#second of all. i fucking love the side characters

[shima-draws]

I’m still so mentally ill over the whole Luffy refusing to eat unless it’s Sanji’s food thing. Like. We KNOW how fucking feral over food Luffy is. He loves food and loves eating so much that he steals it off other people’s plates and out of their hands and is so impatient when it comes to meals that he’ll literally try and sneak into the kitchen to mooch before it’s ready. Or he’ll try to break into the refrigerator. I know Sanji mentioned putting a lock on it at some point bc Luffy literally wiped it clean. He will not hesitate to eat other people’s portions or literally an entire meal meant for a whole ship of people! He’s unbelievably selfish when it comes to food and that’s just SUCH a central part of his character that it’s become almost endearing. Even in Totto Land Luffy didn’t think for a second before devouring everything in sight, including an entire fucking HOUSE, regardless of the consequences or the people it might affect. Homie did not care!! He’s food driven first and foremost!!!

Until Sanji leaves him. Until he decides that eating—something that he loves and brings him comfort—isn’t WORTH it unless it’s Sanji’s food he’s eating. It’s been shown that Luffy has zero self restraint when it comes to food so the fact that he was SURROUNDED by food on all sides on a food themed island and utterly refused to partake in any of that? Even though he hates being hungry and will always make eating a priority over pretty much anything else?? The amount of willpower it must have taken for him to sit there and purposefully let himself starve, for SANJI. Even when food was offered to him conveniently (in the form of syrup rain) he stubbornly rejected that. Because it wasn’t Sanji’s food. Because it wasn’t Sanji who made it, who always puts so much thought and care into the food he makes, who always indulges Luffy and prepares extra because he knows how much Luffy eats and how much he loves to eat. Luffy literally took one of the most defining traits he has and tossed it out the window. For Sanji. I’m going to fucking blow up

#RAGHHH. RAGHHHHHH #One Piece #Sanlu #Lusan #Sanji #Luffy #WCI #Whole Cake Island #Shima speaks #I just can’t get over it. I’ll never get over it actually. #Luffy refusing food. Bc he wants Sanji more. Bc he CARES about Sanji more #HE REALLY SAID ‘Guess I’ll die ¯\_(ツ)_/¯’ #This isn’t even half of it. This doesn’t even tie into the whole ‘I can’t become King of the Pirates without you’ line #Luffy really looked at his utmost goal (becoming Pirate King) and his favorite thing in the world (food) and said #’Without Sanji it’s not worth it. I don’t want it’ #SCREAMING CRYING THROWING UP #He’s never done that for anybody else. I am just SAYING. JUST SAYING!!!!!! #Usopp jokingly: What do you want more the One Piece or Sanji #Luffy without a moment of hesitation: Sanji #Usopp: Haha see I—oh. Oh??? #Usopp: Was NOT expecting that tbh. #Luffy: I’ll pick Sanji over food or the One Piece every time :) #Sanji: 😳😳😳😭😭😭 #GIGGLING INSANELY. I CANNOT BELIEVE THEM

[loth-creatures]

Love the way rebels emphasizes the importance of mutual aid. Love that fighting Imperials comes second to helping people. Love that every other episode is just the rebels fighting tooth and nail for scraps and then giving much of it away. I remember people complaining so much about the amount of 'filler episodes' about them just stopping for gas or whatever and first of all, those episodes are great I love watching spacefam go on fun side quests (during which they almost die a lot and have character exploration and often there's fun new characters yall just can't have fun), but more importantly what the fuck do you think a resistance movement is? They're trying to feed and supply an illegal fleet AND help the people suffering under the Empire AND physically fight the Empire for said supplies AND hide from the Empire bc they do not have the strength to fight for the sake of fighting yet. That's a logistical nightmare, yes they are going to be spending 90% of their time scrounging for supplies, and it's hard.

#star wars rebels #swr #eel thoughts

[chaifootsteps]

God I’m so fucking tired of Vivziepop. I’m sorry, I love some of her stuff, and I’ve learned to do more dynamic poses with her art, but I can’t watch anything made by her anymore. She’s too much. Too many rumors(that may or may not be true), has too many characters that look white, too many curse words, inappropriate usage of voodoo and rape, and making a character that is a literal cannibal and serial killer be sympathetic. I get it, it’s hell, and no one’s innocent(EXECPT FOR THE FUCKING ANTI-CHRIST APPARENTLY???), but I’ve been too many people make Alastor have mommy issues and people in the comments with be like “NOT MY POOKIE ALASTOR!!”

BITCH HE WOULD OWN YOUR SOUL AND TORTURE YOU SHUT UP!!!!

Also the fucking problem with backbone of wires Vox, “my fashion is stuck in 2012” Velvet, and that dickshitter Val. I’m perfectly fine with conventionally attractive people being horrendous people, it happens a lot, but they also downplay (sometimes) what the other Vees do and make Val seem like the worst. Vel sells a date rape drug, and Vox literally makes stalking easer and enables Val. THEY BOTH DO!!

And dear FUCKING LORD STOP SIMPING OVER ALASTOR. sure I get simping over a character that has a good character design, but he would push you aside without another thought. He. Does. Not. Care. ALSO IVE SEEN TOO MANY “JUST THE TIP ALASTOR!” FUCK THE SHIT OFFFF!!!!! STOP IT YOU HORNY MOTHERFUCKERSZZ!!!

And also adams entire character. I genuinely hate him. I don’t care for him. He was done so dirty and no I will not say that his character is good. I get it, yes a lot in the Bible about Adam is very misogynistic(for fucks sake in the Jewish Bible he got upset at Lilith because Lilith wanted to have sex equally(side by side sex)), but he’s. Fucking. Adam. THE FIRST MAN!!! Would he not be monitored by the seraphim or god himself??? He’s very important!! And when he fought Charlie, I was disappointed. “The entire human race came from these balls!!!” FUCK OFF!!! Would the first man, whom was made in gods image, curse like a sailor and call his second in command “danger tits???”

Rosie I like. No complains, just the voice is a bit much.

Angel and Husk. “Oh we’re doing slow burn!!” BITCH WHERE. HUH??? MASQUERADE IS LITERALLY THEM JUST FALLING IN LOVE GET OFF MY DICK

Also it’s so fucking vile that she named Vaggie Vagina. What the shit. Huh??? “Oh it’s mysogonistic Adam! It makes sense!” Yeah and going with that logic the fuck is lute short for?? Yeah, it’s a joke about female genitalia and it makes me sick,, I don’t even like saying her name.

Also fucking Pentious and Cherri. Get the FUCKKKK OFFFF. I just can’t stand them. Ugh. I don’t like it. I really don’t. It’s bad

Nifty. No.

Sorry, this was a rant. I’m so sorry

Sometimes you just need to rant, and I don't blame you one bit.

it's so, so fucking much, all the time.

#Anonymous #vivziepop critical #viv stuff #actual blog post

[allastoredeer]

I just had to agree, that a huge Alastor fight scene is really all I want for season 2!

During "Stayed Gone", Valentino mentions a time that Alastor almost beat Vox, which implies that he narrowly lost in a fight between them.

He was badly injured in the fight with Adam, and had to retreat.

By the rule of three, it would be so poetic and amazing, if we got a fight scene where he doesn't back down, but continues to fight with everything he has, and emerges the unquestioned victor, wiping the smiles off the Vee's faces for good.

