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#reviewer reblogs
ficwip · 4 months
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fic writer asks
What’s something new that you tried in a fic this year? How did it turn out and would you do it again?
How many fics did you work on this year? (They don’t have to be finished or published!)
What’s something you learned about yourself as a writer?
What piece of media inspired you the most?
What fandom(s) did you write for this year?
What ship(s) captured your heart?
What character(s) captured your heart?
Did you write for a new fandom or ship this year?
What fic meant the most to you to write?
What fic made you feel the happiest to work on?
What fic was the most satisfying to finish writing?
What fic was the most difficult to write? Did you finish it?
What fic was the easiest to write?
What were your shortest and longest fics this year?
Rec a fic you wrote or posted in 2023
What were you go-to writing songs?
What were your go-to writing snacks?
What was the hardest fic to title?
Share your favorite opening line
Share your favorite ending line
Share your favorite piece of dialogue
Share an excerpt from your favorite scene
Share the final version of a sentence or paragraph you struggled with. What about it was challenging? Are you happy with how it turned out?
What's something that surprised you while you were working on a fic? Did it change the story?
What did you use to write? (e.g. writing programs, paper & pen, etc.)
If you had to choose one, what was THE most satisfying writing moment of your year?
Did you do anything special to celebrate finishing a fic?
How did you recharge between fics?
If this were an awards show, who would you thank?
What’s something that you want to write in 2024?
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Choi Han sees a weird stick in Cale’s hair.
“Oh, wait Cale-nim, let me…” With the slight height advantage, Cale doesn’t actually have a choice but to let the swordmaster do as he wishes.
For moment he fiddles around, trying to grab the elusive, tangled object, when he suddenly feels Cale lean into his hand. He watches with bated breath as Cale closes his eyes.
(‘Ah, I’m so tired that I’m leaning on Choi Han. Aigoo, he must think I’m pathetic.)
Choi Han spends another minute to get the stick out, claiming that it was particularly stuck in his long hair. He burns this memory into his mind while also promising to never tell another soul.
Eruhaben is next. He notices the red head’s soft locks, freshly washed and neatly air-dried with magic. As a dragon, he doesn’t think twice about the temptation, standing from his spot on the couch to test if Cale’s hair is even half as soft as it appears to be.
It is, he learns.
(Cale shivers. Is Eruhaben threatening him? Just in case, Cale bows his head to hide his fearful expression.)
The dragon watches with amusement, thinking that it’s only natural to offer one’s head to a dragon as powerful as him. Until he feels Cale almost… press into his palm absentmindedly. Eruhaben vividly feels the exact moment that his heart melts into a puddle of affection.
He definitely will use this against the bastard next time he has the opportunity.
Oddly, On and Hong figure it out next. Cale is sitting in his usual chair, reading a book with his hair falling into his face picturesquely. On recalls when Rosalyn did her hair up with a pretty pin, making it easy to move around without getting in her face.
On considers if Cale would mind On experimenting a little, immediately coming to the conclusion that he wouldn’t give two shits.
She transforms into her human form and moves behind the chair. Of course, Cale doesn’t bat an eye at her unusual movements. When she gathers his hair up in her hands, he doesn’t miss a beat, leaning back to give her better access. He only changes the angle of his book so he can still read. Hong observes his sister from Cale’s lap with curiosity.
Her upbeat attitude is ruined quickly because she doesn’t know how to braid nor tie up hair, and is missing the necessary bows and pins to do it in the first place. She runs her fingers through his vibrant red hair as she tries to remember what Rosalyn did.
Hong’s eyes go wide. Cale had stopped reading as his sister continued her ministrations, closing his eyes and leaning back, relaxing into his seat. Hong urgently signals for his sister to witness this.
Her eyes narrow in on the sight with a calculating gaze. She changes the way her hands run through his hair, simply running her fingers through and carefully untangling it instead. Cale’s face gradually loses its constant pinch.
(‘Yes, the children should do whatever they want, even play with my hair.’ Cale internally nods to himself.)
On, unlike Choi Han or Eruhaben, tests her limits. She continues her gentle pattern without pausing. After a few minutes, both of the cats hear Cale’s breathing taper away into a relaxed rhythm. On silently makes eye contact with her brother, and they make a secret promise to not make a big deal about this, lest this trick never work again.
They hear Ron before he enters the room and On casually returns to her car form, stealthily and softly landing on Cale’s lap. Ron enters, pausing at the sight of his puppy young master.
Smiling benignly, he darkly assumes that Cale had been so exhausted that he managed to fall asleep in the middle of reading.
On and Hong don’t correct him.
