So earlier in art class today, someone drew a characters hands in their pockets and mentioned that hands are really like the ultimate end boss of art, and most of us wholeheartedly agreed. So then, our teacher went ahead and free handed like a handful of hands on the board, earning a woah from a couple of students. So the one from earlier mentioned how it barely took the teacher ten seconds to do what I can’t do in three hours. And you know what he responded?
“It didn’t take me ten seconds, it took me forty years.”
And you know, that stuck with me somehow. Because yeah. Drawing a hand didn’t take him fourth years. But learning and practicing to draw a hand in ten seconds did. And I think there’s something to learn there but it’s so warm and my brain is fried so I can’t formulate the actual morale of the lesson.
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I had this friend I was living with when I was getting my associates degree in my early twenties. Wait, hang on. So the first thing I need to convey about that time in my life is that I was as full of anxiety as it was possible to be.
I was working, taking classes, and living on my own for the first time. I was drowning. I was a bubbling kettle of stress and responsibilities all waiting to boil over at any moment. Bodies are fickle things. They all react to stress very differently. My body decided that the best possible way to deal with stress was to puke about it.
This was extremely unwelcome not just because throwing up is a violently uncomfortable experience but also because I struggled most of my life to maintain a healthy weight. I’d eat enormous portions but even when my food stayed down I burned through calories like a hummingbird. I tended to hover right around a hundred pounds, desperately trying to gain weight.
My friends were all aware of my struggles. They’d keep granola bars on them for when I suddenly got so hungry I was sick and made me calorie dense meals. They knew the face I made when I realized I was going to be sick and usually had water and back rubs for me afterward.
So that’s where I was. Throwing up generally at least once a week, working and school full time. I was living with three friends. Let’s call them K, D, and E. K and I had been friends since middle school and she and I shared a bedroom with our own bathroom. The boys D and E shared a room, and had the public bathroom.
The last thing you need to know is that D was a sex addict. He was always horny, masturbated several times a day, and made no secret of his proclivities. It was a running joke within the friend group. (As an aside he once had his car broken into while transporting his duffel bag of sex toys to and from a liaison, and the thief ignored everything else in the car to take the toys. It was probably over a thousand dollars of used sex toys but the thief still wanted it more than his iPod)
One night I was doing homework and dinner was sitting poorly. I hadn’t fully developed my brain yet to make a connection between my paper was stressing me out to the fact that I suddenly felt really sick. But to my dismay K was in our bathroom.
So I jumped up, frantically ill, and ran across the living room to the boys toilet to barf.
The walls were thin.
Within a few minutes D came in with a cold wash cloth. He put it on my neck and rubbed my back. He’d brought a glass of water for me, too, which was all very lovely.
When I was done we sat in the miserable aftermath of this latest episode in stomach violence. He finally broke the silence to comment, “I’ve never lost an erection as fast as I did hearing you start puking.”
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Thoughts on the thunder wizard again.
Genuinely, I find Gale's relationship with Mystra to be fascinating when you consider all its facets. Unhealthy, imbalanced, definitely poisonous, but also very, very intricate with a lot of blurred edges to it. One of those things where you're both like "wow, what the hell, that's horrible" but also "that makes perfect sense for their characters, and while I would NEVER, I know why they would, and why it happened."
You've got a wizard who doesn't know what real love is, who thinks he's finally being shown it by the person he adores most. His greatest fantasy, his most potent joy, his most heartfelt aspirations, and they were all offered to him.
And he wants to see what all she's hiding from him, because of course he does. She's the keeper of all things forbidden to him. The empire of Netheril reached magical heights that will never be touched again, and all that knowledge is beyond her curtain. She loves him, right? Surely, if he proves himself enough, she'll let him grasp that power he so desperately wants.
And not even in the power-hungry sense! All that magic Mystra's locked up was accessible during Mystryl's reign. Think of all the answers to theories about the universe that are back there. Every question of "can this be done, and what would it do" would be answered, if he could just bargain hard enough.
She loves him, right?
Surely, if he proves himself enough...
And then, on the other hand, Mystra. Once Midnight, her human personality has been subsumed by the goddess of magic and her duty to the Weave. She has a responsibility to magic, she IS magic.
Then along comes this mortal boy who knows how to handle her Weave. Who doesn't try to wrestle with and dominate, who sings to it. He handles it with such ease and grace—it's not just that he could be Chosen, but he deserves it. To put her Weave in the hands of someone so intrinsically in tune with it, who understands its potential with a wonder like no other. Few enough can handle the raw power that comes with being Chosen, but this one? This one is perfect.
And he adores you. And you adore him, like one would a beautiful butterfly that's landed on their finger. And he's willing to be devoted to you in all things, not out of transaction like most of your worshipers are, but out of love for you, your craft, your magic. You're so deeply and utterly charmed by him.
And it's not like Mystra hasn't walked this path before.
She gives him what he desires, because what he desires is her. And, in a different way, she desires him. She wants him to be her representation in the world. She indulges his adoration with her own presence, and takes indulgence herself in mortal comforts. He's never satisfied with her answers, but who could blame him? She keeps a whole world away from mortals, because she knows what such unfettered power might bring about (again).
And the wizarding prodigy's ambition is lit (again).
And the height of power is reached for (again).
And she stops him (again, again, again).
She does care for him. She doesn't want to see her little butterfly burn himself, and she doesn't want to be the one to ruin those wings.
But then he's not a butterfly. He's a mortal, wielding a weapon of murder, of her murder, and he's brought it to her doorstep because she told him "no." And he's cut himself on it, he doesn't know what it is, but it's hurt him—and it's only a fraction of the hurt it could do to her. How dare he want her help after threatening her?
(He didn't mean to.)
(He only wanted to help.)
(He only wanted. How human.)
She doesn't help him. If he wants to pursue Karsus' weaponry, it's his responsibility, his hubris, that led him to injuring himself on it. She's furious. She's hurt. She's cold.
(What fools these mortals be.)
But then, there's a greater threat to her. Something that could drown the Material in Karsus' failings. And that little boy, who nicked himself on the sword he lifted, still wants her help.
It's a fair trade, isn't it? She'll forgive him, let him into her domain again, if he accepts his punishment and goes into battle for her. He picked up a sword, it's appropriate that he learns to use it in her name, right?
If he was telling the truth, he wouldn't hesitate. If he really wanted to serve her with the Netherese Orb, he would jump at the opportunity to do so. He would have to give up a few petty things in the process, ("petty," she calls mortality, as if family and home mean nothing, as if friends and love are finite. Because to her, they do mean nothing. Because to her, they are finite.) but it isn’t atonement without sacrifice, is it?
It's the tactical move. She's not above hurting one man to save a nation. It's not even the first time she's done it.
(Dornal Silverhand sends his regards.)
If he loves her, he'd die for her, because she'd let him into her paradise. If he doesn't love her, he won't, and she was justified in removing him from her grace.
He doesn't love her. Not anymore.
Does he hate her enough to try to take his dues?
Ambition has always been man's greatest folly.
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