So uh, apparently for many RP blogs they make a proper intro then what I have. I've been sitting on how to do that, especially with the rules being pinned. So I think I'll just link this inside the rules as not to clog it up or edit it too heavily.
So let's see what we can do for a proper introduction.
[Also, any art references for Narry that you need is below the cut too!]
[Slight rule update for clarifications on: 5/18/22]
Hello, my name is Brandon! To a lot of you, you might refer to me as Narrator, and I think I've heard the occasional person call me "Narry" for short? Eh, it's cute. "Nar" (like hair but n instead) also works. I'm not picky. Let's see... Some facts next?
I'm Pansexual and I use He/Him pronouns!
I'm 6'5 (yes, "the weather up here" is the same as yours, I assure you)
I'm an android. Uh... Don't ask. I don't wanna talk about Aperture. I was first powered on in 1983 making me 39 as of right now. (Though I feel like it would be more accurate if I was 60...)
I have diagnosed ADHD! ...and Anxiety issues and Depression -Though! Though. I *SWEAR* I'm getting better with the latter two! ...I am *still* on medication though. Nope you know what don't tell them that.
I adore all types of musicals! (Hamilton, Beetlejuice, Six, Phantom of the Opera, amongst others just to name a few you'd regonize.) Video games too (I have quite the library. Some here I haven't admittedly gotten around to yet, but hey Dota 2, Dungeons 2 and 3, Minecraft, Firewatch, and Rocket League just to name a few.)
I don't really have a favorite book genre, I'll basically read anything you give me to be perfectly honest.
I uh... Don't know how else to describe myself, so I guess that's it. Nice to meet everyone!
[And this is where mun takes over! Hi y'all! Sorry the introduction is so late for RPs, I've been trying to draw up a reference for Brandon/Narry, but finally here it is! ^^ (I should mention that the three digits I draw on my characters are a personal style choice bc it's just easier to draw that way for me)]
[Yes, there are some key facts about the office/the Parable you should know about. You do not NEED to read all of this to RP, but it will explain some decisions in any RPs I do within Brandon's AU world. I will highlight it in green so you know when I stop rambling about it.]
[First that isn't mentioned in the ref is I call it the Parable because that mindscape isn't limited to the office (Ex: The apartments, The Memory Zone etc.) So thus it all can be changed into pretty much anything Narrator wants, but it's usually limited to a couple of small rooms or one big room bc building it takes a FUCK TON of energy to model, texture it, and make it possibly interactive. Thus most things are either pre built (The office) or are built up over a long time (The Baby Game is a WIP for example.) Since the Memory Zone is connected to Narry's memories, (well mostly anyways) it's the exception, not the rule.]
[His Parable exists when him and at least one Test Subject is hooked up into a sort of subconscious test via long term relaxation sort of thing. So think that they share a dream/coma together. (Also when forth wall breaks happen, that's because he's SUPPOSE to either call it a video game or a story. It's what he was told to do. And the "player" is the actual Test Subject. He is NOT allowed to tell the Test Subject they're being tested. If one is to be hooked up and NOT be a Test Subject, however, he is free to tell them what's going on.)]
[Test Subjects can remain in the Parable even if for some reason Narry is unplugged from the Parable. (All the be right back things in game isn't related to that and he's doing something else in his Narration room, because him unplugging would be from the outside, like a scientist wanting to do maintenance on him.) HOWEVER Narrator does need at least one (1) Test Subject plugged in for him to access and/or stay inside the Parable.]
[While inside the Parable, Brandon can soft teleport in a sense. He can hop between going to his Narration room, (This is when you hear him in TSP and he's always overhead no matter where you are) where he can see the full testing grounds without being in the field as to not be in the way or break emersion and he generally narrates from there, or he could teleport to the Test Subjects' current location. Essentially he is either by your side/uses you as a way to pop down to the office, or he's narrating in the room with the story script. He cannot teleport anywhere he pleases.]
