do they simply through it to the side so they can more easily do what others want from them for no benefit or satisfaction. They exist to be projected onto by Milgram, by the audience, by the prisoners. People always want things from them but they want nothing in return because what are they supposed to want?
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snowberry-pie · 5 months
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the theme of family and love in durge’s story makes me crazy because it’s not even like, “i never had a family that loved me and now i do” it’s “i had a family that loved me so so much but that love was so destructive and unhealthy that it ruined me” does this make sense
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jeffersonseaplane · 1 month
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I love jannik sinner I hope he wins every competition they could ever conceive of in this sport
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quietbreeze97 · 3 months
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So, I think we can now feel 100% sure that Alastor HAS made a deal with someone, but not only do I now think it could be someone other than Lillith since she's up in heaven (but it still makes the most sense) - I also think it's very clear Alastor does GENUINELY care about Charlie and has been helping her and others not just for his own gain, but because he can. And THAT is what's driving him mad, and whoever has him in chains most likely doesn't want him getting attached or feeling sympathy for others.
He's been asked to do somebody's bidding, that's for sure, and part of the reason he'll have made a deal in the first place is to gain even more power for himself, hence why he's latched onto Charlie, daughter of THE most powerful overlords in Hell. His own agenda does certainly come into it and I believe he started this for selfish reasons, but now he's allowed himself to care too much, which is not only sending him crazy because it's changing him as a person, but he may well be terrified of the consequences based on whoever's controlling him.
His line in the finale song, "Sorry to disappoint", made me think he was certainly addressing his captor, not himself. He's SCARED AS FUCK, and that's making him lose it.
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modernchillthings · 1 year
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I wanna talk about Weak Hero Class because I saw this on twt where Hyunwook talks about Sooho's relationship w Sieun and it's making me cry.
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So basically I wanna talk about Sooho and how, for the whole show, he always emphasizes not crossing the line. From his first introduction of his fight with the baseball team, he told the dude that he crossed the line so he punched him. But before that he was mostly fighting in self defense and his attacks weren't too harmful (playful smack with a book for example). I think for Sooho, 'crossing the line' means harming someone severely and with malicious intent. Like those baseball dudes had intent to harm, sure, but Sooho never saw it that way and was even being playful. But the moment the baseball dude acted with the intent to really harm Sooho with the bat, thats when it was 'crossing the line'
The next instance was at the end of ep1 when Sieun was about curb stomp the shit out of Youngbin but he stopped him. Idk why he didn't stop him before that (if he was asleep through that then wtf..how??) but let's assume he woke up during the fight. He probably let Sieun handle it for a bit because he might have recognized how Youngbin deserved that but knew that if Sieun went any further, he would've been severely hurt. (Yeah he got a broken nose but he looked fine by ep 5 or 6 and STILL didn't learn his lesson so...if Sieun kept going, he would not have been walking around and shit)
Even when he was training Sieun, Sooho told him to run instead of 'finishing off' the opponent (which Sieun ignored obviously)
Every fight scene with Sooho before ep 7 have been either in self defense or defense of others and to me, I never saw it as him fighting just to fight or hurt but more to assist or defend. He's never sought out violence or harmed others maliciously...until Sieun got hurt.
(I would analyze all of Sooho's fight scenes but I don't have the words to articulate it and this post is getting too long)
We can also argue that he was defending Sieun when he lined up all the bullies and punched them in the gut one by one but Sieun wasn't there to witness this and I don't think he ever found out. Like this Sooho wanted to HURT those dudes. He wanted them to feel the pain that Sieun felt. Still, the Sooho in ep 7 was a vengeful one. The moment he saw Sieun and was hiding his cast from him, Sooho was on a path of revenge.
Then he sought out Yeongbin and broke his fingers and arm and was sending really threatening texts towards Bumseok. If I watched that scene out of context and without subtitles, I would assume Sooho was the bad guy. And then when he hit Bumseok, he probably would have kept going if it weren't for that other ufc dude interrupting. And tbh, I feel like the only fight that didn't cross the line was w that dude bc it did kinda feel like a spar for Sooho, like they both even wore the gloves. Like I don't think Sooho came in there wanting to hurt that dude, only Bumseok, and it was more like a sidequest for him. If the other bullies didn't get in the way, Sooho deffo would have won then he probably would've reverted his attention back to Bumseok.
But the moment he crossed that line, Bumseok decided to cross that line as well and then in ep 8, so did Sieun (until he faced Bumseok in the end and held back but that's another thing)
Idk what I'm really getting at here, just know that Sooho's fights in ep 7 were to HARM others intentionally whereas the fights before were not and maybe you could say it cost him his life (I know he's not dead but....yknow..)
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