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katiexpunk · 3 months

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Desert Dust | Pairing Joel Miller x Fem!Reader

Summary: You're a small-town waitress in a highway town in Arizona with a standard, safe life. You never really thought you needed more -- until you met Joel Miller. Warnings: Joel is a consent king in this one. No age gap mentioned (make it your own). Self-deprecation. Toxic coworkers. Attempted assault (not by Joel)/nothing too graphic (please be responsible about what you consume). Joel beats up a bad guy. References to blood and first aid. Alcohol. Pet names. Flirting/slow burn. Objectification of Joel by readers coworker. Inexperienced reader. Body hair. References to taste of vagina. Smoking/cigarettes (it's bad, don't do it). References to shitty past hookups. Oral (f receiving). Praise kink. Size kink. Rough sex. Sex on a desk. Just a really passionate, filthy fuck. Creampie (shocker, I know). No use of Y/N, no use of daddy. TLOU au. Reader has no physical descriptions apart from female anatomy. W/C: ~8K. Sorrrrrrry, not sorry? A/N: Hi, hello. It's been a hot minute since I've been here! I took a hiatus for the past few months because life was, well, life. Happy to be back. This one was inspired by a drive through the Arizona desert. Special thanks to @syd-djarin for being a slut with me on this one. Masterlist | Read on AO3 | Notifications | Read Joel's POV

Humans rely on cooperation, communication, and mutual aid for survival and well-being. Without that, it’s like being cast adrift in a hostile sea without the safety net of community and companionship.

You know this.

And so that’s why you stay, that’s why you’ve always stayed.

Even if most of your days feel lonely, at least you have the comfort of predictability.

++++

"I’m goin' on my break, Tracy," you call out, tossing the words casually over your shoulder as you grab your hoodie and a pack of American Spirit cigarettes from behind the counter. Sometimes you think the only reason you still have the damn vice is for the excuse to step out of the suffocating walls of the grease-drenched building they call a restaurant.

Tracy responds with a touch too much of feigned enthusiasm, pouring a steady stream of black liquid into the mug of the customer sitting in the booth before her.

With a nod of acknowledgment, you slip out the restaurant's back door, the hinges creaking softly in protest as you step into the crisp Arizona air. The sun hangs low in the sky, casting long shadows across the dusty ground as you light up your cigarette, the flame dancing in the breeze.

As you inhale deeply, the familiar taste of tobacco fills your lungs, calming your nerves and grounding you in the present moment. Leaning against the weathered brick wall, your thoughts drift as wisps of smoke curl lazily into the sky.

In the distance, you can hear the faint sound of laughter and chatter drifting from inside, a comforting reminder of the community that surrounds you. Here, amidst the tumbleweeds and endless blue skies, is a place you’ve called home since you ran away from yours at sixteen. It’s not much, but it’s something. Something is always better than nothing, right? People know you by name when you go to the grocery store, and know your order at the only coffee shop in town – big-city girls don’t get that.

As you take one last drag from your cigarette, you try to summon feelings of gratitude for what you do have, but as the smoke dissipates into the desert air, a lingering sense of restlessness gnaws at the edges of your mind.

It's only when you stamp out the cigarette in the dirt below, watching the embers fade into darkness, that you dare to entertain the notion that perhaps you could have more.

++++

You step back into the restaurant, and your eyes adjust to the fluorescent lights above, a stark contrast from the natural light of the sun. Carefully tucking your hoodie away and readjusting your apron strings, you prepare to dive back into work.

As you glance around, you notice Tracy frantically pacing back and forth behind the bar, her demeanor tinged with a hint of frazzled energy. It's not the busiest you've ever been, but for her, every customer that walks through the door feels like a tidal wave of chaos – especially when it’s just you two on the floor.

With a sympathetic smile, you nod in understanding as she thrusts a stack of menus into your hands, followed by a piping hot coffee pot. "Be a doll and go take table three’s order, will ya?" she says, her voice tinged with urgency. Before you can even acknowledge her request, she’s off, stacking her forearms with plates, yelling that she’ll be right there honey to the patrons by the door.

You make your way over to the table, weaving through the maze of booths and tables with practiced ease. As you approach, you notice a lone figure sitting hunched over in a worn leather jacket, eyes fixed on the menu in front of him. He sits up to full height and adjusts himself in the booth, eyes still on the sticky plastic in front of him, giving you a full view of his side profile.

Fuck – he’s gorgeous. Handsome in a way that unmoors you.

Rugged, weathered charm exudes from him. He turns to look at you and oh. His salt-and-pepper curls frame a face weathered by sun and wind, a beard streaked with grey adding an air of distinguished maturity. His eyes are soft and brown, enveloped by small creases in the corners.

Your thighs come flesh with the edge of the table, and with the coffee pot in hand, you can't help but feel a flutter of anticipation in the pit of your stomach, settling there like a stack of pancakes eaten way too fast.

Clearing your throat, you offer him a tentative smile. Get a grip – he’s just another customer, you silently plead with yourself.

"Hi," you say, your voice a little softer than usual. "Can I get you something to drink?"

As his eyes meet yours, a brief but intense connection crackles between you. There's something in his gaze, a depth that you can't quite decipher, leaving his thoughts shrouded in mystery. His face remains stony, and unreadable, like the weathered cliffs that dot the desert landscape.

Your breath hitches in your throat as you follow his eyes drifting down your chest, lingering for a moment on the nametag pinned to the worn cotton of your uniform. Heat rises to your cheeks under his scrutiny. You wish you would have opted for your cleaner uniform this morning. You’ve never been one to care too much about your looks, mostly because nobody looks at you, not really. All catcalls from drunk men in bars and the occasional flirty customer. But you’re suddenly hyper-aware of the attention he’s giving.

His eyes finally settle on the coffee pot in your hand, a subtle shift in focus that breaks the spell of tension between you. "Just coffee, darlin'," he says, his voice honey-thick, low, and raspy like the rumble of distant thunder.

You nod silently, the words caught in your throat as you turn to pour him a steaming cup of coffee.

“You let me know if I can get you anything else,” you whisper, letting the corners of your lips turn up into a small, cordial, smile.

“Just coffee for me today, sweetheart, thank you.”

Walking away, you can’t help but notice the feeling of the weight of his gaze lingering on you long after you do.

He sits in silence, nursing his coffee with a quiet intensity that commands attention. His presence seems to cast a shadow over the room, drawing the gaze of both patrons and staff alike. You steal glances at him between customers and try not to read into the fact that his eyes are usually on you by the time you find him. He’s not staring – he couldn’t be – why would he be? You shove the thought down and focus on your tasks at hand, him calling you sweetheart playing like a broken record in your mind, over and over.

Tracy, usually bustling about with the frenetic energy of a hummingbird, is unusually attentive to him. She stops by his table more often than necessary, refilling his cup with a gentle touch and addressing him with a warmth you've rarely seen her reserve for anyone else. You swear you even saw her push her tits up behind the wall before going out to him – but you can’t blame her, you’d probably do the same if you had as much to work with as she does.

As you work behind the bar counter, wiping down tables and clearing plates, Tracy tries to engage you in conversation about the mysterious stranger. "Been a long time since we've had a man like that in here," she says, a hint of gossip in her voice, wrapped pretty in a bow of objectification. She reminds you of a praying mantis, attempting to draw in her prey before she eats him.

"Yeah," you murmur, not quite wanting to talk about him, especially not with her.

Excusing yourself, you slip into the bathroom, the wooden door offering a momentary respite. Leaning against the slightly sticky surface, you close your eyes and take a deep breath, trying to regain some semblance of composure. But despite your efforts, you can't shake the feeling that something has shifted. Looking at the reflection in the mirror, you can’t help but feel the twisty weird tug that pools in your lower belly, and the uptick in your heart rate. You attempt to fix your hair and pinch your cheeks to add some volume to your face. You slip on a touch of chapstick and assess yourself. This is so fucking stupid. He’s a customer. Just a customer. You’re just bored, horny, and alone.

But maybe he is, too?

No. Stop.

After a moment, you emerge from the bathroom, only to find his table empty, a worn $20 bill – more than enough to cover his check – left behind as a silent farewell. Your heart sinks at the realization that he's gone, slipping away like a ghost in the night. Shit.

You didn't even catch his name, and now he's just another fleeting memory, a stranger passing through your life like a whisper in the wind. And though you try to convince yourself that it doesn't matter, that you'll forget about him by morning.

But when dawn breaks the next day, he’s the first thought that crosses your mind.

++++

The days turn into weeks, each blending seamlessly into the next in the endless cycle of small-town life. But amidst the monotony of routine, there's a flicker of anticipation that ignites in your chest every time you step foot into the restaurant – the hope that he might, too.

Stupid, silly little small-town girl.

You’re in the middle of bussing a rather messy table, throwing empty plates and glasses into a bucket after the lunch rush when the sound of bells above the door and heavy boot steps echoes through the restaurant. Not looking up from the table, you yell out take a seat wherever you want, throwing the final pieces of flatware into the bin. Raising it to your hip, your attention finally snaps to the customer and fuck –

You freeze there.

His hand lifts in a simple greeting.

His presence is a magnetic force that shifts the air in the room. Clad in the same worn leather jacket and a dark tee, he exudes a silent, sturdy confidence. You know nothing about him, but you feel like you’d trust him with your life.

“Oh, hi. Um, go ahead and take a seat, I’ll be with you in just a second, just gonna drop this in the back,” you say, trying to hide your smile, your excitement.

He’s a customer. Not a bored and horny customer. Just a customer.

As he settles into the booth next to the window, you can't help but feel a rush of excitement coursing through your veins. You greet him again with a smile, your voice warm with genuine affection, and he nods in return, his gaze lingering on you for just a moment longer than necessary.

But before you can exchange more than a few words, Tracy swoops in like a hawk, eager to monopolize his attention. She's quick to bring him a menu, bring him a coffee, and offer him a selection of homemade pies, her enthusiasm bordering on overwhelming.

You watch from afar, a pang of frustration chewing at the edges of your composure like a moth to cloth in an old closet. It's as if Tracy has staked her claim on him, leaving little room for anyone else to form a connection. And yet, despite her best efforts, you can still feel the weight of his attention on you, a silent reassurance that you're not alone in this silent dance of whatever the fuck this is.

You think that maybe it’s all in your head – maybe he is into Tracy, and you’re confusing his affection for something it’s not. It wouldn’t be the first time. Lord knows you’re no stranger to having one too many vodka sodas and pining after the affection of the first person who looks at you, crying in the passenger seat of a truck of some guy who gave you attention hours before.

Lord know how many nights you check your phone every three seconds just to be disappointed. Too busy begging for the love of someone who doesn’t want you, and never will. Yet you’re just so hopeful. Hopeful that one day it might not feel this way, hopeful that someone will want you back.

You wonder if you want so desperately to be seen, that you’d twisted every lingering glance, smile, and hello, for something it’s not.

When you enter the dining room, your heart once again sinks when you notice him rising from his booth, getting ready to leave. His eyes catch yours and you give him a small wave goodbye. He holds yours while he tucks something under his coffee cup, giving you a nod, letting you know that he wants you to pick it up. His face is unreadable when he eventually walks out.

Walking over to the table, you notice cash tucked neatly under an empty coffee mug. But you notice something else, too. A worn business card for Joel Miller, CEO of Miller Brothers Contracting. It’s a simple card, just his name and an email on the front. But when you turn it over, you’re surprised to find a phone number scribbled on the back.

Maybe it’s not all in your head. ++++

Later that night, standing in the dark alley of the restaurant, the cement damp from the afternoon rain, Tracy's words hang heavy in the air like a dense cloud of cigarette smoke. You listen in silence as she talks about him, her tone laced with a confidence that borders on arrogance.

"I think I'm gonna ask him to get a drink," she says, her voice carrying a hint of excitement. "I think he's into me. I mean, come on, who else stops in and only orders coffee, and leaves a tip like he does? Even caught him looking at my ass once."

Her words cut through the stillness of the desert night, harsh and abrasive in contrast to the quiet solitude that surrounds you. Tracy has always been one to flaunt her looks, to revel in the attention of men like Joel who pass through the diner's doors. There aren’t many.

But as you listen to her speak, a knot forms in the pit of your stomach, a silent warning that this pursuit of Joel may lead to heartbreak for one or both of you. You've seen the way he looks at you, the way his eyes linger on you when he thinks no one else is watching. You slip your hand into the apron and thumb over the paper of his business card.

You want to warn her, to tell her to tread carefully, but the words catch in your throat like smoke caught in a breeze. Instead, you offer her a weak smile, masking the turmoil brewing beneath the surface.

"Yeah, Tracy," you say, your voice tinged with forced enthusiasm. "Go for it. You deserve someone who appreciates you."

But as she stubs out her cigarette and heads back into the restaurant you can't help but smirk knowing he gave his card to you.

It’s finally your turn to be wanted.

But you don’t call, or text him. You want to, you do, but you don’t know what to say, or where to begin. You’re so out of practice when it’s something that matters. It’s easier to pretend he still wants you if you don’t break the illusion—or that’s the lie you tell yourself, anyway.

++++

Some weeks later, you find yourself alone in the empty restaurant – Tracy having called out for the night. It’s slow. Way too slow. The late hour weighs heavy on your shoulders. George, the cook, went home almost an hour ago. You work to check off the tasks on your list before you leave for the night, and eventually accomplish everything except filling the salt shakers.

You could have sworn you turned off the neon open sign and locked the doors until the familiar sound of bells chimes through the empty restaurant.

“We’re closed,” you yell out, twisting the final cap on the last salt shaker.

Your eyes flicker up to find a large man stumbling through the door, his presence heavy with the unmistakable scent of whiskey and cigarettes. He doesn’t look so good, his skin is pale and damp, eyes glassed over.

You rise from your booth, a sense of unease prickling at the back of your mind as you approach him. Despite your better judgment, you tell him to take in any booth of his choice, while you head behind the bar to grab him a glass of water. When you set it down in front of him, he bristles at your gesture, his words slurred and tinged with aggression at the fact that you brought him fucking water. Your patience wears thin as he rebuffs your offer, his tone sharp and abrasive.

"Just trying to help you out here" you snap, a hint of irritation creeping into your voice. You’re not sure where the irritation is coming from, but it feels right – natural – a built-in defense mechanism. But instead of backing down, he responds with a menacing snarl, his hand shooting out to grip your wrist in a bruising hold. Panic surges through you as you try to pull away, his grip tightening with each futile attempt.

"Let me go," you plead, the fear evident in your voice as he rises from the booth and crowds you against a nearby table, condiments spilling over the edge of the table. His hands move to grip your upper arms with a forceful intensity. You stumble slightly, the weight of his presence pressing down on you like a suffocating blanket, your head turned to the side to avoid having to look at him. “I’ll tell you what, you little bitch –”

You feel the rapid beat of your pulse, the thrum of blood in your veins. You struggle against the man. Your inner voice screams danger, but just as you feel the panic rising in your chest, the familiar sound of chimes rings through your ears. Within seconds, a new figure looms into view, his broad frame casting a shadow over the scene unfolding before you – to you. With a swift movement, he pulls the man off of you, his voice a growl of warning as he asserts his dominance.

“I’d think twice if I were you before you try and win this one,” Joel says, voice low and threatening.

It's him.

Relief floods through you at the sight of him, a silent thank you echoing in your mind as he stands between you and the aggressor. And as he faces off with the man, his protective stance speaks volumes. Your mind goes a little fuzzy from the adrenaline as you watch the man struggle in his grasp, followed by a slur of cuss words, ultimately ending in Joel punching him in the face, the harsh sound of bone to face.

It shouldn’t turn you on, the violence of it all, but it sort of does. The outward display in your defense appeals to the primitive, underived part of your brain, the way a knight would defend a maiden’s honor.

He drags the man out of the establishment, and you hear him tell him to get the fuck out and never come back.

He locks the door and turns to face you. Your arms come up to grab yourself in an instinctual hug, your body is a little shaky from the interaction. Without saying anything, he walks over to you, bringing both of his hands to the sides of your arms – the same place where the man had grabbed you – but his touch feels different. Gentle, reassuring, safe.

“You alright?” he says, a deep crease between his brow as he looks down at you, his eyes filled with concern.

“I’m alright – tha,” your words break a little, and you start to feel hot tears cling to your lashline, “thank you,” you manage to blurt out, avoiding looking at him in the eyes, not wanting him to see yours all teary.

He brings a hand up to cup your cheek and uses the edge of his thumb to tilt you up to look at him. You bring your hand to meet his on your cheek and notice a sticky sensation under your palm. You grab his hand and bring it down to your eye level, noticing the blood on it, a giant split down the middle of one of his knuckles. Jesus, if his hand looks like this, what must that guy’s face look like?

"You're hurt," you say, the tears in your eyes now replaced with genuine concern. "It's okay, don't worry about it, doesn't hurt," he reassures, but you can tell he's probably lying.

"We've got a first aid kit in the back. Let me clean you up," you insist, nodding towards the rear of the room.

"It’s alright sweetheart, you don't have to, really…" he protests.

"You just defended me. Bandaging your knuckles is the least I can do to thank you," you tell him firmly, leaving no room for refusal.

Interlacing your fingers with his on his left hand, you guide him through the restaurant.

Navigating through the kitchen, smelling of oil and french fries, you caution him to watch his step on the freshly mopped yet always greasy floors.