Bonus points if he actually accepts help from his found family, in the form of backup and helping him heal afterwards. He's so stuck on being a lone wolf (well, deer...), that him slowly learning to trust others would be such delicious character growth!

Actually, the way I interpreted Valentino saying that Alastor "almost beat Vox," is that during their fight Alastor was about to beat him. Like, if it continued, Vox was 100% going to lose. But the battle didn't see an actual end, with an actual victor, because, in my headcanon/theory, Vox was forced to retreat.

If Vox won, even narrowly, I don't think he would've been nearly as defensive or annoyed at Valentino for bringing it up. If the fight ended with Alastor retreating (or even losing), Vox would've milked the shit out of that. He would never let Alastor live that down. Hell, if the fight was recorded in any way, he'd be playing that shit on loop.

I think with Vox losing, it'd make him simultaneously eager for a rematch, but also nervous to fight Alastor head-on again considering he nearly lost (which might also explain why they never came face-to-face in season one. They only interacted from a distance, through their different mediums), and why he was SO happy when Alastor lost during the Extermination. He was living vicariously through Adam during that fight (Adams victory was HIS victory) because Alastor finally got a taste of the humiliation and defeat Vox felt all those years ago (and STILL feels, even now).

And considering all of that, I will go FERAL if there's a fight with all the Vees versus Alastor. I want to see what they can do. There are different ways to be powerful out side of strength and magical ability (see Rosie who's not physically or magically as strong as the other Overlords), so I want to see what Valentino and Velvette can do in a fight or on an intellectual level. The brains and the brawn (and whatever Valentino is.) I would laugh so hard if Valentino is actually the muscle of the Vee's. He's got very few braincells, but he can lift 2x his own weight, all they got to do is point him in the right direction. He's all muscle.

And I want that fight to be a close one too. In fact, if Alastor LOSES in that fight, my god, would that be such an angsty, complicated, even more humbling experience for him. Vox would be fucking THRIVING. He would be reveling. He finally beat the Radio Demon. He finally beat Alastor (and the complicated emotions. GOD the emotions that they'll both have during and after that)

But I also don't want Alastor to lose T.T He's my fav, and he already been so thoroughly humbled once, I think I'd collapse if he lost again. BUT if he were on the cusp of losing, got his second wind, and ultimately came out the victory, I would be screaming, jumping out of my seat, frothing at the mouth. I fucking LOVE that shit.

And super, serious 100% extra bonus points he gets help from his found family in the form of back-up or patching him up afterward. I think that would be amazing character growth for him. I WANT IT SO BAD ANON WHY DID YOU MAKE MY OBESSION AND YEARNING GROW I AM NOT A VERY BIG PERSON YOU'RE LITERALLY GOING TO MAKE ME EXPLODE WITH ALL THESE EMOTIONS

#ALASTOR CHARACTER GROWTH #I'm so excited to see his arc through season 2 #I can't wait to find out his past relationship with Vox #its confirmed to be “sad and complicated” by Vivenne Medrano and I WANT THE DETAILS SO BAD #guys its going to hurt #its going to hurt so much #im not prepared but Im so eager #hazbin hotel #alastor #hazbin alastor #hazbin hotel alastor #the radio demon #hazbin hotel vox #vox hazbin hotel #vox the tv demon #the vees #vees #hazbin vox #hazbin velvette #hazbin hotel velvette #hazbin hotel valentino #valentino #asks #anon #anonymous

[data-is-my-favorite-android]

Thoughts on The Ghoul

So I think all the characters in the Fallout show are spectacular, but I had some thoughts on The Ghoul/Cooper Howard in particular that I just wanted to put down. Owing to his 200+ years of history, he's a downright fascinating, dynamic character, and I can't wait to see what they do with him next.

Anyway, here's my thoughts/character analysis of The Ghoul:

One of the things I found most interesting on my second watch-through of the show was how everything The Ghoul does is motivated by ruthless pragmatism, not cruelty. It can appear like cruelty--sometimes it tips over into cruelty--but cruelty is not the point. The point is always survival. He must survive to find his family. That is his goal and his one guiding tenet. Nothing else matters, everything else is fluid. Whatever it takes to survive.

Getting rid of the three bounty hunters who dug him up? Survival. Two of those guys were already one twitch away from killing him on the spot for being a ghoul, and the other threatened to harm him if he didn't show enough gratitude. Coupled with some of the other things he was saying, it seemed possible he would double-cross or kill The Ghoul the moment it suited him. No doubt The Ghoul has worked with the type before, and knew trouble when he saw it.

In Filly, he only shot people who were shooting at him. Cooper loves dogs, but he stabbed CX-404 because she was actively trying to kill him. On the surface, he healed her for equally pragmatic reasons: she could lead him to Wilzig. But he also seemed to respect, too, that she clung to life despite her debilitating wound. She's not his dog Roosevelt, so he tries to maintain a cold detachment from her (at first), but he has a soft spot for dogs.

He was willing to shoot Lucy in Filly, but he hesitated--which is more than he did for any of the other people threatening his life. Possibly he wouldn't have killed her (she was armed with a non-lethal weapon) until Maximus showed up on the scene and changed the calculus (dispatch the girl and deal with the newer, bigger threat without having to worry about her finding a lethal weapon and killing him with it). He didn't kill Maximus when he had the chance, either. He didn't need to. Maximus had already shown himself to be incompetent with the power armor. It was simple enough to damage the power armor and watch him tuck tail and run.

When he meets Lucy again, he uses her with the same casual, indifferent efficiency as he would any other tool. The point of dunking her in the water was to lure the gulper. It had the unfortunate side effect of also being torturous for Lucy, but the cruelty wasn't the point. Getting the head back was. The head=caps, caps=meds, meds=survival, survival=eventually find family.

We don't know what The Ghoul would have done if they had retrieved the head from the gulper and his medicine hadn't been destroyed. Probably it would have depended on what Lucy did. If she seemed likely to come after him and the head, he probably would have killed her or incapacitated her and left her for dead. If she had explained she needed to trade it with Moldaver for her dad, Hank MacLean, hoooo boy, he would have beelined for Moldaver's with Lucy in tow. Whether Lucy came along as his partner or his captive/extra bargaining chip would also probably depend on Lucy's behavior.

But they lose the head and The Ghoul's medicine is destroyed. The math changes. He can come back for the head, but he needs meds now, which means he needs caps now, and the only thing of value he has on hand is this pampered girl from a fucking vault who seems patently unwilling to do the things that need to be done to survive in the Wasteland anyway, so if she's gonna die, he might as well profit from it. He needs meds to survive. He needs caps for meds. It's simple, brutal math.

While he's hauling her to the Super Duper Mart, though, he does several interesting things that are degrading for Lucy, yes, but are simultaneously teaching her how to survive the Wasteland, testing to see if she'll adapt. First, he mercy kills Roger and butchers him. It's important to note that The Ghoul didn't have to take a detour from his all-important mission to obtain medicine--he could hear it was Roger, he could tell Roger was going feral and didn't have any meds-- but he went anyway to help ease an old friend's passing. And he made sure Roger's last thoughts were pleasant, too.

Then, because this is the Wasteland and the one law is survival, he wastes no time switching gears. There's no waste in the Wasteland, and a fresh dead body presents an opportunity for those willing to seize it. The Ghoul, mind you, has had 200 years to learn that he can't be picky. Ghouls are unwelcome in most "civilized" parts of the Wasteland, barred from the simple comforts and safeties and securities that other people can enjoy if they reach those scattered, precious oases. The Ghoul has had to eat people. It sucks, but it's that or die.