If Cale has an especially bitter lemon tea that night, he doesn’t make a big deal about it. Not when the crown prince calls him soon after it arrives.
He arrives at the palace where the Crown Prince learns of this spreading secret. Cale uses his superior glib tongue to force a frown on Alberu’s exhausted expression, and the exasperated hyung sighs, walking around to the couch where his dongaeng is sprawled. He places a hand on his shoulder, threatening Cale with a high political position if he doesn’t stop doing dangerous things and causing trouble.
Cale shudders and agrees. Alberu smiles at this, his hand moving to ruffle his adorable dongsaeng’s hair.
(Cale sighs, closing his eyes and humoring his affectionate hyung. He leans back, questioning why everyone has been so touchy lately.)
Alberu feels his heart stop and stutter at the fragile sight. Cale looks completely at ease, slumped in the couch cushions and pressing his head into Alberu’s palm like a cat. His lip is quirked up slightly, but Alberu would bet a golden plaque that Cale hasn’t a single idea on what he looks like right now, otherwise he wouldn’t be even half as relaxed as he is right now.
He resembles a lazy cat. He’s being pet whilst lounging, with a content and pleased expression edging on his face. If this goes on long enough, Cale might even fall asleep.
Alberu continues talking without letting his smile leak through into his words, stroking the top of Cale’s head in an absent minded motion.
(Cale ignores the sneaking chill on the back of his neck, too focused on Alberu’s words about the kingdom. The petting is a bit strange, but Alberu is the crown prince, so he’ll allow it.)
As predicted, Cale doesn’t mention it.
After a minute though, Cale starts to frown, beginning to acknowledge the feeling that he’s being scammed somehow.
“Hyung, do you have a headache?”
Alberu acts like a polite and caring hyung, starting to massage Cale’s head.
(Cale frowns more. Something is definitely going on.)
Cale opens his eyes, protesting. “Your highness, my health is perfect at the moment. You, our shining sun, couldn’t possibly-“ Alberu changes from massaging to running his fingers through Cale’s hair.
(Cale sighs, cutting off. It was just a ploy to play with Cale’s hair. He should’ve expected his highness to scam him in this way too.)
Alberu grins when Cale stops talking, looking resigned to his fate. He goes completely limp, and Alberu’s blunt fingernails scratch against Cale’s scalp gently. Cale visibly shudders at the feeling.
(‘Too scary, what if he scratches and draws blood? If Raon finds out, he’s going to feed me soggy apple pie…’)
Alberu preens at finding Cale’s weakness.
On slyly asks Rosalyn to do up Cale’s hair one day- as an experiment- and is extremely pleased when Cale not only agrees, but he closes his eyes and falls asleep soon after the Mage is done gently tugging his hair into place and adorning it with intricate pins and accessories. Choi Han walks in on this scene and threatens Rosalyn to keep it a secret (after melting a bit on the inside). She agrees with a sly smile.
If only Cale knew how everyone was going to use this to scam him in the future…
Eventually the misconception that Cale likes to have his hair played with goes around the entire group. Cale- of course- is completely clueless. He just thinks that everyone suddenly became obsessed with his hair.
Ron is the only one who can’t get Cale to relax. Even Bud somewhat managed it, but Cale stays vigilant no matter what his old butler does. Ron finds his puppy young master to be amusing.
Cale really doesn’t understand what they want with his hair. Do they want his hair?
(He asks Ron for a trim a few days later. Ron only cuts off the dead ends and leaves it neat but long, much to the young masters displeasure.)
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hollowslantern · 4 months
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it's end of year art summary season again and I would just like to extend my love to all the artists who can't make a standard flashy "one big piece per month" review. if you've got months where you only did small pieces, or didnt finish anything, or didn't draw at all, or didnt draw "good enough". everyone whos left feeling a bit lackluster after comparing their "year of art" to those around them...this one's for YOU! we rule!
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treesinspace · 20 hours
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The Quinton Reviews video was actually the first time I ever heard of The Beverly Hillbillies, but Quinton's dad talks about it as if everyone should know it, like the Simpsons. My theory is that maybe it is because I didn't grow up in an english-speaking country, and I'm curious!
If you have no idea what youtube video I am talking about, I would still appreciate your vote! Just vote whether or not you are aware of the sitcom "The Beverly Hillbillies"
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arrthurpendragon · 6 months
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OC Fanfiction Review Exchange 2023:
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There seems to be a lack of engagement in the OC Community - so, here's an attempt to help! (This will not fix all problems, but it can do a small part for some creators)
The expectation of the exchange is that you'll pick at least 3 fics and then comment on at least 5 chapters (exception: if the fic has less than 5 chapters)
Right now I'm in the data gathering part of the exchange.  