In the small office, you flick on the light switch and rummage through the cabinets until you find an old first aid kit tucked away in the back. Joel leans against the desk, quietly observing you. "Ah, got it," you say with a hint of excitement that you found the kit, a little surprised there was even one stashed away. Though most of the bandages and finger condoms are missing, there's still plenty of gauze and alcohol wipes.

He stands silently, watching as you work to open the kit, his eyes fixed on you, particularly when you rip open the alcohol wipe with your teeth. "This might sting a bit," you warn, meeting his gaze with genuine care.

“You can make it up to me later,” he whispers. His tone, the intention behind his words sends an exciting zap down your spine. There’s shared silence. As you’re patting the blood on his knuckles, that same feeling of raw want, painted with uncertainty, settles in your stomach.

“Can I ask you something,” he says, and you flick your eyes up to meet his for a moment before lowering them back down his hand. You let out a soft mhmm in response, knowing his question before he’s even asked it.

“Why didn’t you call?”

The boldness of his question stops you. You close your eyes and take a deep breath. “I wanted to. I mean, I almost did – I typed out so many texts to you it’s borderline embarrassing,” you pause for a second to grab the gauze from the counter behind him. You lean in close enough to catch the scent of him – cedarwood and fresh cotton, the earthy scent of desert dust clinging to his clothes.

“I guess I’m just not used to being wanted. Don’t know how to do this kind of thing. I’ve been alone for so long, and I guess, I don’t know, Joel,” you affix a little piece of tape to the gauze, before dropping his hand, all finished.

You stand before him, looking at his chest and the bare skin on his neck that’s dotted with freckles, avoiding his eyes.

“I didn’t want to embarrass myself. Not sure why a guy like you would even want a girl like me to call him anyway…” you trail off, letting out a small cough to hide the emotion creeping up in your throat. Have you always been this self-deprecating?

His hands float up to your hips, and he tugs you in closer to him, body weight still propped up against the desk, his thick thighs bracketing yours. You still avoid his eyes, your gaze fixed on a button on his shirt in front of you.

“Look at me, sweetheart.”

The bandaged hand trails up over the side of your body, and his fingers land under your chin, his thumb tilting you up to look at him. You’re sure you must look like a mess, eyes tired from a long shift, mascara smudged from your tears. How pathetic you must look. The pad of his thumb caresses over your lips and you hold your breath.

There’s so much he could say, so much he wants to say. He wants to build you up, to tell you that you’re worthy of the whole world. That you’re beautiful and kind, and that any man would be lucky to have you. He doesn’t even have to deeply know you to know those things.

But he can tell from the look in your eyes that it’s not what you need right now. He’ll tell you someday. He’ll tell you every day if you’ll have him.

But no.

Right now you don’t need someone to tell you how gorgeous you are, you need someone to show you.

“Joel,” you say, your voice just above a whisper. His thumb is still on your lower lip.

“Ki–” Before you can continue, his hand drops, and his lips crash into yours and he groans. He wants to rip you open, eat you raw, to devour every inch of you. You’ve had plenty of kisses, but none like this – none full of such heat, a fiery intensity, a need. He wants you. Joel wants you.

He sucks your bottom lip into his mouth and you let out a little whimper. The sweet sound goes straight to his already hardening cock. He holds you tighter to his chest, thick and capable hands on your hips as he dips his mouth to your neck, kitten-kissing you as delicately as a man his size can. He skims his injured hand underneath your shirt, caressing the skin between your shoulder blades. Your breath hitches in your throat as he nips at your jaw, eliciting a soft moan from you. And oh – he likes that.

“Fuck, baby. Wanna go slow with you, take my time. Do it right,” he says, his voice a little wrecked already and he’s barely touched you.

His hand trails up and pulls the shirt of your uniform down over your breast, exposing the simple lacey bra you’ve had for far too long. You would be embarrassed about him seeing it if you weren’t so aroused, drunk on his touch. You continue to let out little moans as he kisses your neck, and thumbs at your nipple beneath the fabric.

“Wanna show you what you’re worthy of sweet girl, in all the ways,” he groans into your chest.

His words melt into you like butter, making you feel all soft and weak-limbed, fuzzy in a way that’s new to you.

“I want you to fuck me so badly,” you blurt out, lost in the delusion of arousal. The words come naturally for a girl who never really had more than a one-night stand or some shitty fuck from a guy who drank too much whiskey – his dick half-hard, promising he’ll rock your world.

That does it for him.

Joel’s cock is rock hard, with an almost painful stiffness. He wants so badly for you to just fall to your knees in this tiny little office and suck it. He wants so badly to hold the column of your throat while he shoves his thick cock into your wet and waiting mouth, feel him deep down your throat.

But as much as he needs that right now, he knows he has an obligation. To make you feel good. To make you feel good about yourself in every way.

He hopes to god that you’ll chant his name like a prayer when he unravels you like a spool of thread. He can hear it in his head now, as he licks your soft skin and holds you against him. He can’t stop thinking about how pretty you’ll sound when you come for him.

“Patience, angel baby. You’re in good hands,” he purrs. If you weren’t so hazy you might’ve made a joke about him only having one good hand at the moment. He would chuckle at that, you briefly think, before his husky voice speaks again.

“Can I undress you?” he asks. You’ve never been asked that, most of the other men we’re quick just to take your clothes off. Too sloppy, too eager – careless. You’re starting to realize how hot consent is.

You toe off your beat-up sneakers and work to take off your shirt and bra, all while Joel unbuttons your skirt. You wiggle your hips to assist him in removing the barrier. After what seems like no time at all, you’re nearly fully nude in front of him, bare save the thin cotton of your panties. As a reflex, you cross your arms over your chest in an attempt to hide your body, wishing you could blend into the wallpaper.

“God damn, sweetheart. Look at you,” Joel says, taking a small step back and admiring the view. He looks at you like you’re a masterpiece, a piece of art holding court just for him to gaze at.

He gently grabs the arm you’re covering yourself with and exposes your bare chest. Goosebumps collect like pebbles on your skin from the cool air, and your nipples harden from the significance of the moment.

“No need’ta hide from me,” he assures you. You believe him.

You push your chest out to him, for him. He accepts your offering; swipes a calloused thumb across your plush, silky nipple, and crouches to catch the other in his desperate mouth. He groans into your chest the second your nipple meets his lips. You can’t control the deep hum that escapes from your throat. Joel smirks at the sound, lips still attached to your breast.

“Feels so good, Joel,” you moan. You have of course played with your nipples when you touched yourself, but you’ve never had a man pay so much attention to them, to be gentle and firm at the same time.

He trails kisses down the valley of your breasts, across the soft swell of your stomach, whispering sweet praises as he does. You drape your hands over his broad shoulders and thread your fingers through the curls that gather on the back of his head as he works his way down to the band of your panties. Much like your bra, you’d wish you opted for a cuter pair of underwear. Not like you own any anyway, but something tells you he could give two shits about that right now.

On his knees, he places both of his hands on the curves of your hips and holds you steady while he looks up at you. He looks up at you with a softness you’ve never seen in a man, his pupils so dark they edge out most of the brown, his hooded eyes are almost a plea for you to let him continue.

“Can I take these off, baby?” he asks, already hooking his thumbs in the band of them, awaiting your permission.

You pause with your mouth agape a bit, not quite sure what to say. Every fiber of your being wants you to say yes, yes, yes. But you’re nervous – you haven’t shaved, and you remember Tracy saying something about men not liking hair on women, especially not on their pussy — a man won’t even eat you out if you’ve not been properly groomed.

What if you taste weird? What if he doesn’t like it? You’ve only been eaten out once if you can even classify it as such, and he was down there for maybe two seconds before he was rising and wiping his mouth off with the back of his hand, claiming whatever you’re wet enough before shoving his rather average cock into your pussy, paying no mind to you or your pleasure.

“You, um, you don’t have to. It’s okay, really…” you shy away, trying to give Joel an out.

His prominent nose presses into your mound and he moans, moans, at your smell.

“Smell so sweet, need to taste you, sweetheart. I won’t if you don’t want me to, but fuck, I would love to,” he says, the truth behind his voice evident in his tone. His cock twitches against the confines of his jeans.

He suspects you’ve never had a real man take care of you, taking the time to pleasure you to your heart’s content. A damn shame, he thinks.

“O-kay,” you say on an exhale. You’re determined to not let the negative thoughts swirling in your head win.

“I gotcha, don’t worry,” he rasps out, his voice equal parts gentle, and gruff with desire.

He gently tugs the fabric down over your thighs, the fabric gathering at your ankles. You take a small step out of them, and he gently caresses up the back of your calve, and back of your thigh, his hand landing on the curve of your ass. He tightly grabs the flesh there. He gently guides your leg up onto one of his shoulders, and you press back into the wall and lean your pelvis closer to him.

“Fuck, what a pretty little pussy,” he praises, before leaning in to place an experimental kiss on the top of your mound. You let out a soft little sound at the feeling of his lips on your skin. He looks up at you once again, making sure you aren’t uncomfortable, before once again returning his attention to your cunt.

He gets bold with his kisses, and once you’re comfortable with his mouth on you, he glides the middle finger of his non-bandaged hand through your wet slit before flipping it so it’s wrist up, pausing with the pad of it right at the entrance of your tight hole. You look down at him with lusty doe eyes and bite your lower lip in anticipation, still a little nervous. He looks at you and gently nudges the nip in, he holds it there for a brief second, before fully thrusting it up into your core, holding your gaze as he enters you. You gasp.

“Fuck angel, you’re tight,” he moans as he continues to feel you, eventually putting his mouth back on your pussy, his lips sealed around your puffy clit. His large finger pumps in and out of you as his tongue flicks and swirls where you need him the most.

“More,” you moan, “Fuck–please, Joel, give me more,” you mewle.

“That’s my girl, gonna stretch you out, get you nice and ready for this cock,” he whispers against your wet skin as he slips another finger in, one you greedily accept. He devours you, licks at you like you’re the sweetest thing he’s ever tasted. It’s so precise, so overwhelming, so fucking good.

Heat pools in your lower abdomen, and the world goes a little fuzzy at the edges of your vision. You’ve had an orgasm before, you think, but you don’t remember it feeling like this.

You moan as he sets a relentless pace with his mouth and fingers, slowly tightening the coil inside of you in a way you’ve never felt before. Time slows for a brief moment and your vision goes white, little specks of light dancing behind your eyelids, heat rushing up to your chest and cheeks.

Until –

“Holy shit, yes, I’m coming, oh my god, don’t stop,” you unravel for him, a babbling mess of pleasure, he holds you steady as he works you through it. And when he’s satisfied that you’re satisfied, he gently hoists your leg off of his shoulder and rises to his full height.

“Such a good girl for me, you come so pretty,” he whispers against your neck, nipping at your jaw until his lips find yours. You taste yourself on them, feel the wetness in his beard. He slips his tongue into your mouth and you moan. It’s so hot to taste yourself on him, dizzying that he’s not wiping it away. He wants you. Joel wants you.

The daze of your release wears off, hurling you back down to earth. Joel kept his promise, he did show you what you’re worthy of. No more mediocre, subpar sex for you. You are worthy of that. Deserve that and more. It’d be rude of you not to return the favor.

On jelly-like legs, you begin to kneel before him, wanting nothing more than to be a practitioner of pleasure, to elicit another good girl from him. He stops you before your knees touch the floor.

“You don’t want me to suck your cock?” you ask, feeling a sting of rejection.

“Oh angel baby, I would love to feel those sweet little lips of yours wrapped tight around my cock, hold your throat as you choke on me,” he coos.

You bring your palm to cup him through his jeans and he groans, your hands trace over the thick shape. He’s big. You watch as his jaw tightens and his head falls back as you work over him. You can’t help but feel excited when you feel a damp spot on his jeans, the place where his pre-come has gathered.

“But there’s something I want more right now. Feel what you do to me?” he says, pressing your hand harder down onto him. “Need to feel that sweet, tight cunt of yours around me first,” he says with intensity, an urgency in his voice. You make quick work of undoing his belt buckle and slip off his jeans and boxers in one swoop.

Truly seeing him, the sight of his heavy cock in all its glory, makes your mouth water a little.

“Yo–you’re so big,” you say, a little intimidated. He grabs you by the hips and holds you tight against him, his cock pressed between your bodies against the bare flesh of your tummy. You think you might actually feel him there when he’s inside you at this rate.

“It’s okay, sweetheart. You can take it,” he says, using one hand to grab the back of your thigh and tapping the other. You get the memo. He lifts you and spins you around so you’re sitting on the mahogany desk behind you, your damp skin sticking to the mess of customer receipts and supply lists underneath you. He stands between your legs, holding himself by the base, pumping himself slowly up and down his length. “I’m on birth control,” you say, blurting it out. “And I’m clean, you don’t have to use a condom, I mean, if you don’t want to.” And shit – that’s music to his fucking ears.

“Okay. Open your legs wide for me, baby. Wanna see you,” he says, and you do. He juts his head down and spits onto it, using his fist to work it onto himself. You hold your legs open in a V, bracing yourself with your arms behind you. Your ass hangs slightly off the edge of the desk, just enough for him to have full access and view of your glistening slit.

He positions himself at your entrance and gently pushes his hips forward so the tip of him is inside of you. He pauses there, giving you a second to adjust. Your heart throbs in your chest, and your eyes flicker closed.

“Eyes on me, baby. Wanna see you as I take what’s mine,” he says, his voice a wreck. When you open them, he sinks even deeper. Halfway inside of you, he pauses again.

“Okay?” he asks. You nod.

You can tell he’s holding back, not wanting to hurt you. And while you may be out of practice, you know your body was made for this. You feel so full, so content, you just want to feel all of him. After he’s confident you’re ready, he pushes his hips forward once again, fully burying himself deep inside of you.

Your pussy walls clench against him, and your jaw goes slack. You were right, you do feel him in your tummy. He’s so fucking big, but god, it feels good. It’s like he’s stuffing and filling all of the lonely spaces that have been hiding inside of you for so long. Like he was made for you.

He sets a slow and steady rhythm at first, dragging in and out of you. You can tell he wants to fuck you harder, deeper. You can tell that he’s waiting for you to take it there, to give him that permission.

“You can fuck me harder, Joel. ‘M not gonna break, I promise,” you coo. His hand at your hip flexes tighter, and that’s all he needs. “Shit, c’mere,” he says, helping you off the desk, steading your legs. He flips you over and presses you against the desk, your bare breasts flesh against the cool wood, your hips perfectly positioned at the edge, bent over and waiting to once again be stuffed.

He stands behind you, angles your hips up slightly, and once again buries himself in you.

“Such a perfect cunt,” he groans, beginning to set a relentless pace. Something about this angle does something for you, too. His cock fits just right, pushing and gliding over the spongey spot inside of you that makes you see stars. He holds your hips tightly as he pumps in and out of you, eliciting throaty moans from you. The air is filled with the filthy wanton sound of skin slapping against skin.

“I –” you mew, “I think I’m gonna come again,” you say, breathless.

“Come for me, baby. Be the good girl I know you are and show me how pretty you are when you come on my cock,” he says, a little out of breath, voice deep.

Good girl. Pretty. Come for him.

And you do. Your pussy pulses around him as the wave of your orgasm takes over you, your mind hazy and filled with nothing but the thought of the way he fills you just right.

His movements begin to slow. You can tell he’s close.

“Where do you want me, baby?”

“Inside, please. Want you to fill me up, make me yours,” you rasp, beg.

After a few more thrusts of his hips, he begins to stutter and slow. He pauses buried to the hilt inside of you and groans as his cock paints your insides with thick ropes of come.

He holds you there, both of your breaths coming a little ragged, his body shaking and jolting a little. You feel him pulse inside of you. You’re not sure you’ve ever felt this content, utterly blissed out from the feeling of him – all of him – deep inside of you.

When he pulls out, you let out a small moan, a little sad your pussy has nothing to clench around anymore. He tells you to stay there for a second before he returns with a handful of paper towels from the kitchen to help clean you up.

He kisses you again. It’s different this time, not as intense as the first few, but just as hot, just as passionate. The same pull you felt the moment he first entered the restaurant.

He helps you get dressed, and you fasten his belt buckle for him and check the gauze on his fist. You both stand there in silence, not quite sure where to go from here, until he offers up.

“Wanna smoke?”

++++

“So, how long have you lived here’?” he asks, holding open the lit zippo from his back pocket to you. With the cigarette dangling between your lips, you steady it between your fingers and lean in, the dim glow of the fire illuminates your features.

“Too long,” you mumble, taking a big drag. Now you get why in movies after a really good sex scene the characters always want a cigarette. You watch as he lights his own.

“And you, where are you off to next?” You don’t want him to leave.

“Not sure, the contract job my brother and I have in the county over ends in a week or so. Was thinkin’ it might be nice to head south, maybe Austin,” he responds, smoke dancing in the air around him.

Your stomach twists a bit at the thought. Don’t go.

“Although, ‘M not so sure anymore. Starting to think I might have a few things I need to take care of here first,” he says, shifting his gaze from the ground until his hooded eyes find yours.

He gives you a subtle wink. You smile.

You stand there in comfortable silence, leaning up against the wall next to him, taking in the crisp desert air, enjoying being next to him.

And when it’s time to go, he offers you his hand and a ride home. You accept.

But this time when you stamp out the cigarette, watching the embers fade into darkness, you fully entertain the notion that not only could you have more.

You will.

Especially if Joel has anything to say about it.

END

Or if you want, you can read Joel’s POV here.