But Lucy doesn't understand that. She arguably doesn't understand what a ghoul even is because nobody's taken the time to tell her. She doesn't know what the last 200 years have been like. She's appalled--and then she has the audacity to voice her disgust. The Ghoul hands her the knife to keep butchering Roger in part to humble her, to drag her down into the dirt with the rest of them, but he's also teaching her a stark reality of the Wasteland. It was a lesson and a skill that he had to learn the hard way. (Interestingly, while nearly everyone in the Wasteland is disgusted by cannibalism, it's also a known thing that happens all the time. The Ghoul and Lucy are in the interesting position of being some of the only people in the Wasteland who were raised in societies where cannibalism truly was unthinkable).

On the walk to the Super Duper Mart, he refuses to give her water. On a pragmatic level, there's no reason to waste water on the equivalent of a dead woman walking--he's leading her to get her organs harvested, after all. (He is pretty petty when he pours out the last drops instead of giving them to her, though). But also, whether he is actively intending to or not, he is teaching her to adapt to Wasteland conditions. The water in his canteen, in fact, was just as irradiated and gross as the standing water from which Lucy ultimately drinks; he refills his canteen from the same rusted-out vessel Lucy drinks from, and likely drew the previous canteen's worth of water from a similarly unpalatable source. This is water in the Wasteland. Drink it or die.

When she runs away shortly after, he lassos her (and, sidenote: can I just add how fucking cool it is that they actually carry through his lasso skills? Like, that is actually an extremely useful skill and the writers utilized it!), which leads to that pivotal scene where she bites his finger off and he takes hers.

This is interesting for multiple reasons. The Ghoul calls her a "little killer" and seems satisfied to see her finally fighting with the same savagery as a Wastelander. This could be either because a) he believes all people have a killer lurking beneath the facade of civility ("I'm you, sweetie. Just give it a little time...") and she's finally found that steely will to survive no matter what it takes, and/or b) he believes she's been faking her doe-eyed, good girl persona. He's the one who first finds Wilzig's body, after all. To him, it looks like Lucy lured the doctor off and ruthlessly chopped off his head before running off with it. Maybe she's just a really good actress, and in biting his finger off, she's let that mask slip.

Either way, he introduces her to another law of the Wasteland: don't dish it if you can't take it. She takes his finger, he takes hers. He doesn't kill her for it, in part because that would be disproportionate, in part because that would be a waste (he probably needs he alive to exchange her for caps). But also, from a practical standpoint, she just bit off his shooting finger. Unbeknownst to her, ghouls can reattach body parts, even ones that are not their own. He's harvesting his replacement from her. If he wanted to be cruel, he had ample opportunity to be cruel here. He could have taken more fingers. He could have hurt her in ways that wouldn't have affected her value to organ harvesters. He could have degraded her and called her all kinds of nasty names. But he doesn't. He's efficient. If anything, he seems almost proud of her for abandoning her hoity-toity principles and fighting back.

He still needs caps. He's feeling the effects of not having his medication. He's still committed to delivering her to the organ harvesters. In his mind, he has no choice. This is about survival. He has to survive to find his family. This is the option he has available to him. This is how he lives to see another day. He brings her to the Super Duper Mart and, drawing deep from that actor's well, he maintains the tough-guy routine long enough to intimidate her inside, then he succumbs.

He's still down when Lucy re-emerges, victorious, and he knows, he knows that he's dead. He tried to kill her, now she'll kill him. It's the smart thing to do, the practical thing to do. Another law of the Wasteland...

But she doesn't do it. She has all the power here, she knows he's a dangerous element, that she would probably be safer if she left him for dead or killed him herself. But she breaks all the rules. She gives him, freely, generously, with supreme dignity and a selfless kindness he had long forgot, an abundance of the thing he needs to survive, the thing he was willing to sell another human being for no questions asked. Just like that.

There's also something to be said here about how resource scarcity (and the removal of that scarcity) affects people. As soon as The Ghoul gains a cache of at least 2 months worth of medicine, it frees him from the basic math of mere survival. He has room to breathe and think long-term (at least by Wasteland standards). He can reflect on the momentous thing that just happened to him, too. As he watches himself on the TV in the Super Duper Mart, watches the man he once was unwillingly (and unwittingly) take the first step onto the path to what he has become, he remembers what it was like being Cooper Howard. Why he, Cooper Howard, hated the "feo, fuerte, y formal" scene so deeply.

Cooper Howard was a kind, moral, and dignified man who seldom said an unkind word. He was a loving husband who deeply respected his wife and absolutely adored his daughter. Though his naivety, privilege, and ignorance blinded him to the ugly realities of the pre-apocalypse world around him, he valued justice, freedom, and equality. He wanted the characters he played in the movies to reflect that belief in the power of the law and respect the innate humanity of all people, even the villains. And, when he began to see the cracks in the perfect picture of his charmed life, he is driven to know the truth behind the facade. His deep, defining belief in justice and truth would not let him leave it alone.

Cooper Howard learned the truth that Vault-Tec (and by extension, his wife) were willing to drive the world off a cliff, and it destroyed his marriage and deeply affected him. Even then, demoralized and hurt as he was, he found it in himself to be thoughtful and kind to his daughter and the people, both adults and children, at the birthday party he worked the day the bombs dropped. Fundamentally, he was still a kind, moral man. And that kind, moral man found himself in the middle of the most horrific nightmare anyone could ever imagine experiencing: the death of the planet under a rain of atomic bombs. Then he lived through it and had to contend with the harsh realities of surviving on the annihilated landscape left behind. Fortunately for him, he already had several handy skills to carry him through: having formerly been a real cowboy, he knew a thing or two about surviving in tough conditions; having formerly been a soldier, he knew what it took to kill a man and had the experience and fortitude to do it; and finally, having formerly been an actor, he had a built-in psychological coping mechanism to insulate him from the horrors of the things he needed to do to survive.

Cooper Howard used to put on and take off personas for a living. Sure, he played white hats, but he had an intuitive understanding of character and narrative tropes. He played opposite some of the best bad guys in 21st century Hollywood! It wouldn't be hard for him to pull the cloak of acting around himself to do what he initially needed to do to survive. But somewhere along the way, the tough, ruthless persona he adopted stopped being an act and he became his character. He embodied the answer to the question posed by The Man from Deadhorse: what happens when a good man is driven too far?

Cooper Howard adapted to survive. His actions reflect the realities of being a ghoul (again, a people generally reviled by everyone and cast out of safe havens because they are deemed threats). Pragmatic and efficient violence are necessities if a ghoul wants to live long, stay sane, and stay out from under the thumb of would-be enslavers. Still, beneath it all, Cooper Howard is still there, buried deep down beneath the character-persona of The Ghoul.

