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#rey meta
artist-issues · 6 months
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I just NEED everyone to agree with me that Rey's parents are nobody. We should all agree about that. We should collectively, as an audience, say, "clearly the best idea was to have Kylo Ren be a dynastic heir to the major legends of the Force who wants to throw off his family's shadow, while his rival is nobody from nowhere who wants to belong--so we're going to stick with that."
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And then, what should have happened is, Rey can finish her story by being able to say, "My parents might have abandoned me, but that doesn't mean I'm worthless." And eventually Kylo Ren can say, "My family might have been powerful, but I don't have to be," and all those other things that they can bounce off of each other as great foils.
It can keep being a good story about accepting past failures and choosing to grow beyond them.
Let's just all collectively ignore Rey Skypatine because of how silly that was. I mean. If they can just ignore the setups in the previous movie, we can ignore their choices in the conclusion. Right?? Right? Tell me I'm right
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lilyginnyblackv2 · 1 year
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Some long, big thoughts on Kazuki, Rei, and being “Fathers.” - SPOILERS!
I really think this episode is when Kazuki and Rei really face the reality that they are Miri’s FATHERS. Like, it finally sunk in.
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The lady here uses otou-sama, which is a very formal way to address the two of them, very stuffy. But also very...Japanese. In Japan, it is very commonplace nowadays for little kids to use papa and mama when addressing their parents, but those are still seen as loanwords. They don’t carry the same weight as being referred to, and seen as, FATHERS.
That question and how they would be perceived by others really hit them here. They aren’t just playing house at home anymore, they are out in society and are going to be perceived as this Miri’s fathers. That may also come with the assumption that they are a couple or in a relationship with each other. 
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They both look uncomfortable here at that realization, but neither one really denies it either. Of course, this daycare is very unwelcoming and the lady far more judgmental than Anna. So that also likely plays a part in how they feel and react here too. The first daycare they go to  focused more on the business side of things. 
The room is huge, but empty, the walls are colorful, but not bright. Miri is sent off to play with blocks and the lady never directly addresses her or asks for her thoughts on things. Everything about this daycare is unwelcoming and uninviting and unaccepting, so Rei and Kazuki act coldly to this initial realization and the usage of the word FATHER here, seems very fitting.
It’s not a happy, bubbly, childlike, and even fantastical like the word “Papa” is. And the lady interviewing them, was definitely judging them, even before Miri started mentioning some more...suspicious stuff, lol.
Now, when they go to Aozora Daycare, Anna also addresses them using the word father in Japanese, but she goes with otou-san, still formal, but not stuffy and far more common and approachable. It’s still not “Papa” though. She only uses “Papa” when she talks to Miri about Rei and Kazuki. 
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(In the Japanese she directly addresses Kazuki first by calling him otou-san and then stating that she was asking Miri, not him, haha). 
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We are met with understanding here, though. Not judgement. The walls of Aozora are filled with children’s art projects, a piano that indicates singing and dancing time as a group, and warm smiles and comfy clothes. Everything that indicates a child-first daycare center. 
The whole interview process ends successfully. The daycare views them as suitable parents and Miri got accepted into the school. 
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And while Rei looks disinterested during this entire interview. He was paying just as close attention to everything as Kazuki was, and if watch the high-five scene with a good eye, you can see that Rei actually has his hand up and waiting for Miri’s high-five before Kazuki.He understands her and her flow so well.
The rest is going under a Read More due to length.
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Next we see them navigating all the prep work. And even though Rei did fall asleep at one point, we see that they both put in as much effort and energy as they can to get everything right for Miri and her first day of daycare. They both read through the handbook, write her names on things, even Rei did some sewing too. They exhaust themselves out. 
They think they make a great first impression on that first day:
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But they make a lot of faux pas in the world of Japanese parenthood (specifically in a space that tends to be dominated by motherhood).
Arriving by car = ✘
Wearing suits that aren’t black = ✘
Having Miri wearing clothes that look expensive = ✘
Arriving by car is equated to wealth and money, and even to showing off, as opposed to riding a bike.
Wearing suits that aren’t black is associated with the underbelly side of Japan, men that work in the red light district or with the yakuza. An exception to this would be like, in many places, the entertainment business.
Dressing Miri up in clothes that look expensive plays into the whole “yakuza daughter” vibes, but also makes it so that she stands apart from the other children. It can also make it so that Miri has a difficult time putting the clothes on and off herself, which could take up class time when coming in from play time, getting ready to go home, and etc.
I worked at a juku (cram school) with a daycare. Most of the students I cared for there were native Japanese kids between 2 - 4 years old whose parents were working in America. My boss would often get annoyed when parents would bring their (usually daughters) in wearing fancy shoes that looked pretty, but hurt the child’s feet and were hard for the child to take on and off themself. 
Kids around Miri’s age are also shown to be aware of economic and social class on some level as well. 
LOS ANGELES, Calif. (Ivanhoe Newswire) -- Rich, poor, middle class. Parents often believe it’s their responsibility to shield their children from economic differences and social class.
But new research shows children as young as five years old are not economically blind. In fact, by the time they reach prekindergarten, kids know the difference.
This group of primary school kids already knows what money can buy.