Tagging some moots cuz I'm sure Tumblr will probably fuck my engagement on this one since I haven't posted in forever :/ If you like this, please consider a reblog (dm me if you want to be removed): @endlessthxxghts @theoasisofthings @pedrostories @bastardmandennis @milly-louise @ghostwritesthings @josephquinnswhore @drunk-and-capable @hellishjoel @survivingandenduring @hotgirlbedtimescenarios @ohheypedrito @joeldjarin @nerdieforpedro @amyispxnk @paleidiot @ghostwritesthings @kulekehe @darkheartgatita @goldenhxurs @javiscigarette @morallyinept @ro-nahime-things @gwendibleywrites @missladym1981 @auteurdelabre @morgaussy

ily.

#joel miller smut #joel miller x reader #joel miller x f!reader #joel miller the last of us #joel miller one shot #pedro pascal character #pedrohub #pedrostories #consent #joel miller #joel miler x fem!reader #joel miller fanfic

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etherealkissed88 · 2 months

Text

how i manifest when i feel anxious •°. *࿐

i decide i have what i want…

when i feel anxiety -> i let it pass while knowing its only a human reaction

◦ since i am beyond just a human (i am limitless imagination/self), i know any anxiety is below me and it has nothing to do with my limitless self. i have exactly what i decided i have, regardless of any anxiety.

know anxiety usually comes from a fear of failure

◦ so, i cannot limit myself based on what i see or what i negatively assume my future will look like bc i am always beyond the 3d, no matter what feelings/anxiety my human self experiences.

◦ i become indifferent/i dont care about what i see or what i assume i will see because i know everything comes together in the 3d once i change self/know its done. fact: everything always comes together and works out in the end. being indifferent to the 3d = being indifferent to emotions, anxiety and everything that doesnt serve you.

dont fight it, dont avoid it, tackle it head on

◦ acknowledge you are experiencing anxiety bc you are. yes it can feel like shit but it doesnt have to affect who you are being (whatever version of self you are embodying). again, i can choose to be indifferent to this anxiety. you dont have to be scared of the anxiety. it is a natural human response. cry if you need to, let it all out. dont try to suppress it bc that will only come to bite you back in the ass, believe me.

◦ take care of your mental health in whatever ways necessary. when i used to experience anxiety, i used to take walks in the park, clear my head, meditate, express myself and my emotions through art and journaling, etc. remember nothing you do (or feel) in the 3d has to affect who you are being/your state.

"how can i still have anxiety yet still be a desired version of me?"

anxiety has no affect on anything unless you allow it to change your identity. you are the one with power, the anxiety is only an experience, similar to breathing in oxygen and using our sense of touch; its all neutral. when you start surrendering to the anxiety, you are creating and accepting negative stories that you create based on the feeling of anxiety. allowing that anxious feeling to change your state/identity is surrendering to something you view as more "powerful" than you. stop transforming that anxiety into a state that you embody based on the false, negative stories u imagine.

remember a 3d experience or anxious feelings doesnt have to influence who you are being. an example: a model who knows (fulfilled) that she is graceful and beautiful can have anxiety about doing her catwalk. the anxiety is normal, she can experience the symptoms of anxiety (shortness of breath, dry mouth, shaking) but her core identity/state is still a graceful model. the anxiety is only a temporary feeling. usually when we experience these feelings, they occupy all of our attention in that moment which is why it seems so scary but in reality, its not that big a deal. know that anxiety is just a feeling. you are safe. you can still experience shitty feelings while knowing you are a bad bitch!

you dont always identify with everything you experience. for example, a lot of people experience good things and still identify as people who are unworthy of good things. so its really up to you to choose what to identify with.

i know my only job is knowing its done

◦ if i just decided its done, as the operant power, as i say goes, therefore its done. so my job is done. anxiety is part of the 3d, not my limitless self, imagination. so i can be indifferent and experience it without identifying with it, the same way people manifest what they desire while experiencing their shitty circumstances daily (because they do not identify with those shitty experiences).

◦ ive heard/experienced situations where we know its done yet we cried and felt like shit, and what we wanted still manifested into the 3d. bc anxiety is only a feeling. do not allow your feelings to take hold of your state, but if it does, its never the end of the world... just get back in the state. 3d shit/anxiety doesnt have to intervene with who you are being/what you identify with.

kisses, jani ☆

#etherealkissed🎀#etherealkissed #law of assumption #loa blog #manifesting #loassumption #neville goddard #edward art #imagination creates reality #loastates #loass states #loa assumptions #law of manifestation #master manifestor

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reiderwriter · 2 months

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Hello!I hope you are having a great day!I love LOVE your writing and I would like to request a fanfiction where the reader is Hotch's daughter who works at the bau and is in a secret relationship with spencer without her dad knowing.Spencer wants to tell the team but she is scared about how they'll react so they fight but during a case she gets kidnapped and the feelings are high,so spencer accidentally reveals the relationship.I would love if it ended in smut (possibly dom!spencer who is angry at her for being so reckless and risking her life like that) and maybe a lot of angst??Hotch could potentially be fuming but when they get her back he decides that he will let them be??I would like my emoji to be 🌼!Thank you in advance and if you write this I would absolutely LOVE to read it!🤍🤍

A/N: I love writing for a Hotchner Reader because the Hotch/Spencer parallels are so 😙👌 This was so fun to write!

Warnings: Smut/ Angst with a happy ending, Semi-public sex, oral (f receiving), dirty talk, case details, kidnapping, abuse, strangulation, mentions of child death/ allusions towards pedophilia etc, Hotch is a somewhat shitty/overprotective dad/boss.

Masterlist!

Falling back into a hotel bed that wasn't yours, you wrapped your legs around Spencer Reid as he furiously worked open the buttons of your shirt, his lips locked with yours in a furious exchange.

“Spencer, Spencer, we can't-” You moaned as his lips fell down to your ear, a small tap to your thigh signalling that he wanted tour legs spread for him. Despite your vocal protests, you complied.

“Need to feel you,” he groaned, nipping and sucking his way down your chest as his big hands began pushing your skirt up and your panties down.

“Spencer, someone will hear.”

“I don't care who hears,” he whispered, finally ridding you of the last piece of material covering your wet sex. “I just want to make you feel good.”

His lips fell to your cunt, falling on your cunt as he began his ministrations. You loved this, the feeling of him near, his lips on you, his tongue teasing out whimper, then moan, then a scream of his name as you came undone on his lips. But that wasn't a chance you could take today.

“He's in the next room, Spencer. Fuck, he's going to hear us.”

You wouldn't push him off, enjoying too much the feeling of your building pleasure, so appealing to your boyfriend to do the right thing was your last resort as your hips bucked into his face, chasing your orgasm.

He didn't stop, but held your hips down, thrusting his tongue in and out of you as his fingers came up to tease your clit.

“Spencer, fuck-” you slapped a hand over your mouth as you shuddered below him, finally reaching your climax.

Your hands fell limp as he worked you through the end of your orgasm before rising up to lay beside you on the bed.

“I wish you wouldn't push it, Spencer. You're a dead man if he catches us like this.”

“Hotch won't kill me just because I'm dating his daughter. I don't understand why you don't want to tell people.”

You ran your hands through your hair in frustration. It was a conversation you'd been back and forward on a lot in the past six months.

Dating a coworker was tricky, doubly so when your coworker’s boss - and your boss - was your overprotective father. Things only became more complicated when you factored in a ten year age gap and the fact that your father refused to view you as an adult, even when you were a fully qualified member of his own team.

You'd had to fight for acceptance into the FBI and go above him to get the job on his team, a decision that he still berated you for to this day. But you'd had enough of him shielding you from reality, and it was a step you needed to take.

Falling in love with Spencer Reid, though, that was just pure bad luck.

You weren't sure how it had taken you until joining the team to meet the man, but you sure were glad he hadn't been introduced earlier. You'd joined the team at 24, having been in grad school until your FBI Academy application was approved, and somehow in the 10 years before that Spencer had worked under your father, you'd never crossed paths.

Of course, you knew who he was before that from context and conversations with your father, and of course, he figured out who you were quickly based on the many arguments you'd had in Hotch’s office. But that hadn't stopped you from repeatedly falling into his bed month after month, and then falling in love with him.

Your relationship was more than the sex, but it was also a lot of sex. From the stories you'd heard, and from the look of him, you'd assumed that Spencer was a delicate little flower, an innocent in the bedroom as much as any 34 year old man could be.

And then you'd both been offered spiked drinks at a holiday party courtesy of Penelope Garcia, and he'd proved you deliriously wrong. He'd been hooked from then on, and after waking up awkwardly in his bed the next morning to two cups of coffee and a spread of breakfast pastries he'd gone out to specifically pick up for you, you'd been hooked on him as well.

The only problem was Hotch.

You certainly weren't winning any daughter of the year awards already with the stunt you pulled to get on the BAU, but you didn't want to be completely and totally disowned just yet.

“Hotch won't kill you for dating his daughter, you're right,” you mumbled back to Spencer rolling yourself back on top of him and pinning his arms down so his fingers couldn't tease you any further.

“Thank you, now if you trust me, I've ran like four different scenarios in my head so-”

“He'd definitely fire us both, though. And that's worse than death.”

“Y/N….”

“Tell me I'm wrong, please. Back up your findings with empirical evidence. He doesn't want me on the team, Spencer. He doesn't even want me in the FBI. I think he'd be happy enough to ship me out of the country, too, if that helped.”

Spencer sighed and tugged your hair behind your ear as he gestured for you to sit up.

“I know it's scary. But I love you. I don't care about the consequences because I'll still love you before and after telling him.”

“And during?”

“I might freak out a bit, but deep down, the love will be there still.”

You hit him with a pillow and climbed off the bed.

“Okay, get out now. I'll think about it but you really can't stay here tonight.” He nodded, grabbing his things and pulling his clothes back into place.

“So, like we're totally done for tonight? Nothing else.”

“Spencer! Out!” You whisper-shouted the words and watched him turn your door handle as slowly as possible before he waved his goodbye and left your room.

12 hours later, you were once again getting frustrated with Spencer Reid. And Aaron Hotchner. They may soon be enemies, but goddamn they were perfect for each other in some ways.

“Hotch, you can't just give me nothing to do. Send me to the morgue with Rossi, or let me interview family members with Tara. I'm a member of this team, too, so let me do my job.”

“You'll do well to remember that I'm your boss, Y/N.”

“You're acting more like my dad right now. A boss would utilize his team members.”

You'd been stuck in this stale mate since the morning, and Reid hadn't helped at all. When giving out assignments that morning, you'd not been notably left out of crime scene investigation, suspect interrogation, and anything helpful. Reid usually asked for your assistance at times like these, but he was finally putting his money where his mouth was and keeping distance from you in the office.

So far, you'd ran coffees back and forth between the kitchen and work room and had been communicating back and forth with JJ and Derek in the field and Garcia back at Quantico.

You'd been, for lack of better comparison, relegated to receptionist.

“At least let me work on the geographical profile with Reid-”

“Absolutely not.”

You stiffened at the reaction, wondering just exactly why he would react so strongly. Spencer had snuck in a few secret kisses here and there this morning, though you'd been sure that you'd had no witnesses.

“Why not?”

“I don't want you to distract him.”

Bile settled in the back of your throat as you tried your best to bite your tongue and keep the bitter words in.

“You know, sometimes, Dad, it feels like you love everyone on this team more than you love me.”

He locked eyes with you quickly, but he glance was dismissive and stern, almost as if he was asking you ‘seriously.’

You turned on your heels and began to walk out before he called out from behind you again.

“Y/N,” you stopped despite yourself.

“Leave the gun and badge on the desk. We'll discuss this after the case is closed.”

You almost laughed. You almost blurted out your relationship with Spencer just to spite him. You followed his order and took yourself out of the office for some fresh air, finally giving him what he wanted.

An hour of aimlessly wandering down the street, and you turned into a run-down park. 16 missed calls from Spencer and other members of the team, who'd no doubt watched you turn in your badge.

Garcia had even called a few times, and you felt guilty for not forwarding her calls somewhere else, knowing she'd probably have key case information for someone.

But you just couldn't handle it anymore, so you switched it off, pushed it back into your pocket, and kept walking.

It was two more blocks before the man following you pushed a soaked rag over your mouth and nose and pushed your unconscious body into the back of a waiting van.

×××××

Two hours of near constant complaining to Hotch had gotten Spencer nowhere in his demands to know just where you went.

He'd called you 36 times since Hotch had told him you'd left, and he hadn't stopped freaking out since.

“But where did she go?”

“I sent her back to the motel.”

“All of our cars, bar the one JJ and Morgan took to the crime scene, are outside and accounted for. The motel is a 34-minute drive away. It'll take her 5 hours on foot through our unsubs hunting grounds, and I'm not sure if you've noticed, but she matches the victim profile we just gave. Where is she?”

A muscle in Hotch's jaw twitched, but neither of them moved, eyes locked in battle to see who would back down first.

A call from Penelope ended whatever disaster was storming between them.

“Hotch hey, I can't get in contact with mini-Hotch, so here I am. Morgan called earlier from the crime scene. From the way they're posed, he said they could be possible stand-ins for a lost child a daughter or a sister, so I cross checked the ownership of the vehicles that run with the tires we found prints of at the scene, and I got a name. Like one.”

“Great work, Penelope, send it over.”

Hotch dropped the call and looked back up at Spencer, readying himself to give orders and push the issue.

Again, their standoff was interrupted.

“Hotch,” JJ rushed in, carrying a radio dispatcher, face white, and filled with worry. “You need to hear this.”

“Witness reported an abduction on East and 7th, patrol surveyed the scene and found a cellphone. Identifying information suggests it belongs to a Y/N Hotchner. We're bringing it into the stat-”

Hotch stood so fast his chair almost crashed to the floor. He stood so fast that he barely had time to dodge the lunge Spencer took in his direction, fist pulled back. It would connect, given the chance he knew it would. He'd been the one to teach Spencer to throw a punch in the first place.

Morgan insinuated himself between the two men before, and blood could be shed, quickly pulling Spencer back as Rossi, too, rushed into the room to diffuse the situation.

“One hour. I've been asking you for one hour where she went, and you wouldn't answer me. You made her leave her gun behind.”

It wasn't exactly a shout, but there was something broken in his voice, as of his mouth had filled with blood and he could only spit hate at a man who'd been a mentor to him until seconds before.

“If she's hurt- fuck, if even a hair on her head is out of place, I'll-”

“What, Spencer? What will you do? She's my daughter. What could you do that-”

“She's my girlfriend! She's my girlfriend, she's the love of my life. God, I want to marry her, I have the ring, I have the proposal planned, all that was left was telling you and then asking her, but you've been such a dick to her about this job, and about cases, and God knows what else, that she doesn't want to say anything to you, and now you've driven her away and she's fucking gone. And she could be hurt or in danger or d-de…”

He crumpled to the floor, Morgan still holding him as his legs gave way beneath him.

Nobody moved for what felt like hours, still in their grief, shock, some just nervous to see what would happen next.

“You've been in this situation before, Hotch. So have I. It's …. It hasn't ended well for us before.”

The words were so final, so defeated that they sucked the air out of the room.

“Morgan,” Hotch started quietly, eyes still locked with Reid's, still staring down the reflection of his own despair.

“Get Garcia back on the line, I want confirmation that the vehicle that picked Y/N up is the same one that our unsub has been using to set up crime scenes. See if she can lift a name and an address. Rossi, if he's skilled enough to pick up an FBI Agent unaware, we need a SWAT team, get one on standby.”

Slowly growing in volume, he continued, as the room started moving at his signal.

“JJ, Tara, take over where Reid left off with the geographical profile. Look at Y/N's last known location and how far a car could've gotten in the last 24 minutes.”

He paused again, staring Reid down.

“Reid, you're with me.”

xxxxx

It took you a few seconds to gain a sense of your surroundings when you came to. Partially because of the drug induced migraine splitting your head, and partially because of the mess of ribbons and stuffed toys you'd woken up in.

A change of clothes, and hands tied to what seemed to be a children's bed and you felt so grossly vulnerable your body shook with a few harsh sobs before you regained your composure and remembered your training.

The knots on the rope holding your hands were tight. There wasn't much room to move with them pinned above your head, but you recognised them as naval knots. Your unsub had experience at sea, recreational or professional you'd yet to determine.

Looking around again, you looked for entries and exits, wanting to know how the unsub would come in again and how you could get out.

There were no windows, but a set of stairs leading up towards a solid door told you that you'd been locked inside a basement. A basement decorated similarly to a child's bedroom.

Dimly lit by a mass of fairy lights, the room seemed covered head to toe in teddy bears, dolls, and children's books, a sturdy handmade doll’s house standing in the corner of the room.

Faintly, you heard the creaking of floorboards above you before the handle of the basement door rattled and more light poured in.

“I bought you breakfast, cupcake.”

There was no time to feign unconsciousness again as your captor finally came into view.

He was older than middle-aged, slightly wider around the midsection than you assumed he'd been in his youth. His hair was closely cropped and laid neatly, leading you to suspect he was former military.

“Oh, good, you're awake. What do you want to do today, cupcake? Daddy has some time off now, I can play with you all you want.”

You moved slowly, pushing yourself up to a seated position so you could bend your arms a bit. But you didn't look away, needing to keep him in your line of sight the entire time.

“Where am I?” You asked slowly, trying to keep your voice steady.

“Wow, you must've had a deep sleep cupcake. You're in your bedroom, silly!”

The man's sprightly tone was disconcerting, and you could see a muscle in his forehead twitch slightly as you spoke.

“O-of course. My mistake. Maybe I'm just still tired.”