The Ghoul is drawn to Lucy (platonically, romantically, or some secret third thing), to her goodness and old-world manners just as much as he is disgusted/irritated by them. She's an echo of himself, of Cooper Howard, of who he used to be, and he knows EXACTLY where that gets a person. She's going to get herself killed if she doesn't wise up. With those high-and-mighty, anachronistic principles, that black-and-white worldview, her totally naive misunderstanding of the realities of the Wasteland, she won't last long. And initially he sees her as a pawn, like he was, only good for moving him one step closer to his goal. But then she shows him she can adapt and survive. Not only that, she can be true to her core principles in the process. She can conduct herself with dignity. Lucy reminds him what it was like being the white hat, and shows him that yes, even in this hellscape, there can be heroes. Over 200 yeas, his pragmatism and need to survive sanded away the nuance between Good and Bad. But Lucy makes him reconsider whether maybe there is right and wrong after all, and maybe it actually does matter.

Thus begins his transformation, but the change is not immediate, and this is still the Wasteland. He escapes from The Govermint and goes after Lucy. To do that, he needs to find Moldaver. He tracks down someone who might know where to find her, kills him and accidentally blows a hole through the letter with the key bit of information he needs to find Moldaver. So, he goes to that guy's family to find the man's younger brother, Tommy. When he gets the information he needs, he kills Tommy. He gives Tommy the opportunity to back down, but The Ghoul has a lot of experience and reads Tommy like a book. Tommy is not the kind of kid to let something like this go, and The Ghoul has clearly been burned by leaving vengeful people alive before. Tommy reaches for a gun to shoot The Ghoul, and The Ghoul doesn't hesitate. He blows a hole in the kid. It sucks, but again, this is a decision born from sheer practicality, not love of carnage.

Later, he comes across CX-404 trapped in a Nuka-Cola machine (left there by Thaddeus). The head is lost to both of them now; the dog cannot help The Ghoul with finding it. But he saves her anyway and dubs her Dogmeat. He lets sentimentality get to him for the first time in who knows how long and allows himself to bond with another living being. When he does reach The Observatory (where Moldaver, Lucy, and her dad are), he clearly stashes Dogmeat somewhere to keep her out of harm's way and goes in after Lucy.

After fighting his way through the Brotherhood of Steel, we come to that pivotal scene where Lucy finds out about her father's history. Cooper hangs back to observe and learns that his niggling, hare-brained hunch about Lucy and her last name was correct: she was the daughter of Henry MacLean, a man-out-of-time who presents the first real step in 200 years toward Cooper's ultimate goal: finding his family. (I think it's important to note, however, that he isn't 100% sure of her connection to Hank when follows her to Moldaver's--his reasons for going to the Observatory are either to get information from Moldaver or simply to back Lucy up, should she need help). He lets Hank get away so that he can follow him, and he's willing to follow him alone. But now there's Lucy, who is as wrapped up in this shit as Cooper is (even if she doesn't understand it yet), and he figures they both deserve answers. She's shown that she can adapt to survive, she just needs a teacher. In their first exchange since she left him at the Super Duper Mart, he treats her with new respect and offers her the opportunity to come with him, learn from him, and find out about who she really is and the legacy that has produced her. But perhaps he also knows deep down that he needs to learn from her too. He needs to remember what it was like to be good, to be human. He needs it so he can be it for his daughter when he finds her.

So, yeah, I don't know, it's just interesting how Cooper Howard became essentially lost in method acting a villain to survive the fucking awful conditions he found himself in, but even then he isn't cruel. Like, there are a lot worse things he could have done to Lucy. A LOT WORSE. As far as I can tell, he never looks at or touches her in a creepy, predatory way. Yeah, he drags her around on a leash and cuts her finger off when she bites his off, but that's pretty damn tame for the Wasteland. He secures her with rope, but otherwise is pretty hands off with her. If he objectifies her, it's in an extremely non-sexual way. More of a taking-the-cow-to-market kinda way. Which still sucks, but again, it's not needlessly cruel or wantonly violent, which is pretty impressive given general Wasteland behavior.

He's a damn interesting character, and I'm super stoked to see how he develops--and how he interacts with Lucy going forward.

#fallout show #cooper howard #the ghoul #lucy maclean #long post #character analysis #also #have you guys noticed #Cooper is wearing the same hat shirt and trousers he wore when the bomb dropped?? #how has he NOT worn out those clothes after 200 years?? #how does he take care of them?? #Why does he wear them still? #...do you think it's so that when he does find his daughter #she'll be able to recognize *them* even if she doesn't recognize *him*?

[britcision]

Not gonna lie, we’ve been watching YuYu Hakusho alongside the release of Delicious In Dungeon and uh

It’s been illuminating

Like on the one hand hoooooooboy you can taste the 90s animation techniques (and the Netflix version is somehow more strobey and seizure bait, and they’ve fucked random chunks of audio?? I have the dvds I can prove they’ve fucked around)

On the other hand… yeah, it really, really highlights what people have already been talking about with the Delicious In Dungeon - the pacing issues, especially with going shot for shot from the manga instead of embracing their own medium

Cuz I will stand by YuYu Hakusho being the best anime version of a manga I’ve ever seen. It’s true to the manga, but keeps up the pacing and fleshes things out by leaning more into the side characters, and particularly our audience surrogates, Koenma and George

The fights all pace well because we cut to the people watching them, so it’s not just repetitive punch punch punch shots (although we do get those)

Whereas this week’s episode of DunMeshi in particular…. Really suffered from skewed pacing on that fight

They had way too much time just standing around talking, both with the harpies and in between Falin’s attacks, and I’d bet even an anime-only fan could pick out which shots were literal panels in the anime because nothing moved to flow between them

Those shots of the separated groups especially; this is anime, not manga. Those people could have been moving, interacting, doing things instead of panning over a still

I get that it takes more time and money but this was a really significant fight and it does make me worry a little for season 2, because the red dragon fight also had some pacing problems (although to a much lesser degree) and season 2 is when the combat pops off

I really do appreciate them wanting to do a faithful interpretation of the manga and sticking close to Ryoko Kui’s vision, but anime is its own medium and by sticking too closely they’re not taking full advantage of that medium

You have more time to fill in an animated episode vs a manga chapter because your characters literally move and flow, and three panels of action happen in a second

They’ve been folding two or three chapters into each episode, but this week’s especially (ep 17) really played too close to that two chapter timeline, instead of taking out the important story beats and the time to fill and working out how to pace around that instead

(Funnily enough though, they actually nailed the exact same kinda pacing issue in the exact same episode for the Laios and Shuro fight; that one was fucking great, it was clear that action was ongoing even while we focused on other people, and it had good weight and emphasis despite being largely offscreen, just like the harpy fight should have been

I. Guess. They coulda put more work into that than the Falin fight? Cuz it’s a huge character moment but for fuck’s sake Chimera!Falin SHOULD be the bigger one! We the audience got hints but this was the REVEAL)

Honestly just… the 1000% disinterest in the harpy fight was jarring, and it leading immediately into the Falin fight that was basically stop motion without the time lapse didn’t help

Cutting to Marcille and Shuro on the shirt tear was fucking great though, chef’s kiss, someone out there is still watching over us, I just hope they work out a happy medium soon

I get that there’s lots of iconic and fantastic panels in the manga, I made a complete summary of every single chapter, but the anime shouldn’t be showing them as stills

The characters should be moving in between them, not snapping from one face to the next like a slide show

In a perfect world I’d also love some more little character asides and things a la YYH, but there just isn’t the same easy audience characters to cut to

But but but

Thistle reacting a la Koenma to some snippets of the bullshit in his dungeon would give me fucking LIFE he can’t be watching all the time for obvious plot reasons but I want him to find a veggie golem

I want him to see the kraken and find some leftovers and be searching for Delgal and plotting their dinner and wondering why he can smell something delicious and what is it and can he make that

Move the background stuff that got cut from the Tances’ episodes, cut to Namari and the twins hanging out and talking about leg guards, there’s SO MUCH supplemental material

It might be less one for one to the manga but it’d stop the weird dragging out and give us something more, something extra to appreciate the anime on its own merits

It’s nice to have an anime experience that is very close to reading the manga, but it’s something really special to have the anime shine and add to the experience on its own

Anyway next week is the shapeshifter and I’m so hype for that and wondering if they are gonna include just a smidge of meta knowledge since Kui did tell us whose impersonations are whose 👀

#dungeon meshi #delicious in dungeon #dungeon meshi spoilers #delicious in dungeon spoilers #yuyu hakusho #yu yu hakusho #dungeon meshi anime #spoilers for ep 17 of delicious in dungeon

[sadokasochism]

So there's implications that sometimes the aliens deliberately match up contestants with strong relationships to increase the drama and potentially get more emotional performances out of the contestants.