Combine that with the (thirsty though they were) mothers who probably advised their children to not get on Miri’s bad side because of her dad’s, and her outfits that set her apart, and scenes like this one:
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Don’t seem so out-of-place.
When Kazuki and Rei pick Miri up at school, her answer to “How was your first day? Have fun?” being “I dunno yet.’ Set’s off alarm bells - even with Rei.
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His brows are furrowed. He knows that something is off and wrong with that statement. They don’t know what they did wrong, and they don’t know how to fix it. Miri gets quieter and sadder and this is the first time they’ve had to actually deal with Miri on a deeper, emotional level. 
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That feeling like you are failing a child (whether your own, one of your students, or just a child in your care) is such a devasting feeling. This episode expresses it well by having these scenes all take place on the way home from the daycare, when the sun is setting. 
Thankfully, Kazuki is open to listening to what Miss Anna has to tell him, and she is so supportive. She doesn’t judge them or treat them like they are incompetent or incapable. She just gives them the push in the right direction, with “insider info” in a way, to get them and Miri acclimated correctly. And Rei and Kazuki jump on it. They love that they’ve found this place with a bunch of good quality cheap shit that can help them and make their lives easier.
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And after this, Miri goes to school in regular clothes. Kazuki goes to the play area in the regular clothes, and he is just genuine and authentic with the kids. He doesn’t dress Miri up in a way that sets her apart anymore (on a class level, in a way that makes the other kids think she is “saying” “don’t play with me.”). 
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Kazuki, especially, isn’t trying to “fake it until he makes it anymore.” He isn’t trying to give the impression that they are rich. And I wouldn’t be surprised if he also felt a bit more pressure to get everything right because he and Rei are two guys raising a kid together - two FATHERS. 
But then he realizes letting Miri and him and Rei just be themselves is enough.
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This was very much so a Kazuki issue that ended up negatively impacting Miri. A situation I’m sure every parent (or even teacher, like I’ve been before) has experienced on some level. It’s one of the harsher parts of being a parent and trying to help your child and do what’s right.
And now, he and Rei have one foot further into parenthood, since they know about this new shop and:
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Gave Miri her own room.
That is such a big deal. Similar in a way to how people say not to name an animal unless you plan on keeping it as a pet. Not because Miri can be compared to a pet or an animal in any way like that, but because of what it implies on both an emotional attachment level and a “she is now a permanent part of our household” level. 
That's a fully decorated room, filled with toys and plush dolls and games, a bed, books, a rug, even a desk. A desk filled with stationary supplies for her to learn and something which is viewed as a necessity for children to have at home when they are in elementary and junior high school (especially). 
Rei and Kazuki have gone from being Miri’s “Papas” on a sort of imaginary, “playing house” level, with very limited outside and real-world/societal interactions to being her fathers. They have integrated her and themselves as her parents and fathers into society on a large level now. 
By investing in that room, they are investing in Miri, and are openly choosing to be viewed as her fathers - as partners. Even if they don’t necessarily view each other in that way, it doesn’t matter to them in the end, because Miri is what’s most important. 
(Note: I will link to the news article and report that stated that information about children and economic class recognition in the comments).
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Honestly, Kazuki & Rei could absolutely just be platonic friends, roommates, besties, whatever, but Rei’s dad is 10000% treating Kazuki like he’s a romantic attachment for his son.
In Shigeki’s perspective, killing Miri would help keep his son detached, since Rei clearly loves the new fatherly role he has with her, and that truly does push him away from the tight control he wants over his son.
But deciding Kazuki was too much of a liability? Like…there’s no hetero explanation for Rei’s dad to be like “clearly your roommate’s gotta go, you like him too much” because that makes no sense, especially since Kazuki is an asset as a hitman. Shigeki is very loudly and unapologetically treating Kazuki like he’s Rei’s lover, as romantic relationships only cause distraction and potential betrayal of the organization. And why else would he keep repeating that Rei needs to carry on their bloodline, if not to say, “gay relationships don’t produce heirs, therefore this bond does nothing to benefit the Suwa family.”
Rei could really just be best friends with Kazuki but his dad is like “nah that’s some fruity shit right there, we gotta shut that down.”
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dirtd0g · 1 year
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I need everyone to be aware that Rei took these photos SPECIFICALLY that beach candid
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class1akids · 4 months
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Act 3 Fumbles in the Todoroki arc
The decision to keep Endeavor alive with no clear narrative plan came with some terrible writing fumbles in Act 3 of the Todoroki arc which walked back previously established themes and failed to deliver on certain set-ups.
Off-screening Rei's reunion with Shoto.
Saving Rei from the hospital was Shoto's starting line back in Ch 44. After 250+ chapters of visits and letters, it was a huge milestone for him to see her out of the hospital and would have deserved a proper highlight and dialogue. Yet it was off-screened in favor of Endeavor getting the reunion scene.
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2. Spreading the blame for Toya to Natsuo and Fuyumi who are victims and children themselves
In a clunky attempt of parallels between the passive civilians of hero society, Natsuo and Fuyumi incomprehensibly are being framed as part of the blame for Touya's escalation.
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3. Walking back the Act 2 narrative of all victim responses are valid in favor of "it's heroic to prop up your abuser"
Instead of having Hawks feel bad about killing Twice, he was used as a prop to call into question the victim's right to walk away by making it seem as if he's done something wrong by cutting off the parents who abused and sold him.
