I've been working exclusively on Motley and no other personal project for like 2 years now, and I think I've finally hit a wall. Which I don't love, because I sure am ready to see it as a pilot!!! But I've had so many ideas for it at this point that I've ended up with a bunch of crossed wires that I can't seem to untangle.
I'm gonna let it rest for a little bit and try to work on a smaller project. Maybe that's the sort of palette cleanser I need to get the gears turning again.
I hope you guys like aliens.
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Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:
I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.
IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.
I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.
Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).
Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.
At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).
Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.
So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.
Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.
Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).
Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.
The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.
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I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.
whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.
ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.
but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.
like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.
classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.
but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.
they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention
anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)
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My lyrics for Double!! I really loved this song and became like a thousand times more impressed by Deco27 and Natsuki Hanae after working with it for so long 😅 I chickened out of recording this one in the apartment but if anyone wants to cover it... lmk.... 👀 I can definitely put something together to help hear how the rhythms work, because I got it all to line up very nicely! (Lyrics under the cut and my little commentary in the tags)
(I’ve got you, leave it to me!)
Welcome home, it's another day, keeping things at bay, you see no change
Not a smile in this mess, you're doing your best, you say (wake up)
"Don't need a break" as you proceed to start breaking, both sleeping and waking makes you bleed
And now, reborn anew -- I'll take in on for you
Not your plan? Who gives a damn, I'm here and here is where I'll stay
It's just the two of us, nothing left to run from. You're safe now, your hero's come.
All I did was dream, is that a crime? Is that enough to name me guilty by?
"He can't be trusted, he lied," you cried. Made me out as the bad guy. But why?
Ah, I'm the one that saved you, don't you see? So tell me why the hell you cry to me!
Let me hear you revel, grateful, cling to me with "savior," "adore" -- oh, sing to me.
Welcome home, it's another day, keeping things at bay, you see no change
Too late, your limits passed. Too late, yourself has cracked (goodnight)
If you persist I'll assist with releasing, keeping your peace is why I exist
And now reborn anew -- I'll take it on for you
(Oh, hello? Mom? It’s been a while. Yeah.. well, I mean, some days are hard but I’m doing alright, don’t worry. How’ve you been? I’ll go home next time I get some time off...)
The reason I'm alive, must be making sure that you survive
"He can't be trusted, he lied," you cried. Made me out as the bad guy. But why?
All I did was dream, did you forget? Go on and forgive me, I'm no threat.
Listen to me confess, honest. Eat your words and I bet, regret
Ah, I just tried to help, tried to be strong. So tell me why the hell it's all gone wrong
Let me hear you revel, grateful, cling to me with "savior," "adore" -- don't sing me this song
Lost my memory
I'm double, it was unavoidable
Living painfully
I'm trying, as hard as possible
Tell me, tell me.
If I wasn't born, maybe this trouble --
Tell me, tell me.
It's all my fault
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