We also know that Alien Stage is firmly treated as reality show-level entertainment. The Segyein are casually talking about brand deals and critiquing performances while several characters we deeply care about are forced to kill to survive and sometimes watch people they love die in front of them.

During Ivan's pre-Round 6 interview, the interviewer kept needling him about his connection to Till, how Ivan felt about facing him.

The Segyein thought that facing Ivan and Till against eachother would be some dramatic storyline on the side of 'most popular season contestant against rough around the edges musical prodigy, also they have HISTORY 👀', but it actually turned in a tragic display of how this whole system finally broke Till and Ivan sacrificing his guaranteed win to save him anyway, because to Ivan, Till mattered as a person he loved and not as a commodity.

Till finally ended up as docile and broken as his owner had wanted him to be all along, and it took away his love of music while making his performance in alien stage worse (I think Till in round 6 is a good example of how 'tortured artists' don't actually always produce great or profound art from their trauma. The far more likely outcome is they just end up depressed and losing the fucking will to live kfdjks)

Meanwhile Ivan has everything going for him, he's become a popular, profitable commodity through Alien Stage, he always did what he was told and was a model pet-human, and he was guaranteed to win Round 6 with the state Till was in.

But he threw all that away to save Till without a second of hesitation. Ivan was given a choice between losing Till, a pet-human that many Segyein view as inferior and disposable, and the highest quality of life a pet-human can aspire to, and he said 'fuck you, I love him' to everyone watching.

#EVERY ASPECT OF TILL THAT MADE HIM A BAD PET-HUMAN AND UNAPPEALING TO SPONSORS IS SOMETHING THAT IVAN LOVED ABOUT HIM WITH ALL HIS HEART #I'm so normal about this #I just KNOW the PR aliens are spinning this into a freak accident and not a deeply flawed but genuine and heartbreaking expression of love #alien stage #alnst #alien stage ivan #alien stage till #alnst ivan #alnst till #ivantill

[captaincolorblob]

finally finished reading the reigen spinoff-manga. i will never emotionally recover from this

#mp100 #reigen arataka #dia rambles #spoilers incoming with the ramble #first of all. what the fuck. why is this suddenly horror. why are these curses/spirits some of the most disturbing shit i've ever seen #like just the weird face that followed tome's teacher around was just. its the type of horror where you dont wanna look at it #second of all. i fucking love the side characters #tome's lil friend group and how they later geniunely talk about their interests #also that one small panel in chap 7 with the girl that likes making manga looks like a completely different artstyle it took me off guard #also hoshido-kun. my baby boy. very glad you quit working for roshuuto but also good fucking luck with your lil crush on tome #that girl is a gigantic lesbian. she's disastrous (<-delirious because of a single panel of her blushing after that one girl thanked her for #rescuing her) #speaking of roshuuto #he is a bitch ass motherfucker i wanna see him get sucker punched SO BADDD #and dimple<3 him telling tome that basically no human knows everything about their own world how is he supposed to knwo everything about the #spirit world #and love the lil trans crumbs ''i'm a guy but..'' ''some had no gender when alive'' etc etc #i only have like three tags left but just know that my brain is rotating reigen and his whole deal in my head like a roteserie chicken #same goes for serizawa

[prince-liest]

You inspired me to write! And I got up to 2k words for the first time ever when it comes to writing for myself... but I'm struggling a bit 😅 Do you have any advice about narrator POV and how you use your verb tenses? It's like I have no idea how you manage to "head-hop" while still being an omniscient narrator so smoothly & effortlessly. And verb tenses. if I write "was" one more time I might pop a gasket lol. any help is appreciated <3 have a good one!

First of all, that's freaking amazing! 2k is a lot, congratulations! That might sound weird coming from me considering how many words I put out, but I 100% remember the struggle of being newer to writing and hitting multiple thousands of words for the first time - I'm so happy for you!

Second of all: I actually write exclusively in third person limited POV, not third person omniscient! Even though I'm writing in third person, the narration is fully from the perspective of the point of view character, which I personally enjoy a lot because it allows for a lot of unreliable narration and also characterization through how their train of thought manifests (choppy, stressed, dreamy, etc). That's why when I'm writing from the point of view of character A, for example, any assumptions about character B's motivations are what character A is thinking, not an omniscient narrator informing you.

That said, you still have to head-hop specifically to write the actual visible actions and dialogue of the second character, and that's actually the most recent thing that I used to struggle with in writing specifically because I got most of my initial writing experience doing roleplay where I was only ever responsible for one character's thoughts and actions at a time.

Honestly, the main thing I can say is that it gets much, much easier with practice. When you start out, it will genuinely just take you longer to switch from the mindset of one character to another! I used to take character notes to put together little snapshot profiles of character headspaces to re-orient myself between the characters I was writing when I felt like I was getting lost. They included things like a few traits to keep in mind, behavior mindset, and snippets of dialogue that I thought were very representative. I don't use these anymore, but I do still do things like rewatch episodes or reread portions of books when I'm learning new characters to orient myself to their personality. It's like code-switching to me nowadays.

As for verb tense: I was a consummate Homestuck, so I started out writing in second person present tense, hahaha, and while I've adopted the third person POV (and believe me, this took adjusting), I've kept writing in present tense as a personal preference. I like it because it makes things feel more in-the-moment as they're happening, because there's less grammatical fuckery involved when describing the past vs the present, and just because I'm used to it. That said, past tense is more common and stands out less to people, and I think that you are finding all of your "was"s a lot more noticable than a reader would! People generally don't really notice the tense of what they're reading once they get into the flow of it.

#ask #personal #Anonymous #my writing #writing advice #I also tried to switch to past tense and kept fucking it up #like genuinely switching tenses halfway through a paragraph and not noticing at ALL #and unlike writing in second person POV it didn't seem like an actual issue wrt readability so I just stopped trying #long post #I hope this was at least a bit helpful! #I've honestly never written an omniscient narrator so I'm afraid I can't be much help with that #I'm too much of a sucker for unreliable limited narrators haha #I love how telling a narration can be about a character's mindset #also side note my oldest fic on AO3 which is a little Soul Eater oneshot from 2015 is in second person hahaha #A RELIC #(ofc I have some fantroll stuff on there as well but that's SUPPOSED to be second person)

[suffarustuffaru]

Reading your tags about how people miss the very obvious "there's some fucked up shit boiling underneath" regarding Otto, just gave me a sudden realization. Otto is the only character I know in fiction where they act all innocent and drive up the "clumsy", "just in the side-lines" and "straight-man (heh)" persona. When. Like no one's in the EMT camp is buying it. They know he's way more capable than he let's on. Meanwhile, the tomfoolery is completely brought on by the Western audience.