Shoto's choice is valid, but he shouldn't be pitted against other victim responses.
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4. Focusing only on Endeavor's side of the fall-out for the scandal, while off-screening the impact on Shouto and only making coy references to it
It's convenient to hide the implied backlash at Shouto. Since his feelings never matter in relation to his family. His POV conveniently focuses on his friends helping him.
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5. Endeavor failing to step up for his family gets excused constantly, and turning everyone into Endeavor's cheerleader, while not having anyone anything to say about the abuse.
This was personally for me awful to watch how Hori kept using characters to shill for Endeavor, and did not make a single effort at an honest condemnation.
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6. Endeavor never delivers on becoming a father - in fact, Shouto spends Act 3 playing parent to Endeavor and carrying his burden and his arc of emancipation is invalidated as he gets no real choice
Shoto's arc was about freedom to decide who he wants to be. The emancipation cannot really happen though. He is bound by Endeavor's abuse, toxic legacy and past. While his peers rise into incredible heights, Shouto is condemned to pick up the pieces after Endeavor fails to step up.
Endeavor's arc was leading to a moment where he would choose to be a father over a hero. The moment never comes. Endeavor breaks every promise he made to the family, his solution for Touya is to kill him and has to propped up and saved by his victims throughout Act 3. He never gives them anything.
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7. Endeavor gets a bonus fight he doesn't need then sits back and waits while all the victims step up to save him and Toya. He gets no consequence at all for breaking his promise to the family since it would invalidate Shoto's arc of "family hero".
See above. Endeavor's fight with AFO is cool aesthetics and lots of internal pain. What it doesn't do is to step up for the family.
8. Shouto's fight in 352 has a clear narrative vision and strong, beautiful visuals, yet it gets invalidated for Round 2 which is a mess of short chapters that need heavy revision.
I'm convinced 352 was the original ending for Shouto vs Touya. It has a strong visual and great focus on their themes as brothers.
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9. By contast, Todoroki Shoto: Rising in fact in the weekly version had not a single strong visual for Shouto
Clearly Hori had no idea what point he wanted to make about Shouto. We don't really learn anything new about him - he steps up when Endeavor fails, like every time before. I'm still incredibly angry about this fumble. In fact, Hori doesn't really know what to do with this Todoroki family which has to embrace its abuser in order to save its "villain" without the abuser ever stepping up or giving anything back to the family and especially to Shouto. Even the masterpiece line which could be read as a reproach to Endeavor is scrapped.
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10. Ending the Todoroki climax on Endeavor's word is an awful disservice to Shouto as a character, which is why I fervently hope this is not the end for Shouto who deserves much better.
He doesn't even get to say anything.
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By keeping Endeavor alive without a plan, Horikoshi couldn't stick the landing of the Todoroki arc.
Sure, he has some cool visuals, but the overall message is terrible. In Act 3, the victims take on the burden of the abuser who keeps doing the same thing as he's always done: run away and play hero.
To make matters worse, the narrative is at most half-hearted in calling Endeavor out for this, and rather uses characters to shill for his heroic qualities.
The rebuilding of the family is hangs on the victims (apart from Touya) never getting to voice their feelings. In order to heal, not only they have to save their villain, but they have to embrace their abuser, who in turn doesn't have to do anything for them.
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metakirya · 4 months
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Adachi rei art from my adachi rei blog
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darling-wendy · 1 year
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they made each other fathers
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This has been staring us right in the face the entire time, but it's only just registering to me that Kazuki defaulted to "Rei-papa" when he could've easily just said "Rei-niichan" or "Rei-ojisan" or "Rei-san", some other form of honorific. A four year old is aware of the concept of an uncle, he could've gone with that to begin with. It's very interesting that Kazuki instinctively reached for the one honorific that tacitly implies a relationship between him and Rei. Like, somewhere in the back of his mind he said 'Well, if I'm her pretend dad then Rei, as my partner (and it's also interesting that the first time we first see him use the term, it's the ambiguous English loan word rather than either of the two Japanese equivalents), is obviously also her pretend dad'.
And, honestly, Kazuki doing this seems to kinda low-key incept Miri into viewing Rei as her second papa lol.
She was told by her mother that she had a Papa, singular, and that she was going to meet him at the Varint Hotel. Kazuki presented himself as such, and in the specific context of rescuing her, which is something that Misaki seems to have have told her is what a Papa does.
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(The expression on her face and her hand gesture and the way she says this sounds like she's repeating something a trusted adult told her rather than something she came up with herself imo)
So, case closed. But then! her papa tells her to go play with this other guy, who is apparently also her papa? He says he isn't, but the seed has been planted, and it sprouts up later.
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Kazuki is berating Rei for not just telling the neighbourhood watch guy that he was her dad, and Miri takes notice. Rei once again denies being her dad, but the idea seems to have stuck for her.
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Look at her hurt little face after she heard Rei outright deny being not just her father but also some other sort of family member. She's attached to Rei. She wanted to eat breakfast with him and later wants to sleep next to him. And I'm sure at least some of that is having had him introduced to her as another parent. Fortunately, it works out in the end.
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(The voice Kazuki uses here kills me softly. There is genuinely no heterosexual explanation for it lmao.)
