What are some ideas you have floating around that you don't have any plans on writing but like to entertain as a thought?
Many of them, in fact! Though they sort of vanish from my memory if I don't make a record of them, here's a few ones I jotted down when they came to mind.
For a domestic one: Bill thought he'd hate a lot of being married! Even though he loves Dipper, he thought he'd rebel against the chains of domesticity - and in some ways he still does - but one major benefit he's found is not having to be 'on' all the time.
No need to be perfectly performing all the time! No shoving around for social influence, no intimidation, or clever tricks. No commanding attention or taking up the room. Hell, there's surprisingly little upkeep! Bill can undo his tie and pick his nose and bitch about his day to someone who isn't bending over backwards to agree with him on everything. Someone who doesn't give him a weird look and sneer if he, god forbid, actually wants to sit down, read a book, drop the grin for an hour or two.
The concept in question is Bill's very first moment of great surprise. That when he isn't being the most charming, terrifying, and exciting guy in the universe, and just chilling out for like, five minutes, Dipper comes over and snuggles up to him on the couch, or wraps his arms around his shoulders and kisses the top of his head. And when Bill asks 'what was that for?', Dipper shrugs and goes 'eh, just felt like it'. It's both baffling and extremely compelling.
A short where Reincarnated Dip is Definitely Sure he's Not Gay!!! Especially not for this Hot Demon Man who is getting so close and touchy with him with his big smile and horrible wiles. Yep. Just keeping an eye on him to make sure he's not up to something Nefarious ™.
A discussion between Dipper and Bill where Dipper insists that Bill should understand this, or not do that, because, like. Y'know, Bill's a guy! There are guy things! Making Bill stare at Dipper like he's an idiot. He proceeds to informs Dipper how that's stupid for multiple reasons! First, that Bill's Not Human to begin with, his gender can't be put into a little box! And frankly, he never filled out the paperwork for his original one, come to think of it. Sure, he/him's fine, but c'mon, sapling, thinking of the whole shebang like a binary is dumb as hell. Now Dipper has to do some mental readjustment re: his own issues with masculinity/gender.
77 notes
·
View notes
Since the Neighborhood are adventurers, I'd like to imagine they travel by sea a fair amount of times too! A nice boat trip while occasionally breaking out into a sea shanty, eh? (And for gits and shiggles, to keep up with the whole.. Eddie in water joke, I imagine the poor guy is clumsy enough to go overboard. He may not be unconscious during it, but it wouldn't make it any less funny with the group desperately trying to pull him back aboard-)
OH OH OH allow to ramble at length about this!!! what an idea!!! i fucking love boats & the ocean & being on the water so this ask is checking all my boxes rn
first i imagine that the length of their trips varies wildly, along with the quality due to the glorious variation in weather & bodies of water. and i'm choosing to believe this universe uses tall ships instead of like... fantasy steam ships. because i fucking love tall ships. the sails, the rigging, the elegance... an absolute bitch to maintain and maneuver <3
i imagine that depending on the ship, captain, and size of the crew, the Neighborhood may be required to help out to earn their keep. especially since they're a crew of nine eight, and some ships are woefully understaffed!
I'd imagine that Poppy sometimes takes the cook's job if the crew is currently lacking one (or if the cook wants a fucking break, jeebus it's a demanding job. there's a reason ship cooks in moves/tv are always stern & serious). Barnaby can probably charm his way into doing nothing but provide music/entertainment (much to Sally's aggravation). everyone else are plain deckhands
of course i imagine that that doesn't always happen! plenty of ships are probably content to just take their coin and tranport them. some of them (Eddie, Poppy) may still wheedle their way into helping out though. they strike me as characters that can't Not help
who i imagine loves their little water journeys: Barnaby, Wally, Sally, Wormie
neutral: Frank, Julie
hates it: Poppy, Howdy, Eddie
allow me to provide reasoning!!
Barnaby's impeccable balance probably means that he's stable as a rock even in choppy waters, and i'm reasoning that he doesn't get seasick either. his vestibular system is as solid as his sea legs! he probably finds the whole experience relaxing as anything. He gets to just recline on the bowsprit's base or wherever he isn't in the way & smoke/play his accordion/nap.
Wally just has such a love of life and new things, so why wouldn't he love being on the water? it's different! it's new every time! there are ample things to learn about and do! Home probably keeps his systems stable so that he doesn't have to deal with seasickness. though it probably takes him a little bit to find his sea legs... catch him stumbling around like a lil newborn lamb. sometimes he is facedown on the deck <3 i imagine he'd enjoy going aloft!