He laid the tray on the bedside table and sat on the bed next to you. You tried your best not to shy from his touch as he stroked your hair, but every muscle in your body tensed and pulled from him reflexively.

A quick glance to the tray and you saw the food he'd brought you was a small cup of pills and a glass of water to rinse them down with.

If he noticed your flinch, he said nothing, grabbing a hairbrush from the nightstand and beginning to comb through your hair slowly and deliberately, taking care like one would a daughter.

“Daddy,” you took a chance, recalling the name he'd given himself earlier. “Can we play outside today? I want to go to the park.”

He stopped moving, and you held your breath as his smile dropped.

“No, sweetie. You know we don't go to parks.”

“Why not? I really want to play there, Daddy, please!”

In seconds, his hands wrapped around your throat as he pushed you back down into the bed, holding you there with his tight, suffocating grip.

“Shut the fuck up you little slut. I said we don't go to parks, you listen. I am your father, you are not being taken by one of those sick freaks again.”

He released you as quick as he grabbed you and stood up, pacing as he attempted to regain composure.

“You can draw or we can have a tea party but you know we can't go out. You know that cupcake, I've told you so many times.”

He grabbed at his hair, pulling it from its carefully styled arrangement into a mess, his fingers leaving red marks against his white skin as he pushed and pulled his head.

He breathed deeply, and you sat up, trying to regain your composure as you watched him lose his.

“What was her name?” You whispered, half hoping he would hear you, half praying that he'd ignore you for the sake of his fantasy.

“W-What?”

“Your daughter. What was her name?”

He focused on you again, but his hands - hands that you knew could and would choke the life out of you if you did something wrong again - his hands were shaking.

You heard the floorboards creaking upstairs and decided to push your questioning, hoping it meant what you thought it did.

“Why are you saying it like that, ‘was?’ Is. Her name is, your name is Laura, and you're my little cupcake.”

“What happened to her?” You filled your voice with as much sympathy and understanding as you could muster, one eye on the basement door that was being slowly pushed open. One look at Morgan at the top of the stairs had your heart rate slowing to a calmer speed. You locked eyes with him for a second, halting him, and he nodded, waiting for your signal.

“You, you're my cupcake, you look just like… She should look just like you.”

The man sat on the bed again, stroking a hair out of your eye as his filled with tears.

“Fifteen years. I looked for her for fifteen years, you know. If I hadn't taken her to that park-”

“That must have been hard.”

He nodded as he broke down in silent sobs.

“They said… they said she probably died a day or two after we lost her. When they found her, she was…” he rested his head on your shoulder, let him cling to you as he mourned his daughter.

“We couldn't identify her, but she had that teddy with her. The teddy with the cupcake in its hands. She never went anywhere without it. So we…we knew.

You looked at Morgan as he slowly made his descent into the room, closely followed by JJ.

The man looked up into your eyes again, wiping the tears from his face.

“She was only 8.” He looked defeated, and your heart broke for him, even as you wished to get as far away from him as you could physically muster.

Morgan pulled him up and away from you as he secured the man with handcuffs, but his eyes remained locked on you.

JJ untied you and guided you out, but you felt his gaze bite into you ever after you'd left the basement.

As soon as you were above ground, you let your body divest itself of adrenaline, your legs buckling as JJ tried to catch you. Another set of arms was quicker, though, and you didn't even register Spencer's arrival before burying your head in his chest and letting your sobs escape you.

He guided you to your feet and walked you out to the ambulance, his arms protectively wrapped around you, his lips peppering kisses along your hairline and forehead, anywhere he could reach. In moments, you were bundled into the ambulance, and three gentle voices were trying to calm you, to pry you away from your comfort doll.

You wondered if you'd die like the unsubs daughter had, if they'd find you clinging to Spencer the way she had to her teddy bear.

“Y/N,” your father's deep voice was clear and smooth, the only thing that was cutting through the wretched moment of pain you were enduring.

You remembered yourself again, relinquishing your grip on Spencer and wiping the tears from your face as you finally looked towards Aaron Hotchner.

The paramedics took their chance and began checking your vitals, working around you in a hurry.

“Dad, I'm sorry, I was walking and didn't notice that he was behind me, I should've been more careful-”

“Y/N, it’s okay. You're okay now.”

You nodded as he came closer. You ignored the tears in his eyes, trying not to break down again. It had been an age since you'd last witnessed him cry, at another crime scene with another family member and another unsub. You couldn't think about how close you'd come to making him relive his worst nightmare.

Spencer's hand was still firm in yours, and you held it like a lifeline, though you were sure your nails had to be cutting him by now. It took another moment to register that he was holding onto you just as hard, that he was unmoving, still where he was usually a series of compulsive moments, tapping, hand wringing, fists clenching and releasing.

You glanced between the men, who had now become quiet as they surveyed you, and noticed the tension. Before you could say anything, though, the paramedics took over.

“We're going to get you to the hospital now, Agent, one coworker can accompany you in the vehicle, preferably one with knowledge of your medical history.”

Both men immediately moved forward again, as if ready to jump into the van, before turning again to each other.

“Shit,” you mumbled to yourself just as the buzzing in your head from the migraine grew louder.

“Y/N, it's your choice. Who do you want to come?” Spencer said gently, his body still stiff with worry.

“I'm her father. This isn't a question of who she likes better.”

“I have her medical records memorized, and I have more knowledge about the drugs the unsub gave her, but Y/N can choose for herself because she is a grown woman.”

You sighed and dropped the man's hand as the medics ushered you into the van fully, but the men were fully absorbed in their fight for dominance that they barely registered it.

“JJ. JJ is coming with me,” You could see both of them turn back to you to argue, but you continued before they could. “Because I am a grown adult who knows her own medical history, and I don't need my father and my… coworker having territory wars over my wellbeing.”

And possibly because she'd be the least awkward option to answer the questions about sexual activity and possibility of pregnancy around, but you really did not need to vocalize that.

“Right now, I'm just a victim you've saved. Go and do your jobs and meet me at the hospital later because I am not doing overtime completing paperwork while on suspension.”

JJ climbed up into the ambulance and the doors shut, letting you finally get a few moments peace as it began slowly making its way to whatever hospital was closest.

“He knows, right?” You asked, covering your eyes with your hands as you braved for the answer.

“Hotch? You could say that he figured it out.”

“That bad?”

“Spencer threw a punch at him. He tried to at least.”

“What?!” Your body shot up, but the paramedic gently forced you back into a laid position, giving you a warning look to stay put as she checked your blood pressure.

“Don't be too hard on him, Y/N. He thought he was going to lose you. They both did. I don't think either of them would survive it happening again.”

The guilt hit you right in the chest as you nodded and dropped the conversation.

“Maybe I should've let Spencer come with me.”

“Why?” JJ asked, not offended bit curious.

“Because I'm not entirely sure my father won't throw that punch back at him now he knows I'm okay. It's hard being in a relationship if one of you is dead.”

The older woman chuckled slightly, and you settled back down, letting the car movements rock you into sleep.

xxxxx

A few hours later and some quietly bickering voices pulled you from the rest you'd so sorely needed. Without even opening your eyes, you knew they'd both subtly scrambled to your bed to make sure you were comfortable.

“What are you talking about?” You asked, wiping your eyes carefully as you tried to sit up, arms still aching from being tied up.

“Oh shit-” you exclaimed after seeing your boyfriends freshly split lip.

“Dad, what the fuck?”

“Y/N, it's fine. It doesn't hurt.”

“Aaron Hotchner, do you have nothing to say for yourself?” You tried to put all of tour anger into the words as you said them, bit he looked at you again with his straight face, and you crumpled under the pressure.

“I won't…I'm not going to object. I just ask you to keep your private life separate from your work.”

“And you're going to punch my boyfriend while I'm unconscious, so I can't defend him.”

“I'm still your father, and he deserved it.”

You looked back over to Spencer, who was quite notably not meeting your eyes.

“Do I want to know?”

“I'm leaving now. Jack will be here soon. He wants to check on you now that school is over. We told him you were hurt trying to save a sick man.”

“Thank you, dad.”

He nodded at you and left you alone in your hospital room with Spencer.

“Why did you deserve it?” You whisper shouted the moment you assumed he was out of earshot.

“The doctor came in and asked about some old bruises on your upper thighs. And ass. And chest. I had to admit they weren't sustained during the kidnapping, and Hotch wasn't pleased.”

You huffed out a sound halfway between incredulous and a strangled moan of shame as you curcled yourself up into a ball and tried your best to die.

“Great. Wonderful.”

“If it makes you feel any better, he thought it was signs of domestic violence and not just rough...sex.”

“Yes, Spencer, that makes me feel entirely more comfortable with the situation.”

Registering the sarcasm in your voice, he quieted down again, settling into the chair by your bedside and grabbing your hand.

You sat silently together for a few minutes before either of you said anything.

“I'm sorry. I know you didn't want him to find out.”

“Spencer, you don't have to apologise. All things considered, this is possibly the best way he could've found out.”

“My busted lip suggests otherwise, I think.”

“And a whole lot more would've been busted if he caught us any other time. Besides, I already lost my job, so there's not much else at stake anymore.”

The words stung you as you said them, but you did still feel the weight of your dismissal in your chest, spreading miserably through your bones.

“Does your head still hurt?”

“Not really, why?”

“You're not as perceptive as you usually are.”

You shot him a confused look as he smiled softly down at you, offering a nod towards the small coffee table under the window of your hospital room.

There on your table sat your creds and your gun. The silent acknowledgement you'd been waiting for from your father.

Spencer sat by you as you did your best to hold off the tears. He let you pretend there was something in your eye, let you wonder if your eyes had become watery because of dust from the basement. He quietly held your hand as you grinned and grinned until you pulled him in for a kiss and held him close to you.

His lips were soft as you wrapped your arms around his neck, pulling him down on top of you even as he tried to hold himself up and off you so he didn't hurt you.

“You know,” you said, punctuating each word with another sweet kiss. “This means- that- you're- stuck- with- me.”

He laughed into your final kiss, finally pulling back for more air, studying your face as if he were trying to memorize it.

“That was never the issue.”

“Oh really, and what was?”

He kissed your again, slow and deep this time, taking his time working his hands down from your hair to your neck to cup your face so you were opened up to him, letting his lips and tongue explore everything he wanted to. He pulled away eventually and instinctively your lips tried to chase his, even as he pulled out of reach.

“Making sure you stayed by my side.”

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #mgg #spencer reid smut #criminal minds fanfiction #criminal minds fandom #criminal minds fanfic #spencer reid fanfiction #spencer reid criminal minds #dr spencer reid #spencer reid x reader smut #spencer reid angst #spencer reid x you #spencer reid x y/n

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luveline · 3 months

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i was thinking about roommate!spencer going home after a week off working on a case and finding reader sleeping on the couch waiting for him to get home

Spencer cringes as his nails scratch the paint around the doorknob. He’s a tepid mixture of tired and sad, demotivated from another bad case, the subway home, the too many steps to the apartment. He hopes the BAU has better pay after his probation is over. He’d get a new apartment, fix up his shitty old car, maybe even get a haircut.

For now, it’s just him, his tired feet, the threadbare couch, and you.

You’re snoring with your face crushed to the armrest, hand tucked under your chest. You’ve started sitting and ended twisted to one side. Your back will ache when you wake up, but you’re blissfully unaware of it while you sleep. Spencer has half a mind to let you sleep undisturbed.

He steps over your book of crosswords on the floor and the pencil waiting beside it, bending over to pat your arm. When that doesn’t rouse you, he grabs your shoulder, about to shake you awake when you sigh in your sleep, a simple, sugary sound that sends heat to his cheeks instantaneously. You’re often innocuously lovely, at least in his eyes.

Spencer frowns and goes to make you a glass of sweet tea to wake up to. He’s secretly hoping you’ll wake up before he returns, but you’re still snoring, your face crushed, pressure on your neck.

He wonders if you sleep on the couch often. He’s never caught you sleeping in the living room when he’s home, but this is the third time now he’s texted you that he’s coming back and walked in to find you waiting…

Are you waiting for him?

Spencer can profile you. It doesn’t feel right, he tries not to be invasive, but he can work this out. It’s his job.

First, the text you sent that read, Can’t wait for you to come home, I’m making chicken noodle soup for us

Neither indicative nor exclusionary of his theory. You could mean can’t wait as the metaphor it tends to be.

Your crossword book. Upon further inspection, he realises the pages are bent on one side, and the tent of it has landed where your hand curls toward your chest. Alright, it fell. You stayed up until you were so tired you dropped your book.

But… you could’ve been watching TV. He turns to analyse the TV set. The standby light turns orange when it’s been left on for eight hours at a time, and you and Spencer are kind of broke, so you don’t leave anything running on purpose. You’ve never fallen asleep watching TV while he was home—

All these reasons.

He could just ask. He turns back to you with lips already parted, prepared to try again to wake you and slip it in casually, Shit, you weren’t waiting for me, were you?

You’re already awake.

Tired, you smile at him like you’re not surprised he’s kneeling at the foot of your seat. Like you’re glad he’s home. “Spencer,” you say, voice etched with the last dregs of sleep as you turn onto your side completely, giving a little wince at the stretch.

“Hey, you okay? Why are you sleeping on the couch again?”

You roll your eyes for what he’s not sure and reach down blindly for the crossword book by his knee, your fingertips brushing his thigh and leaving lightness in their wake. “I'm glad you’re home. Need your help, m’stuck on my puzzle.”

“That’s what you’re sleeping here for?”

“What?” Your eyes slip closed and then flutter open. “Mm, no, was just waiting for you to get home. How was Santa Monica?”

Spencer has to force himself to answer around the pretzel of nerves tied in his throat, because it’s what he’d wanted, but he wasn’t ready. “It was great! I mean– I mean, it was awful, and three people died and–” He breathes in wrong. “It was fine.”

You curl your book on the right page, blinking heavily at an unsolved row. “Oh, good. Um. Okay, ‘to carry a torch for someone’. Eight letters, not obsessed. Doesn’t fit.”

Spencer traces the soft shudder of your lashes where they’re desperate to kiss the skin below your eye. “Besotted,” he says quietly.

You gasp happily. “Besotted. Perfect! I missed you, genius, you always know the answer.”

He hands you your fallen pencil. “I missed you, too.”

#spencer reid #spencer reid x reader #spencer reid x you #spencer reid x y/n #spencer reid x fem!reader #spencer reid imagine #spencer reid fluff #spencer reid fanfic #spencer reid oneshot #spencer reid scenario #spencer reid drabble #spencer reid fic #spencer reid fanfiction

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catholic-character-tournament · 11 months

Text

FINALS - Catholic Character Tournament

Propaganda below ⬇️

Wolfwood

I love him. Man who has no faith in himself or humanity or god with so much blood on his hands, fighting for something he knows he can never see come to fruition in person. He carries his own literal cross and grave marker on his back. Just… he’s so iconic to me.

I'm sure I'm not the first to submit him. But I did it anyway. I hope he wins and I'll do anything in my power to make sure he does

Dude is literally a priest who carries around a giant cross. Yes he uses the cross to murder people but that is besides the point. Also he has a mini church he carries around for on-the-go confession services.

hes literally a priest(hes not a priest in the reboot but he is in the original and thats what matters to Me). he carries around a cross that is actually secretly a gun with guns inside that gun. he runs a church/orphanage. he carries around a portable confession booth and charges people money for it because he is broke as fuck. he dies bleeding out over an alter begging to god for forgiveness he doesnt think he deserves. he is everything to me.

look at this man he's a priest with a cross shaped gun that (spoilers) dies against the side of a church while waxing poetic about life and redemption (/spoilers), this is the Catholic ever.

Wolfwood is liiiiiterally Judas coded in the text. AND his weapon is a massive cross that turns into a machine gun and a LASER. Not to mention his religious trauma. Oh baby. The religious trauma.

Homeboy literally walks around with a giantass 300lb machine gun shaped like a cross called the Punisher. Hes a priest/undertaker depending on what version of trigun you reference. Grew up in a church orphanage. Also literally walks around with a portable confessional box for people to pay to confess to him. Need i say more.

HE IS LITERALLY JUDAS. he is literally leading the jesus allegory to his doom. hes also in love with the jesus allegory (vash). he is also carrying arouns a giant cross rhat is also a gun. hes literally catholic and judas and his tits are perfect. in one piece of official art he's wearing a cross choker. also the catholicism on gunsmoke is about making vash submit. wolfwood looking at that pathetic wet mess of a man oh i can make him submit easily.

He literally carries around a giant cross and is referred to as a priest by multiple characters. also he offers people confessionals

He carries a huge machine gun that is in the shape of a cross that is really heavy (he is strong) and his boobs are huge. So you know hes serving cunt in a god honoring way. Also in trigun 1998 he brings around a small chapel that he uses as a portable confessional and in trigun stampede he holds funeral services as an undertaker which are way overly priced. Also he dies very gayly (basicly confessing his love to his best boy friend forever)

Nick's funny bc he's probably the least Christian acting guy but is literally a preacher. There's a running gag with Vash asking some variation of "what the hell kinda churchman are you?" His gun is a gigantic cross. He rides a shitty motorcycle in the middle of the desert.

ok so thematically the main conflict in trigun is about peace vs violence and its represented by the characters vash and knives respectively. the two aren't /technically/ angels but thematically and through imagery they are and are comparable to michael and lucifer specifically. ANYWAYS. vash and knives are the characters who are constantly pushing and pulling at wolfwood's morality, sort of like a "the devil and god are raging inside of me" kinda deal. his grappling with his morality and faith is a big factor in his character. also he has a giant fucking gun shaped like a cross. and he dies in a church while praying.

