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#so on par with the show
foolishlyzephyrus · 1 month
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the end of time is so funny because while the doctor is grappling with his impending mortality and immense loneliness, the master is just a feral rat man that’s shooting lightning out of his hands and eating people
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lolomidi · 3 months
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The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade
I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.
There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.
NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.
ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.
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Part 1: Recap Analysis
This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.
“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.
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“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.
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“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.
More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.
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Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.
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I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…
“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.
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But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.
Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.
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It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.
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*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).
“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.
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After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.
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“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.
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And so he goes into the battle swinging and confident. Then, of course, Adam.
I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.
So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.
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His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.
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Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?
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Part 2: Closing Thoughts and Future Speculation
With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.
Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.
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But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.
Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.
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Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.
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I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).
I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.
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Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.
Or maybe I’m thinking too much into it idk lmaooooo
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sonknuxadow · 4 months
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am i the only one who still thinks that they didnt do enough with rouge in sonic prime. and not in a "she didnt get enough screentime" sort of way but in a "they didnt seem to be putting as much thought into what they were doing with her as they were with the other main characters" sort of way
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The most unrealistic part of the Teen Wolf Movie, for me? The point at which I simply couldn’t continue to suspend my disbelief?? Thanks for asking that would be:
the idea that Stiles Stilinski would willingly skip Derek Hale’s FUNERAL.
Like. There’s a LOT of unforgivable nonsense in that movie but this has to be the most egregious, right? Right??????
Cuz sure. I get it. DOB wasn’t on board for the movie, but he was kinda the heart of the show by the end, so almost every scene feels at least a little incomplete without him. The ghost of Stiles Stilinski truly haunts that entire script.
BUT I’m willing to go along with most of the ways they explained away his absence.
Everyone has an unhealthy self-sacrificing streak that makes them avoid asking for help, especially from the fragile human all the way across the country? Sure.
They’re all EXTRA unwilling to put Stiles at risk cuz they’re dealing with the Nogitsune, specifically? ABSOLUTELY.
Lydia is actively pushing him away because of prophetic dreams? A classic fantasy trope!
But I cannot stand by and allow them to claim that Stiles wouldn’t attend Derek’s funeral! That’s where I draw the line!! Because that either means that A) Stiles heard the news of Derek DEATH but didn’t think it was important enough to come to Beacon Hills for, or B) No one told Stiles that Derek died. And neither of those possibilities are even remotely believable.
Anyway this particular detail is going to have me fuming for the next 7-10 business days. Thank you for coming to my TedTalk.
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choctalksalot · 1 year
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so im regularly chewing through the homestuck turnabout au and this happened
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i cannot ever stop thinking about jade harley loneliest girl in the world
i actually have no clue how jade's house in the au looks (would it get boomed up like canon jake's would? idk) but the image spawned in my head and wouldn't leave me alone so HERE @cringefail-clown thank you for the massive amounts of dopamine :D
(jade design here along with the rest of the beta-turned-alpha kids, it's not the final one but oml i love them i love them so much GAH)
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Guys I was writing a Hannibal fanfic and I remembered a line I really liked and told myself "I should use it in my fanfic; it'd be great here" and I went to look up the quote to make sure I wrote it correctly and it was from a Hannibal fanfiction, not the show 💀
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yujeong · 3 months
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Don't overthink. I know exactly how you feel.
KinnPorsche The Series - Ep5/Ep13 (continuation from this one)
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fiotarya · 7 months
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i also drew a lil Harrow chibi so Gideon isn't so lonely on my tumblr
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cantsayidont · 1 month
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WYNONNA EARP: Cheerfully derivative supernatural Western based on a Beau Smith comic book, originally aired from 2016 to 2018 with a fourth season in 2021, about the bad girl descendant of Wyatt Earp (Melanie Scrofano), who's inherited the family curse of battling white trash demons in the small town of Purgatory with a magical revolver called Peacemaker, aided by the cynical but handsome Marshal Xavier Dolls (Schamier Anderson), her adorable younger sister Waverly (Dominique Provost-Chalkley), the mysteriously immortal Doc Holliday (Tim Rozon), and cute local sheriff's deputy Nicole Haught (Katherine Barrell), who eventually becomes Waverly's girlfriend.
Created by Emily Andras, this by-the-numbers nerd show is a great improvement on the original 1996–1997 incarnation of the comic (above left), but it's a sloppy goulash of ideas obviously lifted from BUFFY THE VAMPIRE SLAYER, ANGEL, SUPERNATURAL, CHARMED, and TRUEBLOOD, executed with the expected allotment of self-consciously quippy dialogue, cheesy special effects, convoluted internal mythology (little of which makes any sense), adolescent love triangles, and cute but rather one-note characters who act like high school kids regardless of their actual ages.
It remains watchable mostly on the strength of its attractive leads and sensible reluctance to take itself too seriously, although if you're not a connoisseur, I'm not convinced it would pass a blind taste test comparison with SUPERGIRL, LEGENDS OF TOMORROW, or other such nerd media. Also, like far too many of its nerd show ilk, its treatment of its Black characters is consistently appalling. (The Shamier Anderson character, positioned in the first season as a co-lead and romantic interest, is marginalized in a deplorable way in the second season before being abruptly written out midway through the third.) CONTAINS LESBIANS? Indeed — many were watching mostly for the Waverly-Nicole romance. VERDICT: Dopey fun if you like this sort of thing.