You'll be able to "sign up" for fics to read around Nov. 11-12.
The expectation is that you'll have until Dec. 31st to do the readings you signed up for.
. . . if you don't have any fics, but are willing to read comment on this post letting me know so that I can tag you when the stories are ready to be signed-up for! :)
Information required for the exchange: (Fill out via the Google Form)
Fic Title:
Fandom:
Pairing (if applicable):
Is your fic 18+?
Summary:
Link(s):
Your Username:
You may submit up to three (3) published fics that you'd like comments on.  
Please fill out a separate form per fic. 
As long as the fic had published writing - you are welcome to submit it!
Password: Ready 2 Read
GOOGLE FORM
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samijami · 10 months
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Ya'know something weird about the Tumblr blackout?
It was scheduled for the end of pride month, and the beginning of disability pride month.
And everyone knows that this won't work, given this never works. The best way to get a change would be review bombing.
Now, the blackout targets the last day we can celebrate pride month on Tumblr, and the first few days of disability pride month on Tumblr. And I think it's rather purposeful.
Now let me make an official proposal.
Let's review bomb the shit out of Tumblr from now onwards until we get a change. It might take a while, but it won't kill off a social media for no reason whatsoever.
Let's annoy the everloving shit out of Tumblr.
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for-a-longlongtime · 6 months
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A whole ass mood.
Nerdy Pedro with glasses, whispy curls under his headphones, focussing intently while editing a text, and wearing a Paris Review shirt (of all things. I wish this one would reappear)...
I love this so much.
It's is a whole ass mood for this week, I've decided.
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becauseanders · 1 year
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okay but can you fucking imagine the very first time anders delivers a baby outside of the circle, the very first time he hands a newborn to their parents, the very first time he holds a baby and doesn't just have to hand them off to a fucking templar never to be seen again, the very first time he wraps up a new baby and gets to see the joy in their parents' faces instead of the parents literally never once even laying eyes on this infant, the very first time he delivers a newborn and it's a happy day instead of a tragedy, can you fucking imagine… i mean he probably had to help with deliveries at kinloch hold right so just like, the very first time he takes part in a birth that is a joyous occasion has to sure be something for him and i uhh…yeah, i’m imagining it…
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logorrhea5mip · 10 months
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I just watched the new Nimona movie, and one thing I noticed after it was finished was that I found it paradoxically very basic/cliche and very impactful. And then I thought what the messages of the film were:
Most systems that claim they're there to protect us are just here to reinforce the status quo and find justifications for oppression.
Being different is cool, and the vilification of different people is just a way for the system to redirect the hate of the masses towards the innocent, rather than the system itself.
Better to be yourself and die than comply, lose individuality and not live.
Killing cops isn't that bad, actually. It can even be fun if done as a group activity!!
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And none of those are basic, it's just me who held them already, but it could be really eye-opening for someone who doesn't.
Anyways, it was great, and it currently holds third place on my "Media That Makes Me Want To Burn Down A Police Station Even More Than I Usually Do" list.
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lunarharp · 4 months
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figured i'd do this again..bit early i guess..
#to cheer me up.. i feel bad atm.. these things don't even make me feel very good tho bc i'm such a narrative/sketch-based artist..#but Proper Beautiful Finished Pieces are what grab attention and look good at the end of the year all neatly lined up lol.....#so looking at a “yearly review” where i can only choose 'the best image of the month' (??) is like...What have i even been doing...#i did a month by month look back on twt for myself instead..but even that doesn't express the quantity of comic-based stuff..#that i do put a lot of time/heart into..but alas i feel bad bringing even them back..RTing/reblogging my own art simply feels bad lol..#AND WHY IS IT ALL B&W...trying to accept that i LIKE doing that and sketching and scribbling..not like i'm trying to like..Get Artist Job..#this year was so profoundly lonely at times bc i spent all my time drawing instead of socialising and trying to find friends....#please please please have achieved more of your dreams in the future so you can look back at 2023 and think..#It was good that happened so that it got me further to the future. Or whatever i guess.....................#regardless i did have a great amount of fun drawing and improving this year and dwelling deeply & heavily on witch hat atelier.#art-wise and emotionally....march july & september were the best months i think..AUGUST WAS SO WEIRD SUMMER IS SO EVIL ALWAYS.#thank you very much if you are reading this for enjoying & leaving nice tags & such like <3 i've realised how fulfilling that is to receive#really keeps me posting stuff here instead of keeping it all to myself in my head#i wish everyone in this world could have a safe and happy end of year. i wish living in this world were easier
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logarithmicpanda · 4 months
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The Hands of the Emperor (Victoria Goddard)
Heavily political but character centered so it always felt easy enough to read
Hopeful yet down to earth
Full of delightful moments that made me laugh out loud
Why choose between blood family and found family when you can have both?