Sally would probably love the inherent romanticism and adventure of it all. Who knows what dangers and glory they may face! I bet she writes up a storm during this time - plenty of story material! food for the imagination! what does Anne say... Scope for the imagination, i believe! i bet she also loves having a captive audience. Literally. they're stuck on this ship with her <3
so many lines for Wormie to climb... so many little places to crawl into... new people to trick into giving her treats... down time where the Neighborhood is relaxing in one place. abundant time for affection!
Frank probably doesn't have strong feelings about it. It's a boring ship with no bugs or things to do. Except when he manages to rope crew members into having a lil impromptu fight club. Or when the Neighborhood is put to work - i wonder if he'd find the maintenance soothing or pleasant... or if he'd relish in the hard work of pulling lines
Julie is likely in a similar boat (ha) as Frank. once the initial "wow! whoah!" wears off, it can get boring! and games are limited - there's only so much you can do on a ship (depending on the size of the ship of course), and there might be strict rules to keep passengers out of the crew's way and to lower risk. She probably entertains herself by "bothering" her friends and the crew & cloudgazing.
Poppy... do i need to explain? wooden ship on the ocean, which i understand can be terrifying. who knows what lurks below the waters? if the weather will change on a dime? if one of the flammable things on board catches fire? if the ship hits something? etc. I imagine it's impossible to get her to go above decks. They have to literally push her statue-frozen body onto the ship when they first board
Howdy! honestly i just think it'd be really fucking funny if he gets Violently seasick! like, curled into a ball in his bunk & involuntarily making agonized noises. he sounds like a ghost w/ all the pained moaning. his sea legs suck unless he stances all four at the right distance to anchor himself in place. he's a weak, sickly, fragile little thing, take mercy on him... he doesn't even have the strength left to swindle or sell...
Eddie. now we get to the point of anon's ask - his sea legs would be nonexistent. he's staggering and stumbling all over the place. the ship just barely tilts and he's smacking into a mast or careening across the deck. and of course, hitting the guardrails at precisely the right speed/angle to allow him to tumble overboard. i bet this happens enough that every time the Neighborhood is so much as on a dock, there is at least one person either holding his arm or acting as a barrier between him and the water. as soon as they get on any ship, he's immediately sent below decks. any attempt he makes to come up is instantly blocked.
there's a lot of both comedic and angst potential there. small ship, calm waters? comedic. some neighbors are playing cards, there's on off-screen splash & Frank immediately sighs and gets up all "god damn it, Eddie-". lmao im imagining him floating there and rapid-fire blabbering in fear 'cause there's a shark (it's not a shark. it's a dolphin. everyone on board is so unimpressed.) he's sobbing in fear as they pull him in <3
but angst? imagine there's a storm. imagine it's an all-hands-on-deck situation, every available hand is needed, and Eddie is strong as fuck - he'd be a monster at pulling lines. probably wouldn't even need to sweat them. but a violently rocking ship, slick decks, maybe even waves splashing over the deck... oof i can so easily imagine Eddie slipping & sliding right over the side. maybe while the others watch. maybe they try to grab him, but they're too late. and in such a horrible storm, there's not much they can do - it's dark, the water is incredibly turbulent, the ship can't turn around easily, there's torrential rain. a high stress situation! i'm imagining Frank grabbing a lifebuoy, firmly fastening it to a pin, and then throwing himself overboard after Eddie. something to think about! (i'm imagining that after the storm clears up enough, everyone rushes to the side to check. Eddie & Frank are trailing after the boat, lashed to the buoy and exhausted. maybe a little banged up, but overall fine!)
and then yeah.... oh the shanties Barnaby could lead... the whole ship sings! and then them all in their bunks (or in their hammocks!) in the [insert term for living quarters here, it can vary] when its sleepytime. y'all would not believe the shenanigans that can occur in the fo'c'sle (or the main hold, basically wherever the ship's sleeping quarters are), especially before actual sleep occurs. peak silly time.
there's a lot of potential here, thank you anon!
like now i'm thinking - what about sea monsters? or jobs that Require them to go on the water, as in the job takes place on a ship? ocean battles! ocean searches!
59 notes
·
View notes
Ok, So I adore your KenBig art even though I have absolutely zero idea of what the fandom is about haha, would love to hear more about them because I can tell you're so passionate.
Thank you so much!