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('All according to keikaku')
Don't look so smug, Kazuki. Aside from taking Miri into your shared home in the first place, you put the idea of 'Rei-papa' into her head.
So, within Rei's overall arc of changing to become a suitable parent, there's this first mini arc of him accepting identifying as her papa, and it's partially instigated by Kazuki. On Kazuki's end, he doesn't struggle with the label (despite and/or because of his past? Kazuki, you are fascinating), but he has his own unique arc around it.
Part of the reason that Kazuki is so fascinating to me is that he's very straightforward but also he masks as readily as he breathes. Rei isn't as demonstrative or expressive, but he doesn't really hide what he's thinking or how he's feeling. Rei's arc with becoming a father is pretty linear; he first denies then accepts being Miri's papa, he gets a bit involved with raising her, he learns the lesson of how he's not doing enough and needs to step up, then he gets more involved and becomes more confident, culminating in him declaring his desire to be her father in an outright permanent way and he continues growing after the main timeline wraps. His failings are mostly due to having no idea of what a parent is supposed to be like. His father wasn't his father, he was his boss. (Imagine being ~11 years old and having your father hit you in the face and tell you that he's your boss, not your father. This is immediately after he forced you to try to kill a rabid dog, arming you with nothing but a knife, and berating you for not finishing it off. Woof).
Kazuki's failings seem to come from him being too prescriptive or blindly using negative personal experiences as an anchor for what not to do. He also had a terrible childhood, but we lack specific details. He seems to have been abandoned when he was young, so young that he doesn't even remember his parents, and so lacked a real example of how a parent should behave. This undoubtedly would've come up as a stressor when Yuzuko was pregnant. I imagine that he would've gone through the beginner level stages of growth that we saw with Rei, if not exactly in the same way. We come to him at an intermediate level where he knows a lot of basics, but gets tripped up by more higher level concepts.
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(Pre-school socialisation isn't about establishing dominance and young kids can have an understanding of right and wrong, Kazuki)
Over the course of the series (and especially in eps 7 and 9), we see Rei look to Kazuki for guidance, and there are also times when Kazuki asserts himself (often erroneously lol) as having the right idea of what to do in a particular situation.
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Kazuki's papa arc is more about breaking down the ideas he had built in his head about what good parenting is supposed to look like and holistically feeling it out with respect to what Miri specifically--not some amorphous Child--needs. Rei kind of has the opposite problem, operating purely on vibes rather than structure lol, and that's why they balance each other so well.
Now for the reverse. By the midpoint of ep 3, Miri has been calling Kazuki 'Papa' for days now. It's just hitting me that he didn't try to gently let her down and reveal his lie after they got out of the gunfight. [Rei straight up asked her 'What about your real father?' and got a philosophical answer, so maybe that strategy wouldn't work anyway lol]. I guess he might think of it as easier to just lean into being 'Papa' until they got rid of her, but I'm gonna call it an inverse Freudian slip. Especially since it ties into the first moment I wanna highlight.
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Rei is emotionally stunted but also very perceptive. He's read something in Kazuki's actions, tone of voice, body language, etc that indicates that Kazuki doesn't actually want to give Miri up. She's been a little torpedo that imploded two jobs back to back, she gets underfoot, she and makes lots of noise, she and breaks things...and yet. He knows Kazuki well and he saw, perhaps, what Kyu saw when Kazuki was having a moan about them in ep 7.
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The rest of the episode plays out and ends with Rei, Miri, and Kazuki going home together for dinner, this time as a quasi family unit. They haven't made any declarations yet, they're just kind of feeling and fumbling their way along. They have some ups and downs as they settle into a dynamic. Then it all blows up in ep 10.
[I could write a whole screed about how ep 10 was a necessary--at least a highly valuable--story beat, but this post is already very long. Some other time, perhaps. ]
Misaki comes back for Miri thanks to Kyu, they are successfully convinced to give her up, and then their little unit falls apart. Another explosion comes in ep 11 with Misaki's death, and now Miri is officially orphaned. Rei, as per usual, asks Kazuki what they should do, and Kazuki reveals that he's in a deep, guilt-induced trough.
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We see how Misaki's death is weighing heavily on his mind, and he's surely thinking that he got yet another woman killed due to his desire for a family. He processes her 'protect Miri' plea as needing to stay away from Miri--that that's what he has to do to prevent her from becoming the second child he has to bury. But Rei surprises him.
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Kazuki's response is a bit cruel, though not entirely unfounded. He had to temporarily ghost Rei for him to realise all the work that goes into looking after Miri. And even though Kazuki left a fridge full of meals, Rei still ended up ordering pizza because he couldn't recognise them as such. He has a long way to go as a parent. But he wants to do it, and he beseeches Kazuki to make the jump with him.
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Kazuki's talking back to himself just as much as he is to Rei. "It might not be too late. [for] Normal happiness" is what he said to Rei on the Ferris wheel. At that time he genuinely thought there was nothing else for them to do but give Miri back to Misaki. But that was when he, like the rest of them, thought that simply stepping back would be enough for Shigeki to be satisfied. It's different now. They both know that, but Kazuki is too raw with hurt and guilty to let himself be happy. It's that characteristic manner in which he gets in his own way. But Rei breaks through all that.