Bros an orphan who grew up at a Catholic orphanage and taken away to be trained and genetically changed into a supercharged assassin for interworldly beings that have lots of angel imagery attached. Guy thought he was just going to be taken to become a missonary...instead he got 6 years of religious trauma. He still wears a cross necklace and holds it often. His gun is a literal cross "full of mercy" (its a missile launcher). He never really believed fully in the faith or anything, but the way he interacts with it is FASCINATING. He's jaded by the planet he lives on and his upbringing, and makes him say his most iconic quote: "We're nothing like God. Not only do we have limited powers, but sometimes we're driven to become the devil himself." He prays to a God he doesn't know if he actually believes in, asking for another day— for hope for the human race. The organization hes part of (The Eye of Michael) works for an interdimensional otherworldly being that has an incredible amount of angelic metaphor and imagery attached who intends to purge the planet of humans... and ends up siding with that guy's twin brother who is so Jesus coded it's insane. They are best friends even as Wolfwood is acting under instructions to babysit and watch him for his twin brother. He dies after facing down against his old mentor (named Chapel) and his pseudo brother from the orphanage who was taken into the Eye as well and his Jesus bestie buries him and sticks his cross-gun in the ground after losing his shit crazy style and using his pseudo alien angel Jesus powers to lash out at his brother for being the cause of Wolfwood's death. Rest in peace king

64.media.tumblr.com

via @monvment

Sister Michael

She drives a DeLorean. She does judo on Fridays. She likes a good statue and despises the French. Her full nun name is Sister George Michael, after the guy from Wham!. She is the fiercest nun you’ll ever come across and, if you’re attending Lady Immaculate College, she’s the woman in charge. So whatever you do, if you’re feeling anxious or worried or just need a chat: don’t come crying to her.

joined the nunnery for the free accommodation?

she does love a good statue it has to be said

She is the headmistress of a catholic school <3

sister michael so reminds me of the nuns who taught me. they're tough and sometimes a little harsher than a woman who dedicated her life to god should be but they're also wonderful people. i had a nun teacher who was 60 years old and would do handstands. another nun (also in her 60s) told me god was nonbinary. another was really mean and made me cry. (so did the handstand nun.) while the catholic girls school is The Catholic Experience, the school wouldn't have been the same for me or the derry girls without at least one nun who seemed to have sprung up out of the ground fully formed, ageless.

#cct polls #tumblr tournament #tumblr bracket #tumblr polls #polls #r8 #the derry girls #derry girls #sister michael #nicholas d. wolfwood #trigun #trigun maximum #wolfwood #trigun wolfwood

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fursasaida · 10 months

Note

Hi! Just wanted to ask. How can I give my students assignments that are chat-gpt proof? Or that they won't just copy the answer without at least doing some editing?

Hi! So, I don't think anything is ChatGPT-proof. You fundamentally cannot stop people from using it to take a shortcut. You can't even stop them from copying the answer without editing it. However, I think you can work with this reality. So, you can do three things:

Don't be a cop about it.

If you make your objective "stop the children from using the thing to cheat," you are focusing on the wrong thing. You will be constantly scrutinizing every submission with suspicion, you will be accusing people of cheating--and some of them will not have cheated, and they will remember this forever--and you will be aiming at enforcement (which is trying to hold back the sea) instead of on inviting and supporting learning whenever and wherever possible. (I'll come back to this under item 2.)

Regarding why enforcement is holding back the sea: It is fundamentally rational for them to do this. We, who "love learning" (i.e. are good at what our academic system sees as learning, for various reasons have built our lives around that, happen to enjoy these activities), see everything they might cheat themselves of by doing it, because we know what we got out of doing this type of work. Many students, however--especially at the kind of school I teach at--are there to get the piece of paper that might, if they're lucky, allow them access to a relatively livable and stable income. The things that are wrong with this fact are structural and nothing to do with students' failings as people, or (tfuh) laziness, or whatever. We cannot make this not true (we can certainly try to push against it in certain ways, but that only goes so far). More pragmatically, chatgpt and similar are going to keep getting better, and detecting them is going to get harder, and your relationships with your students will be further and further damaged as you are forced to hound them more, suspect them more, falsely accuse more people, while also looking like an idiot because plenty of them will get away with it. A productive classroom requires trust. The trust goes both ways. Being a cop about this will destroy it in both directions.

So the first thing you have to do is really, truly accept that some of them are going to use it and you are not always going to know when they do. And when I say accept this, I mean you actually need to be ok with it. I find it helps to remember that the fact that a bot can produce writing to a standard that makes teachers worry means we have been teaching people to be shitty writers. I don't know that so much is lost if we devalue the 5-paragraph SAT essay and its brethren.

So the reason my policy is to say it's ok to use chatgpt or similar as long as you tell me so and give me some thinking about what you got from using it is that a) I am dropping the charade that we don't all know what's going on and thereby making it (pedagogical term) chill; b) I am modeling/suggesting that if you use it, it's a good idea to be critical about what it tells you (which I desperately want everyone to know in general, not just my students in a classroom); c) I am providing an invitation to learn from using chatgpt, rather than avoid learning by using it. Plenty of them won't take me up on that. That's fine (see item 3 below).

So ok, we have at least established the goal of coming at it from acceptance. Then what do you do at that point?

Think about what is unique to your class and your students and build assignments around that.

Assignments, of course, don't have to be simply "what did Author mean by Term" or "list the significant thingies." A prof I used to TA under gave students the option of interviewing a family member or friend about their experiences with public housing in the week we taught public housing. Someone I know who teaches a college biology class has an illustration-based assignment to draw in the artsier students who are in her class against their will. I used to have an extra-credit question that asked them to pick anything in the city that they thought might be some kind of clue about the past in that place, do some research about it, and tell me what they found out and how. (And that's how I learned how Canal St. got its name! Learning something you didn't know from a student's work is one of the greatest feelings there is.) One prompt I intend to use in this class will be something to the effect of, "Do you own anything--a t-shirt, a mug, a phone case--that has the outline of your city, state, or country on it? Why? How did you get it, and what does having this item with this symbol on it mean to you? Whether you personally have one or not, why do you think so many people own items like this?" (This is for political geography week, if anyone's wondering.)

These are all things that target students' personal interests and capabilities, the environments they live in, and their relationships within their communities. Chatgpt can fake that stuff, but not very well. My advisor intends to use prompts that refer directly to things he said in class or conversations that were had in class, rather than to a given reading, in hopes that that will also make it harder for chatgpt to fake well because it won't have the context. The more your class is designed around the specific institution you teach at and student body you serve, the easier that is to do. (Obviously, how possible that is is going to vary based on what you're teaching. When I taught Urban Studies using the city we all lived in as the example all through the semester, it was so easy to make everything very tailored to the students I had in that class that semester. That's not the same--or it doesn't work the same way--if you're teaching Shakespeare. But I know someone who performs monologues from the plays in class and has his students direct him and give him notes as a way of drawing them into the speech and its niceties of meaning. Chatgpt is never going to know what stage directions were given in that room. There are possibilities.) This is all, I guess, a long way of saying that you'll have a better time constructing assignments chatgpt will be bad at if you view your class as a particular situation, occurring only once (these people, this year), which is a situation that has the purpose of encouraging thought--rather than as an information-transfer mechanism. Of course information transfer happens, but that is not what I and my students are doing together here.

Now, they absolutely can plug this type of prompt into chatgpt. I've tried it myself. I asked it to give me a personal essay about the political geography prompt and a critical personal essay about the same thing. (I recommend doing this with your own prospective assignments! See what they'd get and whether it's something you'd grade highly. If it is, then change either the goal of the assignment or at least the prompt.) Both of them were decent if you are grading the miserable 5-paragraph essay. Both of them were garbage if you are looking for evidence of a person turning their attention for the first time to something they have taken for granted all their lives. Chatgpt has neither personality nor experiences, so it makes incredibly vague, general statements in the first person that are dull as dishwater and simply do not engage with what the prompt is really asking for. I already graded on "tell me what you think of this/how this relates to your life" in addition to "did you understand the reading," because what I care about is whether they're thinking. So students absolutely can and will plug that prompt into chatgpt and simply c/p the output. They just won't get high marks for it.

If they're fine with not getting high marks, then okay. For a lot of them this is an elective they're taking essentially at random to get that piece of paper; I'm not gonna knock the hustle, and (see item 1) I couldn't stop them if I wanted to. What I can do is try to make class time engaging, build relationships with them that make them feel good about telling me their thoughts, and present them with a variety of assignments that create opportunities for different strengths, points of interest, and ways into the material, in hopes of hooking as many different people in as many different ways as I can.

This brings me back to what I said about inviting learning. Because I have never yet in my life taught a course that was for people majoring in the subject, I long ago accepted that I cannot get everyone to engage with every concept, subject, or idea (or even most of them). All I can do is invite them to get interested in the thing at hand in every class, in every assignment, in every choice of reading, in every question I ask them. How frequently each person accepts these invitations (and which ones) is going to vary hugely. But I also accept that people often need to be invited more than once, and even if they don't want to go through the door I'm holding open for them right now, the fact that they were invited this time might make it more likely for them to go through it the next time it comes up, or the time after that. I'll never know what will come of all of these invitations, and that's great, actually. I don't want to make them care about everything I care about, or know everything I know. All I want is to offer them new ways to be curious.

Therefore: if they use chatgpt to refuse an invitation this week, fine. That would probably have happened anyway in a lot of cases even without chatgpt. But, just as before, I can snag some of those people's attention on one part of this module in class tomorrow. Some of them I'll get next time with a different type of assignment. Some of them I'll hook for a moment with a joke. I don't take the times that doesn't happen as failures. But the times that it does are all wins that are not diminished by the times it doesn't.

Actually try to think of ways to use chatgpt to promote learning.

I DREAM of the day I'm teaching something where it makes sense to have students edit an AI-written text. Editing is an incredible way to get better at writing. I could generate one in class and we could do it all together. I could give them a prompt, ask them to feed it into chatgpt, and ask them to turn in both what they got and some notes on how they think it could be better. I could give them a pretty traditional "In Text, Author says Thing. What did Author mean by that?" prompt, have them get an answer from chatgpt, and then ask them to fact-check it. Etc. All of these get them thinking about written communication and, incidentally, demonstrate the tool's limitations.

I'm sure there are and will be tons of much more creative ideas for how to incorporate chatgpt rather than fight it. (Once upon a time, the idea of letting students use calculators in math class was also scandalous to many teachers.) I have some geography-specific ideas for how to use image generation as well. When it comes specifically to teaching, I think it's a waste of time for us to be handwringing instead of applying ourselves to this question. I am well aware of the political and ethical problems with chatgpt, and that's something to discuss with, probably, more advanced students in a seminar setting. But we won't (per item 1) get very far simply insisting that Thing Bad and Thing Stupid. So how do we use it to invite learning? That's the question I'm interested in.

Finally, because tangential to your question: I think there's nothing wrong with bringing back more in-class writing and even oral exams (along with take-home assignments that appeal to strengths and interests other than expository writing as mentioned above). These assessments play to different strengths than written take-homes. For some students, that means they'll be harder or scarier; by the same token, for other students they'll be easier and more confidence-building. (Plus, "being able to think on your feet" is also a very good ~real-world skill~ to teach.) In the spirit of trying to offer as many ways in as possible, I think that kind of diversification in assignments is a perfectly good idea.

#teaching #chatgpt #posting this on my first teaching day of the semester!#this is probably a lot longer than what you asked for but it is the answer i know how to give. hope something in it helps!

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googiekitsch · 10 months

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HEY UH DO NOT REBLOG THIS GUY’S ART.

hate to be the bearer of bad news but i can’t just stand by and let shitty people try to escape onto other platforms where people aren’t aware of their past actions like this guy is so clearly trying to do with him moving to tumblr.

the artist behind this post below (nickeldoodle) which has been gaining attention lately, is an abuser and a complete fraud. from what i’ve been able to gleam of the situation he has flat out admitted to being abusive in his past on twitter, but he’s since privated his account so his confession isn’t available in full, just in fragments. he’s also apparently been blocking people who mention it on instagram and try to get him off the platform, so thanks man. really classy.

below the cut is an artist touching on their abusive experiences with him. again, read it at your own discretion.

also, he’s a blatant art thief. 90% of his art has been proven to be traced line for line from other images and artwork and he’s even stolen the work from the aforementioned artist who came out with their abusive experiences about him, which she touches on in that thread about him. it’s been proven that he’s traced other’s work for COMMISSIONS, if you somehow needed another reason to not give this scumbag a single cent of your money. i highly doubt that any of his art is original with his track record.

the fact that tumblr staff WILLINGLY APPROVED this abusive, talentless piece of shit’s art to be mass broadcast across their website to thousands of people without doing any sort of background check on him is just insane. it is very well known throughout the online art community that this guy is human garbage by now, and it makes me so angry that he’s trying to avoid the hate he rightfully deserves by jumping ship and that tumblr staff are so desperate for money that they can’t be bothered to check if theyre promoting a proven abuser or not. it’s just careless. this guy does not deserve to have an audience.

my deepest condolences go out to everyone affected by this guys actions. if anyone affected by him is reading this, i hope you’re all doing better now and recovering the best you can, i wish you all nothing but the best.

if you see his art on your feed, block and report his account. do not reblog his work. spread this post around, because with his attempt at resurfacing with a clean reputation, his posts are only gonna be shown to more and more unsuspecting people.

do not support him. abusers have no place in the art world.

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mc-i-r · 10 months

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Disposable Heroes

Part one, Part two, Part three, Part four AO3 link

A/N: hi yes so sorry for how late this is, it turned into a huge monster of a fic that I’m still working on but I figured posting the first part wouldn’t hurt. This is based on this post by @liightsnow, @acowardinmordor, and @00biscuit while back and I decided to expand that concept a bit and here we are. I'll be tagging anyone that seemed interested in the concept at the end of the fic! Warnings are below but I just wanna say that Steve is struggling with his sexuality in this one so most of it comes from that. This will absolutely have a happy ending, just not right now. Enjoy the angst!

Tw: internalized homophobia, homophobic language, mentions of canon violence, dissociation, panic attacks

———

It’s a Sunday afternoon when he realizes it. Steve is sitting on his couch, eating a shitty frozen meal and watching a random movie on TV when it hits him. The kids haven’t asked him for a ride in two weeks. Two Saturdays have passed and there was not one call— either on the phone or over the walkie— from any of the kids. Not even Dustin, who has seemed to make it his life’s mission in the past couple years to annoy Steve into an early grave.

It’s not like he hasn’t seen them at all. He still practices basketball with Lucas on Thursdays, even though the season is long over. His weekly dinners with Claudia and Dustin are still going strong every Wednesday. Joyce seems to invite him over for dinners every couple weeks. From the outside, everything seems fine. And maybe it is, but Steve’s noticed things.

See, he’s not as stupid as people think he is. He may not be academically smart but he can read. However, instead of books, it’s people. He can read their micro-expressions, notice little signs in their body language that help him understand the person. He can tell when people are nervous when they avoid eye contact, can tell how anxious they are when they distract themselves by picking at their fingers. It’s how he’s so good with the kids. They’re in the stubborn stage of their teenage years, the time in which the only answer you’ll get is ‘I’m fine. Leave me alone’. But he can tell if there’s something on their minds, if there’s something eating away at them.

He can tell that Mike’s anger and pointed barbs are directed towards himself, how he’s struggling with something he can’t quite admit to himself yet. How Max is frustrated with her body, with accepting help, because she’s always had to rely on herself and putting that much trust in someone else has never been an option for her until now. How Lucas is trying to find joy in doing something he loves again, because his love for basketball has been ruined by Carver and his trusty band of assholes. How Dustin is trying to deal with almost losing Eddie, how he’s processing the feelings of almost losing a brotherly figure along with one of his friends. How Will is hiding part of himself, struggling to accept it in the same way Mike is. How El is trying so hard to find her new normal, to adjust to getting her life— her father— back.

There’s another thing he’s noticed, however. It’s that the kids are obsessed with Eddie. Steve from a couple years ago would feel jealous of Eddie, and would try to hold it against him. Now, though, Steve just feels… sad. The kids constantly talk about how cool and badass Eddie is for still being himself despite all the shit Hawkins has thrown at him. They talk about how Eddie takes them places, gets them little trinkets for their nerd game, and takes them fun places. Eddie does all these little things for the kids, lets them just be kids, and really, Steve can’t be mad at him for it. He tries to let them have fun, but his constant worrying overwhelms them. It brings them down. Eddie doesn’t do that. He joins right in with them, basking in the fun and letting himself go. Steve… can’t. Not with all the shit he’s seen. Letting his guard down is something he can’t afford to do anymore.

He sighs down at his meal, chucking it on the coffee table as he loses his appetite. His glasses land next to the disposable plastic tray, sliding across the finished wood surface from the force of his throw. He rubs harshly over his face, hands digging into his eyes until he sees stars.

Steve knows he’s not perfect. Hell, it took an interdimensional monster trying to kill him in order for him to realize that he could be a better person. That the only person truly able to change his life is himself. He used to think he had no choice in his life— whether it was his parents' high expectations of him or his friends trying to mold him into their perfect little plaything— but he knows better now. He knows that he shouldn’t have become King Steve, that he shouldn’t have hurled all his hate and anger towards other people who didn’t deserve it. He knows he shouldn’t have called people names or slurs, that he shouldn’t have spray painted lockers or ripped up books or shoved people against hard asphalt. He knows that, but knowing it was wrong doesn’t erase the fact that it happened. That Steve did those things and hurt people.