Somehow despite being over 700 pages long in a small font, it left me wanting for more
9/10
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thecaywild · 1 year
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rebelcourtesan · 11 months
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I just played . . .
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Taking place in a small town of Gallows Creek during the 1980's, you are Forrest Nash, the new radio DJ from Chicago who assumes the role of a late night show host for the town's only radio station. While expecting a slow night of music and silly contests, things take a dark turn when you receive news of a murder which throws Forrest into the role of savior for the town.
There's a killer loose in Gallows Creek and people are in danger and Forrest Nash is their only hope of saving lives and uncovering the town's dark secret.
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Okay, a lot of things to point out.
Strong Narrative - Meaning there is a LOT of dialogue between Forrest, his producer Peggy, and the numerous callers who need their help eluding a killer. Walking a jogger who lost her keys hotwire her car to escape the killer and aiding teenagers trapped in an abandoned house come up with an escape plan are just a couple of the things you'll be doing in this game.
Puzzles - The puzzles that range from easy to mid level difficulty. I actually had a pen and notebook next to me to take notes of anything that seemed important, but they were all fun. As long as you pay attention and be investigative, you should figure them out. However, be sure to save often incase you get something wrong and want to retry, you can easily reload to a previous save so you can try again.
Interactive - You are literally a radio dj. Meaning you can put on songs from a collecting of vinyl records, fulfilling song requests, and play ads. There are hidden records you can find throughout the studio as you explore to find clues to aid you in recusing the citizens of Gallows Creek.
Game Length - The game is only a few hours long. Easily beatable in an afternoon or evening. (Better to play at night for the creep factor).
Atmosphere - Perfect. It really captures the tension and atmosphere of 80's slasher films. Every time I left the booth to explore the studio, the music would change to a low tense beat, reminding me there's a killer out there.
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I know Diablo 4 is just around the corner for a lot of people, but I would for this gem to be buried under the hype for Diablo 4. While I'm sure Diablo will be a great game, I also believe Killer Requency is a great game too. And I also believe great games deserve great attention.
So give this game a shot on Steam, PS5, and there is also a VR version available.
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ficwip · 1 year
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2022 in review
What’s something new that you tried in a fic this year? How did it turn out? Would you do it again?
What’s something you learned about yourself as a writer?
What piece of media inspired you the most?
What fandom(s) did you write for this year?
What ship(s) captured your heart?
Did you write for a new fandom or ship this year?
What fic meant the most to you to write?
What fic made you feel the happiest to work on?
What fic was the most satisfying to finish writing?
What fic was the most difficult to write? Did you finish it?
What fic was the easiest to write?
What were you go-to writing songs?
What were your go-to writing snacks?
What was the hardest fic to title?
Share your favorite opening line
Share your favorite ending line
Share your favorite piece of dialogue
Share an excerpt from your favorite scene
What's something that surprised you while you were working on a fic? Did it change the story?
What did you use to write? (programs, paper & pen, etc.)
If you had to choose one, what was THE most satisfying writing moment of your year?
Did you do anything special to celebrate finishing a fic?
How did you recharge between fics?
If this were an awards show, who would you thank?
What’s something you want to write in 2023?
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ducktracy · 2 months
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!!!NEW REVIEW!!!
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perhaps one of the only Looney Tunes cartoons sincerely deserving of the inquiry on everyone's mind: "did Stanley Kubrick watch this?" indeed, if he's not riding on bullets Dr. Strangelove style, then Daffy, in his first appearance under Chuck Jones since 1939, is busy getting a concerningly cathartic thrill out of heckling the eponymous Conrad the Sailor in the latter's final appearance. in spite of its innocuous appearance, the cartoon is rather formative for the Jones unit, being one of the first to lean into stylized layouts and embracing a breathless speed through its entire run.
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masezace · 8 months
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little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)
the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.
[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]
the show overall
okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.
the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.
the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.
the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.
character element
imo the real gem of this show is the character development. honestly it's just *chefs kiss*
the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.
the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.
kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.
honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.
queer representation
and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.
shipping, chemistry, and intent
but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.
i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.
shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).
but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.
and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.
i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.
that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.
kenji and... brooklyn?
no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).
kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.
it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:
ben and kenji
benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.
even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.
after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.
other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.
when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.
and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.
all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).
but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.
it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.
i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷
conclusion
even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)
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