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yououghtaknow · 27 days
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genuinely kind of terrified as to what will happen to me when i see bare live in three (three!!!!!!!!) days. i will either go fully insane or transcend mortality or perhaps both. either way i will most likely end up full weeping.
#going to see bare with my mother will be on par with seeing deh with her in regards to our [gestures vaguely] relationship#we will hold hands. we will cry. we will have emotionally intense conversations on the walk back to the hotel.#but guys. i genuinely tried to listen to a clip of just an instrumental from the show and teared up.#bare is just. Such a big part of who i am. i literally wouldn't be anything like i am today without it and the people it brought me.#and i laugh and joke but this is Such a full circle moment for tvp nation.#like i am currently about to self-produce a workshop of my play that has professional theatre companies interested.#and all of that started from writing a silly little show about bare when i was 14 to make cool people online laugh.#and since then the plot of bare (peter's version) Has Happened To Me Twice but i have been so so brave about it#i haven't listened to the full soundtrack since last year and i've been going cold turkey in Anticipation#i just Know my ***** is going to have the most insane reactions on it.#god. it's so crazy to me. what if you were gay and catholic and an angsty pop rock punk opera teen and you grew up to be happy.#anyways. in my feels. going to have lunch and listen to bway breakdown before class.#BECAUSE I GO TO A CLASS NOW!!! EXCITING!!! it's for writing and marketing stuff :) which is super helpful and fun#anyways haven't done a tumblr rant in a while. miss you guys in my phone <3 if you're reading this i love you forever mwah
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murcielagatito · 2 years
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francy-sketches · 11 months
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they're doing who's the prettiest crier discourse on twitter dot com you cant make this shit up
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spookberry · 10 months
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Sorry that I’ve been liking so much on your blog. I just really like your monster high and Danny x Tucker art. Honestly a ship I hadn’t considered. Tho, I don’t think I’ve watched the show in a decade.
Dude ur good I didn't even notice haha
And yeah its not a very common ship, weirdly enough. Like ignoring how the fandom is a primarily gen driven community these days its kinda ridiculous how much smaller a ship it is compared to all the other options. Because its SO good!!!
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idk i just don’t trust ppl who say “billy is a racist abusive piece of shit” but then turn around and reblog jason content like. okay if u have that opinion that’s your prerogative but it’s MY prerogative to point out that it’s weird af to feel that way abt billy and NOT abt jason
#d speaks#st#billy hargrove#jason carver#like if u hate billy that is your prerogative esp as a black person. that said#these are white ppl i’m seeing who’re like billy is so racist!!!! btw here’s my blorbo jason#it’s just like ??????? does not compute#like if we’re comparing things that got said in canon. saying ‘there are types of ppl u stay away from and that boy is one of them’ and#saying to a black kids face ‘i thought u were one of the good ones’ like. those are. very on par with one another#like there are 4 characters on this show who made racist comments: troy. mike. billy. jason.#as far as i remember at least those are the Big Ones#and while i understand not liking billy and having his racism be one of your driving reasons behind that#i do NOT understand turning around and liking jason?????#mike okay! yes he was fully microaggressive to lucas but yeah he’s a protagonist#and the show does a lot to try and make u like him. he was younger than billy & jason and they also played that moment off for laughs so#like i get if you can sit there and be like i have no reason to dislike mike wheeler for his racism#troy tbh just doesn’t get any talk in the fandom so idk how ppl feel about him. he IS the only one to fully use a slur but#he’s also 13 and i’ve seen many ppl in the fandom who define morality based on this middle schoolers are learning high schoolers should have#already learned and should be better narrative so i wouldn’t be surprised if i saw ppl defending troy#but billy and jason are. very on par with one another in terms of the micro aggressions they committed and the level of antagonism#so i am just very thrown by seeing ppl hating one and praising the other like#it’s almost like they…… don’t actually care about racism and are in fact nowhere near as anti racist as they believe themselves to be#and instead just use the term ‘racist’ as a trump card to try and win arguments abt characters they don’t like without ever actually#putting any critical thought into this show and the way racism is intertwined into every aspect of it#because surprise!!!! it was written by blatant racists lmfao#fandom wank#i suppose lmao. wank in the tags at least#also to clarify. i think both billy AND jason are compelling and interesting multifaceted characters#they’re both good antagonists and they both present very good looks at The Type Of White Boy You Meet In Small Towns#stranger things
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theamazingannie · 3 months
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I’m such an emotional wreck cuz why did I start SOBBING when the fancy restaurant guy said the teachers weren’t going to have to pay for their meal
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lena-cant · 5 months
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I need everyone who got back into Doctor Who because of the new specials with Tennant back who dropped out midway through Capaldi's run to PLEASE go back and watch series 10 it's legit one of the most consistently good series of new who. I have a LOT of problems with Moffat as a writer but he actually managed to deliver a well-paced season of television for the first time in his damned life. Capaldi is at his best in S10 (no longer being forced through his dumb midlife crisis plotline) and Bill is great and it finally justifies Missy and turns her into one of the most developed Master incarnations we've seen. The finale especially is a really standout story and one of my favorites in the entire show.
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