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This is the moment. Rei, for the first time as far as I can recall, is shown to initiate physical contact with Kazuki in a way that's soft and not utilitarian. While he talks, he even gives Kazuki's hand a little squeeze. He is going way further than he ever has in expressing his emotions. Change has been a motif for both of them, and Rei says it's possible for them with such conviction--that they can make Miri happy--that Kazuki stops getting in his own way. He comes around in the most Kazuki way possible: transitioning their serious conversation about taking responsibility for Miri (and the implications of dealing with the organisation) into a comedic moment about Rei doing his share of the household chores and childcare.
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And with that, they're over the finish line! There's still a lot for them to do in the final episode, but this is the climax of their respective papa arcs. Storming the Suwa compound, confronting Shigeki, and the 10 years later bit are denouement. The two of them approached fatherhood from completely different backgrounds and stances and levels of experience, but it was a journey they took together and one which was not possible without the other.
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bliss-in-the-void · 6 months
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FLOWER SYMBOLISM IN JJK (Hydrangeas)
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Oh god. Okay. In Season 2, Episode 3 during that beautiful piano compilation in Okinawa (timestamps 8:05-8:11 for exact reference), Satoru and Suguru are walking through a field of hydrangeas. I know how detailed MAPPA is with flower symbolism so I figured I should look into it. I have no clue if someone already did and said this but I just want to point this out.
According to Japanese legend, there is a story about an emperor who apologized to his beloved with hydrangeas for neglecting her by being so busy with work. As such, hydrangeas have an association with love, sincere emotion, regret, and apology.
Through my SatoSugu meta lense, I believe it symbolizes the regret both of them felt towards not being able to give their relationship more attention. Apology towards each other, for having no choice but to focus on sorcery work instead of the love they have for each other.
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raisedbythetv89 · 2 months
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IM ILL 😭😭😭😭
She knows this will hurt him. She knows this will make him feel betrayed. She hates that she has to do this to him because she knows he’s not the monster he pretends to be but he’s still not the person he needs to be in order for them to be together.
A cornerstone of Rey’s personality is she doesn’t give up, no matter how hopeless something seems so to be giving up on her other half and leaving him with the first order is heartbreaking for her. She’s not only devastated at the loss of Ben Solo, her other half, but for what she knows this will do to him and that he will view this as a betrayal.
And we can see so clearly what it does to him written all over his face 😭 he’s so hurt and confused, he thought there was no way she wouldn’t see things his way and that she knew they belonged together no matter what so he can’t believe she’s fighting to get away from him again and just UGGGHHHH
And how initially he is FURIOUS, firing on the falcon all his big talk of destroying her, and luke and everything while she is initially just so sad this is the way things have gone but by the time we get into TROS Rey’s sadness and disappointment turns into RAGE and she is furious with him for keeping them apart and not coming back to the resistance with her.
GUH 😭 when she lays eyes on him again at the end of TLJ we see her take a few deep breaths and he looks hopeful when she does it meaning he can feel her sadness, her regret, her pain, her resolve waiver for just a moment before she puts on this mask of indifference and just looks SO disappointed in him.
While for him, once his anger burns out and he sees her again he’s just utterly devastated and filled with regret and you can see he’s disappointed with himself too 😭
The chemistry and acting talent of these two is insane but the experience of what it’s like to fall in love with someone who’s not ready to love you and how painful it is to walk away from that person when you realize it is captured so beautifully and so devastatingly I’m so heartsick about it 😭
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quasarifxxy · 1 year
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What primarily drew me to Kazurei as a pairing isn't the roommate trope, nor the golden retriever and brood cat trope, or the gay spy x family gag, but rather this scene from Episode 8 (that I'm somehow still not over.)
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It's the mutual reluctance to love and let themselves heal, with the exception that Kazuki couldn't stand to see Rei in the same position as him, so he offers to take care of him anyway. Both, who had a rough relationship with love, let themselves confide in each other. Rei, who found comfort and experienced what it's like to be taken care of, and Kazuki, who can't help but to extend care because it's something that's just... natural to do in his position. Kazuki, who is hurted by love that is taken from him over and over again, offers what he'd regard as a bare minimum because deep down, he wants his remaining loved ones (and in this timeline just rei) to feel the love he always desired.
Though Kazuki is seemingly full of emotions every time (enough to almost repress his sadness), his actions are always so gentle and full of warmth.
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What makes it more beautiful is how Rei adapts Kazuki concept's, or rather, way to express love to Miri (with the most apparent example being Episode 9) considering Kazuki was probably one of if not the first person he'd experienced and therefore actively saw it from. He initially wasn't able to comprehend how to love and be loved, and only through Kazuki's deeds did he learn how comforting and nice it is to be cared for, so he wanted to extend that to Miri after realizing how much his family meant to him.
Going back to the topic, I genuinely adore how Kazurei is a pairing consisting of two people who weren't given the opportunity to love, and during their time before Miri subconsciously fulfilled each other's emotional needs. Though initially distant, they immediately clicked because they fit together like puzzle pieces. Similar desires but difference in approach and seek what the other has.
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While there is mutual understanding between them, being able to read each other, neither of the two had the will to step onto each others' boundaries and address it. It was satisfying to see them grow closer emotionally and form the courage to communicate, with great examples being the last few episodes of the series.