Part of him knows that his past is what made the kids turn towards Eddie. Why wouldn’t they? Steve was a bully, thought he was hot shit in school and made it everyone’s problem. Eddie was simply himself. His unabashed, unashamed self. He stood on cafeteria tables, made dramatic speeches, and shared his opinions to anyone and everyone who would listen. He’s so genuine and so, so much better for the kids. He teaches them how to be themselves, how to shove off the hate and embrace their weird side. He’s perfect for them, and Steve knows deep down that this is good for them. The kids need a good role model, one they can rely on, and Eddie has his herd of little sheep to teach and protect. It’s perfect. They’re perfect.

Steve remembers the time last week at the Byers-Hopper house when their little obsession truly became real. They were waiting for the bread to finish baking in the oven, and Steve saw that Will was seated alone in the living room. Joyce and Hopper were in the kitchen, talking and keeping a lookout so the bread wouldn’t burn. Jonathan and El were listening to music in his room, the synth and guitars echoing down the hallway. So, Steve decided to finally talk to Will. It’s not like they don’t talk ever, just… not much. Will is quiet, blends into the background, and Steve never felt like the kid would be comfortable with him trying to get in his business. However, he needed to ask the question that had been on his mind for a while.

Steve sat down on the couch next to him, keeping a fair amount of distance between them, and rested his elbows on his knees. Will was reading a comic, the cover full of bright colors and words, not paying attention. Steve sighed, pushed his glasses up, and ran a hand through his own hair.

“Hey, um… can we talk for a sec?”

Will startled a little, like he didn’t realize Steve was there, and closed his comic. He nodded, and Steve tried not to feel bad about the hesitation in his eyes.

“Is there something going on that I don’t know about? Like with the others?” Will’s eyebrows furrowed, a confused expression taking over his face.

“Um.. what do you mean?”

“Just… have I done anything to them to make them mad? I just… I don’t know, I feel like I’ve done something but I don’t know what,” Steve confessed. He must have looked as distraught as he felt, because Will seemed to soften at his explanation a bit.

“Why do you think that, Steve?” Will asked softly, and Steve had a moment of realization that Will seemed years older than he looked. Steve sighed, and explained that the kids haven’t really been hanging around him much and instead like to spend time with Eddie. He’s quick to clarify that he doesn’t mean anything bad by it, just wants to know what happened. It was Will’s turn to sigh, and he looked at Steve with something akin to sympathy.

“Steve, I don’t say this to be mean but… Eddie just relates to us more, you know? He shares more interests with us, and he seems to get us better,” Will expressed. His eyes widened and he hastily added, “it doesn’t mean there’s anything wrong with you! Just… it’s nice to have somewhere else to go, you know?”

The rest of the evening was spent with Steve silently eating his dinner, Will’s words echoing through his head as he munched on half-burnt bread.

Steve decides then, TV dinner half-eaten and work vest still on his shoulders, that he’s going to make this better.

The next day, Eddie comes into Family Video to pick up some movies, definitely for a movie night judging by the titles— he seriously doubts a metalhead would willingly watch The Goonies, The Dark Crystal, and Ghostbusters by himself on a Saturday night. Eddie bounds up to the register, movies in hand, and does a dramatic bow as he presents them to Steve.

“I wish to borrow these, my liege,” Eddie declares, his voice deep and in a horrible mockery of an English accent. Steve scoffs and rolls his eyes, unable to hide the small grin on his face at the other man's theatrics.

Eddie looks so effortlessly pretty, his hair tied back in a ponytail and his tattoos exposed through the large arm holes in his homemade tank top. Steve shakes his head to get rid of those thoughts and takes the movies to check them out, ignoring the late fee balance on Eddie's account. A glance at the man in front of him, who is bouncing on his toes and looking around the store, gives Steve an idea.

“Hey, is Hellfire still going on?”

Eddie snaps his attention back to Steve, looking a little startled to be asked such a thing.

“Uh… yeah, it's still going on. We have to play in Gareth’s hot ass garage since school is out but we’re making it work. Why d’you ask?”

“Oh, uh… the kids complained awhile back that they didn’t have a good spot to play anymore and I was just wondering,” Steve explains. Eddie raises an eyebrow at him, and Steve can feel him staring. Can feel him looking at him closely. Too closely. He clears his throat and looks back down at the counter, pushing his gold, wire-framed glasses further up his nose. “I uh… I actually wanted to offer up my place? My parents aren’t home much”— more like never— “and I’ve got plenty of space for the gremlins and the other guys. Plus, my A/C works and I’ve got a shit ton of snacks. I’ll stay out of your hair and-“

“Actually uh…” Eddie cuts him off with a strained voice. Steve looks up to find his face contorted like he ate something sour, and he knows what his response is going to be before he opens his mouth. Eddie wipes a hand over his mouth before shoving it in his pocket. “Yeah, the other guys just… really wouldn’t want to be there.”

Steve nods— tries not to let the denial sting— and looks down at the movies in his hands. Ignoring how they shake, he sets them on the counter and slides them towards Eddie.

“That’s okay man, I get it. I need a break from the little horrors anyway,” he huffs out, the words digging their way into the pit in his stomach. He puts on his best customer service smile and looks up at Eddie, finding him looking a little wary. Eddie hesitates, as if debating with himself on whether or not to say anything, before rapping his knuckles on the counter in a little rhythm and picking up his movies. An awkward smile finds its way to his face, and Steve thinks it strange and out of place. It’s so.. un-Eddie-like. The pit grows deeper.

Walking backwards towards the entrance, Eddie throws a little salute his way before turning and swinging out the door. A belated “see ya, Harrington” drifts through the closing door in his wake.

Steve slumps over the counter when he’s gone, holding his head in his hands and feeling the childish urge to cry make its way up to his eyes. Even after everything— after walking through hell together, dragging his lifeless body out of the Upside Down as his blood dripped down his back and soaked through his clothes, standing vigil at his side until he woke up two weeks later— Eddie still seems to hate him.

But Steve… he feels the opposite. He has this overwhelming desire to be with Eddie. To hang out with him in the back of his van, drinking sodas and eating snacks as they look out over Lover’s Lake while the sun sets. To talk to him until the early hours of the morning until there’s nothing left to say. To go for drives late at night and listen to his loud music on the radio while holding hands over the center console. He has feelings for Eddie he’s never had before. Not for any past romantic conquests nor any girl. Hell, not even for Nancy. He’s never felt this intense need to be near someone before, and it scares him. It truly terrifies him.

He’s not homophobic— his platonic soulmate is a lesbian, for Christ's sake— but the fact that he feels this way is just… wrong to him. How is Steve Harrington, ladies’ man and charmer extraordinaire, into dudes? What is he, like, half gay? It just doesn’t make sense, doesn’t seem right, for him to feel like this. He sighs into his hands, digging his palms into his eyes until he sees stars. He can’t be thinking about this now, he can’t be thinking about this at all. He needs to shove it in the box in the back of his head where all the hard feelings go, waiting and festering to be dealt with later. He needs to, but he doesn’t know if he can.

Fuck, he needs to talk to Robin. Shit- can he though? What if what he’s feeling is a fluke or something? What if it’s just in his head because he’s desperate? What if Robin thinks he’s making fun of her and won’t take him seriously? It’s not fair of him to throw all his problems on her, even if he thinks she could help. It’s not her job to look after him, to take care of him. He can do that himself. He can figure this out himself.

Distantly, the words of Richard Harrington play in his ears. About how being gay is wrong, how it’s a disease. How it’s a sickness that slowly takes over until there’s nothing left. How it’s a disgrace.

He remembers sitting in the living room with his parents on a rare occasion in which they were home, watching the news channel as it talked about an epidemic spreading through young men. His father scoffed at the screen when they started talking about potential cures.

“Cures? They should just let those fags die. They brought this on themselves, you know. Typical of them to complain about the fucking consequences,” Richard had spat out at the block TV, standing to refill his bourbon. Steve had clenched his fists at his side, his already stiff posture straightening still. He felt angry at his fathers words, something pure and burning in his gut.

He didn’t know what it was at the time, but maybe he should’ve known. Maybe him being queer shouldn’t be as much of a surprise as it feels. Maybe he’s always known and just couldn’t bring himself to admit it. Maybe that anger he felt at his father’s words was partly on behalf of himself, too.

A wince shudders through him as he remembers how that night ended.

Steve had stood up from the couch, watching the dark liquid flow into the crystal glass in his father’s hand.

“What’s so wrong with being gay? I don’t understand how you could just.. hate people like that. Hate them for just existing,” Steve countered. His father had frozen at his words, slowly setting down the decanter with a solid ‘thunk’ against the metal tray where it belonged and turned to face him. His face was slowly gaining a reddish hue, a sign of the anger rising within him.

“What did you just say?” He demanded, voice scarily calm but laced with an icy rage. Steve swallowed.

“What… What's wrong with being gay, sir?” Steve hesitated, voice failing him. Richard had downed the glass of bourbon before throwing it at Steve, the crystal shattering on the mantelpiece behind him and sending shards flying.

“What’s wrong, Steven, is that you think it’s okay. No son of mine will think like that, not on my watch,” his father boomed, taking long strides towards him. Steve didn’t dare move, only watched his fist grow nearer as he punched him high on his cheek. He fell to the floor, arms trying to protect his head but it was no use. Richard had ripped his arms away, gripping the front of his shirt and making Steve hover above the ground.

“I didn’t raise a fucking fairy, Steven,” he spat. “A faggot.” Steve recoiled, physically feeling the vitriol his father aimed at his face. Richard had sneered, pulled him close and whispered, “Never forget that, Steven,” before shoving him harshly onto the ground and walking away. Black had clouded the edges of his vision, and he laid on the plush rug until it cleared up. He looked over, found his mother silently watching the TV and sipping her wine, and begged with his eyes for her to help him. To say something. Anything. She didn’t, and Steve had to haul himself off the floor, grasping the couch when his vision swam, and stumbled his way to his room.

The rest of that weekend was spent in his room, gingerly cleaning his face and the couple places where glass had cut him on his arms with a wet washcloth and soap. It was the first time he had ever gotten a concussion. He was fifteen.

He remembers replaying the fight over and over again, feeling like those barbs were directed towards him, too. In hindsight, maybe they were. Maybe his father just knew. Knew he was queer long before Steve ever did. Maybe that’s why he’s always so angry with him, so… disappointed. A groan escapes him and he runs a hand through his hair. He’s been thinking way too damn much for it to be this early in the day.

God, he really wishes Robin was here. He knows he can’t talk to her, but it would be nice just to have someone here to keep him from spiraling and drowning in his thoughts. He pushes himself off the counter and goes over to the cart where the returns sit, hoping that busying himself will occupy his thoughts. He sets a few on the shelves when what Eddie said earlier barrels into him full-force.

“Yeah, the other guys just… really wouldn’t want to be there.”

Jesus fucking Christ, he’s stupid. Of course the other Hellfire guys wouldn’t want to be at his house, they probably still see him as King Steve. Most people do, nowadays. Only the ones he went through hell with know he’s different now, that he’s changed. So really, he can’t fault them for being against the idea of Hellfire at his house. He wouldn’t believe it either if he was in their shoes.

Then again, wouldn’t Eddie or the kids try to convince them he’s different? That he’s not a dick? Shit, he’s been through four apocalypses, three concussions, and survived Russian torture— surely they would give him the benefit of the doubt, right? He’s dropped the bad influences out of his life, found better friends, better family— or can he even say that anymore?— to be with. Wouldn’t they try to stick up for him? Or... is he just not worth it?

Steve clenches his eyes shut, willing his bubbling emotions back down, and grips the movie in his hands so hard the plastic begins to creak. The little voice in his head, one that sounds suspiciously like Robin, tells him to breathe. He does. Deep inhale, hold, long exhale. Over and over and over again until he’s calm, until his head is clear.

He knows what he needs to do now: apologize. If it's one thing Steve Harrington knows, it’s how to apologize. Hell, he’s done it more times than he can count. He knows how to repair burnt bridges and how to get past the tough exterior of a person to pull at their heartstrings for sympathy. He knows the key; he just has to make himself useful. If he can provide things for the kids, for Eddie and the Hellfire crew, then they’ll want him around. That’s how it’s always been. That’s how it is with his parents, with school, with his past friends, and now his current ones. He vaguely recalls his junior year art teacher saying that, "once is an accident, twice is a coincidence, but thrice is a pattern." Which means this, this is something he has to make right.

With a plan solidified in his mind, he goes back to work refilling the shelves with movies, brainstorming ideas to get his family back.

Over the next week, Steve becomes a one man show. He offers up more rides, more movie nights, more free reign of his house and his pool and his car and his money and himself just to make the kids happy. He picks up extra shifts at work just to get extra spending money for them, knowing that they go through twenty bucks in no time.

But… it doesn’t work. Because bit by bit, ride by ride, movie marathon by family dinner by game night by post-nightmare phone call, it becomes painfully clear. Everyone puts on a mask around him. One that says they’re happy to see him, that they’re glad he’s here, but he knows it’s a lie. This, really, shouldn’t be much of a surprise. People don’t stick around him much, so why did he think this was any different?

Maybe it’s because he was finally himself around them, he finally opened up and showed a bit of his true self, and was still rejected. Still pushed away. He wasn’t cowering behind a mask this time, he was just Steve. But it wasn’t good enough. He wasn’t good enough.

To their credit, it starts off slow. Casual comments that are cut off quickly, kicks under dinner tables and pointed throat clearing. It’s one instance during game night where it all clicks.

The Monopoly board is spread out before them in the Byers-Hopper living room. Steve, of course, is losing. He’s not good with investments and savings and he keeps landing on the goddamn ‘jail’ space but he doesn’t really care, not when he’s finally having fun with the kids. He groans when the dice make him land on one of Mike’s properties, shuffling his fake cash to pull out the tax money.

“C’mon this game is totally rigged. How the hell am I losing to a bunch of teens?” He grumbles as Mike proudly snatches the money from his hand. Max snickers from her place beside him, her pale blue eyes rolling as she looks at him.

“You know, if you actually used your brain then maybe you wouldn’t be losing. Ever think of that?” She quips, and Steve huffs. Leave it to him to be called out by a fifteen year old.

“I’m surprised there’s even a brain in there to begin with,” Dustin states. He’s seated across from Steve. “I mean, why else would he have-“

His comment is cut off by Lucas smacking his arm. Dustin looks at him like he’s about to protest when Lucas raises his eyebrows, looking pointedly from Dustin to Steve and back again. Steve can’t hear from his position so far away, but he swears Dustin mutters “shit” before crossing his arms and looking down at the board. Steve looks around at the rest of the group, noticing how none of them seem to want to look at him, choosing to focus rather intently on the cardboard before them.

The rest of the game is filled with awkward silences. Steve can feel them looking at him when he’s occupied, and it makes him feel like shit inside.

It’s on the drive home when it hits him. He is the one that doesn’t fit into their group, into their family. They’re slowly but surely removing him and replacing him with Eddie. With someone who fits. With someone better. It hits him so hard, so fully, that he has to pull over on a quiet street to sob in his empty car.

The first time it's fully solidified in his mind is at a barbecue at the Byers-Hoppers house. Robin can’t come, her aunt from up north is visiting for the weekend and she has to stay home. Steve walks through the house, planning on saying hello to Joyce before joining the party outside. He finds Joyce talking low to Eddie in the kitchen and he pauses in the doorway, watches how Joyce laughs at something Eddie says. How she places her hand on his arm as her eyes crinkle with the weight of her laugh. Eddie is smiling, open and wide, with a flush high on his cheeks that stains his skin pink. His dimples are on full display and it takes pure willpower for Steve not to go and poke at them, to settle his thumb in the divot of his skin.

Joyce leans close to Eddie and says something under her breath, making him blush purely red now and shush her, causing another wave of laughter to ripple through the both of them. The kitchen is filled with warmth, the afternoon sunlight streaming in through the sheer cream-colored curtains that line the two windows as laughter fills the room. It’s light, it’s happiness, it’s love. It’s something Steve hasn’t felt in years.

Steve knocks on the doorframe, waggling his fingers in greeting. They both turn to look at him, and all that warmth from before flees the room. If he hadn’t just seen the thin rays with his own two eyes, he could have sworn even the sun went down as well. He feels a stab of pain in his heart, so sharp it makes his breath stutter. He fights to put a smile on his face, briefly clearing his throat and praying his voice doesn’t sound as faint as he feels.

“Hey, Ms. Byers. Eddie,” he greets. Steve runs a hand through his hair, just to give himself something to do. “Just wanted to say hi before I go outside.”

Eddie’s face has gone completely slack, the only thing convincing Steve he didn’t hallucinate the entire exchange earlier is the flush that had yet to leave his cheeks. In fact, Eddie looks even more red now that he’s made his presence known. Joyce, to her credit, has a small polite smile on her face.

“Thank you, Steve, that's very kind of you,” she replies. She casts a glance at Eddie out of the corner of her eye, something Steve has noticed a lot of people do to each other when he’s around. “You go on outside now, okay? I’m sure the kids are missing you.”

Steve holds back his remark of “yeah, I actually doubt that” and nods, leaving the two of them in the kitchen as he continues down the hallway. He tries hard not to let the harshness of their quick whispers dig further into his already injured heart.