[OK AND WITH ALLLLLLL OF THAT OUT OF THE WAY, a few more tiny things.]
[If you start an RP and want this blogs' Narrator to interact; Please specify if it's Pre-Freedom!Narry or Freedom!Narry this is so I know if you are interacting with him inside the Parable or you want him as the Narrator or something else entirely.]
[This blog is non-selective and will roleplay with anyone, so long as any relations in the RP stay platonic. No romance.]
[Violence and hurting either versions of Narrator depend on the amount of intensity. Nothing graphic or violently gory, but if for some reason it makes sense RP wise for him to get punched, then you may deck him in the face. Is he gonna be happy with it? No, more than likely not, but you may if you feel it necessary. Emotionally is the same thing. If he needs to get knocked down a peg, go for it, but no mentally torturing him. (Ala Zen ending)]
[Much like the blogs rules, dark or existential themes, angst, suggestive jokes/language, and cursing are all allowed and the latter two are very common.]
[You may have to be the one to split up the posts. I'm on mobile and I don't know how to do it on here, otherwise I swear I'd do it myself.]
[If you want to RP on Discord instead of on Tumblr, please message me for the handle! ^^]
[And remember, no matter what, if ANYTHING that happens in an RP is accidentally uncomfortable to you, let me know in some way, and I will delete or edit it immediately.]
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Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.
Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.
And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.
But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.
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Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).
He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.
And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.
No one knows how he does it. No one has to know.
Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)
He needs to be quick.
Efficient.
Perfect.
And so he comes and goes like the wind.
Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.
Kaeya had only been late once his entire life.
He'd rather he never be late ever again.
It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...
.
.
.
" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.
"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.
Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.
He imagines hearing a clock ticking.
Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?
Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.
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The four Sages were called back into the past by Terrako and they remember it happening
Tulin got to meet his hero, Revali, and decided to be just like him, adopting his idol’s brash personality and drive. He practises Revali’s Gale and eventually comes up with his own way to show off his mastery of wind, and when trouble hits his home he rushes to fix it on his own to prove how strong he has become and because, like Revali, he can’t stand idly by while he knows there’s still things he can do.
For Yunobo, when he goes back and meets his ancestor Daruk, he is a very timid and reactive Goron. He needs a push from others to come up with ideas and carry plans through, and when bad things happen to him his first instinct is to use his fire magic as a shield, to wait until the threat has passed by or somebody else has come to save him. But when he is sent back in time to Divine Beast vah Rudania, for the first time he has to be the one doing the saving. Daruk encourages Yunobo and is proud of him from the moment they meet, and it’s this support that gives Yunobo the confidence to help fight against Calamity Ganon, and to start YunoboCo when he gets home.
For Sidon, meeting his family from 100 years ago is bittersweet. He is proud that he was able to protect his sister, and it’s a comfort to know there is a version of him who will grow up alongside Mipha because of his bravery and fighting prowess. But as much joy as he got from seeing her, hugging her, and hearing her voice again, it just reminds him of how unfair her death was, of just how young she was when she died and how he is now older even though he’s the younger sibling. And at the end of the war, when he’s returned to their original time, he has to readjust to her absence all over again, and in light of that is it really a shock he’d have her statue moved further away from his home? And it also explains why he’s so desperate to protect Yona from the sludge.
Riju in AoC still a new ruler to her people, despite her accomplishments in BotW, she still feels guilty over the temporary loss of the Thunder Helm and isn’t sure if she can lead the Gerudo. She has a lot of confidence but is quick to falter when things go wrong. Urbosa treats Riju as a capable fighter despite her young age, and teaches her that she should never give up, to keep trying even when her resolve falters. There is always something you can do, even when it’s just stalling for time until help can arrive. Urbosa guides her in mastering the Thunderhelm, and possibly begins teaching her to summon lightning herself after Kohga attempts to steal it, and at the end of their time together Urbosa tells Riju she’s certain she’ll lead the Gerudo well. Riju treasured her time being mentored by Urbosa so much that she considers what Urbosa would do during the Upheaval in her diary in TotK.