Tl;dr the soft aspect of Kazurei made me complerely fall in love with the pairing and I used to be neutral about it
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All this right here
NOT MY EDIT. CREDITS TO THE AUTHOR!!!
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portmanteaublerone · 6 days
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Gotta love when thematically adjacent posts are adjacent on your dashboard
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lilyginnyblackv2 · 1 year
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Social Issues that Help with Understanding Buddy Daddies
Here are some political, social, and cultural aspects of Japanese culture that I think is important to keep in mind when watching Buddy Daddies. Please note: this is a super long post, with lots of pictures. 
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1. Human Trafficking - Slave Labor
In Episode One, we learn that Miri’s birth father was involved in labor based human trafficking involving Southeast Asian individuals. This is currently a very big issue in Japan, since Southeast Asian immigrants (among others) are viewed as a cheap labor option and usually experience slave labor like conditions.
From The United States Department of State website:
Men, women, and children from Northeast Asia, Southeast Asia, South Asia, Latin America, and Africa travel to Japan for employment or fraudulent marriage and are subjected to sex trafficking. Traffickers use fraudulent marriages between foreign women and Japanese men to facilitate the entry of women into Japan for sex trafficking in bars, clubs, brothels, and massage parlors. Traffickers keep victims in forced labor or commercial sex using debt-based coercion, threats of violence or deportation, blackmail, confiscation of passports and other documents, and other psychologically coercive methods.
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2. Drugs in Japan
When I was living and working as an ALT in Japan, two ALTs (in a different district, but within the same company of my own), got caught with drugs. It was a big deal and ended up in the newspapers. The company I worked for had to do a lot of PR work with the elementary and junior high schools that they had contracts with, to ensure that the contracts would remain. As for me and the other ALTs? We had to sit through like five separate meetings within like two months about drugs and drug laws in Japan. 
The barebones takeaway is that, in Japan, weed is viewed as being on the same level as hardcore drugs. Charges can be steep and strict. Even just knowing that someone has drugs, and you don’t say anything to law enforcement about it, can get you in trouble. There is a grey area with drugs, which is stuff like bath salts and the like. Since the selling of things like that cannot be prohibited, so they are easily accessible to the public. 
Japan still has a very “90′s D.A.R.E.” approach to drugs. It’s catchphrase is 「ダメ。ゼッタイ。」or “No! Never.”
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(Image from a Web Magazine called Nagasaki Press.)
When celebrities are caught with (what’s usually) weed, it can basically be the end of their careers, since recreational drug use of any kind (excluding alcohol, of course), is still negatively looked down upon in Japanese society. This is why it is still heavily left in the hands of the yakuza and drug kingpins, etc. Though there has been a recent increase in protests and ideology surrounding the idea of legalizing weed. Still, not much acceptance for recreational use is likely to come yet. However...
There may soon be some revision to the laws, which will allow for medical use:
Legislation changes scheduled for 2023
In 2021, the MHLW established an expert committee to review the Cannabis Control Act, and it is expected revisions will be proposed in a bill to be submitted in 2023. This will most likely allow for the use of medical cannabis. 2022/12/02
From: Euromonitor
So, something to keep in mind when Kazuki talks about a drug kingpin here is that this drug kingpin is likely not just dealing with super, hardcore drugs, but also softer ones too, like weed.
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3. Child Protection Squad
There is this misconception in Japan that really young kids, like Miri’s age, can just roam free all around Japan and no one will find it odd. In Episode 1, we do see Miri roaming around the city without anyone really taking notice, but she also wasn’t in an area where there would be people that are trained to take notice.
In the above image she is at a park, which is likely close to a school somewhere. The man that approaches her here has a band around his jacket sleeve that says こども見守り隊 (kodomo mimamori-tai), which gets translated to “Child Protection Squad.” Basically, these are like crossing guards, in a way, because they do play a similar role to that, but they also do more than that as well:
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(Image from the Japanese website: Nice Senior).
This people basically ensure that kids stay on the right paths on their way to school. Most of the time, when elementary school children head off to school, they will go in groups (with the 5th or 6th graders being the leaders) and there will often be older people outside their houses on their way in, keeping an eye on the children to make sure they get to school okay. 
And that’s talking about elementary school aged kids. For ones that are around Miri’s age, usually the parents (mostly mothers) will bring them by bike:
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Or they will get picked up by a bus:
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This one looks pretty boring in comparison to some others you might see though, like these:
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(Image from the Hiyoshidai School Website)
Sometimes the daycare workers will also take them on little excursions outside using big strollers for the kids to travel around in:
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(The image is obviously from a stock photo site called fotostock, but yeah, I’ve seen these before when I lived in Japan).
But a little toddler just sitting on her own at a mostly empty park with just a guy sitting at a park bench nearby watching her? That would raise attention and an eyebrow from someone who is essentially a crossing guard and whose job is to ensure the safety of kids as they travel to and from school. 
The rest is under a Read More.
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4. Police in Japan
I saw a comment somewhere (maybe it was over on Youtube) about how the cops are portrayed here in Buddy Daddies. The comment was basically that Japanese cops wouldn’t be that aggressive with a child. But, well, cops in Japan have issues like everywhere. Though, the main issue with cops recently has more so been with racial profiling:
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(Excerpt is from a Japan Times article entitled:  60% of people with foreign roots questioned by Japanese police, survey finds).