I am !! Very Passionate about them yes adhjfkshjks let me try to break them down for you without making it a 3 hour TED talk lmao (no promises)
So they're two minor side characters from the Thai bl series KinnPorsche, also known as The Gay Mafia Show. At the beginning of the series Big is the head bodyguard for Kinn, who he is secretly (and quite hopelessly) in love with and who is the heir to the family's mafia empire. He is Loyal with a capital L, fiercely protective of Kinn, a little (a lot) pathetic in his devotion and quite frankly a bit of a dick. Ken is just Ken his best friend, also a bodyguard for the Main Family and also a bit of a dick. He's from Australia originally and brings us delightful iconic phrases like "nice one, loser" and "are you fucking dumb, bro". Also, pineapple boxer briefs. You mostly see the two of them together and when they show up it's usually to be a bitch and/or to bully Porsche, who is the other main character and love interest for Kinn (hence the name of the show).
They're terrible people is what I'm saying. But then again so is almost everyone else on the show lmao it's the mafia ok!!
It's never explicitly stated in the show but we see other bodyguards room together (namely Porsche and Pete) so the widely accepted headcanon is that Ken and Big are roommates (oh my god they were roommates etc etc) and just because I live for this kind of thing I have convinced myself (and others, apparently! through the power of art) that while Big is hopelessly in love with Kinn (canon), Ken is hopelessly in love with Big (canon in my heart). It's about the pining and the tragedy and a secret third thing (jealousy) for me
Well. I don't want to spoil too much in case you're ever planning on watching it but it's kind of important for them, so ... towards the end of the show Big ends up sacrificing himself for Porsche (or rather, for Kinn's happiness) and dies not knowing that Ken is the mole they've been searching for and is actually working for the Minor Family (so, for Kinn's cousin and uncle who are the main villains in the series). But Ken is killed as well, at roughly the same time just at a different place and at the hand of his actual employer Gun, so they both end up dead.
Which, you know, I personally think is unacceptable because I love them and don't want it to end there, so most (but not all) of my art is set in an AU that I brainstormed with my partner @pharawee in which they both survive and then have to deal with the consequences of their actions (which is absolutely delicious to me because man!! You have Big who is so desperately loyal but has been kind of struggling to find his place now that Porsche is there, and Ken who betrayed everything Big held dear but !! Is also his best friend!!! But is he really? Has he ever really been his friend at all?? And if Ken is a traitor what does that make him who has been sharing everything with him?? Bonus points since Ken is in love with him and never wanted to betray Big personally. So much potential for angst I am telling you, it's a feast), and then eventually they find comfort in each other and carve out their own path. If you're interested you can read the beginning on ao3.
In other headcanons there's been a Thing going on between them all along and sometimes they still die. Or they don't but everything is still fucked up. Either way it's all good and I'm here for all of it hehe
So this is shaping up to turn into that 3 hour TED talk after all which is why I'll stop here, but if you have literally any other questions or are interested in hearing more I would be prepared to go on for hours lmao sorry (but not really).
72 notes
·
View notes
okay though, i am sort of dying over the izzy’s like a little kid who feels like his friend was stolen away comment from con as much as i am the he’s too emotionally immature to identify love (and call it such) one.
the love thing is like... i think sometimes when we talk about izzy and love we end up at cross-purposes because we’ve all got a different working definition of love, and i’ve always fallen into the bluest eye camp where love is never any better than the lover; so izzy can love, in his izzy way, and not have it resemble any healthy definition of love on EARTH.
which is why it’s so perfect he never labels it? izzy doesn’t do any honest introspection! if he did, he wouldn’t be fuckin izzy. so he just feels things, surges and ebbs of something he won’t name. dude’s got this ugly, thorny thicket in his chest, and to reach his own heart he’d have to thrust his hands inside the ugliest, sharpest parts and then own them, get to know them, and call them his own.
izzy’s not emotionally mature: his love is nameless and childish.
which is why the kid thing is perfect? because the way izzy deals with ed trying to change and stede... existing, the reaction of a child: they stole my friend. they broke his brain, they changed him; he’s mine, and they can’t have him.
( ‘that bitch stole my man’; not NOT an adult version of this same logical fallacy. )
because the adult truth is people do not get stolen. they make choices and new connections, and nobody cast a terrible spell over them to turn them into someone new: they just liked those people too. and it’s entirely normal to feel jealous and possessive over a friend, or long for people to be what we want them to be so they can love us like we want them to love us.
but lucius is the one who actually has that one right: people in love don’t own each other. nobody stole our man or our friend, and acting like they did does a disservice to everybody involved.
god, i love that.
99 notes
·
View notes