Once outside, he’s greeted by no one. Dustin and Lucas are discussing something rapidly to one another, Dustin gesturing wildly with his hands as Lucas nods along and adds details. Max and El are sitting on a lawn chair together, Max seemingly teaching El how to braid her hair. Mike and Will are sitting in the grass a bit away from the group, shoulders touching and heads bowed together as they talk quietly to one another. Steve smiles softly at them, knowing.

He makes his way over to Hopper, who is manning the grill with a beer in one hand and a spatula in the other. Steve waves and gives him an awkward little smile, and Hopper nods his head, pointing towards a cooler with his beer. Steve grabs one, popping it open and taking an, admittedly, big first swig. Hopper doesn’t notice, or at least doesn’t comment, and Steve looks out over the people he still considers his family. He catches Dustin’s eyes, hoping to have someone to talk to, but the kid only looks away and continues his conversation.

So now Steve is here by himself, slowly nursing a beer, and trying to keep his emotions in check.

It’s just that… he doesn’t know what he did. Was he too overbearing or did he not care enough? Was he too pushy or too distant? Was he just annoying them? Was he just an inconvenience? Did they ever really like him or did they just put up with them out of necessity? Or because they felt bad?

He takes another sip of beer, hating the way it tastes on his tongue but it’s better than the bile slowly rising in his throat. All he wants is for someone to see him, to see who he truly is and like it. To stick around. To stay.

And it’s true, he does have Robin, but sometimes she can’t give him what he needs. Call him a romantic but Steve wants that love, that connection, that intense feeling you get with a partner. He craves it more than anything. He wants to touch, to taste, to feel someone else.

Eddie. He wants Eddie.

A voice interrupts his thoughts.

“Kid, will you go get me a plate for the burgers?” Hopper asks, his gruff voice shoving all of his mushy thoughts aside. Steve nods, sets his beer on top of the cooler, and makes his way inside. He silently dreads ever walking in that room again, dreads having to feel the chill from before. However, the scene in the kitchen is drastically different this time. Joyce is by herself, Eddie nowhere to be seen, and is mixing together slaw in a big tupperware bowl.

Steve knocks on the frame again and is met with a small smile from the older woman. It’s infinitely more warm than the one he was met with when he got there, and he thinks it’s partly due to the lack of a certain metalhead in the room. Joyce sets down her spoon, wiping her hands on a nearby towel, and holds her arms out.

“C’mere, honey,” she murmurs, and Steve tries not to let her soft tone get to him. The last thing he needs is to cry in front of everyone. He walks forwards into her hug, leaning down a little to wrap his arms around her properly, and sighs when she rubs her hands up and down his back. Steve clenches his eyes shut, taking in stuttering breaths that he knows she can hear but thanks every god out there that she doesn’t comment on it. She taps her hands twice on his back and pulls away, reaching up to push some of his hair off his forehead and Steve wills himself to not lean into the touch too much.

“Sorry for not saying a proper hello earlier, I was a bit preoccupied. Eddie- well, that’s not my thing to tell but he needed some help with something and… well, you get it,” she smiles, laughs a little, and Steve smiles back.

This. This is what he wishes he could have with his parents. This lightness, this love. He never will, he knows that, but the little moments like this with Joyce, the way she hugs him and cares for him, are ones he treasures. Ones he wishes he could have everyday. Joyce is a wonderful mother, and part of him wishes he could have her as his own. Hell, she’s been more of a mother to him in the four years he’s known her than his mother ever has. But he knows that isn’t fair. It isn’t fair of him to put his parental issues on her or anyone else. So he doesn’t, and shoves his hands in his pockets instead.

“It’s okay, Ms. Byers, I get it. Sorry to interrupt you two, though,” he apologizes. She waves her hands in a shooing motion.

“Oh don’t apologize for that, honey, it’s okay,” she smiles, then hesitates. “I do want you to promise me something, okay?” Steve nods, and Joyce places her hands on either side of his face. “Promise me you’ll be careful with people, be gentle. Not everyone can be treated the same, some people… they’re special.

“Sometimes, it’s better to listen. Promise me, Steve, that you’ll always listen, okay?” She asks, and Steve has to swallow before he responds.

“I promise, Ms. Byers,” he replies, and she pats his cheek. Her smile has grown, and her eyes have softened.

“I love you, Steve, you know that, right?” Joyce asks, and it’s like the world has stopped moving. He didn’t know that, not really. Sure, he knew she liked him but he didn’t know she…

He doesn’t realize he’s tearing up until Joyce coos at him, wiping away a few stray tears that have escaped with her thumbs.

“I-I didn’t know you- I’m sorry, I don’t-“ Steve stutters out, but Joyce shushes him.

“You don’t have to apologize, Steve, it’s alright,” she insists. Her thin arms pull him into another hug and he buries his face in her shoulder. The angle is a little awkward, but it’s a comfort Steve hasn’t had in ages so he stays. “It’s gonna be alright.”

Her small hands rub up and down his back as he holds back tears. He regulates his breathing, taking in deep breaths and letting them out slowly, until he’s sure he won’t cry. He pulls back from the hug and wipes at his eyes, sure that they're red-rimmed and a little puffy, but Joyce only smiles that warm smile and pats his cheek again. Steve smiles at her, the first genuine smile he thinks he’s had in awhile, and it feels good. To smile and know it's real.

Joyce turns to the counter behind her and picks up a plate, handing it to Steve. His brows furrow, and he hesitantly takes the offered crockery.

“How did you-“

“I had a feeling,” she interrupts him with a wink. “Now go on before Hop burns the yard down.”

Steve smiles and goes back outside, handing the plate to Hop and ignoring his grumble of “took ya long enough”, before picking his beer back up and taking a much needed swig. A few minutes later, they’re all eating. Eddie has joined Dustin and Lucas in their rambling, all three of them loudly talking over one another. Steve watches them; wishing, wanting, yearning. Joyce bumps her shoulder into his, making him swivel his head to look down at her. She smiles, almost knowingly, and Steve blushes. He clears his throat and looks away, focusing on fixing his burger rather than whatever the fuck that was.

He sits alone away from the group, catching occasional glances from Joyce, Dustin, and Hopper. Joyce is concerned, he can tell that much, and part of her almost looks sad. Dustin looks conflicted, like he can’t decide if he wants to be mad from a distance or just come right up to Steve and say it to his face. Steve wouldn’t be surprised if he did the latter. Hopper, to Steve’s complete unsurprise, looks uninterested and, frankly, fed up with this whole situation. Steve doesn’t blame him, he is too.

After the food is gone, and dessert is served, Steve heads inside to help clean up. He washes dishes quietly with Joyce, while she dries them and puts them away. As he finishes up the last plate, Will comes into the kitchen.

“Hey, Mom? The party wanted to play some board games, is that okay?” He requests, and Steve can feel Joyce soften beside him. She smiles.

“Of course, honey. Make sure you ask the girls what they want to play, too, okay?” Will rolls his eyes and smiles, a mannerism Steve notes he definitely got from Mike.

“Got it, Mom,” he replies, and runs off. Steve turns back to the sink, realizing he’s been scrubbing the plate well past the point of clean, and rinses it off.

“I um.. I think I’m going to head out, Ms. Byers,” he begins. He hands the plate to her. “I’ve got a shift tomorrow and uh… I don’t want to intrude or anything.”

He doesn’t mention that he doesn’t want to repeat the last game night, where everyone kept glancing at him like he was a bomb set to explode at any moment. He doesn’t say that he can’t handle their stares for any longer than he already has.

“Oh, are you sure? You’re welcome to stay here as long as you want to,” Joyce offers, but Steve shakes his head.

“I really should be going, sorry.”

“Alright, dear. Let me walk you out,” she insists, moving to take off her apron.

“I’ll walk him out, Joyce, don’t worry about it,” Hopper's gruff voice interrupts from the doorway. Steve swallows and nods, drying his hands off on a towel. He looks at Joyce, seeing her share a glance and a smile with Hopper before looking back at him. He smiles, finally beginning to think that maybe… maybe things will be okay.

“Thank you, Ms. Byers. For everything,” he expresses. He leans down to give her a hug, her arms quickly hugging him back.

“It’s alright, dear. You come to me if you ever want to talk, you hear?” Steve pulls away from the hug.

“I will, promise,” he hesitates. Steve looks down at his hands, shaking from where they’re clutching each other, and takes a breath. “I… I love you too.”

He looks up right as Joyce pulls him into another hug. He laughs a little, and she pats his back before pulling away with a “be safe”. Hopper clears his throat from the door and Steve takes a step back, nods to Joyce, and follows the other man outside.

They step out on the front porch together, and Steve is prepared to continue walking to his car when Hop places a hand on his shoulder. He stops, and turns to find the man looking at him seriously.

“Son, I want you to promise me something,” he grumbles, and Steve begins to feel a strange sense of deja vu. While Joyce’s tone was soft, Hopper’s is deep and leaves no room for hesitation. He vaguely has a thought that this is what his father would have been like if things were different. If he were different. Steve nods.

“Promise me you’ll fix our shit, alright? I don’t wanna get in the middle of… whatever the hell this is but promise you’ll be better, okay?” He commands, and all the thoughts Steve had earlier about thinking things would be okay fly out the window.

“Y-yes, sir,” he stutters out. Hop claps his shoulder, mumbles a “get home safe”, before pulling a pack of smokes out his pocket and lighting one up. Steve turns, shoves his shaking hands in his pockets, and walks to his car.

Getting in his car is a blur of unconscious actions. He’s driving down a barely lit backroad when he registers that his eyes are stinging, and something warm and wet is dripping down his cheeks. He pulls over on the side of the road, shifting his car into park, and he sits there. He reaches up with a shaky hand and wipes his cheek, his hand coming back wet and shining in the faint glow of the moon. The sight breaks him, and an ugly sob rips its way out his throat. He chokes on an inhale as tears fight their way out, and he hugs his arms around himself as a sad semblance of comfort. His forehead finds purchase on the steering wheel, and his tears stain the leather before dripping on his lap.

He cries because he knows he’s the problem, that he’s the one fucking up. He cries because everyone thinks so, everyone knows. The kids know. Eddie knows. Joyce knows, but she’s just too kind to say it to his face. Hell, even Hopper knows. He cries because he doesn’t know what he did wrong. He cries because he doesn’t think anyone really wants him to fix it.

It’s the second time on a drive home from the Byers-Hopper house that he has to pull over and cry.

He struggles to inhale a deep breath and sits up, harshly wiping his tears away with his hand, uncaring that it rubs his skin raw and red. Sniffling, he puts his car in drive and goes home. Toeing his shoes off at the door is the only thing he thinks to do before he stumbles his way upstairs and collapses on his bed, snuggling into the thin comforter and falling into a fitful sleep.

After a slow shift at Family Video the next day, Steve returns to the darkness of his home with a plan. He can still be useful. They may not have to know, but he can still do something to help. To try and save them before they need to be saved. He can be a preventative measure for them, can stop them from getting hurt before they even know they’re in danger.

He shrugs off his work vest, throwing it on his desk chair as he searches his closet for an old sweatshirt. He finds one, the front adorned with white block letters that read ‘Tigers Swim Team’ and tugs it on. His nail bat finds purchase in his hand as he tucks a flashlight in his back pocket. The walkie Dustin gave him is hooked in his belt loop, just in case. He leaves all the lights on in the house and shuts the door, skirting around his house to begin his walk in the woods.

After four bouts with the Upside Down, he doubts that they’re in the clear, that it’s finally over. He thought it was the first time, then the second, and by the third he was skeptical. Now, though, he doesn’t know what to think. He wouldn’t be surprised if there was a round five, or six, or seven. Hell, he wouldn’t be surprised if it never stopped. But each and every time, they were unprepared. They were surprised, and it nearly cost them every time. But if Steve could prevent that surprise, give them all a heads up before it becomes a big problem, then maybe— just maybe— it’ll come in handy. He’ll come in handy. He’ll be useful again.

So, he walks the woods of Hawkins. His feet crunch the dead leaves piled underneath trees as he trudges through the woods. The flashlight shines long shadows on the ground in front of him, lighting up the pale gray bark of trees and making the eyes of rodents and raccoons shine amber and red.

A rustle sounds a few feet away and he jumps at the noise. He pauses and stands still, listening for the shrill chittering of demodogs or the heavy, thudding footsteps of a demogorgon. He waits, and his flashlight reveals a small fox walking out from behind a tree. He lets out a breath he didn’t know he was holding and continues walking.

His feet carry him to Lover’s Lake, the water lapping lazily at the shore with the warm summer breeze. Out here, the lights from town are distant, making the stars shine brightly and reflect in the water. Steve stands there, watches as the artificial light of his flashlight reveals the small ripples on the surface of the water, and waits.

He waits for a lumbering figure to emerge out of the murky depths, to claw its way onto the shore and stalk off into the woods. He waits for chirps muffled by water and splashing to sound in his ears as four-legged creatures swim to the beaches. He waits for the screeches of demonic bats to echo off the trees around him as they fly out of the water and take to the sky. He waits, but it never comes. The lake stays silent.

So he walks.

He follows the road leading to the lake out, letting it take him to the highway that leads out of town. His feet stop as they come across a crack in the road, the crack he took in the other world to get Eddie home safely. The crack that is closed over with black tar, leaving a dark line on the ashen gray asphalt. He remembers clawing his way out of that crack, Eddie’s lifeless body over his shoulders as he slowly bled out.

Nancy had driven her station wagon over, opening the back so he could lay Eddie down as they rode to the hospital. She had asked Steve to drive so she could patch him up, but he refused. He couldn’t leave Eddie, not when he finally got him out. Not when he was barely hanging on. So she threw the first aid kit she had stashed in her car at him and drove to the hospital. Steve had done his best to stop the bleeding, the stark white cloth immediately turning red when he pressed it to Eddie’s skin. They almost lost him. But they didn’t. He’s alive.

Eddie. Eddie.

His head swivels to the forest next to him, the one that leads straight to the trailer park, and he runs. He jumps over fallen trees, feet thudding against the dry earth and leaves as his breath picks up. Orange street lights shine through branches as he draws nearer, and he only slows his pace when he breaks out from the line of trees. His feet swiftly take him to the sight of Eddie’s old trailer, the vacant lot standing out against the fullness of the park. The wooden front steps are still there, partially broken and shifted. The grass has yet to grow in fully, bare spots of dirt showing through the green. His shoes crunch on the gravel as he takes a step closer, inspecting the ground and poking at it with his bat as if it would move. As if the gate would open up just by him being here.

It doesn’t. Steve steps back.

He turns to leave the park, eyes wandering and finding a familiar cream-colored van parked at a trailer a few rows away. Eddie and his Uncle were granted a new trailer for their trouble, really the bare minimum they deserve after all the shit they went through, but they took it in stride. Eddie and Wayne spent the first few weeks after spring break making it into their new home once Eddie was released from the hospital, and Steve had done his best to help them out. But he knew they needed time alone, time to heal, so he let them be. He hasn’t been back there since then.

He kicks a stray piece of gravel, watching as it tumbles a few feet away and disappears into the grass, as he makes his way out of Forest Hills. Houses blur by as he walks the residential streets, only stopping when his own comes into view. Steve sighs, and walks up the concrete driveway, through the large wooden doors, and into the silence of his house. He doesn’t bother taking off his shoes, reveling a little in the dirty footprints he leaves behind on his mothers’ ornate runner that covers the length of the hallway. The analog on the stove tells him it's a little past three in the morning, and he sighs. Grabbing a glass from the cabinet, he fills it up with water before shuffling out of the kitchen. He flops on the couch, sips his water, and waits.

He waits for the sun to peek over the trees in the backyard, casting long shadows on the curtains that cover the windows and glass doors. He waits for the warm rays to shine through the large window in the living room, the one that faces the road, and light up the rug that rests under the coffee table in soft hues of yellow. He sits his empty glass on the table. He waits. And he gets up.

He goes upstairs, changes his shirt, and grabs his vest. Steve slips the walkie off his belt loop and places it on his desk, the flashlight landing right beside it. He props the bat next to his chair, and Steve looks at it, looks at the bent nails sticking haphazardly out of the wood and how it splintered in places from too much force. How some of the nails are covered in dried, blackened goop and dirt. How it's sharp and dangerous, a weapon. How it’s chosen to protect.

At this moment, Steve feels like the bat. The rough wood is his exterior, the splinters through it are the cracks. The holes in his facade. The places where people got too close, where people hurt him. The nails are what makes him strong. They’re the kids, Joyce and Hop, Eddie and Robin. They’re his family. They mold him into a weapon meant to protect, to keep them safe.

But just like Steve, the bat isn’t needed until it’s necessary. Until the world is ending. But until that time comes, the bat is left out of sight. It’s hidden away, moved from place to place just in case, but never used. Never wanted.

Steve walks out the door.

His shift at Family Video passes by like every other day, slow and full of know-it-all customers that never seem to understand that he can’t magically summon movies out of his ass whenever they ask. Robin comes in around lunchtime, and they spend the rest of their joint shift making fun of the ridiculous movie covers that adorn various romcoms. He goes home alone, sheds his vest, and once again walks the town of Hawkins.

He does it again the next night. And the night after that. And the night after that. Until it’s been a week and Steve hasn’t slept for more than a couple hours a night. He doesn’t mind, just means there’s less nightmares to wake him up before sunrise.