Of course, this situation is different from the one we see happening with Miri, but the Japanese police have issues with corruption too. So this happening wouldn’t seem too out of the realm of possibilities to me. The anime Tiger & Bunny 2 Part 2 also recently had some moments in the season where there was some anti-cop (ACAB-type) sentiments expressed by a character (though that series is also meant to take place in a city based on NYC).
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5. Issues Surrounding Reproductive Rights, Contraception, and Abortion
“Took advantage of me” is fairly vague wording, but considering the type of guy he was, and the fact that Miri’s mother is caught in another abusive relationship, it wouldn’t surprise me if Miri’s conception wasn’t fully consensual one. People like to talk about how safe Japan is, but Japan has a lot of sexual violence that goes unreported: 
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(From an article entitled:  Many sexual violence victims in Japan do not report assaults to police, support groups: survey - The article was posted on November 24, 2020 over on The Mainichi news website).
There is a lot of societal pressure in Japan, that can cause a lot of judgement as well. Especially around issues of reproductive rights. From a Japan Times articles entitled:  Pandemic provides an opportunity to improve access to contraception, posted on January 30th, 2022, we can get a little insight into the issues surrounding contraceptives:
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The article also talked about the judgement that can come with contraceptives. The last line also talks about abortion, which comes with its own set of issues in Japan:
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(From The Japan Times article: Abortion legal and apolitical in Japan, but cost and consent present barriers)
So abortion was likely an option that Miri’s mother didn’t think was really viable, especially in her situation.
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7. Being a Single Mother in Japan, Adoption
In Ep.3 we hear Kazuki parroting a lot of the stuff you usually hear when it comes to women in children, like it is meant to be a natural and innate thing. There is a societal pressure for a woman to give birth and care for the child, even when they aren’t in the best situations to do so. Miri’s mother was, for all intents and purposes, a single mother. Since I doubt the abusive man she is currently with had any hand in helping Miri.
Being a single mother anywhere can be a big challenge, but especially so in Japan. Some issues that single mother’s face in Japan, according to the article “Why Most Families with Single Mothers in Japan are Living in Poverty” from a site called The Borgen Project: 
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From that same article, we learn that joint-custody and child support doesn’t exist in Japan. So Miri’s mother was likely under a lot of societal and financial stress, along with possible Post-Partum Depression, and (also probable) burnout. This doesn’t mean that her behavior or attitudes are okay, but that they are likely a result of a failed system. 
I’ve seen some people bring up adoption, but adoption doesn’t automatically mean that a child will have a better life either. My grandfather’s mother was force to give her children up to the state, so my grandfather spent a good chunk of his life in an orphanage. It wasn’t a pleasant experience. And the probability that Miri would have been adopted had her mother gone through the actual system is, sadly, extremely low. From an article entitled: “The state of orphans in Japan and how to help” found on the site Zenbird.Media is this bit of information:
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And even if Miri had been in an orphanage, Misaki (Miri’s mother) would still be her legal guardian. 
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So an option like that would be unappealing for Misaki, because she doesn’t want anything to do with Miri. 
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7. LGBT+ Individuals Being Viewed as “Not Productive”
Finally, we have the last thing I briefly want to talk about. The main backbone of Buddy Daddies, which is these two hitmen taking care of a child. Last year, a Japanese politician was in the news because she retracted some previous statements she made in 2016 and 2018. We are going to focus on her 2018 statements, which were:
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Her comment received a lot of backlash and was big news. Her retracting her statements also brought a lot of news and talk too. The above information comes from The Japan Times article: “ Japanese lawmaker retracts past remarks on LGBTQ and other minorities.” Her other comments are awful too, but it should be noted that her one about sexual-minority couples stems from the issue of Japan’s declining birthrate. Even though many people in Japan are supportive of LGBT+ rights, there are people that hold a similar viewpoint as this. 
Buddy Daddies is pretty directly challenging this ideology, especially with how they have been handling things. So that’s pretty cool and revolutionary in its own way. It makes me interested in seeing how this continued topic as well as any future social issue topics will be handled or touched upon in Buddy Daddies.
If you read this all until the end: thank you so much! I put a lot of work into this write up and I hope it can help (I learned some things too while researching!).
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logicalbookthief · 1 year
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With the return of Misaki and the uncertainty over Miri’s custody, I think it’s time to talk about the cat.
Because the cat is a direct parallel, and the reason why I believe things will go differently this time around, since they’ve both grown a lot over the last year.
The argument over the cat perfectly illustrates the crux of Rei & Kazuki’s issues at the start of the series.
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Kazuki tells Rei that buying food for the cat isn't enough, you have to be willing to put in the work — and, given that he was gone for one night and comes home to an apartment filled with smoke, along with a pile of take-out and garbage, he was 100% justified in refusing the stray. Genuinely I don’t get why Kazuki taking this stance got the hate it did, any responsible pet owner would look at the Rei of Ep 1 and agree he was not ready for a cat.
However, this is something that Rei grows to understand when he’s left to care for Miri on his own in Ep 7 and Kazuki isn’t around to shoulder that responsibility. Rei realizes that his actions, or inaction, can negatively affect the people in his care, and it gives him a reason to change. I think it also gives him a new appreciation for everything Kazuki does, hence his attempt at French toast.