Like Otto is failing miserably to make other characters believe that he's not up to mischief, Roswaal even thinks it can bring his downfall. But the audience, who even sometimes *sees* his fucked up thought process, is buying it.

*head in hands*

no u bring up so many good points bc ive been really thinking about this for a while T^T its such an interesting phenomenon in the difference in perception otto has between the japanese speaking half of the fandom vs the english speaking half which can be explained by—yeah. media illiteracy mainly. im also putting my head in my hands anon T^T

because—okay sorry wkdndn im gonna get into meta again but hear me out bc this pattern of the fandom underestimating otto is interesting bc i kind of sort of i cracked the code maybe??? o.o i think the nature of otto is a character is that youre SUPPOSED to underestimate him at first, just like what happens sometimes in universe. i mean wayyy back then i definitely wasnt expecting him to get more depth added to him in arc 4–which was a pleasant surprise—which is also the reaction the vast majority of people have to reading/watching arc 4, along with the other vast majority reaction which is being a bit endeared to ottosubas friendship and respecting otto for being a good friend. and then its easy to underestimate otto bc of 1. all the chaos going on in rezero at any given moment and 2. hes almost always overshadowed by other characters doing worse shit or being more insane than he is and 3. otto of course damn well knows hes easy to underestimate and counts on that. thats what he did against roswaal in arc 4. plus—i mean even aesthetics-wise hes 100% DESIGNED to be easy to underestimate. his outfit and physical features make him look either friendly or frazzled or soft. so i think that the point is that we were supposed to be kind of fooled—at first.

because yeah, we’re endeared to otto. we respect him for helping subaru the way he did. we think that hes a nice person and we now support his actions especially after feeling sympathetic towards him after learning his backstory. (or at least the average audience member will think this wjdndn.) but like—you dont even NEED to look at any side content at all for it to dawn on you that theres something Wrong. with him. like all you need is main route arcs 3-8 aka ottos entire screentime thus far, because at arc 4 its so easy to overlook otto unless youre thinking a bit deeper (for example—he gets violent with subaru. like yeah its entertaining, its played for laughs a bit, yeah subaru needed to be snapped out of his own head, but was it 100% necessary??? why did otto have this response??? bc if you just look at the main timeline otto really decided to beat up subaru first. and bc this tendency is now Less Funny in arc 8).

but even if youre just looking at rezero face value, when you get to arc 5 its starting to get even more clear that ottos weird in the head. like we already saw him being very good at scheming and planning in arc 4–in arc 5, we find out about otto hiding the tome for a year. we find out WHY hes been hiding the tome for a year. the tome then leads the witch cult into priestella, so like—in the sense, otto is RESPONSIBLE for arc 5. but theres STILL a tendency sometimes for the audience to continue underestimating him even though by this point we’re getting more clues and many characters around otto, like you said anon, KNOW hes very capable. i keep wondering why this is, but arc 5 is, again, FULL of chaos and different storylines happening at once, so its so easy to almost kind of forget otto there in the background until he occasionally pops up again. plus otto serves an additional role as comedic relief sometimes—he spends all of arc 5 being bitchy and whiny (i say this affectionately HAH) about his camp being full of disasters, for example, so i think the natural response from the audience tends to be “aw otto!! what a silly guy!!” sometimes. you know? so its like. i think at this point some people tend to be like “yeah fair that otto was wary of roswaal and thats why he saved the tome…. anyway ooooh whats going on with these other plot points” wobsbss. its so fascinating bc—ok this might be my own personal experience but anyone reading this pls tell me if you agree or not—i dont think ive seen a lot of people actually even MENTION otto bringing the tome into priestella attracting witch cultists. and the english speaking fandom LOVES to go into certain characters’ wrongdoings so why gloss over otto????

the only explanation i have for this is that from arcs 3-4 underestimating otto is. kind of the point of his character UNTIL you get to arc 5 and the clues in the main story start seeping in even more. and also the western audience DOES have media illiteracy a lot. theres that too. just look at rezero content on youtube or reddit or fanfic sites or other things of that sort T^T but no yeah i think ottos nature as a character exacerbates it. youre supposed to start asking questions about him. youre supposed to start connecting the dots and then SUDDENLY its now EXTREMELY obvious in arc 7-8 and even while theres so much chaos going on its basically shoved in your face. arc 7-8 is just delivering on all the leadup that was arcs 3-5.

and i think that youve gotta be media illiterate for sure to NOT get that otto is not squeaky clean and innocent BY ARC 8. i think that ottos the deconstruction of the loyal best friend trope, and also a mirror into what subaru couldve been like if he decided to be more ruthless instead of jumping right to forgiveness and saving everyone, except sometimes that flies right over the audience’s head wkdndnd. it confuses me bc ive seen some people completely miss the point or completely agree with otto and overlook the Bad Parts of it or, you know, STILL think ottos perfectly sane—like T^T please.

and yeah so back to what you said about otto Not being underestimated In Universe—its such an interesting detail bc hes ALWAYS been simultaneously pathetic and Very Competent wjdndnd. but yeah no all of his friends have seen various hints and clues and evidence of what hes capable of. like even though he hid the tome from them successfully and even though hes hiding info now its INEVITABLE that its gonna blow up in his face one day. like you got characters like garfiel who literally saw otto punch the wall and break his hand in an unhinged fit of rage, julius who got snapped at by otto and while julius is a Bit naive definitely knows somethings off there, anastasia whos smart as hell and definitely knows not to underestimate otto, and roswaal who, like you said anon, literally went out of his way to stop otto from breaking his hand in another unhinged fit of rage and warned otto that he will literally be destroying himself if he keeps going on like this. its this fascinating dichotomy bc otto is NOT fooling anyone around him but at the same time his current schemes are mostly unnoticed—for now—which yeah i havent seen that in a lot of media!!! its an interesting balancing act bc people around him realistically know hes competent after seeing the Proof of that for the past couple arcs, but otto is still finding ways to try and Win…

which—again, the anger and violence is an extension of arc 4 otto!! this is the same guy!! hes always been like this!! ottos kind of stayed the same, deep down, this whole time and as an audience its ONLY shoved in our face with a big gigantic spotlight on it FOUR ARCS LATER, but it was hinted to all this time. and like you said anon—we LITERALLY see ottos fucked up thought processes. literally what sane person thinks any of that shit. its spelled right out for the reader HAH T^T which—yeah. media illiteracy…. and also this whole ask was a longer way of just saying that otto is VERY easy to see at surface level if youre media illiterate. but at the same time it should be very easy to figure out otto is A Bit Fucked Up bc tappei underlines it in bright red print!!! i think people sometimes just hang onto soft awkward silly otto and forget about the rest T^T either that or they dont think he cares about subaru at all. which. that phenomenon of thinking characters that do care about subaru Dont Care is also interesting to me bc why????? we’re at arc 8 and you STILL dont get it??? o.ooooo

but yeah apart from that….. i said this earlier but yeah sometimes some people agree with ottos realism in arc 8 which is. understandable, but the whole point is that he is EXTREME. with it. hes Not in the right here, but the same crowd that wants wanton revenge in rezero is gonna agree with that kind of stuff T^T ottos been lurking in the background so much so that tappei made it meta by doing the whole “walking in darkness” part of his character, so i guess people just. dont see ottos ACTUAL worst traits and instead think he would ditch subaru at the first opportunity or something. but at the point we are now, arc 8 ottos problem isnt that hed ditch subaru. his problem is that he would sacrifice the world for subaru. his problem is that he gets extremely angry at subaru for trying to do good. his problem is that hes trying to micromanage everything around him and is willing to sacrifice anything necessary to get what he wants. but sometimes people dont get that bc otto doesnt look sound or seem like a character thatd do that. the Underestimation part of his character is doing too well on. certain audiences. please T^T the soft and awkward and silly parts ARE part of his character just like all the Darker parts are!!!