Less nights where chittering and the thuds of heavy footsteps strike fear down to his core. Less nights where the chill of fog and night air pierce his skin, warring with his senses against the hot breath hitting the back of his neck from deadly flower-shaped mouths. Less nights where the harsh scraping of monstrous nails against rusted metal and the echoey bangs of heavy, meaty bodies against solid bus walls fill his ears. Less nights where he can feel the thick, choking air of the tunnels, can feel the wispy particles filling his lungs and coating the inside of his mouth.

Less nights filled with muffled Russian echoing in his ears, the harsh texture of rope around his wrists, arms, and chest. Less nights where the sickening crunch of fists against bone and the metallic taste of blood in his mouth linger for hours after he’s awoken, shallowly breathing and pleading to be let go. Less nights where he can feel the blood in his teeth, coating his tongue and dripping down the back of his throat, and he has to run to the bathroom to puke the phantom feeling away.

Less nights he wakes up alone, empty house hollow around him. Less nights he cries to himself in the silence of his room, wishing, hoping, yearning for something. For something to happen, to change. For something to get better. For him to get better.

On the eighth night, he finds his feet have taken him to the edge of Hawkins. The brown road sign reads ‘Leaving Hawkins! Come Again Soon!’, and it stares at him from a few feet away. He looks past the sign at the stretch of road that disappears around a curve, trees following the line of asphalt and distant street lights lighting up their leaves with an orange glow.

He thinks about what it would be like to leave Hawkins, to pack up his clothes in his car and leave town. To follow the road and go around that curve, to not worry about ever coming back. No one needs him here, not anymore, so what’s holding him back?

Maybe this will fix him.

Robin might miss him for a bit, probably curse him and his whole family when she figures it out, but she’ll move on. She’ll find someone better. Hell, she’ll probably go to Eddie too. They already have some sort of secret friendship thing going on between them anyway. Really, he wouldn’t blame her.

Eddie probably wouldn’t care. Shit, he might even throw a party celebrating the fact that he’s gone. Steve snorts at the thought, closing his eyes and taking a breath.

Would it really be so bad if he just disappeared?

But then there’s the kids, left behind with no one to protect them. Sure, Robin and Eddie and Nancy are here, but Nancy is off to Emerson in the fall, Robin surely bound to follow in similar footsteps, and Eddie has made it well-known that he’s getting the hell out of here. If everyone is gone, who will be here to protect them when it comes back?

He rakes a hand harshly through his hair, pulling a bit at the ends and hating how greasy it feels on his fingertips. He can’t think like that, he’ll just worry himself into a panic and that’s the last thing he needs right now; a panic attack on the side of the road. He turns around, walking back towards town as the sky fades into light. He gets home right when sunlight begins burning the tops of the trees and collapses on the couch, sleeping until his noon shift.

He’s exhausted when he gets home, having to close up Family Video after a ten hour shift by himself, but he knows he can’t sleep. Not now. So he does what he usually does now when he gets home and grabs his essentials for his rounds, something that’s become routine for him.

He shrugs off his work clothes, replacing it with what has become his patrol outfit; the old swim team sweatshirt and a faded, ripped pair of light blue jeans. The sweatshirt is filled with holes, the baggy sleeves having caught on briars and branches alike, that allow the white of his shirt to show through. The jeans share a similar fate, the knees scraped up and the denim fraying from the unhemmed edges.

His white Nikes are stained a gray-ish brown from the nightly treks through the woods, small bits of leaves and debris sticking to the laces and in the grooves of the tread. The flashlight finds its place in his back left pocket, an extra pair of batteries landing in his front pocket after an incident a few nights ago where his flashlight died on him out in the middle of nowhere— he was forced to stumble through the woods until the sun began to rise and he was able to find his way back home. He didn’t sleep that night.

The nail bat is crusted with dried bits of mud sticking to the slowly rusting metal, shredded bits of leaves and undergrowth tangled in a green and brown mass. Clumps of dirt litter the floor under the bat, and likely mark a line in the hallway from his room down to the front door. Steve hopes it's still there if his parents come home.

It’s dark outside, only the street light at the end of the driveway illuminates the concrete and stepping stone pathway to the front door. Steve steps out on the front stoop, taking a deep breath of cool summer night air, and starts walking.

He walks out onto the street, uncaring at this point if anyone sees him or not. What does he have to lose? Hopper would probably tell him he’s stupid— something he’s well aware of at this point— and tell him to go inside. Or maybe he would drive him home, take the bat, and leave.

A small, traitorous part of Steve wants Hop to find him. Wants him to ask what the hell he’s doing walking around at night alone in the dark. Wants him to coax him in his old beat up truck and take him back to the Byers’ house. Wants some of Joyce’s hot chocolate as he sits on the couch and explains what he’s been doing, what’s been going on. Ask, desperately, why everyone hates him. Wants them to tell him he’s wrong, that no one hates him. That it’s just a misunderstanding.

But it doesn’t happen. All of that is a lie.

It’s a lie Steve has secretly been telling himself under the cover of darkness alone in his bed, lying awake and exhausted but unable to sleep. It’s a lie he tells himself when he sees any of the kids so he can act normal, act okay. It’s a lie he tells himself when Eddie grins at him, wide and gleaming, eyes sparkling with the afternoon sun beaming in from the storefront windows.

It’s those grins, those looks Eddie gives him sometimes that almost convinces him the lie is fake. Like Eddie is sharing an inside joke with him, only Steve doesn’t know what it is. Eddie doesn’t come around often but when he does… god, it’s like he’s the only one in the room.

Eddie looks at him with his whole body, always focusing on him so wholly and touching in some way. A hand on his bicep, an arm slung around his shoulder, even his arms wrapped around his waist one time. He was friendly, they were friends, until he wasn’t. Until Steve did something stupid that he still can’t figure out and Eddie is avoiding him.

The crunch of gravel under his sole brings him back into his head a little. He looks up, finding the pale orange glow of a lamp through a trailer window, and curses. His feet have brought him to where his mind always seems to go these days: Eddie.

He stands outside of the trailer, watching the way the little bits of weeds around the base shift and sway in the wind. The sky is filled with patches of clouds, light gray ripples standing out against the black sky from the glow of the moon. Steve isn’t completely sure how he got here, only that he started walking and didn’t really… stop.

Wayne’s truck is gone, leaving only Eddie’s cream-colored van among the gravel and grass. Which means Eddie is home and, judging by the light in the window, awake. Steve has a fleeting thought that he should turn around, walk back home, and try to forget he ever came here. Try to forget that he didn’t mean to, that his head and his heart are traitorous beings that have conspired against him to bring his body to the one place— one person— where he isn’t welcome. He tries to move, to will his legs and his feet to catch up with his brain and the urge to run. But they don’t. They stay frozen to the ground, rooted in place as if they belong here. As if he belongs here.

A voice cuts his thoughts off, one that he could pick out in a crowd full of people. His eyes snap to the front door of the trailer, now open and spilling warm light onto the wooden steps that lead down to the gravel drive. A figure grows near, tall and lanky and Steve feels like he’s trapped. His thoughts get louder, yelling and screaming at him to run run ruN RUN RUN-

Hands on his shoulders. Eddie’s face in front of him.

Eddie looks panicked, his dark eyes wide and dancing around as if searching Steve's face for… something. He must not find it, because the two little lines between his brows appear and his mouth starts moving. It’s all muffled, like he’s trying to talk through glass. Steve blinks.

“-ington? Steve,” Eddie’s pleading voice finds his ears as he shakes his shoulders, the fog in his head dissipating as the strained way his name falls from his lips. Steve hums. He blinks again.

“Oh,” he breathes out, voice barely louder than a whisper. Eddie is here. He’s in front of him. He can see him. He’s here and he can see and Steve shouldn’t be here he needs to go-

“Stevie, are you okay?” The fear in Eddie’s voice cuts off his train of thought— something that seems to happen a lot nowadays— and Steve feels every sensation return to his body. The heavy hands on his shoulders, soft and warm and missing their signature rings. The distant chill of the night air on his exposed bits of skin seeping away at the small amount of space between them. The faint puff of air on his face from the man before him. The fact that all of those things are from Eddie.

Steve clears his throat, swallows. Tries to focus his eyes on Eddie’s face.

“I’m fine, Eddie. I um.. sorry,” he trails off. He tries to smile, at least give something to reassure him, to keep him from asking questions. Steve doesn’t think he could answer them.

To his surprise, Eddie lets out a breath of relief, the fear dissipating from his eyes as they clench shut and his head drops. His shoulders move with his lungs as he takes a breath before looking back up at him.

“Jesus H. Christ, you scared the shit outta me, Steve. Thought…” he trails off. His voice wavers. “Thought you were gone. Like… like her.”

Oh. Chrissy. Fuck.

“Shit- sorry, Eds, I didn’t even realize- fuck, I’m so sorry,” Steve pleads. He takes in his surroundings, realizes he’s been standing out here, alone, for who knows how long. He needs to leave. “I-I should go.”

Eddie’s brows furrow, and he tilts his head. “You don’t have to leave, Stevie, it’s fi-“ he cuts himself off.

Steve looks up at that, unsure of when he stopped looking at Eddie, and takes in his pinched expression. The one that’s trained to the ground. The one that’s trained towards-

“What the fuck is this?”

Shit.

“I-it’s not what it looks like, I swear!” He begs, voice sounding unfamiliar even to his own ears. It’s raspy and breaks after a few words. When was the last time he really spoke to anyone today?

“I don’t wanna hurt you, Eds, I really don’t- please, believe me,” he pleads. “It’s just for protection! I don’t-“

“Why are you covered in mud, Steve?” Eddie cuts him off, voice strange and cautious and his hands tighten their grip on his shoulders. Steve knows he doesn’t look the best, knows that his clothes are dirty, but he looks down at himself anyway. His eyes focus on a leaf stuck to his shoelace. He shrugs.

Eddie moves in front of him, a quick thing that Steve suspects is him shaking his head. He mumbles something he can’t hear, voice only a rumble in his throat but Steve knows enough to know that people only talk under their breath when they’re mad. When he’s done something wrong.

He pulls away. Eddie’s hands drop off his shoulders.

“I-I should go. Sorry for bothering you, an-… and keeping you awake,” Steve stutters out, clearing his throat when his voice breaks. He chances a look at him, finding concern written on Eddie’s face. It softens when they make eye contact, and Eddie shakes his head.

“I wasn’t asleep, Stevie. Don’t really, uh.. sleep much, these days. I usually just wait around for Wayne to get home to catch a couple hours. Doesn’t feel safe here by myself, you know?” Eddie confesses, mouth turned upwards in a small, sardonic smile. Steve nods. He does know, he’s never felt safe in his home. With or without people. He’s been going through it for years, long before the events of ‘83. He doesn’t say any of that though, doesn’t think he has the right to.

Eddie steps towards him, closing the bit of distance Steve made between the two, and rests his hand on the arm holding the bat.

“Come inside, Steve,” Eddie requests, voice low and soft. Eddie’s smiling at him. It’s that soft, small, Eddie smile. One that Steve has only seen a handful of times. It’s asking him to say yes, and Steve… he’s weak. So, so weak.

“Okay.”

Eddie’s smile grows.

His hand wraps further around his arm, tugging him towards the open trailer door and Steve feels betrayed that now is when his feet decide to move. He follows Eddie, watching the way he’s glancing at him the entire time. Eddie pauses at the doorway.

“Steve,” he whispers, and Steve looks at him. His hand travels down his arm, causing goosebumps in its wake despite the layer of fabric between their skin. It pauses over the hand still gripping the bat, thumb brushing along his knuckles. “Let it go.”

Steve looks at him, searches those dark brown eyes for fear or hate or anger but finds none. He only finds care. Concern. Love.

It’s terrifying.

He loosens his grip and Eddie takes it from him, the comforting weight of the bat replaced with the warmth of Eddie’s hand. He props it just inside the door to the trailer and leads him over the threshold by the grip on his hand. He’s led over to the couch where a hand on his back urges him to sit down. Steve does, and instantly sinks into the well-worn cushions.

“I’ll be right back, okay? Just gonna get you some water,” Eddie informs him, squeezing his hand briefly before releasing his grip and turning the corner to venture into the kitchen. Steve watches him go, the way the baggy and worn band shirt hangs off his frame. The way his sweatpants are bunched up at the ankle as if they’re too big for him. The way his hair is pulled into a messy bun at the back of his head that swings a little when he walks away. Even now, he’s beautiful.

Shit. He’s so gone for this man.

Eddie returns with a glass of water and flops down on the couch beside him, pressing the cool surface of the cup into his palm. He takes it with a shaky hand, his other joining it to help stabilize the glass. It doesn’t work.

He takes a small sip of water, the liquid feeling like heaven against his dry throat. They sit in silence until Steve finishes half the glass. Then, Eddie speaks.

“Why were you outside at two in the morning, Stevie?” His voice is gentle, and it makes Steve want to cry. He swallows.

“I- I don’t know,” he deflects, lies. Anything to not talk about it.

The harsh sound of a mock game show buzzer startles him, and he turns to find Eddie with his hands cupped around his mouth. Steve grins and lets his head drop, and Eddie nudges his shoulder. He takes a deep breath, focusing on the surface of the water in his hands.

“I have to keep them safe, Eddie,” he confesses. Eddie stays silent, hand gently rubbing his forearm. “It’s what I need to do. What I have to do.”

Silence stretches between them, then, “who, Steve? Who do you have to keep safe?”

‘You,’ he wants to say. ‘You almost died. It’s never been that close before, not in the four years this shit has been going on. You and Max almost died, and I wasn’t there to protect you. I wasn’t with you and Dustin to keep you both safe, to help fight off the bats and urge you through the gate. I wasn’t with Max and Lucas and Erica, wasn’t there to fight off Carver and save Max just a little bit earlier. I wasn’t there, but I should have been. Carver should have beat me to pieces, not Lucas. It should have been me the bats got to, not you. It should have been me, it should have been me, it should have been me.’

Hands fall over his as Eddie takes the glass from him. He didn’t realize his hands were shaking that bad in his revere, causing the water to spill over the sides and onto the brown carpet below them. The glass thunks on the coffee table before Eddie rests his hands over Steve’s, stills their shaking.

“Hey, talk to me, Stevie,” he practically begs. “What’s going on in that head of yours?”

Steve looks at him, sees the worry in his eyes, and wets his lips with his tongue. Doesn’t miss the way Eddie’s eyes flicker down at the movement. He clenches his fists.

“Please don’t tell Robin,” he pleads. If she found out about this, if she knew, he wouldn’t be allowed outside alone ever again. She would worry about him, keep him under lock and key to make sure he wouldn’t do anything stupid. She would stay with him during the night, insert herself firmly by his side until she was sure he was okay. She would make him sleep in his own bed, trapped between his own walls. Trapped in his own house. He can’t stand that place, can’t handle the echoey walls and empty rooms. Can’t stand not being able to do anything for anyone. Can’t stand to be useless.

He’s just wasting time right now. He shouldn’t be here, talking to Eddie, when he could be checking the gates. He should be out there trying to save people, not himself. He should be trying to save his family. He could already be too late. It might have already come back while he was distracted and they could all be gone. It could have been waiting until he was occupied, waiting for an opening to strike. They could be in danger right now. They could be dead.

“Alright, I can do that. I won’t tell her but… Steve, why-“ Steve cuts him off by standing up on shaky legs, hands clenching and unclenching at his sides. “Steve?”

“I need to go, Eddie, I need to- they could- I need to go,” the words tumble out of his mouth, words he isn’t quite sure even make sense but he doesn’t care. He just needs to get out.

Steve walks over to the door, eyes locking on the bat propped there, before he hears Eddie stand up behind him. He turns to find Eddie holding his hands out in front of him like he’s trying to placate a wild animal and, at this moment, he kinda feels like one. His heart is beating too fast and he can feel his breathing quicken. His throat closes up as panic claws its way upwards and clouds his vision, muffling his hearing. Eddie’s mouth moves but Steve can’t hear it through the cotton in his ears. He backs towards the door, hating the fear in Eddie’s eyes as he does so.

His back hits the wall next to the door and he turns, hand finding the rough wood of the bat almost instantly, before he runs out the door. The small “sorry” he lets out is an afterthought, thrown over his shoulder right before the trailer door slams shut behind him and his feet crunch on gravel as he runs towards town.

His blind panic takes him to Dustin’s house first, finding all the lights turned off save for the faint glow of the hall night light through sheer curtains. He stays there for a minute or two, waiting for the sign of flickering lights. Nothing comes.

A couple streets over, he stops in front of Lucas’s house, finds the same thing. Dark. He stands there and waits. No flickering. He runs.

The Wheelers. Dark. He waits, no flickering. He runs.

The Byers-Hoppers. Dark. Waits. No flickering. Runs.

Max. Dark. Waits. Dark. Runs.

Robin. Dark. Waits. Dark. Runs.

His house. Light.

They’re safe. He collapses.

He sits heavily on the front stoop, bat falling to the ground and knocking against the concrete with a thud. His knees come up to his chest and his arms wrap tightly around them as he rasps for breath, the air coming in short, quick bursts. His fingers dig into the soft flesh of his calves, hard enough to leave bruises. His forehead rests heavily on his knees and his eyes sting, welling with tears as the fear slowly fades away.

He sits outside, struggling for breath until the sun begins to rise, and waits. When the sun finds its way over the trees, he makes his way inside to get ready for his opening shift.

The bat finds a new home in his trunk.

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#steddie #stranger things #pre steddie #eddie munson #steve harrington #stranger things fillet #stranger things drabble #stranger things fanfiction #stranger things fic #things get better for Steve i promise #hes just having his angsty time right now #robins part is next tho so stay tuned for that #disposable heroes

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