But I feel we don't discuss Kazuki's reason for giving up the cat enough, because they’re two sides of the same coin.
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What he’s saying is objectively true and you can tell he’s speaking from a place of experience with what happened to Yuzuko. However, he is only focused on how what they do can affect the other people in their lives. No mention of how it would feel to lose someone or any lingering on how lonely this life is.
It’s a contrast to Rei, who brings home the stray without a second thought, simply because he wants to, not considering the impact it would have on the cat. Kazuki takes this to the opposite extreme, only considering what’s best for the cat and completely ignoring his own wants and feelings.
So, as we know, the cat is left where Rei found it. Not an ideal situation, no — much like leaving Miri with her mother would be, considering she did abandon her before — but it is the safer option in both cases.
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Watch these scenes and tell me he isn’t fond of the cat. And when he realizes it’s cold and comes back with food for the little guy? Yeah, don’t tell me he wasn’t already attached.
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But he comes back to an empty box. Implying to Kazuki, and to us the audience, that the cat was taken in by someone who could give it the normal, loving life that it deserves, which is why Kazuki leaves with a smile.
It is interesting to note that despite his disagreement, Rei went along with Kazuki’s decision over the cat, just as he went along with Kazuki’s decisions regarding Miri, whether that meant taking her back to her mom or committing to being her parents.
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I always read this scene as Rei seeing how happy Kazuki is having Miri around. And thus he questions if this is really what Kazuki wants to do, resulting in that startled expression on Kazuki’s face. Like he hadn’t even considered that possibility.
Rei is perceptive, recognizing that Kazuki will be sad to see her go, yet he doesn’t argue when Kazuki firmly negates this as an option while looking upset again.
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Kazuki has made strides in moving on from his wife’s death, but the idea that it’s okay to move on doesn’t erase the insecurities and tendency toward self-loathing he’s displayed, which were probably there long before he met Yuzuko. Even when he reconciles with Karin, her words of encouragement are, “I bet you can make her [Miri] happy!”
So if he truly believes that Miri will be happier or safer with her mother, Kazuki will absolutely choose to let her go.
And it will be up to Rei to go against his decision for once, because he knows that remaining a family is what they both want.
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Here, Kazuki looks sad and resigned. I was always sort of disappointed we didn’t get a scene of Rei & Kazuki during Ep 7 when he was at his lowest and most self-deprecating. Now, though, I wonder if they were saving such a confrontation for this moment right here. Where Rei will have to convince him that his own happiness is a priority, too, and that their family is worth fighting for.
Now, uh. I do think that Rei’s decision that they stay together as a family will result in tragedy — there is too much foreshadowing to pretend otherwise — and that maybe Miri will have to stay with her mother for a bit out of necessity. But the point of this episode I think will be to highlight how much these two have grown because they wanted to be better for Miri and that it isn’t selfish to want to pursue that happiness for their own sakes, too.
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myfandomrambles · 3 months
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The fact that the disaster lineage produces multiple sith lords multiple hermits and multiple people who left the faith is kind of terrible and funny.
I think maybe we should blame Yoda. Like it was just generational fuckery so like it's Yoda's doing for reals. I mean thinking down the line there were a lot of mistakes made.
Like I love these stupid little space wizards but I think we should blame Yoda tbh
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class1akids · 1 year
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"He is like me" vs "He is me..."
So I guess the ultimate question is whose shadow is Touya? The answer will decide his fate...
Endeavor claims that Touya is just like him, which I think is part of the reason he can't truly believe he can be saved (just like Enji doesn't think he himself can be saved). With Hood, he tried to kill his shadow, with Touya, he can't think of anything else but die with him.
In this context, Touya getting his ice awakening feels like such a tragic moment. A last hurrah, just to rub it into Endeavor's face that he ruined his family over nothing. A last nail in a coffin already full of nails. Touya was always perfect. But it's too late because he'll never give up. Ironically, the ice is the final proof for Endeavor that he can't be saved. He's succumbing to hopelessness, and plays out the inevitable tragedy.
But I feel like Endeavor is misunderstanding everything once again. Touya's awakening is not about that. It is hugely symbolic that after - for the first time in his life - he imitated something other than his father (Shouto's Phosphor), at death's door, ice is flowing out of his heart to remind us that Touya is more than Endeavor's shadow, more than just the culmination of his sins, more than the monster of his own creation.
Just like the other kids, Touya is a unique mix of his parents, he's part Rei, he's part ice, he has had in his heart hope for the family and kept trying until he broke, just like his mom. And maybe feeling his mom's quirk, internalizing that he's more than just a failed experiment of his father, more than a manifestation of his murderous flames, he will be able to connect with the ice-users of the family. See their power and strength. He will see that he's his mother's son, Natsuo's and Fuyumi's "Touya-nii". Maybe, just maybe he will start to gain a sense of his full self.
And importantly, maybe he can start to realize that he's not that different from Shouto. He's a masterpiece too. Someone who can decide their own reason to exist. Someone who can change and be saved.
The ice comes out like a small flower, the first sign of stubborn life after a devastating forest fire on Sekoto peak. It's the symbol of a hopeful ending.
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