additionally im also wondering if western audience perception of otto is also clouded by the fact that otto looks and sounds more feminine / androgynous and he doesnt have the appeal of Overt Power either……. he cant Really be waifu-ified… and he cant be used as a weird self insert like subaru…. and you Have to look at him closer to understand him…. and for some reason people dont tend to hate on him so aggressively, if anything people cant even see his actual canonical flaws half the time wkdndn so if youre not paying attention otto CANT be aggressively hated on bc theres nothing there if ur not looking at it….. and if youre not paying attention otto seems more “boring” compared to the others…… (not that people arent allowed to not have otto as a favorite character bc thats totally fair but im talking about the tendency to think hes Saner than he actually is.) but yeah these are just my guesses. i have no clue the western fandom is a little T^T some people unfortunately cannot read.

anyway. big thank you to the japanese fanbase for understanding ottos character more and making so much wonderful fancontent for him T^T also i think that we as a collective fanbase should stop underestimating otto in general bc its exactly what he wouldnt want and i think itd be really hilarious. <3333 make him explode with rage please

#rezero #ask #yeah sorry this response was so long wkdndnd but yeah ive been thinking on this for a while… #like ottos a very key side character thats given a lot of focus and yet hes?? largely ignored in english fanbase #but also rezero is a special case i feel bc for some reason a LOT of people misread it so easily. all the time. even fans thatve made it to #arc 8. why???? T^T rezero is so divisive i feel and for what??????? why?????? why do people miss this the story makes it obvious what its #about??? not to mention the LITERAL anime episode called THATS WHAT THIS WHOLE STORY IS ABOUT WNDNDN #tappei basically slamming u in the face with otto being fucked up fr too HAH…. #its like ottos falling into almost the same kind of stuff that rems perception by some people does. which is u know ignoring her problemati #traits of Being Obsessed With Subaru. shes a loyal ‘waifu’ and ottos a loyal friend but he cant be waifuified so easily and hes not front #and center in the sense that rem was also the second main love interest skdndnd #which i think might be the common fandom problem also of overly focusing on romance bc people notice rems loyalty more than they do otto at #this rate. bc rems the waifu. ottos only the friend. hes ‘less important’. #its interesting to me. bc why??? with other characters ppl either erase all the good or the bad out of them but with otto hes just in stasi #hes just kind of. there. #rip otto the bad luck made him cursed to always be in the background #it just confuses me so much T^T the difference between jp fandoms perception of otto vs english fandom is STAGGERING #otto suwen #the other day i accidentally got dragged into an argument on reddit bc someone tried to correct me on otto and i was like ?????? WHAT SANE #PERSON DOES ANY OF THE STUFF ARC 7-8 OTTOS DOING…??? #they were like ‘otto wouldnt do anything for subaru’ and i was like ‘lmao whys he trying to have louis killed then 😭😭😭😭’ #‘whyd he try to let 50 million ppl die then?? 😭😭’ #‘WHY DID HE DIE FOR SUBARU THEN’ #like ottos not gonna indulge subaru with everything thats not what i mean by he would do anything for subaru. he would do anything as in he #would sacrifice so much for subaru. but some people just see subaru doing it then ignore otto trying to do the same thing but in a differen #font???

[zappedbyzabka]

Kreese definitely was abusive to all the Cobras and left a mark on them back then but Johnny was always a focus for him from the very start.

#The Cobras deserve to have their abuse/how they reacted heard but you dont need to act like it there wasn’t abuse favorites #no need to say his was so little or the same level. abusers usually have a focus and hit the rest as treats #and THAT is still abuse worthy of sympathy and attention #was this not always clear? and even Martin has said repeatedly with no prompt that he always thought Kreese loved Cobra kai the most but #Johnny second in his own fucked up way. That was always Martin’s view and goal #so I dont understand why people act like Johnny’s abuse wasn’t especially potent and focused compared to the other Cobras #ANY reason to push Johnny to the side and shit on his character. right? #I’ve seen this take multiple times and while I respect people’s opinions #it’s wrong to dumb down somebody’s abuse to bring up others bc you hate the character #If you don’t trust Cobra Kai. even the movies show this clearly #This isn’t about anything specific. People I’ve spoken to and people have posted this take and I don’t understand at all #It an accumulation. So if you have this take dont be offended just look away.

[sd2006]

My Vulcan OC 🖖

Their name is T'ophie

[May cahnge in the future. Not 100% sure how Vulcan names work yet 😅. I have only been in this lovely fandom for a month and a half as of currently]

What it looked like before I made the design changes.

[Originally created in Gacha Club as a base. All my own original ideas and character design. I got the tail idea from @chainsawgirltheythem I adore how they draw Spock with his little tail 😍]

#and yes i am aware Vulcans do not have tails #i saw someone else in this fandom give Spock a tail and it was too cute to pass up #i will give them all the credit for me giving my OC and also my Spock design a tail #it is only fair as i saw them do it first #also side note: #i absolutely adore this '60s show (TOS) #it makes me laugh whenever i see kirk fucking karate chop some foe in his way every 5 seconds #and the effects and stunts #i just imagen kirk getting unnecessarily thrown over a table by some one hitting him across the face #like no one does that 🤣 #i love this show #art #drawing #digital art #my artwork #original character #adhd #james t kirk #s'chn t'gai spock #spock #star trek #star trek tos #tos

[nyxi-pixie]

i dont trust a bitch that hates ronance

like wdym u like stedd1e(<3) or god forbid fucking h4rr1ngr0ve(😒) but you dont like ronance🤨🤨🤨🤨

like if u dnt ship it bc ur rooting for robin and vickie or ur a super yay jxncy person or smt sure whatever. but if u HATE ronance??? i do not trust you.