I think the entire reason Tulin was added to the DLC was because the TotK team had already decided that Tulin was going to be the Sage of Wind, and that since the other sages were going to meet their Champions Tulin had to as well.
At some point in the years between Botw and TotK Teba, Tulin, Sidon, Yunobo, Riju and Patricia were summoned back in time by Terrako to aid the Champions during the Calamity, and even though those events took place in a parallel timeline and had no bearing on the world they returned to, the Sages’ personalities at the beginning of TotK are because of their experiences during the Calamity and the bonds they made with the Champions.
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I personally like Thunder's prosthetic. Explained it to my friend (who does use a mobility device, a cane and wheelchair, and listens to me rant and infodump about BB) and they agreed, it's important to know that not every person needs what someone wants to give them. It's another example of "bad ableist person does a thing that hurts a disabled person because they are bad and ableist".
Clear Sky got Jagged Peak killed and would have killed Sunlit Frost! He would absolutely force his disabled son to be "normal" and present it like a privilege. "I wouldn't do this for anyone else, it's special, why don't you want to be helped?"
Thunder Storm should toss it in Clear Sky's face. (I would say toss it into the river but we do not pollute waterways in this house)
Thank you for telling me this, and tell your friend I'm thanking them too! If they have anything else to add please forward what they have to say
Since BB!DOTC tackles some of the heaviest topics in the entire series because its canon equivalent is so dark, I think very carefully about what I do here and how I show it. I take feedback on its sensitive aspects very seriously. If I'm understanding the criticism properly, it's that I should avoid stigmatizing prosthetics by making sure Thunder Storm's not the only one with it-- which he's not! And I'll add even more.
I don't want to avoid something only because it's uncomfortable if the topic is important, and my portrayal is respectful. Ableism IS uncomfortable! There are some situations where a prosthetic is not wanted! I think the rejection of this particular one is both a good opportunity to show a type of ableism and ALSO is very fitting for the characters.
In BB!Clear Sky's mind, the villain, he's fixing an old mistake. He can't admit that he got Jagged Peak killed or take REAL accountability for it (though he will, occasionally, apologize insincerely), but deep in his bones, he knows what he did was cruel. He'll never tell anyone this because he doesn't really cognate it himself, but Thunder Storm NEEDS to take his gift.
If Thunder doesn't take it, it blows a hole in his newest story. You see, throwing Jagged Peak out was All That Could Have Been Done back then. It was a Tragedy and he simply Made A Hard Choice. He regrets it very much, But You Have To Understand.
But now? Now? Well, behold. Look at what he's accomplished since the tragic death of his little brother. His cats are well-fed, cared for, and stable enough to make such incredible advancements. If only Jagged Peak had been able to hold on longer, if only he could be here now, I could fix him.
Just like I can (MAKE YOU JUST LIKE ME) fix you.
"Everything I've ever done is for Jagged Peak. For Fluttering Wing. For you." Thunder Sky is SPECIAL, but if he rejects any gift, tries to turn down the "privileges" offered to him, in an instant that becomes ungratefulness and arrogance. He both forces him to be special, and then leverages it against him if it's rejected. "Spoiled brat, doesn't appreciate what I've worked so hard to give him."
It all goes back to him and his own guilt. He can NEVER be wrong. He can't accept his family doesn't have to be "normal" or reflect his own ability. He won't see himself as a bully, let alone a murderer. It was never about his son's comfort or finding out what Thunder Storm wants or needs, it was about his own ego.
...All that said I'm still taking feedback if there's anything else I should keep in mind, or if anyone has a counter point, especially if you also have experience here.
(In the interest of having a link trail for posterity, here's the critique/call for feedback this is in response to)
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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