#anyone thats 100% insistent and totally sure that nance is straight gets my side eye tbh #bc like did u listen to murrays lil expose on her💀 'ur scared to be urself and instead rely on safety of conventional man' #yeahhh not queer coded at all #when we talk abt how mlm ships need 100x as much evidence as straight ships to be considered plausible??? #yeah that but x10000000 for wlw ones jfc #like steve can have a male friend that says hes got nice abs or smthn and everyones WOOF WOOF BARK GRR GAY PEOPLE!!! #sure okay have fun besties #but nancy is like 🥰robin ik i wanted nothing to do w u 5 seconds ago but ive actually decided ur my fav person🥰 #🥰we are gonna spend the rest of our time on this world saving mission glued together ok🥰 #anyway. do i believe it has any shot at endgame?? no! #but i do not like the way that people are like st3ddie<333❗❗❗ (i love it too dont get me wrong fruity four my loves) #and then totally ignore ronance. or worse. see them as side characters 💀 #i have so many thoughts on this but just. im usually a defender of why fandoms fixate on mlm ships bc women tend to have less development #(im a byler first. bc theyre the most obviously romantically coded in a Oh this one has Actual Potential way) #but robin and nancy are fairly well rounded characters. and they interact a fuck ton in s4. so. usual defenses are a no go #and now im ready to sword fight the haters #ronance #this is incomprehensible #but im right #only censoring ship names so i dnt end up in their tags i love stedd1e and jxncy dw

[legendoftherisingtide]

why did the anime and the fandom reduce uraraka to just being in love with deku??

the recent chapters have truly made me fall in love with her character but im watching the anime and everything is so,, like it’s honestly whiplash

every pivotal moment for her character is because she likes deku. I loved the scene of her jumping to save him and it flashed to her family and her newfound motives. I loved to see her character being more than Deku. I loved that growth and though I was disappointed when it started mentioning Deku, I realized he was important to her growing and who she is as a person. (Although I love the manga for expanding her character past her admiration for him)

And the moment they had together as they fell was genuinely touching,, there was no blushing, no over the top crush, it was real concern and care. I loved it. It made me forget all of the obnoxious belittling of her character and made me realize that they can be together without force. It was so simple and meaningful.

The anime can make jokes that don’t include uraraka blushing! They can write an interaction between these two that shows not tells. Her immediately rushing to calm him down because she knew he lost control. The way she slapped him like how she saved him in the entrance exam and then asked if it hurt. The soft smile on her face when she asked if he was okay. The way she holds him steady as he stumbles to get footing.

It’s all so subtle. And it’s so refreshing after so much insufferable time the anime puts into pointing and screaming Uraraka likes Deku. Gosh it’s such a good moment aaa

But then it went back to cheapening her character and continuing to push her towards this arc of mundanity. She wants to be a hero that helps people!!! LET HER BE THAT!! goodness gracious stop making every single thing she does go back to deku. STOP CIRCLING BACK TO WHERE SHE STARTED ANIME PLEASEEEE

#i also don’t like that it keeps focusing on her things with deku when she is more than that #it’s so frustrating #because I love her #but at the same time they keep reminding me she likes deku every second and it turned me away from her character years back #I love her now but god the problem is still bugging me #and it makes me roll my eyes every time they have a scene together #even if it’s genuine #but I wish that wasn’t the case #because I think these two would be great together (platonically or romantically) #but I just can’t with the poor writing of forcing a relationship that is so one-sided?? or at least not as important to deku #like they need to pick a side with her #either go the heart wants what the heart wants no matter what approach that could tie back to deku and shinsou #or let her let him go like she keeps saying she’s going to #I would like the latter but at least the former would give a coherent understanding of her character and motivations #like why does deku and bakugou and todoroki and iida get to have complex relationships and motives and wants #and explanations and thought and writing put into those while also having time and effort put in #while Uraraka is be in love with deku or be like deku #she is MORE THAN DEKU OH MH FUCKING GOD I CANT WITH THIS SHOW #LET HER BE HER OWN WOMAN AND LET HER THINK FOR HERSELF WHAT IS WITH ALL THE GIRLS THINKING OF WHAT THE BOYS WOULD DO IN THEIR SITUATION #why can’t she have a moment of inspiration and then imbede that into her personal story and ambitions instead of making everything about him #they didn’t make todoroki like this so why did they do this to her #grrrr bark bark #im just upset ig that such an intriguing character that grows to be a person for the people has to have every action because of deku #she is great and I really like the direction her character is going and I wouldn’t mind them being endgame #but as the writing is now #I kinda don’t like this forced romance that could be so nuanced and powerful if it put in the effort and time that I know hori can do #bnha #bnha uraraka #izuocha #bnha critical

[hecksupremechips]

They did Ryuki so dirty in aini and I’m gonna be salty about it for the rest of my life I think

#aitsf #ai nirvana initiative #kuruto ryuki #like cannot emphasize how they just did not use him in the second half of the game #and i dont wanna diss the mizuki side cuz i honestly really loves it and i love her so much but just like #why did they even make ryuki in the first place if theyre gonna cut him off like that #and same with tama too its like you spend this game getting attached to these two really good characters and then its like ha fuck you! #and then all the stuff thats ACTUALLY important to the plot and the case begins #they dont even have like a moment where ryuki can feel relief at date being alive like dude #they like. this guy drinks himself into oblivion and goes insane over the death of a man he loved whose death he blames himself for #and the game cant even give these two characters like even a kinda touching reunion they just straight up DO NOT ACKNOWLEDGE IT AT ALL #which dates role in the game in general i think was also done dirty but i digress #like yeah okay sure just have almost all of ryukis motivations revolve around date and wanting to become worthy of him #and ​then go eh whatever anyways #oh and then have ryuki literally get shot at the end protecting date cuz thats how much he loves him and just like. they barely even care #date is literally the only person that seemed to have acknowledged it happened but it was literally like #oh no!!!! ryuki is literally bleeding out uwaaa!!! anyways #i used this card hesitantly with pewter after finishing ai1 but fuck it ill say it with my full chest this time #im calling homophobia here like come on you cant ignore this one #sorry to pewter and ryuki for both being canon gay and really interesting characters but the game doesnt care about you 😔

[godblooded]

the first thing people always notice about alana is her eyes.

#headcanon. dr. bloom. #headcanon. dr. bloom. a good forensic psychiatrist; maybe the best. #[they’re the frost of water turning to ice before its full freeze in the earliest winter morning. #they’re the color it turns as it thaws slow slow slow and then freezes again. they’re so cold. #but they’re purely near white blue. wolffish and beautiful at once. they can be so cruel. and she can have the kindest eyes you’ve ever #seen. she can make you feel incredibly loved or she can absolutely crumble you with a glance. she KNOWS it too. #all her emotions show through her eyes is also the problem. she lies so well because she forces herself to feel it. so potent. #she can replicate an emotion painfully well for herself. she fucking hates it. it’s so hard and so much to deal with. but without it— #she wouldn’t be her. she’s explained the way her empathy works to a few people and I distinctly remember it was trish who was like #‘Jesus Christ I wouldn’t want that shit’ without even meaning to before going ‘it sounds so overwhelming to deal with’ before Alana broke #down in tears seconds later because she’s not hard and if you think she is you’re buying what she’s selling and you’re being grifted. #Alana bloom is my most dangerous muse and I write kitty ‘nexus of nothingness embodied’ valentine. #but I tend to think: would kitty be tricked into… anything by Alana? oh yeah. like. immeasurable yeah. a yeah the size of Texas. #Alana finds your weakest point because every single diamond has a flaw and she just g e n t l y begins to chip. #she’s good!hannibal. she’s the actual good doctor like. I think Tara Jess and I have unironically convinced the fandom that’s her title. #(lmfao it isn’t it’s lecter’s but book!lecter deserves it. show!lecter was a shit therapist. at least book!lecter was amazing at his job.) #and you know who his protege is? Alana!!!! she’s so deadly I’m in love with her and I’ve loved her for years now. #me: this is the side character I’ve written for more than a decade who causes a chain reblog reaction every time I post that gif set #if you know you know.]